- 2 days ago
മലയാളി സിനിമ പ്രേമികൾ ഏറെ ആഘോഷമാക്കിയ ചിത്രമാണ് കിഷ്കിന്ധ കാണ്ഡം, സംവിധായകൻ ഡിഞ്ജിതും ബാഹുൽ രമേശും വീണ്ടും ഒന്നിക്കുന്ന സിനിമയാണ് ഏകോ.ഏകോ വിശേഷങ്ങൾ നരേൻ , വിനീത് , സന്ദീപ് എന്നിവർ പങ്ക് വെക്കുന്നു. അതോടൊപ്പം ആദ്യ സിനിമ അനുഭവം ക്ലാസ്സ്മേറ്റ്സ് , പടക്കളം എന്നീ ഹിറ്റ് ചിത്രങ്ങളെ കുറിച്ചും മൂന്ന് പേരും സംസാരിക്കുന്നു
Eko Is the Most Anticipated Malayalam Movie, from the Makers Of Kishkindha Kaandam . In This Video Sandeep , Narain, Vineeth Speaks About Thier Experience about The Movie. They Also Share Some Beautiful Memories About First Shot In Cinema, First Movie Release Day And Many More
~HT.24~
Eko Is the Most Anticipated Malayalam Movie, from the Makers Of Kishkindha Kaandam . In This Video Sandeep , Narain, Vineeth Speaks About Thier Experience about The Movie. They Also Share Some Beautiful Memories About First Shot In Cinema, First Movie Release Day And Many More
~HT.24~
Category
📺
TVTranscript
00:00In a movie, it's a very different experience.
00:05Character-wise, it's a very challenging and different experience.
00:10We can't do the same thing, but we can't do the same thing.
00:15But we can't do the same thing as we can't do the same thing.
00:20We can't do the same thing as a thriller.
00:25I think it's important to learn more about the elements.
00:28I think you can't do the same thing as a screenplay.
00:30I think it's important to ask you,
00:32you can't say anything,
00:33you can't say anything,
00:35you can't do it,
00:36you can't do it,
00:38you can't do it,
00:40you can't do it,
00:42you can't do it.
00:43I love you.
00:44It's a very humorous and I really enjoyed doing it.
00:47Do you have a recommendation for me?
00:50I didn't have any advice,
00:52I didn't have any questions.
00:54I was excited to come to one side, and I was excited to come to another side.
00:59Maybe last time I was thinking about it.
01:01There were a lot of sequences in my life.
01:06I was very excited.
01:08It was very intense.
01:11When I was in a career, I had a short-cut feeling that I was feeling.
01:21Hi, Hello viewers. Welcome to our show, Untold with Ajin.
01:25Today, we are also talking about Untold Stories.
01:28We are talking about the Equal and Ashithram theater.
01:31So, we have a few things to do with that.
01:34We need that and we are all right. So, welcome to our show.
01:37In our life, it is a beautiful life-time life.
01:41We have a great feeling of a trailer.
01:44We have a great experience.
01:47We have a great experience.
01:49We have a great experience.
01:53I think it is definitely a great experience.
01:59I think it is a great experience.
02:03Because we also have environmental issues.
02:09Because we shoot in the terrain.
02:12We have a great experience.
02:22But definitely, I don't think it's hard to do this in the cinema.
02:26I don't think it's a special thing.
02:28What do you think about it?
02:29No, because the genre is definitely forest-based.
02:33You can't do anything like that.
02:34You can't shoot anything like that.
02:36But definitely, character-wise, it's a very challenging and different experience as an actor.
02:44Of course, terrain, and things like that, all that happens.
02:50You can't shoot anything like that, you can't shoot anything like that.
02:54You can't do anything like that.
02:56All that happens.
02:59Character-wise, of course, that whole ambience, the team, the crew, most importantly, the director.
03:09So, that's an excitement.
03:11I think it's an experience.
03:14We can't do anything like that, but we can't do anything like that.
03:19So, there's a cinema in there.
03:21I'm telling you, there's a script, the story line, the unusual item, the actual story line.
03:30In the practical shooting, the way they, you know,
03:35practical difficulties in which they are doing,
03:39they are learning experience.
03:41They are working style,
03:43they are working style,
03:46they are working style,
03:48they are working style,
03:50so that is a very new experience.
03:53I think there is a lot of characters in the depth of the character.
03:59So, I am happy to be with the artist.
04:03If you are working on the team, that is a rare experience.
04:07In the trailer, there is a presence of Docs,
04:10and you are a dog person.
04:12I am a dog person.
04:14I love dogs.
04:15I have a shits in my house.
04:20I don't know what to do.
04:22In the apartment,
04:24it is torturing the animal.
04:26So, I had to give up.
04:29Because the timing, the nature call,
04:33we are not doing anything,
04:37but it becomes a huge responsibility also.
04:41We are torturing the animal.
04:43So, that is what we are doing.
04:45I am a person.
04:47How do you have full presence of a dog?
04:50How do you have full presence?
04:51How do you have full presence of a dog?
04:52I mean, there is a lot of presence of a dog.
04:55This is an important aspect.
04:57It is an element.
04:58Yes, a character,
04:59not.
05:00That is not only an animal.
05:01It is an animal trilogy.
05:02It is not an animal trilogy.
05:04Because the script has three significant contributions.
05:10It is a significant contribution to our characters.
05:12That is.
05:13It is important for dogs.
05:14It is.
05:15There's a dog in Kishkandaran, there's a monkey, there's a dog, so there's a very important element.
05:25From the makers of Kishkandaran, you know, what is exciting for the festival?
05:31Because most of the time Kishkandaran, you know, it's exciting.
05:40Excitement definitely.
05:42There's a lot of brilliant filmmakers. As artists, we think there's a lot of excitement.
05:50There's a lot of exploring. There's a lot of working patterns.
05:55But in the end of the day, the script, we think there's a lot of filmmakers that are conceived and contrary.
06:04There's a lot of confidence, a lot of energy boost.
06:09There's a lot of confidence in Mumbai, so there's a lot of friendly characters.
06:17So, we're going to get into the script and I was also happy with that character.
06:22So, we're going to get into the film and we're going to get into the film and we're going to get into the film.
06:32So, after that, he's always here. He's not going to get into the film.
06:34So, when I'm at the end of the film, he's probably going to get into the film.
06:38I'm going to get into the film.
06:40So, you know, I'm not going to get into the film with that film.
06:42And, he said, he went to the cinema store before the house.
06:48I said, I'm going to ask you to come to the house.
06:52He said, I'm going to tell you something I'm going to tell you.
06:56I'm going to tell you something about the house.
07:00I don't know if they were already in the house.
07:04Then, he said, I don't know.
07:06I'm excited.
07:08I'm going to tell you something about the house.
07:10I thought I was doing a screenplay.
07:15I thought that was what I was trying to explain.
07:18Tell me, I don't know. I said, I don't know what to say.
07:21I don't know. I don't know that.
07:23I don't know what to say. I've done a book and I haven't done it.
07:26I've done it. I've done it.
07:29I feel really as if I'm there.
07:32I felt it was a result.
07:34In our dialogue.
07:36If you want to do it, you can go to the correct visualisation.
07:40You can craft a lot of detail and a lot of detail.
07:44I'm happy.
07:47This is going to work.
07:50I'm excited to be able to see the cinema.
07:57If you have a career, you can edit a new director, a new approach to the cinema.
08:07For the people.
08:09Now, we have a lot of work.
08:11We have a lot of work.
08:13We have a lot of work.
08:15We have a lot of work.
08:17We have a lot of work.
08:19We have a lot of work.
08:21How do you feel that approach?
08:23I don't know.
08:25I'm excited.
08:27But I was excited to be able to do it.
08:29I'm excited in my career.
08:32I'm excited.
08:35I'm excited for the film.
08:37I'm excited to be a person.
08:39I have a lot of work.
08:41But I'm excited to be an artist too.
08:43I'm excited to be a person.
08:45In my life, I have been a character related to my friends.
08:48What can I tell my father's character is related to your audience?
08:53I'm going to get a huge audience tonight?
08:55I'm going to our show, feel and look at all, I'll show you the other.
08:59I look at the personal person.
09:01I look at the characters I think are with JR's fine,
09:03I look at the other person who would like to help me get.
09:06They have to be very passionate about it.
09:07I look at the more than 10 years old, it's kind of very nice.
09:09We are very passionate about it, I look at the same experience.
09:12I don't see what I am looking at the same time, I do more than 10 years old.
09:14There are questions that I will ask.
09:17Unless and until that is humour, at least intelligent or intelligent, at least
09:25I want to say that, that is all I can be my friend, then I can do that character.
09:30That is all I can do is do's and don'ts basically in my mind.
09:34There is an established team that comes from there.
09:38For the people, I don't know what to do.
09:42They are all very experienced people.
09:46You just do it.
09:47They will do the line with us and allow for all of us.
09:51There is no for yourself except for all of us.
09:54Those people come to show us like a henchman or bodyguard.
09:59Because the people who are living in me, they will be a member of us.
10:05I respect you.
10:09That's a fact, isn't it?
10:10If we get newcomers, then we can select it.
10:13If we go to school, for example, when I was in the last year.
10:18It was very humorous and I really enjoyed doing it.
10:21How did you do that?
10:24How did you do that?
10:26How did you do that?
10:28How did you do that?
10:30No, I didn't do that.
10:33I thought, what did you do in the middle of the film?
10:39I was like, I was a good friend.
10:44That's how I started to get into the film.
10:46I was like, I'm a good friend of mine.
10:48But if I let you go to the film, we have to be able to get into the film.
10:54We're excited and we're still a little star.
10:58That's why I was thinking about it.
11:01I was thinking about how much it is.
11:05We didn't have to stop the whole team.
11:10I was very excited.
11:15I was like, okay.
11:18Nice.
11:20You know, all the characters are in the script,
11:25you know, it's a challenging and interesting experience.
11:31That makes a great filmmaking also.
11:34The filmmakers, the filmmakers, are very good.
11:38That's it.
11:41You know, I think it's hard to say that it's a good scene.
11:47You know, it's a good release.
11:51You know, it's a good character.
11:54You know, it's a good character.
12:00That's a personal excitement.
12:03Definitely.
12:06That's an excitement.
12:08I don't have script to write a particular character.
12:12I don't have any character.
12:16I feel like the whole film.
12:18I feel like the whole script to write a feel.
12:21The protagonist is a journey.
12:24The most characters are a journey.
12:26I don't have any character.
12:29I also contributed to that character.
12:34And it's the only thing we can do.
12:38It's the only thing we can do.
12:40So, as an actor, all this works.
12:42Trust.
12:44You know, I'm a director.
12:46Technician.
12:47So, we have a mutual trust.
12:48That depends.
12:50A lot depends on that.
12:52How they are going to mold you.
12:54Because I'm basically a director's actor.
12:56And if they say that,
12:58they follow that.
13:00Normally.
13:02Of course.
13:03Contribute and improvise.
13:05We'll discuss.
13:06Otherwise.
13:07So, the excitement is definite.
13:09As you mature.
13:11As you mature.
13:12There is so much to explore.
13:14Because the body of the world is limited.
13:17As you mature.
13:18As you mature.
13:19As you mature.
13:20There is so much to explore.
13:21It's very exciting.
13:22It's very exciting.
13:23There is a limited space.
13:24And especially if you have an image.
13:25They'll put you into that.
13:26Soft romantic role.
13:27Songs.
13:28Dance.
13:29It's very exciting.
13:30And especially if you have an image.
13:31They'll put you into that.
13:32Soft romantic role.
13:33Songs.
13:34Dance.
13:35It's very exciting.
13:36And especially if you have an image.
13:37They'll put you into that.
13:38Soft romantic role.
13:39Songs.
13:40Dance.
13:41It's very exciting.
13:42And the possibility of getting so many variety of roles.
13:44That is a blessing.
13:45Actually.
13:46With a first time on the theater experience.
13:47Could you be to hear me.
13:48Yes.
13:49I am a friend.
13:50As a psychologist.
13:51Not as well.
13:52As a professor.
13:53And I am a friend.
13:54I was a student.
13:55I am a student.
13:56I am a student.
13:57I am the student.
13:58That is a student.
13:59You know.
14:00This is an comedian.
14:01I am the student.
14:02You have a student.
14:03Of the family.
14:04You have to learn.
14:05I am the teacher.
14:06You have a student.
14:07That is a student.
14:09You have a student.
14:10You have a student.
14:11That is a student.
14:12Your academic career.
14:13All he has a student.
14:15So, what do you think about your career and your career?
14:19In my career, I have a career path, a short-cut, and I have a feeling that I have seen in my career.
14:29As a newcomer, I have a role in my role and I have two characters in my career.
14:36I have an artist who is a brave-come-true character.
14:40So, I have an artist who has a strong talent, who can have a strong talent, and a star could get a bit of acceptance.
14:52But, we don't have to accept any of them.
14:56That is a risk factor.
14:58I am a leader in the career of a career in the cinema.
15:04I have an actor who has an actor who has a character who has a character who has an actor.
15:13Definitely, I think that's how I've worked and had a job.
15:18I'm happy to accept that every day and I'm happy.
15:22So, I'll give a little clarity to that.
15:26In that break, we also have a responsibility to choose the next cinema, and to choose a little bit more responsible to choose.
15:39Hey, let's take a third of you.
15:41There is a big thriller, cinema, and promotion.
15:45That's why we have a personal excitement.
15:48It's a great cinema.
15:50How do you talk about that?
15:54Actually, it's a great cinema.
15:57It's a great thriller.
15:59It's a great thriller.
16:01It's a great thriller.
16:03It's a great thriller.
16:05It's a mystery.
16:06There is a period drama.
16:07It's a great genre.
16:09It's a great twist and tone.
16:11It's a great thriller.
16:13I don't know how to play a screenplay.
16:15It's a scene-by-scene.
16:19It's a great thriller.
16:20It's a great thriller.
16:22I love the zombies.
16:23The crazy thriller.
16:25It's a great thriller.
16:26I love it.
16:28I love the anime.
16:29I like the most talented character's content.
16:31You can expect it to be expected.
16:34So, if you have a scene-by-scene, you don't have to worry about it, you don't have to worry about it.
16:42It's a bit of a twist.
16:44It's subtle. It's subtle changes.
16:47It makes a big impact.
16:51You don't have to learn about it. You don't have to learn about it.
16:54Now I'm going to talk to you about the interview.
16:58You've expected that.
17:00But then you're still there.
17:02So you're still there.
17:05That's the point.
17:10If you're still there, we have to handle it.
17:16You're still there.
17:19Very honestly.
17:20I will watch Sandeep's films, but I will watch the spoilers.
17:25You can't watch interviews.
17:27I will watch them.
17:29I will watch them.
17:31I don't know if you're a fan of the film.
17:34I don't know if you're a fan of the film.
17:36I don't know if you're a fan of the film.
17:39No, no.
17:40I mostly visit all these interviews, including Sandeep's films.
17:47I'm excited.
17:50I'm excited.
17:52We know what it is.
17:53Now, this is a request.
17:59They have an awareness in the theatre.
18:04Of course, whatever personal anecdotes, experience, all that, we can share.
18:10So, that's what it is.
18:12Actually, this is the revealer.
18:15That's what we can create.
18:18Suspense elements.
18:20No, no.
18:21See, there are elements.
18:23There are elements.
18:24But there are some deliberate preparation.
18:27We know that.
18:28We know automatically how important it is.
18:33And the question is, we know how important it is.
18:37That's the best way.
18:39It's not the best way.
18:41It's good.
18:42I think it's good.
18:43It's good.
18:44You might think of it, but it's not a good interview.
18:45I know.
18:46The interview is not the last time.
18:47The interview is not the last time.
18:49It's not the last time.
18:50I don't know.
18:51You know.
18:52What we're talking about is we don't know what we're saying.
18:55We can't do this.
18:56We don't know if there's a conversation about it.
18:58Because we're going to talk about it.
18:59So, definitely.
19:00Definitely. That's what I was thinking about.
19:03I had a confidence in that interview.
19:08I had a conversation with a lot of people in the framework.
19:13I was thinking about it personally.
19:15Okay. Let's talk about it.
19:17It's like the first time in the life.
19:20What was the first movie released?
19:25I was scared.
19:29I was scared.
19:30I was scared.
19:32I was scared.
19:34I was scared.
19:37So that was how I was scared.
19:39What was that?
19:40The first movie was done.
19:42It was a big film. It was a real part.
19:45It was a real excitement.
19:50Because it was the first time.
19:52So that was my excitement was to watch Mahmukal Alertrinsy.
19:57I was scared.
19:59I was scared.
20:01It was a real role.
20:02That was my excitement.
20:04I was scared.
20:05It was a real tension because…
20:07And the…
20:08No, the excitement was to watch the film.
20:11Yeah.
20:11I was scared.
20:12I was scared.
20:12I was scared.
20:13I was scared.
20:14I was scared.
20:15I was scared.
20:16That's why I felt like I was okay, I was okay, I was okay, I was okay.
20:23That's the same feeling.
20:24Because, when I started a commercial film in the mainstream cinema,
20:30there was a lot of people who were playing.
20:31That's why I felt like a lot of excitement, tension, pressure, etc.
20:42I was able to listen to this music from a theater.
20:49I got a lot of people on the theater,
20:51but there was a crowd and I was able to reach the audience to the stage.
20:59I was able to reach the audience.
21:01I was able to reach the audience.
21:04I was able to reach the audience.
21:07I was like, okay, this is the crowd, okay.
21:14I was like, okay, this is the crowd.
21:17Lovely moments.
21:19There is a capsule photo, there is a photo.
21:22Selfie.
21:23Yeah, I know.
21:24First shot in front of the camera.
21:26First shot is a photo of the adversary who is in front of the camera.
21:32That's why, the shot is in front of the camera.
21:37I was like, I don't want to do that in front of the camera.
21:41I'm not working on camera.
21:43I can't do that.
21:45That's why, I was like, a photo of the Udivill.
21:51When we came to the same combination, we were shooting a scene.
21:56That's what I'm saying. Confirmed.
21:59But we didn't have a career. We were going to go to the street.
22:02You were part of the cinema.
22:04I was assisting Mangada River Master.
22:06I was watching the Radjee Menon, Sir.
22:09I was watching the lights on the unit and the camera.
22:12I was watching the special lenses on the high-8 monitor.
22:17I was watching the character.
22:19That's the tension. That's what I was doing.
22:24Sandeep?
22:25My first camera came to a short film.
22:30I was in a short film.
22:34I was in a short film.
22:37That was a first shot.
22:39I was in a short film.
22:42I was in a short film.
22:44I was in a short film.
22:48I was in a short film.
22:50I was in a short film.
22:52I was in a short film.
22:54I was in a short film.
22:57I was in a short film.
22:59That was a short film.
23:02In the case of that,
23:03I was in a short film.
23:06This film happened.
23:09You were the one who watched it.
23:11I'd go out and say,
23:13I'm like,
23:14I'm the one who watched it.
23:16He almost responded,
23:17What is your first shot?
23:19I have a short shot that I have been wearing.
23:23I found my first shot for a short shot.
23:28I found my first shot in back and made it short.
23:30My first shot was all I was wearing.
23:34I saw that it was the first shot shot.
23:36For my first shot, I control him.
23:42He had a right of camera.
23:44He was on the right of camera,
23:46when he was sitting there,
23:49he had his face in the face,
23:50and he had a face on it.
23:52He asked me if I was sitting there.
23:55He had a visit.
23:56That was my first shot.
23:58Single take?
23:59Single take.
24:00It was very exciting.
24:02I was nervous.
24:04He was a nervous person.
24:05He had a team name,
24:06a team name,
24:07a team name,
24:07some messages.
24:09He didn't have a face on it.
24:11I mean, you knew them earlier? No, no, no. Basically, I think maybe because I was used to stage, I used to do a lot of dance programs. So it was all excitement, no nervousness actually.
24:26I didn't say anything. I didn't say anything. I didn't say anything. I was like, I'm going to dreamland. Alice in Wonderland. There are stars, artists, technicians, camera, reflector, light, mini-boot, and Jan.
24:47They were in the same position, and they were in the same position, and they were in the same position. And they were in the same position.
25:03So basically, I was floating in a dream world.
25:10The day my family realized that I am a celebrity.
25:15What did my family realize at that moment?
25:20I was like, I was going to say, I was going to go to Luluma.
25:27I was going to go to Luluma and I was going to go to Luluma.
25:32I was going to say, I was going to go to Luluma.
25:39I was going to go to Luluma.
25:41That was the first time I was going to go to Luluma.
25:45What is it?
25:46I don't want to realize that I am a celebrity.
25:49I am just the ordinary family member.
25:53Of course, it is not a celebrity.
25:55I am a celebrity, but I am a celebrity.
26:00People know you because of that.
26:03Actually, we are very, from my sister, I don't know.
26:06Just family members.
26:09Celebrity is when you go out.
26:12It is like that.
26:14So I think even today, I am just a very normal family member.
26:19That is it.
26:20You are very normal family member.
26:21We are very normal family members.
26:22It is like I am a celebrity member.
26:23And I am going to go to Luluma.
26:24I am not going to realize that.
26:26I am going to talk a little bit.
26:28I am going to act as an actor.
26:29I am going to go to the station.
26:30This is the place for me.
26:31I am going to go to Luluma.
26:32I am going to go to Luluma.
26:35I am going to go to Luluma.
26:37I am going to talk to you.
26:38He said, I don't know what to do.
26:41He said, I didn't know what to do.
26:43And then my mom said, I'm going to play a play with him.
26:48He said, I'm going to play with classmates.
26:49And then he said, I'm going to play with him.
26:54Then he had a meeting.
26:56When I realized that I was going to play with classmates,
27:04He said, he said, he's not a girl.
27:07He said, he's not a girl.
27:08He said, he's not a girl.
27:10He said, he's not a girl.
27:13They were like, okay, now that the sun is...
27:15I'm not sure.
27:17I'm not sure.
27:18They realized.
27:21Being normal people, they are meeting people.
27:25Okay.
27:26What's the first time of cinema?
27:28I was the first day.
27:31First day.
27:32He said, he's not a girl.
27:36See, that's the magic of cinema.
27:38You see, there's a passion in my life.
27:41I don't have a passion in my life.
27:44It's very serious.
27:46You know, there's a lot of things to learn.
27:50That's why God knows.
27:52He's not a girl, he's not a girl.
27:55But the interest was always there.
27:57But God's grace,
28:00he's not a girl.
28:01I'm a girl, he's a girl.
28:02I'm a girl.
28:03I'm a girl.
28:04I'm a girl.
28:05I'm a girl.
28:05When I came to my dreamland, it was a bit of a professional.
28:11From day one, I came to my dreamland.
28:17Somebody has to call you.
28:22People are old, people accept them.
28:25She said, what's the best?
28:29It's a short film day.
28:31You can't do anything on a particular day, which is something that you will do.
28:35It's not easy.
28:36When I came to my dreamland, it was easy to find out.
28:40There's a different option.
28:41There's a different option.
28:42There's a different option.
28:43There's a different option.
28:45Air Force, military, people are disturbed.
28:50They don't have a problem with it.
28:51They don't have any issues.
28:53They don't have any issues.
28:55People are fixed.
28:56There's no second option.
28:58See, that's why it's not a fascinating world.
29:03If you think about it, the seriousness of it is not true.
29:07You know, good looking people, beautiful songs, dancing around, slow motion.
29:15Food, fight, three costumes.
29:22We don't know about the real play.
29:29Until we start the play, we start the play.
29:34We start the dialogue.
29:39We start the play.
29:45We start the film with a lot of other things.
29:47There's a lot of films like Peter and Shots because it's very expensive.
29:53There's a lot of films like that.
29:58Take it, take it, take it. I've heard people saying this.
30:03There's a lot of pressure on the film.
30:06When you land in the game, then you start to understand. Then you learn actually.
30:11What are the moments of the film?
30:14I'm not sure about the film. When you talk to the film,
30:19I was thinking about the production of the film.
30:23I was interested in a couple of films that I took a while.
30:29I was looking for that.
30:32I was like, you know, I was talking about a little dialogue.
30:35And I got like, I saw a few feet in the magazine.
30:40So, if you take the dial, you take the dial, you take the dial, we have to shoot, stop, then we have to shoot.
30:47So, it's not that we have to pressure.
30:49We have to take the dial.
30:51Then we have to rehearse in the two days.
30:53Then we have to fight in the day.
30:55So, it's not that we have to pressure.
30:58This is not the same thing as we all have to do.
31:01But, it's not that you have to feel a sense of responsibility.
31:07It's perfect.
31:08So, we have to rehearse.
31:10We have to shoot, we have to shoot.
31:14Just take the dial.
31:17We have to take the dial, we have to take the dial.
31:21So, we have to shoot.
31:22They might get something in that.
31:24But, if you have to take the dial, you take the dial.
31:34Then you are alert.
31:36You have to do a combination.
31:38I do not have to take the dial.
31:40You have to take the dial.
31:41You have to take a sequence.
31:42So, I am not able to do a sequence.
31:43Yes, it is.
31:44So, it is no.
31:45I'm not able to.
31:46Maybe the cell in the channel.
31:47Yes, the protagonist.
31:49Protagonist.
31:51But, I think we're both in space and space.
31:54Hey, how are you, Lisa?
31:57I'm going to talk about it.
31:59I'm going to talk about it.
32:01I'm excited about it.
32:03I'm excited about it.
32:05Maybe last time.
32:07What's your emotional factor?
32:11I'm excited about it.
32:13I'm excited about it.
32:15I'm excited about it.
32:17I'm excited about it.
32:19The scene is extremely intense.
32:21I'm going to talk about it personally.
32:23I'm not a personal person.
32:27I'm not a personal person.
32:29I'm not a person.
32:31I'm not a person.
32:33You can't have anybody.
32:35I'm not a person.
32:37I'm very happy with the process.
32:39I'm very happy with the process.
32:41I'm a person.
32:43You have a superstar.
32:45The last film is a very important role, a guest role.
32:51I'm going to play the role of a thrill.
32:55So let's see, it's not a release.
32:59Are you a Sandeep VJ fan?
33:01Yes, I'm very excited.
33:02Are you a VJ?
33:04Yes, I'm a fighter.
33:06Are you a VJ in the theatre?
33:10I'm going to play a role in the theatre.
33:22I'm going to play a role in the theatre.
33:28I was in the theatre in Echo No.21.
33:31I was in the cinema, and I was in the cinema.
33:33I was in the cinema and I was in the cinema.
33:37Thank you for the time being here in the theatre.
33:40Thank you for the time being here.
33:42Thank you, Ajahn.
33:44Thank you so much.
Recommended
1:33
|
Up next
Be the first to comment