- hace 5 meses
Pancho trabaja con su tío como repartidor de leche a domicilio; un día sufre un accidente, como consecuencia del cual queda temporalmente incapacitado para pedalear; mientras tanto, ayudado por Julia y la pandilla, realiza el reparto montado sobre un asno, por lo que sus amigos le llaman Pancho Panza.
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TVTranscripción
00:00Thank you!
00:30Thank you!
01:00Thank you!
01:30Thank you!
02:00Thank you!
02:02Thank you!
02:04Thank you!
02:06Thank you!
02:28Piranha!
02:30Shh! Oh, man! There's no way!
02:43Look at that one! Now that he's scared it off, what idiots!
02:49How many have you hunted?
02:50If I had brought a shotgun, we would have had three, for sure.
02:55Dude, you're a savage. I don't know what he wants with gutted lizards.
03:00Well, with this straw system, neither alive nor dead.
03:04I don't think this works. And I'm sorry if I offend you with my distrust.
03:08What are you saying, crazy guy? I certainly didn't catch lizards with this man.
03:13You see, come.
03:20Go on, look, okay?
03:30Through the window.
03:33Hey, hey, hey! Look.
03:34Already.
03:43He caught her!
03:46Already!
03:47He got her! You're amazing, Pancho!
04:02It's easier than pissing. Here, Tito.
04:05Get into bed tonight and you'll see that it all sticks.
04:08It doesn't take bugs to scare my sister. She scares herself.
04:13This morning he woke up crying for help.
04:15And why?
04:17And what do I feed the lizard?
04:19No, no, say. Why did he cry out for help?
04:20Because the rustlers were chasing her along the beach.
04:25Rustlers? They'd be pirates, man. I've never seen rustlers on a beach.
04:29Rustlers are cattle thieves.
04:32Well, she told him that they were rustlers and that they had knives.
04:36I'm not telling you. And they caught her?
04:38The first time yes, and that's why he was screaming.
04:40The first time. Did your sister dream about Moviola?
04:44The second time no, she didn't wake up because the masked rider saved her and she says she had a great time.
04:51Well, come on, the fear thing isn't a dream, it's a I'll see you, man.
04:56Hey, Tito, what else did Bea tell you?
04:58He didn't tell me anything.
05:00When the bandits captured her, I was telling my mother about it.
05:04And when the masked rider saved her, he was telling Desita about it.
05:08And who is that masked rider? Did he say so?
05:11No way, he says he appeared when she was escaping along the beach.
05:15And he came riding on a big, white horse, he put her on the horse,
05:19They both escaped and he says he had a great time.
05:25What I'm saying is, like a movie, he throws the glue with the desi.
05:29Hey, Pancho, are you leaving?
05:35Yeah, man, I gotta go.
05:37But my lizard is missing, you said one for each of us.
05:41Tomorrow, okay. I just have some things to do and I forgot.
05:45Since he has only caught one, the lizard belongs to both of them.
05:48Well, this one's mine, Pancho gave it to me, I'm going to raise it.
05:52You, without my help? Poor thing. What are you going to feed him?
05:59Flies and ants.
06:01Ugh! Nothing will grow like that. To make it huge, you have to give it milk and mortadella.
06:07Mortadella?
06:09It's what lizards like most. Come on, let's get a mortadella sandwich.
06:14A whole sandwich for this?
06:15For us, Memo?
06:18We give this one some crumbs and a couple.
06:20What's wrong with Pancho? Why did he leave?
06:24Pancho is crazy.
06:25Crazy? Crazy why?
06:28Crazy about your sister, idiot.
06:29You just haven't realized it yet. Every time he hears Bea, he freezes like a frozen treat.
06:34What things, right? What does my sister have that the others don't?
06:38That's life, understand it.
06:40It's that you've never been in love.
06:41No. And you?
06:42Quantity? Because I like them all.
06:46And Bea too?
06:47Ah! Not bad. But Bea's still a kid.
06:52And besides, Pancho is my friend and I don't want to cross his path.
06:58Hey, aunt.
06:59I hear.
07:00That black hat that the guy put on to go to Grandma Maria's in full force?
07:04Do you remember?
07:05Virgin, I was not to remember it.
07:07But that was four years ago.
07:09Why are you talking to me about that hat now?
07:13Well, I need it. And if the guy doesn't use it anymore...
07:16Do you have a fever, son?
07:19Well, Aunt. What isn't that?
07:21Well, tell me where the hat is.
07:24What do you want it for?
07:25Well, it's just my thing, isn't it?
07:27Already.
07:30Another little costume party with those brats.
07:33Since you've been friends with those vacationers, you've been doing some really strange things.
07:38And they are birds of passage.
07:39But we are from here.
07:41And it's not good that you're clowning around so much.
07:44You're going to become a hippie.
07:47Is that so?
07:49Well, aunt, are you going to give it to me or not?
07:51Look in the chest in the storage room.
07:53You'll be there if we haven't thrown it away.
07:55But I think it's a bad omen that you're playing with something your uncle bought to go to a funeral.
08:01May God grant that no misfortune befall us.
08:05Anything else, girl?
08:05Anything else, girl?
08:35Now I only need the horse.
08:41Oh, oh, oh, oh, oh!
09:03But, sabay, were you asleep?
09:06I forget, but hey, haven't you seen that this is a one-way street?
09:10What happened?
09:11But hasn't the child who comes out of her all milk seen it?
09:15Hey, it can be less with my milk, eh?
09:17You have to pay me for it.
09:19I have to pay for all this milk on top of that.
09:22You're ready.
09:24Well, your insurance.
09:25Because you will have third-party insurance, right?
09:28The boy has already broken, huh?
09:29That you are coming from there in the wrong direction.
09:32And who's going to give you a candle at this funeral?
09:33Well, he doesn't know.
09:35He doesn't know.
09:36What happened, Pancho?
09:40Nothing, Floro, this man doesn't understand traffic signs.
09:43Calm down, calm down.
09:46May I see your driver's license, sir?
09:47Yeah.
09:51This is a no-entry.
09:53There is a sign at the street entrance.
09:55Yes, ma'am.
09:56Yes, it is given by license.
09:59Where do I have my license?
10:00Mother of two.
10:02Come on.
10:02Please note that I have been authorized to drive motor vehicles for twenty years.
10:08And I know this is a no-go.
10:10But the thing is, I came with the car broken down, that's why I had it in first gear with the clutch half engaged.
10:15Already.
10:16So the law is the law, but there are always casuistry, man.
10:19So?
10:20Casuistry?
10:21Circumstances?
10:22Don't confuse me, don't confuse me.
10:25Look, in this town there are no casuistry or circumstances.
10:28Not even a free hand, if that's what you're referring to.
10:31Here the prohibited signs cannot be passed even with half-clutch.
10:36Pull the car back.
10:37Yes, ma'am.
10:38Don't interrupt me any more with the traffic.
10:40Yes, ma'am.
10:43Does your foot hurt, will it go away?
10:45I'm already lame for life.
10:48When it's interrupted, I'm going to split myself.
10:51The other leg.
10:53But, but not to you either.
10:55I can't explain it.
10:56The boy left at the same time every day.
10:59Yes, yes, ma'am, I'll take note.
11:00Miramar Avenue, number 13.
11:07Don't worry, ma'am.
11:08You will receive the three bottles in half an hour.
11:10And forgive me.
11:11Thank you very much, ma'am.
11:12Thank you so much.
11:15Antonia.
11:16Do you know anything about Pancho?
11:18All the Miramar customers are waiting for their milk.
11:20He hasn't made a single delivery, you understand?
11:22It's that not even one.
11:23Oh, ma'am.
11:24The burial hat.
11:26It's here.
11:28The hat?
11:29The burial?
11:29What came?
11:31What the hell are you trying to tell me?
11:32Well, that's what you're hearing.
11:34That the misfortune that was going to come is already here.
11:37And I told him so, yes.
11:39Don't play with those things, it's a bad omen.
11:42But as if nothing happened, your nephew is as stubborn as a mule, you understand?
11:46Well no.
11:46Well, it's as clear as day.
11:48Or is it that I don't speak Spanish?
11:51Some misfortune has befallen Pancho.
11:53Stop messing around, I'm the one who's going to ruin him as soon as I lay eyes on him.
11:57Don't worry, it was nothing serious.
12:00It's coming.
12:00Come in, Pancho!
12:08Sorry, Auntie.
12:09It was an accident.
12:10The mother who...
12:12What was missing.
12:13A lame man in the family.
12:15You see, kid.
12:16I told you that the funeral hat would bring us bad luck.
12:20And there it is.
12:21It's ruin, Floro, it's ruin.
12:23Our only weapon to fight supermarket competition was this: home delivery.
12:28And now, let's see what they're doing.
12:31Uncle, I already told you it was an accident.
12:33A guy who went out in the wrong direction and...
12:36And shit.
12:37What were you thinking that you didn't see it?
12:40Well, it's just that...
12:41It's that, it's that, it's that...
12:42Moonshine.
12:44Let's see if you get this through your head.
12:46We sworn members, on our own account, do not have the right to suffer accidents.
12:50Well, man, two days ago you melted the connecting rod, the van and...
12:53Yes, but it was a mechanical failure.
12:54And yours was a human error.
12:56It's not the same, mate.
12:58Let's see.
12:59Can you hear what the authority has to say on this matter?
13:02But what authority, what the hell.
13:04In here, the only authority is mine.
13:07Without fail, eh?
13:09The only thing I came to testify is because your nephew asked me to do so,
13:12is that the culpable responsibility for the accident lies with the individual who was driving the other vehicle.
13:18That is, the one who attacked Pancho's velocipede,
13:23because the individual was traveling in the wrong direction.
13:27I said.
13:28But what velocipede, what bagpipes.
13:31The only one to blame is this one, they have left me useless for pedaling.
13:35Man, it's just a sprain.
13:36They told me that in three or four days the ankle will be fine.
13:40Gentlemen, what I had to say is said.
13:47Good morning.
13:48Does it hurt, son?
13:49No, aunt, only the foot is supported.
13:51Come sit down.
13:53Careful.
13:54So.
13:59Three or four days.
14:01Next to nothing.
14:03With my skin melted and your foot in tatters, goodbye to the clientele.
14:08Antonia, prepare rice pudding for everyone,
14:11because we are not going to drink the milk.
14:13Tito and Piranha told us you had an accident.
14:21And we came to see if we could give you a hand with the distribution.
14:24It would have to be a hand and a foot.
14:28Hello.
14:29Hello.
14:30We also came for that, to offer our condolences for Pancho.
14:35And we share their feelings.
14:39I'm wondering the same.
14:42Hey, man.
14:43Why don't you tell Belino from the farm to lend me the donkey?
14:46The donkey?
14:47Do you want to milk the donkey?
14:49Come on, donkey!
14:50Come on!
14:53Come on, donkey!
14:54Come on!
14:55Come on!
14:55Come on, donkey!
14:56Come on!
14:57Come on, donkey!
15:03Come on!
15:04Come on!
15:10Come on!
15:14Come on!
15:142 milk pots and 4 yogurts.
15:23Marching, boss.
15:23Okay.
15:24Sorry, Pi, but it's flat.
15:47Don't you see that he's not holding air?
15:49And where is the puncture?
15:51We've already looked at this carefully, haven't you?
15:53We haven't seen any nails.
15:55Or he'll have blown it up, or whatever.
15:58And I'm leaving.
15:59I'm meeting Desi, I don't want to miss the show.
16:01Bye bye.
16:02Me too...
16:04Stay still, traitor!
16:05Let me go.
16:07Listen, you scoundrel.
16:09I shared my mortadella with your disgusting lizard, didn't I?
16:12And he doesn't like your mortadella, look, he hasn't eaten a single bit.
16:16Because he's not hungry yet, but when you give him the big fat one you'll see how he'll devour it.
16:20The thing is, friends are friends.
16:24And when they share the mortadella, they share the punctures.
16:28So let's walk.
16:29And you accompany the workshop.
16:31But I also want to see Pancho riding the donkey.
16:34Obligation first, man.
16:35And then devotion.
16:38Come on, man.
16:40Today for me, tomorrow for you.
16:42That's life, understand it.
16:43Where will it be?
16:59Hey, what about Pancho riding a donkey and Javi riding the tricycle,
17:02won't it be a story about your brother and the piranha?
17:05Well, now that you mention it, it sounds a little strange to me.
17:08Until the piranha puncture.
17:09But if it's a scam, he'll remember, I promise.
17:12Let's go over there.
17:25Good morning, your milk.
17:27But at a good time.
17:29We're already served today, kid.
17:31I had to go down to the drive-thru to get her.
17:33But, but you're not Pancho.
17:36Oh, no?
17:37How have you noticed it?
17:38Man, Pancho is dark-skinned and you are blond.
17:41And what the fuck, that you're not Pancho?
17:42Or are you trying to make fun of me?
17:44Well, man, keep the milk.
17:46Pancho has suffered a work accident.
17:48That's why he arrived late to the distribution.
17:50The working class already has enough problems.
17:52so that capitalists reduce the demand for products.
17:55That?
17:55This is a political rally.
17:57That I am not a capitalist.
17:59I am a worker.
18:00Yeah, like that bronze links you to the scaffolding.
18:04There's more to the world than scaffolding, chicken.
18:07I am an executive worker.
18:09Well, this milk is special for executives.
18:11It comes from a certified farm.
18:13It says so here.
18:14Listen, you fucking protester.
18:17Get out of here or I'll give you the milk.
18:19that I also have diplomas.
18:21Come on.
18:27And Javi?
18:28Are the four of them still there?
18:29I don't know, he's probably chatting with another client.
18:32Look, there it is.
18:35Nothing.
18:36Another one who wants you to cross him off the lists.
18:38I tried to convince him in a good way,
18:39but I don't swallow.
18:40Send him the invoice for what was sold up to yesterday.
18:43Well, it's already among casualties.
18:45You'll see how my uncle is going to be.
18:46You calm down.
18:48We will do a sales promotion among friends,
18:50As my father would say,
18:52and we will cover the losses.
18:53Here they are.
18:54What's the joke?
19:01You.
19:02Piranha was right.
19:04He said you were Pancho Panza.
19:08Very good you.
19:09It's very funny, of course.
19:12Well, as soon as my foot is fine,
19:13I'm going to go to the piranha and kick him in the ass.
19:16And what about you?
19:18You like those who ride white horses better,
19:21right, Bea?
19:26What do you mean by that?
19:28Nothing, I understand myself.
19:30Oh, and if you see rustlers on the beach,
19:32please let me know.
19:35Let's go, guys.
19:36Estuary.
19:37Have you heard?
19:42The hint was directed at you,
19:44for what you dreamed last night.
19:45How did he find out?
19:47Because of my gossipy brother, for sure.
19:50That's a pain.
19:51We don't say anything else in front of Tito.
19:53Then comes the teasing.
19:56Pancho Panza.
19:58He looks very funny on his donkey.
20:09Javi!
20:10Javi, son, wait!
20:13Wait a minute, are you going home?
20:14Yeah.
20:14Tell your mother not to wait for me to eat.
20:16I'm going with my friend Manolo to Cruz Solimar and we'll have a drink there.
20:20Hey, Javier, I didn't know this guy was your son.
20:22Yeah, you don't know my Javi, huh?
20:23Well, I think that's how we know each other by sight, right, kid?
20:26But I didn't know he was your son.
20:27Hey, how are those certified cows doing?
20:30Good, good, good, very good.
20:32Bye, Dad, I'll leave you in a hurry.
20:33Bye bye.
20:36Hey, Manolo, explain it to me.
20:38Why did you tell the boy about the certified cows?
20:42I guess it's a joke, but I don't understand it.
20:45Come on, don't you know your son delivers milk?
20:49But what are you saying?
20:51Are you kidding or what?
20:53Your joke, your son's.
20:55That in addition to distributing milk,
20:57political endowments or flames of the most vast that has ever been born.
21:00Explain yourself, Javi.
21:05Can't you hear me?
21:06Please, Javier, let the boy eat in peace now.
21:09Then you talk.
21:10I've already told you.
21:12Pancho, the dairy boy, has had an accident.
21:15And Quique and I have helped him with the distribution.
21:18That's not an explanation.
21:20Why did you do it?
21:21I want to know why the hell you have to interfere in that funeral.
21:25Well, it's quite clear.
21:26Pancho is a friend of mine.
21:27He was in a pinch and I helped him out.
21:30That's all, there's nothing more.
21:32Yes there is, son.
21:34It's foolish to get caught up in other people's problems.
21:37Each one must solve his own problems.
21:39Do you understand?
21:40Well no.
21:42And forgive me if what I say pisses you off.
21:44But I know that if I were in his place,
21:46he would have done the same for me.
21:48Javi, don't be silly.
21:52Everyone is where they are.
21:54And fantasies are not worth it.
21:55And he who is not in his place,
21:57all he achieves is making a fool of himself.
22:00But I can see what this is all about.
22:02Come on, son.
22:03Eat, it's going to get cold.
22:05Other.
22:06You haven't noticed anything, have you?
22:08Are a couple of fried eggs more important than what I'm saying?
22:12Look, whatever you say, there's no remedy for this.
22:14But if the food gets cold, I lose its charm.
22:18Come on, shall I make you something?
22:20No.
22:22I'll pass.
22:24The shrimp I was eating started jumping inside me when they told me about this guy's fate.
22:30Give me some baking soda, please.
22:31Oh my God.
22:35Well, you really felt bad about the matter.
22:37Look, Luisa, don't you burn my blood too.
22:39Do you think it's okay for our son to go around delivering milk?
22:42and calling the executives who don't want to buy it capitalists?
22:48Get this straight, young man.
22:49We are in a free trade area.
22:52And he who doesn't want to buy, buys it.
22:53And there's no reason to insult him.
22:55Well, it's over, you understand?
22:59This is over.
23:08And did he also scold you for being a delivery boy?
23:12Also.
23:13And this one's mother is made just like mine.
23:17Well, guys.
23:20Well, I'm taking note of your problem, but...
23:23Nothing else.
23:23I have sometimes mediated in your affairs,
23:27But I have told you that in the relationships between parents and children
23:30I'm not one to interfere.
23:34And on the other hand, we must start from a fact.
23:37That while there are minors,
23:40whether you like it or not,
23:43you owe them obedience.
23:46Do you think delivering milk bottles is a menial job?
23:49No, no, of course not.
23:52Well, my father says yes.
23:54Look, listen, boy.
23:59What do I think?
24:00Well, let's see if I can explain it.
24:03Servility is a condition of the person,
24:05never from a specific job.
24:08We live in society
24:09and all the jobs
24:11who are at the service of others
24:13and they are done well,
24:14are equally worthy.
24:15What happens is that the dignity of work is usually measured
24:20according to the remuneration in pesetas
24:23and that is where a lot of confusion comes from.
24:27We generally don't look for the job we can do best,
24:33but rather that job where we can earn the most.
24:35And so the world goes.
24:38Because that's how we are.
24:41People out of control and out of place.
24:45And to seek the opposite would be like...
24:49asking for pears from an elm tree.
24:52So you don't agree with my father.
24:55No, nor do I have to be.
24:57Everyone is the owner of his opinion.
25:00And the work that Pancho does is very worthy.
25:03because he does it with great dignity,
25:05without being ashamed.
25:06Neither do we, right?
25:07Not you.
25:08But look, there is one thing I do agree with your father on.
25:10And with this we will put an end to the matter.
25:12That you must obey him.
25:14And if he doesn't want to see you handing out bottles,
25:16well, it's finished and that's it.
25:19Well, and let's go from here,
25:21I'm going to buy you a brush to repaint the gold.
25:24That the sun has eaten away the color on the deck.
25:29What's wrong with you?
25:31It seems that you are not satisfied with the consultation.
25:34Of course not.
25:35Because if we don't give Pancho a hand,
25:37let's see how he's going to solve his distribution problems.
25:40Because that's the problem.
25:42That Pancho is lame.
25:43With servility and paternal obedience
25:45we are not going to solve anything.
25:47If not, tell your uncle.
25:48Well, let them tell him and let him sort it out.
25:50After all, he has a van, right?
25:52Well, let him use it.
25:53Yeah, with the connecting rod melted.
25:55It is not seen that misfortune is like cherries.
25:57They come out in pairs.
25:58Hello, Julia.
26:20Hello.
26:20Hello, Julia.
26:23Oh, how serious, huh?
26:24We're going to a funeral.
26:27That?
26:28My lizard has died.
26:30The mortadella was poisoned.
26:32Don't be an idiot.
26:33The mortadella was good.
26:35I ate it and I didn't die.
26:37Because you are not a lizard.
26:38Hey, hey, you're not giving it to me, okay?
26:42Lizards don't eat mortadella.
26:44If you're not hungry...
26:46Not even like that.
26:47If they don't have teeth, she will have died of suffocation or sadness from having her locked up there.
26:54Of course, idiot.
26:55You've had it in there for a long time.
26:57No way.
26:57When I put it in the sun on the terrace it was still alive.
27:01Well, he must have died of heatstroke.
27:03You should have put a hat on him, man.
27:06Well, since she's dead, let's bury her.
27:11Will you join us, Julia?
27:12Oh, no, no, thanks.
27:13Funerals depress me a lot.
27:17Even if they are made of lizards.
27:19Well, see you later, Julia.
27:21Goodbye, couple.
27:24Hey, look.
27:26Here come Bea and Desi.
27:27Invite them.
27:29Bea doesn't want to talk to him because she says he's a snitch.
27:33Come on, you guys, get lost.
27:36Hello, Julia.
27:37Hello.
27:38We've been looking for you for half an hour.
27:40How beautiful.
27:42No way, it's a mess, it doesn't come out how I want.
27:46What's wrong with you?
27:47Rarer, aren't they?
27:49It's about Pancho.
27:51You have a problem.
27:52Is your other foot broken?
27:54No way, he's still limping from the same thing.
27:56And that's the thing.
27:57That Javi and Kike have been forbidden from helping Pancho with his deliveries.
28:02Come on, who banned them?
28:03Well, who were they going to be, their respective ones.
28:06But not us.
28:07And we wanted to present a plan to you.
28:10Let's see if that's okay with you.
28:14I think I understand you.
28:16And you know what I tell you, young ladies?
28:18That?
28:21That you can count on me.
28:25Come on, man, you're a real mess.
28:27Tailgating.
28:29Hey, do you think he has to put his nose up to do what they said?
28:31We'll see.
28:32The aunts are doing it.
28:44Anything else?
28:45Not on this street, right?
28:46Hey?
28:47Nothing.
28:47Anyone has messed you up like this.
28:49I don't see any servility anywhere.
28:51And you?
28:52Neither.
28:53I would say they do it with great dignity.
28:56Good, but worse than us.
28:58That is a given, of course.
28:59But the fact is that they are doing it.
29:01And I'm happy for Pancho, you understand?
29:03It would be a shame if the gang didn't have the guts to lend a hand.
29:08They don't take off my bandages anymore.
29:10But I'm going to break the other foot to have good company.
29:12You understand me, right?
29:14Well, make him rich, she's very nice riding a donkey.
29:17Let's see.
29:18Hello, cyclists!
29:20Oh?
29:20Hello.
29:21What? What do you think of the invention?
29:23Anyone can do it, with a car and everything.
29:26Do you have much left?
29:26Nothing, three blocks and we're done.
29:28Do you mean to say, antio cara, that you don't strike a blow?
29:30And who's leading the operation? A shitty cyclist?
29:33Well, you, but get well soon, because you're already telling a lot of stories about bad luck.
29:37What's coming to us at Damas?
29:39Come on, Julio, we'll kick you out.
29:40Come on, bite.
29:40A little race.
29:41Come on.
29:42So much envy.
29:54But you don't understand, Augustine.
29:57This is a real conspiracy.
29:59They're making fun of us.
30:00Bah, it's not that bad.
30:02You take it very seriously.
30:03My daughter has been handing out bottles to help that dairy boy?
30:09And?
30:11Has everyone seen them?
30:13Well, you don't want me to scold my daughter for doing something useful.
30:17Forgive me for saying this, but you have a very loose sleeve.
30:21You are very free to let your daughter do whatever she wants.
30:23But you're doing me a disservice by not realizing that the shots are aimed at me.
30:29Well, look, I don't understand that.
30:32Well, it's very clear, my friend.
30:35I forbade Javi from doing it, didn't I?
30:37But the girls go and start doing it.
30:40Which seems even worse to me.
30:42Your daughter and...
30:43That friend of yours.
30:46What's it called?
30:47Desi.
30:48That.
30:50The one who has no father.
30:51Well, he does have it.
30:53But far away.
30:54They are separated, and you already know it.
30:56Come on, don't be nosy.
30:59I have never understood this pleasure in gossip about other people's houses.
31:03It's not gossip, Agustín.
31:06They are facts.
31:07Facts of life that are worth taking into account.
31:10Okay.
31:11It may turn out that this friend is not a good companion for your daughter.
31:16A girl who lives in that family situation.
31:20I love you, I really do, but there are times when I can't stand you.
31:24But what does that girl have to do with what her parents do or don't do?
31:30I suppose you've read something by Cervantes?
31:33Yes of course.
31:33He is that gentleman who wrote Perseas and Sigismunda.
31:38Yes, yes, we have it on a shelf.
31:40I'm talking about Don Quixote, damn it.
31:45There he says something that is very true and that we should all keep in mind.
31:49What do you mean, if I may ask?
31:51Well, look, something very simple and very obvious.
31:55Cervantes says that each person is a child of his works.
32:02That.
32:02Well, literature is something else, Agustín.
32:05I must admit that I don't like this matter at all either.
32:09Furthermore, they say that they were accompanied by the painting.
32:12Yes, you know, that Julia.
32:16The truth is that I would like Beatriz to find other friends.
32:19Oh well.
32:21Have they hurt anyone?
32:22No, then.
32:24And you'll end up driving me crazy.
32:26But anyway, all that happened was that they helped that dairy boy do his job.
32:32Is that it?
32:33Well, I think it's great that they learn that to earn a living you have to work.
32:38We should all be grateful for the lesson.
32:40Calm down, Agustín, calm down.
32:42It's not for you to get so worked up either.
32:44And you? How are you feeling, huh?
32:46You're getting all mixed up over something that's not the least bit important.
32:49I consider what Bea has done as a...
32:52That's like a moral slap in the face.
32:53Since I had forbidden it to Javi and she knew it.
32:57And back again, back again!
32:59Let's drop this matter, shall we?
33:02Okay, let's leave this matter alone.
33:03Look what day it is.
33:05Let's discuss with this wonderful day.
33:13I'm going to go for a walk at the port.
33:16I feel like walking for a while.
33:23I admire Agustín in many ways, but I think he's too complacent with Bea.
33:31It gives him too much freedom and that can be dangerous.
33:37Your daughter is at a very critical age.
33:43I prefer to have a son rather than a daughter.
33:44But what do you mean?
33:47Woman, you don't know yet.
33:50Go on, tell your son what you heard.
33:53Well, Manolito has given me to understand that that boy from the dairy is madly in love with Bea.
34:01Manolito says crazy.
34:04But that's normal things that come with age.
34:06What is not so normal, I say, is knitting a wool scarf in the middle of August.
34:14Just looking at you is making me feel overwhelmed.
34:18This?
34:19Oh, it's just a whim of my cosme.
34:23If I don't knit him a scarf for every anniversary, the poor thing gets very sad.
34:29And since we have a date on September 15th, you can see me.
34:34They are all maniacs.
34:37I don't see the joke.
34:39Well girl, for me it does.
34:49You see, on the anniversary, when I give it to her, she goes into the bathroom and comes out with the scarf on.
35:00Only with the scarf.
35:03Do you understand?
35:04Like the day we got married.
35:16It's a man's whim.
35:29Okay, okay.
35:30Oh, if instead of being a donkey she were a horse, pretty.
35:55Everything would be so different.
36:01Don't take it the wrong way.
36:03What a bastard he is.
36:06And Odea has called me Pancho Panza.
36:08You understand?
36:09And that's a cut.
36:14Well.
36:16Let's go.
36:17Hello, John.
36:26Hello.
36:27What's interesting here?
36:28I come to do business.
36:30I want to make you a deal.
36:31And what do you sell?
36:32I don't sell.
36:33I'm coming to buy.
36:34Ah.
36:34I want to bring some friends here for lunch.
36:36Well, if you give me a special price, of course.
36:38And how many of you are?
36:39Well, we are...
36:41Eight, counting me.
36:43Eight.
36:43And nine if you want to come, chanquete.
36:45And what money does he bring?
36:50This is what I have.
36:52This.
36:52That's why I'm going to make you a paella that's right in the middle of a picnic area.
36:58With soda, wine, dessert, coffee and a cigar, if you want.
37:02Come on.
37:03Okay, thanks.
37:04And what time is the little party?
37:06Well, it will be tomorrow around two.
37:09Well.
37:09Well then what you have to do tomorrow at a quarter to two,
37:11You come here to get a table.
37:13Okay.
37:14Because you know the troubles that occur here at noon.
37:16And at two o'clock sharp I have the paella.
37:18OK?
37:18See you later.
37:19See you later.
37:22What did he do to you here again?
37:34They told me you bought a white mare, right?
37:37Well no, they're wrong, Pancho.
37:40But the most beautiful mare in Andalusia.
37:43The one that trots the best in all these areas.
37:46Come on, a mare for once, Pancho.
37:49Could you lend it to me so I can take a walk?
37:52Leave?
37:53But you've lost your mind.
37:55Did you sleep well last night, boy?
37:58What have you put here already of all charade?
38:00I'll work for you as a waiter for a week.
38:02Look, even if you still work for me as a slave, I won't lend you the mare.
38:06Furthermore, what is assembled is not lent.
38:08OK?
38:09See you later.
38:10Son, I have not even lent a mare.
38:12No way.
38:13What it cost me to get my mare in condition.
38:15And also, the woman with a fountain pen and a horse, that's not suitable.
38:20That's what I want for myself.
38:21What is so, that it has been approved in conditions of the house?
38:22What's so?
38:24No, no, no.
38:26When he looked like this.
38:26What is so, that it has been approved in conditions of the house?
38:27What is so, that it has been approved under conditions of all commands?
38:28Bye bye.
38:29See you!
38:29See you!
38:36See you!
38:37See you!
38:38Here, here.
39:08Here, here.
39:38Here, here.
40:08Are you coming on foot?
40:09Yeah.
40:10I'm glad, that's a good sign.
40:12The foot is good, right?
40:14Do you want to have a beer?
40:16Well.
40:16Well, go on in there and get it yourself.
40:18You already know where it is.
40:21What brings you here?
40:23Well, I was coming...
40:24Let's see if you can come with us tomorrow,
40:26with all of us.
40:27There to Ayo's beach bar.
40:29Ah, good guy, my friend Ayo.
40:32Well, of course I'll go.
40:33And what is the reason for this invitation?
40:36Well, they helped me with the distribution.
40:38and I want to have a detail with them.
40:42With them and with them, right, Pancho?
40:44Especially with one.
40:45Sometimes one wonders
40:49why life will be so complicated.
40:52Joy for what is felt
40:53and longing for what one does not have.
40:59It's a joy that sometimes also hurts, right?
41:01You're right, Chanquete.
41:04But why would he dream of white horses?
41:08That's what makes everything more difficult.
41:11Now I'm the one who doesn't understand anything, word.
41:14Clear.
41:15Well, let me explain.
41:17But first tell me,
41:18Are you Ayo's friend?
41:20Man, yes.
41:22But a very good friend, a very good friend.
41:23Man, so, so, so, so, no.
41:25Look, an example.
41:27If I tell Ayo
41:28that I need some of your blood,
41:31I'm sure
41:33that if I ask him, he'll give it to me.
41:36But that's being too friendly.
41:38Well, but if I tell him...
41:39Wait, because I haven't finished the example.
41:41If I tell him, look, Ayo,
41:42I need you to let me have your white mare
41:44to take a walk around there.
41:45Then I'm sure too
41:47that the Tutor tells me it is not.
41:49Well, we've messed up.
41:52Ah, that's what it was about, huh?
41:55Well, look, listen to me.
41:57That mare
41:57It is something very special.
41:59Well, for Ayo,
42:00It is understood, do you understand?
42:03Sometimes I wonder
42:04why when you love a girl
42:06is capable of doing stupid things
42:07without realizing it.
42:10Hey, but...
42:11Are you going to go?
42:12to a masked ball, Pancho?
42:14No, Chanquete,
42:15not to a masked ball.
42:17But I have to do
42:18complete nonsense.
42:19If not, I feel like a failure.
42:22See you tomorrow, Chanquete.
42:23See you tomorrow.
42:23We'll see you tomorrow at the beach,
42:25don't fail?
42:26Yes, man, yes.
42:27See you tomorrow.
42:27Pancho,
42:44be careful.
42:45Crimes against private property
42:47they are punished
42:48by the penal code.
42:50You are Lucas's friend,
42:51the post commander, right?
42:53Man,
42:54I know him.
42:56But what if I need help,
42:57give me a hand.
42:59I have to fulfill a dream
43:00and that is more important than anything,
43:01Whitebait.
43:03See you later.
43:22Thank you.
43:52Thank you.
44:22Thank you.
44:52I'll wait for you in Calachica
45:05when the sun touches the mountain.
45:08Come alone,
45:09the masked rider.
45:19Come on!
45:20Come on!
45:20Come on!
45:22Come on!
45:23Come on!
45:27Come on!
45:29Come on!
45:30Come on!
45:32Come on!
45:32Come on, miss!
45:33The lady before!
45:34Come on, hurry up!
45:35Thanks, Chanquete.
45:36Thank you so much.
45:37Oh my goodness!
45:38I don't know if I'm going to be able to do it.
45:39Yes, because...
45:40You test before you speak
45:42and you'll see how you change your mind.
45:43Should I add a little more?
45:44No no.
45:46No no!
45:46You don't have one, do you?
45:47Yes, fast.
45:48A little bit of a beat!
45:50Hey, Piranha!
45:50Oh my goodness!
45:51You are happy!
45:52Come!
45:56He's an excellent boy!
45:58He's an excellent boy!
46:00He's an excellent boy!
46:03And it always will be!
46:06And it always will be!
46:08Hey!
46:08Come on, let's do it!
46:12Well, let's attack!
46:13Go Piranha!
46:14Go for it!
46:21It's great!
46:23Frankly good!
46:24Look, what I told you before
46:37I hope in every girl
46:41When the sun sets over the mountain
46:43Come alone
46:44The Masked Rider
46:45Who will be the joker?
46:48Namely
46:48There is no need for these hooligans
46:50You wish it were true, huh?
46:52If it were the boy in the dream, yes
46:54If I were you
47:02I would go to the appointment
47:04As?
47:06I advise you
47:07It can be very beautiful
47:09And maybe it is something
47:10May you never forget
47:12But you have to go alone
47:13And you should not be afraid
47:15Can you know what mysteries
47:24Are you bringing yourselves?
47:25Ah, Julia
47:26I forgot
47:26Has it been a long time since this happened to you?
47:28Through those orchards
47:29What's near Ayo's house?
47:32Well no
47:32Well, this afternoon
47:34I'll wait for you there.
47:35Shortly before the sun
47:37Touch that mountain
47:39It's a love date
47:41It is a date of honor
47:44Let's see Ayo
47:46Racing on a motorcycle
47:46Since you've never seen him run in your life
47:48Ayo, Ayo
47:53Stop, what's wrong with you, man?
47:55Sanquete, a very big misfortune
47:56What happened to me?
47:57Very big
47:57Has your mother died?
47:58Even worse than that
47:59Man, there's something worse than that, Ayo.
48:01Yes, they robbed me.
48:02I got to Blanca
48:03Well, calm down.
48:04Don't worry
48:05Don't worry
48:05Because it hasn't happened to you
48:07No, don't worry.
48:08That we know everything
48:09What do you mean you know everything?
48:10Yes, everything
48:10And don't worry
48:11And don't go and report it
48:12From the Civil Guard
48:13That's where you were going, right?
48:14Look, and the right one was going
48:15Then come with us.
48:16You're going to make fun of me on top of that.
48:18Then how am I doing today?
48:19Go on, tell her, Julia.
48:21But if there is nothing to say, Ayo
48:22What do you mean there's nothing to say?
48:24You are coming with us
48:25And that's it
48:26Yes, you will see it with your own eyes.
48:28And where am I going with you?
48:29To Calachica
48:37And where am I going with you?
49:07To Calachica
49:09To Calachica
49:10To Calachica
49:11To Calachica
49:12To Calachica
49:13To Calachica
49:14To Calachica
49:15To Calachica
49:16To Calachica
49:17To Calachica
49:18To Calachica
49:19To Calachica
49:20To Calachica
49:21To Calachica
49:22Why are you scared, girl?
49:44But you're Pancho Panza!
49:46Shit! This isn't a donkey!
49:49Well, don't be so upset, man. I can see it's a horse.
49:52She's a mare, the best mare in Andalusia, just so you know.
49:56Don't go overboard either.
49:58Well, please don't ever call me Pancho Panza again.
50:02Okay.
50:03Come on, now get in. We'll give you a ride.
50:22Hey, you dreamed about a white horse the other night, right?
50:27Well, maybe it was a mare. The thing is hard to distinguish, especially in dreams.
50:33But was she white?
50:34Yeah.
50:36Well, thank goodness, because getting here with this mare has cost me a lot of sweat. And it could cost me more.
50:42But do you like the walk?
50:43I think it's great.
50:44Hey, when you left with the masked man on his horse, what happened?
50:50Hey?
50:50Yes, delicious. So I'm going to tell you about it.
50:53Are you never going to trust me?
50:55No.
50:56No!
50:56No!
50:56No!
50:59Hey!
51:00Yay!
51:26You wouldn't say the lad doesn't ride well, would you, Ayo?
51:29Sanquete, I don't know if he rides well or badly.
51:31Now, the scare that Panchito has put in me, no one can take that away from me now.
51:37When I'm going to catch him, and he's going to be with me, the little caterpillar for three weeks,
51:41But working in a bar, he's going to wash my dishes, he's going to pick up my cigarette butts,
51:46She's going to sweep my picnic area and serve me.
51:48That Panchito is going to do all the things to me.
51:50But Ayo, look, thanks to his mare, a dream has come true.
51:53Don't you think it's nice?
51:56Ayo, look, thanks to his mare.
52:26Ayo, look, thanks to his mare.
52:56Ayo, look, thanks to his mare.
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