Igra sudbine Epizoda 1425,Igra sudbine 1425,Igra sudbine 1426,Igra sudbine Epizoda 1425, Igra sudbine Epizoda 1426,Epizoda 1425 Igra sudbine ,Epizoda 1426 Igra sudbine
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TVTranscript
00:00It's not fair at all that you're attacking me like this.
00:15It's not fair at all that you're talking about our private stuff.
00:18If you haven't noticed, Alex, Gabriela and I have gotten very close lately.
00:23And I don't know what the problem is that I share intimate things with someone who's my friend.
00:29Or maybe it bothers you that I share something that bothers me with anyone.
00:32It doesn't bother me at all.
00:33But what bothers you?
00:34It bothers me that it's private and business. These people work with us.
00:37Well, you're talking as if I went to the whole company and talked about how I can't hire. Come on, please.
00:43So, we made a deal. You're in the foreground, and I'm going to be the brain of the operation.
00:49Well, if you put it that way, it sounds bad to me.
00:52You will try to be the best manager in the world, there is no doubt about that.
00:57You're making me suspicious.
00:59I'm sorry, I'm sorry, I'm sorry, this is a little incident.
01:05And this is an incident for you, too.
01:07Well, I mean, considering how many cocktails I've had, maybe it's not.
01:11I agree.
01:13Why do you agree?
01:15Well, I agree that this can never be attributed to an incident.
01:20I'm just asking you one more time to be careful about these things, Gata.
01:23Okay, I'll be careful, okay?
01:25Have we solved this now?
01:27Under these conditions, yes, Gata.
01:29Okay, great.
01:31I'm very tired of all this.
01:35Let's go to bed.
01:40Okay.
01:45It's an honor for me to be the manager of a future big star.
01:50Because the stadiums and arenas are waiting for you.
01:53Okay, now don't tease me anymore, really.
01:55I'm not teasing you, I'm actually teasing you a little.
01:58I believe, I wouldn't tease you if I really didn't like it.
02:02I really think that people adore you and listen to you, you know.
02:07Okay.
02:08What are you doing?
02:11I'm working in a circle in Don's magazine.
02:15Don's magazine?
02:16Yes.
02:17The world is so small, I can't believe it.
02:19Why?
02:20Well, I'm working in Don's magazine.
02:22Really?
02:23Yes, I'm photographing some events and interviews for them.
02:26We're colleagues.
02:27It doesn't matter.
02:29Do you know anyone from Don?
02:31I know you.
02:32You forgot.
02:34What did I forget?
02:35I'm going to a job interview.
02:37I'm going to a job interview and I won't be there until later, Aleksa.
02:41I'm sorry, I forgot.
02:43Yes, you're right.
02:45I'm glad you realized that.
02:47Mile!
02:48You're here.
02:49Mile!
02:51Black Mile, Black Mile.
02:53Where are you?
02:55I'm here.
02:56Do you know what time it is?
02:58What time?
02:59It doesn't matter.
03:01Maybe something good happened to you in life.
03:04How do you know all that?
03:07It's true.
03:08What is true?
03:10Maybe something good happened to you in life.
03:14Like what?
03:17A woman.
03:19Okay, Milorad.
03:20Does it have to be a woman?
03:22Does it have to be a woman for me to feel good?
03:25Okay, it's either a woman or she's in a hurry.
03:33I'm sorry.
03:34I have a situation.
03:36I have to go out for private reasons.
03:38Can I help you?
03:39I hope it's nothing serious.
03:41I have a stomach ache.
03:43I don't know anything.
03:44It's probably okay.
03:45We'll talk later, okay?
03:47I can't do anything without coffee.
03:49Tell him to put the coffee.
03:51Tell him to put the coffee.
03:53I'm going to sleep for another five minutes.
03:56And you talk.
03:58The most normal thing is silence.
04:00Bye.
04:01I'm free.
04:03If you want, I can talk to him.
04:05Really?
04:06Yes, seriously.
04:07I can't ask you that.
04:09It's not a problem.
04:11I'll make him tea.
04:12We'll draw and everything will be okay.
04:14Are you sure?
04:15Yes, seriously.
04:16Thank you a lot.
04:18I'll call you later.
04:19Bye.
04:20Come on, I'll make you something nice.
04:22You're welcome.
04:23Let's go.
04:26What's that?
04:27Contracts.
04:31What contracts?
04:32Contracts that you have to sign.
04:38But that's not our job.
04:40It is now.
04:42You have a job until the end of the day.
04:44It would be better for you to finish it.
04:46Don't worry.
04:47You'll know for sure.
04:55What do you think?
04:56Do we want to go on vacation?
04:57Yes, we want to go on vacation.
05:02You should go alone, too.
05:04To enjoy together.
05:06What do you say?
05:07Let's go on vacation.
05:09If you want, with us.
05:12Why not?
05:14Eh?
05:18Here you go.
05:19What did you come up with?
05:25Here you go.
05:27Have a nice day.
05:36Don't be crazy, Vanja.
05:38What is this?
05:41Look, Vitomir.
05:42We can talk about anything at any time.
05:46But you can't just barge into my office.
05:49Vanja, please.
05:50Don't be silly.
05:53Look at this.
05:55Technically, it's a total failure.
05:58We can't post it on social networks,
06:00not on our platform.
06:01What are we going to do?
06:02I don't know.
06:03I just know that we can't post that video.
06:12For more accidental encounters,
06:17no less.
06:26Do you know what time it is
06:29that I have to do your job?
06:33I don't understand.
06:36Okay, let me explain.
06:39I actually did your job.
06:42What?
06:47Do you know who is behind that campaign?
06:51No.
06:55Who?
06:58Sara Berger.
07:12Sara Berger.
07:13Sara Berger.
07:14Sara Berger.
07:15Sara Berger.
07:16Sara Berger.
07:17Sara Berger.
07:18Sara Berger.
07:19Sara Berger.
07:20Sara Berger.
07:21Sara Berger.
07:22Sara Berger.
07:23Sara Berger.
07:24Sara Berger.
07:25Sara Berger.
07:26Sara Berger.
07:27Sara Berger.
07:28Sara Berger.
07:29Sara Berger.
07:30Sara Berger.
07:31Sara Berger.
07:32Sara Berger.
07:33Sara Berger.
07:34Sara Berger.
07:35Sara Berger.
07:36Sara Berger.
07:37Sara Berger.
07:38Sara Berger.
07:39Sara Berger.
07:40Sara Berger.
07:41Sara Berger.
07:42Sara Berger.
07:43Sara Berger.
07:44Sara Berger.
07:45Sara Berger.
07:46Sara Berger.
07:47Sara Berger.
07:48Sara Berger.
07:49Sara Berger.
07:50Sara Berger.
07:51Sara Berger.
07:52Sara Berger.
07:53Sara Berger.
07:54Sara Berger.
07:55Sara Berger.
07:56Sara Berger.
07:57Sara Berger.
07:58Sara Berger.
07:59Sara Berger.
08:00Sara Berger.
08:01Sara Berger.
08:02Sara Berger.
08:03Sara Berger.
08:04Sara Berger.
08:05Sara Berger.
08:06Sara Berger.
08:07Sara Berger.
08:08Sara Berger.
08:09Sara Berger.
08:10Sara Berger.
08:11Sara Berger.
08:12Sara Berger.
08:13Sara Berger.
08:14Sara Berger.
08:15Sara Berger.
08:16Sara Berger.
08:17Sara Berger.
08:18Sara Berger.
08:19Sara Berger.
08:20Sara Berger.
08:21Sara Berger.
08:22Sara Berger.
08:23Sara Berger.
08:24Sara Berger.
08:25Sara Berger.
08:26Sara Berger.
08:27Sara Berger.
08:28Sara Berger.
08:29Sara Berger.
08:30Sara Berger.
08:31Sara Berger.
08:32Sara Berger.
08:33Sara Berger.
08:34Sara Berger.
08:35Sara Berger.
08:36Sara Berger.
08:37Sara Berger.
08:38Sara Berger.
08:39Sara Berger.
08:40Sara Berger.
08:41Sara Berger.
08:42Sara Berger.
08:43Sara Berger.
08:44Sara Berger.
08:45Sara Berger.
08:46We have to adopt some changes hands-on.
08:52Why, what are you trying to say?
08:59Well, we have to consult the headquarters and make sure they send us the
09:07to deliver us good quality material so that we don't have to repeat the same situation.
09:12Ok. How do we solve this?
09:14Well, we have to prevent this bad material from reaching us,
09:18because then we'll be late, readers will ask where are the new recordings,
09:22and all of that has a very bad impact on our vlog.
09:25Ok, and what do we do?
09:27Well, what's the solution?
09:29Well, I have a pretty simple solution.
09:32Tell me, Gagala.
09:33Well, let's buy Panchetti a new phone.
09:35Excuse me?
09:36You see, she's used to having it all on her phone.
09:40People like that.
09:41Let's buy her a new phone, with a good quality camera,
09:45and that's it.
09:47I just need to finance Panchetti.
09:50What's next?
09:51To hire an editor, an editor, a cameraman?
09:55Listen, listen, I've been thinking about it.
09:57Imagine the situation where you have to pay an editor,
10:00a screenwriter, a cameraman, a sound engineer.
10:04Imagine how expensive that would be.
10:06This is the cheapest solution, believe me.
10:10I don't have a choice.
10:13Ok, buy Panchetti a new phone.
10:15Ok, and just to say,
10:17I can't buy her a broken phone, a Chinese one,
10:21if we're going to buy her something good.
10:23Gagala, I told you.
10:25Buy her any phone.
10:27Ok, I'll choose one for myself.
10:30Thank you, we agreed on that.
10:34Bye.
10:39This magazine is really hopeless.
10:50Sara Berger.
10:51Yes.
10:52Sara Berger is behind that dirty campaign.
10:58How did that happen?
11:00I have my own channels.
11:02Ok, everyone has their own channels.
11:05Do you have any evidence?
11:06Without evidence, nothing.
11:08Listen, that's not important.
11:09What's important is that it's 100% confirmed.
11:16Ok.
11:18And what now?
11:19Are you going to the police?
11:21Are you going to report her?
11:24Not really.
11:25Things are much more complicated.
11:27It's obvious that someone much bigger
11:30is behind Sara Berger.
11:32And this guy.
11:33This guy, Zilet.
11:36Who?
11:39I have no idea.
11:43You should ask that question
11:45when I've already asked this question.
11:48Ok.
11:50I'll start the action right away.
11:53Of course.
11:54And tell me,
11:56if you have any leads,
11:58anything,
11:59where I could start.
12:01Your suggestions.
12:03You have a lead.
12:05Which one?
12:06The one about Sara Berger and Zilet.
12:12Yes, yes, yes.
12:13Well, yes.
12:14Ok.
12:16I have to go.
12:18Ok, but we haven't started the action yet.
12:22You didn't even offer it.
12:25Come on.
12:26See you later.
12:27See you.
12:28Cheers.
12:29Cheers.
12:34They offered it.
12:37Then I'll do it.
12:41Sara Berger.
12:54Sara Berger.
13:01Sara Berger.
13:10Hey!
13:11Hi!
13:13Hi, kajo.
13:14Where have you been?
13:16Well, I've been working.
13:17Right now?
13:18Yea.
13:19Well, technically, right now, yes.
13:21I went after my brother to finish some things, so I just got here.
13:29What is it?
13:30What?
13:32This?
13:33Yes, that.
13:35Don't you see it's a bouquet?
13:37Really?
13:38If you hadn't told me, I wouldn't have known it was a bouquet.
13:41Whose is it, when I ask you?
13:43I got flowers from Nemanj.
13:45Oh, from that handsome guy you had a fight with in Fejn?
13:49Really?
13:50Yes.
13:51Really?
13:52Yes.
13:53Come on, a bouquet is a bouquet.
13:55Why are you so hard-hearted?
13:57I'm not hard-hearted. Why do you think that?
13:59Because you say a bouquet is a bouquet.
14:01Isn't the guest handsome?
14:03You don't even like him a little bit.
14:05Mina!
14:06What are you, some kind of love inspector, I don't understand?
14:09Yes, exactly.
14:10Okay, I admit that the guest of this guest from Fejn
14:16today will be a beautiful day.
14:18Yes, you'll see.
14:21It will be nice.
14:22It will be nice.
14:23Yes.
14:39I'm here!
14:42Aleksa!
14:43Aleksa!
14:45Lula!
14:48Marijana!
14:50Hey!
14:51Hey!
14:52You're here.
14:53Hi.
14:54I'm here.
14:55Tell me, where are these two?
14:57They didn't...
14:58They didn't come, or...
15:00I've been here all the time, I haven't seen them.
15:03Here they are.
15:04Let's go.
15:05Hi.
15:06Look who's here.
15:07Look who's here.
15:08Look.
15:09Where are you?
15:10Where are you?
15:12Hi.
15:16You're back, huh?
15:18I just got here, and Marijana says it's weird that you're not here.
15:22Well, we went out for a bit.
15:24Did you? Where did you two go?
15:27Well, we went to the cinema with Gabriel.
15:30With Gabriel?
15:31Yes.
15:33You didn't tell me anything about that.
15:35I wouldn't believe what happened.
15:37What does it mean?
16:08What's that?
16:10What's that?
16:11Come on, sit down.
16:12Come on, come on, come on.
16:20Hi, girls!
16:23It's so nice!
16:25Come on, I want to hear what happened, what's new, what's going on.
16:30Well, there's nothing going on with me.
16:32But there's something going on with our Kaya.
16:39Really?
16:41Well, what, what, what's going on?
16:43Come on, girls, thank me.
16:45It's so nice to hear.
16:48Come on, Kayla, come on.
16:49Why are you looking at me like that?
16:50What?
16:51Those are nice things.
16:52Come on, tell me.
16:55Nothing.
16:56Nothing important, believe me.
16:58I don't believe you.
16:59I believe me.
17:00I believe me.
17:01Because you, Kaya, when it comes to nice things,
17:05you kind of minimize them.
17:07You minimize them.
17:08That's what I said.
17:09She said it nicely.
17:10That's right.
17:12That's right, mom.
17:13So?
17:14So, the two of us went out,
17:16and she ran into a nice guy.
17:20Oh, my!
17:21And where did you go?
17:23To Fame.
17:24Excuse me?
17:25Fame.
17:28Aha!
17:30So, you ran into that nice guy at Fame.
17:36I'm sorry.
17:37It's really stupid.
17:38It doesn't matter.
17:39We ran into each other.
17:40We ran into each other.
17:41Actually, we didn't even run into each other,
17:42we just bumped into each other
17:43by accident on the way out.
17:44That guy and me.
17:45I mean, that stupidity.
17:46That's it.
17:47That's the end of the story.
17:48It's not really like that.
17:49And how was it, Mina?
17:51Well, first they bumped into each other,
17:53and then he sent her flowers today.
17:56Oh!
17:57Uh-huh.
17:58Uh-huh.
18:00I don't know why we're giving so much reason
18:03to all this.
18:04We just met, I don't understand.
18:07Nemanja!
18:09Uh-huh, Nemanja.
18:10Uh-huh.
18:11Nemanja.
18:12Nemanjica.
18:13Neca.
18:14Neca!
18:15Danny Motivčić!
18:18Yeah!
18:31Luleta had a stomach ache,
18:33so I went to the doctor's.
18:35Oh, I don't believe it.
18:37How's your stomach now?
18:39It's great now, as it used to be.
18:41It's great now.
18:42Well, I'm full.
18:44No.
18:47What was that about?
18:49Well, nothing.
18:50I had a meeting in the office,
18:52and I took him with me,
18:53and I didn't know where I was going to go
18:55and what I was going to do with him.
18:57And Gabriela took care of him,
18:59she got pregnant,
19:00and they got together,
19:02and then we spontaneously went to the city.
19:06And you got to the cinema.
19:08Well...
19:09I just wanted to ask
19:10if you'd like to have a movie tonight.
19:12Lule, I will.
19:14Do you need anything else?
19:15If you can, just take him to his room.
19:17Of course.
19:18Good luck.
19:19Come on.
19:20Give me your hand.
19:21I'll do it.
19:22Here.
19:23Here.
19:28She's a bit angry, isn't she?
19:30And, well,
19:31they got so close
19:33that her stomach stopped hurting.
19:35Really?
19:36Yes.
19:37I mean, I asked her to come with us
19:39just for the sake of it.
19:40I didn't expect her to agree,
19:42I thought she'd be stupid, but...
19:44What would have been stupid
19:45if you had invited her?
19:46Well, it would have been weird.
19:48What would have been weird?
19:50I mean, she helped you,
19:51she took care of Lule,
19:52you had a great time together.
19:55And you're not angry?
19:58I'm not angry.
19:59Are you sure?
20:01I'm 100% not angry.
20:02Why would I be angry?
20:05Come on, let's eat.
20:06Please, just the two of us.
20:07Come on.
20:08So we can lie down.
20:09I'm so tired.
20:10Come on, I'm hungry.
20:11Let's go.
20:12Let's go.
20:22Yes, I remember, yes.
20:24So I got flowers from the boy
20:25I had a fight with in Fejm
20:27when I was leaving the house.
20:28I don't know what the problem is.
20:29I don't understand.
20:30Do you know him?
20:32Oh, no.
20:33I don't go to such mafia places
20:36where bad people gather.
20:38So I don't know any of them.
20:42Is it a problem that we went there?
20:44It's a problem.
20:45But it's the smallest problem
20:47in relation to the problem
20:48we're going to have.
20:50What should I have done?
20:51I don't understand.
20:52Should I have thrown a bouquet?
20:53What?
20:54Should I have robbed a delivery man?
20:55What?
20:56I have a job.
20:57I have a job.
20:58Every woman likes to get flowers.
20:59For example, I would like
21:01to get a bouquet like this
21:03at the address every day.
21:07But?
21:08But I'm afraid for you.
21:11I'm afraid you're going to rob me.
21:13What am I going to do?
21:15What?
21:16Why?
21:17Why would I rob you?
21:18I really don't know
21:19what the problem is.
21:20My God, Mila.
21:21I suppose you have a reason
21:23why you're saying this.
21:24That's right, I have a reason.
21:25You know that I don't say
21:27such things with this tone
21:29when I don't have a reason.
21:30Why?
21:31This is a really nice gesture
21:32that K.I. sent to me.
21:33That's a fantastic gesture.
21:35But the flowers will wither
21:37and the soul and wounds
21:39will not heal.
21:41What now?
21:42Why are you saying this now?
21:43Because until yesterday
21:44you were crying and whining
21:46about Mila's smelly shoes,
21:48scarf, socks and socks.
21:51And as soon as you found
21:53a naked man on the street,
21:55you were happy.
21:56The lady fell on her back
21:58and turned into a butterfly.
22:00That's not true at all.
22:01I mean, that's really not true.
22:02And first of all,
22:03I didn't shoot him on the street,
22:05but in the restaurant.
22:06I don't know at all.
22:07That doesn't matter at all.
22:09You're not good
22:10because you hear
22:11that you can't even
22:14meet that boy.
22:27You have to cure your head.
22:30You have to meet that boy
22:31as soon as possible.
22:34Just to tell you,
22:35I didn't give the boy
22:36any reason.
22:37I believe you.
22:38Nothing happened.
22:39Okay.
22:40Plus...
22:42Plus?
22:44Plus is convenient.
22:45Okay.
22:46Handsome, younger.
22:47Yo!
22:48Yo!
22:49Yo!
22:50I knew it!
22:51Younger!
22:52Younger!
22:53This is a disaster!
22:56Why?
22:57What?
22:58What?
22:59Just a little...
23:01Just to get Mila out of his head.
23:03Friend.
23:05To get Mila out of his head
23:07and to put this young man
23:09in his head
23:11as a big problem.
23:14Younger!
23:16Younger is looking for fun.
23:18You're just a girl for fun.
23:21This lady wants to have fun,
23:23and this one wants a child.
23:26You don't want anything else in the world
23:28than to have a child.
23:32Go to your room.
23:33Come on, come on.
23:35Go to your room.
23:36Enough!
23:37Enough!
23:38I'm talking to the walls.
23:39And they're better than me.
23:41This is all going to fall down.
24:09Are you coming home now?
24:13Mom, what are you saying?
24:15It's like I'm 15 years old.
24:17I'm kidding.
24:18I just wanted to get you out of your head.
24:20You see how successful you are.
24:23And where have you been?
24:25You didn't tell me you had plans
24:26after work today.
24:28I was at the cinema.
24:30The cinema?
24:31In the middle of the day?
24:32At the cinema?
24:33Yes, that was the day.
24:35Interesting.
24:36Not as much as you think.
24:38And what were you watching?
24:41Some cartoon.
24:43Gabriela.
24:44God, I miss cartoons.
24:46You didn't like cartoons
24:47when you were a kid.
24:48Okay, Alex and his little one
24:49invited me,
24:50so I accepted.
24:51What's missing?
24:54Where did that come from?
24:57Long story.
24:59And how was it?
25:01Nice.
25:05What's so funny?
25:07You and the kid.
25:10So what?
25:12I would never say that.
25:14Okay, Mom,
25:15you don't have to be like that.
25:17I want to be a mother one day.
25:20And Maciha?
25:35So, Stevan,
25:36how do you like it here?
25:38Well, you know,
25:39it's a little fancy for my taste,
25:41but maybe it'll pass.
25:42I'm sorry we didn't invite you earlier.
25:45I'm really sorry.
25:46We promised you a nomad,
25:47but we can't keep our promise.
25:49Yeah, we fell out of touch.
25:51Come on, let it go.
25:54You're apologizing to me
25:56because you're taking me out to dinner
25:58instead of me apologizing to you
26:00because I'm wasting money.
26:02Come on, let it go.
26:03It's not a waste of money.
26:04She just wanted us to let it go.
26:06What about the expenses?
26:07What do we care?
26:08We had a few crazy days at work.
26:11Yeah, I was crazy too.
26:14Yeah, me too.
26:15It was really dynamic.
26:16Come on, guys,
26:17let's see what we're going to eat.
26:18Come on, Stevan,
26:19let's see.
26:20Here you go.
26:29What the hell is this?
26:30What?
26:31What do you mean?
26:32Wait,
26:33what are these prices?
26:34Is this some kind of fraud?
26:35What prices?
26:36These are the prices of the meal.
26:37Believe me.
26:38I know,
26:39but a chicken drumstick is 1,200 dinars,
26:42so I can buy 2 kilos of drumsticks
26:44at the market for that money.
26:46Stevan,
26:47that's not expensive at all
26:48for a restaurant.
26:49Stevan,
26:50let it go.
26:51The meal kills how good it is.
26:52Well,
26:53the prices are killing,
26:54but we'll see about the meal.
26:56But are you sure
26:58you want to eat here?
27:00Why?
27:01Don't you like it here?
27:02No, no,
27:03I like it.
27:04I think it's all right,
27:05but the prices are a bit crazy.
27:07I mean,
27:08let's go to this Daretan's
27:09to eat a chicken drumstick,
27:10can we?
27:11Stevan,
27:12come on,
27:13let it go,
27:14please,
27:15we're paying.
27:16I mean,
27:17don't look at the prices,
27:18just take what you want to eat.
27:19That's right,
27:20we respect you.
27:21Come on.
27:22I know,
27:23I mean,
27:24okay,
27:25is there lamb here?
27:26There's no lamb right now.
27:27You know what,
27:28I don't understand half of this anyway.
27:30Stevan,
27:31do you want us to choose
27:32something nice for you?
27:33Come on.
27:34Come on,
27:35now we'll see
27:36what you like.
27:37Come on.
27:46Well,
27:47I could be a cat.
27:50Just to remind you,
27:52Aleksa is adopted.
27:53Okay,
27:54Mom,
27:55why do you think I am?
27:57I know you,
27:58Pusko,
27:59until you were a gun.
28:00Come on,
28:01let's leave my life
28:02and my decisions to me,
28:03huh?
28:05Just be careful,
28:06don't fall out of your boots.
28:08That won't happen.
28:09Oh,
28:10it won't happen,
28:11it always happens
28:12in situations like this.
28:13It won't happen to me.
28:16Do you want to tell me
28:17that you don't like Aleksa?
28:20Aleksa is
28:21my type of man,
28:22but I don't see myself
28:23as a secret affair
28:24or a lover,
28:25that's it.
28:27Uh-huh,
28:28but as
28:29a lady
28:30and a woman.
28:31Yes,
28:32yes,
28:33yes,
28:34exactly like that.
28:35Why?
28:36Do I have to accept
28:37something less?
28:38Dream on.
28:39Yes,
28:40this is a dream,
28:41it's old.
28:42Okay.
28:43That's your thing,
28:44I won't interfere.
28:45That's impossible.
28:46I mean,
28:47that's part of your character.
28:49And what is
28:50that girl of his like?
28:52An exceptional woman.
28:53Uh,
28:54then she must be more
28:55than exceptional,
28:56if you praise her.
28:57Yeah,
28:58let's talk about you.
28:59How are you doing?
29:00I wasn't there.
29:01Tell me,
29:02you're free.
29:03I wouldn't go there.
29:04Tell me.
29:06We could go
29:07to the Tsar's together,
29:08maybe we really should.
29:24So, Stevan,
29:25how long have you been
29:26doing this?
29:27Doing what?
29:28Security.
29:30Ah,
29:31this is my first job.
29:33Really?
29:34First job.
29:36Come on, Zezer.
29:37What?
29:38I thought
29:39you've been doing this
29:40your whole life.
29:41How did you
29:42get Nemanja
29:43off the hook?
29:44How did you make him?
29:45Congratulations.
29:46Okay,
29:47that's,
29:48I mean,
29:49there's security,
29:50I've been doing this
29:51for a long, long time.
29:52Wait, wait, wait,
29:53have you been working
29:54as a fat guy
29:55or a cop?
29:56Well,
29:57this is not
29:58important to me at all.
29:59I mean,
30:00I haven't been doing
30:01anything,
30:02there's nothing important
30:03in my life,
30:04so to speak.
30:05Stevan,
30:06don't talk like that.
30:07Well,
30:08it's not like that.
30:09Honestly,
30:10it's like that.
30:11I just,
30:12whatever I did,
30:13I sat down for something.
30:14I sat down,
30:15like you do,
30:16and then,
30:17whatever institution,
30:18I sit down for something.
30:19I mean,
30:20it's not like I'm hiding
30:21a Nobel Prize
30:22in a drawer
30:23at home,
30:24but,
30:25I just
30:26sit down
30:27and I do nothing.
30:28Stevan,
30:29I don't believe you
30:30at all.
30:31Me neither.
30:32I'm sure
30:33you've done something
30:34in your life.
30:35You seem to me
30:36like a guy
30:37with a dangerous past.
30:38Yes,
30:39I was in the first
30:40season of James Bond.
30:41But,
30:42without telling you,
30:43I would have to
30:44kill you.
30:45Good evening,
30:46gentlemen.
30:47Good evening.
30:48Hello.
30:49Stevan,
30:50I didn't expect you
30:51here.
30:52Well,
30:53my colleagues
30:54Well, my colleagues took me out for dinner.
30:58Colleagues?
31:01So, where do you work now?
31:04I work for them, in that store.
31:06Don's, as a security.
31:11Do you want to have a drink at Rača's house?
31:13Sure, this one.
31:16Alright.
31:17Boy.
31:20Thanks.
31:21But, how do you know the owner of the cafe?
31:24Well, something from the past.
31:27It's probably an unimportant past.
31:30Hey, leave me alone.
31:32Where are you taking me?
31:34I'll be right there.
31:35I'll be right there.
31:37I'm sorry.
31:49Andrija visited us.
31:51Who's Andrija?
31:56What?
31:57Who's Andrija?
31:59What do you mean, who's Andrija?
32:01Bošnjak.
32:02Who else? Andrija Ivanović.
32:05He came to tell us
32:07that we're not doing our job well
32:11and that he's doing it for us.
32:15And he's right.
32:16Why?
32:19Because he discovered
32:22who's behind that campaign against him.
32:25Really?
32:26Who is it?
32:30Now you'll be surprised.
32:33Your Sara Berger.
32:36I could be surprised,
32:38but I'm not.
32:41And that's not all.
32:43There's more.
32:44Yes, yes.
32:45There's Sara.
32:47She's not doing it alone.
32:49Well, she's working with Žilet.
32:51That's obvious.
32:53No, no.
32:54I'm not talking about him.
32:55Then who are you talking about?
32:57I'm talking about someone much more dangerous than Žilet.
33:01Okay, who?
33:04Someone very dangerous
33:07who's leading the whole campaign.
33:30Panči!
33:31Juh, juh!
33:33Gala! Gala!
33:35I'm Kucah, but you didn't hear me.
33:39Oh, Gala!
33:41I'm gone.
33:42Oh, I see.
33:43Sit down, welcome!
33:46Sit down.
33:48Hey, Gala!
33:49Panči!
33:50I came because
33:53I have something for you.
33:56A gift!
34:00A gift?
34:10What should we do? Should we call him?
34:12Call him.
34:14Let's call him.
34:21Good evening.
34:22Good evening, Mr. Horvat.
34:24I'm really sorry to bother you, but
34:28we have a problem.
34:31Okay.
34:40Žilet, who are you thinking about?
34:48Look, Barbara, if I say I don't know,
34:51we'll find out very soon
34:54who's behind all this.
34:58Okay?
35:07What's this?
35:08I have something for you.
35:13What's inside?
35:16Open it, you'll see.
35:18Open it, you'll see.
35:19Let me see.
35:26A phone?
35:29I thought you'd...
35:32No, never mind.
35:34I'll tell you.
35:35Wait, do you like it?
35:37No, it's great.
35:40New.
35:41Oh, what a nice color.
35:43Why would I need a phone?
35:44I have a phone.
35:46I know you have a phone, but...
35:49Look, that last video wasn't
35:52of satisfactory quality.
35:55Really?
35:56The previous one was fantastic,
35:58but this one...
35:59This one is fantastic, too,
36:01when it comes to content,
36:03but in a technical sense,
36:05the quality of the footage.
36:07Ah, in a technical sense.
36:09That's it.
36:10So we decided it would be best
36:12to provide you with a nice new work tool.
36:15Yes, yes, yes.
36:17How much does this cost?
36:20It doesn't matter how much it costs.
36:22Please, don't worry about it.
36:24Who's going to worry about it?
36:26Me?
36:27What?
36:28Really?
36:29But...
36:31I don't know.
36:33I have my old phone.
36:36How would I know?
36:38Okay, here's the phone.
36:40Take it.
36:41Just take it.
36:42Do you want one?
36:43Something...
36:47Here it is!
36:48Here it is!
36:49Here it is.
36:50That's the least we could do for you.
36:52Believe me.
36:53Yes, it really is.
36:55Wait a second.
36:56How do I...
37:02Is everything okay, Pancho?
37:04It is, but I don't know how to...
37:07Huh?
37:09Don't worry.
37:10A phone is a phone.
37:11You'll have to pay for everything.
37:13We'll put everything in the room.
37:15It's a touchscreen.
37:17Yes, yes, yes.
37:18A touchscreen.
37:20I have my...
37:22my...
37:23my...
37:24my...
37:25my...
37:26my...
37:27my...
37:28my...
37:29my...
37:30my...
37:31my...
37:32my...
37:33my...
37:34my...
37:35my...
37:36my...
37:37my...
37:38my...
37:39my...
37:40We have to find out who's behind Sara.
37:43We have to get to the bottom of this.
37:48We have to do it once and for all.
37:49Raska Inga will do it.
37:51She wouldn't come back here...
37:55He's a good guy.
38:01How does he give her a life?
38:03She doesn't give him a life?
38:05I don't know.
38:07Then how does she give him a life?
38:09We know. You're not aware.
38:11How would I like her to pay for everything.
38:13For everything!
38:14Easy, easy.
38:15I would like her to rot in prison,
38:17never see a light of day again.
38:19Sit in a cell and think
38:21about what she did to everyone...
38:23and that he has a sense of guilt.
38:25Let's calm down a bit and go to Mars.
38:27What's wrong with you?
38:29I'm sorry.
38:34Now we have to be rational, fast, pedantic,
38:37and slowly go to the solution of that case.
38:41Otherwise, you can't do anything.
38:43Do you understand?
38:45Okay.
38:46Do you have an idea?
38:47What?
38:48Well, do you have an idea for now?
38:50Well, if I don't have an idea,
38:52I always choose the old school version.
38:55Okay, old school, so it's a pre-trial trial, right?
38:58Bravo, bravo.
39:02Let's go, old man.
39:04Mr. Horvath, what are we going to do now?
39:21I mean, do you have any idea?
39:23That's my problem.
39:24I mean, do your job.
39:26Is that clear?
39:30We will, Mr. Horvath.
39:32Don't worry.
39:40Just write it down.
39:42Is it written somewhere?
39:44It's not written, but trust me when I tell you.
39:46Okay, here it is.
39:47Just here.
39:48Down here?
39:49Yes, here.
39:50Okay.
39:58Come on, trust me.
39:59Wait, you have to...
40:01I'm sorry.
40:02Okay.
40:19Hey.
40:20Hey.
40:22What are you doing?
40:24Well, I'm looking at some articles.
40:26Aha.
40:27Aha.
40:28Do you have a little time for your old father?
40:43What?
40:44It's okay, it doesn't matter.
40:46Okay, now wait until I finish the sentence.
40:49Finish it.
40:50Oh, God.
40:51I wouldn't do it during the night.
40:53I would do it in the middle of the day.
40:58Okay.
41:07Sit down.
41:08Do you have five minutes?
41:09I do, Vito told me.
41:11We need to talk.
41:13Okay.
41:14About what?
41:15What's the problem?
41:16Look, I have a great idea for the next issue of the magazine.
41:19Okay, suggest it to your colleagues, we'll see.
41:22Yes, I can.
41:23Okay.
41:24I can, but I won't.
41:28Okay.
41:35You have to let other people see you, hear you and enjoy your work.
41:42Okay, all right.
41:43Didn't we say that we won't perform in the business club because it's nepotism?
41:47Oh, yes.
41:58Aleks was really worried about his father.
42:00And you know that they were constantly talking about how much he missed him.
42:03Well, it's luck that you were there instead of me.
42:07Well, okay, I just flew in to help.
42:10I mean, I flew to Boles, to Aleks' meeting.
42:12I know, Aleks already told me.
42:14Yes, I know.
42:18Lenka, let me explain something to you right away.
42:22Are you mad at me for helping Aleks?
42:28Yes.
42:37I was at the party with Vitomir and it was really great.
42:43I just don't know why he didn't call me.
42:45He didn't call me at all since then.
42:49And you were really worried about that Vitomir, huh?
42:52Darko, that's not the right word.
42:54Okay, I'm sorry.
42:56I just don't want any of our conversations to be based on whether he called you or not.
43:00You know?
43:02Come on, man.
43:20Hello.
43:21Good afternoon.
43:22I didn't know we had a double session today.
43:39I have an offer for you.
43:52I have an offer for you.
43:53I have an offer for you.