Radheya : ಅಜಯ್ ರಾವ್ ಫುಲ್ ಸ್ಟ್ರಿಕ್ಟ್ ಅಂತ ಹೇಳಿದ್ರು..ನನಗೆ ಭಯ ಆಗಿತ್ತು

Filmibeat Kannada

Radheya: They said Ajay Rao was very strict... I was scared.  ಕೃಷ್ಣ ಅಜಯ್ ರಾವ್ ನಟನೆಯ ‘ರಾಧೇಯ’ ಸಿನಿಮಾದಲ್ಲಿ ಸೋನಲ್ ಮಾಂತೆರೋ ಅವರು ಕ್ರೈಮ್ ರಿಪೋರ್ಟರ್ ಪಾತ್ರ ಮಾಡಿದ್ದಾರೆ. ವಿಯಾನ್ (ಸ್ಯಾಂಡಿ) ಅವರು ಸಂಗೀತ ನೀಡಿದ್ದಾರೆ. ರಮ್ಮಿ ಅವರ ಛಾಯಾಗ್ರಹಣ, ಸುರೇಶ್ ಆರ್ಮುಗಂ ಅವರ ಸಂಕಲನ ಈ ಚಿತ್ರಕ್ಕಿದೆ. ಇನ್ನು ಈ ಚಿತ್ರತಂಡ ನಮ್ಮ ಫಿಲ್ಮಿಬೀಟ್ ಜೊತೆ ಎಕ್ಸ್ ಕ್ಲೂಸಿವ್ ಆಗಿ ಮಾತನಾಡಿದ್ದಾರೆ.   In the movie 'Radheya,' featuring Krishna Ajay Rao, Sonal Monteiro takes on the role of a crime reporter. The film boasts music composed by Vian (Sandy), with Rummy handling the cinematography and Suresh Armugam providing the editing. This film crew recently gave an exclusive interview to our team at FilmiBeat  #Radheya  #RadheyaMovie  #KrishnaAjayRao #AjayRao #AjayRaoInterview #RadheyaInterview  #SonalMonteiro #DhanyaBalakrishna #Vedaguru #CrimeThriller #PsychoDrama  #KannadaFilm  #Sandalwood #Kannadacinema  Also Read  'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc  ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc  ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc    ~HT.188~PR.451~CA.443~ED.33~##~

Transcript

00:00See technology is bit better, camera wise, CG is a bit better, but writing is not absorbed.

00:04He is a hardcore criminal.

00:08I am a fan of the crime, I am a fan of the writer.

00:20What is the story of the Badawadanta? An epic story of a serial killer.

00:27Ajay Sarjate first time, he is very senior. So, I was afraid that I would react with him for the first time and work with him for the first time.

00:45I didn't want to talk to him at the press meet.

00:49It's been a long time for a long time. I guess I can act this kind of character.

00:55I didn't want to talk to him at the same time. It was surprising.

00:59I was afraid that I was afraid of him.

01:01But I didn't want to talk to him at the same time.

01:04I was afraid of him.

01:13Hello, my name is Chandan.

01:16We are called Mahabharata.

01:20He's a real real star.

01:25He's a real star.

01:27He's a real star.

01:28This movie is a film of Radeya.

01:30He's a real star.

01:31He's a real star.

01:34You don't want to talk about your wives.

01:36And that's why we have to maintain the handsomeness.

01:39Ajay Rao sir, welcome to the film.

01:44Thank you, thank you so much.

01:46In all the movies, we have to talk about the bubbly girl.

01:52You don't want to maintain the bubbly girl.

01:54You don't want to talk about the bubbly girl.

01:56We have to talk about the bubbly girl.

01:58We are talking about the girls next door.

02:06It's Dhania Balkrishna, who are in Telugu, Tamil, Kanadali.

02:11They make it all around.

02:13If you don't have to talk about thekiejri girl,

02:15we don't want to be able to talk about Kanada cinema.

02:18Dhania Balkrishna, Namaskara.

02:19Welcome to filmivite.

02:21I am very welcome.

02:23Not here.

02:24Thank you, thank you.

02:27Andrei, you are welcome.

02:30Oh, I am not welcome.

02:33You are welcome.

02:36You are welcome. Thank you so much.

02:39So, you are all ready for preparations.

02:42Great. Preparations are very promising.

02:45So, the trailer teaser is all promising.

02:50The trailer teaser is very promising.

02:53The trailer teaser is very promising.

02:57We have to answer the psychic behavior.

02:59We don't have to answer the video.

03:01So, that's it.

03:03If you look at the lover boy,

03:05you are completely different.

03:07So, we have to do the preparations.

03:09If you look at the psychic behavior,

03:11you have to answer the different behavior.

03:13That's it.

03:15If you look at the movie,

03:17you are a lover boy,

03:19a jovial partner.

03:21Sure.

03:23You are a lover boy.

03:24Good luck.

03:25You are a shared fighter.

03:27You are a lover.

03:29Yes.

03:31You are a lover.

03:33You are excited to be a partner.

03:35You are a prophet.

03:37You are a mother.

03:39You are a mother.

03:40You are a mother.

03:41Potentially, I was able to act this kind of character.

03:54I didn't know anything about it, but I didn't know anything about it.

04:00For the first time, I was the director of the Ved Guru.

04:03I wanted to thank him for that.

04:06I didn't know anything about it.

04:09It was surprising.

04:11Because of my experience,

04:13I didn't know anything about it.

04:15I didn't know anything about it.

04:18I think that's the experience.

04:21Thank you so much.

04:23Madam, you're a crime journalist.

04:27You're a crime journalist.

04:29You're a challenging person.

04:32You're a love track.

04:36You're a real person.

04:38I don't know anything about it.

04:40I'm not sure anything about it.

04:42I'm not sure if I'm talking about it.

04:44I'm not sure if I'm talking about it.

04:46So, you're a challenging Ashti?

04:48No, I don't know.

04:49It's not a Patra challenging.

04:50It's a crime journalist.

04:52Patra is definitely challenging.

04:54But the other love track and all was with Ajay sir.

04:57I was afraid of it.

04:58I didn't know anything about it.

04:59I didn't know anything about it.

05:00Ajay sir was the first time.

05:02He was very senior.

05:04So, I was afraid of it.

05:06I didn't know anything about it.

05:08And working with him for the first time.

05:10I didn't know anything about it.

05:11But it was very sweet.

05:13It was a comfort zone.

05:14And the director also was very sweet.

05:16One day, you're very strict.

05:18You're very strict.

05:20I didn't know anything about it.

05:21I didn't know anything about it.

05:23They didn't know anything about it.

05:24I was afraid of it.

05:25I was afraid of it.

05:26I was afraid of it.

05:27Ajay sir, you should be careful.

05:29He's a little strict.

05:31He's strict.

05:32But what he said,

05:33I think he will not like Jastity takes.

05:36So, he's going to work.

05:37I'll tell you later.

05:39So, that's the problem.

05:41I don't know anything about it.

05:43I don't know anything about it.

05:44I don't know anything about it.

05:45I don't know anything about it.

05:46It's very sweet.

05:47It's very sweet.

05:48And our director also,

05:49he can't give the director.

05:50He doesn't give the director for it anymore.

05:51He's not going to give the director for it anymore.

05:52I don't know anything about him.

05:53He'll give it the director.

05:54He'll give it the director.

05:55He'll give it the director.

05:56He'll give it off-camera.

05:57Okay.

05:58Madam, you're not interested in this,

05:59because you're not interested in this.

06:00You're an investigative officer,

06:02or a journalist.

06:04Is it you?

06:05Yes.

06:06I'm interested in the investigation room.

06:08But she's a writer.

06:10So,

06:13She will come and ask some questions.

06:18There are a lot of emotional journeys, a lot of things get resolved, a lot of problems get sorted, a lot of hidden truths come out.

06:34There are a lot of things like that. In my career, I didn't have a lot of things like that.

06:46What a wonderful writing actually. It's a lot of fun.

06:52I think it's an old character. It starts off with her being very...

07:02She is a little guarded.

07:08As guarded, she has an opinion.

07:12How does that change? How does that change?

07:16In a teaser and trailer, there is one of the epic serial killer stories.

07:23She doesn't really think the movie also is a really good horror story.

07:27She is speaking to the karma.

07:29She doesn't know what they are doing.

07:31She is a thriller or psychic.

07:33Or even if karma stands at the base?

07:36Thrillers, the thriller is emotional drama.

07:40Usually, as a thriller, there is a very brutal crime background. Of course, there is a crime background, but this script is very rare of its kind.

07:52Along with crime, there is a lot of emotional feelings, family, etc.

08:03And there is a lot of justifications of the crime.

08:10There is an emotional thriller.

08:24So, in this case, there is a book of journalists.

08:31There is also one love track.

08:33There is also a lyrical heart release.

08:36There is also a response.

08:38There is also one love track.

08:41There is also one love track.

08:45There is also one love track.

08:50As everyone said, it is written very beautifully.

08:54So, in our track, there is a lot of emotion in the audience.

09:03So, there are different shades.

09:05They will feel happy.

09:07They will also feel emotional.

09:12So, you have different emotions in the complete track.

09:16And of course, there is also one song that has to be released.

09:19There is also another song.

09:21There is also one love track.

09:22So, I think people will definitely like the track.

09:27Sanya madam, this song is a lot of break.

09:30If you're late, it's a lot of break.

09:32If you're late, it's a lot of break.

09:34This song is a lot of break.

09:36That's an extraordinary actor.

09:39You have to be a great actor.

09:41You are passionate as an artist.

09:43No one has to be released.

09:45We can't be released.

09:46We can't be released.

09:47We can't be released.

09:48We can't be released.

09:49It's a lot of Hooligan style.

09:50Of course, Mamsa.

09:51That's right.

09:52That's right.

09:53That's right.

09:54That's right.

09:55That's right.

09:56We are all the artists.

09:57You have to be released.

09:58You have to be released.

09:59Everyone is not going to be released.

10:01You know….

10:02Because nobody is going to be released.

10:03No, no.

10:04Break only is bad.

10:05Yeah.

10:06That's right.

10:07She's busy for a certain film.

10:09Well, she's always busy.

10:10She don't have to be released.

10:11It's not going to be released.

10:12See, it's high time.

10:13If you even say you're going to be released.

10:14See, it's high time.

10:15I don't know.

10:16I don't know.

10:17Well, what is high time is now...

10:18the audience is so much sensible.

10:19Very sensible.

10:21Like I don't use films.

10:23You watch the movies.

10:24You watch the movies.

10:25You watch the movies.

10:26You watch the movies.

10:27So it's advanced.

10:28The technology is a big deal, camera-wise, CG, everything is a big deal. But writing is a big deal. It's too skillful.

10:35It's like we have artists, but we don't have the audience.

10:39It's like this.

10:41It's like this.

10:42It's a big deal.

10:44Apart from market values,

10:46commercial market values,

10:49actors, performers,

10:52everyone will break.

10:54I don't care if I get into my family.

10:59Actually, I did a Hindi cinema.

11:01I didn't know Salman Khan.

11:04It's a big deal.

11:06So, I can call Salman Khan.

11:09Someone says,

11:11I don't care if I get into my family.

11:13I didn't know myself.

11:15It's like I got into my family.

11:17I didn't know anything.

11:19I didn't know anything.

11:22Like, I don't know why, but hopefully, I should be able to get some more work here, and I would love to work here.

11:29I don't want to work here, I don't want to work here, I don't want to work here, I don't want to work here, I don't want to work here, so, it's strange.

11:37Serena, you're talking about your look, it's completely different, hair style, and other things.

11:44Do you want to work here in specific looks? Or do you want to work here?

11:50No, it's the director division. Because the character is a psycho,

11:55I don't want to work here in this movie.

11:59We have to digest more than a audience.

12:04We don't want to work here. As it is, we have to do the cinema,

12:09but we don't want to work here in this movie.

12:13Later on, he didn't digest it, but he didn't have a difference in his face.

12:20So, it was his vision.

12:22His hair is a bit straightening.

12:26Actually, he didn't ask me.

12:28So scary and intimidating.

12:32Actually, I told him that the room was 5-6 days.

12:36We were continuously shooting in that room.

12:38I told him that the peak-level performance was so bad.

12:44Because there was a very powerful performance.

12:47So, I told him that he didn't get mad at me.

12:51One second.

12:53Papa, she is being very humble.

12:55You are a terrific actress.

12:57You are both.

12:59When I told you about the trailer,

13:01I told you about the trailer.

13:03I told you about the trailer.

13:05It was sudden.

13:06I told you about the trailer.

13:08It was a horror feeling.

13:10It was a horror feeling.

13:11I told you about it.

13:12So, Haley.

13:13That was full.

13:14My DOP was full.

13:16He made the entire place dark.

13:18And there were only two spots on him.

13:20And there were very intense dialogues.

13:24So, I was just a little bit of a character.

13:26We were just like,

13:27I was just like,

13:28I wanted to move on.

13:29I had to go and watch the trailer.

13:30It was like,

13:31I was just like,

13:32I don't know.

13:33I'm not sure.

13:34I'm too scared.

13:35I was just like,

13:36I'm too scared.

13:37I'm not too scared.

13:38I'm too scared.

13:39When I started her character, she was slowly making a transition.

13:46She was too intense.

13:53That was her hair style.

13:56When she's telling him, I'm like, why is this?

13:59No, he becomes an animal.

14:02She's like, why is this?

14:06Animalism.

14:08She's like, why is this?

14:13I feel like, okay, I also have to do it now.

14:22He's scoring like 100 out of 100 in every scene.

14:25And I have to be like, come on, let me pick it up.

14:28I am going to compete.

14:32That scene is going to be a little bit.

14:34I think, I am going to get 100 score.

14:37I am going to get healthy competition.

14:40It is a competition for film.

14:43It is a competition for film.

14:45It is a contribution for film.

14:47In the sense, I am going to get healthy.

14:49Yes, yes.

14:50In the context of this.

14:52Even the animal side is not the cinema.

14:56No, no, no.

14:57You are not talking very soft side.

15:00Andra, I am going to be reporting, Madam.

15:02Serial killer.

15:03No, no.

15:04I am not talking about the cinema.

15:07I am talking about the cinema.

15:09So, I have never seen the cinema.

15:11If he is talking about the version of Ajay Sir,

15:14I am not talking about it.

15:16It is the most sweetest side that I have seen.

15:19That is normal, Ajay Sir.

15:22That smile and that nice chocolate boy feeling.

15:27That is the most sweetest side that I have seen.

15:29This portion is real.

15:30If you are not talking about it,

15:31I am not talking about it.

15:33So, I am not talking about that side of the cinema.

15:37I am not talking about it.

15:38I was not there.

15:39Sir, this is a massive changeover.

15:43This is a massive changeover.

15:45Because of the noteback,

15:47they are also watching the comments.

15:49It is very promising.

15:51Trailer teaser is very promising.

15:53If you are watching the trailer teaser,

15:55it is scary.

15:57They are watching the trailer teaser.

16:00If you are watching the trailer,

16:05we will have many efforts.

16:07Look-wise,

16:09or dialogues,

16:10or variations.

16:12It is hard work,

16:14or back-end,

16:15any preparation.

16:16So,

16:17you have to reference this trailer.

16:20How do you prepare it?

16:22How do you prepare it?

16:23How do you prepare it?

16:24How do you prepare it?

16:25How do you prepare it?

16:26Well,

16:28this is,

16:29what I am saying is,

16:31a tiger example.

16:33As an actor,

16:36I am here.

16:37I have to grab that performance level.

16:43From industry,

16:44I am a performer.

16:46I am a legendary mark.

16:48Of course,

16:50I am inspired by everyone.

16:52I am inspired by everyone.

16:54I am an actor.

16:55I am a personality.

16:56I am a legendary actor.

16:57I am a dancer.

16:59I am an actor.

17:01If you are a woman who has a traditional role,

17:05you will have to fits her her own body.

17:06I am a prisoner.

17:08He will do it.

17:09You then know how to be anFマ.

17:11That is,

17:12in my life,

17:13we will prepare for the preparation scene.

17:15It was found that I had to pounce.

17:18I am an actor.

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