00:00It's a very good film.
00:17The beginning of the film is Jagadeesh's hand.
00:19As we saw in the frame, it's the same hand that's kept in the box.
00:22He was very happy when we showed him this detail.
00:27There are a lot of scenes that got cut.
00:29There was a sequence that was very important.
00:31When we were shooting, there was a breathing scene.
00:35For that, we gave him an airbrush pump.
00:38The machine that you see in the film is an original machine.
00:43That's why we took 240 liters of bread.
00:46We take a little more than we need.
00:49If we take a transport, it will take us from Ernakulam to Munnar.
00:52We take 20-28 liters of bread and take it to the bus.
00:54There's a sequence where he smiles.
00:57What did you do for that?
00:59When we were shooting, Kalaimastu told us that there was an idea like this.
01:03Of course, we started doing it.
01:05That day, we worked in a silicone.
01:07We locked the egg in this.
01:09If you lock it, it will sit like this.
01:11We saw this in the film only after Kochi was shot.
01:15In the film, there is a live-action scene.
01:18That's how creative it is.
01:21We shot everything.
01:24But there was no one to watch it.
01:35These are our Marco Secrets.
01:38If you have seen this face somewhere, it is absolutely fantastic.
01:43How much effort did you have for this?
01:45We started this workshop a month before we started shooting.
01:48He was from Bombay.
01:50We brought him to Kochi from Kerala.
01:52We took the mould of his head.
01:54The mould that we saw in the video.
01:56Yes, yes.
01:58We shaved the alginate and took the mould from the silicone.
02:01It took 2-3 hours to take the mould.
02:03It was his first experience.
02:05He enjoyed it.
02:07He was tensed because he didn't know how to do it.
02:10But after that, he was very happy.
02:12He got a good mould.
02:14We started with Jagadeesh's hand.
02:16The hand that we saw in the frame.
02:18The hand that was kept in the box.
02:20This was the first thing we started with.
02:23We started with that.
02:25We showed it to Harithik.
02:27He was very happy when we showed this detail.
02:31Because that much detail and originality was there.
02:36The skin tone.
02:38Yes, we brought it to the skin tone.
02:40We had to take the skin tone, growth, and texture.
02:42That was a big success.
02:44We did the rest of the work.
02:46The mould that we got...
02:48The artist who did the prosthesis did it.
02:52The reference that we give to the prosthesis is moulded.
02:56The colour toning and other effects are done by a make-up man.
03:00We created it to get the originality.
03:04When we give an artwork, they make a mould.
03:07When we design it, they do the mould.
03:09Because they do the artwork.
03:11They do it.
03:13This is the brain of the villain.
03:17There are a lot of cut scenes.
03:19This is one of the main sequences.
03:21At what stage will this be?
03:25Without colour?
03:27This will be normal.
03:29We have to give colouring, blood and effects.
03:31It won't be like this.
03:33When we shoot, it will be full of blood.
03:37It will get a breathing.
03:39We did it in that vibe.
03:41Is there a gap in this?
03:43To fill it?
03:45No, it will be a gel.
03:47We fill it.
03:49If it breaks, it will crumble.
03:51If it crumbles, it will be a new piece.
03:53We show the head coming from inside.
03:57This is the heart.
03:59In the scene where we take the heart,
04:01Aneesh said that
04:03we should have this breathing.
04:05We gave an airbrush pump for that.
04:09It was a timing pump.
04:11We worked with that.
04:13When you look down,
04:15there is a pumping.
04:17After the pumping,
04:19it breaks.
04:21We have shot all that.
04:23When you take that shot,
04:25will there be a gap?
04:27Yes, there will be.
04:29There will be a crew.
04:31This can only work this way.
04:33We need people for everything.
04:35How many days will it take to shoot the climax?
04:37This is a 20 day shoot.
04:39In a factory.
04:41The last day was 2 days.
04:43It was a continuous day 4 night shoot.
04:45We started at 6 am and
04:47finished at 11 am.
04:49This is Anwar's hand.
04:51Yes, Anwar's front hand.
04:53This is his full hand.
04:55We did it with full detail.
04:57We did it to cut it live.
04:59He holds his hand like this.
05:01The machine you see in the movie
05:03is the original machine.
05:05We did it with the
05:07original machine.
05:09There is a safety machine.
05:11We did the same thing
05:13with that.
05:15There is a scene where
05:17we cut it live.
05:19It was very violent.
05:21We only showed it after the movie.
05:23This is a tube for that.
05:25We pumped blood.
05:27Like we said in the interview,
05:29to suck the blood.
05:31We pumped blood here.
05:33Then the blood pressure will be there.
05:35That is the feel
05:37when you pump blood on your face.
05:39Does this blood have
05:41a smell or
05:43does it look like water?
05:45It will have a thickness
05:47and it will be sweet.
05:49It will have a sweet taste.
05:51Otherwise there is no smell.
05:53Because of the seeds,
05:55itch comes quickly.
05:57When we use blood in the body,
05:59itch comes quickly.
06:01There is no bad smell.
06:05Is there an expiry date for that?
06:07Yes, there is an expiry date.
06:09There is a problem with the climate.
06:11That is why we take 240 liters of blood
06:13for a small amount.
06:15The transport metal from
06:17Ernakulam to Munnar
06:19is 20 liters.
06:21There is a climate problem.
06:23It is cold.
06:25The color of the blood changes
06:27due to climate change.
06:29That is why
06:31we cannot use a lot of blood.
06:33There were 11 fights.
06:35All the fighters
06:37needed blood.
06:39Everyone needed blood.
06:41Was there blood in the climax?
06:43Yes, there was blood in the climax.
06:45The art department
06:47made some blood
06:49on the ground.
06:51There is a sequence
06:53where you smile.
06:55What did you do for that?
06:57We did a prosthetic.
06:59It was a shoot
07:01without planning.
07:03We had a plan.
07:05We could have done it earlier.
07:07When we were shooting,
07:09the art department told us
07:11that they had a plan.
07:13We worked with a silicone
07:15on both sides.
07:17We loaded the blood
07:19and took the shot.
07:21Many people have doubts
07:23about how it was done.
07:25We did it with a silicone.
07:27There is a making video.
07:29It was done in one day.
07:31It was completed in one shot.
07:33If it was a retake,
07:35it would not have been possible.
07:37We did it well.
07:39We got a good response.
07:41It was done in a short time.
07:43It was done with a silicone.
07:45We made a patch on both sides
07:47and colored it.
07:49It was done with blood.
07:51Was it the same
07:53with a silicone?
07:55Yes.
07:57There is a dummy of a safety
07:59gun.
08:01We created a head
08:03when we crushed it.
08:05It was breaking.
08:07There is a head
08:09with a wig.
08:11We created it
08:13with the feeling of crushing.
08:15When we did it with the
08:17help of VFX,
08:19it was more original.
08:21We locked the hands
08:23and shot it with the feeling
08:25of crushing.
08:27It was stuck like this.
08:29There is a spring.
08:31We could not do it with
08:33one hand.
08:35That is the main importance
08:37of prosthetic makeup.
08:39To give more excitement.
08:41Kalei master is the king.
08:43He crushed it.
08:45We could not do it
08:47with one hand.
08:49It is a hand that
08:51helps us a lot.
08:53How did you do it?
08:55Did you take a mold?
08:57We took a mold in this state.
08:59We did it to lock it.
09:01Inside this?
09:03We are locking it in this belt.
09:05We are locking this belt in the skin.
09:07We folded the hands
09:09and locked it.
09:11We did it like this.
09:13We are locking it in this belt.
09:15It will be like this.
09:17It will be like this.
09:19It will be like this.
09:21It will be like this.
09:23It will be like this.
09:25That is it.
09:27This is good.
09:29Technical terms.
09:31This is the most important
09:33portion of Marco.
09:35When you shot this,
09:37did you feel...
09:39When we shot this scene,
09:41we were very nervous.
09:43He did not sleep for 5 days.
09:45We created it in such a stage.
09:47This is not the color you see now.
09:49Skin tone, full blood.
09:51What we saw in the movie
09:53was after Kochi was shot.
09:55The movie itself
09:57was shot live.
09:59The liquid coming out of it
10:01and the strain.
10:03Everything was shot live.
10:05But we had the right to
10:07watch it live.
10:09We did it for weight balancing.
10:11When you take it like this,
10:13there will be a strain.
10:15Did you do anything inside?
10:17We did weight balancing.
10:19It will be weight from here to there.
10:21Did Unniyettan see all this?
10:23Yes, he saw it.
10:25He is usually not
10:27into all this.
10:29He was very involved in everything.
10:31He supported us a lot.
10:33It was a work that gave us a lot of results.
10:35In all the movies,
10:37is it like this?
10:39The child is born like this.
10:41It can be like this in many ways.
10:43Not like that.
10:45Is it possible to bring a child in a movie?
10:47It is difficult to bring a child in a movie.
10:49The child is born like this.
10:51They do mold work.
10:53They do mold work.
10:55The people who do mold work
10:57did this.
10:59It was done by a team from Hyderabad.
11:01They have to do weight balancing.
11:03They did it for weight balance.
11:05It was done by a team from Hyderabad.
11:07It was done by a team from Hyderabad.
11:09It was done by a team from Hyderabad.
11:11It was done by a team from Hyderabad.
11:13When you do make up,
11:15do you need VFX?
11:17Do you need VFX?
11:19Do you need VFX?
11:21Yes, of course.
11:23When I submitted this film,
11:25I told the production side
11:27that we will do the maximum
11:29make up.
11:31We will do the maximum make up.
11:33We will need VFX.
11:35We will need VFX to show the details.
11:37We will need VFX to show the details.
11:39We have Prashanth in all the shots.
11:41He listens to my options.
11:43I listen to his options.
11:45We have a good understanding.
11:47Have you done VFX in this?
11:49Yes, we have done VFX.
11:51Jagadish hasn't done anything.
11:53It is our work.
11:55VFX is not possible for these parts.
11:57VFX is not possible for these parts.
11:59It is like a hand.
12:01It is like a hand.
12:03We used the bone.
12:05We also have a VFX for this.
12:07Blood should come while running.
12:09We also need blood.
12:11For making it original,
12:13we needed the VFX.
12:15We are using the VFX for this.
12:17We are using the VFX for this.
12:22Is your family visible?
12:25Is your family visible?
12:27I can see it, but my mother is the only one in my family who doesn't go to the movies.
12:31My sisters have told me not to go to the movies.
12:33But I can see it for my family.
12:35I am not a person who does it for the sake of my family.
12:38So how can you use all this for Marko 2?
12:41I don't know if I can use it for Marko 2.
12:43Because all of us have used it for Yes Paul.
12:46So Marko 2 has to be shown on the other side of this.
12:49What do you do with this?
12:51Is it only for the As of Us movie?
12:54We can't hold the silicone material for a long time.
12:59There are holes in it.
13:01It is made of plastic.
13:03So we can't hold it for a long time.
13:05But I have kept it safely.
13:07It is a memory.
13:09It is a benchmark.
13:11It will be with us.
13:13But if we need it for a production or a movie, we will definitely use it.
13:17So these are Marko's and prosthetic's secrets.
13:21We have used a lot of prosthetic's in Tamil movies.
13:26But now in Malayalam, it has become a new benchmark.
13:32It was done in Malayalam.
13:34It was done in Malayalam.
13:36It was done in Malayalam.
13:38It was done in Malayalam.
13:40I hope to see more of these in the upcoming movies.
13:45Thank you for the time.
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