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Marutha: In Marutha, Duniya Vijay is not a police officer… he is the villain.
ಎಸ್. ನಾರಾಯಣ್ ನಿರ್ದೇಶನದಲ್ಲಿ ಶ್ರೇಯಸ್ ಮಂಜು ಹಾಗೂ ಬೃಂದಾ ಆಚಾರ್ಯ ನಟನೆಯ 'ಮಾರುತ' ಸಿನಿಮಾ ಈ ವಾರ ತೆರೆಗಪ್ಪಳಿಸುತ್ತಿದೆ. ದುನಿಯಾ ವಿಜಯ್ ಚಿತ್ರದ ಪ್ರಮುಖ ಪಾತ್ರದಲ್ಲಿ ನಟಿಸಿರುವುದು ವಿಶೇಷ. ಕೆ. ಮಂಜು ಹಾಗೂ ರಮೇಶ್ ಯಾದವ್ ಚಿತ್ರಕ್ಕೆ ಹಣ ಹೂಡಿದ್ದಾರೆ. ಈಗಾಗಲೇ ಚಿತ್ರದ ಹಾಡುಗಳು, ಟ್ರೈಲರ್ ರಿಲೀಸ್ ಆಗಿ ಸದ್ದು ಮಾಡ್ತಿದೆ. ಕ್ರೇಜಿಸ್ಟಾರ್ ರವಿಚಂದ್ರನ್, ನಿಶ್ವಿಕಾ ನಾಯ್ಡು ಕೂಡ ತಾರಾಗಣದಲ್ಲಿದ್ದಾರೆ. ಈ ಕುರಿತು ಸಿನಿಮಾ ತಂಡ ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಎಕ್ಸ್ಕ್ಲೂಸಿವ್ ಆಗಿ ಮಾತನಾಡಿದ್ದಾರೆ
Under the direction of S. Narayan, the film “Marutha” starring Shreyas Manju and Brinda Acharya is hitting the screens this week. The highlight is that Duniya Vijay has acted in a major role in the movie. K. Manju and Ramesh Yadav have produced the film. The songs and trailer of the movie have already been released and are creating a buzz. Crazystar Ravichandran and Nishvika Naidu are also part of the cast. The film team spoke exclusively to FilmiBeat regarding this
#Marutha #MaruthaMovie #ShreyasManju #BrindaAcharya #DuniyaVijay #SNarayan #CrazystarRavichandran #NishvikaNaidu #FilmUpdate
#MovieBuzz #MovieSongs #BigRelease #ExclusiveInterview #KannadaCinema #Sandalwood #NewRelease #KannadaMovies2025

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Transcript
00:00The girl is back to form, she's got a bubble, she's got cute, she's got a girl next door.
00:13She's a Nishwika Naidore.
00:20Ravisar is saying that Ravisar is going to be a trailer for the trailer.
00:26She's going to promote, she's going to be a trailer.
00:30She's going to promote, she's going to be a trailer.
00:37Of course, I'm the S.N. Madhali.
00:40Who is the sir?
00:47Why are you watching this video?
00:49The youths are connected to the youths.
00:52We'll come and watch Maradon.
00:5421st November.
00:55Near your theatres.
00:56Hello everyone.
00:57I'm going to talk to you about the film.
00:59Nanu Chandana.
01:00In November 21st, Maruta cinema is a hit.
01:04They're going to talk about the preparations.
01:07They're going to talk about the most gorgeous bruntha.
01:11They're going to talk about the most handsome shreyas.
01:13They're going to talk about the welcome.
01:15They're going to talk about the most handsome shreyas.
01:18Namaskara.
01:19Namaste madam.
01:20Namaskara.
01:21How are you?
01:22Super.
01:23You're tired.
01:24You're tired.
01:25You're tired.
01:26You're tired.
01:27You're tired.
01:28You're tired.
01:29Full energy.
01:30Full energy.
01:31Full promotion.
01:32You're tired.
01:33I'm tired.
01:34There's a lot of promotions.
01:35All right.
01:36Yes.
01:37But to see you how hard you're noted.
01:40What to see?
01:41Even if you're
01:59And because of his performance, he was still 100% near the Kelsa.
02:04Mickey's brother.
02:06We are not sure that he was shot by one song.
02:12We were shooting 3 songs almost during the last three songs.
02:17He was shot by one song.
02:20He was shot by one song.
02:23They say, this lyrics are all different, you don't sound them all.
02:27With my head I would normally say they're all different.
02:30They say, you don't have to do anything else.
02:33Having released a hint of an hint of a hint of a hint of a hint of a hint.
02:36Take on the caravan and make sure all the mistakes were playing.
02:39you won't see the hint of a hint.
02:41If we give you all this, make it all an hint.
02:43Don't start drinking until the end, you'll get the hint of a hint.
02:47Even if you want to mix a little hint of a hint,
02:48I was like, I'm sorry, I'm sorry.
02:50I was like, I'm sorry.
02:52Like, I'm sorry, I'm sorry.
02:54It just became a fire.
02:56So, I was like, I'm a good person.
03:00So, I didn't even work.
03:02I was like, I'm a good person.
03:04I was like, I'm a good person.
03:06I was like, I'm a good person.
03:08I'm like, I'm back to form.
03:10I'm not like, I'm cute.
03:12You can't say, I'm the girl next door.
03:16I'm not, I can't tell you the girl.
03:18Yeah, I'm like, your girl.
03:20I'm like, I'm like, I'm not a doctor,
03:22I'm like, I don't know.
03:24You're just like, I'm always upset.
03:26You have to back step up and make a baby.
03:28And, look at the baby's new stuff.
03:30You decided I'm not a doctor.
03:32You didn't even know that doctor,
03:34you had a doctor and that was a doctor in the second.
03:36You know who she is.
03:38You have to be treated far back in life.
03:40There, full fair, healthy,
03:42and you're like,
03:44You are very beautiful. You have such a positive energy.
03:49Thank you, thank you so much.
03:51I am very positive.
03:54Thank you. It means a lot.
03:57You are really lovely character.
04:00Like this character, you are an introvert character.
04:06You are very beautiful character.
04:14You are very beautiful character.
04:16You are very beautiful character.
04:18In fact, we have a relationship.
04:21You are very beautiful.
04:24You are beautiful.
04:26Non-touchy.
04:28Non-touchy.
04:30Non-physical.
04:32It is so interesting.
04:34Without a physical exchange,
04:38how can the love be drawn to the relationship?
04:41There is no expectation.
04:43They will be talking about it.
04:45But I am very proud of you.
04:47You are an Ishan character.
04:49If you are an Ananya character,
04:51you are very beautiful character.
04:53But definitely not.
04:55In the intro,
04:58there is a trailer.
05:00You are a beautiful character.
05:02Or in the city,
05:03you are very beautiful.
05:05There is a lot of people.
05:07But of course,
05:08you are beautiful character.
05:09There are some people.
05:11There are neighbors.
05:13There are an Ishan family.
05:15There are an Ananya family.
05:16There is a traditional character.
05:19I am saying that there are modern thoughts.
05:23But, who knows who you are and he will be able to go to that one.
05:30Sir, now, if you want to watch Big Boss Man,
05:35I am the only one who is a big boss man,
05:39I am the only one who is a big boss man,
05:42I am the only one who is a full confirmation.
05:46That's why I am the only one who is a movie promotion.
05:49What do you think about the promotion of Big Boss?
05:54I think it's a good platform to become famous.
06:00But I am a very favorite, Sudhip sir.
06:04I think that Big Boss is a contestant to be a good contestant.
06:10I think that I don't know what I'm saying.
06:17Sudeep sir has always been there for me from day one, so I don't want to put myself ever in a spot where I answer something bad to him.
06:47I don't want to be there in such a space.
06:49I didn't go for a university.
06:51What are you planning on?
06:53No.
06:54You have to call in a bandit.
06:56You have to call in full confirm.
06:59They are going to go in and they are going to get a bus.
07:03They are going to get a bus and they are going to get a bus and they are going to get a bus.
07:08We are going to get a bus.
07:12How are you going to get a bus?
07:15You don't get a bus.
07:17It's just a bus.
07:18You don't get bus.
07:20This is the bus.
07:22They are the bus.
07:24They are being here for their direction.
07:26They are not the bus.
07:28This bus takes a bus if the bus takes the bus.
07:32They are going to get a bus.
07:35That bus doesn't get any bus.
07:37I can't answer any questions, but I can't answer any questions.
07:42I can't answer any questions with a strict answer.
07:45I can't answer anyone else.
07:47They ask,
07:48If someone asked you to say,
07:50You should ask a question,
07:52You should be asking me.
07:54You should be asked.
07:56You don't have to answer any questions.
07:58You should respect me.
08:00That's why I called him a good director.
08:02But to save me for the film,
08:04That's why I got a legendary director.
08:06So I was the first time associate. I was the first time associate.
08:08I asked him, sir, why are you talking about it?
08:10Why are you talking about it?
08:12Sir, I told him, I told him,
08:14I was talking about a trend or a trend.
08:16But I'm not talking about it.
08:18I'm not talking about it.
08:20So, he had a digital warfare issue.
08:24I was very happy with this issue.
08:26I was very happy with this issue.
08:28So, I was very happy with it.
08:30But as I said,
08:32I was very happy with it.
08:34So, I was like,
08:36okay, Saranda.
08:38But when he comes to performance,
08:40he has their own style.
08:42So, he can adapt to this situation.
08:44He's like,
08:46I feel he's very strict.
08:48I feel he's full strict.
08:52He's not very particular.
08:56Adhra Ali is very particular. He has a vision and he has a vision and he has a vision.
09:08He has a vision. Because he knows what he wants on screen and he knows what he wants on screen.
09:21That is very important. Because in a creative field, you have one scene, you have one scene,
09:28you have one scene, you have one scene, and you have one scene. But as an director,
09:32you are just getting completely toxic and you can either get off any of them.
09:35You have to be a small part, you can use one direction. And he's very popular.
09:43But he's very bit different. He's very important. He doesn't have a monitor,
09:50the whole set, the first day and the last day,
09:52I didn't have to monitor.
09:54Fight this side.
09:55Fight this side.
09:56Fight this side.
09:56Oh.
09:58Oh, I didn't have to fight.
09:59Oh, I didn't have to.
10:01In fact, we don't have to monitor.
10:04But monitor is not going to be.
10:08OK.
10:10OK.
10:10OK.
10:12And he's like, oh, he's like, oh,
10:14he's like, oh, he's like, oh.
10:17But he's very very smart.
10:20And I was told, I don't know what to do.
10:24I was treated.
10:26But, I was told that I was a control.
10:29Being the captain of the ship,
10:31being the captain of the ship,
10:33it was very important.
10:34And I guess, when I was sitting there,
10:36we were talking about the whole set,
10:38we were talking about what we did,
10:40we were talking about what we did,
10:42we were talking about what we did.
10:44In fact, I was talking about the mail,
10:46but I didn't have respect.
10:48Of course, my man was very respected.
10:50I was told,
10:52I was told,
10:54that he was talking about it.
10:56I was talking about it.
10:58I was talking about it.
11:00That's why I was talking about it.
11:02It's very strict.
11:04Because,
11:06I guess,
11:08the way of life is different.
11:12That is different.
11:14And now,
11:16I'm talking about it.
11:18Because,
11:20the situation is that it's very easy for people who were comfortable.
11:22I think,
11:24the situation is more useful.
11:26I think,
11:28she is here for the first step.
11:30She is here for the guest appearance,
11:32because she is there as a guest appearance.
11:34She is there as a guest appearance.
11:36So, Nishwaka,
11:38we have a guest appearance,
11:40Ravisar is here,
11:42Nishikov is here.
11:44Ravisar is here,
11:46Ravisar is here,
11:48we don't want to promote Ravisar.
11:50We don't want to promote it,
11:52we don't want to promote it,
11:54we don't want to promote it.
11:56We don't want to promote it,
11:58we don't want to go to Abhimani.
12:00It's a good sequence,
12:02we don't want to promote it.
12:04I don't want to promote it,
12:06but we don't want to watch it in the theater.
12:08We don't want to watch it in the theater.
12:10We don't want to watch it in the theater.
12:12So, yeah, that's...
12:14See, it's a fun thing,
12:16what's the most fun,
12:18what's the most important element,
12:20what's the surprise,
12:22what's the sequence,
12:24what's the change.
12:26So, we can see it in the sequence.
12:28And the other
12:30we can observe in the trailer.
12:32We have human trafficking.
12:34We have a casino.
12:36We have a casino.
12:38And we have a big daddy
12:40and a ship,
12:42and we have a casino.
12:44We have human trafficking.
12:46So, we have to go through good bit,
12:48we have to go through the road,
12:50and we have to go through the road.
12:52We have to go through the road.
12:54We have to go through good bit.
12:56We have to go through the details.
12:58To know in the trailer,
13:00we have to go through a casino.
13:02And we have to go through it.
13:04Probably with human trafficking,
13:06because we have to get a kidnap.
13:08And you're asking these expressions.
13:10You're not saying it.
13:12You're wrong.
13:13Yes, you can't be able to do it.
13:15But it's interlinked.
13:18Yes, interlinked.
13:20If someone comes to a girl,
13:22sorry, how does it happen?
13:26If someone comes to a girl,
13:28how does it happen?
13:30So, how does it happen?
13:32How does it happen?
13:34This is wrong.
13:36It's better.
13:38Why are you trying to make a girl?
13:40I'm just trying to make a girl.
13:45He's like a girl like a sugarcoat.
13:49We can understand.
13:52These are the elements.
13:54This is the case.
13:55The human trafficking is a matter of health.
13:59If someone is kidnapped,
14:04they cast.
14:06If you are a kidnap, you will be a cast. That is the power of the digital world.
14:11So knowing or unknowingly, you will be able to kill someone.
14:16So if you have any elements of that trap, you will be able to entertain yourself.
14:23Of course, it is the cinema in the world.
14:26It is a multi-star cinema.
14:31It is a different zone.
14:33You can play with the police.
14:35I am going to play with the trailer.
14:37I am going to play with a villain.
14:40I am going to guess.
14:44I am going to give a hint.
14:46Actually, you know the trailer.
14:50Whatever you are seeing is right.
14:52We want to say that in this cinema, you are going to play with it.
14:56But in the trailer, you are going to play with it.
15:00I am going to play with it.
15:02I am going to play with it.
15:03I am going to play with it.
15:05I am going to play with it.
15:06I am going to play with it.
15:08But there is a lot in cinema.
15:12The character is a lot.
15:14It is a lot of elements.
15:16The elements are a lot of issues.
15:19The characters are also a lot of layers.
15:23That is why we are all about Chitra Mandir.
15:26We are all about Chitra Mandir.
15:28The characters are fighting.
15:30The characters are fighting.
15:32We are fighting.
15:33The characters are fighting.
15:34It is a sequence.
15:36The characters are different sequences.
15:38The characters are fighting.
15:40I think that the police, the villain, or the villain, the confusion is in the film.
15:48That's a good thing.
15:50Every actor or senior actor in the film, they don't expect anything.
15:56They don't expect anything.
15:58The regular pattern breaks, they don't get the pattern.
16:02Because of Kata is the main hero. It is not just about two actors or two heroes trying to face off each other or fight.
16:18It is about the story. That story is the main character of your life.
16:26There are many star castes in the cinema. Sharat, Pratima.
16:34So, I observe and promote Shetty.
16:38There are many people in the trailer, Ranganaga, Tarama, Comedian Girio, Manju Pagada, Shujay Shastri.
16:48I am the one who is interested in the cinema.
16:50He is also in the movie.
16:52And the one who is here and he is looking at the cinema.
16:58They are in the character.
17:02They are in the style of action.
17:04Naranaga, he is a strong man.
17:08The other people are fighting.
17:10They are fighting.
17:12I am the one who is fighting.
17:14One case of Lisa.
17:17She has to do this as a politician.
17:20She will become an unisoner and support.
17:24She will even grow up in either direction.
17:28Unlike LR, there are problems and that is the one element to the problem.
17:35As the point of the issue of Lisa, they can't reach the limit.
17:41He also has a promotion in the world. He is also a fan of the film. He is also a fan of the film.
17:49So, if you are a part of the film, you are a part of the film. What are you doing?
17:56I think, first of all, I have a lot of fun. I have a lot of fun. I have a lot of fun.
18:03I have a lot of fun. I have a lot of fun. I am a lot of fun. I am a lot of fun.
18:15You are a lot of fun.
18:19I am a lot of fun. Someone is writing for me. I am a lot of fun. I am a lot of fun.
18:31I am a lot of fun. I am a lot of fun. I am so excited.
18:39I am a lot of fun. I will be laughing.
18:43Aathara doesn't think about it but the only thing I wanted is to say is that someone who's
19:01going to do it for me for sure.
19:13Do you share my screen in the world?
19:17Ahur Shudhan is actually just the screen space.
19:21In the beginning, we started the introduction.
19:24In the cinema, I was the character, your character, Vijay Sir character, Sadhu Sir character.
19:29It was a journey.
19:31I was telling you about what your character was about.
19:35Why did I say that?
19:37If I was a police character, I would say,
19:39then I would say,
19:41I was like,
19:43If you're a police character,
19:45we were going to do the interview with Brinda,
19:47I was going to do the cinema with Brindha.
19:51No, I was like,
19:53if you're a character,
19:55at least, when one of the interviews,
19:57you could say that you were the only person.
19:59You were the only person who is the only person.
20:01That's true, Shriyashwar.
20:03Because we all have to do this,
20:05we all have to do with our fans.
20:07We all have to do the cinema.
20:09In the graphic of all films, I got a city called Kennedy.
20:14The show is also an entity in my own.
20:16As an engineer into my own mind,
20:19I'm glad I enjoy it in any time.
20:23Sir, you can learn more about it.
20:25In any movie you read, you can learn more about it as a production.
20:33Pandayvui first film is in.
20:36Rana is in.
20:37He has said that in the hospital, he doesn't join us here.
20:39Well, I have to give you an act Exactly.
20:41You can do that because of the production,
20:43I was there and the administration.
20:45One of the겠어요 is he doesn't have to do anything.
20:47You can say, I'll the next deal.
20:49He'll be there.
20:51So we had to do this.
20:53When you follow your production,
20:55I said, I do want to listen and dance.
20:57You know, I didn't want to do it.
20:59I told everyone,
21:01I said, I listen, I don't like this.
21:03No, I thought you said it.
21:05I'm a full straight.
21:06I know you as a producer, you know.
21:08I know you as a father.
21:09How did you get the bonding?
21:11The father is very tired.
21:13I just don't want to play.
21:15I don't want to play this game.
21:17I want to play a lot of play.
21:19In that film, you can play a lot of play.
21:23So you will play a lot of play.
21:25And you will play a lot of play.
21:27You will play a lot of play.
21:29You will play a lot of play.
21:31You are all facilitated, Madam.
21:35K Manjus is a producer.
21:38He is a producer.
21:39That's why he's like a bug.
21:43He's a producer.
21:45He's a producer.
21:48He's a caravan.
21:50He's a shawl.
21:52Canopy.
21:53He's a shawl.
21:55He's a shawl.
21:57He's a shawl.
21:59Jokes apart.
22:01But I guess in the production,
22:03I was very happy.
22:07In fact, like all the artists,
22:09all of them.
22:11He's a legendary producer.
22:17He's a legendary producer.
22:19And then, I guess that's why
22:21the artist makes me feel comfortable.
22:23He's a shawl.
22:25I guess he believes in that.
22:27Thought.
22:29I guess he believes in that thought.
22:31Now, in fact,
22:33the best facilities,
22:35all of them,
22:37all of them.
22:39It's a difficult location.
22:41It's a very difficult place.
22:43It's a very difficult place.
22:45It's a very difficult location.
22:47This is a very difficult location.
22:49It's a very difficult location.
22:51It's a very difficult location.
22:53You know,
22:54there's a lot of people who can't just go.
22:55But I guess,
22:56the resources accordingly,
22:58they get out of the way.
22:59But now,
23:00the reason that,
23:01it's not very difficult location.
23:03I think that in such a difficult location, I am going to carry on the caravan.
23:09And they don't have to play anything like that.
23:14That's it.
23:16It's a great artist's comfort.
23:18If you have a person who is in the cinema, you can't provide anything.
23:21If you have a director, you can't.
23:25That's it.
23:26You can't.
23:27You can't.
23:28You can't.
23:29I've never seen Aushtu respectfully direct to Jyotega.
23:34I guess it's a treat to watch.
23:37That's actually it, Makri Martin.
23:39Because there are quality cinema, directors, producers, legendary directors, producers.
23:47Because there are benchmarks set.
23:50But if you touch the benchmarks, I guess.
23:56I don't know.
23:57I'm going to talk about it.
23:58This is a competition world.
24:00We are playing in the cinema.
24:02They are playing in the cinema.
24:04They are playing in Brindas and other films.
24:06I don't know.
24:07What do we think?
24:08We're talking about competition.
24:09We're talking about competition.
24:10I don't know.
24:11I don't know competition.
24:12They are competition.
24:13They are competition.
24:15So it's competition world.
24:17And it's an competition world.
24:18In Kannada cinema, there's no potential.
24:21There are expectations, hopes, etc.
24:24If we don't have any boundaries, we have to break.
24:29If we don't have any of our films, we don't have any of our films.
24:34So this weekend, next week.
24:38If we don't have any of our films, we don't have any options.
24:43If we don't have any questions, we don't have any questions.
24:47First thing is starcast.
24:49I think the poster speaks a lot of things.
24:52It's just entertainment.
24:55If we don't have any questions, it's all about entertainment.
25:02If we don't have any of our films, we have to do the style of our film.
25:08We have to do the style of Karnataka, and the other one of our films, and Tamil.
25:14We have to do the style of our audience.
25:17If we don't have any of our films, we don't have any of our films.
25:20We don't have any of our films.
25:22We don't have any of our films.
25:25If we don't have any of our films, we're going to enjoy the film.
25:29If we don't have any of our films, we'll enjoy the film.
25:31We're going to play the film.
25:33You tell me that, of course, you are a man.
25:36And you talk about entertainment.
25:39But as long as, there is no information.
25:42And that is why there is an issue.
25:44I guess this is why youths are connected.
25:48I think that social media is a very good thing.
25:54And that is why they are a disadvantage.
25:56That is why I thought it was very good.
25:59So I guess everybody is going to connect.
26:01So, for that, I guess everybody should come and watch Maratha on 21st November, near your theatres.
26:07Thank you, thank you so much.
26:10You can't see the cinema as well as the Pan-India cinema.
26:13You can't see the same thing as you can't see it, but you can't see it as well as you can't see it.
26:18So, you can see the success of success in the red carpet.
26:21I wish you could see the film as well as you can see it.
26:23Thank you so much.
26:24Thank you so much.
26:25So, you can see the film as well as Maratha cinema, near your theatres.
26:30Can you see any theatre visit?
26:32Of course, there is.
26:33And you can see the theatre visit.
26:34Yeah, I can't do it.
26:35They are not interested in the real estate event.
26:37If you don't like a birthday, you can watch it.
26:39If you don't like a birthday, you can see the theatre visit.
26:42I am not interested.
26:43I am sorry.
26:44I am sorry.
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