- 6 months ago
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🎥
Short filmTranscript
00:00:00THE END
00:00:30The End
00:01:00Dancy, what do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten o'clock at night?
00:01:49Well...
00:01:51I don't know.
00:02:21I don't know.
00:02:22I don't know.
00:02:23I don't know.
00:02:24I don't know.
00:02:25I don't know.
00:02:26I don't know.
00:02:27I don't know.
00:02:28I don't know.
00:02:29I don't know.
00:02:30I don't know.
00:02:31I don't know.
00:02:32I don't know.
00:02:33I don't know.
00:02:34I don't know.
00:02:35I don't know.
00:02:36I don't know.
00:02:37I don't know.
00:02:38I don't know.
00:02:39I don't know.
00:02:40I don't know.
00:02:41I don't know.
00:02:42I don't know.
00:02:43I don't know.
00:02:44You're not really smart.
00:02:45But my goodness.
00:02:46He's a hell.
00:02:47Dr. Johnson, will you come in, please?
00:02:48Dr. Johnson, will you come in, please?
00:02:59Yes, I can.
00:03:01Listen to me, Drogo Gaines.
00:03:02What do you think you're doing?
00:03:07What's the matter with him?
00:03:08I think he's nuts.
00:03:10Here he is, doctor.
00:03:11My goodness.
00:03:13We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:16Okay.
00:03:17There we go.
00:03:18There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:33Hey, Drogo.
00:03:34Come on, wake up out of this thing.
00:03:37Well, what now?
00:03:39Well, of all things, to happen to me.
00:03:41Yeah, happen to you.
00:03:42If you'd married the dope two weeks ago, we'd have had the ten million, and we wouldn't care whether he did go goofy.
00:03:47Ma, it's all your fault.
00:03:48Well, if you'd only let me marry Jerry Van Sniven.
00:03:50He had plenty of dough, and besides, I might have learned to love him.
00:03:52How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we going to do?
00:03:57We can't let those people eat all that food and stuff.
00:03:59Who's going to pay for it?
00:04:00You go out there and tell them it's been postponed.
00:04:02All right.
00:04:02Are you all right?
00:04:11Oh, yes, I'm all right.
00:04:13You mean to say that you heard everything we said?
00:04:15Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:20I realized what a momentous step I was taking.
00:04:22But now that I know where your affections really are, it's probably all for the best.
00:04:26All for the best?
00:04:27You're making a monkey out of me, leaving me at the altar?
00:04:30Well, I'm very sorry.
00:04:31Wait a minute.
00:04:34Everybody in this house thinks you're crazy.
00:04:36Now, listen to me, Drogo Gaines.
00:04:37You're going to marry me, or they're going to think you're crazy for the rest of your life.
00:04:40Oh, I don't understand.
00:04:42Helen, how are you going to influence those people?
00:04:43Help!
00:04:44Help!
00:04:45Let me go!
00:04:46Let me up!
00:04:47Let me go!
00:04:48Helen, what are you doing?
00:04:51Help!
00:04:52Don't let him go!
00:04:53He's crazy!
00:04:55Help!
00:04:56Mother!
00:04:57Somebody come and help me.
00:04:58He's gone violent.
00:05:00Help me!
00:05:00What's the matter, dear?
00:05:01My poor child!
00:05:16Good morning, Mr. G.
00:05:20Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:24The Hopedale Club.
00:05:30I can't stay in a place like this.
00:05:34I'm sorry, Mr. G., but I'll have to refer your complaint to Dr. Thorndyke.
00:05:38Now, eat your breakfast like a good boy.
00:05:40I don't want any breakfast.
00:05:42Please, Mr. G., you mustn't.
00:05:48Dr. Thorndyke!
00:05:48Thorndyke!
00:05:56Oh, pardon me.
00:05:57Have you the time?
00:05:59No, I'm sorry.
00:05:59I have my watch.
00:06:00Here.
00:06:01Take mine.
00:06:02Oh, no.
00:06:03But listen.
00:06:04I...
00:06:04I want to see Dr. Thorndyke.
00:06:17Just have a seat.
00:06:18You're a progressing splencher.
00:06:43Now, drop in and see me any time you like. Always glad to have you.
00:06:47Thank you, Doctor. Thank you.
00:06:52Mr. N, do you mind if I send Mr. G in ahead of you?
00:06:55Not at all.
00:07:06Well, well, Mr. Gaines. Glad you dropped in.
00:07:09We'll call you Mr. G here.
00:07:12Are you feeling better?
00:07:13No, I'm not. I mean, I never felt bad.
00:07:16Oh, I mean...
00:07:17Now, don't excite yourself.
00:07:18I'm not exciting myself.
00:07:20I just want to get out of here.
00:07:22Of course. They all do at first.
00:07:24But you'll soon learn to like us.
00:07:26We like you.
00:07:28That's just dandy, Doc.
00:07:30And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. G?
00:07:39Oh, that?
00:07:41A little man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:47Would you mind letting me have that again, please?
00:07:50Well, that is...
00:07:52He thought he had a pin that he put in a flower that I haven't got.
00:07:57The...
00:07:58Now, look. I was just...
00:07:59I understand perfectly.
00:08:01Wait a minute.
00:08:02A fellow simply gave me a flower.
00:08:05And a very pretty flower it is, too.
00:08:07Oh!
00:08:08Look, Doctor.
00:08:09There's nothing wrong with me.
00:08:11Of course, there's nothing wrong with you, Mr. G.
00:08:22Now, Doctor.
00:08:24Now, look.
00:08:25Look.
00:08:34Cute.
00:08:35Listen, Doctor Thorndike, I've had enough of this foolishness.
00:08:38You've got to let me go.
00:08:39Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:43I've no alternative but to keep you here until your conduct improves.
00:08:47But listen!
00:08:48Now, don't make it hard for yourself.
00:08:50Finish dressing and go out in the sun.
00:08:52We're allowing you the full run of the grounds.
00:09:09Oh, I'm sorry. I didn't know you were fishing.
00:09:30What did you think I was doing?
00:09:36Good fishing?
00:09:38Excellent.
00:09:40Caught many?
00:09:41Nope. Never catch any.
00:09:44It's a sort of new idea when it comes to fishing.
00:09:47Yeah, sure. Brighter than I thought you were, Mr. Gaines.
00:09:50Sit down.
00:09:51Oh, you know me?
00:09:53Know all about you.
00:09:55Carraway's my name. Colonel Carlton Carraway.
00:09:57You've heard of Carraway Seeds?
00:09:59Well, I'm the whole corporation.
00:10:01I didn't like the business, so I came here on my own accord.
00:10:04I like it here.
00:10:05I don't. I'm going to escape.
00:10:07Oh, no, you're not. The walls are too high.
00:10:10Why'd you come here if you don't want to stay?
00:10:12I didn't come. I pulled a little stunt in self-defense.
00:10:16Oh, yes. That Newton girl.
00:10:18While you were looking at her eyes, she was looking at your checkbook.
00:10:22Well, I didn't know.
00:10:23And Agnes. She kissed you when you bought her a yacht.
00:10:27You'd have done better with a canoe.
00:10:30And that Argentine tomato. What was her name?
00:10:33Conchita Watmazuma.
00:10:35You bought her bracelets and called her angel.
00:10:38And she said,
00:10:39Mi pichoncito eres mi todo.
00:10:41Sounded sweet, didn't it?
00:10:43Just mean sucker.
00:10:45You certainly know a lot.
00:10:48Yes, that's why I'm here.
00:10:51Tell me, Colonel.
00:10:53How does a fellow know when he's found the right girl?
00:10:57The signs.
00:10:59Signs?
00:11:00Yeah.
00:11:01I don't understand.
00:11:02Well, now, supposing a girl crossed her fingers and you crossed yours at the same time.
00:11:11That's a sign.
00:11:13Go!
00:11:14What's the matter?
00:11:15Oh, I caught a fish.
00:11:17Well, I'll never be able to fish here anymore.
00:11:20Come on, young Drogo.
00:11:21What are you going to do now?
00:11:22I'm going to photograph the fish. Everybody does that.
00:11:24Are you leaving, Colonel?
00:11:25Yes, this place is no good. There's too many fish.
00:11:32Something I could do for you?
00:11:36No.
00:11:38Now this, Mr. G, is the broom and daisy.
00:11:41The what?
00:11:42The broom and daisy.
00:11:43Probably the finest camera ever invented by the human mind.
00:11:46Now, don't let her frighten you and don't ask how she works or you'll spoil all the fun.
00:11:51Now.
00:11:52Take one step forward.
00:11:54Two backward.
00:11:56Just a mite forward.
00:11:58Now what are you playing?
00:11:59That's another invention of mine.
00:12:01I never focus the camera.
00:12:03Anyone can focus the camera.
00:12:04I focus you.
00:12:05Now.
00:12:06Are you ready?
00:12:07Hold it.
00:12:08There you are.
00:12:09That merely takes the photograph.
00:12:11Now we develop it.
00:12:19Come in.
00:12:23Morning, Colonel.
00:12:24Morning, Harry.
00:12:25Meet Mr. G.
00:12:26How do you do?
00:12:27How do you do?
00:12:28And now we shall see what we shall see.
00:12:35We release the gadget A.
00:12:38Seize the dingus B.
00:12:40And grasp the photograph.
00:12:42See?
00:12:43And there you are.
00:12:44It's blank.
00:12:45Yes.
00:12:46That's the wonderful thing about the broom and daisy.
00:12:48You never can tell what's coming out.
00:12:49Sometimes I get the most amazing pictures.
00:12:52Not very often.
00:12:55Uncle Carlton, you're going to stay with me at the country place.
00:12:57Dr. Thorndike and I think you'll be much happier there.
00:13:00Oh, but Harry, I like it here.
00:13:01I know, but you've got to leave here sometime.
00:13:03You've been here long enough.
00:13:05People are starting to ask embarrassing questions.
00:13:07Oh, Harry.
00:13:08Not another word.
00:13:09I know what's best for you.
00:13:10You get your things together and I'll call for you in the morning.
00:13:12You understand?
00:13:13Yes.
00:13:14Well, goodbye.
00:13:15Goodbye, Mr. G.
00:13:17Gee.
00:13:18I hope you have fun playing with your fish.
00:13:25I'm embarrassing him, that crackpot.
00:13:28He seemed all right to me.
00:13:29Oh, he did, did he?
00:13:30Come here.
00:13:35Look at that.
00:13:44What's the matter with that?
00:13:45He's a member of the fire department.
00:14:02That's just it.
00:14:03He isn't.
00:14:04Well, most likely the whole thing's my fault anyway.
00:14:06When he was a little lad, I bought him a toy fire engine to play with.
00:14:09Said he wanted to be a fireman.
00:14:10He never outgrew it.
00:14:11He's been playing fireman ever since.
00:14:13Oh.
00:14:14Go to his country place.
00:14:16Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:20I'll...
00:14:21I'll run away.
00:14:22That's what I'll do.
00:14:23I'll escape.
00:14:24But you said you couldn't escape.
00:14:25No, I didn't.
00:14:26I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the Blooming Daisy, I'd escape tonight.
00:14:31Well, I have a...
00:14:32a hundred and twenty dollars.
00:14:33A hundred and twenty dollars?
00:14:34Say!
00:14:35Say, that's enough to put the Blooming Daisy on a paying basis.
00:14:37But the Blooming Daisy won't even take a picture.
00:14:39Shh!
00:14:40You know that.
00:14:41And I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now, look.
00:14:45You meet me at the woods near the river at nine o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:48We'll meet people.
00:14:49Real people.
00:14:50None of the money-grabbing kind.
00:14:52Don't forget to bring the money.
00:14:53Yoo-hoo!
00:14:54What kept you so long?
00:14:55The fool guard didn't show up in time.
00:14:56It couldn't escape unless a guard was there.
00:14:57It wouldn't be strategic.
00:14:58Hey, take that pole and knock those rocks off.
00:14:59The equipment's there.
00:15:00What for?
00:15:01The boat, of course.
00:15:02We've got a launcher.
00:15:03I knew this life would be too good to last.
00:15:04Why, how did this escape years ago?
00:15:05You call this thing a boat?
00:15:06Yeah, stop all that fiddle paddles.
00:15:07Get this stuff on board.
00:15:08There you are.
00:15:09Here.
00:15:10Here.
00:15:11Here.
00:15:12Here.
00:15:13Here.
00:15:14Here.
00:15:15Here.
00:15:16Now, give me a hand.
00:15:17Ball ashore that's going ashore.
00:15:18Shhh.
00:15:19How far do you expect to get in this thing?
00:15:20Who wants to get far?
00:15:21We just want to get.
00:15:22Eve ho, my hearty.
00:15:23Blueze.
00:15:24Obrey.
00:15:25He's the hearty.
00:15:26yani justemasar ár oldu muhti cannot êmafrağı.
00:15:28Oh, oh, oh, oh, oh, oh, oh.
00:15:30Oh, oh, oh, oh, oh, oh.
00:15:31Oh, oh, oh, oh, oh, oh!
00:15:32Hello, Mr. Naughty.
00:15:33Well, oh.
00:15:34It's good, Mr. Naughty.
00:15:36Oh, oh.
00:15:37I'm fear that we have not been a Boutingіє,
00:15:38Here.
00:15:40Lord.
00:15:41Well, my hearty.
00:15:42I've been to...
00:15:43h Seal saved.
00:15:44Oops.
00:15:46I'm not talking about it, or something.
00:15:47Well, I'm knocking it slightly more than gdzieś.
00:15:49If you've come on in this所,
00:15:51I am singing the chair.
00:15:53Have Mr. Gaines sent to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:02Why, this whole thing is preposterous.
00:16:14Hello, Miss White.
00:16:16Miss White, notify the police.
00:16:18The sea's as smooth as glass.
00:16:22We're not at sea. We're in the middle of the river.
00:16:24My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:28That's not salt water.
00:16:30I never said it was.
00:16:32I made a statement that the salt water never hurt anybody.
00:16:36Oh, you're impossible.
00:16:38This rat's impossible. It's probably sinking.
00:16:40The server's right if we both drowned.
00:16:42I never should have listened to you in the first place.
00:16:44Oh, playing the coward, eh?
00:16:46Why is this silly river so shallow you could wade ashore at any time?
00:16:50It is?
00:16:52Well, I'm going to wade.
00:16:56This must be the wrong river.
00:16:58Oh.
00:17:00Oh.
00:17:03Silly old river shallow, huh?
00:17:05Well, you must have hit an air pocket.
00:17:11Waterfalls.
00:17:12Waterfalls?
00:17:13Give me that thing, we'll go.
00:17:15Oh, that's a silly statement.
00:17:17People don't go over falls and rats.
00:17:19They only go over and back.
00:17:36Well, that wasn't just enough, you hope.
00:17:38I can't even have broke my neck.
00:17:40Well, all's well that ends well.
00:17:41Say, what's the idea of throwing things and destroying people's property?
00:17:43I'll have you know, madam, that I have just perpetrated the most magnificent escape in my long and brilliant record of achievement.
00:17:58Escape?
00:17:59Well, that's it, eh?
00:18:00I might have known.
00:18:01Well, now that you know, would you mind telling me how to get to a telephone?
00:18:04Listen, you're not going anywhere to pay for what you broke.
00:18:07And a case of Kewpie Dolls cost nine bucks.
00:18:10Well, here's twenty dollars. Keep the change.
00:18:13I said nine bucks. No more, no less.
00:18:16That's the smallest I've got. You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:21Come on, come on. Play up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:26Ah, shoot!
00:18:29Say, you're soaking wet.
00:18:30Sure, I've been waiting.
00:18:32Here you are, my lad.
00:18:33Change into something of mine. I always carry extra equipment.
00:18:36Oh, no, I'm all right.
00:18:37Now, go ahead. We can't carry on with sick troops, you know.
00:18:39You can change behind the car.
00:18:41Make it snappy.
00:18:48Say, uh, what's he done?
00:18:50It isn't what he's done, gal.
00:18:52It's what he might do.
00:18:54His instincts, you know, are all bad.
00:18:57He's been a terrible trial to me, but I've done the best that I could.
00:19:01If he but had the love of a good woman, someone to bring out the finer things in him,
00:19:06to restore his self-respect, then again he could become a man among men.
00:19:11Oh-ho!
00:19:13Moore's carnival!
00:19:14Yeah.
00:19:15Penguin Moore.
00:19:16That's me.
00:19:17You own this?
00:19:18Yeah, the hall works.
00:19:19Tight lights, music, the gay pleasure-mad throngs.
00:19:20What throngs?
00:19:21Merlin' a figure of speech, my girl.
00:19:22Merlin' a figure of speech.
00:19:23Ladies and gentlemen, right over this way.
00:19:24Oh, come on, fellas.
00:19:25Why, hello, Penguin.
00:19:26Glad to see you back.
00:19:27Hi, Alice.
00:19:28Uh, you got change for 20?
00:19:29Are they still making those things?
00:19:30Are they still making those things?
00:19:31Oh-ho!
00:19:32Oh-ho!
00:19:33Oh-ho!
00:19:34Moore's carnival!
00:19:35Yeah, Penguin Moore.
00:19:36That's me.
00:19:37You own this?
00:19:38Yeah, the hall works.
00:19:39Tight lights, music, the gay pleasure-mad throngs.
00:19:40What throngs?
00:19:41Merlin' a figure of speech, my girl.
00:19:42Merlin' a figure of speech.
00:19:43Why, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:47Are they still making those things?
00:19:51It won't make you fat.
00:19:52It'll make you thin.
00:19:53Come on.
00:19:58Yum, yum, you're so delicious.
00:20:01You're sweeter than an angel cake.
00:20:05I'll bet an even baker's dozen
00:20:08That every bee that's buzzing
00:20:11Tell this pretty flower you're his long-lost cousin
00:20:16When you promise me kisses
00:20:20The filling in my sweet toothpaste
00:20:24Because your lips are more enticing
00:20:27Than Grandma's chocolate icing
00:20:29Yum, yum, yum
00:20:34I keep a pantry full of sugar and spice
00:20:44Strawberry jam and everything nice
00:20:51But what could be much sweeter
00:20:55Than someone like yourself?
00:20:59You belong on my top shelf
00:21:08Yum, yum, yum
00:21:10You're so delicious
00:21:12You're sweeter than an angel cake
00:21:16I'll bet an even baker's dozen
00:21:19That every bee that's buzzing
00:21:22Tell this pretty flower you're his long-lost cousin
00:21:26When you promise me kisses
00:21:31The filling in my sweet toothache
00:21:35Because your lips are more enticing
00:21:38Than Grandma's chocolate icing
00:21:40Yum, yum, yum
00:21:43Yum, yum
00:21:51You are the first lucky lady
00:21:53To get the dollar court great for 25 cents
00:21:55Right down that way, lady, and to your left
00:21:57As soon as we get changed to the $20, we're on our way
00:22:04Now listen, young lady
00:22:05I've been waiting long enough
00:22:07Either you give me $120 or this show is the tax
00:22:10Now patience, sheriff, patience
00:22:12I do not like to be rushed while I am bathing
00:22:15In fact, I like to soak
00:22:17After 47 minutes, you ought to be waterlogged
00:22:28Oh, you come right out of there, young lady
00:22:31Or I'm going to come over there and pull you up
00:22:33Why, sheriff, police, after all
00:22:43What's going on here?
00:22:44I was waiting for the head of this year's show
00:22:46To get out of the shower
00:22:47Well, I'm the head of the show
00:22:48Boy, you are
00:22:49You blew Brownville last night
00:22:51Owing money to several citizens of our community
00:22:53For use of the lot, gas, electricity, water
00:22:56Matter of fact, you didn't pay for nothing
00:22:58Just a minute, sheriff
00:23:01What is the attachment on this show?
00:23:03$120
00:23:04$120
00:23:05Well, there's your $100
00:23:06And here's your $20
00:23:07Now, thank you very much, sheriff
00:23:09That fixes up everything
00:23:10Wait a minute, mister
00:23:11I never ask anyone to pay off anything on my show
00:23:13Who said I was paying off anything on the show?
00:23:15I merely want to buy the photographic concession for the colonel
00:23:18You mean, you want to pay $120 so the colonel can use that Bloomin' Daisy around here?
00:23:23That's right
00:23:24Well, let me tell you, mister
00:23:25It ain't worth it
00:23:26It's worth a lot more than that to me
00:23:27Now, goodbye, Miss Moore
00:23:28And thank you very much
00:23:30Say, not a bad guy
00:23:34And cute, too
00:23:36Well, goodbye, colonel
00:23:37And lots of luck with the Bloomin' Daisy
00:23:39Where are you going?
00:23:40Back to New York, of course
00:23:41That's my suit you got on?
00:23:43Oh, it is
00:23:44Well, I'll send it back to you
00:23:45Which one of you is Penguin Moore?
00:23:47I am, why?
00:23:49Well, I'm Clem Prouty, owner of this lot
00:23:51And I want that $20 rental in advance that she promised me
00:23:54Well, say, can't you give us a little while?
00:23:56Nothing, Dawn
00:23:57I'll give you just 10 minutes to get the money
00:24:00And either you'll put up or pack up
00:24:02And I'll be waiting right here
00:24:12Wait a minute
00:24:13I'll get $20 from these yokels for my Indian remedy
00:24:16If it's the last act of my life
00:24:21Now, where do you think you're going?
00:24:23Well, with you, of course
00:24:24Nowhere else to go
00:24:25Now that the source of livelihood's been cut off
00:24:27What a pity
00:24:28And to the lack of only $20
00:24:30Oh, I never saw such a mess
00:24:31There must be some way to make $20
00:24:33Say, I've got another attachment on the Bloomin' Daisy
00:24:36That I saved for just such an emergency
00:24:39Now you put one here, one here, and one here
00:24:47Well, I'll try anything once
00:24:52Here you are, young lady, take care of my bag for me
00:24:54Sure, bud
00:24:55Thank you
00:24:57Beg your pardon, stranger
00:24:58You look like an intelligent person
00:25:00One who'd be interested in making a little easy money
00:25:02Sure, who's gonna mind me?
00:25:04I am
00:25:05But in order to accomplish this feat
00:25:06I shall have to secure a portion of your chewing gum
00:25:08What good gum gonna do you?
00:25:09Ah, that's the secret
00:25:10I've made hundreds of dollars that way
00:25:12Now, we attach the little pea to the chewing gum
00:25:16We attach both to the interior of the shell
00:25:19And its whole
00:25:21Follow me, stranger
00:25:22I'll show you how it works
00:25:27Well, well, well
00:25:28The shell game, eh?
00:25:29The object of this game is to find out which shell the little pea is under
00:25:33I've had a lot of experience along that line
00:25:35Say, your shoelaces untied, young fella
00:25:39Tell you what I'll do, young man
00:25:40I'll bet you $20 that I can tell you where the little pea is
00:25:43I'll bet you $22
00:25:44$20 is all I want
00:25:45$20 is the limit
00:25:46Wait a minute, take your money back
00:25:47It was my idea
00:25:48Oh, no, you don't
00:25:49I had my money up first
00:25:50You're unfair, sir
00:25:51Took it, in fact
00:25:52Just a minute, just a minute
00:25:54Say, young fella
00:25:55Didn't I have my money down first?
00:25:56Yes, I guess you did
00:25:57That gives you the first chance to play
00:25:59Sorry, mister
00:26:00Well, it's an outrage
00:26:01Money won that way
00:26:02It'll do you no good
00:26:03Now, gentlemen
00:26:04Which shell hides the little pea?
00:26:05That one
00:26:08It ain't there
00:26:09No
00:26:10Too bad, gentlemen
00:26:11Too bad
00:26:12Better luck next time
00:26:13It's amazing
00:26:14The man must be a wizard
00:26:15I'm glad I didn't bet any of my own money
00:26:17And there you are, ladies and gentlemen
00:26:19The great Indian princess Yo-Yo in the flesh
00:26:22She speaks not a word of anything but her native tongue
00:26:25Now, she brings this tonic to you from the sands of the desert
00:26:28The rocks of the mountains
00:26:30The land of the mighty red man
00:26:32Now, you've never seen a sick Indian
00:26:34They're all big, strong mighty men of nature
00:26:39And why are they all big, strong mighty men?
00:26:42Because they use Princess Yo-Yo's Indian tonic exclusively
00:26:46And now, my good people
00:26:48This wonderful remedy is worth $5 a bottle
00:26:51But we're not going to charge you $5
00:26:54Oh, no
00:26:55Nor $2
00:26:56Nor $1
00:26:57No, sir
00:26:58You're going to buy this wonderful tonic for just $0.25
00:27:02And because of the great affection the princess has for the people of this community
00:27:07With every two-bit purchase
00:27:09We're going to give you a bow
00:27:11Made by the princess's own brother, Eaglebee
00:27:14Now, you say to yourself
00:27:16What will I do with just a bow?
00:27:18Well, we'll tell you
00:27:19With every $0.25 purchase of the Princess Yo-Yo's tonic
00:27:23We're going to throw in an arrow
00:27:25So that you have the tonic and the bow and arrow
00:27:28All for the trifling sum of $0.25
00:27:31Come on now, folks
00:27:33Step up and get that first bottle
00:27:35Don't miss this amazing opportunity to buy this great tonic
00:27:38For $0.25 a bottle
00:27:40Or five bottles for $1
00:27:42Let me just take one bottle and pass it down among you
00:27:45Just pull the cork out of that, my friend, and take a smell
00:27:48And don't forget, ladies and gentlemen
00:27:50That you get a bow and an arrow free with this purchase
00:27:53Miss Jinx
00:27:55Here's the $20 you need
00:27:57Would you mind keeping an eye on the Colonel's camera for me?
00:28:00Why, sure
00:28:01Thank you
00:28:02Okay
00:28:03And now, folks
00:28:04Step right up and get your bottle
00:28:05Well, Colonel
00:28:06Where's he going?
00:28:08He thinks he's going to New York
00:28:10He's the constable now
00:28:12I'm constable
00:28:13Constable, there's your man right there
00:28:14And I am as guilty as he is
00:28:16You come along with me too then
00:28:17You can't fornake me out of money, you city slickers
00:28:20First you make me look ridiculous with that fish
00:28:22Then you almost drown me on that silly raft of yours
00:28:26Next we become entangled with a broken down carnival
00:28:29And you get a bright idea on how to acquire $20
00:28:33And we land in jail
00:28:35If you'd kept your mouth shut
00:28:36I would have been on my way to New York right now
00:28:38Are you sure you told that girl to take good care of the Bloomin' Daisy?
00:28:45Couple of tough fellas, they put up a great struggle
00:28:47But I took them single-handed
00:28:50Nobody ever gets away from me
00:28:56Jay Hosserpads
00:29:00I told you they was desperate
00:29:02They must have dynamited
00:29:03Well, this looks like an outside job
00:29:13Do you realize we've broken the law of leaving the jail in that manner?
00:29:16Well, let's go back
00:29:17Maybe you can think of a better way
00:29:20I guess Morris is liable to get herself into serious trouble
00:29:23If we're caught, she'll be as guilty as we are
00:29:25Don't think she doesn't know it
00:29:26She's one of those regular people I've been telling you about
00:29:32Let her go
00:29:33Let her go
00:29:43Ah, howdy, Colonel
00:29:44Well, ho, girls, how are you?
00:29:46Jinx
00:29:47Yeah?
00:29:48Take him in with you
00:29:49Cops might be here any minute
00:29:50You know what to do
00:29:51Right
00:29:52You come with me
00:29:53Oh, Miss Moore, don't you think?
00:29:54Don't orge you, come on
00:29:55Oh, Miss Moore
00:29:56If you get a chance to talk with him
00:29:57Keep your fingers crossed for me, will you?
00:29:59Okay, Colonel
00:30:00She sure isn't giving herself the worst of the deal, is she?
00:30:05Come on, Snapshot Willie, give me a hand
00:30:07Thank you
00:30:08Welcome home
00:30:15Sit down and make stuff at home
00:30:17Oh, thanks
00:30:22Miss Moore, I want you to know that I appreciate what you've done for us
00:30:25Oh, Skip it
00:30:26You got my show out of a jam and I got you out of one
00:30:28Have a piece of pie
00:30:29Oh, thank you
00:30:33Do you always put salt on your apple pie?
00:30:34Sure, why?
00:30:35Well, I put salt on mine, too
00:30:37Salt what?
00:30:38Well, Miss Moore, don't you think that could be a sort of a sign?
00:30:41Sure it is
00:30:42It's a sign we both like salt in our apple pie
00:30:44You know, you're not a bad looking guy
00:30:51Talk like you've been to school
00:30:53You're kind of a fellow that any girl might fall for
00:30:59Nothing wrong, though, is your instincts are all bad
00:31:02My instincts?
00:31:03Yeah, they're kind of crooked if you ask me
00:31:05Why, Miss Moore
00:31:06I want you to know that my business integrity has never been questioned
00:31:10Oh, stop talking like a gentleman of circumstance
00:31:13You mean you don't like gentlemen of circumstance?
00:31:16I should say not
00:31:17Gentleman is just a polite word for loafer if you ask me
00:31:22Oh, why don't you get an honest job and go to work?
00:31:25You might make something out of yourself
00:31:27I'll keep my fingers crossed for you
00:31:30You did it
00:31:31Did what?
00:31:32You crossed your fingers
00:31:33So what?
00:31:34Well, Miss Moore, that is a sign
00:31:36Wait a minute, what is this sign language?
00:31:39Well, when a boy and a girl both cru...
00:31:42What's that?
00:31:43It ain't the curfew
00:31:52This is it, Morris Carnival
00:31:54All right, Sheriff, if you go that way, I'll go this way
00:31:56We'll search every truck
00:31:57Right
00:32:02Get down
00:32:03What?
00:32:04Get down
00:32:05I don't...
00:32:06Come in
00:32:09What do you mean by breaking in on a lady's privacy?
00:32:13I'm looking for a couple of jailbreakers
00:32:16There ain't no privacy when desperate criminals is at large
00:32:22I got every reason to believe they're right with this carnival
00:32:26Well, you don't think I'd have them in here, do you?
00:32:29You never can tell
00:32:31Pardon, ladies, but I'm looking for a couple of fugitives
00:32:40Fugitives?
00:32:41Mmm!
00:32:42Oh, if you find anybody, you save the prettiest one for me, will you?
00:32:45Very funny
00:32:46Well, any success?
00:32:51No, not a trace of them
00:32:52Well, what'll we do now?
00:32:53Well, I think we'd better get to a telephone and notify every sheriff in the state
00:32:55That's a good idea
00:32:56Excuse me, Sheriff
00:32:57I'd like to suggest my remaining here and keeping an eye open, just in case
00:32:59Well, it'll be all right with me
00:33:00Thank you, sir
00:33:01Oh!
00:33:05That was close!
00:33:06Okay, Colonel
00:33:07How do you feel?
00:33:08Good night
00:33:19He stopped
00:33:20Oh, don't worry
00:33:21We can always use him for a camp chair
00:33:22Oh, get me out of it
00:33:23Oh, don't let he get you down...
00:33:24Colonel, I had an uncle that was that way for years
00:33:25He got us from looking through keyholes
00:33:26Now relax
00:33:27That's it
00:33:28Here, hold him
00:33:29That's it
00:33:30Here, relax. You're too tense. Come on, relax.
00:33:33That's it. There you are.
00:33:35Here. That's it. Here. Straighten up.
00:33:37Now, how do you feel? Oh, I'm fine.
00:33:38You sure enough? Oh, fine.
00:33:39I have three or four more ideas. Oh, no.
00:33:42Miss Moore, I've caused you a lot of trouble.
00:33:44I'd like to be of some help, if there's anything I can do.
00:33:47Why, sure you can be of help.
00:33:49As a roustabout in this show, you probably won't be worth your salt,
00:33:52but at least it's an honest job.
00:33:54Go back and tell the girls to come up here and you bunk with the Colonel.
00:33:57A roustabout?
00:33:58Yeah, a roustabout.
00:34:00Oh, thank you.
00:34:30Pull it, tie it.
00:34:31Swing it, hit it.
00:34:32Pull it, tie it.
00:34:33Ha, ha, ha, ha.
00:34:34Ha, ha, ha.
00:34:35Ha, ha, ha.
00:34:36Oh, calliope chain.
00:34:38Put on your bonnet and bloop again.
00:34:40Oh, when you go bloop, bloop, bloop, bloop, bloop, bloop, bloop all my cares away.
00:34:57Last week, a tiger.
00:34:58Last week, a bloop, bloop, bloop, bloop, bloop.
00:34:59Last week, a bloop in the derby named Geiger said he could tame a cat.
00:35:03Just then, I played hold that tiger.
00:35:05The tiger now holds the guy's hat.
00:35:08So, calliope chain.
00:35:10Put on your bonnet and bloop again.
00:35:13Oh, when you go bloop, bloop, bloop, bloop, bloop, bloop all my cares away, away.
00:35:19Oh, oh, oh, calliope chain.
00:35:31Calliope chain.
00:35:32Put on your bonnet and bloop again.
00:35:35Blue, blue, happy the live long day.
00:35:39Whoa, whoa, whoa.
00:35:41Calliope chain.
00:35:42Calliope chain.
00:35:43Put on your bonnet and bloop again.
00:35:46Blue, blue, blue, bloop all my cares away.
00:35:49As we go bloop in the derby named Geiger said he could tame a catquill.
00:35:56Just then, I played hold the tiger well.
00:35:59The tiger holds the hat.
00:36:01Put on your old sun bonnet while we swing this sonnet.
00:36:07When you bloop, you bloop, you bloop my cares all away.
00:36:16Good morning, gentlemen.
00:36:18Good morning.
00:36:19Ready for breakfast?
00:36:20Oh, oh, breakfast.
00:36:21Serve it right here.
00:36:22No hurry.
00:36:23We usually work a little around here before we eat.
00:36:25Work?
00:36:26Yeah.
00:36:27Put those on.
00:36:28I protest.
00:36:29I'm a concessionaire with this carnival and I wear what I please.
00:36:32I don't care how you dress so long as you pound those tent steaks.
00:36:35A little work never hurt anybody.
00:36:42Good morning, Miss Moore.
00:36:45Oh, hiya, Joe.
00:36:46Oh, Miss Moore, I've had a pretty good offer from the Jones show.
00:36:49It isn't that I want to leave.
00:36:51I have a wife and kid back in Connecticut, you know.
00:36:53Oh, I understand, Joe.
00:36:54I don't blame you.
00:36:55Well, your pay's been a little slow, but, well, we'll get along all right.
00:36:58I'll send you back pay as soon as we have a few good days.
00:37:01Oh, forget it any time.
00:37:02Oh, a trooper's nothing.
00:37:04If I could ever get paid, I'd quit this dump in a minute.
00:37:06What are you crabbing about?
00:37:07Crabbing?
00:37:08She hasn't paid me a dime in months.
00:37:10Don't you ever think of anything else besides money?
00:37:12Why don't you try smiling once in a while?
00:37:14You know.
00:37:15Ha, ha, ha.
00:37:16Laugh and the world laughs with you, you know.
00:37:17Oh, baloney.
00:37:18Oh, why don't you try being like me?
00:37:20Oh, that's too much.
00:37:21Ha, ha, very funny.
00:37:23Well, at least I like everybody.
00:37:24I'm a little happy.
00:37:25Did you ever see any...
00:37:26Oh, now, wait.
00:37:28Lest I go through all this again.
00:37:30Really, I have enough trouble.
00:37:31Bye.
00:37:32Oh.
00:37:33Oh, now, wait a minute.
00:37:34Let's get this thing straight.
00:37:35You see, I'm really not an Indian.
00:37:36Only kidding with that yo-yo stuff.
00:37:37You know, just kidding.
00:37:38In fact, I was born in Brooklyn.
00:37:39You know, Brooklyn would be...
00:37:40Oh, no, wait, wait, wait.
00:37:41Mr. Gaines.
00:37:42Oh, good morning, Stan.
00:37:43Oh, good morning to you, sir.
00:37:44I've been dreadfully worried about you.
00:37:45A man of your position in an environment of this kind.
00:37:47Don't worry about me.
00:37:48I'm all right.
00:37:49Well, I'm glad you're here.
00:37:50You're here.
00:37:51You're here.
00:37:52Mr. Gaines.
00:37:53Oh, good morning, Stan.
00:37:54Oh, good morning to you, sir.
00:37:55I've been dreadfully worried about you.
00:37:56A man of your position in an environment of this kind.
00:37:58Don't worry about me.
00:37:59I'm all right.
00:38:00Well, I'm glad to hear that.
00:38:02Is there something I can do for you, sir?
00:38:04No, nothing at all.
00:38:05Well, if you're not too busy, you might try poundings of steaks for me.
00:38:07No, Colonel, that would never do.
00:38:09Just stay around in the background.
00:38:10I'll see you later.
00:38:11Yes, sir.
00:38:12Come on, Colonel.
00:38:16Oh-ho!
00:38:17What an invigorating morning.
00:38:19I'm ready for an order of scrambled eggs, a rasher of bacon, and a huge pot of coffee.
00:38:23All right, you guys, start pounding this row of steaks and that row of steaks over there.
00:38:27Then you can eat breakfast.
00:38:28I protest.
00:38:29I'm a concessionaire.
00:38:30So am I a concessionaire, but we pound steaks around here before we eat.
00:38:33I said that I would...
00:38:34I said pound that steak.
00:38:36Yes, sir.
00:38:41Oh, say, just a minute.
00:38:42What's on your mind?
00:38:44How would you like to be the head man of the best carnival in the world?
00:38:47Who wouldn't?
00:38:48Well, how much would it cost?
00:38:49About 200 grand.
00:38:50I'd like to have you pick one up for me.
00:38:52Wouldn't you like a nice new electric train set, too?
00:38:55No, wait a minute.
00:38:56You don't understand.
00:38:57Stand up!
00:38:58Where would a punk like you get 200 grand?
00:39:00Yes, sir.
00:39:01A blank check, please.
00:39:02Yes, sir.
00:39:03I want you to accompany this gentleman.
00:39:05I'm going to buy a carnival.
00:39:06A carnival, sir?
00:39:07Yes.
00:39:08Let's fill this check in for any amount necessary.
00:39:10I want the very best.
00:39:11Do you understand?
00:39:12Yes, Mr. Gaines.
00:39:13Say, listen, if this check bounces back on me, I'm going to bounce right back on you.
00:39:16I beg your pardon.
00:39:17You're speaking about Mr. Gaines.
00:39:18We never have check trouble.
00:39:20Now, if you'll just come with me, we'll attend to everything.
00:39:22Hey, this is all over my head.
00:39:24I don't understand.
00:39:25Let me know when it's ready.
00:39:26Yes, sir.
00:39:32Take care of your own steak.
00:39:33I'm having trouble enough with this one.
00:39:40You pound this roll.
00:39:41I'll pound the other one.
00:39:42Okay?
00:39:43Okay.
00:40:11Okay.
00:40:27Okay, boys.
00:40:32Hey, Colonel, come on over and help with these.
00:40:34You'll do no such thing.
00:40:35It's a fine job, Colonel.
00:40:36Your steaks are all down.
00:40:37You go ahead and have breakfast.
00:40:38Thank you, Miss Foote.
00:40:40Oh, good morning, Miss Moore.
00:40:41Oh, I didn't mean...
00:40:42You notice the Colonel finished all of his, don't you?
00:40:43Oh, yes, but he...
00:40:44Don't interrupt.
00:40:45Look, you pound these steaks before breakfast, and if you can't do that, well...
00:40:48Well, hi, officer.
00:40:50Hope you like...
00:41:12And the sooner the better.
00:41:13Oh, but why?
00:41:14Why?
00:41:14Well, I got word from the last town that you hit
00:41:17that you're carrying a couple of crooks with you.
00:41:19So come on, get going.
00:41:20Oh, now, look, Sheriff.
00:41:21I said get going.
00:41:24Okay.
00:41:25All right, boys, pack it up.
00:41:30I beg your pardon, Sheriff,
00:41:32but I believe if you give me a moment,
00:41:33I can straighten out this little misunderstanding.
00:41:35Can that stuff?
00:41:36No, no, no.
00:41:36I want to present you with a portrait to take home to your wife.
00:41:39Oh, well, that sounds all right.
00:41:40Well, you stand right there, not too far away.
00:41:43Right there, while I extend the lens,
00:41:44turn the little wheel.
00:41:46Yes.
00:41:46And pull the bulb.
00:41:47Are you ready?
00:41:48Yes.
00:41:48Hold it.
00:41:49That's it.
00:41:50I've had great success with these family portraits.
00:41:52If you'll bear with me just a moment
00:41:53while we go through the developing process here
00:41:56and pull the little string here,
00:41:58I believe I'll show you something
00:42:00that your wife's going to be very happy about.
00:42:01That thing is getting out of town
00:42:13before I run you in.
00:42:21Swing in, hit in, pull in, fly in, swing.
00:42:24I hope the new carnival will be the finest thing on wheels.
00:42:37I want to make Penguin really happy.
00:42:39Now, listen, young Drogo.
00:42:40Your idea of romance is a yacht here,
00:42:42a bracelet there,
00:42:44an urban coat thrown in,
00:42:45and now a new carnival.
00:42:46Why, you're just a checkbook lover.
00:42:48Don't you know by this time that this girl is different?
00:42:50All together now.
00:42:59Push.
00:43:00That's it.
00:43:02All right.
00:43:03That's going to do you no good in the mud.
00:43:05Get up out of the mud there, young Drogo.
00:43:07We can't have this kind of efficiency.
00:43:08See?
00:43:20Say, you're getting to be an expert at this.
00:43:40Oh, thanks.
00:43:41As a matter of fact,
00:43:42you've been doing so well lately
00:43:43that I've decided to promote you to a better job.
00:43:45Oh, that's great.
00:43:47Well, what's it going to be?
00:43:49Here's your new outfit.
00:43:51Put it on tonight and you'll understand.
00:44:01Oh, no.
00:44:03You again.
00:44:04How?
00:44:05Listen, for the last time,
00:44:06I am not an Indian.
00:44:14Wait.
00:44:15What is this?
00:44:16You and...
00:44:18Oh, here.
00:44:19Look.
00:44:19No coming valentines.
00:44:20Now, go away.
00:44:21I'm busy.
00:44:23Colonel, I can't go out there like this.
00:44:25Why not?
00:44:26You look beautiful.
00:44:27That's just the trouble.
00:44:28Now, ladies and gentlemen,
00:44:30the feature free attractions of the show.
00:44:32The world's greatest area of artistes.
00:44:35So, one and only,
00:44:36Miss Penguin Moore,
00:44:37assisted by Don Cavalero.
00:44:39No, I...
00:44:45I can't...
00:44:46Take off your robe.
00:45:04Oh, you know?
00:45:10Let's take off your mezze ideas.
00:45:15Oh, you know?
00:45:16Let's take off your home.
00:45:18Next time's Winnie French.
00:45:21The End
00:45:51Ladies and gentlemen, I...
00:46:21Oh, okay, officer. We'll be on our way.
00:46:28But listen, girl. Can't you see your way to give him another chance?
00:46:33You saw what happened tonight, Colonel. I gave him a chance, but he just doesn't belong in show business.
00:46:37Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business. Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46The feature act of every show we ever played in.
00:46:49Drogo?
00:46:51Drogo?
00:46:53Aerialist?
00:46:54Mm-mm.
00:46:56Drogo.
00:46:58Equestrian?
00:47:00Mm-mm.
00:47:00Well, there was a Drogo. Drogo's Lion Act. Or was it Drogo? Drogo's Lions. Was that it?
00:47:13I didn't say it, girl. Now remember, I didn't tell you.
00:47:18But Drogo's Lions. That was the greatest act that ever played under the big top.
00:47:22Well, I can see it now. London, Paris, Vienna. The applause of thousands.
00:47:29What made him give it up?
00:47:31What's that?
00:47:32Boy, there he stood. Night after night. With guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl. He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:51He's making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:48:01Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I want to talk to you.
00:48:05Well, Miss Moore, I want you to know that I can make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:21You look like that, Drogo. You're making me feel so foolish.
00:48:27All I can and help.
00:48:34You're going to.
00:48:36You're going to go right back to the top where you belong.
00:48:38You won't get in with the wrong people this time,
00:48:40because I'll take the guns out of your hands every night.
00:48:44Guns?
00:48:45That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:48I know we're going to get along swell together from now on.
00:49:00Colonel, what do you think?
00:49:01What?
00:49:02Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05She was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:13What do you mean? I don't know anything about the show business.
00:49:16Well, I know you don't and you know you don't, but...
00:49:19But what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:32What kind of a showman did you tell her I was?
00:49:34Well, I told her you were a lion tamer.
00:49:37A lion...
00:49:37Colonel, come back here.
00:49:41Why did you tell her that?
00:49:42Well, there's no lions with this show.
00:49:45No.
00:49:45Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff in the truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:49:57Yes, ma'am.
00:49:57Thank you, sir.
00:50:10Here, come here.
00:50:15You sit right down here.
00:50:17Stay out of my way.
00:50:18I'm busy.
00:50:23Stay there and don't move.
00:50:25Glad to see you, Penguin.
00:50:44How are you?
00:50:44Oh, fine.
00:50:45Sorry to get you up at this hour.
00:50:47Oh, that's all right.
00:50:48We couldn't sleep anyway.
00:50:49What's on your mind?
00:50:50Well, I got a spot in my show for your lions.
00:50:52You still got them, haven't you?
00:50:53Sure, there they are.
00:50:55Come on.
00:50:56Say, I got the best lion trainer in the business.
00:50:58How about letting me take them and then the season will split?
00:51:01Well, it's okay with me if it's okay with Mo.
00:51:03It's okay with me, Joe.
00:51:05Matter of fact, I'm glad you came.
00:51:06We were just talking about turning them over to the zoo.
00:51:09Business has been so bad, we can't even feed them.
00:51:11Take a peek.
00:51:12They don't look underfed to me.
00:51:17Me either.
00:51:18In fact, they look powerful healthy.
00:51:22There's nothing to worry about.
00:51:24All you got to do is follow the instructions in this book.
00:51:26Gives you their names, the tricks they do and everything.
00:51:29Well, that's swell.
00:51:31Here you are, Willie.
00:51:31Read it over carefully.
00:51:32From now on, you're taking care of them.
00:51:34Come on, let's go.
00:51:35Okay, we'll give you a hand.
00:51:37You mean...
00:51:38I guess you do.
00:51:42Nero rolls over.
00:51:46Nero?
00:51:48Nero?
00:51:52Nero, roll over!
00:51:58That did it.
00:52:05Good morning, Miss Moore.
00:52:07Good morning, Drogo.
00:52:08I think you ought to know, though, what the colonel said.
00:52:10Oh, don't blame him.
00:52:11I'm happy to know that you're one of us.
00:52:13Well, I certainly do want to be one of us.
00:52:16There's something I want you to have.
00:52:19Belonged to my dad.
00:52:20He was a lion trainer, too.
00:52:22Oh, thanks.
00:52:24Drogo, I want you to know how I feel about your scenes.
00:52:28We're both showmen.
00:52:29I liked you from the start, but that was as far as could ever go because,
00:52:33well, I had no idea you were my kind.
00:52:36Miss Moore, I think you ought to know the truth.
00:52:38Never mind.
00:52:39It's what's going to happen that counts.
00:52:41I'll certainly do my best.
00:52:43You have any scratches on you?
00:52:45Didn't the lions ever claw you or jump you?
00:52:47To tell the truth, they never did.
00:52:49Gosh, you must have been great.
00:52:52Wouldn't you like to take up where you left off,
00:52:54cracking the whip and hearing the applause?
00:52:57Wouldn't you do it for me?
00:52:59I guess I'd do just about anything for you.
00:53:01Well, here they are.
00:53:04Not much after what you've had, but it's the beginning.
00:53:07They're lions.
00:53:08Don't expect too much of them because they haven't been worked for quite a while.
00:53:18Is you going to train them, love?
00:53:22Uh-oh.
00:53:23Oh, it's no use, Colonel.
00:53:39I can't go through with it.
00:53:41Now, don't be silly.
00:53:42Now, look, you're a millionaire, aren't you?
00:53:44What's that got to do with it?
00:53:46Everything.
00:53:46Why, you'd be the first millionaire lion tamer in the world.
00:53:49Think of the honor.
00:53:50And besides, I'm sure that nothing will happen to you.
00:53:53Those lions are easy to work with, aren't they, Willie?
00:53:55That's what it says here.
00:53:56There, you see?
00:53:57Now, look, I'm going to show you once more.
00:53:59You need have no fear.
00:54:01Why, no lion has ever been known to pass a chair.
00:54:04Now, you advance boldly.
00:54:07Chair in one hand and whip in the other.
00:54:09All right, ladies and gentlemen, step right up and buy yourself a ticket to the greatest thrill of your life.
00:54:33Thank you, fearless folks, the one and only, the world's greatest lion tamer, is going to face fire, the most ferocious.
00:54:42How's it going?
00:54:43Oh, couldn't be better.
00:54:44Step right up, ladies and gentlemen, here you are.
00:54:47Forget the smelling salts.
00:54:48Yes.
00:54:48The bandages.
00:54:49Yes.
00:54:50The iodine.
00:54:51Yes.
00:54:53I forgot something.
00:54:54What?
00:54:55I forgot to feed.
00:54:56Shh.
00:54:59What's the matter, boy?
00:54:59Colonel, I can't go through with it.
00:55:04Well, you love her, don't you?
00:55:06All you've got to do is to remember what I told you.
00:55:08When you get in that cage, keep chatting with that chair and cross with your whip.
00:55:13Listen, little boy, listen.
00:55:14What a crowd.
00:55:19Hurry up, Joker.
00:55:20We can't hold it much longer.
00:55:21They're waiting for you.
00:55:22The lions?
00:55:23No, the people, silly.
00:55:25Gosh, you look wonderful.
00:55:26Now, go on out there and knock them cold.
00:55:29Tell me, Colonel, is he thrilled?
00:55:32Thrilled is not the word for it.
00:55:33He's trembling with anticipation.
00:55:36You want to go in now?
00:55:37No.
00:55:38Oh, I've got a better idea.
00:55:42There.
00:55:43Up.
00:55:43Places.
00:55:44Zero.
00:55:45Caesar.
00:55:46Up.
00:55:47Renanick.
00:55:48Holy.
00:55:50What are you trying to do, Colonel?
00:55:53He's working the cats from the outside.
00:55:55Yes.
00:55:56Well, you wouldn't expect the great Drogo to do the usual thing.
00:55:59Anybody can work lions from the inside of a cage.
00:56:01What a man.
00:56:03He's working them from the outside.
00:56:05That may be swell, Colonel, but I don't think these yokels understand that.
00:56:10I'll tell them to do it the easy way.
00:56:14Yes.
00:56:14Yes.
00:56:16Drogo, I think you'd better do it the regular way.
00:56:18Oh, I can do it fine from out here.
00:56:20I know, but these people don't understand.
00:56:22I think you'd better work on the inside.
00:56:23Okay, folks, everything will be fine in just a minute.
00:56:31Oh, there's what have to happen to me.
00:56:33What's going to happen to you?
00:56:35Well, can't you see?
00:56:35The rain is going to ruin the act.
00:56:37We can't put it on.
00:56:39Ow.
00:56:39Willie, put them away.
00:56:41Yes.
00:56:41It's just a little shower.
00:56:50All right, my head.
00:56:51All right, my head.
00:56:52How am I going to get back to my trailer?
00:56:57There you are.
00:57:06I'm the queen of you, Drogo.
00:57:08Oh, no business.
00:57:17Did you do that on purpose?
00:57:18What do you think?
00:57:19Did you do that?
00:57:28You figure it out.
00:57:29Why, you.
00:57:30You.
00:57:31Now, wait a minute.
00:57:32If you hadn't let your snooping instincts get the better of you,
00:57:34all this wouldn't have happened.
00:57:36After all I've done for you,
00:57:38why, for two pins, I'd...
00:57:40Oh, you poor kid, never mind.
00:57:44Someday you'll have a fine new carnival.
00:57:46I don't want a new carnival.
00:57:48All I want is good business for this one.
00:57:51You mean you don't want a new carnival?
00:57:53No.
00:57:53Come on.
00:58:18I should have known you years ago.
00:58:29I should have known the way you smiled.
00:58:34Long years ago.
00:58:37I miss so much and dreamed so little before you set my heart aglow.
00:58:51I should have known the way you smiled.
00:58:58I should have known the way you smiled.
00:58:59I should have known the way you smiled.
00:59:00I should have known the way you smiled.
00:59:01I should have known the way you smiled.
00:59:04I should have known the way you smiled.
00:59:06For memory lane should have known the way you smiled.
00:59:09For memory lane should seem much sweeter, if I had known you all the way.
00:59:21Oh, I'm so jealous of the flowers in spring
00:59:28For they know more than I about you
00:59:35They heard your laughter and the songs you sing
00:59:44Through all the years I spent
00:59:51Without you
00:59:54I wish that I could truly say
01:00:02That I knew you long before today
01:00:10But we'll go on
01:00:18From here together
01:00:21And I shall love you all the way
01:00:36Wonderful girl, Penguin
01:00:43Real, sincere, different
01:00:47Yes, the others are all alike
01:00:49But she's different
01:00:50I know, my boy, I know
01:00:52Love, love
01:00:54What follies are committed in thy name
01:00:57That's Francis Bacon
01:00:59Speak love
01:01:01If you speak love
01:01:02That's William Shakespeare
01:01:04Love is like hash
01:01:06You've got to have confidence in it
01:01:09To enjoy it
01:01:10That must have been Bob Hope
01:01:12Well, go to sleep, my boy
01:01:15Or, uh, how are you?
01:01:29Good morning
01:01:30Oh, yes, uh, Mr. Newton
01:01:33Oh, Mr. Whitman
01:01:35Yes, Bates, what is it?
01:01:37Begging your pardon, sir
01:01:38But I'm afraid we have gypsies on the ground
01:01:40Gypsies?
01:01:44Well, Bates, do something
01:01:45Get rid of them right away
01:01:46Yes, sir, right away, sir
01:01:48Oh, wait a minute, Bates
01:01:49Do you speak gypsy?
01:01:50Oh, no, sir
01:01:51Oh, never mind, I'll go myself
01:01:53Order the chief's car right away
01:01:55Yes, sir
01:01:56Come on, boys
01:01:57Hurry, hurry, hurry
01:01:58Up this way
01:01:59Hear all about the big surprise, I promised you
01:02:01Come on, everybody
01:02:03This way, everybody
01:02:05Shh
01:02:07Now, listen, boys and girls
01:02:10I told you I'd bring you to the land of plenty
01:02:12Well, here it is
01:02:13Why, the food lies on the ground for the taking
01:02:15Did you say food?
01:02:16Right
01:02:16Groceries
01:02:17Grub
01:02:18Bittles
01:02:19Now, some of you go that way
01:02:20And pick the berries from the vines
01:02:21The peas, beans, cabbages
01:02:23And other vegetables
01:02:24Are that way
01:02:24Let your stomachs be your guide
01:02:26Pick it on
01:02:27And the watermelons
01:02:30Are that way
01:02:32Oh, Willie
01:02:34Yes, Mr. Governor
01:02:36And the chicken house
01:02:37Is over there
01:02:39Chicken house?
01:02:40Uh-huh
01:02:40What am I waiting for?
01:02:41I don't know
01:02:42Me either
01:02:43Tell you who
01:02:44Say, Joe
01:02:52Say, Joe
01:02:52What's the idea of pitching here?
01:02:54Colonel's orders
01:02:54Colonel's orders?
01:02:58Well, what are we gonna get for customers here?
01:03:00Feel my
01:03:01Quiet, quiet
01:03:03Ain't no use of squawking
01:03:04We all gotta go someday
01:03:06It's either gonna be you or me
01:03:08It ain't gonna be me
01:03:10Take your time
01:03:18Take your time
01:03:19Don't rush me
01:03:20The man's right
01:03:20Thank you
01:03:21You're welcome
01:03:22Now, will you fix the flowers, please?
01:03:24First
01:03:24Say, Red
01:03:31Where'd you get these?
01:03:32Well, the colonel told us
01:03:32We could pick anything we wanted to
01:03:34Oh, he did, eh?
01:03:36Well, I'm still giving orders around here, I think
01:03:38Oh, Gregor
01:03:41You heard the boss
01:03:42Break it up
01:03:43Get this stuff out of here
01:03:44Yes, Miss Moore
01:03:45But the colonel said
01:03:45I don't care what the colonel said
01:03:47We're not taking anything
01:03:48That doesn't belong to us
01:03:49Now, put it back where you got it
01:03:50Yeah, make it snappy
01:03:51We'll all be thrown in the clink
01:03:52Sound like we'll crackle in the clink
01:03:55All right, fellas
01:03:56Give it up a quick
01:03:57All right, you heard the boss
01:03:59Get rid of it
01:04:00Come on
01:04:00Put a move on
01:04:01What's going on around here?
01:04:03That's it
01:04:04Come on, get going
01:04:05Come on, get going
01:04:06Well, well
01:04:07It's a shame
01:04:08I put back these tender boys
01:04:09Wait
01:04:10Are they very tender?
01:04:12Mm-hmm
01:04:13Hmm
01:04:14Sure, that would be kind of a shame
01:04:16Wouldn't it?
01:04:16Uh
01:04:16Uh
01:04:18In that box
01:04:19Come on
01:04:19Be careful
01:04:20But hurry
01:04:21Come on
01:04:22Come on
01:04:23Hey
01:04:24Now sit down
01:04:25Right here
01:04:26Now, uh
01:04:28Back on your arm
01:04:29What do you mean
01:04:38Trespassing on private property?
01:04:40Now, don't get excited, mister
01:04:41You've got us all wrong
01:04:42Oh, have I?
01:04:43Mm-hmm
01:04:44Well, then
01:04:45I'm very sorry
01:04:46You see
01:04:47I'm Penguin Moore
01:04:48And this is my carnival
01:04:49We got lost last night
01:04:50And wound up here
01:04:51We didn't know it was your property
01:04:52But we didn't take anything
01:04:54Well, if you didn't take anything
01:04:55I guess there's no harm done
01:04:57You've got quite a display
01:04:58Would you like to look around?
01:05:00Oh, I'd love to
01:05:01Do you mind?
01:05:01Oh, not at all
01:05:02There's a pin game over there
01:05:04I hate pins
01:05:05Oh, well
01:05:05Here's a merry-go-round
01:05:07Oh, it makes me dizzy
01:05:08Well, we've got a lot of other things here
01:05:09That...
01:05:09What's this contraption?
01:05:11Oh, this is a taffy machine
01:05:13Would you like to see it work?
01:05:15Oh, may I?
01:05:15Okay, Bob
01:05:16I'll take care of it
01:05:17Okay, mechanical devices
01:05:18Intriguing me
01:05:19Well, here's the switch here
01:05:20You see
01:05:20And you put it down
01:05:22The machine goes around
01:05:23With the taffy on it
01:05:24Uh-oh
01:05:30What'll they search up next?
01:05:38Most interesting parts
01:05:39Down there was motorists
01:05:40You're right
01:05:46It's a dandy
01:05:47My favorite gear ratio
01:05:4915 to 1
01:05:50Did you see what I saw?
01:06:15Why, did you see something?
01:06:18Let's forget it
01:06:18Farmers in the Dell
01:06:21Farmers in the Dell
01:06:23Hey, nani, nani
01:06:24Boop, boop, ba-doop
01:06:25The farmers in the Dell
01:06:27Farmers in the Dell
01:06:29Farmers in the Dell
01:06:31Oh, you said you didn't take anything, eh?
01:06:33Oh, the farmers in the Dell
01:06:35Well...
01:06:35Now, tippy, tippy, tippy
01:06:36Drop that food, thief
01:06:37Thief?
01:06:39Oh, pardon the juice
01:06:41Well, certainly it's me
01:06:42Who did you expect?
01:06:43I can't tell you how happy I am to see you
01:06:45I've been quite worried
01:06:46Well, Harry, your worries are over
01:06:47Come over here
01:06:48I want you to meet a friend of mine
01:06:49Oh, Penguin
01:06:50Uh, this is my nephew, Harry Whitman
01:06:54I'm one of his, uh, poor relations
01:06:55How do you do?
01:06:56Oh, we've met
01:06:57Well, good
01:06:57Then we can get down to business
01:06:58How many weekend guests have you?
01:07:00Oh, we have a whole house full
01:07:01There's the Vance Wiggins
01:07:02The Mortons
01:07:03The Dumont
01:07:04That's enough
01:07:04Graham
01:07:05I said, that's enough
01:07:05Have them all come down here
01:07:07I guarantee they'll have a better time
01:07:09Than they had in days
01:07:10Weeks
01:07:10Years
01:07:11If it's that good, I'll tell them
01:07:12Gangway
01:07:15Tell them not to forget their wallets
01:07:17Here, hear that sign, son
01:07:19Yes, sir
01:07:20That's it
01:07:21Now go right ahead with your work
01:07:22Two little pieces of business to do here
01:07:24De-dee-da-dum
01:07:28De-dee-da-dee-da-dum
01:07:29They'll never know the difference
01:07:30De-dee-dee-da-dum
01:07:31And I'm de-dee
01:07:32Ten cents to a dollar
01:07:33They'll never know the difference
01:07:34When I hear them holler
01:07:35De-dee-dee-dee-dee-dee-da-dee-dee
01:07:37Well, our troubles are over
01:07:54Happy days are here to end
01:07:56Don't you think you're very surprised
01:07:58It's too much
01:07:58Too much?
01:07:59Why, these people couldn't have a good time
01:08:01Unless they paid too much
01:08:02All right, boys
01:08:03Go to work
01:08:04All right, everybody
01:08:05Ready, ready
01:08:06Ready, ready, ready
01:08:09Ready, ready
01:08:11Ready, ready
01:08:14Hurry, hurry, hurry
01:08:16Step right up, play ball
01:08:19There you are
01:08:19Hurry, hurry, hurry
01:08:21Play ball
01:08:21All your best
01:08:22Hurry, hurry, hurry, hurry
01:08:23Oh, let me see
01:08:25She went again
01:08:26She went again
01:08:26How was that?
01:08:27She called out
01:08:28Step right up, try to
01:08:29Hurry, hurry, hurry
01:08:29Hurry, hurry
01:08:30Now, two steps forward, please
01:08:32Two steps backward
01:08:33Now, another one forward
01:08:36Get away from me, son. You're annoying me.
01:08:37Hey, Colonel, it's me.
01:08:38Well, Penguin.
01:08:39Hello.
01:08:40How's business?
01:08:41Well, how did that happen?
01:08:44Never mind. Step right this way, folks.
01:08:45Then we'll go through the developing process.
01:08:47There you are. Passes through the little hill.
01:08:49And the little handle.
01:08:50And the photograph drops in the little tank.
01:08:52There's a charming portrait of yourself and family.
01:08:54And the price is $5.
01:08:56But it's blank.
01:08:57That may surprise you, but it doesn't surprise me.
01:08:59The price remains the same.
01:09:00Thank you. Do you mind getting out of the way, please?
01:09:02How about that man over there?
01:09:03Follow out a tap in there.
01:09:06Having fun?
01:09:07Oh, yes. And I appreciate you letting me run the machine.
01:09:09Oh, that's all right.
01:09:11So you can sell the taffy, too, if you like.
01:09:12Oh, may I? I'd be delighted.
01:09:14Coffee, toffee.
01:09:15What do you mean we ain't got no right here?
01:09:17The paddles are still three for a dollar.
01:09:18A dollar? What? A dollar for a ten-cent game?
01:09:21Oh, Bob, come with me.
01:09:24Anybody else?
01:09:26Coffee, toffee.
01:09:28Listen, buddy, you don't have to get taffy.
01:09:29Well, who's getting taffy?
01:09:30Just a minute.
01:09:31I'm sorry, boys, but we're putting the show on for a private party.
01:09:34I'll have to ask you to leave.
01:09:35Oh, be nice, baby.
01:09:37You wouldn't want us to go now, would you?
01:09:39Oh, so it's one of those things.
01:09:41Okay, do it the hard way.
01:09:43That's all I wanted to know.
01:09:44All right, just a minute.
01:09:45Wait a minute.
01:09:47Oh, you ain't heard the last of this.
01:09:49Oh, no.
01:09:50Here you are, ladies and gentlemen.
01:09:51Three strikes.
01:09:52One done.
01:09:53One done.
01:09:54Thirteen hundred.
01:09:54You can do better than that man.
01:09:55Try it again.
01:09:56Come on.
01:09:57Three strikes for an hour, folks.
01:09:58Oh, you'll never do it that way, mister.
01:10:00Stand back and I'll show you.
01:10:02No muscles needed.
01:10:02I'll be amazing.
01:10:08Introducing the one, the only, fearless struggle.
01:10:13Dare devil to the arena.
01:10:15Fearless struggle.
01:10:16Don't start immediately, folks.
01:10:17It couldn't be.
01:10:18No waiting, no delay.
01:10:19Purchase your tickets right away.
01:10:21Excuse me.
01:10:22Think of it, folks.
01:10:23A beer, $2.50.
01:10:25Here we go, folks.
01:10:26Don't rush.
01:10:26Don't crowd.
01:10:27Hurry, hurry, hurry.
01:10:29Come on, folks.
01:10:30You'll see one of the best shows you ever saw in your life.
01:10:32Get in there now and give them everything you've got.
01:10:33But listen, Penguin, you don't know this, but I really...
01:10:35No, but this is your chance to get back on top and you're going to take it.
01:10:38But I can.
01:10:46Hope everything goes all right.
01:10:47See you, sir?
01:10:48See you, sir?
01:10:49When the loun gets mad, he ruffles up.
01:10:52He's mad.
01:10:53He's mad.
01:10:54He's mad.
01:10:55He's mad.
01:10:56He's mad.
01:10:57He's mad.
01:10:58He's mad.
01:10:59He's mad.
01:11:11Well, well.
01:11:12Mr. Drogo Games, the military power.
01:11:14Well, well, Mr. Drogo Gaines, the millionaire playboy, is more cuckoo than I thought he was.
01:11:36Hey, boss, that ain't in the book.
01:11:40Look out, Mr. Drogo. Here comes his mouth.
01:11:44The land can run 40 miles an hour. I'm sorry I read that.
01:12:07I told you I'd lead you to the land of plenty.
01:12:09Oh, my God!
01:12:24Willie!
01:12:25Yes?
01:12:26Get that land back in the cage before I scare someone.
01:12:27Willie, get that lion back in the cage before it scares someone.
01:12:39Put what lion's loose cage before it scares who?
01:12:43Rushing here, rushing there.
01:12:45Nowhere to go.
01:12:46What's going on in there?
01:12:47The lion's loose.
01:12:48Lions!
01:12:50If I'm going to hunt for lions, I've got to get me some bait.
01:12:55Chasing lions all the time.
01:12:57He ain't there.
01:13:03Kitty, kitty.
01:13:03I sure hope I don't find him.
01:13:06There's more sure going to be mad than that lion chasing all them people.
01:13:10Get him!
01:13:14Kitty, kitty, kitty.
01:13:15Where's that lion?
01:13:16I'll put in your car with him that time.
01:13:38I've got to be more careful.
01:13:40My blood pressure won't stand.
01:13:45Kitty, kitty, kitty.
01:13:49Kitty, kitty.
01:13:53Whoa, whoa, whoa.
01:13:59Kitty, kitty.
01:14:09Come on.
01:14:10Nice baloney.
01:14:10Come on, kitty, kitty.
01:14:11Kitty, kitty.
01:14:12Nice baloney.
01:14:15Get in there.
01:14:20Was that me talking?
01:14:22It's all right, folks.
01:14:34Everything's taken care of.
01:14:35Nothing to worry about.
01:14:36Coffee, coffee.
01:14:44Coffee, toffee.
01:14:45Dollar a bag.
01:14:45Dollar a bag.
01:14:46We don't want no toffee.
01:14:48Come on, boys.
01:14:49Toffee, toffee.
01:14:51Toffee good.
01:14:52Hey, roof!
01:14:54Hey, roof!
01:14:55Hey, roof!
01:14:56Hey, roof!
01:14:57Hey, roof!
01:14:58Hey, roof!
01:14:58Hey, roof!
01:14:59Hey, roof!
01:14:59Hey, roof!
01:14:59Hey, roof!
01:14:59Hiya, beautiful.
01:15:01Now, listen.
01:15:01I told you we're putting the show on for a private party.
01:15:04Well, this is my private party.
01:15:06How about it, boys?
01:15:07Yeah!
01:15:08Wait a minute.
01:15:09You heard what the lady said.
01:15:10Now, get going.
01:15:11Oh, glamour boy, huh?
01:15:12Well...
01:15:13Ooh!
01:15:13Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:14Oh!
01:15:15Oh!
01:15:15Oh!
01:15:15Oh!
01:15:15Oh!
01:15:15Oh!
01:15:16Oh!
01:15:17Oh!
01:15:17Oh!
01:15:17Oh!
01:15:18Oh!
01:15:18Oh!
01:15:19Oh!
01:15:19Oh!
01:15:19Oh!
01:15:20Oh!
01:15:20Oh!
01:15:21Oh!
01:15:21Oh!
01:15:22Oh!
01:15:23Oh!
01:15:24Oh!
01:15:25Oh!
01:15:26Oh!
01:15:27Oh!
01:15:28Oh!
01:15:29Oh!
01:15:30Oh!
01:15:31Oh!
01:15:32Oh!
01:15:33Oh!
01:15:34Oh!
01:15:35Oh!
01:15:36Oh!
01:15:37Oh!
01:15:38Oh!
01:15:39Oh!
01:15:40Oh!
01:15:41Oh!
01:15:42Oh!
01:15:43Oh!
01:15:44Oh!
01:15:45Oh!
01:15:46Oh!
01:15:47Oh!
01:15:48Oh!
01:15:49Oh!
01:15:50Oh!
01:15:51Oh!
01:15:52Oh!
01:15:53Oh!
01:15:54Oh!
01:15:55Oh!
01:15:56Oh!
01:15:57Oh!
01:15:58Oh!
01:15:59Coffee, coffee, oh dear, dear, this is good.
01:16:03Something ought to be done.
01:16:08Oh dear, dear, dear.
01:16:12Hens are about that lying action.
01:16:13Skip it.
01:16:14You don't understand.
01:16:16I understand more than you think I do.
01:16:21They spell that match.
01:16:25Now is the time for all the good men to come to the aid of their party.
01:16:30Don't shoot, boys.
01:16:33This is Calum's, okay?
01:16:35Well, come on.
01:16:38Sorry, Chief.
01:16:42Oh!
01:16:43Aha! A bull's-eye!
01:16:56Captain Bruno! Reinforcement!
01:16:59Get ready!
01:17:06Snap!
01:17:07Go!
01:17:08That's good shooting, Oliver.
01:17:14Okay, you take the high road, and I'll take the low.
01:17:20What's on your mind?
01:17:21I've been looking all over for you.
01:17:23I got the new Carnival Park at Portersville.
01:17:27What should I do with it?
01:17:28Go back and take care of it.
01:17:29I'll get in touch with you later.
01:17:30Yes, sir.
01:17:33The situation is wrong, lad.
01:17:37Fuck!
01:17:40A bull's-eye!
01:17:43Ow!
01:17:52Ow!
01:17:52Ow!
01:17:52Ow!
01:17:53Ow!
01:17:53Ow!
01:17:53Ow!
01:17:53Ow!
01:17:53Ow!
01:17:54Ow!
01:17:54Ow!
01:17:55Ow!
01:17:55Ow!
01:17:56Ow!
01:17:56Ow!
01:17:57Ow!
01:17:58Ow!
01:17:58Ow!
01:17:59Ow!
01:17:59Ow!
01:18:00Ow!
01:18:00Ow!
01:18:01Ow!
01:18:01Ow!
01:18:02Ow!
01:18:02Ow!
01:18:03Ow!
01:18:03Ow!
01:18:04Ow!
01:18:04Ow!
01:18:05Ow!
01:18:05Ow!
01:18:06Ow!
01:18:07Ow!
01:18:07Ow!
01:18:08Ow!
01:18:08Ow!
01:18:09Ow!
01:18:09Ow!
01:18:10Ow!
01:18:10Ow!
01:18:11Ow!
01:18:11Ow!
01:18:12Ow!
01:18:12Ow!
01:18:13Ow!
01:18:13Ow!
01:18:14Ow!
01:18:14Ow!
01:18:15Ow!
01:18:15Ow!
01:18:16Ow!
01:18:16Ow!
01:18:17Ow!
01:18:17Ow!
01:18:18Ow!
01:18:18Ow!
01:18:19Ow!
01:18:20Ow!
01:18:21Ow!
01:18:22Ow!
01:18:23Ow!
01:18:24Ow!
01:18:25Ow!
01:18:26Ow!
01:18:27Oh, you've had enough, huh?
01:18:51Sorry, Chief. Sorry.
01:18:57Hey! Victory is ours!
01:19:05Victory is ours, but my circus is ruined.
01:19:08Well, now, don't let that worry you. My rich debt, you will pay for everything.
01:19:11Oh, Harry! Harry, where are you?
01:19:13Here I am.
01:19:17Oh!
01:19:19Oh, pardon my appearance.
01:19:21Hey, it's quite disarrayant.
01:19:22Well, never mind. I'll have everything fixed.
01:19:24There you are. What more can you ask?
01:19:26In the meantime, let's celebrate by coming up to my house and having dinner.
01:19:29Oh, I'd be delighted, sir. But I haven't a thing to wear.
01:19:31But that the house is full of clothes.
01:19:33May I?
01:19:34Why, certainly!
01:19:40I'm in an awful predicament. The new carnival's over at Portisville. What am I going to do?
01:19:44The new carnival?
01:19:45Yes.
01:19:45Good, good. Now, you run along with the rest of them and leave everything to me.
01:19:49Yes, but I...
01:19:49Go right ahead now. Don't you worry.
01:19:54Say, George.
01:19:55Yes, Colonel.
01:19:56Do you still burn the barn down every weekend?
01:19:58Yes, sir.
01:19:59Tonight?
01:20:00Nine o'clock sharp.
01:20:01Fine.
01:20:02Fine!
01:20:03Hey, boys!
01:20:04Come here!
01:20:05Get it on!
01:20:05Now, wait a minute.
01:20:08I want you to wrap up this carnival and put it in that big barn down the road about a half a mile.
01:20:12Then I want you to all go over to Portisville.
01:20:14There's a new carnival over there, bigger and better.
01:20:18I want you to help set it up.
01:20:19Now, come on. Get going.
01:20:20Say, hello.
01:20:30Penguin, you're beautiful.
01:20:33I'm charmed, Miss Boyd.
01:20:35Dinner is served, sir.
01:20:36Thank you, Bates.
01:20:37Right this way, everyone, for the victory dinner.
01:20:39Oh, no. Keep your hands off that chair. I've had that one pulled on me before.
01:20:58As you wish, madame.
01:20:59You know, I'm awfully happy that they have chicken tonight.
01:21:09I never eat anything but chicken.
01:21:12That's water.
01:21:14One, two, three, four.
01:21:18A four-legged chicken.
01:21:21That's cute.
01:21:22A four-legged chicken.
01:21:23Three-legged chicken.
01:21:30Oh, three-legged chicken.
01:21:32That's a novelty. A three-legged chicken.
01:21:35What's the idea?
01:21:36Oh, you wouldn't like that. That's no good.
01:21:39No good.
01:21:40Well, here we are. Back to normal again.
01:21:45That's kind of muscular, isn't it, huh?
01:21:47It's nearly nine o'clock, sir.
01:21:49Oh, so it is, Bates.
01:21:51Shuffle well?
01:21:51Yes, sir.
01:21:52All right, everyone.
01:21:53Let's hurry with the usual drawing for positions on the firetrucks
01:21:56to see who the lucky people are.
01:21:58Will you draw, Uncle Carlton?
01:21:59Yes.
01:22:00Oh, mine's a blank.
01:22:02Better luck next time.
01:22:04I'll drive the chemical truck.
01:22:06That's nice.
01:22:06I'll just ride along with Mr. Gaines.
01:22:08Why, Colonel, this is not a blank.
01:22:10You two ride on the chemical wagon.
01:22:12By the way, Harry, what are you burning tonight?
01:22:14Oh, the same old barn.
01:22:15Oh, that's terrible.
01:22:17What's the matter, Uncle Carlton?
01:22:18Well, how was I to know that you're still burning the same old barn
01:22:21in order to save the carnival from the hoodlums?
01:22:23I have the boys hide at the barn.
01:22:24You mean the carnival's on fire?
01:22:26I mean exactly that.
01:22:27My carnival?
01:22:28Well, how was I...
01:22:29She said the carnival's on fire.
01:22:32Come on, come on.
01:22:34Come on.
01:22:35Everybody have a fire.
01:22:36Come on.
01:22:37Come on.
01:22:39Take it easy.
01:22:42Don't you think I ought to do the driving?
01:22:47Don't be silly.
01:22:47I've been pushing trucks around all my life.
01:22:49All right, let it go!
01:22:51Don't be silly already.
01:23:14Where is the fire?
01:23:16Never mind the fire.
01:23:18We're not going there.
01:23:19What do you mean?
01:23:20Keep going straight ahead
01:23:21and we'll lead them into Porter'sville and the new carnival.
01:23:24What about the fire?
01:23:26Well, you told me to get rid of her carnival, didn't you?
01:23:28Maybe when she sees the new one, she'll forget the old one.
01:23:31Oh.
01:23:41Bobby!
01:23:41Bobby!
01:23:41Bobby!
01:23:49Bobby!
01:23:53I'm the only one.
01:23:55No!
01:23:57I'm the only one!
01:23:57He's the only one.
01:23:58Oh, my God!
01:23:59Oh, my God!
01:23:59No!
01:23:59Oh, my God!
01:23:59No!
01:24:00No!
01:24:00Go away!
01:24:01You are all right, my God!
01:24:02There's anything else!
01:24:02que que que que que que que que que que que que que que que
01:24:07Take it easy!
01:24:12Go away!
01:24:14Somebody's lying to me, huh?
01:24:16It'll be me!
01:24:22Hey!
01:24:23Come, move over!
01:24:25Hey!
01:24:37Get off the road!
01:24:39That's not fair!
01:24:55Hey!
01:24:57Hey!
01:24:58Pull him out!
01:25:00Please, fellas!
01:25:01Please!
01:25:07Pull him out!
01:25:09Pull him out!
01:25:10Hey!
01:25:11What?
01:25:12It's pretty tricky!
01:25:14Hey!
01:25:15Get me out of here!
01:25:16Do something!
01:25:17Get her down!
01:25:18Oh, oh, yes!
01:25:22Hey!
01:25:37Well, here we are!
01:25:39Well, here we are!
01:25:52Ah, it's beautiful!
01:25:56That's you and me!
01:25:58Do you really mean it?
01:25:59Yes, for keeps!
01:26:01Oh, I got a lot of caloose!
01:26:03Well, so what?
01:26:05Well, so what?
01:26:11Say!
01:26:12Maybe you got something there!
01:26:33Well, so what do you think of the town in the city?
01:26:35Well...
01:26:36You too....
01:26:37You...
01:26:38Don't matter...
01:26:40No...
01:26:41No...
01:26:42No...
01:26:43Oh, no...
01:26:44No...
01:26:46No...
01:26:47...you...
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