- 7 months ago
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TVTranscript
00:00To be continued...
00:30Oh
01:00David, a trap, a trap, quickly.
01:03I'm sorry.
01:04I'm sorry.
01:05It's a lot of heat.
01:10I'm sorry.
01:11It's nothing.
01:15It's a lot of heat.
01:19The body of Christ.
01:23The body of Christ.
01:24Amen.
01:27The body of Christ.
01:30The body of Christ.
01:39Miren el ojo.
01:41Miren el ojo.
01:42Miren el ojo.
01:43¿Cómo?
01:44Escúchalo.
01:45¿Salva quieto?
01:46¡Miren!
01:47¡Miren!
01:52A ver, por favor, vamos.
01:53Es que sí and yo, por un...
01:55que no está ya ahí, eh.
01:57Holy shit.
02:02You okay?
02:20Is she sniffing his bollocks?
02:27That's the thing about great art, you see something different every time you look at it.
02:31What's that about then?
02:34So, Dali was obsessed with this Russian woman, Gala, who he would eventually marry,
02:39but at the time this was painted, she was married to the poet Paul Elyard.
02:43Now Elyard jibs off back to Paris on his own, some would say a foolhardy decision,
02:48on the account of the high chance that Dali was going to knob his missus if left unattended.
02:52Anyway, he did, and in the process this was painted.
02:55Now there's all this goff about his contradictory feelings towards sex,
02:59but I think he saw a woman having a wank and thought,
03:02Oi, oi, where's my paintbrush?
03:04Wow.
03:05You really have learned all there is to know about art.
03:08So, I'll be jumping down the stairs.
03:11Well, we'll come to that.
03:12First of all, the stroke of genius.
03:15I'm going to execute a swap.
03:18I'm going to get that off the wall and replace it with a copy that's so perfect,
03:21not even the greatest art experts would know it was a fake.
03:24Gone.
03:25So long, I've made contact with the world's greatest forger.
03:28And how does one qualify as the world's greatest forger?
03:32If I could name all of his forgeries, he wouldn't be a very good forger, would he?
03:36Reputedly, a boy genius.
03:38The beauty of all of this is if we can pull this off, no one need know that a crime is even committed.
03:45How do we get it out?
03:46Oh, the finer details are so tedious.
03:48That's why I need you to help me.
03:51Four cameras in each room, minimum two security guards.
03:54The masturbator has a camera trained on 24-7.
03:57Post-modern, darling would love that.
03:59She also sits next door to the Guernica, Spain's most famous painting.
04:04So, scrutiny in this part of the gallery is rather high.
04:08Obviously, we do it all our hours, no ponters.
04:12We'll have to swap the security feed so no one can see us going about our business.
04:16To do that, we'll need a full proof distraction.
04:19What, like, isn't they all one proof?
04:21It's totally 25, I'm not sure.
04:23That still works.
04:24Oh, come on, tits is tits.
04:27Alright, so we employ a little more sophistication.
04:31Anyone in mind?
04:36Mistake?
04:37Look, she can pull the attention of the guards when we swap the feed.
04:41But I know you're sick and you think this is a good idea.
04:44But we need someone we can trust and she doesn't trust us.
04:47Therefore, we can't trust her.
04:48I think she would use this to get back at us for leaving her.
04:51She's got a very long memory.
04:52I'm sorry, no mistake.
04:54Okay, no mistake.
04:56But we still need to put a team together.
04:58We bring people in, we lose control.
04:59No, we don't bring people in and we fuck up.
05:01No, we need a team.
05:02And we need them in close proximity.
05:05We need to do this right.
05:07I told you I need to make the decisions.
05:09I want this whole thing on a tight lead.
05:11No, you want me on a tight lead?
05:13Yeah, with a muzzle on it.
05:14Which would be nice.
05:15The fake, go on.
05:19So, we break in at night and then we go up to the gallery with a fake.
05:23And we wait for our perfect moment.
05:25What?
05:26Sneak past all the guards in our invisibility cloaks.
05:29Well, I know a woman who can out with that.
05:31Jackie Diamond.
05:32Hmm.
05:33So, Jackie helps us get in undetected?
05:34Yeah.
05:35She'll disable the lasers and help get the painting off the wall.
05:38The alarm is triggered by a change of weight.
05:40So, we need to be deactivated?
05:41Or we counterbalance the painting.
05:42Oh, that's much trickier.
05:43Which is why we need Jackie's expertise.
05:44She's been doing these tricks for 30 years.
05:46And then, if we don't know what to do, we don't know what to do.
05:47The next day, they unwittingly hand over the real masturbator.
06:15Yeah.
06:16Yeah.
06:17Yeah.
06:18Yeah.
06:19Well, we just walk out of here.
06:20Yep.
06:21With a 10 million euro painting under our arm that no one even knows has been stolen.
06:24It's gonna be a lot of work.
06:25We're gonna need a plan A and if we've learnt anything, we're gonna do it.
06:26Yeah.
06:27Yeah.
06:28Yeah.
06:29Yeah.
06:30Yeah.
06:31Yeah.
06:32Yeah.
06:33Yeah.
06:34Yeah.
06:35Yeah.
06:36Yeah.
06:37Yeah.
06:38Yeah.
06:39Yeah.
06:40Yeah.
06:41Yeah.
06:42Yeah.
06:43Yeah.
06:44Yeah.
06:45Yeah.
06:46I mean, just in case.
06:47Plan B?
06:48Oh, what?
06:49You're off your rocker.
06:50Yeah, but you'll love it though, don't you?
06:51Well, it's not to love.
06:52If we bring anyone in, they're gonna need pay and have you got any funds?
06:55If we bring anyone in, they're gonna need paying. Have you got any funds?
06:58I had a Matador costume that was worth 200 grand, but someone decided to return it.
07:02The forger needs to pay him before he starts work, so...
07:05Got any bright ideas on how we can make some quick money?
07:07The forger needs to pay for the fee.
07:22100.000 for all.
07:29Are they so hot from the nose.
07:32There was a jail in the cathedral, and they fit them with...
07:35Vale, gracias.
07:36Espera.
07:40Os puedo dar 10,000 euros, pero...
07:42Pero eso es todo lo que me puedo arriesgar.
08:05Ó.
08:06Tienes que vender los pigs.
08:10Antes de irse entrar, ¿no?
08:12No, no.
08:14¿Qué?
08:15¿Qué?
08:16¿Qué?
08:17¿Por qué?
08:18¿Alguna alguna?
08:19Oh.
08:21Sí.
08:22No, no.
08:24¿De acuerdo?
08:26¿Sí?
08:27¿Quién es un Departamento?
08:28Peña la ayuda a la divorciación de los espíritus.
08:30Si es un sujeto, no es muy bueno.
08:33it was through the church, you know that.
08:35I've contacted them, but there's no way of finding her
08:37because there's no record.
08:39So I've left letters.
08:40So if she wanted to find me, she would know how,
08:42but it has to be her decision.
08:44So do a DNA test.
08:45Because then if you're in the system and she does one,
08:48you get a notification, boom.
08:50Put my fingerprint into a database.
08:52I have more chance of the police turning up at my door
08:54than my daughter.
08:56Well, what if she does rock up?
08:59What is she going to think about you living like Goat Peter
09:01on the side of a mountain?
09:03Maybe I could help you?
09:04No. Under no circumstances.
09:07Okay.
09:11What about Miss Steak?
09:13She's enough of the job, but she can sell the jewellery for us.
09:15No.
09:16Well, I know she means a lot to you,
09:17but there's a reason why we left her.
09:19She played Mummy when it suited her, but she's a user.
09:21Fine.
09:23What? I've just said I'm not going, so I'm not going.
09:27Still got to sell those, though.
09:29And we're agreed on Jackie, right?
09:31Okay. Let's get her on the hook.
09:33Okay. Let's get her on the hook.
09:35I've got your letter.
09:36Whatever you're planning, I'm not interested.
09:37How much?
09:38Fuck off money.
09:39Well, that depends on how much value.
09:40I've got your letter.
09:41Whatever you're planning, I'm not interested.
09:42How much?
09:43Fuck off money.
09:44Well, that depends on how much value one puts on fucking off.
09:46Everyone's got a price. What's yours?
09:48That's not how it works.
09:49You come to me with a price, if you want my services, and then we talk.
09:51We need to run the money.
09:52It depends on how much value one puts on fucking off.
09:55Everyone's got a price. What's yours?
09:57That's not how it works.
09:58You come to me with a price, if you want my services, and then we talk.
09:59We need to run the numbers.
10:00Well, maybe get your ducks in a row before you make an approach.
10:01That's not a no.
10:02But this is.
10:03No.
10:04Why?
10:05Well, I'm settled.
10:06I'm settled.
10:07I'm settled.
10:08I'm happy.
10:09And it's too risky.
10:24It always is with you two.
10:27And ten years, without a peep from either of you, has been very peaceful, thank you for
10:34And ten years without a peep from either of you has been very peaceful, thank you.
10:38You've been behind the scenes. If anything happens, it won't come back on you.
10:42Okay. It's good seeing you. Stay lucky.
10:46500,000.
10:50It's a ballpark figure, but I guess we'll have to get some other magician to build our rig for us.
10:56Bullshit.
11:01It's still a no!
11:04What do you think our chances are?
11:06She'll buckle.
11:07I saw the euro signs in her eyes.
11:09Why didn't you tell her?
11:11I couldn't, sir.
11:12I mean, it might have helped.
11:13Act mercenary.
11:14Mal.
11:15I don't want everyone to know.
11:16Well, people are going to find out.
11:18I'm feeling stronger now, Mal.
11:20It's easier to manage.
11:22Tiredness comes and goes, and if it comes, then I'll just make myself scarce.
11:26It doesn't make you look weak, admitting to it.
11:29I think we both know that it does.
11:31Look, I'll make you a deal.
11:33If it gets too much, then I'll let you know.
11:34But for now, let me just live each day as it comes.
11:42Ah.
11:43Crown Jewels.
11:44Forge has landed.
11:45First we've got an appointment.
11:46With who?
11:47A buyer.
11:48No.
11:49They can't do it.
11:50All right.
11:51There, we go.
11:52Here.
11:53There.
11:54There are.
11:55All right.
12:01Oh.
12:03Um.
12:04Sorry.
12:05Uh-huh.
12:06Oh!
12:07My Kaanokas.
12:08Common nerves.
12:09Oh, my knuckles, calm my nerves.
12:19Sorry.
12:22Got it.
12:28I'm having 150 grams of protein a day.
12:33I set an alarm at 3am,
12:35I have two chops on a plate on my nightstand.
12:38My muscle gains have been off the hook.
12:40I thought you were here to watch and learn.
12:42I am.
12:43I'm watching.
12:44I'm watching.
12:45Watch.
12:46Being the operative word.
12:52Look who's at the front of the queue.
12:54You're joking, aren't you?
12:58You think?
12:59You never guess who's led it to Spain.
13:01Go on.
13:02Bilal, that gambler was a hundred grand.
13:04Little bastard.
13:08Bye-bye.
13:14Where's he going?
13:18We'll see.
13:20Where's he gone?
13:30Rose.
13:37You're here to meet Celine?
13:40Yeah.
13:43This can't be right.
13:45Who is this buyer?
13:46She's a feminist art collector.
13:48Willing to spend millions on a private collection.
13:50Apparently she collects pieces where the muse has been exploited by the artist.
13:54This place is hardly screaming high art, is it?
13:58Gracias.
13:59Gracias.
14:13Where the fuck are we, Beth?
14:18Do you kids like pirates?
14:28Do you kids like pirates?
14:35Yeah?
14:39Yeah.
14:42Yeah.
14:43Sorry about that.
14:48Please sit.
15:06Oh, that's designer.
15:08It's not meant for arse parking.
15:11Okay.
15:18So, why you?
15:25Why don't I just wait for Isabella to leave prison?
15:27Isabella's got years to serve.
15:29I can get you that painting, six weeks tops.
15:31And Isabella wants 50 million, I want done.
15:35Yeah, but I don't know you.
15:37Certainly don't know you.
15:39She's my partner.
15:41I trust her.
15:42And it's me that's taking all the risk.
15:44We have a plan.
15:45And no one will even know there's been a crime.
15:47But for that, we need to know that the job is ours.
15:50Ten million's a lot of money.
15:51Stealing your painting's a lot of work.
15:53And risk.
15:54But if we don't have you the painting in six weeks, you can go back to Isabella.
15:57But this way, you have no risk, a little outlay,
16:00and the painting you've always wanted for two-thirds of the price you were willing to pay.
16:03And if you were in any doubt of our capabilities...
16:08You knit the crown of thorns?
16:12Yeah, right from under everyone's noses.
16:14It's a little gift.
16:15Just to show you that everything you've heard about me is true.
16:18Yeah, well done.
16:21Now every man and his dog from here to three of us looking for it.
16:25Not if it just sits in your private collection.
16:27What, this thing?
16:30Look at it.
16:32It's an eyesore.
16:34Well, the gold itself is worth a small fortune.
16:35Oh, hang on.
16:36Let me get my smelting kit out.
16:38Turn it into slovering rings, shall I?
16:39Boys down the market will be happy.
16:41Okay, well, we'll get rid of it.
16:43Now, let's see how you work under instruction.
16:49And real pressure.
16:50Then I'll decide if the job is yours.
16:52You put it back.
16:54Today.
16:54The cathedral's isn't open to the public.
16:59Exactly.
17:01It's a perfect little spot for you to show me what you're capable of.
17:04Before I agree to you being my supplier.
17:07Okay?
17:09Off you pop.
17:09I want it back there by six.
17:13Raphael?
17:15Introduce them to Nacho.
17:19Shall I open the mind?
17:20Yes.
17:39You made out like it was a done deal.
17:52It wasn't.
17:53And now we're on the back foot singing for our supper.
17:55Oh, we'll return it.
17:56It's fine.
17:57But she knows who we are.
17:58I've pitched her for months.
17:59She's just testing us.
18:00Can I touch on the fact that you stole a relic without telling me?
18:03And for what?
18:03To show off to some woman you don't even know?
18:05Stole a relic to remind you how good I am at this shit.
18:08I proved myself to you.
18:14Oi.
18:16You like my new hat?
18:17For fuck's sake.
18:19We're going to need more than your shit hat.
18:23It's a good job I kept some of our stuff.
18:25Did you?
18:30It's the forger.
18:32Shall we go and welcome the talent?
18:33Well, we'd better be quick.
18:34Because if that lunatic says it needs to be put back today, it's today.
18:37I'm not getting strapped to a chair.
18:43Okay, look.
18:44Right.
18:45I'm going to hold that.
18:46And then you've got to breathe in.
18:48Four.
18:49Three.
18:50Four.
18:50Hold.
18:52Were you such a pretty nose?
18:54That's it.
18:55Do it one more time.
18:56Right, okay.
18:57I'm going to swallow it.
18:58Now you breathe in.
18:58There's more to this than looking pretty, you know.
19:13You need to treat the equipment with respect.
19:16Put everything away at the end of each show.
19:17Check the safety on each trick before each show.
19:22Isn't that what you're here for?
19:25He does this, you know.
19:27Gets infatuated.
19:29Then he'll start to pick holes in you.
19:32And you'll start to feel like you're not good enough.
19:35But by then, he'll have moved on.
19:36The only person who won't be moving on is you, Jackie.
19:39Because you're the kind of person that lets people pick holes in you.
19:43This is just a stepping stone for me.
19:45Don't talk to me like that, you little madam.
19:48You're still going to be stuck here in 20 years' time.
19:51Looking like a two-pound sausage in a one-pound skin.
19:54You don't know anything about me.
19:56Don't I?
19:58Well, I know when I've touched a nerve.
20:06You're still going to be stuck here.
20:36You're still going to be stuck here in 20 years' time.
20:45Oi, oi, milly boy.
20:47Welcome to Espanol.
20:48Pleased to meet you, Bilal. I'm Sam.
20:50Hiya.
20:51Oh.
20:53It's boiling here, isn't it?
20:55Cheers.
20:55I'm sweating cobs.
20:58That's when I get my money.
21:00Yeah, should we show you around first before we talk turkey?
21:06Mm-hmm.
21:16All right, Bilal?
21:19Got all your stuff and your...
21:22beans.
21:22I'll go through a four-pack of days.
21:34Yeah, sure, I will get you some more.
21:37And Wi-Fi?
21:38Need to ring my mum?
21:39Mm-hmm.
21:39Let her know I've got it all, okay?
21:40She'll be, um, worrying.
21:42Mm-hmm.
21:42So, money?
21:47Yeah.
21:50There you go.
21:53Well, this isn't what we agreed.
21:55I need a hundred. I've got bills.
21:5610K doesn't cover your bills.
22:00We agreed a hundred.
22:02And I never start painting until I've got all my money.
22:04Can you stop my wimple?
22:18Oh, I thought you'd never ask.
22:23Shit for me.
22:24Yeah.
22:24Shit for me.
22:26Yeah.
22:40Oh, my sister.
22:42The cathedral is closed, eh.
22:44Oh, uh...
22:44But we're here to meet the, um...
22:47We're here...
22:49...to visit Val Akhura.
22:52Ah, I'm telling you.
22:52No problem.
22:53He can come here and talk to you.
22:54We...
22:55We could, uh...
22:56And Ramos, for a trace.
22:58Documento de identidad, por favor.
23:01Ah, of course.
23:10Ah, êtes-vous française?
23:11De quelle partie de la France vous venez?
23:13Ma mère m'a un père son français, de Bretagne, en fait.
23:16Junior, moi aussi.
23:18À côté du Saint-Brioc.
23:21Saint-Brioc, je connais pas.
23:24Et qu'est-ce que vous avez mis ici en Espagne?
23:25Je vais euler les signes en même.
23:31Continuez.
23:33Merci.
23:34Bonne journée.
23:34Gràcies.
23:45Hi, Maman.
23:47Take a look at this place.
23:48Oh, lovely.
23:49I've got some of your school friends here.
23:52Brac and Gary.
23:53Wait, what?
23:54Right below, Mosh.
23:55Lovely gaff, man.
23:57Where is it?
23:58Erm.
24:00Spain, somewhere.
24:01I don't know.
24:02What are you two doing there?
24:04We could ask you the same thing.
24:05You've been off to Spain without inviting us.
24:07Well, Mum.
24:08You don't have to make these two cups of tea.
24:10Why don't you go for a walk or something?
24:11You can't send your mum out.
24:13You've got him freezing cold while you're sunning it up over there.
24:16Hey.
24:16He's got a workmanship on that.
24:18Give that to you.
24:19It's from Dunham.
24:20Oh.
24:21I've just thought.
24:22You know who's over near you?
24:23Tell him.
24:25Deeg.
24:26You have to meet up.
24:27He don't want bothering with me.
24:29Oh, I reckon he does.
24:31That hundred grand you owe will go a long way.
24:33He's there to invest in a gym in the main plaza.
24:35I'll text you the address.
24:36Make sure you see him tomorrow.
24:38Hi.
24:38Smashing.
24:40See ya.
24:40See ya, Bilal.
24:53Hermanas.
24:54What are you doing here?
24:57Abelis Inglis.
24:58Yes, no problem.
24:59We're visiting and we'd love to pray.
25:02Of course.
25:03Please, sister.
25:03Do you prefer a lady chapel?
25:05Oh, she does, don't you, sister?
25:06Yes.
25:06In fact, she has a lovely lady chapel herself.
25:09There are always people in and out of it.
25:11Okay.
25:12Follow me, please.
25:27What is it about the Virgin Mary, Mother of Christ,
25:31thawed by millions, prayed to you daily?
25:33No, the fact that it's so sacrosanct to be a mother.
25:36I mean, any fool could knock at a sprog.
25:40I didn't mean you.
25:42Caitlin, I'd be lucky to have you.
25:46Is there anyone you would like me to hold in my prayers?
25:51Yes, there is a family friend.
25:53And she's dying.
25:55I'm sorry.
25:56She's worried and I don't know what to say to make it better.
25:59Our job is not to make it better.
26:01Our job is just to be there.
26:04I find small kindness as help.
26:05She's been cared for by her best friend.
26:07But I do worry about the burden that that places on her, her friends, at the end.
26:16Hail Mary, full of grace.
26:18The Lord is with me.
26:20Blessed are the only one woman.
26:21Blessed are the only one Jesus.
26:23Holy Mary, Mother of God, pray for us sinners now and in the hour of our death.
26:28Amen.
26:28Please, excuse me.
26:31Sister, she gets very emotional.
26:34Father, would you hear my confession?
26:37Mm-hmm.
26:39Bless me, Father, that I have sinned.
26:41But I have been having very, very bad thoughts.
26:44I have thoughts about putting it inside.
26:48To the wet, wet dreams, Father.
27:09Your appendices then hail Mary's and, um, Mary, Mary be the glory of the glory.
27:18Hail Mary.
27:19Bless you, Father.
27:20Bless her.
27:20Bless her.
27:48Bless her.
27:49Bless her.
27:50Bless her.
27:51Bless her.
27:52Bless her.
27:53Bless her.
27:54You okay?
27:55Yeah.
27:56Yeah.
27:57Yeah.
27:58One and done, then.
27:59Yeah.
28:00But what a one.
28:01Yeah.
28:02But what a one.
28:03Not a cop then.
28:25Not at all, then.
28:28Miguel tells me you handled yourselves with panache.
28:31So do we get the job, then?
28:34I'm only as good as my last job, and if I give it to you,
28:37you're in charge of my reputation.
28:40So am I going to stick my neck out and say yes?
28:46Okay.
28:48You got the job.
28:53Now don't fuck this up.
28:55You got the job.
29:13What's up, Rosa?
29:14How are you?
29:16You are after the funeral?
29:16I have no idea, Dad.
29:17I can't drink without him.
29:19No worries.
29:20You'll be back on your muñequita soon.
29:24I'm going to call you.
29:25Inspector García, I was waiting for a call to confirm that you had found the ladders who
29:35lost the respect in the funeral of my father.
29:36Look, I want all your officials looking for the reloj of my daughter and the rest of
29:42the stolen gifts.
29:43And the people who did it, I want her to be jailed.
29:46Inspector, don't forget who helped you to ensure your abstinence.
29:50I would like to feel decepcionable.
29:53Okay, I'll take another visit to the doctor.
29:58Thank you very much, Mr. Perez, for telling me how to do my job only because you play golf
30:03with the boss.
30:05What time is it?
30:15Eleven?
30:16What?
30:17I want you to get some rest.
30:19Yeah.
30:21What are your wishes, Bert?
30:28We need to talk about it.
30:30Well, I'll tell you what I don't want.
30:32A wicker coffin.
30:33You may as well put me in a waste paper bin.
30:36Okay.
30:38I want a silk-lined coffin in the heaviest mahogany.
30:43Because I want the pallbearers to buckle up the knees.
30:45Of which you will be one at the front first on the call sheet, wailing and gnashing your teeth.
30:49Oh, I'm not dead yet.
30:57Come on, Jackie.
31:01No, no, I'll have another runner.
31:03You put your feet up.
31:05I'm also working on a solution for our money problem.
31:08I've found someone who can break down the jewellery and sell it separately as gold and diamonds.
31:12So we can get all the money we owe, Bilal.
31:14Now get some rest.
31:19Don't hold me.
31:34If you're a good girl, Daddy won't shoot.
31:52Well, what will Daddy do?
31:58No, you don't get to cuff me anymore.
32:27Is it because if you wank a husband, you're worth so much more than him?
32:38Yeah, you're right.
32:42I'm worth 500,000 euros.
32:46And while you're mulling it, I want 10% up front.
32:57How's that for a start?
33:02Worth more than 10%, I reckon.
33:04Wow.
33:06I can't eat it.
33:08But I'll flog it if I have to.
33:13Where do I sign?
33:14Woo!
33:17Thanks.
33:19Oh, look who it is, I live and breathe.
33:25It's not 100 grand, but I'll get you the rest tomorrow.
33:28And in the meantime...
33:30Look.
33:30Take this.
33:32It's worth a bomb.
33:33I painted it.
33:33Big fat naked baby with wings, your second piss.
33:36Stop funning about painting and get me my cash.
33:39That's why I'm here, in Spain.
33:41I'm a painter, right?
33:43And these people, they're paying me enough to pay you back.
33:45Who's paying you enough?
33:46Some art people.
33:48Would you tell Pratt to leave my mum alone?
33:49No one touches money if we get our money.
33:53I lost you.
33:55I'll get you the money.
33:57Good.
33:58Because if you don't, I'll break your bastard fingers.
34:01How are you fixed for painting with your feet?
34:05Go on, piss off.
34:15Well, you just made a dying girl very happy.
34:21Can you give me a lift somewhere?
34:30,
34:52banga, banga, banga, banga, banga...
34:57So, how are you, Robert, then?
35:19Good, yeah.
35:21Considering.
35:23How are you?
35:24You look well.
35:25Oh.
35:25Oh, fabulous is the word I think you're looking for.
35:31I missed you.
35:36It must have been hard in prison.
35:39And now you're sick.
35:40Mm-hmm.
35:42Cancer?
35:43Yeah.
35:45Started off as a tumour on my liver and now it's...
35:49Go on.
35:51Sorry, are you a doctor now?
35:54Roberta.
35:55Are you mad with mother?
35:57Shouldn't mother be mad with you?
35:59Why?
36:00Because I went off to live my life.
36:01I took you in when no one else wanted to.
36:04Yeah, so selfless.
36:06Mother Teresa's got fuck all on you.
36:08Should we stop reminiscing now?
36:09You wanted to talk to me about something you mentioned in your letter.
36:12Mm.
36:12Mm.
36:13But maybe we save the adult chat for another time.
36:15I just want to know if you can shift these.
36:23Sorry you're still having to make ends meet like this.
36:26I've moved on.
36:27But I wish you well, though.
36:29Wish me well, do you?
36:48You fucking bitch.
36:49Don't be back up.
36:51Damn it.
36:53Birds.
36:53Mateo.
36:56I'm so sorry.
36:58Yeah, so am I.
37:00That you stuck with her.
37:02What happened?
37:03I was about to offer her the opportunity of a lifetime, but she never changes, so...
37:08Birds.
37:09Birds.
37:09I won't be here tonight.
37:35Why?
37:36Where are you going?
37:37I'm going.
37:39I'm leaving, Craig.
37:40Leaving?
37:43Leaving me?
37:46Yes.
37:48You can't leave me, Jackie.
37:51I can.
37:53What about a show?
37:54Well, the show must go on.
37:57Comet to help.
37:59What's she going to do?
38:03Everything I do, I do for us.
38:07It's for you.
38:13And this is how you repay me.
38:19Hello?
38:22Hello?
38:22Hello?
38:27Hello?
38:28The show must—
38:33How's it going to be fun?
38:35I'm...
38:36Fuck you.
38:41Huh?
38:42Fuck you.
38:45Wow!
38:46Ooh!
38:46Woo!
38:47Ooh!
38:48Ooh!
38:49Ooh!
38:49Ooh!
38:50Ooh!
38:50Ooh!
38:51Ooh!
38:52Ooh!
38:52Ooh!
38:53Ooh!
38:54Ooh!
38:55Ooh!
38:55Ooh!
38:56Ooh!
38:56The diamonds alone are worth thousands, just say here, take a look.
39:02Thanks.
39:04Bert?
39:26Bert?
39:56Bert?
39:58Bert?
40:16Bert?
40:20What do you mean?
40:23I've been thinking about something.
40:25Have you?
40:26You said you'd help me find Caitlin.
40:29Yeah, well, do you think it's a good idea? I could.
40:32Where would you start, though?
40:35What do you mean?
40:37I mean, where would you, Bert, go to find out where my daughter is?
40:45I don't know.
40:46You don't know where you'd begin the process of finding her?
40:49Writing to her to establish a relationship?
40:51You don't know how you would do that?
40:53I found the letters.
40:54I asked if you wanted my help to find her, and you said no.
40:57I'd always found her, you fucking psycho!
41:11You keep saying you've got something for me.
41:16Something you call love, but confess.
41:19You've been a mess, well, you shouldn't have been a mess in.
41:27And now someone else is getting all your best.
41:32These boots are made for walking, and that's just what they'll do.
41:38One of these days, these boots are gonna walk all over you.
41:43proving.
41:44You keep lying when you've got to be true, then.
41:49You keep lying when you have to be true, then.
41:53You keep liin' when you oughta be truthin'
41:58And you keep losin' when you oughta not bet
42:02If you kill me, shall I take you?
42:05Take me to a lie.
42:15Did you get my money?
42:17What?
42:20Are you ready, Boots?
42:23Start walkin'.
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