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Road Show (1950) – A delightful classic comedy about two friends who hit the road in a hilarious adventure full of laughs, mishaps, and unforgettable moments.
Join their wild journey as they travel from town to town bringing chaos, charm, and plenty of laughter!

🎥 Genre: Classic Comedy, Adventure
📺 Era: 1950s Cinema
💬 Enjoy timeless humor and vintage entertainment that still shines today!
Transcript
00:00:00The End
00:00:30The End
00:01:00Dancy, how do you do?
00:01:30How do you do?
00:01:31I never thought that I'd live to see the day that a girl could get Drogo Gaines with all his millions to the altar.
00:01:37My Helen has done it.
00:01:39I'll believe it when I see it.
00:01:41My Helen is a very smart girl.
00:01:44My Agnes was in the running, but what chance did she have when he never kept her out after ten o'clock at night?
00:01:49Well...
00:01:51I'll see you next time.
00:02:21What's the matter?
00:02:36We'll come and see.
00:02:42Look.
00:02:43Young man, what is all this nonsense?
00:02:44My goodness.
00:02:48Maybe I'd better get a doctor, quick.
00:02:49Yes, yes, of course.
00:02:58Dr. Johnson, will you come in, please?
00:02:59Yes, I can.
00:03:00Excuse me.
00:03:01Of course.
00:03:01Listen to me, Drogo Gaines.
00:03:02What do you think you're doing?
00:03:07What's the matter with him?
00:03:08I think he's nuts.
00:03:10Here he is, doctor.
00:03:11My goodness.
00:03:13We'd better put him on the couch.
00:03:14All right.
00:03:15Lend me a hand.
00:03:16Okay.
00:03:17There we go.
00:03:25There appears to be no fever, and the pulse is normal.
00:03:28It must be a mental collapse.
00:03:30I'll phone for some assistance.
00:03:32Hey, Drogo, come on.
00:03:35Wake up out of this thing.
00:03:37Well, what now?
00:03:39Well, of all things, to happen to me.
00:03:41Yeah, happen to you.
00:03:42If you had married the dope two weeks ago, we'd have had the ten million, and we wouldn't
00:03:45care whether he did go goofy.
00:03:47Ma, it's all your fault.
00:03:48If you'd only let me marry Jerry Van Sniven.
00:03:50He had plenty of dough, and besides, I might have learned to love him.
00:03:53How did I know?
00:03:53Look at all the money Drogo's got.
00:03:55What are we going to do?
00:03:57We can't let those people eat all that food and stuff.
00:03:59Who's going to pay for it?
00:04:00You go out there and tell them it's been postponed.
00:04:02All right.
00:04:09Are you all right?
00:04:11Oh, yes, I'm all right.
00:04:13You mean to say that you heard everything we said?
00:04:15Yes.
00:04:15Well, but I didn't do this for that reason.
00:04:17I was afraid to go out there.
00:04:20I realized what a momentous step I was taking.
00:04:22But now that I know where your affections really are, it's probably all for the best.
00:04:26Oh, for the best?
00:04:28You're making a monkey out of me, leaving me at the altar?
00:04:30Well, I'm very sorry.
00:04:32Wait a minute.
00:04:34Everybody in this house thinks you're crazy.
00:04:36Now, listen to me, Drogo Gaines.
00:04:37You're going to marry me, or they're going to think you're crazy for the rest of your life.
00:04:40Oh, I don't understand.
00:04:42Helen, how are you going to influence those people?
00:04:43Help!
00:04:44Help!
00:04:45What's the matter with you?
00:04:46Let me up!
00:04:47Let me go!
00:04:48Helen, what are you doing?
00:04:50Stop!
00:04:50Help!
00:04:52Help!
00:04:52Don't let him come!
00:04:53He's crazy!
00:04:54Help!
00:04:55Help!
00:04:56Let him!
00:04:57Somebody come and help me!
00:04:58He's gone violent!
00:04:59Help me!
00:05:00What's the matter here?
00:05:01My poor child!
00:05:16Good morning, Mr. G.
00:05:17Would you mind telling me where I am?
00:05:22The Hopedale Club.
00:05:24The Hopedale Club.
00:05:32I can't stay in a place like this.
00:05:34I'm sorry, Mr. G., but I'll have to refer your complaint to Dr. Thorndyke.
00:05:38Now, eat your breakfast like a good boy.
00:05:40I don't want any breakfast.
00:05:42Please, Mr. G., you mustn't.
00:05:43Dr. Thorndyke!
00:05:56Oh, pardon me.
00:05:57Have you the time?
00:05:59No, I'm sorry.
00:05:59I had my watch.
00:06:00Here.
00:06:01Take mine.
00:06:02Oh, no.
00:06:03But listen.
00:06:04I want to see Dr. Thorndyke.
00:06:17Just have a seat.
00:06:18Thank you, Dr. Thorndyke.
00:06:34Okay, you're a progressing splint.
00:06:44Now drop in and see me any time you like.
00:06:46Always glad to have you.
00:06:47Thank you, Doctor.
00:06:52Mr. N., do you mind if I send Mr. G in ahead of you?
00:06:55Not at all.
00:07:04Well, well, Mr. Gaines, glad you dropped in.
00:07:09We'll call you Mr. G here.
00:07:12Are you feeling better?
00:07:13No, I'm not.
00:07:15I mean, I never felt bad.
00:07:16I mean...
00:07:17Now, don't excite yourself.
00:07:19I'm not exciting myself.
00:07:20I just want to get out of here.
00:07:22Of course, they all do at first, but you'll soon learn to like us.
00:07:26We like you.
00:07:28That's just dandy, Doc.
00:07:30And I'm sure that you and I and all the lads would become great chums.
00:07:35But really, I've got to get back to New York.
00:07:37What have you there, Mr. T.?
00:07:40Oh, that?
00:07:41A little man outside fastened a flower that he didn't have with a pin that isn't here.
00:07:47Would you mind letting me have that again, please?
00:07:50Oh, that is...
00:07:52He thought he had a pin that he put in a flower that I haven't got.
00:07:58Now, look.
00:07:59I was just...
00:07:59I understand perfectly.
00:08:01Wait a minute.
00:08:03A fellow simply gave me a flower.
00:08:05And a very pretty flower it is, too.
00:08:08Oh.
00:08:09Look, Doctor.
00:08:10There's nothing wrong with me.
00:08:19Of course, there's nothing wrong with you, Mr. G.
00:08:22Now, Doctor.
00:08:23Doctor.
00:08:29I've had enough of this foolishness.
00:08:31You've got to let me go.
00:08:32But...
00:08:33Mr. Gaines, I hope you'll appreciate my position in this matter.
00:08:47I've no alternative but to keep you here until your conduct improves.
00:08:51But listen...
00:08:51Now, don't make it hard for yourself.
00:08:53Finish dressing and go out in the sun.
00:08:55We're allowing you the full run of the grounds.
00:08:58And...
00:08:58Ha, ha, ha!
00:09:05Ha, ha, ha!
00:09:05Oh, I'm sorry.
00:09:29I didn't know you were fishing.
00:09:30What did you think I was doing?
00:09:35Good fishing?
00:09:38Excellent.
00:09:40Caught many?
00:09:41Nope.
00:09:42Never catch any.
00:09:44It's a sort of new idea when it comes to fishing.
00:09:48Yeah, sure.
00:09:49Brighter than I thought you were, Mr. Gaines.
00:09:51Sit down.
00:09:52Oh, you know me.
00:09:54Know all about you.
00:09:56Carraway's my name.
00:09:57Colonel Carlton Carraway.
00:09:58You've heard of Carraway Seeds?
00:09:59Well, I'm the whole corporation.
00:10:01I didn't like the business, so I came here on my own accord.
00:10:04I like it here.
00:10:05I don't.
00:10:07I'm going to escape.
00:10:08Oh, no, you're not.
00:10:09The walls are too high.
00:10:11Why'd you come here if you don't want to stay?
00:10:12I didn't come.
00:10:14I pulled a little stunt in self-defense.
00:10:16Oh, yes.
00:10:17That Newton girl.
00:10:19While you were looking at her eyes, she was looking at your checkbook.
00:10:23Well, I didn't know.
00:10:24And Agnes.
00:10:25She kissed you when you bought her a yacht.
00:10:28You'd have done better with a canoe.
00:10:31And that Argentine tomato.
00:10:33What was her name?
00:10:34Conchita Wat Mazuma.
00:10:36You bought her bracelets and called her angel.
00:10:38And she said,
00:10:40Mi pichoncito eres mi todo.
00:10:42Sounded sweet, didn't it?
00:10:44Just mean sucker.
00:10:45You certainly know a lot.
00:10:49Yes, that's why I'm here.
00:10:51Tell me, Colonel.
00:10:54How does a fellow know when he's found the right girl?
00:10:58The signs.
00:11:00Signs?
00:11:01Yeah.
00:11:01I don't understand.
00:11:03Well, now, supposing a girl crossed her fingers,
00:11:08and you crossed yours at the same time.
00:11:12That's a sign.
00:11:13Go!
00:11:14Go on, Ed.
00:11:14What's the matter?
00:11:15Oh, I caught a fish.
00:11:18Well, I'll never be able to fish here anymore.
00:11:20Come on, young Drogo.
00:11:21What are you going to do now?
00:11:22I'm going to photograph the fish.
00:11:23Everybody does that.
00:11:24Are you leaving, Colonel?
00:11:25Yes, this place is no good.
00:11:27There's too many fish.
00:11:28Something I could do for you?
00:11:37No.
00:11:40Now, this, Mr. G, is the Bloomin' Daisy.
00:11:42The what?
00:11:43The Bloomin' Daisy.
00:11:44Probably the finest camera ever invented by the human mind.
00:11:48Now, don't let her frighten you,
00:11:49and don't ask how she works,
00:11:50or you'll spoil all the fun.
00:11:52Now, take one step forward.
00:11:55Two backward.
00:11:56Just a might forward.
00:11:59Now, what are you playing?
00:12:00That's another invention of mine.
00:12:02I never focus the camera.
00:12:04Anyone can focus the camera.
00:12:05I focus you.
00:12:06Now, are you ready?
00:12:08Hold it.
00:12:09There you are.
00:12:10That merely takes the photograph.
00:12:12Now, we develop it.
00:12:20Come in.
00:12:23Morning, Colonel.
00:12:24Morning, Harry.
00:12:25I, um, meet Mr. G.
00:12:27How do you do?
00:12:28How do you do?
00:12:32And now we shall see what we shall see.
00:12:36We release the Gadget A.
00:12:39Seize the Bingus B.
00:12:41And grasp the photograph.
00:12:43See?
00:12:43And there you are.
00:12:44It's blank.
00:12:45Yes.
00:12:46That's the wonderful thing about the Bloomin' Daisy.
00:12:48You never can tell what's coming out.
00:12:50Sometimes I get the most amazing pictures.
00:12:53Not very often.
00:12:53Uncle Carlton, you're going to stay with me at the country place.
00:12:58Dr. Thorndike, and I think you'll be much happier there.
00:13:01Oh, but Harry, I like it here.
00:13:02I know, but you've got to leave here sometime.
00:13:04You've been here long enough.
00:13:06People are starting to ask embarrassing questions.
00:13:07Oh, Harry.
00:13:08Not another word.
00:13:09I know what's best for you.
00:13:11You get your things together, and I'll call for you in the morning.
00:13:13You understand?
00:13:13Yes.
00:13:14Well, goodbye.
00:13:16Goodbye, Mr. G.
00:13:18G.
00:13:18I hope you have fun playing with your fish.
00:13:25I'm embarrassing him, that crackpot.
00:13:28He seemed all right to me.
00:13:30Oh, he did, did he?
00:13:31Come here.
00:13:31Look at that.
00:13:36What's the matter with that?
00:14:01He's a member of the fire department.
00:14:02That's just it.
00:14:03He isn't.
00:14:04Well, most likely the whole thing's my fault anyway.
00:14:07When he was a little lad, I bought him a toy fire engine to play with.
00:14:10Said he wanted to be a fireman.
00:14:11He never outgrew it.
00:14:12He's been playing fireman ever since.
00:14:14Oh.
00:14:15Go to his country place.
00:14:17Why, the whole thing's nothing but a big fire department.
00:14:19He'll not get me up there.
00:14:21I'll run away.
00:14:22That's what I'll do.
00:14:23I'll escape.
00:14:23You said you couldn't escape.
00:14:25No, I didn't.
00:14:26I said you couldn't.
00:14:27Didn't say I couldn't.
00:14:28If I had enough money to finance the broom and daisy, I'd escape tonight.
00:14:31Well, I have a hundred and twenty dollars.
00:14:33A hundred and twenty dollars?
00:14:35Say, say, that's enough to put the blooming daisy on a paying basis.
00:14:38But the blooming daisy won't even take a picture.
00:14:40Shh.
00:14:40You know that.
00:14:41And I know that.
00:14:42But the people we photographed wouldn't know it.
00:14:44Now, look.
00:14:45You meet me at the woods near the river at nine o'clock tonight.
00:14:47Boy, we'll hit the open road.
00:14:49We'll meet people.
00:14:50Real people.
00:14:51None of the money-grabbing kind.
00:14:53Don't forget to bring the money.
00:14:54You-hoo!
00:15:02What kept you so long?
00:15:03The fool guard didn't show up in time.
00:15:05It couldn't escape unless a guard was there.
00:15:07It wouldn't be strategic.
00:15:08Here, take that pole and knock those rocks off.
00:15:09The equipment's there.
00:15:11What for?
00:15:12The boat, of course.
00:15:13We've got a launcher.
00:15:14I knew this life would be too good to last, so I thought of this escape years ago.
00:15:17You call this thing a boat?
00:15:19Here, stop all that piddle paddle.
00:15:20Get this stuff on board.
00:15:22There you are.
00:15:23Here.
00:15:24Here.
00:15:26Here, now, give me a hand.
00:15:29Fall ashore?
00:15:30Let's go on ashore.
00:15:31Shh.
00:15:32How far do you expect to get in this thing?
00:15:34Who wants to get far?
00:15:35We just want to get.
00:15:36Steve, ho, Hardy.
00:15:46Obrey!
00:15:53Have Mr. Gaines, then, to my office right away.
00:15:55Thank you, Dr. Thorndyke.
00:15:57As Mr. Gaines' secretary, I can assure you there's absolutely nothing wrong with him.
00:16:00As his fiancée, I can assure you that there is.
00:16:03Why, this whole thing is preposterous.
00:16:05I demand that he be released at once.
00:16:06And I demand that he be kept here.
00:16:08Why, the very light.
00:16:09Dr. Thorndyke.
00:16:09Yes?
00:16:10Mr. Gaines has escaped.
00:16:11Escaped?
00:16:12Yes, and so has Colonel Carraway.
00:16:14This is terrible.
00:16:15Hello, Miss White.
00:16:16What?
00:16:16Miss White, notify the police.
00:16:18Mr. Gaines and the Colonel have escaped.
00:16:19Fine night for sailing.
00:16:21Sea's as smooth as glass.
00:16:22We're not at sea.
00:16:23We're in the middle of the river.
00:16:25My feet are getting wet.
00:16:26Well, a little salt water never hurt anybody.
00:16:29That's not salt water.
00:16:30I never said it was.
00:16:32I made a stake without stick by it.
00:16:34A little salt water never hurt anybody.
00:16:36Oh, you're impossible.
00:16:38Miss Rat's impossible.
00:16:39It's probably sinking.
00:16:41It'd serve us right if we both drowned.
00:16:43I never should have listened to you in the first place.
00:16:44Oh, playing the coward, eh?
00:16:46Why, this silly river's so shallow you could wait ashore at any time.
00:16:50It is?
00:16:52Well, I'm going to wait.
00:16:57This must be the wrong river.
00:17:03Silly old river's shallow, huh?
00:17:06Well, you must have hit an air pocket.
00:17:10Miss, what's that?
00:17:12Waterfalls.
00:17:13Waterfalls?
00:17:14Give me that thing, we'll go.
00:17:16That's a silly statement.
00:17:17People don't go over falls and rats.
00:17:20They only go over in barrels.
00:17:21Oh, stop that dribbling.
00:17:22Give me a hand.
00:17:36Well, that was just enough, you hope.
00:17:38Well, I can't really broke my neck.
00:17:47Well, all's well that ends well.
00:17:49Say, what's the idea of throwing things and destroying people's property?
00:17:51I'll have you know, madam, that I have just perpetrated the most magnificent escape in my long and brilliant record of achievement.
00:17:58Escape?
00:18:00Well, that's it, eh?
00:18:00I might have known.
00:18:02Well, now that you know, would you mind telling me how to get to a telephone?
00:18:05Listen, you're not going anywhere to pay for what you broke.
00:18:08And a case of Kewpie dolls cost nine bucks.
00:18:10Well, here's twenty dollars.
00:18:13Keep the change.
00:18:13I said nine bucks.
00:18:15No more, no less.
00:18:17That's the smallest I've got.
00:18:18You mean you don't want the extra money?
00:18:19No, why should I?
00:18:20Oh, what a girl.
00:18:22Come on, come on.
00:18:22Pay up or I'll call the police.
00:18:23I have nothing smaller than a twenty.
00:18:26Ah-choo!
00:18:29Say, you're soaking wet.
00:18:31Oh, sure, I've been waiting.
00:18:33Here you are, my lad.
00:18:34Change into something of mine.
00:18:35I always carry extra equipment.
00:18:37Oh, no, I'm all right.
00:18:38Ah, go ahead.
00:18:38We can't carry on with sick troops, you know.
00:18:40You can change behind the car.
00:18:42Make it snappy.
00:18:48Say, uh, what's he done?
00:18:51It isn't what he's done, gal.
00:18:53It's what he might do.
00:18:55His instincts, you know, are all bad.
00:18:58He's been a terrible trial to me, but I've done the best that I could.
00:19:02If he but had the love of a good woman,
00:19:04someone to bring out the finer things in him,
00:19:07to restore his self-respect,
00:19:09then again he could become a man among men.
00:19:23Whoa!
00:19:25Moore's Carnival!
00:19:26Yeah, Penguin Moore.
00:19:28That's me.
00:19:28You own this?
00:19:29Yeah, the hall works.
00:19:31Bright lights, music, the gay, pleasure-mad throng.
00:19:34What frogs?
00:19:35Merlin' a figure of speech, my girl.
00:19:37Merlin' a figure of speech.
00:19:39Ladies and gentlemen, right out well this way.
00:19:42Come on, fellas.
00:19:43Hi, hello, Penguin.
00:19:44Glad to see you back.
00:19:45Hi, Alice.
00:19:46Uh, you got change for 20?
00:19:48Are they still making those things?
00:19:52It won't make you fat.
00:19:53It'll make you thin.
00:19:54Come on.
00:19:57Hey!
00:19:57Love, love, you're so delicious.
00:20:02You're sweeter than an angel cake.
00:20:06I'll bet an even baker's dozen
00:20:09that every bee that's buzzing
00:20:11tells its pretty flower
00:20:13you're his long-lost cousin.
00:20:17When you promise me kisses,
00:20:20the filling in my sweet tooth face.
00:20:24Because your lips are more replacing
00:20:27than Grandma's chocolate icing.
00:20:30Yum, yum, yum.
00:20:33I keep a pantry full of sugar and spice
00:20:44Strawberry jam and everything nice
00:20:51But what could be much sweeter
00:20:54than someone like yourself?
00:21:00You belong on my top shelf.
00:21:09Yum, yum.
00:21:11You're so delicious.
00:21:13You're sweeter than an angel cake.
00:21:16I'll bet an even baker's dozen
00:21:20that every bee that's buzzing
00:21:22tells its pretty flower
00:21:24you're his long-lost cousin.
00:21:27When you promise me kisses,
00:21:32the filling in my sweet tooth face.
00:21:35Because your lips are more enticing
00:21:38than Grandma's chocolate icing.
00:21:41Yum, yum, yum.
00:21:44Yum, yum.
00:21:50You are the first lucky lady
00:21:53to get the dollar portrait for 25 cents.
00:21:56Right down that way, lady,
00:21:57after you're left.
00:21:58As soon as we get changed
00:21:59for the $20, we're on our way.
00:22:04Now listen, young lady.
00:22:06I've been waiting long enough.
00:22:07Either you give me $120
00:22:09or this show is the pack.
00:22:11Now, patience, Sheriff.
00:22:12Patience.
00:22:13I do not like to be rushed
00:22:14while I am bathing.
00:22:16In fact, I like to soak.
00:22:17After 47 minutes,
00:22:19you ought to be waterlogged.
00:22:28Oh, you come right out of there,
00:22:31young lady,
00:22:31or I'm going to come over there
00:22:33and pull you up.
00:22:34Well, Sheriff, police,
00:22:36after all...
00:22:37What's going on here?
00:22:44I was waiting for the head
00:22:46of this year's show
00:22:46to get out of the shower.
00:22:48Well, I'm the head of the show.
00:22:49Oh, you are.
00:22:50You blew Brownville last night
00:22:52owing money to several citizens
00:22:53of our community
00:22:54for use of the lot,
00:22:55gas, electricity, water.
00:22:57Matter of fact,
00:22:58you didn't pay for nothing.
00:23:01Just a minute, Sheriff.
00:23:02What is the attachment
00:23:03on this show?
00:23:04$120.
00:23:05$120.
00:23:06Well, there's your $100
00:23:07and here's your $20.
00:23:08Now, thank you very much, Sheriff.
00:23:10That fixes up everything.
00:23:11Wait a minute, mister.
00:23:11I never ask anyone
00:23:13to pay off anything on my show.
00:23:14Who said I was paying off
00:23:15anything on the show?
00:23:17I merely want to buy
00:23:17the photographic concession
00:23:18for the colonel.
00:23:19You mean you want to pay
00:23:21$120 so the colonel
00:23:22can use that
00:23:22Bloomin' Daisy around here?
00:23:24That's right.
00:23:25Well, let me tell you, mister,
00:23:26it ain't worth it.
00:23:27It's worth a lot more
00:23:28than that to me.
00:23:29Now, goodbye, Miss Moore,
00:23:29and thank you very much.
00:23:33Say, not a bad guy.
00:23:36And cute, too.
00:23:37Well, goodbye, colonel,
00:23:39and lots of luck
00:23:39with the Bloomin' Daisy.
00:23:40Where are you going?
00:23:41Back to New York, of course.
00:23:42Uh, uh, uh, that's my suit
00:23:43you got on.
00:23:44Oh, it is.
00:23:45Well, I'll send it back to you.
00:23:46Which one of you
00:23:47is Penguin Moore?
00:23:48I am, why?
00:23:50Well, I'm Clem Prouty,
00:23:51owner of this flat,
00:23:52and I want that $20 rental
00:23:53in advance that she promised me.
00:23:55Well, say,
00:23:56can't you give us
00:23:56a little while?
00:23:57Nothing doing.
00:23:58I'll give you just
00:23:59ten minutes to get the money,
00:24:01and either you'll put up
00:24:02or a pack up,
00:24:03and I'll be waiting right here.
00:24:05Wait a minute.
00:24:13I'll get 20 bucks
00:24:14from these yokels
00:24:15for my Indian remedy
00:24:16if it's the last act
00:24:17of my life.
00:24:19Who wants a question, Helen?
00:24:21Now, where do you think
00:24:22you're going?
00:24:23Well, with you, of course.
00:24:25Nowhere else to go
00:24:26now that the source
00:24:26of livelihood's been cut off.
00:24:28What a pity.
00:24:29And to the lack
00:24:29of only $20.
00:24:31Oh, I never saw
00:24:32such a mess.
00:24:32There must be some way
00:24:33to make $20.
00:24:34Say, I've got another
00:24:36attachment on the
00:24:36Bloomin' Daisy
00:24:37that I saved
00:24:38for just such an emergency.
00:24:39Now, you put one here,
00:24:41one here, and one here.
00:24:47Well, I'll try anything once.
00:24:52Here you are, young lady.
00:24:53Take care of my bag for me.
00:24:54Sure, bud.
00:24:57Beg your pardon, stranger.
00:24:58You look like
00:25:00an intelligent person,
00:25:00one who'd be interested
00:25:01in making a little easy money.
00:25:03Sure, who's going to mind me?
00:25:04I am.
00:25:05But in order to accomplish
00:25:06this feat, I shall have
00:25:07to secure a portion
00:25:08of your chewing gum.
00:25:09What good gum
00:25:09going to do you?
00:25:10Ah, that's a secret.
00:25:11I've made hundreds
00:25:11of dollars that way.
00:25:14Now, we attach
00:25:15the little pea
00:25:15to the chewing gum.
00:25:17We attach both
00:25:17to the interior
00:25:18of the shell.
00:25:19So.
00:25:21Follow me, stranger.
00:25:22I'll show you how it works.
00:25:27Well, well, well.
00:25:28the shell game, eh?
00:25:29The object of this game
00:25:31is to find out
00:25:31which shell
00:25:32the little pea is under.
00:25:33I've had a lot of experience
00:25:34along that line.
00:25:35Say, your shoelaces
00:25:36are entired, young fella.
00:25:39Tell you what I'll do,
00:25:40young man.
00:25:41I'll bet you $20
00:25:42that I can tell you
00:25:42where the little pea is.
00:25:43I'll bet you $22.
00:25:44$20 is all I want.
00:25:46$20 is the limit.
00:25:46Wait a minute.
00:25:47Take your money back.
00:25:48It was my idea.
00:25:48Oh, no, you don't.
00:25:50I had my money up first.
00:25:51You're unfair, sir.
00:25:52Took it, in fact.
00:25:53Just a minute.
00:25:54Just a minute.
00:25:55Say, young fella,
00:25:55didn't I have my money
00:25:56down first?
00:25:57Yes, I guess you did.
00:25:58That gives you
00:25:58the first chance to play.
00:26:00Sorry, mister.
00:26:00Well, it's an outrage.
00:26:01Money went that way
00:26:02will do you no good.
00:26:03Now, gentlemen,
00:26:04which shell hides
00:26:05the little pea?
00:26:06That one.
00:26:08It ain't there.
00:26:09No.
00:26:10Too bad, gentlemen.
00:26:11Too bad.
00:26:12Better luck next time.
00:26:14It's amazing.
00:26:15The man must be a wizard.
00:26:16I'm glad I didn't
00:26:17bet any of my own money.
00:26:17And there you are,
00:26:19ladies and gentlemen,
00:26:20the great Indian princess
00:26:21Yo-Yo in the flesh.
00:26:23She speaks not a word
00:26:24of anything but her
00:26:25native tongue.
00:26:26Now, she brings this tonic
00:26:27to you from the sands
00:26:28of the desert,
00:26:29the rocks of the mountains,
00:26:31the land of the mighty
00:26:32red man.
00:26:33Now, you've never seen
00:26:34a sick Indian.
00:26:37They're all big, strong,
00:26:39mighty men of nature.
00:26:40And why are they all
00:26:41big, strong, mighty men?
00:26:43Because they use
00:26:44Princess Yo-Yo's
00:26:45Indian tonic exclusively.
00:26:48And now, my good people,
00:26:49this wonderful remedy
00:26:50is worth $5 a bottle.
00:26:52But we're not going
00:26:53to charge you $5.
00:26:55Oh, no.
00:26:56Nor $2.
00:26:57Nor $1.
00:26:58No, sir.
00:26:59You're going to buy
00:27:00this wonderful tonic
00:27:01for just $0.25.
00:27:03And because of the
00:27:04great affection the princess
00:27:05has for the people
00:27:06of this community,
00:27:08with every two-bit purchase,
00:27:09we're going to give you
00:27:11a bow made by
00:27:12the princess's own brother,
00:27:14Eagleby.
00:27:15Now, you say to yourself,
00:27:17what will I do
00:27:17with just a bow?
00:27:19Well, we'll tell you.
00:27:20With every $0.25 purchase
00:27:22of the princess Yo-Yo's tonic,
00:27:24we're going to throw
00:27:25in an arrow
00:27:26so that you have the tonic
00:27:27and the bow and arrow,
00:27:29all for the trifling sum
00:27:31of $0.25.
00:27:32Come on, now, folks.
00:27:34Step up and get
00:27:34that first bottle.
00:27:35Don't miss this amazing
00:27:36opportunity to buy
00:27:37this great tonic
00:27:38for $0.25 a bottle
00:27:40or five bottles
00:27:41for $1.
00:27:42Let me just take
00:27:43one bottle
00:27:44and pass it down among you.
00:27:45Just pull the fork
00:27:46out of that, my friend,
00:27:47and take a smell.
00:27:48And don't forget,
00:27:49ladies and gentlemen,
00:27:50that you get a bow
00:27:51and an arrow
00:27:52free with this purchase.
00:27:53Miss Jinx,
00:27:54here's the $20 you need.
00:27:58Would you mind keeping
00:27:59an eye on the colonel's
00:27:59camera for me?
00:28:00Why, sure.
00:28:02Okay.
00:28:03And now, folks,
00:28:04step right up
00:28:05and get your bottle.
00:28:06Well, colonel,
00:28:07where's he going?
00:28:08He thinks he's going
00:28:10to New York.
00:28:11He's the constable now.
00:28:13I'm constable.
00:28:14Constable, there's your man
00:28:14right there.
00:28:15And I am as guilty
00:28:16as he is.
00:28:16You come along
00:28:17with me too, then.
00:28:18You can't fornickel me
00:28:19out of money,
00:28:19the city slickers.
00:28:20First, you make me look
00:28:21ridiculous with that fish.
00:28:23Then you almost drown me
00:28:25on that silly raft of yours.
00:28:27Next, we become entangled
00:28:28with a broken-down carnival.
00:28:30And you get a bright idea
00:28:32on how to acquire $20
00:28:33and we land in jail.
00:28:36If you'd kept your mouth shut,
00:28:37I would have been on my way
00:28:38to New York right now.
00:28:39Are you sure you told that girl
00:28:40to take good care
00:28:41of the Bloomin' Daisy?
00:28:46A couple of tough fellas,
00:28:47they put up a great struggle,
00:28:48but I took them single-handed.
00:28:52Nobody ever gets away from me.
00:28:57Gee, Hossifats!
00:29:00I told you they was desperate.
00:29:02They must have dynamited.
00:29:04Well, this looks like
00:29:05an outside job.
00:29:13Do you realize we've broken the law
00:29:15on leaving the jail
00:29:16in that manner?
00:29:17Well, let's go back.
00:29:18Maybe you can think
00:29:18of a better way.
00:29:21Miss Morris is liable
00:29:21to get herself
00:29:22in serious trouble.
00:29:23If we're cops,
00:29:24he'll be as guilty as we are.
00:29:25Don't think she doesn't know it.
00:29:27She's one of those regular people
00:29:28I've been telling you about.
00:29:30Let her go.
00:29:43Howdy, Colonel.
00:29:44Well, ho, girls.
00:29:45How are you?
00:29:47Jinx.
00:29:48Yeah?
00:29:48Take him in with you.
00:29:49Cops might be here any minute.
00:29:50You know what to do.
00:29:51Right.
00:29:52You come with me.
00:29:53Oh, Miss Moore, don't you think...
00:29:53Oh, dear, come on.
00:29:54Now, Miss Moore,
00:29:55if you get a chance
00:29:57to talk with him,
00:29:57keep your fingers crossed
00:29:58for me, will you?
00:29:59Okay, Colonel.
00:30:03She sure isn't giving herself
00:30:04the worst of the deal,
00:30:05is she?
00:30:06Come on, snapshot, Willie.
00:30:07Give me a hand.
00:30:08Welcome home.
00:30:16Sit down and make stuff at home.
00:30:17Oh, thanks.
00:30:22Miss Moore, I want you to know
00:30:23that I appreciate
00:30:24what you've done for us.
00:30:25Oh, skip it.
00:30:26You got my show out of a jam
00:30:28and I got you out of one.
00:30:29A piece of pie.
00:30:30Do you always put salt
00:30:34on your apple pie?
00:30:35Sure, why?
00:30:36Well, I put salt on mine, too.
00:30:38Salt what?
00:30:39Now, Miss Moore,
00:30:39don't you think
00:30:40that could be a sort of a sign?
00:30:42Sure it is.
00:30:43It's a sign we both like
00:30:44salt in our apple pie.
00:30:48You know,
00:30:50you're not a bad-looking guy.
00:30:53Talk like you've been to school.
00:30:55You're kind of a fellow
00:30:56that any girl might fall for.
00:31:00Nothing wrong, though,
00:31:01is your instincts are all bad.
00:31:03My instincts?
00:31:04Yeah, they're kind of crooked
00:31:05if you ask me.
00:31:06Why, Miss Moore,
00:31:07I want you to know
00:31:08that my business integrity
00:31:09has never been questioned.
00:31:11Oh, stop talking
00:31:12like a gentleman of circumstance.
00:31:14You mean you don't like
00:31:15gentlemen of circumstance?
00:31:16I should say not.
00:31:18Gentleman is just a polite word
00:31:20for loafer if you ask me.
00:31:22Oh, why don't you get
00:31:23an honest job and go to work?
00:31:26You might make something
00:31:27out of yourself.
00:31:28I'll keep my fingers
00:31:29crossed for you.
00:31:30You did it!
00:31:31Did what?
00:31:32You crossed your fingers.
00:31:34So what?
00:31:35Well, Miss Moore,
00:31:36that is a sign.
00:31:37Wait a minute.
00:31:38What is the sign language?
00:31:39Well, when a boy and a girl
00:31:41both cro...
00:31:41What's that?
00:31:43It ain't the curfew.
00:31:52Mrs. F. Moore's Carnival.
00:31:55All right, Sheriff,
00:31:55if you go that way,
00:31:56I'll go this way.
00:31:57We'll search every truck.
00:31:58Right.
00:31:58Come on.
00:31:58Get down.
00:32:04What?
00:32:04Get down.
00:32:05I don't...
00:32:06Come in.
00:32:10What do you mean
00:32:11by breaking in
00:32:12on a lady's privacy?
00:32:13I'm looking for
00:32:14a couple of jailbreakers.
00:32:17There ain't no privacy
00:32:18when desperate criminals
00:32:19is at large.
00:32:20I got every reason
00:32:24to believe
00:32:24they're right
00:32:25with this carnival.
00:32:26Well, you don't think
00:32:27I'd have them in here,
00:32:28do you?
00:32:30You never can tell.
00:32:31Pardon, ladies,
00:32:40but I'm looking
00:32:40for a couple of fugitives.
00:32:41Fugitives?
00:32:42Mmm.
00:32:43Oh, if you find anybody,
00:32:44save the prettiest one
00:32:45for me, will you?
00:32:46Very funny.
00:32:47Well, any success?
00:32:56No, not a trace of them.
00:32:57What'll we do now?
00:32:58Well, I think we'd better
00:32:58get to a telephone
00:32:59and notify every sheriff
00:33:00in the state.
00:33:01That's a good idea.
00:33:02Excuse me, sheriff.
00:33:03I'd like to suggest
00:33:03my remaining here
00:33:04and keeping an eye open,
00:33:05just in case.
00:33:06Well, it'll be all right
00:33:07with me.
00:33:07Thank you, sir.
00:33:08Oh, that was close.
00:33:14Okay, colonel.
00:33:16How do you feel?
00:33:17Good night.
00:33:18He's stuck.
00:33:18Oh, don't worry.
00:33:19We can always use him
00:33:20for a camp chair.
00:33:21Oh, get me out of this.
00:33:22Oh, don't let it get you down,
00:33:23colonel.
00:33:24I had an uncle
00:33:24that was that way for years.
00:33:26He got it from looking
00:33:26through keyholes.
00:33:27Now, relax.
00:33:28That's it.
00:33:29Here, here, hold him.
00:33:30That's it.
00:33:30Here, relax.
00:33:31You're too tense.
00:33:32Come on, relax.
00:33:33That's it.
00:33:34There you are.
00:33:35There.
00:33:35Here.
00:33:35That's it.
00:33:36Here, straighten up.
00:33:37Now, how do you feel?
00:33:37Oh, I'm close.
00:33:38Fine.
00:33:38You're short.
00:33:38Oh, fine.
00:33:39I have three or four more.
00:33:40Oh, no.
00:33:42Miss Moore, I've caused you
00:33:43a lot of trouble.
00:33:44I'd like to be of some help.
00:33:46If there's anything I can do.
00:33:47Why, sure you can be a help.
00:33:49As a roustabout in this show,
00:33:51you probably won't be worth your salt,
00:33:52but at least it's an honest job.
00:33:54Go back and tell the girls
00:33:55to come up here
00:33:56and you bunk with the colonel.
00:33:57A roustabout?
00:33:58Yeah, a roustabout.
00:34:00Oh, thank you.
00:34:14I have a nice job.
00:34:15Hold it.
00:34:16Tie it.
00:34:17Swing it.
00:34:18Hit it.
00:34:18Hold it.
00:34:19Tie it.
00:34:20Swing it.
00:34:21Hit it.
00:34:21Hold it.
00:34:22Tie it.
00:34:23Swing it.
00:34:23Hand it.
00:34:24Hold it.
00:34:25Tie it.
00:34:25Swing it, hit it, pull it, tie it
00:34:28Swing it, hit it, pull it, tie it
00:34:31Swing it, hit it, pull it, tie it
00:34:33Oh, calliope Jane
00:34:37Put on your bonnet and bloop again
00:34:40Oh, when you go bloop, bloop
00:34:42I'm happy to live long day
00:34:45You're the talk of the town
00:34:47Calliope Jane
00:34:48Put on your bonnet and bloop again
00:34:51Oh, when you go bloop, bloop
00:34:53You bloop all my cares away
00:34:55Last week a bloke in the derby named Diger
00:35:00Said he could tame a cat
00:35:03Just then I played hold that tiger
00:35:05The tiger now holds the guy's hat
00:35:07So, calliope Jane
00:35:10Put on your bonnet and bloop again
00:35:12Oh, when you go bloop, bloop
00:35:15You bloop all my cares away
00:35:17Away
00:35:23Oh, when you go bloop
00:35:26Loop, bloop, bloop
00:35:27Oh, oh, calliope Jane
00:35:31Calliope Jane
00:35:32Put on your bonnet and bloop again
00:35:35Loop, bloop, bloop
00:35:36I'm happy to live long day
00:35:38Oh, oh, oh
00:35:40Calliope Jane
00:35:42Calliope Jane
00:35:43Put on your bonnet and bloop again
00:35:46Loop, bloop all my cares away
00:35:49As we go blunkin' and dabbin' in Gagga said it'd tame a cat grill
00:35:56Just when I play hold the tiger well, the tiger holds the hat
00:36:01Put on your old sun bonnet, while we swing this sonnet
00:36:07When you bloop, you bloop, you bloop my cares all the way
00:36:11Good morning, gentlemen.
00:36:18Morning.
00:36:19Ready for breakfast?
00:36:20Oh, breakfast, serve it right here.
00:36:22No hurry.
00:36:23We usually work a little around here before we eat.
00:36:25Work?
00:36:26Yeah, put those on.
00:36:28I protest.
00:36:29I'm a concessionaire with this carnival and I wear what I please.
00:36:32I don't care how you dress so long as you pound those tent steaks.
00:36:39A little work never hurt anybody.
00:36:44Good morning, Miss Moore.
00:36:45Oh, hiya, Joe.
00:36:46Oh, Miss Moore, I've had a pretty good offer from the Jones show.
00:36:49It isn't that I want to leave, but I have a wife and kid back in Connecticut, you know.
00:36:53Oh, I understand, Joe.
00:36:54I don't blame you.
00:36:55Well, your pay's been a little slow, but...
00:36:57Well, we'll get along all right.
00:36:59I'll send you back pay as soon as we have a few good days.
00:37:01Oh, forget it any time.
00:37:02Oh, a trooper's nothing.
00:37:04If I could ever get paid, I'd quit this dump in a minute.
00:37:06What are you crabbing about?
00:37:08Crabbing?
00:37:09She hasn't paid me a dime in months.
00:37:10Don't you ever think of anything else besides money?
00:37:12Why don't you try smiling once in a while?
00:37:14You know.
00:37:15Ha, ha, ha.
00:37:16Laugh and the world laughs with you, you know.
00:37:17Oh, baloney.
00:37:18Oh, why don't you try being like me?
00:37:20Oh, that's too much.
00:37:21Ha, ha.
00:37:22Very funny.
00:37:23Well, at least I like everybody.
00:37:24I'm a little happy.
00:37:25Did you ever see any...
00:37:26Oh, now, wait.
00:37:28Lest I go through all this again.
00:37:30Really, I have enough trouble.
00:37:31Bye.
00:37:35Oh.
00:37:37Oh, now, wait a minute.
00:37:38Let's get this thing straight.
00:37:39You see, I'm really not an Indian.
00:37:41Only kidding with that yo-yo stuff.
00:37:43You know, just kidding.
00:37:44In fact, I was born in Brooklyn.
00:37:46You know, Brooklyn...
00:37:47Oh, now, wait, wait!
00:37:49Mr. Gaines.
00:37:50Oh, good morning, Stan.
00:37:51Good morning to you, sir.
00:37:52I've been dreadfully worried about you.
00:37:53A man of your position in an environment of this kind.
00:37:54Don't worry about me.
00:37:55I'm all right.
00:37:56Well, I'm glad to hear that.
00:37:57Is there something I can do for you, sir?
00:37:58No, nothing at all.
00:37:59Well, if you're not too busy,
00:38:00you might try pounding some steaks for me.
00:38:01No, Colonel, that would never do.
00:38:02Just stay around in the background.
00:38:03I'll see you later.
00:38:04Yes, sir.
00:38:05Come on, Colonel.
00:38:06Oh, ho!
00:38:07What an invigorating morning.
00:38:08I'm ready for an order of scrambled eggs,
00:38:10and I'll see you later.
00:38:11Yes, sir.
00:38:12Come on, Colonel.
00:38:13Oh, ho!
00:38:14What an invigorating morning.
00:38:15I'm ready for an order of scrambled eggs,
00:38:17a ration of bacon,
00:38:18and a huge pot of coffee.
00:38:19All right, you guys.
00:38:20Start pounding this row of steaks
00:38:21and that row of steaks over there.
00:38:22Then you can eat breakfast.
00:38:23I protest.
00:38:24I'm a concessionaire.
00:38:25So am I a concessionaire,
00:38:26but we pound steaks around here
00:38:27before we eat.
00:38:28I said that I would...
00:38:29I said pound that steak.
00:38:30Yes, sir.
00:38:32Oh, say, just a minute.
00:38:33What's on your mind?
00:38:34How would you like to be the head man
00:38:35of the best carnival in the world?
00:38:36I said pound that steak.
00:38:38Yes, sir.
00:38:40Oh, say, just a minute.
00:38:41What's on your mind?
00:38:42How would you like to be the head man
00:38:44of the best carnival in the world?
00:38:45Who wouldn't?
00:38:48How much would it cost?
00:38:49About 200 grand.
00:38:50I'd like to have you pick one up for me.
00:38:52Wouldn't you like a nice new electric train set too?
00:38:54No, wait a minute.
00:38:55You don't understand.
00:38:56Stand up!
00:38:57Where would a punk like you get 200 grand?
00:39:00Yes, sir.
00:39:01A blank check, please.
00:39:02Yes, sir.
00:39:03I want you to accompany this gentleman.
00:39:04I'm going to buy a carnival.
00:39:06A carnival, sir?
00:39:07Yes.
00:39:08Just fill this check in for any amount necessary.
00:39:10I want the very best.
00:39:11Do you understand?
00:39:12Yes, Mr. Gaines.
00:39:13Listen, if this check bounces back on me,
00:39:15I'm going to bounce right back on you.
00:39:16I beg your pardon.
00:39:17You're speaking about Mr. Gaines.
00:39:18We never have check trouble.
00:39:20Now, if you'll just come with me,
00:39:21we'll attend to everything.
00:39:22Hey, this is all over my head.
00:39:24I don't understand.
00:39:25Let me know when it's ready.
00:39:26Yes, sir.
00:39:32Take care of your own steak.
00:39:33I'm having trouble enough with this one.
00:39:40You pound this row.
00:39:41I'll pound the other one.
00:39:42Okay?
00:39:59That's good.
00:40:00That's good.
00:40:12Okay.
00:40:27Okay, boys.
00:40:30Hey, Colonel, come on over and help with these.
00:40:34You'll do no such thing.
00:40:37But a fine job, Colonel.
00:40:38Your steaks are all down.
00:40:39You go ahead and have breakfast.
00:40:40Thank you, Miss Foote.
00:40:42Oh, good morning, Miss Moore.
00:40:45See, you can't even pound a few steaks without Holland for help, huh?
00:40:48Oh, I didn't mean...
00:40:49You notice the Colonel finished all of his, don't you?
00:40:51Oh, yes, but he...
00:40:52Don't interrupt.
00:40:53Look, you pound these steaks before breakfast,
00:40:55and if you can't do that,
00:40:56well, you'll just be right on your way.
00:40:58Oh, hi, Officer.
00:40:59Hope you like our show this year.
00:41:00All right, can that.
00:41:01The sheriff of this town, I order you to pack up your troop and get moving.
00:41:03And the sooner the better.
00:41:04Oh, but why?
00:41:05Well, I got word from the last town that you hit
00:41:07that you're carrying a couple of crooks with you.
00:41:08So come on, get going.
00:41:09Oh, now, look, Sheriff, there's...
00:41:10I said get going.
00:41:11Okay.
00:41:12All right, boys, pack it up.
00:41:14I beg your pardon, Sheriff, but I believe if you'll give me a moment,
00:41:17I can straighten out this little misunderstanding.
00:41:18Can that stuff?
00:41:19Oh, no, no, no.
00:41:20I want to present you with a portrait to take home to your wife.
00:41:21Oh, well, that sounds all right.
00:41:22There you are.
00:41:23You stand right there.
00:41:24Not too far away, dear.
00:41:25While I extend you.
00:41:26Oh, no, no.
00:41:27I want to present you with a portrait to take home to your wife.
00:41:28Oh, well, that sounds all right.
00:41:29There you are.
00:41:30You stand right there.
00:41:31Not too far away.
00:41:32While I extend the lens.
00:41:33Turn the little wheel.
00:41:34Yes.
00:41:35And pull above.
00:41:36Are you ready?
00:41:37Yes.
00:41:38Hold it.
00:41:39That's it.
00:41:40I've had great success with these family portraits.
00:41:41Yes.
00:41:42If you'll bear with me just a moment.
00:41:43While we go through the developing process here.
00:41:44And pull the little string here.
00:41:45I believe I'll show you something that your wife's going to be very happy about.
00:41:47Yes.
00:41:48I believe I'll show you something that your wife's going to be very happy about.
00:41:50Yes, sir.
00:41:51Well, that sounds all right.
00:41:52There you are.
00:41:53You stand right there.
00:41:54You stand right there.
00:41:55Not too far away, dear.
00:41:56While I extend the lens.
00:41:57Turn the little wheel.
00:41:58Yes.
00:41:59And pull above.
00:42:00Are you ready?
00:42:01What are you happy about?
00:42:02So you're a fresh guy, huh?
00:42:11Now you grab that thing and get out of town before I run you in.
00:42:16Swing it.
00:42:17Hit it.
00:42:18Pull it.
00:42:19Tie it.
00:42:20Swing it.
00:42:21Hit it.
00:42:22Pull it.
00:42:23Tie it.
00:42:24Swing it.
00:42:25Hit it.
00:42:26Pull it.
00:42:27Tie it.
00:42:28I hope the new carnival will be the finest thing on wheels.
00:42:37I want to make Penguin really happy.
00:42:39Now listen, young Drogo.
00:42:40Your idea of romance is a yacht here, a bracelet there, an urban coat thrown in, and now a new carnival.
00:42:46Why, you're just a checkbook lover.
00:42:48Don't you know by this time that this girl is different?
00:42:58All together now.
00:42:59Push.
00:43:00That's it.
00:43:01All right.
00:43:02That's gonna do you no good in the mud.
00:43:04Get up out of the mud there, young Drogo.
00:43:06We can't have this kind of speech.
00:43:08You see?
00:43:36Say, you're getting to be an expert at this.
00:43:41Oh, thanks.
00:43:42As a matter of fact, you've been doing so well lately that I've decided to promote you to
00:43:45a better job.
00:43:46Oh, that's great.
00:43:47Well, what's it going to be?
00:43:49Here's your new outfit.
00:43:51Put it on tonight and you'll understand.
00:44:02Oh, no.
00:44:03You again.
00:44:04How?
00:44:05Listen.
00:44:06For the last time, I am not an Indian.
00:44:15Wait.
00:44:16What is this?
00:44:18You and...
00:44:19Oh, here.
00:44:20Look.
00:44:21No comic valentines.
00:44:22Now, go away.
00:44:23I'm busy.
00:44:24Colonel, I can't go out there like this.
00:44:26Why not?
00:44:27You look beautiful.
00:44:28That's just the trouble.
00:44:29Now, ladies and gentlemen, the feature free attractions to show.
00:44:32The world's greatest aerial artistes.
00:44:34So, one and only, Miss Penguin Moore, assisted by Don Cavalero.
00:44:40No, I...
00:44:41I can't...
00:44:42Take off your robe.
00:44:55Take off your robe.
00:44:57Take off your robe.
00:44:58Take off your robe.
00:45:00Take off your robe.
00:45:02Take off your robe.
00:46:19Ladies and gentlemen, I...
00:46:21Oh, okay, officer.
00:46:25We'll be on our way.
00:46:25But listen, girl, can't you see your way to give him another chance?
00:46:33You saw what happened tonight, Colonel.
00:46:34I gave him a chance, but he just doesn't belong in show business.
00:46:37Oh, that's funny.
00:46:39What's funny about that?
00:46:41Doesn't belong in show business.
00:46:42Well, I don't suppose you ever heard of the great Drogo.
00:46:45The great Drogo?
00:46:46The future act of every show we ever played in.
00:46:49Drogo?
00:46:51Drogo?
00:46:53Aerialist?
00:46:54Mm-mm.
00:46:56Drogo.
00:46:58Equestrian?
00:47:00Mm-mm.
00:47:00Well, there was a Rogo.
00:47:05Rogo's lion act.
00:47:07Or was it Drogo?
00:47:11Drogo's lions.
00:47:13Was that it?
00:47:13I didn't say it, girl.
00:47:14I didn't say it, girl.
00:47:14Now, remember, I didn't tell you.
00:47:18Drogo's lions.
00:47:20That was the greatest act that ever played under the big top.
00:47:23Well, I can see it now.
00:47:25London, Paris, Vienna.
00:47:27The applause of thousands.
00:47:29What made him give it up?
00:47:31What's that?
00:47:32Boy, there he stood.
00:47:33Night after night.
00:47:35With guns in his hands.
00:47:36Then came a time when the animals weren't enough.
00:47:39Oh, forget the past.
00:47:41He'll come back, girl.
00:47:42He'll come back.
00:47:44I feel like a fool, Colonel.
00:47:47Imagine me making him pound steaks in a silly two-by-four show like this.
00:47:52Making out like I was a big shot.
00:47:55I gotta talk to him, Colonel.
00:48:01Drogo, come here.
00:48:03Oh, I'm very busy, Miss Moore.
00:48:04I want to talk to you.
00:48:05Well, Miss Moore, I want you to know that I'm sorry about what happened in your act.
00:48:11Well, I'll try to make up for it in any way I can.
00:48:13Oh, forget about it, Drogo.
00:48:15And stop tiring yourself out with the stuff around here.
00:48:18Oh, that's very nice of you, Miss Moore.
00:48:21I didn't ever expect you to speak to me again.
00:48:23Don't talk like that, Drogo.
00:48:25You make me feel so foolish.
00:48:27I think I've been making you pound steaks and do things around here that any kid could do.
00:48:32I want to learn all I can and help.
00:48:34You're going to.
00:48:35You're going to go right back to the top where you belong.
00:48:38You won't get in with the wrong people this time, because I'll take the guns out of your hands every night.
00:48:43Guns?
00:48:44That's certainly nice of you, Miss Moore, but I don't...
00:48:47Now, you don't have to say anything.
00:48:48I know we're going to get along swell together from now on.
00:49:00Colonel, what do you think?
00:49:01What?
00:49:01Miss Moore just spoke to me and forgave me for what I did to her act.
00:49:05She was so sweet, I can't get over it.
00:49:08She said we'd get along swell together.
00:49:10But certainly you'll get along swell together.
00:49:11Why shouldn't two great showmen get along swell together?
00:49:14What do you mean?
00:49:15I don't know anything about the show business.
00:49:16Well, I know you don't and you know you don't, but...
00:49:19But what?
00:49:20Well, I told her you were a great showman.
00:49:22Oh, Colonel, why did you tell her a thing like that?
00:49:25Well, you're an imposter, aren't you?
00:49:27Well, isn't it better to be a good imposter than a bad one?
00:49:29What kind of a showman did you tell her I was?
00:49:34Well, I told her you were a lion tamer.
00:49:37A lot.
00:49:38A lot?
00:49:38Colonel, come back here.
00:49:41Why did you tell her that?
00:49:43Well, there are no lions with this show.
00:49:45No.
00:49:46Well, what have you got to worry about?
00:49:52Oh, boys, put this stuff down the truck over there.
00:49:55Willie, you come with me.
00:49:56Yes, ma'am.
00:49:59Here, come here.
00:50:15You sit right down here and stay out of my way.
00:50:18I'm busy.
00:50:23Stay there and don't move.
00:50:29Glad to see you, Penguin.
00:50:44How are you?
00:50:44Oh, fine.
00:50:45Sorry to get you up at this hour.
00:50:47Oh, that's all right.
00:50:48We couldn't sleep anyway.
00:50:49What's on your mind?
00:50:50Well, I got a spot in my show for your lions.
00:50:52You still got them, haven't you?
00:50:53Sure, there they are.
00:50:55Come on.
00:50:56Say, I got the best lion trainer in the business.
00:50:59How about letting me take them and then the season will split?
00:51:01Well, it's okay with me if it's okay with Moe.
00:51:03It's okay with me, Joe.
00:51:05Matter of fact, I'm glad you came.
00:51:06We were just talking about turning them over to the zoo.
00:51:09Business has been so bad, we can't even feed them.
00:51:11Take a peek.
00:51:12They don't look underfed to me.
00:51:17Me either.
00:51:18In fact, they look powerful and healthy.
00:51:22There's nothing to worry about.
00:51:24All you got to do is follow the instructions in this book.
00:51:26Gives you their names, the tricks they do and everything.
00:51:29Well, that's swell.
00:51:31Here you are, Willie.
00:51:31Read it over carefully.
00:51:32From now on, you're taking care of them.
00:51:34Come on, let's go.
00:51:35Okay, we'll give you a hand.
00:51:37You mean...
00:51:38I guess you do.
00:51:42Nero rolls over.
00:51:46Nero.
00:51:48Nero.
00:51:52Nero, roll over.
00:51:58That did it.
00:52:06Good morning, Miss Moe.
00:52:07Morning, Joker.
00:52:08I think you ought to know what the colonel said.
00:52:10Oh, don't blame him.
00:52:11I'm happy to know that you're one of us.
00:52:13Well, I certainly do want to be one of us.
00:52:16There's something I want you to have.
00:52:19Belonged to my dad.
00:52:20He was a lion trainer, too.
00:52:22Oh, thanks.
00:52:24Drogo, I want you to know how I feel about your scenes.
00:52:28We're both showmen.
00:52:29I liked you from the start, but that was as far as could ever go because, well, I had no idea you were my kind.
00:52:36Miss Moore, I think you ought to know the truth.
00:52:38Never mind.
00:52:39It's what's going to happen that counts.
00:52:41I'll certainly do my best.
00:52:43You haven't any scratches on you.
00:52:45Didn't the lions ever claw you or jump you?
00:52:47To tell the truth, they never did.
00:52:49Gosh, you must have been great.
00:52:52Wouldn't you like to take up where you left off?
00:52:54Cracking the whip and hearing the applause?
00:52:57Wouldn't you do it for me?
00:52:58I guess I'd do just about anything for you.
00:53:02Well, here they are.
00:53:04Not much after what you've had, but it's the beginning.
00:53:07They're lions.
00:53:08Don't expect too much of them because they haven't been worked for quite a while.
00:53:18Is you going to train them loud?
00:53:20Oh, it's no use, Colonel.
00:53:39I can't go through with it.
00:53:41Now, don't be silly.
00:53:42Now, look, you're a millionaire, aren't you?
00:53:44What's that got to do with it?
00:53:46Everything.
00:53:46Why, you'd be the first millionaire lion tamer in the world.
00:53:49Think of the honor.
00:53:50And besides, I'm sure that nothing will happen to you.
00:53:53Those lions are easy to work with, aren't they, Willie?
00:53:55That's what it says here.
00:53:56There, you see?
00:53:57Now, look, I'm going to show you once more.
00:53:59You need have no fear.
00:54:01Why, no lion has ever been known to pass a chair.
00:54:04Now, you advance boldly.
00:54:07Chair in one hand and whip in the other.
00:54:15All right, ladies and gentlemen, step right up and buy yourself a ticket to the greatest thrill of your life.
00:54:34Feel this, folks.
00:54:36The one and only, the world's greatest lion tamer, is going to face five of the most ferocious.
00:54:42How's it going?
00:54:43Oh, couldn't be better.
00:54:44Step right up, ladies and gentlemen, and here you are.
00:54:47You got the smelling salts?
00:54:48Yes.
00:54:48The bandages?
00:54:49Yes.
00:54:50The iodine?
00:54:51Yes.
00:54:53I forgot something.
00:54:54What?
00:54:55I forgot to feed.
00:54:56Shh.
00:54:59What's the matter, boy?
00:55:02Colonel, I can't go through with it.
00:55:04Well, you love her, don't you?
00:55:06All you've got to do is to remember what I told you.
00:55:08When you get in that cage, keep chatting with that chair and cross with your whip.
00:55:12Listen, little boy, listen.
00:55:14What a crowd.
00:55:19Hurry up, Joker.
00:55:20We can't hold them much longer.
00:55:21They're waiting for you.
00:55:22The lions?
00:55:23And all the people, silly.
00:55:25Gosh, you look wonderful.
00:55:26Now go on out there and knock them cold.
00:55:30Tell me, Colonel, is he thrilled?
00:55:32Thrilled is not the word for it.
00:55:33He's trembling.
00:55:34With anticipation.
00:55:35You want to go in now?
00:55:38You know.
00:55:38Oh, I've got a better idea.
00:55:42There.
00:55:43Up.
00:55:43Places.
00:55:44Zero.
00:55:45Caesar.
00:55:46Hut.
00:55:47Run in it.
00:55:47Toby.
00:55:50What are you trying to do, Colonel?
00:55:53He's working the cats from the outside.
00:55:55Yeah.
00:55:56Well, you wouldn't expect the great Drogo to do the usual thing.
00:55:59Anybody can work lions from the inside of a cage.
00:56:01What a man.
00:56:03He's working them from the outside.
00:56:04That may be swell, Colonel, but I don't think these yokels understand that.
00:56:10I'll tell them to do it the easy way.
00:56:16Drogo, I think you'd better do it the regular way.
00:56:18Oh, I knew it fine from out here.
00:56:20I know, but these people don't understand.
00:56:22I think you'd better work on the inside.
00:56:24Okay, folks, everything will be fine in just a minute.
00:56:31Oh, there's what have to happen to me.
00:56:33What's going to happen to you?
00:56:35Well, can't you see?
00:56:35The rain is going to ruin the act.
00:56:37We can't put it on.
00:56:39Ow.
00:56:39Willie, put him away.
00:56:41Yes.
00:56:42Yes.
00:56:43Catch.
00:56:44Catch.
00:56:45Catch.
00:56:46Catch.
00:56:46Catch.
00:56:48Here, up.
00:56:48It's just a little shower.
00:56:50No, we can say, all right, my head.
00:56:51All right, my head.
00:56:52All right.
00:56:53All right.
00:56:54How am I going to get back to my trailer?
00:56:57There you are.
00:57:07I'm the queen of you, Drogo.
00:57:08Oh, no business.
00:57:17Did you do that on purpose?
00:57:18What do you think?
00:57:19Did you do that?
00:57:28You figure it out.
00:57:29Why, you.
00:57:30You.
00:57:31Now, wait a minute.
00:57:32If you hadn't let your snooping instincts get the better of you, all this wouldn't have
00:57:35happened.
00:57:36After all I've done for you, why, for two pins, I'd...
00:57:39Oh, you poor kid.
00:57:43Never mind.
00:57:44Someday you'll have a fine new carnival.
00:57:46I don't want a new carnival.
00:57:49All I want is good business for this one.
00:57:51You mean you don't want a new carnival?
00:57:53No.
00:57:54Come.
00:58:13I should have known you years ago Where on earth were you long years ago
00:58:37I miss so much And dreamed so little Before you set my heart aglow
00:58:52I should have known the way you smile As I traveled each long lonely mile
00:59:07For memory lane Should seem much sweeter If I had known you all the while
00:59:22Oh, I'm so jealous Of the flowers in spring
00:59:28For they know more Than I about you They heard your laughter And the songs you sing
00:59:45Through all the years I spent Without you I wish That I could truly say That I knew you long
01:00:06Before today But we'll go home From here together And I shall love you
01:00:31All the way
01:00:38Wonderful girl, Penguin Real, sincere, different
01:00:47Yes, the others are all alike But she's different I know, my boy, I know
01:00:54Love, love What follies are committed in thy name
01:00:58That's Francis Bacon
01:01:00Speak love
01:01:02If you speak love That's William Shakespeare
01:01:05Love is like hash You've got to have confidence in it to enjoy it
01:01:10That must have been Bob Hope Well, go to sleep my boy Or, uh, how are you?
01:01:17Good morning
01:01:30Good morning
01:01:31Oh, yes, uh, Mr. Newton
01:01:34Mr. Newton
01:01:35Oh, Mr. Whitman
01:01:36Yes, Bates, what is it?
01:01:37Begging your pardon, sir?
01:01:38But I'm afraid we have gypsies on the ground
01:01:40Gypsies?
01:01:41Well, Bates, uh, do something Get rid of them right away
01:01:46Yes, sir, right away, sir
01:01:48Oh, wait a minute, Bates Do you speak gypsy?
01:01:50Oh, no, sir
01:01:51Oh, never mind, I'll go myself Order the chief's car right away
01:01:54Yes, sir
01:01:55Come on, boys
01:01:57Hurry, hurry, hurry
01:01:58Up this way
01:01:59Hear all about the big surprise, I promised you
01:02:02Come on, everybody
01:02:04This way, everybody
01:02:05Shhh
01:02:08Now, listen, boys and girls
01:02:10I told you I'd bring you to the land of plenty
01:02:12Well, here it is
01:02:13Why, the food lies on the ground for the taking
01:02:15Did you say food?
01:02:16Right
01:02:17Groceries
01:02:18Grub
01:02:19Middles
01:02:20Now, some of you go that way
01:02:21And pick the berries from the vines
01:02:22The peas, beans, cabbages, and other vegetables
01:02:24Are that way
01:02:25Let your stomachs be your guide
01:02:26Pick on
01:02:29And the watermelons
01:02:30Are that way
01:02:34Oh, Willie
01:02:35Yes, Mr. Governor
01:02:36And the chicken house is over there
01:02:39Chicken house?
01:02:40Uh-huh
01:02:41What am I waiting for?
01:02:42I don't know
01:02:43Me either
01:02:44Tally-ho
01:02:52Say, Joe, what's the idea of pitching here?
01:02:53Colonel's orders
01:02:54Colonel's orders?
01:02:56Colonel's orders?
01:02:57Well, what are we gonna get for customers here? Feel my
01:03:01Quiet, quiet
01:03:03Ain't no use of squawking
01:03:04We all gotta go someday
01:03:06It's either gonna be you or me
01:03:08It ain't gonna be me
01:03:09It ain't gonna be me
01:03:10Get right down here, boy
01:03:11Let him rush
01:03:12I'll take you care if you wanna
01:03:13Here
01:03:14Here
01:03:15Here
01:03:16Here
01:03:17Here
01:03:18Here
01:03:19Take your time
01:03:20Take your time
01:03:21Don't rush me
01:03:22The man's right
01:03:23Thank you
01:03:24You're welcome
01:03:25Now, will you fix the flowers, please?
01:03:26First
01:03:27Oh, wait
01:03:28I love it
01:03:29I love it
01:03:30I love it
01:03:31Say, Red, where'd you get these?
01:03:33Well, the Colonel told us we could pick anything we wanted to
01:03:34Oh, he did, eh? Well, I'm still giving orders around here, I think.
01:03:39Oh, you heard the boss. Break it up.
01:03:42Get this stuff out of here.
01:03:44Yes, Miss Moore, but the Colonel said...
01:03:45I don't care what the Colonel said.
01:03:47We're not taking anything that doesn't belong to us.
01:03:49Now, put it back where you got it.
01:03:50Yeah, make it snappy. We'll all be thrown in the clink.
01:03:53Sound like we're practically in the clink.
01:03:56All right, fellas. Get rid of it quick.
01:03:58All right, you heard the boss. Get rid of it. Come on. Put a move on.
01:04:02What's going on around here?
01:04:04Come on, get going. Come on, get going.
01:04:06Well, well.
01:04:08It's a shame that I put back these tender boys.
01:04:10Are they very tender?
01:04:12Mm-hmm.
01:04:14That would be kind of a shame, wouldn't it?
01:04:18In that box. Come on.
01:04:20Be careful, but hurry.
01:04:22Come on. Get going.
01:04:24Hey, now sit down.
01:04:26My hand.
01:04:28Now, uh, back on your line.
01:04:32What do you mean trespassing on private property?
01:04:38Now, don't get excited, mister. You've got us all wrong.
01:04:42Oh, have I? Mm-hmm.
01:04:44Well, then, I'm very sorry.
01:04:46You see, I'm Penguin Moore and this is my carnival.
01:04:49We got lost last night and wound up here.
01:04:51We didn't know it was your property.
01:04:53But we didn't take anything.
01:04:54Well, if you didn't take anything, I guess there's no harm done.
01:04:57You've got quite a display.
01:04:59Would you like to look around?
01:05:00Oh, I'd love to. Do you mind?
01:05:01Oh, not at all.
01:05:03It's a pin game over there.
01:05:04I hate pins.
01:05:05Oh, well, here's a merry-go-round.
01:05:07Oh, it makes me dizzy.
01:05:08Well, we've got a lot of other things here that...
01:05:10What's this contraption?
01:05:11Oh, this is a taffy machine.
01:05:14Would you like to see it work?
01:05:15Oh, may I?
01:05:16Okay, Bob. I'll take care of it.
01:05:17Okay, Miss Bob.
01:05:18The mechanical device is intriguing.
01:05:19Well, here's the switch here, you see.
01:05:21And you put it down.
01:05:22The machine goes around with the taffy on it.
01:05:24Uh-oh.
01:05:25Mm.
01:05:26What'll they take up next?
01:05:27Most interesting parts down there with the motorists.
01:05:29You're right.
01:05:30It's a dandy.
01:05:31My favorite gear ratio.
01:05:32Fifty into one.
01:05:33Ha-yah!
01:05:34Wha-yah!
01:05:35Yeah!
01:05:36Huh!
01:05:37Uh-yah!
01:05:38What'll they take up next?
01:05:39Most interesting parts down there with the motorists.
01:05:46You're right.
01:05:47It's a dandy.
01:05:48My favorite gear ratio.
01:05:49Fifty into one.
01:05:50Thick, thick, thick, thick, thick, thick, thick, thick, thick, thick, thick.
01:05:51Thick, thick, thick, thick, thick, thick.
01:05:52Did you see what I saw?
01:06:15Why, did you see something?
01:06:17Let's forget it.
01:06:19Farmers in the bell
01:06:21Farmers in the bell
01:06:23Hey, na-di-na-di-do
01:06:24Boop-boop-a-doop
01:06:25The farmers in the bell
01:06:27Farmers in the bell
01:06:29Farmers in the bell
01:06:31Oh, you said you didn't take anything, eh?
01:06:33Oh, the farmers in the bell
01:06:35Well, drop that food, thief
01:06:37Thief?
01:06:39Oh, pardon, a Jew.
01:06:41Well, certainly it's me.
01:06:42Who did you expect?
01:06:43I can't tell you how happy I am to see you.
01:06:45I've been quite worried.
01:06:46Well, Harry, your worries are over.
01:06:47Come over here.
01:06:48I want you to meet a friend of mine.
01:06:50Oh, Penguin.
01:06:51Uh, this is my nephew, Harry Whitman.
01:06:54I'm one of his poor relations.
01:06:55How do you do?
01:06:56Oh, we've met.
01:06:57Well, good.
01:06:58Then we can get down to business.
01:06:59How many weekend guests have you?
01:07:00Oh, we have a whole house full.
01:07:01There's the Vance Wiggins, the Mortons, the Dumonts.
01:07:04That's enough.
01:07:04Graham's.
01:07:05I said that's enough.
01:07:06Have them all come down here.
01:07:07I guarantee they'll have a better time than they had in days, weeks, years.
01:07:11If it's that good, I'll tell them.
01:07:14Dang way!
01:07:16Tell them not to forget their wallets.
01:07:18Here, hear that sign, son.
01:07:19Yes, sir.
01:07:20That's it.
01:07:21Now go right ahead with your work.
01:07:22Two little pieces of business to do here.
01:07:27De-dee-da-dum, de-dee-da-dee-da-dum.
01:07:29They'll never know the difference.
01:07:30De-dee-dee-dee-da-dum.
01:07:31A dime-dee-dee.
01:07:32Ten cents to a dollar.
01:07:33They'll never know the difference.
01:07:34When you hear them holler.
01:07:35De-dee-dee-dee-dee.
01:07:37De-dee-dee-dee-dee.
01:07:37Well, our troubles are over.
01:07:55Happy days are here to end.
01:07:56Don't you think you're very surprised it's too much?
01:07:58Too much?
01:07:59Why, these people couldn't have a good time unless they paid too much.
01:08:02All right, boys.
01:08:04Go to work.
01:08:04All right, everybody.
01:08:06Hurry, hurry, hurry.
01:08:07Hurry, hurry, hurry.
01:08:17Step right up, play ball.
01:08:19There you are.
01:08:19Hurry, hurry, hurry.
01:08:21Play ball.
01:08:21Tell your best, sir.
01:08:22Hurry, hurry, hurry, hurry.
01:08:24Oh, let me see.
01:08:25She went again.
01:08:27How was that?
01:08:27She pulled out.
01:08:28Step right up, try to.
01:08:29Hurry, hurry, hurry.
01:08:29Hurry up.
01:08:30What's going on?
01:08:31Now, two steps forward, please.
01:08:32Two steps backward.
01:08:34Now, another one forward.
01:08:36Get away from me, son.
01:08:36You're annoying me.
01:08:37Hey, Colonel, it's me.
01:08:38Well, Penguin, hello.
01:08:40How's business?
01:08:41Ma.
01:08:42Well, how did that happen?
01:08:44Never mind.
01:08:44Step right this way, folks.
01:08:45Then we'll go through the developing process.
01:08:47There you are.
01:08:48Passes through the little hill.
01:08:49And the little handle.
01:08:50And the photograph drops in the little tank.
01:08:52There's a charming portrait of yourself and family.
01:08:54And the price is $5.
01:08:56Right this way, folks.
01:08:56But it's blank.
01:08:57That may surprise you, but it doesn't surprise me.
01:08:59The price remains the same.
01:09:00Would you mind getting out of the way, please?
01:09:02How about that man over there with it?
01:09:04More water, Taffy, now.
01:09:06Having fun?
01:09:07Oh, yes.
01:09:08And I appreciate you letting me run the machine.
01:09:09Oh, that's all right.
01:09:11I say you can sell the Taffy, too, if you like.
01:09:13Oh, may I?
01:09:13I'd be delighted.
01:09:15Coffee, Taffy.
01:09:15What do you mean we ain't got no right here?
01:09:17The paddles are still three for a dollar.
01:09:18A dollar?
01:09:19What?
01:09:19A dollar for a ten-cent game?
01:09:21Oh, Bob.
01:09:22Come with me.
01:09:22Yes.
01:09:23Come on.
01:09:24Anybody else?
01:09:26Taffy, Taffy.
01:09:27Listen, buddy, you don't have to get tough.
01:09:29Well, who's getting tough?
01:09:30Just a minute.
01:09:31I'm sorry, boys, but we're putting the show on for a private party.
01:09:34I'll have to ask you to leave.
01:09:36Oh, be nice, baby.
01:09:37You wouldn't want us to go now, would you?
01:09:39Oh, so it's one of those things.
01:09:41Okay, do it the hard way.
01:09:43That's all I wanted to know.
01:09:44All right, just a minute.
01:09:45Wait a minute.
01:09:47Oh, you ain't heard the last of this.
01:09:49Oh, no.
01:09:50Here you are, ladies and gentlemen.
01:09:51Three strikes.
01:09:52A one dollar, a one dollar.
01:09:54A thirteen hundred.
01:09:54You can do better than that, man.
01:09:55Let's try it again.
01:09:56Come on.
01:09:57Three strikes for a dollar, folks.
01:09:58Oh, you'll never do it that way, mister.
01:10:00Stand back and I'll show you.
01:10:02No muscles needed.
01:10:06Amazing.
01:10:08Introducing.
01:10:09The one, the only,
01:10:11Fearless Strogo.
01:10:13Dare devil to the arena.
01:10:15Fearless Strogo.
01:10:16Don't start to meet anything, folks.
01:10:17It couldn't be.
01:10:18No waiting, no delay.
01:10:19I wouldn't.
01:10:19Purchase your tickets right away.
01:10:21Excuse me.
01:10:22Think of it, folks, a beer, two dollars and fifty cents.
01:10:25Here we go, folks.
01:10:26Don't rush, don't crowd.
01:10:28Hurry, hurry, hurry.
01:10:29Come on, folks, you'll see one of the best shows you ever saw in your life.
01:10:32Get in there now and give them everything you've got.
01:10:33But listen, Penguin, you don't know this, but I really...
01:10:36No, buts.
01:10:36This is your chance to get back on top and you're going to take it.
01:10:38But I can.
01:10:39I hope everything goes all right.
01:10:48I hope everything goes all right.
01:10:56See you, guys.
01:10:58Hello.
01:11:03It's ready, folks.
01:11:06See you, Sheriff?
01:11:07Well, well, Mr. Drogo Gaines, the millionaire playboy, is more cuckoo than I thought he was.
01:11:29Hey, boss, that ain't in the book.
01:11:41Look out, Mr. Drogo.
01:11:41Here comes the lion.
01:11:42The lion can run 40 miles an hour.
01:12:00I'm sorry, Ridley.
01:12:07I told you I'd lead you to the land of plenty.
01:12:09Willie.
01:12:10Yes?
01:12:10Get that lion back in the cage before I scare someone.
01:12:26Put what lion loose cage before it scares who?
01:12:27Rushing here, rushing there.
01:12:31Nowhere to go.
01:12:32What's going on in there?
01:12:33The lion's loose.
01:12:34Lions!
01:12:35The lion's loose.
01:12:36The lion's loose.
01:12:37Lions!
01:12:38If I'm a hunt for lion, I've got to get me some bait.
01:12:42I've been chasing the lions all the time.
01:12:43He ain't dead.
01:12:44Kitty, kitty.
01:12:45I sure hope I don't find him.
01:12:47There's more sure going to be mad at that lion chasing all them people.
01:12:48Hey!
01:12:49Kitty, kitty, kitty.
01:12:50I mean, where's that lion at?
01:12:52I'm going to go to the lion.
01:12:53I'm going to go to the lion's loose.
01:12:54If I'm a hunt for lion, I'll get me some bait.
01:12:55I've been chasing the lions all the time.
01:12:58He ain't dead.
01:12:59Kitty, kitty.
01:13:00I sure hope I don't find him.
01:13:01There's more sure going to be mad at that lion chasing all them people.
01:13:04Hey!
01:13:05Kitty, kitty, kitty.
01:13:06There's more sure going to be mad than that lion cheese and all them peaches.
01:13:15Where's that lion hen?
01:13:36I'm putting you a cord in that time. I gotta be more careful.
01:13:43My blood pressure won't stand it.
01:13:48Kitty, kitty, kitty.
01:13:52Kitty, kitty.
01:13:58Whoa, whoa, whoa.
01:14:06Kitty, kitty. Come on.
01:14:09Nice baloney. Come on, kitty, kitty.
01:14:11Kitty, kitty.
01:14:12Nice baloney.
01:14:15Get in there.
01:14:21Was that me talking?
01:14:32It's all right, folks. Everything's taken care of.
01:14:35Nothing to worry about.
01:14:42Toffee, toffee.
01:14:43Toffee, toffee.
01:14:44Dollar a bag.
01:14:45Dollar a bag.
01:14:46We don't want no toffee.
01:14:48Come on, boys.
01:14:49Toffee, toffee.
01:14:50Toffee good.
01:14:52Hey, Roof!
01:14:54Hey, Roof!
01:14:55Hey, Roof!
01:14:56Hey, Roof!
01:14:57Hey, Roof!
01:14:58Hey, Roof!
01:14:59Hiya, beautiful.
01:15:00Now, listen.
01:15:01I told you we're putting the show on for a private party.
01:15:03Well, this is my private party.
01:15:05How about it, boys?
01:15:06Yeah!
01:15:07Wait a minute.
01:15:08You heard what the lady said.
01:15:09Now, get going.
01:15:10Oh, glamour boy, huh?
01:15:11Ooh!
01:15:12Oh!
01:15:13Oh.
01:15:14Oh!
01:15:19Get away, Roof!
01:15:20Get away!
01:15:22Get away, Roof!
01:15:27Get away, Roof!
01:15:32Hey, Roof!
01:15:33Hey, Roof!
01:15:34Let's break this joint!
01:16:04Oh, dear, dear.
01:16:09Kendra, about that lying act.
01:16:13Skipper!
01:16:14You don't understand.
01:16:15I understand more than what I do.
01:16:21Hey, spell that match!
01:16:25Now is the time for all the good men to come to the aid of their party.
01:16:30Don't shoot, boys!
01:16:31Ooh!
01:16:33This column, eh?
01:16:34Well, come on!
01:16:38Sorry, Chief!
01:16:41Oh!
01:16:42Aha!
01:16:43A bull's-eye!
01:16:56Captain Drogo!
01:16:57Reinforcement!
01:17:02Get around here!
01:17:06Slip!
01:17:07Go!
01:17:12That's good shooting, Omar!
01:17:13Okay, you take the high road, I'll take the low!
01:17:20What's on your mind?
01:17:21I've been looking all over for you.
01:17:22I got the new kind of a park at Porter'sville.
01:17:25What should I do with it?
01:17:26Go back and take care of it.
01:17:27I'll get in touch with you later.
01:17:28Yes, sir.
01:17:33The situation is running out!
01:17:36Fuck!
01:17:39A bull's-eye!
01:17:40A bull's-eye!
01:17:41Ow!
01:17:42Ow!
01:17:43Ow!
01:17:44Ow!
01:17:47Ow!
01:17:49Ow!
01:17:51Ow!
01:17:52Ow!
01:18:04Ow!
01:18:05Hey!
01:18:06No!
01:18:08No!
01:18:10Help!
01:18:12Help!
01:18:14Help!
01:18:16Help!
01:18:26There you go!
01:18:28Here!
01:18:30Give it up!
01:18:32Give it up!
01:18:34Give it up!
01:18:36Give it up!
01:18:38Oh, you've had enough, huh?
01:18:50Sorry, Chief! Sorry!
01:19:00Hey!
01:19:02Victory is ours!
01:19:04Victory is ours, but my circus is ruined!
01:19:08Well, now, don't let that worry you.
01:19:10My rich statue will pay for everything.
01:19:12Oh, Harry! Harry, where are you?
01:19:14Here I am.
01:19:16Oh!
01:19:18Oh, pardon my appearance.
01:19:20Hey, it's quite disarray.
01:19:22Well, never mind. I'll have everything fixed.
01:19:24There you are. What more can you ask?
01:19:26Meantime, let's celebrate by coming up to my house and having dinner.
01:19:28Oh, I'd be delighted, sir.
01:19:30I'm having a thing to air.
01:19:32The house is full of clothes.
01:19:34May I?
01:19:36Why, certainly!
01:19:38I'm in an awful predicament.
01:19:40The new carnival's over at Portisville.
01:19:42What am I going to do?
01:19:44The new carnival?
01:19:46Now, you run along with the rest of them and leave everything to me.
01:19:48Yes, but I...
01:19:49Go right ahead now.
01:19:50Don't you worry.
01:19:54Say, George.
01:19:55Yes, Colonel.
01:19:56Do you still burn the barn down every weekend?
01:19:58Yes, sir.
01:19:59Tonight?
01:20:00Nine o'clock sharp.
01:20:01Fine.
01:20:02Fine!
01:20:03Hey, boy!
01:20:04Come here!
01:20:05Hurry, hurry, hurry!
01:20:07Now, wait a minute.
01:20:08I want you to wrap up this carnival and put it in that big barn down the road about a half a mile.
01:20:12Then I want you all to go over to Portisville.
01:20:14There's a new carnival over there, bigger and better.
01:20:17I want you to help set it up.
01:20:19Now, come on, get going.
01:20:20Right up!
01:20:29Say, hello.
01:20:30Penguin, you're beautiful.
01:20:32I'm charmed, Miss Boyd.
01:20:34Dinner is served, sir.
01:20:36Thank you, Bates.
01:20:37Right this way, everyone, for the victory dinner.
01:20:40Tell the pretty flowers you'll get all those cousins.
01:20:44When you promise me kisses,
01:20:49Oh, no.
01:20:50Keep your hands off that chair.
01:20:51I've had that one pulled on me before.
01:20:52As you wish, madame.
01:20:53Yes.
01:20:54You know, I'm awfully happy that they have chicken tonight.
01:21:08I never eat anything but chicken.
01:21:10That's water.
01:21:11One, two, three, four.
01:21:12A four-legged chicken.
01:21:13That's cute.
01:21:14A four-legged chicken.
01:21:15Three-legged chicken.
01:21:16Three-legged chicken.
01:21:17There's a novelty.
01:21:18A three-legged chicken.
01:21:19What's the idea?
01:21:20Oh, if you wouldn't like that, that's no good.
01:21:21No good.
01:21:22Well, here we are.
01:21:23Back to normal again.
01:21:24That's kind of muscular, isn't it, huh?
01:21:25It's nearly nine o'clock, sir.
01:21:26Oh, so it is, Bates.
01:21:27Shuffled well?
01:21:28Yes, sir.
01:21:29All right, everyone.
01:21:30Let's hurry with the usual drawing for positions on the firetrucks to see who the lucky people
01:21:44are.
01:21:45Will your drawing the car?
01:21:46Yes, sir.
01:21:47All right, everyone.
01:21:48Let's hurry with the usual drawing for positions on the firetrucks to see who the lucky people
01:21:54are.
01:21:55Will your drawing, Uncle Carl?
01:21:56Yes, sir.
01:21:57Yes, sir.
01:21:58Did you draw, Uncle Carlton?
01:21:59Yes.
01:22:00Oh, mine's a blank.
01:22:02Better luck next time.
01:22:04I'll drive the chemical truck.
01:22:05That's nice.
01:22:06I'll just ride along with Mr. Gaines.
01:22:08Why, Colonel, this is not a blank.
01:22:10You two ride on the chemical wagon.
01:22:12By the way, Harry, what are you burning tonight?
01:22:14Oh, the same old barn.
01:22:15Oh, that's terrible.
01:22:17What's the matter, Uncle Carlton?
01:22:18Well, how was I to know that you're still burning the same old barn?
01:22:21In order to save the carnival from the hoodlums, I have the boys hide it in the barn.
01:22:24You mean the carnival's on fire?
01:22:26I mean exactly that.
01:22:27My carnival!
01:22:28Well, how was I to know that?
01:22:29She said, the car was on fire.
01:22:31Oh, come on!
01:22:32Come on!
01:22:33Come on!
01:22:34We're gonna have a fire!
01:22:35Come on!
01:22:36Oh, don't you think I ought to do the driving?
01:22:40Don't be silly.
01:22:41I've been pushing trucks around all my life.
01:22:44I lay down!
01:22:46Don't be silly. I've been pushing trucks around all my life.
01:22:48All right, let it go!
01:23:10Where is the fire?
01:23:16Never mind the fire. We're not going there.
01:23:18What do you mean?
01:23:19Keep going straight ahead.
01:23:21That will lead them into Porter'sville and the new carnival.
01:23:23And what about the fire?
01:23:25Well, you told me to get rid of her carnival, didn't you?
01:23:27Maybe when she sees the new one, she'll forget the old one.
01:23:30Oh.
01:23:40Toby!
01:23:46I'll see you next time.
01:23:47Hey, ough.
01:23:48I'm not going to see you next time.
01:23:49I'm not going to see you next time.
01:23:50I'll go over the list of all the traps.
01:23:51I'm not going to see you next time.
01:23:52Take it easy!
01:23:56Go away!
01:23:58Somebody's coming!
01:23:59Are you trying to catch me?
01:24:01He's going to catch me!
01:24:02I'm not going to catch you.
01:24:03Take it easy!
01:24:04Take it easy!
01:24:07Take it easy!
01:24:14Go away!
01:24:15Somebody's lying to me, hurry!
01:24:17It'll be me!
01:24:23Hey!
01:24:24Come, move them!
01:24:26Hey!
01:24:37Get off the road!
01:24:39That's not fair!
01:24:43Hey!
01:24:56Hey!
01:24:57Hey!
01:24:58He's coming out!
01:25:00Please, fellas!
01:25:01Please!
01:25:07Come on!
01:25:08Come on!
01:25:09Come on!
01:25:10Come on!
01:25:11Hey!
01:25:12It's pretty tricky!
01:25:14Hey!
01:25:15Get me out of here!
01:25:16Do something!
01:25:17Get her down!
01:25:18Oh!
01:25:19Oh, yes!
01:25:22Hey!
01:25:37Well, here we are!
01:25:40Yay!
01:25:41Beautiful!
01:25:42Wonderful!
01:25:43And all for the love of a girl!
01:25:46If the world's fared on wheels, I couldn't have picked a better one myself!
01:25:52Ah!
01:25:53It's beautiful!
01:25:54More in games!
01:25:56That's you and me!
01:25:57Do you really mean?
01:25:58Yes!
01:25:59For keeps!
01:26:00Well, so what?
01:26:01Say!
01:26:02Maybe you got something there!
01:26:31This is a good solved!
01:26:33And all of that things will miss the place!
01:26:34We'll be right back!
01:26:35We'll be right back!
01:26:36There you go!
01:26:37We'll be right back!
01:26:39We'll be right back!
01:26:41That's it!
01:26:42We'll be right back!
01:26:44I bet you're left!
01:26:45We'll be right back!
01:26:46We'll be right back!
01:26:48The last night...
01:26:50This is what we have seen!
01:26:52You're not gonna!
01:26:53I'll be right back!
01:26:55You're not gonna!
01:26:56I'll be right back!
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