- 1 week ago
നടൻ സാം മോഹൻ ദാസ് ഏറ്റവും പുതിയ ചിത്രമായ ലോക ചാപ്റ്റർ 1 നെ കുറിച്ച് സംസാരിക്കുന്നു . മലയാളി കൂടെയായ സാം ലോക യിൽ ജോണി എന്ന കഥ പത്രമായിയായാണ് അഭിനയിച്ചത് . ഒപ്പം സിനിമ ജീവിതത്തെ കുറിച്ചും സാം സംസാരിക്കുന്നു | Sam Mohan Das, celebrated for his role as Johny in Lokah Chapter 1: Chandra and Deep Mohan in 12th Fail, is an acclaimed actor from FTII with a diverse career in Malayalam, Telugu, Hindi, and Tamil cinema. In this exclusive feature, Sam shares his journey as a screen performer, his experience working on both the gripping superhero drama Lokah and the inspiring real-life story 12th Fail, and what it means to portray characters that break conventional storytelling. Watch to hear Sam’s insights on preparation, craft, and what motivates him as one of India’s most promising young talents in contemporary cinema.
~HT.24~PR.16~ED.21~
~HT.24~PR.16~ED.21~
Category
🗞
NewsTranscript
00:00What's the point of my opinion?
00:02I think that we have two things.
00:04What's your name?
00:06There are also superheroes, superheroes, and mixers.
00:10There are a portion of the Chandra.
00:12There are things that are all I can do.
00:14There are things that are all we can do.
00:16There are things that are all we can do.
00:18There are things that are all we can do.
00:22There are pitch-perfects and nitty.
00:24There are some more than a mockery.
00:26I can show that scene as a symbol.
00:28I would like to share it with him.
00:30It's a reference to that character in the Continental Hotel, John Wick.
00:37Actually, he was a 12th fail character.
00:40Did you meet DQ?
00:41I didn't know if he was a solo.
00:43He was a junior artist.
00:45He was a DQ and DQ.
00:47He took the scenes.
00:49I didn't feel a peak moment.
00:52I didn't feel good.
00:54I replied to Alphonse.
00:56The first scene was Fahadukada.
00:59He was doing an on-set intro.
01:02He was going to go to my hand.
01:04I asked him a suggestion.
01:06He was in the room.
01:08He said,
01:09He said,
01:10He said,
01:11He said,
01:13He said,
01:14He said,
01:15He said,
01:16He said,
01:17He said,
01:18He said,
01:19He said,
01:20He said,
01:21He said,
01:22He said,
01:23He said,
01:24He said,
01:25He said,
01:26He said,
01:27He said,
01:28He said,
01:33In a familiar right, I will tell you that Sam Mohan. Hi, Sam.
01:40I've released two films in August, two Malayana films.
01:45The audience posted two films in the post, a familiar audience.
01:52Where is it? After the two back-to-back releases?
01:56I have a great response to that.
01:59I am not a great character.
02:01I have no other characters in your career.
02:05I have only two characters.
02:07If it is in a climax, it will come in the climax.
02:10If it is in the local, if it is in a moment, I'm a great character.
02:14I have a tone of cinema in my career.
02:19I am not a great character.
02:21If I go to this, I would like to go to this.
02:29Do you have a question about Malayalam?
02:33That's a question for you.
02:36I don't have a question about Malayalam.
02:39I thought, I had a meeting in the casting.
02:44I don't have a meeting in Malayalam.
02:47I don't have a question about Malayalam.
02:51I don't have a question, but I don't have a question.
02:55I don't have a question about Hindi.
02:58There is a release.
03:00There is a depth of character in the world.
03:04In the first part, there is no impact on the future.
03:12John Wickler, the receptionist.
03:15There is no impact on the future.
03:18How did you start to see the location?
03:20I started to see Vivekan.
03:22I was in Mumbai.
03:24There was a casting call in Wayfairer films.
03:28I started to see the profile.
03:31At 10 o'clock, I started to see Vivekan.
03:33I didn't see Vivekan.
03:35I was in a project.
03:37I was in a character.
03:39I was in a documentary.
03:40I was in a film, a reference to John Wick.
03:45I was in a film, a character.
03:46I was in a film, and I was in a film.
03:48I was in a film.
03:49When I went to the audition, I went to the director of Dominic.
03:56I thought, I couldn't find anything in Bombay.
03:59So, I told him that.
04:00I told him that he was in the production and he was locked down.
04:05I told him that he was in the shoot.
04:08I told him that he was in the set.
04:12Where did you get the set?
04:14For the first time, I told him that he was in the briefs of Dominic.
04:19I told him that he was a cool actor.
04:21He was a director of the film.
04:25He was a very friendly actor.
04:29I told him that he was a great actor and he was a great actor.
04:35He was a great actor in mythology, superhero, and mix.
04:40He was a great actor and he was a great actor.
04:47As an audience, it was very exciting.
04:50In our audience, there was a scene in the background.
04:54There was a scene in the background.
04:55There was a scene in the background and there was a scene in the background.
04:59There was a scene in the background, but I thought it was a scene in the background.
05:03How did you feel like this?
05:06How did you feel like this?
05:09How did you feel like this?
05:10How did you feel like this is a future?
05:15The last thing was a future.
05:17That's the same.
05:19I'm a teaser in my own.
05:22Because I didn't know how much I was doing on YouTube.
05:25I didn't know how much I was doing.
05:30But everyone and everyone else had an output.
05:34I didn't know how much I was doing.
05:36I didn't know how much I was doing.
05:39But I didn't know how much I was doing.
05:41Because when I was shooting at Polygrail Cafe, I was talking about that.
05:47Then I was talking about a small space.
05:50Then I was talking about a small space.
05:52I was talking about a small scale in the outside.
05:59Then I was talking about a teaser and I was excited.
06:02But you didn't feel like I was doing this?
06:05I was actually doing this.
06:07There was a good feeling.
06:09I had a good feeling.
06:11Then I was talking about a little bit.
06:14I was talking about a rocker train.
06:16I was talking about some of the things I was doing.
06:22At least I was talking about the appreciation.
06:26I was talking about it all the time.
06:28I was talking about it all the time.
06:30It was really nice.
06:31In Hindi, Malayali's films are popular in Hindi.
06:34In Twelfth Feel, Rocketry, and a little bit of a production of Malayali's films.
06:41Do you have a character in Rocketry?
06:46Actually, Twelfth Feel is a character. At least in Akhil, it's called Twelfth Feel.
06:53It's a very favorite film in Twelfth Feel.
06:56If Deep Mohan had a character in Malayali's films, it's a very exciting film.
07:01In Malayali's films, it's a very good film.
07:05It's a very exciting film.
07:09In Rocketry, there's a lot of content in Rocketry.
07:15In Rocketry, there's a little bit of an arc in Rocketry.
07:21In Twelfth Feel, there's a response in that film.
07:25At least in Malayali's films.
07:27There's a lot of films.
07:29Do you like that film?
07:33No, it's like that film.
07:37Do you like Deque?
07:38Actually, I like Deque.
07:41I'm a solo artist.
07:43I'm a junior artist.
07:46That's why Deque's character.
07:49That's an anthology.
07:51That's why I saw Deque's character.
07:55That's why I saw Deque and I was a fan of Deque's character.
07:58That's why I was so happy.
08:01I couldn't find a location in the location.
08:03You can find a combination in Kalyan.
08:08Do you have a vibe at the beginning of the set?
08:11It's not a friendly vibe.
08:13In that set, in that set, in that set, I have a little bit of a professional, corporate level.
08:24We are here at Vanity Valley, we are here at the A.D.V.
08:27We are here at the same time.
08:29We have a hierarchy.
08:31We are here at the same time as a director.
08:35Dominique was already at the same time.
08:40He told us, I'll see you in the church.
08:42Everyone's friendly to me is the same atmosphere.
08:45You are the same as our director, sir, and the other protocols.
08:50I'm following you from all.
08:52Everyone is the same.
08:55That's how they are.
08:58We can see the stars in our view.
09:01The same stars are here in the very small hodges.
09:04I found the findings from the company.
09:11What did you find?
09:13I found the findings.
09:15I found a reference to this.
09:19I found a few things.
09:21I found a few things.
09:24I found a few things.
09:26I found a few things.
09:30I found a few things.
09:33I found a few things.
09:35The findings were a few things.
09:37After you found a few things.
09:39I found an actor that I found a few things.
09:44There were scenes.
09:46I found a peak moment.
09:48I found a few things.
09:50But I found an extra feeling.
09:52I found an analysis of me.
09:54It would have been so hard.
09:56That's something I found.
09:58He was a good news-bump moment.
10:00How did you start with FTAs?
10:03On February 23rd, December.
10:06I joined Samitha.
10:10It was only 3 years ago.
10:13It was only 4 years ago.
10:15But there was a strike during that time.
10:17There was a little delay.
10:19There was only 3 years ago.
10:21I was able to take off.
10:24I was able to take off.
10:28What did you think about the cinema?
10:33First of all, I was able to take off the entrance to FTA.
10:40Then I was able to take off.
10:42I was able to take off the film to the director's office.
10:47I was able to take off the film to Alphonse.
10:52I was able to take off the film to the film.
10:55So, I was able to take on from the film to the film.
11:01That was a very interesting person.
11:03It was a little.
11:05I was able to take on another video.
11:07When I was able to take on both of my friends from FTAs,
11:09I was able to take off the film school.
11:11I thought that I had a film school for a film school.
11:16I was also familiar with the name of the FTI.
11:24I was also familiar with the name of the FTI.
11:28I didn't know where to go to the cinema.
11:31I was in Hyderabad.
11:33I didn't touch anything here.
11:36I was able to do this and learn how to do it.
11:42I will go here and I will go there at my point.
11:49What is it for me?
11:50I was in IT.
11:52I was an engineering student, and I was a model engineer.
11:56Then I went to campus selection.
11:59When I was there, when I was there, when I was there, I was prepared for it.
12:05That was the result.
12:06When I was published, when I was published, I was able to do it.
12:11I was able to do it in my life.
12:14That was a turning point.
12:16When I got a decision, that was a turning point.
12:18First of all, take off.
12:19First of all, take off.
12:20What was the biggest take-away?
12:23I was able to take a professional camera.
12:27I was able to do the first scene.
12:33It was a short one, but it was a little bit.
12:37I was able to take off.
12:39Instead, I was able to do it in my acting, I was able to relate.
12:47I was able to tell the character, the character, the character, the character, the character, the character.
12:55So, did you come to the cinema?
12:59No.
13:00That was a learning curve in the school.
13:03Personally, I had interviews with actors and acting.
13:09I was able to do interviews with other interviews.
13:14I was able to do interviews with other interviews.
13:18I was able to do the interview with other interviews when I was being shot in the background.
13:24And I was able to edit them.
13:26I was able to edit my own clip and I was able to edit my own clip.
13:30I was inspired by my father, and I was inspired by my father.
13:39That's an inspiration for me personally.
13:42I'm doing this.
13:45I'm curious about what we're doing.
13:51So, you've seen an audition for the company.
13:58There's a lot of actors who are auditioning.
14:01So, you've seen an audition.
14:04It's an audition.
14:05I don't think I've seen an audition in September.
14:09The audition is a big one.
14:11It's a good practice.
14:15We have a paper on the audition.
14:17We have a page on the scene.
14:19We have a chance to convince ourselves.
14:22The other thing, the first character's details are coming out.
14:26We have an audition for taking an audition.
14:30We have a lot of creativity.
14:33We have a chance to do it.
14:34It's a good reason.
14:37Now, I'm going to self-test myself.
14:40I'm going to shoot on the mobile.
14:42I'm going to go.
14:43There's an audition in Bombay.
14:46We have a chance to do it in the studio.
14:48We have a chance to do it.
14:49So, we were doing a bit of an audition.
14:51That's the way we can do it.
14:53So, I'm going to take an audition.
14:55I'm going to take an audition personally.
14:56We have to take an audition for me.
14:59I am going to take an audition in my first couple.
15:01I don't have to take an audition.
15:03I'm going to take a chance.
15:04But we have to take an audition.
15:05And then, it is a great thing.
15:07I think it's very negative.
15:09Is there a process in the twelfth final?
15:12I think there is a lot of experience.
15:16There is no legend in Bollywood.
15:19I think there is a director in the show.
15:24I think I was like Dominic.
15:28I think there is a different generation.
15:32I think there is a different generation.
15:36I think there is a different direction where there is a different direction.
15:40But I think there is an effort in that way.
15:43In the scene, I think I'm trying to get a little bit of a little bit of an experience in Hindi.
15:48I think there is a lot of improvisation.
15:50I think there is a lot of grammar, a lot of the computer in the winter.
15:54I think there is a lot of dialogue in my life.
15:57I think there is an actor that is an improvisation.
16:01I think I can't get a little improvisation.
16:04There's no doubt about it. It's a good time to get me.
16:07Then, the girl is doing improvising on-set.
16:11Then, she can go to my hands.
16:14I don't want to improvise.
16:19Then, the girl is looking together a little bit.
16:23I thought, everyone has a little bit.
16:25I thought, I don't want to know.
16:27The girl is the opposite.
16:29It's my comfort.
16:31When I started, I went ahead of schedule. I didn't want to see you in the evening.
16:37I was prepared to teach you.
16:40Is that the main scene?
16:42The main scene.
16:43There was a conversation in the dining table.
16:48That scene.
16:49That's the same time.
16:52Then, Vikram, I thought,
16:54I'm going to talk about it.
16:56I'm going to talk about it.
16:58That scene was a great feeling.
17:02That's what I thought to be.
17:05That's why the crew came.
17:07That's why I am going to talk about it.
17:11I'm going to talk about the characters.
17:15That's not my fault.
17:17I was going to talk about the scene.
17:21I didn't want to talk about the characters.
17:23I was going to talk about it.
17:25I went to the room and said,
17:28I was doing a draft for 10, 30 and 30.
17:31Yes.
17:32I didn't want to talk about dialogue.
17:34I could do it.
17:36I said, I was going to talk about it.
17:38I'm going to talk about it.
17:39Then, I went to talk about it.
17:41Then, I was going to talk about it.
17:43I wanted to talk about it.
17:44I had a friend.
17:45I said, what?
17:46I was going to talk about him.
17:48He's feeding them to talk about food.
17:52In the world, I saw them who were looking for种s in the future.
17:57I was looking for種s.
17:59I was looking for them as a IS officer.
18:02They were getting the native peoples so much food would go for a child.
18:06When the child is aging, the child was going to talk about it.
18:10When children came from a child, they were telling them,
18:13that was a good reason for our children.
18:14We had the trust of it. We would not trust what's going on in our company.
18:21That's the quality.
18:22Did you improvise on the world?
18:26No. I didn't do anything for improvising in the world.
18:31He took the first time to see if he was a person.
18:35He made a script. He made a character description.
18:39He made a dialogue with me.
18:42I will show you how to do this. I will show you what I am doing.
18:49I will do this.
18:52Then I will tell you how to do improvisation.
18:55You can't forget that.
18:58You can't forget your names.
19:02How do you feel that?
19:05I think that's why I think this character is a gravity.
19:12It's like handling this, but there is a scene like that.
19:18I've seen that scene as a chamber, but I've seen a lot of it.
19:24I've seen a lot of this character as a Jolie.
19:31I think it's a good idea.
19:35I think it's a good idea.
19:38I don't think I'm going to get a script full-time.
19:42I'm going to discover this character.
19:45I think it's a great excitement.
19:48You just cut it off.
19:52I had a family help.
19:56You're becoming one of the most important things.
20:01When you're getting the BGM,
20:04you're getting the kick and the excitement.
20:08I don't think it's a good idea.
20:11In this case,
20:12we have a kick with the final output.
20:16I was like, I don't know if I was a character. I was like, I don't know if I was a girl.
20:24But I didn't know if I was a scene in an elevator.
20:31I thought, I was like, I'm going to go and go and do something like this.
20:38A few days, we were talking about Chandra, and we were talking about children and children.
20:43I would say, I didn't want to talk about a child.
20:46They were sitting in the room with a child.
20:49I was talking about a child and I was talking about a child.
20:54I didn't want to talk about a child.
20:55When they were talking about a child, it was a contribution to me.
20:58Did you think that was a simple way?
21:00We should have to talk about that.
21:03The cinema behind the scenes in the context is that.
21:06I think that's what it's like.
21:10Now, the artwork and the effects are set.
21:15What's the price?
21:17How do you feel about that?
21:20That's what I'm saying.
21:22I've got a photo in my short shot.
21:26That's why I'm doing that.
21:28Just a point-and-shoot.
21:31I didn't do that in detail.
21:34That's why I felt like I was in the first day set.
21:44I was thinking about the frames.
21:46I was thinking about this visually.
21:48I was thinking about it in the monitor.
21:52I was thinking about it.
21:55I was thinking about the elevation of the teaser.
21:59Do you feel like the cameraman?
22:01Do you feel the feedback of the actors?
22:04I was like a Dominican, but I think I don't like feedback.
22:10I was like a scene, and I was like an intro scene.
22:18So, I was like a camera, but I was like a shot.
22:27I was like a shot, I was like a shot.
22:29How did you get feedback from the cinema?
22:33Because of the film, it's been a lot of uncertainty.
22:37It's been a lot of success.
22:41It's been a lot of process.
22:43It's been a lot of career in cinema.
22:45How do you feel about that support?
22:49My parents are supportive.
22:51But in this case, there are anxiety.
22:54There are 10 or 12 years of experience.
22:59So, there are anxiety parents.
23:05I think there is an accident.
23:06It's been a lot of uncertainty.
23:09I think that I can't do anything.
23:13I think it's a lot of action.
23:17I think I've been doing a lot of research recently.
23:21So, I was able to take a picture with my mom. I was able to take a picture with my mom.
23:28So, I was able to take a picture with my mom. I was able to take a picture with my mom.
23:35How did you get it?
23:37No, I didn't. I didn't get it.
23:41There was Rocketry, Twelfth Fail.
23:45I was able to take a picture with my mom. I was able to take a picture with my mom.
23:51I was able to take a picture with my mom.
23:56What did you think about that?
23:59What did you think about that?
24:03I did not.
24:07I didn't answer this question. I was able to do something very well.
24:10I think I could have thought that at this point, I had a great time.
24:14But I was like, I have a great time.
24:18I've never been able to talk about it.
24:21I've never been able to talk about it with DQ.
24:24I've never been able to talk about that.
24:27I haven't been able to talk about it with the other people.
24:29I haven't heard a lot about it.
24:34I was a kid. At least in that cafe scenes I was a kid.
24:40When I was a kid with my costume, I would tell you something.
24:45When you know someone who has a name, I would tell you.
24:48That character will build up.
24:51When I was a kid, I would tell you that same vibe.
24:56I could say that you don't know.
24:59That's the theater.
25:02How do you feel about the action?
25:04I'm a fan of the other person.
25:07How do you feel about the cinema?
25:10How do you feel about the hard work and effort?
25:12In that case, the cinema is a big deal.
25:15I'm a fan of the action director.
25:19I'm a fan of the sequence.
25:21I'm a fan of Kalyani.
25:23I'm a fan of Kalyani.
25:25I'm a fan of Kalyani.
25:27I'm a fan of Kalyani.
25:29I'm a fan of Kalyani.
25:32I am a fan of Kalyani.
25:35I'm a fan of Kalyani.
25:37I'm a fan of Kalyani.
25:41It's a big deal.
25:43I think I can make a pitch perfect.
25:47How do I feel?
25:49I feel very surprising.
25:52I feel like I have a smile.
25:54I feel a shot of the action piece.
25:57I am not able to shoot a piece.
26:00But I didn't interact with it.
26:02I was like, I was a male villain.
26:06I didn't have a person.
26:09I did not have a movie as well.
26:11I met a performance of the male villain.
26:17He was a female villain.
26:21I thought, what a male villain was.
26:25In that first sequence, when the G.P. came to the first sequence, there was a music.
26:32There was a music in the first sequence.
26:35There was a build-up.
26:38Now, the people released and the people released.
26:41Is there any introduction or introduction or introduction?
26:49No.
26:52There was a lot of confidence in the locales.
26:57I was like an actor,
26:59or a local character,
27:03and I was like a confidence.
27:06I was like a rocketry.
27:09I was like an effort to do a rocketry.
27:13I was like a callback.
27:18I was like, no one, not a rocketry.
27:22And when the local response came,
27:27I called for the response.
27:31Okay.
27:33I'm happy.
27:34Thank you for the timing and all this.
27:51Thank you. Thank you so much.
Recommended
2:02:26
|
Up next
1:02:06
2:22
1:23:14
1:37:30
1:11
Be the first to comment