- 2 days ago
മിന്നൽവള പാട്ട് കരിയറിലെ വലിയ വഴിത്തിരിവായി. ആളുകൾ തിരിച്ചറിയാൻ തുടങ്ങിയതും അവിടെനിന്നാണ്. ഇപ്പോഴും പലർക്കും സ്റ്റേറ്റ് അവാർഡിന്റെ കാര്യം അറിയില്ല. എന്നാൽ ചില സംവിധായകർ അത് അറിഞ്ഞു, അതിൽ വലിയ സന്തോഷമുണ്ട്. കരിയറിലെ ഏറ്റവും നിർണായക വേഷമാണ് ചൈതന്യം.വിലായത്ത് ബുദ്ധ നവംബർ 21 നു തീയേറ്ററുകളിൽ എത്തുകയാണ് .
Priyamvada Krishnan Share Her Experience Working With Most Prestigious Project Vilaayath Budha starring Prithiviraj Sukumaran, Shammi Thilakan, In central Roles. Which is Directed By Jayan Nambiar. Vilaayath Budha is based On Best Selling Book by GR Indhugopan. Vilaayath Budha is Releasing On November 21
~PR.16~
Priyamvada Krishnan Share Her Experience Working With Most Prestigious Project Vilaayath Budha starring Prithiviraj Sukumaran, Shammi Thilakan, In central Roles. Which is Directed By Jayan Nambiar. Vilaayath Budha is based On Best Selling Book by GR Indhugopan. Vilaayath Budha is Releasing On November 21
~PR.16~
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NewsTranscript
00:00Life after Minnel was there.
00:03I don't know if I'm a Korean fan,
00:05I don't know if I'm going to go to Minnel's party.
00:12I'm going to go to a lot of time.
00:13I'm going to go to a lot of heart-felt.
00:15I think it's a big hit.
00:17It's not a big hit.
00:19Jake said it's a big hit.
00:21I don't know. I'm a magician.
00:22I don't know if Jake said it's a big hit.
00:24I don't know if Jake said it's a big hit.
00:26I don't know if it's a big hit.
00:32It's a big hit.
00:35What?
00:36Double-money is double-strong.
00:37I don't think it's a big hit.
00:40It's a big hit.
00:42I don't know if that's true.
00:45No.
00:45I don't know if I'm listening to the show.
00:47If you're listening to the show,
00:49I can't see it.
00:51I don't know if I'm listening to the show.
00:53I'm listening to the show.
00:55We are sitting at that side and we are getting close to the side.
00:58We are going to go and talk about that.
01:02We are getting close to the comfort of that.
01:04That's a pleasure.
01:05We can't imagine anything from that.
01:07We can't imagine anything.
01:11We can't shoot any other.
01:12So, I don't want to shoot any other.
01:15I don't want to shoot any other.
01:18I'm able to shoot any other.
01:25Hi, Hello viewers. Welcome to our show, Untold Vinajin.
01:28Today, we are also talking about Untold Stories.
01:31We are talking about the story of this story.
01:34We are talking about the story of the story.
01:37So, we have one and one more time.
01:40So, hi.
01:41Hi.
01:42Life After Minnailwala is a story.
01:45So, I am telling you that the story is about the story.
01:59Definitely.
02:00I think they were taking away the story of the story of the story of the story of the story of the story of the story of the story.
02:12I think that there were more than 105 million views.
02:21I think that there were so many people.
02:24We had a lot of time in a cinema,
02:26and they had all the time.
02:29They had all the time.
02:33We didn't expect that international,
02:37but we didn't expect that.
02:38I think that there was a boom.
02:41because of my previous work.
02:46So, that was a big deal in my opinion.
02:51How did you shoot a lot of impact on the shoot?
02:53No. We didn't have any impact on the shoot.
02:57Because we didn't have any impact on the shoot.
03:01So, I didn't have any impact on the shoot.
03:03I didn't have any impact on the shoot.
03:05I mean, I didn't have any impact on the shoot.
03:08Which was the first time I said,
03:09I started shooting a lot from the shoot.
03:11I also had a hard time.
03:12This was a real team.
03:14I was surprised by the people.
03:15They didn't have any kids.
03:17They didn't have any image.
03:19We didn't have any international hits.
03:22I believe that was a great time.
03:24Every morning I did a most anticipated cinema.
03:28In the announcements,
03:30Yes, yes, yes, yes.
03:31In this film, there was an update on this film.
03:34It was one of the first things that I saw in the film.
03:38How did you start the film?
03:42I was the director of the film in this film.
03:47I was the director of the film.
03:49I was the director of the film.
03:51Actually, I saw a short story.
03:53I was the director of the film.
03:56Which studios were from the film of the film.
04:00It's covering the film.
04:02No, you're theatro.
04:04Okay, okay.
04:05And I was the chamado in the film.
04:07But it means I know this is a miracle to me.
04:12As long as it doesn't like action or it's a thousand times and crew,
04:18nothing radios.
04:21I have written the recording and book.
04:24I think it's a very good story.
04:27As an actor, I think it's a very good story in the world.
04:39It's a beautiful journey.
04:43I think it's a beautiful journey.
04:53Double Mohan, his name, he was the one.
04:57Double Mohan was like Double Strong.
04:58You are like Double Mohan and Double Strong.
05:01Double Mohan has a character.
05:06In the book, there are many characters.
05:09Double Mohan is in the film, in the film,
05:12there are many characters in this film,
05:15there are many peculiar characters.
05:17There is a lot of characters like that.
05:18There are many peculiar characters.
05:20to the same thing, I was coming out to the double mohan.
05:25My first day I was wearing the double mohan costume on the shoot.
05:31I had a costume, a trouser, and I was wearing a costume.
05:37I thought, I was going to open the double mohan.
05:40In the teaser, I was wearing chainsaw and I was wearing that.
05:46She was a real character.
05:48Do you have any tension in the first shot?
05:51In the first shot, we didn't have any tension in the first shot.
05:55It was very exciting.
05:57One thing that I was shooting at the cinema,
05:59I was preparing for a few hours,
06:01I was preparing for a few hours,
06:02I was preparing for a rehearsal.
06:04But in my life,
06:05I was going to graduate,
06:07I was going to graduate,
06:09I was going to get a dream experience.
06:11I was going to get a tension.
06:13I was going to get a dream project.
06:17In the first shot,
06:19there was a lot of tension in the first shot.
06:24There was a lot of feeling.
06:25There was a lot of reality in the first shot.
06:29Do you have visual communication in the company?
06:32In the cinema.
06:34The passion.
06:35The passion.
06:36The passion.
06:37The passion.
06:38The passion.
06:40The passion.
06:42The passion.
06:43The passion.
06:45Do you like the faith?
06:46It's a full-t Acts.
06:48Is it a bad idea?
06:49We have a concept behind that.
06:51All right.
06:52There's nothing that I can do.
06:58I'm like, looking at the cinema, I have to be a actor,
07:06I'm not interested in it.
07:08When I'm interested in it, I'm interested in it.
07:12Everyone is interested in it.
07:14I'm interested in it.
07:17I'm interested in it.
07:20I was very close to my friends and I didn't even know what to do with my friends.
07:27I was like, I don't know what to do with my friends.
07:37But in school, I was very close to my friends.
07:40Yeah, because she had a lot of fun, but she thought,
07:45she felt like she was able to do this so much,
07:48she thought we were able to do this at a time.
07:50She thought that's not a good idea, like that.
07:53So, I thought,
07:55when we were able to do a cinema,
07:58I wanted her to help her.
08:00She said, she was able to do this.
08:02She was able to get other friends.
08:05Oh, that's true.
08:07I have a dance background. I am a dancer.
08:11I am a professional in my life.
08:15I am a professional in my life.
08:19I am a dancer.
08:22I am a dancer.
08:25I am a dancer.
08:28I am a dancer.
08:33I am a dancer.
08:39I am a dancer.
08:41I am a dancer.
08:43I am a dancer.
08:45I am a dancer.
08:47I am a dancer.
08:49I am a dancer.
08:51I am a dancer.
08:53What do you think of the character of the cinema?
08:55Now, I am so passionate.
08:59I am a dancer.
09:01I didn't come on to play in cinema anymore.
09:03I had no respect in those свою independance.
09:06In the world, they just worked for dance.
09:10You got to do and the steaming Ambitionosphere and they also worked for them.
09:13The things that unlike the customer was Ramayashi, you got to do everything form a business owner.
09:23Neither far has leybedُ this.
09:25Everybody, anyway, wants to work on NXTument power and dance?
09:29I don't think I wanted to be able to do anything, but I didn't.
09:32I was also moved to the room and I was forced to go to the room and perform some of the scenes.
09:40We were able to recreate some cinema scenes and recreate some of the scenes.
09:43Then I was able to go to the two acting campers and I told them that.
09:50So I was able to do that and I was kind of doubted that.
09:54I was like, okay, okay, okay.
09:56But I was able to do that and so I was able to do something.
09:58It's not that I was able to say anything about that.
10:02In the set?
10:03In the set, I was able to say anything about that.
10:05First and short.
10:06But in the set, I was able to say that it was free.
10:10But there wasn't any time for me.
10:13So, I was a doctor.
10:17I didn't have to say anything about that.
10:19That was my fault.
10:21The state of our state is a very important thing.
10:24Yes, I think. They've also stayed out.
10:28They've stayed out for a while.
10:32They've stayed out for a while, like a girl, like a girl, like a girl, like a girl, like a girl.
10:36They've been so much celebrated.
10:38What are these phases?
10:40I'm going to be taking a break on 3 years.
10:43Yes.
10:44What was the life of that 3 years?
10:47I'm going to be taking a break on 2-3 films,
10:52what happened to us when COVID started.
10:54COVID started to talk to us all.
10:56We were working and working and working,
10:59we started to talk about this and when we were working.
11:04COVID started to talk to us all,
11:06but the reason we met that was not a release,
11:08that was not a bad thing that we were talking about.
11:14That's not my fault.
11:16But the state's award was a great joy.
11:20I don't agree with that, we are not going to agree with that, we are not going to agree with that.
11:26That's why I got a new path to the beginning.
11:31I have a little confidence in cinema, where there is a small confidence.
11:37But, yes, now, when you say it, it is not a person,
11:43Now, if you think about Pinneed films and you think about it,
11:51you think about Pinneed in the back, and you think about Pinneed in the back,
11:56and you think about it?
11:58I don't think about that.
12:00I don't think about it.
12:01But, even if you think about that,
12:08there are some filmmakers who are doing it.
12:11Because I think that the cinema is a very good thing,
12:16even if I'm not a fan of the film,
12:21then I think that the film is a very good thing.
12:28Rajatun's romantic side,
12:31Malayatun's book,
12:33he celebrated a lot of parties,
12:35scenes,
12:37I think he has a little bit of a question.
12:40To be a Rajotans?
12:42No, that's why I'm talking about the bad things.
12:45I don't think I'm treated at the same time.
12:48I don't know what I'm trying to do.
12:50I don't know what I'm trying to do with the director, associates,
12:55dubbing studio,
12:56Chai Danyan, Chai Danyan...
12:58I'm trying to do what I'm trying to do.
13:01I'm trying to do what I'm trying to do with my own.
13:03Yeah, because I'm trying to do what I'm trying to do with the good things.
13:06So, my daughter is going to talk about the story of the book of Raja Sri.
13:11He was a Malayani but, in the same time, he was a Telugu film and serials.
13:15He was a very happy and he was doing rossi.
13:19He was doing my daughter. He was a young character.
13:22He was a child.
13:27It was not a normal life.
13:29Normally, when he was a child, when he was a child.
13:33But, there is no need for life.
13:35So, that was when we were shooting at the cinema,
13:40we were preparing and rehearsing.
13:43There were two camps.
13:46We were like,
13:50I'm going to graduate.
13:52We were not able to get there.
13:56Now, they have such an experience with such an adult,
14:01then they have such a comfortable space.
14:03They are double mohan.
14:05They have a lot of intimidation.
14:09They have a lot of intimidation.
14:11They have a lot of people.
14:13They have a lot of stars.
14:15So, they have a double mohan.
14:18So, they have a lot of intimidation.
14:21Do you have any time in the set?
14:24It's a shock.
14:26It's obvious that you have to do something.
14:27I am a little bit of a girl.
14:29I got to go and walk a little bit.
14:32Then, they have a break.
14:34So, they have a lot of fun.
14:38Because they have a lot of fun.
14:41So, they have to go and walk a little bit.
14:44So, they are so busy.
14:46They have to go and walk a little bit.
14:48But they don't want to walk a little bit.
14:51I don't think I'm going to go to the next stage.
14:52I was wondering,
14:53I was wondering,
14:54I was wondering,
14:55I had to shoot the injury and recovery
14:59and shoot the action sequences.
15:03Now,
15:04there was a jeep in the teaser
15:06and a double moment.
15:08I was thinking,
15:09I'm not working in that.
15:11I was wondering,
15:12I'm working on that.
15:15I was working on that.
15:16Then when I was doing surgery, I was doing a physical surgery and I was doing a proper job.
15:26I was doing a very inspiring job.
15:28I was doing a lot of work.
15:33I was doing a lot of work.
15:36I was doing a lot of work.
15:40That's inspiring.
15:43And also, we have a lot of tension because
15:48we don't start to start, we don't dream from us yet.
15:54We don't have any tension.
15:56There is a situation where we are at.
15:59There is a situation where we are at.
16:01We are at the time where we are at.
16:05Some change, some change.
16:09a little bit more about it, you can see a character in the other side,
16:14I remember something interesting about it,
16:16we talked about the one in the past,
16:18we talked about the knowledge in the past.
16:20It's been true of the knowledge in the past.
16:22We have come to find the knowledge in the past.
16:26So, if you want to make a book,
16:30it's a hard time to get into the past,
16:33there are several equations in that past.
16:35I had a lot of equations in the past,
16:36No, no, no, no.
16:38No, no one knew where they were.
16:40The two characters were both ego-classes.
16:44I was doing a break on this one,
16:45and I was doing a book for a second to me.
16:47I was doing that,
16:48a very good character.
16:50So, I watched it.
16:52Yes, it was.
16:53So, Gunad Panari Sir's script.
16:56Then, when I was thinking about it,
17:01I always loved my father and daughter,
17:06a girl can come in and not have a girl even inside a girl.
17:09She says, I mean, she is a girl.
17:12She said, I'm not a lady.
17:16When she said, I'm not a girl.
17:19I'm a girl.
17:20See?
17:22There's no other side.
17:23I'm not a girl yet.
17:25I don't think I'm not a girl.
17:28That's how I feel.
17:31That's what I'm feeling.
17:32Same actors and everything.
17:34It's a big dynamic.
17:36I think it's a big deal.
17:38It's a big deal.
17:41We were talking about a location in a set.
17:46I thought, I'm going to be an enemy.
17:49It's a big deal.
17:51I don't know if I'm excited about the scene.
17:57I don't know if I'm excited about it.
17:59There are two scenes.
18:00It's exciting.
18:01I mean, I wrote the script and wrote the scenes,
18:04I was going to shoot this.
18:07Because it's very good in writing.
18:10We don't have any idea.
18:13We don't have any idea.
18:15We don't have any idea.
18:18There's no idea.
18:20I have two ideas.
18:23There's a teaser.
18:25No, there's a teaser.
18:28We don't have any idea.
18:31We don't have any idea.
18:35I was going to shoot.
18:37I didn't shoot.
18:41I didn't shoot.
18:43I didn't shoot.
18:48I was going to shoot.
18:50I was going to shoot.
18:55I was going to shoot.
18:58I was going to shoot.
19:02I was going to shoot.
19:03I didn't know.
19:06I was going to shoot.
19:08I was going to shoot.
19:15I was going to shoot.
19:16I remember, I was trying to be an actor who can make a character.
19:21I was trying to make a character as an actor.
19:27I was trying to do a beautiful character, but I would like to be a take away.
19:33I used to do an actor as a actor.
19:40I was trying to make the character a character.
19:43I didn't know how many characters, like a character, I haven't had any or from the raw and open it up.
19:50I didn't do anything else.
19:52There are a few things that I knew about.
19:54I'm not a bad actor.
19:56I'm not a bad actor.
19:57I'm not a bad actor.
19:59If I'm not a bad actor, I'm not a bad actor.
20:01So, I'm just a sad person to talk to him.
20:04So, I'm a great person to take away this.
20:11the entire friendships, experiences,
20:15we all have to do with our dreams.
20:17No.
20:18It's like a move to Rajuvatan.
20:21Rajuvatan is the same thing.
20:23It's like a dialogue.
20:25Yes.
20:26It's like a move to Rajuvatan.
20:28It's like an interview.
20:30It's like a photographic memory.
20:32Three or four pages.
20:33Here it is.
20:34Yeah, it's like a scan.
20:35It's like a scan.
20:36It's like a scan.
20:37It's like a scan.
20:38It's like a scan.
20:41I've been asked a lot.
20:43I've been asked a lot,
20:45I've been asked a lot.
20:46I've been asked a lot.
20:47We've been asked a lot.
20:48We've been prepared.
20:50We're prepared.
20:51We were prepared.
20:53This one we've asked.
20:57It's like an experience.
20:59That's the impact.
21:01It's like an impact.
21:03We have to be able to be a person with a person with a person.
21:05If you look at yourself,
21:06a person in the same place.
21:08She said,
21:10she's prepared.
21:12She won't be prepared for her.
21:16I don't think that they can't be prepared.
21:22Because if you are the person
21:24who can prepare for a period,
21:28then people can have a period.
21:32One of them is not a good actor, but not an actor.
21:35Not an actor.
21:38As an actor, I am a fan of what I can do.
21:42Now, I am a champion.
21:44Who is the actor?
21:46You are a great actor.
21:47My voice, my voice, I am a good actor.
21:52There are so many legendary actors, experienced actors that we work here.
21:58We are not an actor.
21:59This is a cinematographer.
22:00Aravind Kashyap.
22:01That was the end to Kandara.
22:03That was right.
22:05Kandara came to the end of the day.
22:12Rihana Devan.
22:14Not the triple Sik's or not the triple Sik's?
22:15Patti..
22:17Not the triple Sik's, I am sorry.
22:18Charlie is the triple Sik's.
22:19I would say that he would have studied a definite.
22:26Rihana Devan to the cinema?
22:28That's right.
22:30How many frames are you?
22:31Oh, it's Jake Satton.
22:32It's a magician.
22:33It's a magician.
22:35I don't want to do that with Jake Satton.
22:37No, it's not a magic of Jake Satton.
22:41I don't want to feel like that.
22:42No, Jake Satton is a big hit.
22:47Personally, I'm a big fan of Jake Satton.
22:51Then, when we came back, we came back to Jake Satton, a musical that we had to do.
22:59The first time we came back, we came back from the village of Buddha.
23:05There were no movies.
23:08Visually, it was a very beautiful film.
23:11It was a very beautiful experience in the theatre.
23:15Musically, I think it was a very strong film.
23:19I think it was a beautiful director.
23:22How many of you are a director?
23:24I think it's a human.
23:27I think it's a very strong film.
23:29There are a lot of people who are in the village.
23:30We know that, Kiran Chatton, Associates,
23:33I think it's a lot of people who are in the cinema.
23:36That's why we were shooting a lot of people who are in the cinema.
23:39There's a lot of people who are in the house.
23:41We know that, I'm going to watch the video and tell me about the dialogue.
23:44Oh, rehearsal.
23:45We know that, I think it's a lot of people who are in the district.
23:48We know that, we are very active folks.
23:52But, we have a huge background in the cinema.
23:54There are so many things within the audience.
23:56When everybody is shooting around,
23:58They want to be at home,
23:59They want to prepare and help,
24:01They want to help,
24:03They want to help me,
24:03There are so many stories.
24:05Where I was also coming upon the film.
24:07and take a look at the names of the people.
24:10It's not an experience.
24:12And there are many actors.
24:14This is the cinema, this is the team,
24:16this is the cast and crew,
24:18and this is the character.
24:20It's a part of everything.
24:22So, Bilayatmuth is theatre.
24:24No. 21st.
24:26So, you're listening to all of the audience.
24:28Thank you so much.
24:29This version is a hit.
24:31So, it's a hit.
24:33Thank you for the timing and all this.
24:35Thank you so much.
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