00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
00:01:29CastingWords
00:01:59Good-bye, Biddy.
00:02:03Look, I didn't mean what I said about it.
00:02:06Of course you didn't, Pep.
00:02:08Just remember, hold on to your crown in London town.
00:02:14Good-bye.
00:02:15Good-bye.
00:02:19Good-bye, old lad.
00:02:20Good-bye, Biddy. Look after you, sir.
00:02:24Goodbye.
00:02:26Goodbye.
00:02:27Goodbye.
00:02:28Goodbye.
00:02:58Thank you, Pipps.
00:03:00Mr. Pipp?
00:03:01Yes.
00:03:02Herbert pocket.
00:03:03How did you do?
00:03:05Mr. Jack has arranged me to meet you.
00:03:07Mr. Pip?
00:03:13Yes?
00:03:14Herbert Pocket.
00:03:16How'd you do?
00:03:17Mr. Jack has arranged for me to meet you.
00:03:20I've, um, I've just bought some fruit for after dinner.
00:03:23Well, the fact is, I'm half-starved now.
00:03:25Oh, and here you are.
00:03:29Well, come along.
00:03:32I'm to take you to Mr. Jack's.
00:03:34Then you'll go to your rooms.
00:03:35You'll be lodging with me.
00:03:37Mr. Jaggers has arranged it.
00:03:48Watch, there you go.
00:03:50Marge your bags, marge your bags.
00:03:51Yeah, yeah.
00:03:52Lovely ammo to the chemistry.
00:03:55Lovely ammo to the chemistry.
00:04:05Ah, Mr. Pip.
00:04:06Pocket, Mr. Jaggers hasn't returned from court yet.
00:04:12You'll have to wait for him inside.
00:04:19Aren't you coming in, too?
00:04:21No, um, if you don't mind, old chap, I'll, I'll stay out here and mind the trunk.
00:04:25Look, the fact is, you're Mr. Jaggers always makes me feel guilty.
00:04:31And I never know what for.
00:04:32Never been in London before?
00:04:44No.
00:04:47I was new here once.
00:04:48Now I know me way about.
00:04:50Is it a very wicked place?
00:04:52Some will cheat you, some will rob you, some will murder you in London.
00:04:56But some will do that for you anywhere.
00:04:59Sit down.
00:05:01Oh, um, Mr. Jaggers.
00:05:04No time now, no time.
00:05:06Mr. Jaggers, sir.
00:05:07I have nothing to say to you now.
00:05:08I want to know no more than I know.
00:05:10Have you played Wemmick?
00:05:11Oh, yes, sir.
00:05:12I thought, um...
00:05:13You thought, that's what I told you not to do.
00:05:16I think for you.
00:05:17That's enough for you.
00:05:18I don't want you to think.
00:05:19I won't have it.
00:05:21I've got a witness who'll swear to my innocence.
00:05:23In court, in court.
00:05:25Oh, he will, will he?
00:05:27And what will he swear to in court?
00:05:29Why, whatever you tell him to say, sir.
00:05:33Get out and take your witness with you.
00:05:36Get out!
00:05:38Up!
00:05:39Another word and Wemmick will give you back your money.
00:05:44Yes, who are you?
00:05:44What do you want?
00:05:45Have you paid Wemmick?
00:05:46It's Mr. Pipp, sir.
00:05:47What?
00:05:47Just come up to London.
00:05:48Oh, sir, sir.
00:05:50Well, come inside my office, Mr. Pipp.
00:06:00You'll want those.
00:06:05The cards of honest tradesmen with whom I wish you to deal.
00:06:09You'll find your credit good, Mr. Pipp.
00:06:11Don't abuse it.
00:06:13Oh, and, uh, you'll want that, too.
00:06:16Your first month's allowance.
00:06:19But, but he's such a lot.
00:06:22Well, I'll never be able to spend that much.
00:06:25Believe me, Mr. Pipp.
00:06:27You will find a way.
00:06:30Of course, you'll go wrong somehow.
00:06:34No fault of mine.
00:06:35Good day to you, sir.
00:06:36Yes, sir.
00:06:37Yes, sir.
00:06:39Get out.
00:06:41Get out.
00:06:41Get out.
00:06:44Get out.
00:06:44I'll use fuel.
00:06:47Yes, sir.
00:06:47Oh, dear me.
00:07:08This door just sticks, though.
00:07:09Let me hold your bag.
00:07:11Oh, thank you.
00:07:12I thought I recognized you.
00:07:27You're the fighting boy from Miss Havisham's.
00:07:29And you're the prowling boy.
00:07:34The thought of it being you.
00:07:37Amazing.
00:07:38Well, come along.
00:07:40Your room is this way.
00:07:41I, I, I do apologize for having knocked you about so badly.
00:07:46Oh, I, I quite forgotten that.
00:07:48Well, I, I suppose you thought I was an intruder.
00:07:50You hadn't come into your good fortune at that time.
00:07:54Oh, no.
00:07:59But, uh, what were you doing there?
00:08:02Miss Havisham sent for me that day.
00:08:04I'm one of her poor relations.
00:08:06But she couldn't take a fancy to me.
00:08:08Bad taste, but true.
00:08:10Then you must be one of Estella's cousins.
00:08:13No.
00:08:14Estella's no relative of ours.
00:08:17Then, uh, why was she living there?
00:08:19It's quite a story.
00:08:21But you'll have it with your dinner.
00:08:23I'll make some tea.
00:08:33A few lavish gifts on him.
00:08:35Carriages, horses, a small estate in Surrey.
00:08:39Well, the marriage day was fixed.
00:08:41The wedding dress bought.
00:08:43The cake baked.
00:08:43The guests invited.
00:08:45The day arrived.
00:08:47But not the bridegroom?
00:08:48No.
00:08:49Only a cruel letter.
00:08:51Which arrived at 20 minutes of nine when she was dressing for her wedding.
00:08:56The very moment when she stopped all the clocks and retired from the world.
00:09:00Say, Pip, you are quick.
00:09:01But I can't guess anything about Estella.
00:09:06Who is she?
00:09:08Where does she come from?
00:09:10Nobody knows.
00:09:11Well, I only know that Miss Havisham adopted her to wreak vengeance on the whole male sex.
00:09:18She's a demon.
00:09:19Here, you be careful how you talk about her.
00:09:22Oh, it's that way with you, is it?
00:09:24Yes.
00:09:25Yes.
00:09:25I know she won't even look at me till I become a gentleman.
00:09:33Okay.
00:09:34Would you help me?
00:09:37Would you teach me how to become a gentleman?
00:09:40Well, I could try.
00:09:41We'll start with dining.
00:09:43In London, it's not the custom to put the knife in the mouth.
00:09:46Also, the spoon is not generally held overhand, but under.
00:09:55Now, this has several advantages.
00:09:57You will get closer to the mouth.
00:10:00And you save a good deal of effort for the elbow.
00:10:04You'll need your elbows for dancing.
00:10:05One, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three, one, two, three.
00:10:19Very good, Pip.
00:10:20You are quick.
00:10:21One, two, three, one, two, three, one, two, three, one, two, three, one, two, three.
00:10:26Damn you, pocket, but you'll wake the dead with this racket.
00:10:29Sorry, Drummer, old chap.
00:10:31Just giving my new friend Pip here a few points on the dance.
00:10:34Oh, you two haven't met, have you? Drummle lodges below us.
00:10:40Pip's just come to London to...
00:10:42Pocket, I need quiet, not friends.
00:10:45Got to rest now.
00:10:47I have an appointment in Hyde Park at five in the morning.
00:10:54Do gentlemen really go to Hyde Park that early in the morning?
00:10:57When they're going to fight a duel, they do.
00:10:59Drummle is the best shot in London.
00:11:01Dangerous chap.
00:11:03Those who know call him the Spider.
00:11:05Do you think he'd teach me the finer points of dueling?
00:11:08If you call him Spider to his face, he will.
00:11:13Well, Drummle, any friend of Mr. Pip is welcome here.
00:11:19Besides, I like the look of your face.
00:11:22It is a rather distinguished face, I do tell.
00:11:26I haven't seen so fine a specimen of the criminal type
00:11:29since they hanged Ben Bailey, the Bow Street Ripper.
00:11:33That's his deathmire's given. I defended him.
00:11:36Beautifully, I'm obliged to say.
00:11:38But wasn't he hanged?
00:11:40My defense was beautiful. Unfortunately, his crimes were ugly.
00:11:44Mr. Jaggers, I'd like to ask you a favor.
00:11:46What do you want?
00:11:47Well, it's not for me. It's for Pocket.
00:11:49Oh, what's he been doing wrong?
00:11:51Oh, nothing, sir.
00:11:52He's been a splendid friend to me, and I'd like to do something for him.
00:11:56You have money enough to do as you choose.
00:11:58Oh, but he wouldn't take money from me.
00:12:00What he needs most is employment.
00:12:03I was thinking perhaps you could find him something in the city.
00:12:07It could be arranged.
00:12:08But I wouldn't want him to know that I'd done it.
00:12:11So perhaps you could make it appear that someone was in need of his skills.
00:12:17Certainly.
00:12:19There is nothing our financial world needs so much
00:12:21as a young fellow who can neither add, subtract, or multiply.
00:12:25Say no more. He's a clerk in the Bank of England tomorrow.
00:12:29Thank you, sir.
00:12:31Well, gentlemen, a toast to the health of our young friend Pip.
00:12:35may find London all that he hoped it would be.
00:12:40Now, Pip.
00:12:41Here.
00:12:50Well, you may be able to use a pistol trouble,
00:12:52but when it comes to an arm wrestle, I'm afraid I've got the advantage.
00:12:55Prove it.
00:12:56Right.
00:12:57Come on, Pocket. Come on, Pocket.
00:12:59I'll show you.
00:13:00Come on.
00:13:01It's gone to Earth.
00:13:02That's it.
00:13:04Care to try me, Pip?
00:13:05Well, certainly.
00:13:11Think you're a match for me, eh?
00:13:13Look what real strength is.
00:13:15Come on.
00:13:17Weakling.
00:13:19Weakling.
00:13:20If you speak of strength, sir,
00:13:23let me show you a wrist you dare not challenge.
00:13:27Master.
00:13:28Molly.
00:13:29Please, master.
00:13:30Molly.
00:13:31Show him what a fine lady you are, Molly.
00:13:34Make him bow to you.
00:13:50I'll do, Molly.
00:13:51You've been admired and may go.
00:14:00I never thought a woman could...
00:14:02She could break your neck with as little trouble if she please.
00:14:06Why, then she killed someone.
00:14:08She's one of the murderers you defended.
00:14:10Wrong.
00:14:11I only said she could kill.
00:14:12I never said she did kill.
00:14:15You must learn never to judge by appearances, Pip.
00:14:18I never do.
00:14:20Why, if I did, I would say that our friend Drummle here was a braggart and a brute.
00:14:26I would say that Pocket was a penniless, foolish, good-natured fellow.
00:14:29And that you are really here because you wish to ask me for more money to pay for your London pleasures, Pip.
00:14:59Yes, Pocket?
00:15:00It will do very nicely.
00:15:05Oh, er...
00:15:07Have I forgotten to pay you?
00:15:09Sir, I'll be looking for Mr. Pep.
00:15:13Joe!
00:15:15Poor chap.
00:15:17How are you?
00:15:19My, but you growed and swelled and gentlefolk, this is to be an honour to your king and country.
00:15:25And you, Joe, you look wonderfully well.
00:15:27How's Biddy?
00:15:30Oh, she's well.
00:15:32I'm sorry I haven't been down to see you, but as soon as I have time I will.
00:15:37Oh, er, this is, this is my good friend, Herbert Pocket, Mr. Joseph Gargery.
00:15:43Oh, happy to meet you, sir.
00:15:46My pleasure, Mr. Gargery.
00:15:50Take, er, to your coffee, Mr. Gargery.
00:15:54Well, thank you, sir. I'll take whichever is most agreeable to yourself.
00:16:00What do you say to coffee?
00:16:02Well, since you're kind enough to make the choice of coffee, I won't run contrary to your own opinions.
00:16:08Don't you never find it a little heating?
00:16:14Well, er, say tea then.
00:16:15Oh, no, do leave it there.
00:16:16Well, I must be off for my job in the city. It's been a pleasure meeting you, Mr. Gargery.
00:16:21Oh, well, any friend of purpose, there's a friend...
00:16:24There's a friend of purpose.
00:16:27Now, sir.
00:16:29Joe.
00:16:30Joe.
00:16:31Joe.
00:16:32Joe.
00:16:33How can you call me, sir?
00:16:35Oh, pep.
00:16:37You know, Miss Abisham has sent word to me to be here, Mr. Gargery.
00:16:39I'll leave it there.
00:16:40Well, I must be off for my job in the city.
00:16:41It's been a pleasure meeting you, Mr. Gargery.
00:16:43Oh, well, any friend of purpose, there's a friend...
00:16:46There's a friend of purpose.
00:16:49Now, sir.
00:16:51Joe.
00:16:52How can you call me, sir?
00:16:55Oh, pep.
00:16:57You know, Miss Abisham has sent word to me to bring you a message.
00:17:01Time to let you know that...
00:17:04Mrs. Stella has come home and we'll be glad to see you.
00:17:07Stella, she... she's home?
00:17:10Why didn't you tell me before?
00:17:13Well, I must go down to see her.
00:17:16I must get dressed.
00:17:24Joe.
00:17:28Joe.
00:17:31Joe.
00:17:33You're not going, Joe.
00:17:34Oh, yes, I am.
00:17:35You'll be back for dinner.
00:17:36The boy chap, you and me's not two figures as should be seen together in London.
00:17:40Joe.
00:17:43You think that I'm proud?
00:17:45But you shall never see me no more in these clothes.
00:17:49I'm wrong out of the forge, out of the kitchen, or off the marshes.
00:17:54You won't find half so much fault in me if you come to the forge window
00:17:58and see Joe the blacksmith in his old burnt apron sticking down at the old work.
00:18:06It's a 50-year-old chap.
00:18:08God bless you.
00:18:10May you keep ever well and ever prospering.
00:18:18Who's your curious visitor?
00:18:21He's a... he's my blacksmith.
00:18:26Take my advice, old chap.
00:18:28Never let him know where you live.
00:18:30But once you do, you'll never stop trying to collect your debts.
00:18:33I'm afraid I owe him far more than I can ever repay.
00:18:48Do you find her much changed, Pip?
00:18:55She used to be proud and insulting.
00:18:59You wanted to go away from her.
00:19:02Don't you remember?
00:19:04I have forgotten nothing.
00:19:07Is she beautiful?
00:19:10Graceful?
00:19:11Well grown?
00:19:13Do you admire her?
00:19:14Everyone must who sees her, Miss Havisham.
00:19:17Help me, Pippa.
00:19:19I adopted her to be loved.
00:19:23I bred and educated her to be loved.
00:19:28I developed her into what she is that she might be loved.
00:19:34Love her.
00:19:36Love her.
00:19:37Love her.
00:19:44And is he changed, Estella?
00:19:46Less coarse and common?
00:19:53Plus a change.
00:19:56Plus c'est la même chose.
00:20:02She's going to London.
00:20:03I wish her to go out in society.
00:20:07I trust you will be good enough to look after her there.
00:20:12It will be my pleasure.
00:20:22Oh, do you remember the fighting boy?
00:20:24The one I boxed with here?
00:20:26Oh, yeah.
00:20:27Oh, yeah.
00:20:29Well, we're very good friends now.
00:20:31In fact, we share rooms in London.
00:20:33Yeah.
00:20:35I remember I enjoyed that fight very much.
00:20:38You rewarded me very much.
00:20:40Did I?
00:20:42Indeed.
00:20:44You let me kiss you.
00:20:46Oh.
00:20:48I don't remember that.
00:20:52You see, I only seem to recollect what pleases me.
00:20:54And you must remember, Pip, I have no heart.
00:20:58Oh, so I have a heart to be shot at, to be stabbed at.
00:21:02But there is no softness there.
00:21:05No sympathy.
00:21:07No sentiment and no nonsense.
00:21:09You're jesting.
00:21:11No, Pip, I am being serious.
00:21:13If we are to be thrown much together,
00:21:15you must believe me at once.
00:21:19Believe me, Pip.
00:21:21Believe me!
00:21:25What's the matter?
00:21:27Are you frightened?
00:21:29I should be if I believed what you said just now.
00:21:32Then you don't?
00:21:34No.
00:21:37Very well.
00:21:39It has been said.
00:21:41You shall shed no tears of cruelty for me today.
00:21:44You shall be my page and escort me to London.
00:21:47We are to meet tomorrow at midday at the Blue Boar Inn.
00:21:52And we shall take the London coach together.
00:21:54Mercy, sir, but don't I know you?
00:22:04No.
00:22:05Perhaps we met at the Queen's coronation, or was it at the races?
00:22:06I said I don't know you.
00:22:07Don't know you?
00:22:08Don't know you?
00:22:09Don't know you?
00:22:10Don't know you.
00:22:11There ain't an horse in the old village that don't know you.
00:22:13Nay, nay!
00:22:16But don't I know you?
00:22:20No.
00:22:22Perhaps we met at the Queen's coronation, or was it at the races?
00:22:27I said I don't know you.
00:22:29Don't know you? Don't know you? Upon my soul!
00:22:32There ain't an horse in the old village that don't know you! Nay! Nay!
00:22:38How dare you disturb the peace of this gentleman!
00:22:41Be off with you!
00:22:43I hope, sir, you won't take an unfortunate view of this happy village,
00:22:48because that boy failed to recognize a man of quality.
00:22:51My name is...
00:22:52Pumplechuke.
00:22:55Why, it's Mr. Pip! Imagine finding you at home again!
00:23:00I only stayed here overnight, Uncle Pumplechuke.
00:23:02Visiting gargeries?
00:23:04No, I stayed at the Blue Boar.
00:23:08Of course, boss. One wouldn't expect you to spend the night in a blacksmith's cottage.
00:23:11I most certainly would have stayed if only...
00:23:14Well, I...
00:23:15If it were convenient, my...
00:23:17You see, this...
00:23:18This was a sudden visit.
00:23:19I was not expected, and...
00:23:21You must allow me to buy you a drink.
00:23:24Let's drink to fortune.
00:23:26May she ever choose her favorites with equal wisdom?
00:23:30Some other time.
00:23:33I have to meet a friend here.
00:23:35Good day.
00:23:36I have to meet you.
00:23:38Good day.
00:23:39Good day.
00:23:40Good day.
00:23:41Good day.
00:23:43Good day.
00:23:45Good day.
00:23:47Oh, I thought I'd never get away.
00:23:49Miss Habersham and her endless instructions.
00:23:52i wonder that she can bear to part with you again so soon oh but that is part of her plans
00:23:59estella is to write to her constantly regarding her progress estella and her jewels
00:24:08they are almost all estellas now why do you speak of yourself as if you were someone else
00:24:15does it displease you no but it confuses me
00:24:23you must not expect me to change for you babe i shall talk and live in my own fashion
00:24:32this is my purse you are to pay the coachman with it no i have more than enough please
00:24:41we have no choice you and i but to follow our instructions
00:24:45they're not free to follow our own impulses
00:24:51but i'm i'm very free to follow mine
00:25:03will you never take warning never as far as you are concerned i'm quite fearless
00:25:10thanks then after we take the london coach
00:25:15you may watch me take london
00:25:32so
00:25:37so
00:26:56Miss Stella, remember you promised me the next dance?
00:26:58Nonsense.
00:26:59I have your solemn promise you'd save the next dance for me.
00:27:06Oh, I have a most appalling memory.
00:27:10I have promised the next dance to my dear friend again.
00:27:14Shall we dance?
00:27:28Stella, I must speak with you.
00:27:30Then speak, my dear Pip, as we dance.
00:27:33Yes.
00:27:53You scarcely noticed my existence tonight.
00:27:55You've been so occupied in dazzling your advice.
00:27:57That is more your fault than mine.
00:27:59Indeed?
00:28:01Your jealousy has made an admirer of every man who approaches me.
00:28:05Nonsense.
00:28:06You lead them on.
00:28:07But you're my old friend.
00:28:15Oh, yes.
00:28:15You allow me certain privileges, you deny the others.
00:28:18Only because you dismiss my love as meaningless.
00:28:21Is it your wish to torment me?
00:28:22What other choice do I have?
00:28:26My other admirers are even more tiresome than you are.
00:28:28You're tired, aren't you?
00:28:51Rather, babe.
00:28:53You should be.
00:28:55Rather, I should not be.
00:28:56I have given my word to a dozen more dancers.
00:29:00Six of them to Bentley Drum.
00:29:03Look at him, staring at you.
00:29:09Hardly a pretty sight, I must confess.
00:29:11He's been hovering about you all evening.
00:29:14Moths and all sorts of ugly creatures hover around a lighted candle.
00:29:19Can the candle help it?
00:29:20I can't bear that people should think you'd throw your stuff away on such a bore.
00:29:29Why, I've seen you give him looks and smiles, and I, such as you never give to me.
00:29:37Do you want me to deceive and entrap you?
00:29:40Do you deceive and entrap him?
00:29:42Yes.
00:29:44And others.
00:29:48All of them but you.
00:29:55Yes, Mr. Drummond, I've heard another word.
00:29:58Yes.
00:29:58Yes.
00:29:59Yes.
00:30:00Yes.
00:30:01Yes.
00:30:02Yes.
00:30:03Yes.
00:30:04Yes.
00:30:05Yes.
00:30:06Yes.
00:30:07Yes.
00:30:08Yes.
00:30:09Yes.
00:30:10Yes.
00:30:11Yes.
00:30:12I was determined that Estella should know my love for her, and that she should know my love
00:30:40for her, and that she should not be allowed to throw her life away, I set about writing,
00:30:45asking her to become my wife.
00:31:10Mr. Pip.
00:31:11Mr. Pip.
00:31:12That's my name.
00:31:13What's your business?
00:31:14My business?
00:31:15I will explain with him by your leave.
00:31:17There's never no serious, sir.
00:31:18Why do you ask?
00:31:19Why do you ask?
00:31:20You're a game one.
00:31:22Glad you growed up a game one.
00:31:23I could tell that when you were a boy on them marshes.
00:31:27Even then you was a game one.
00:31:28Wasn't every lad what would comfort a poor convict with fiddles and you.
00:31:29Don't be afeared, there's no iron on me feet now.
00:31:30Don't be afeared, there's no iron on me feet now.
00:31:31You acted, no blood.
00:31:32What do you mean what you're doing?
00:31:33Alan Lee Harlow was still waiting for your love.
00:31:34You were all hear me for your love.
00:31:35It's, saying that your wife will be a fabulous rob í•´.
00:31:36Now it's a very active robber, some young young young old, cùng young old, and by any
00:31:40young young young young young young audience, that she should show her life.
00:31:45Let go to the north side.
00:31:54Don't be afeard there's no iron on me feet now.
00:31:59You acted now, plebe me boy.
00:32:02I will make witches never for good.
00:32:06Me noble Pip.
00:32:09If you're grateful to me for what I did as a child, it's not necessary.
00:32:13Surely you must understand.
00:32:16Surely I must understand what?
00:32:19I cannot now wish to renew our acquaintance.
00:32:23You're wet and you look weary.
00:32:27Will you have a drink before you leave?
00:32:44For good health.
00:32:53How have you been living?
00:32:58Oh, I've done wonderful well. I'm famous for it.
00:33:01I'm glad to hear it.
00:33:03Sheep farmer, stock breeder, in the new world.
00:33:07You were deported to Australia.
00:33:10Bloody likely.
00:33:12No.
00:33:13They was taking me to be hanged.
00:33:16But I escaped.
00:33:18And no prison ship could hold able Magwitch.
00:33:25May I make so bold as to inquire how you have done so well since you and me was out on them shivering marshes?
00:33:33I...
00:33:34I...
00:33:35I was chosen to succeed to some property.
00:33:39How?
00:33:40Might a mere varmint inquire what property?
00:33:44I... I don't know.
00:33:47Could I make a guess, I wonder, to your income since you've come of age?
00:33:53As to the first figure, now, a five?
00:34:00Concerning a guardian, some lawyer may be.
00:34:03As to the first letter of that lawyer's name, would it be a J?
00:34:08And would he tell you you was always to go by the name of Pip and you was never to ask who he was, what made a gentleman of you?
00:34:19Yes, my dear boy, it's me, what a study.
00:34:23I swore that time, soon as ever I got a guinea, that guinea would go to you.
00:34:28I lived rough so that you could live smooth.
00:34:31I worked hard so that you could be above work.
00:34:34Do I tell it for you to feel an obligation? Not a bit.
00:34:38I tell it for you to know that this hunted Daniel Dog, what you kept life in, got so high, he could make a gentleman.
00:34:49And you're it, Pip.
00:34:52I'm your second father.
00:34:57Don't mind me talking, Pip. You ain't looked forward to it as much as I have these many years.
00:35:02Did you never think it might be me?
00:35:05Never.
00:35:08Never.
00:35:12Was there, was there no one else?
00:35:15No one.
00:35:16Who else would there be?
00:35:19Eh?
00:35:20It wasn't easy for me to come back here once safe, neither.
00:35:25But at last I'd done it.
00:35:27Dear boy, I'd done it.
00:35:29Now then, where you gonna put me?
00:35:34Eh?
00:35:36My friend Pockett is away on business. You can have his room until he returns.
00:35:39Look at these lodgings of yours. Fit for a lord.
00:35:59Why'd you do that?
00:36:00Oh, sir.
00:36:01Is that for me to be found here in England?
00:36:02Surely, after all these years, there's no one looking for you.
00:36:04Somebody is.
00:36:05He'd stop at nothing to find me.
00:36:06You remember that young man with the ugly mug? What was it with me in the graveyard? My enemy?
00:36:10He'd seek me out for the reward, not to mention the joy of seeing me hanged.
00:36:17Well, don't fear. You're quite safe here because I owe you safety and I repay my money.
00:36:21You're not a proper man.
00:36:22I owe you safety and I repay my money for my money.
00:36:31What's the end of your life?
00:36:33Well, don't fear.
00:36:34You're quite safe here because I owe you safety, and I repay my money.
00:36:37here because I owe you safety and I repay my debts. Spoken like a real gentleman.
00:36:44Ah, me boy. I have great plans for you and me. I've scarcely scratched the top of me
00:36:51fortune. You'll live like a bloody prince and I'll have the joy of seeing it with
00:36:57me own eyes. But why me? Surely you must have some relation.
00:37:03Now. Now there's no one. Had a daughter once. What a loss. Now I have a son. What I've found.
00:37:17I merely wish to know if what I've been told is true. Did you say told or informed? Told would seem to
00:37:32imply verbal communication. You can't have verbal communication with a man in Australia.
00:37:39I have been informed that Abel Magwitch is my mysterious benefactor. That is the man in Australia.
00:37:56But I'd always supposed it was Miss Havisham. I am not responsible for that. Not a particle
00:38:05of evidence. Take nothing on his looks, Pip. Take everything on evidence. There is no better
00:38:11rule. Pip. Now that your mysterious benefactor in Australia has disclosed himself, I trust he has
00:38:29he has heeded my advice. I wrote to him in Australia that he must never return to England or he would render himself
00:38:40liable to the extreme penalty of the law. Is that clear? Quite clear. Good. He has been guided by my advice. No doubt.
00:38:55He must be got out of England safely. Indeed. But he'll never go unless I agree to go with him.
00:39:04You'd leave Estella? Herbert, he's risked his very life to join me here. After all he's done for me is the least I can do for him.
00:39:15Now once, once he's safely settled abroad, then I'll return and ask Estella to marry me.
00:39:20Who is it?
00:39:33Rammel.
00:39:37Pip, old chap. I have a favour to ask.
00:39:40I've got to take a journey to your part of the country.
00:39:42Loathe marshlands. Still, I've no choice. You know a decent inn where I might stay the night?
00:39:48Yes, the blue boar.
00:39:50Hmm, well, I don't plan to stay long. But Estella insists upon speaking with our old guardian before we go off.
00:39:57What have you to do with Estella?
00:40:00Well, haven't you heard? Estella has agreed to marry me.
00:40:04You're lying.
00:40:05My dear fellow, I never lie to my inferiority.
00:40:09Tell me I'm lying!
00:40:10Help!
00:40:11Help!
00:40:12Help!
00:40:13Help!
00:40:14Help!
00:40:15Help!
00:40:16Help!
00:40:17Help!
00:40:18Help!
00:40:19Help!
00:40:20Help!
00:40:21Help!
00:40:23Help!
00:40:24Don't worry, Pockets.
00:40:26I don't take offense at that.
00:40:27Blacksmith's boy is never too far from his forge, is he?
00:40:32Pip, what happened?
00:40:33Pip, you can't leave now.
00:40:34Try to arrange a boat passage for Magovich and me while I'm gone. I'll be back in London tomorrow.
00:40:47Pip, where are you going?
00:40:48Estella, I swear, I will never trouble you with my love again if you refuse him now.
00:40:58Oh, Pip, I am a most imperfect woman.
00:41:02I possess every fault, save one. I do not delude myself.
00:41:08I will marry Mr. Drummle because I am weary of my life and I am willing enough to change it.
00:41:15With his wealth and position, he can afford to keep so precious an object as myself.
00:41:25Cold heart.
00:41:27You would go now and never see us again.
00:41:31And take these two.
00:41:34I do not want them.
00:41:37Look at her.
00:41:39So hard, so thankless, in the house where she was reared.
00:41:44Who taught me to be hard?
00:41:49Who praised me when I learnt my first lesson in pride?
00:41:53And when I was a child, who sat before me with a face so strange and frightening, teaching me hard lessons?
00:42:03Well, now you no longer frighten me.
00:42:10Pity.
00:42:12The only way you could stop the time was by breaking all the clocks.
00:42:18I will marry Drummle tomorrow at his estate.
00:42:25You may come if you will.
00:42:27You know I cannot leave this house.
00:42:30As you will.
00:42:32But I must leave now.
00:42:33I cannot bear this place a moment long.
00:42:40Estella!
00:42:42No more.
00:42:44You will find someone better suited to your love.
00:42:47All this will pass in time.
00:42:51Never!
00:42:52Indeed?
00:42:54Oh, Pip.
00:42:56You will have forgotten me within the week.
00:42:59Forget you.
00:43:01Oh, God, that I could.
00:43:02You have lived in every thought I've ever had since I first came here.
00:43:08A rough, labouring boy.
00:43:10You will remain part of the little good left in me.
00:43:14Part of the evil as well.
00:43:16Take them.
00:43:18Take them.
00:43:20Take them.
00:43:22Take them.
00:43:24Come back.
00:43:26Estella, come back.
00:43:28Come back.
00:43:32Come back.
00:43:44What have I done?
00:43:48I meant, I meant her no harm.
00:43:58Who were her parents?
00:44:02I wanted a little girl to rear and to love.
00:44:08To save from my fate.
00:44:12Jaggers.
00:44:14Jaggers found me an orphan.
00:44:19So beautiful.
00:44:22But my jewels, my lessons.
00:44:25I stole her heart.
00:44:29I put pride in its place.
00:44:32Who were her parents?
00:44:34I don't know.
00:44:36He wouldn't tell me.
00:44:38Does Estella know?
00:44:40No.
00:44:42She was scarcely two years old when she arrived here.
00:44:46Is there no clue, anything?
00:44:48Wearing a little torn gown and a...
00:44:51Tin locket.
00:44:53There's an inscription on it.
00:44:57Molly...
00:44:59Mag...
00:45:01Mag...
00:45:03Mag...
00:45:05Ritchie.
00:45:06Magwitch.
00:45:07Does that name mean anything to you?
00:45:08Does that name mean anything to you?
00:45:12No.
00:45:14No.
00:45:16No.
00:45:18No.
00:45:19No.
00:45:21No.
00:45:23No.
00:45:25No.
00:45:27No.
00:45:29No.
00:45:30No.
00:45:31No.
00:45:32No.
00:45:33No.
00:45:36No.
00:45:37No.
00:45:38Nothing.
00:45:39No.
00:45:43No.
00:45:44No.
00:45:53No.
00:45:55No.
00:45:56Pippa!
00:46:26Dear Pip, I never meant you to suffer as I did for Kim.
00:46:41Of course I do.
00:46:44I would have loved her in any event.
00:46:47For Kim.
00:46:56I'll put a case to your mind. I admit nothing.
00:47:01But you must tell me.
00:47:03Put the case of a lawyer who lived in an atmosphere of evil and suffering.
00:47:12Put the case that he saw the children of convicts whipped, neglected, cast out, growing up only to be hanged themselves.
00:47:25Put the case that one pretty child out of this dung heap could be saved.
00:47:31Her father a convict. Her mother a murderess.
00:47:40Both parents living under this lawyer's power.
00:47:47Molly, take this away.
00:47:55Put the case that the lawyer saw the chance for this child to be raised in comfort and security.
00:48:00Put the case that this secret remains a secret except that you have stumbled on it.
00:48:07Then Molly is Estella's mother and Magwitch her father.
00:48:13This must be made known.
00:48:15For whose sake would you reveal this? For the father's? For the mother's?
00:48:20For Estella's sake.
00:48:22If Drummle knew, he'd never marry her.
00:48:25Ah, you'd save her. Is that it?
00:48:29You drag her into disgrace after twenty years?
00:48:33She's chosen her own fate in Drummle. Remember that.
00:48:35What right have you to choose another for her?
00:48:39Well, if you must save someone, I think you might look a little closer to home.
00:48:44Pockett!
00:48:51I'm in here.
00:48:56Good morning. Look what I have here.
00:48:59Have you had an accident?
00:49:01Oh, it's nothing, nothing.
00:49:03Where's Pockett?
00:49:05Your mate's gone to buy the steamship tickets.
00:49:08Well, we'll have a good time in Holland, won't we, eh?
00:49:11Well, we'll certainly try.
00:49:12Now, we must make certain that you run no risk of being recognized at the pier.
00:49:17So, we'll dress ourselves as seamen.
00:49:20Then, we'll row out to the boat and hail it as late arriving passengers.
00:49:26Thus, we'll, we'll board the boat from the security of the river.
00:49:31It's all right.
00:49:33Well, if all goes well, you'll be perfectly free and safe again within a few hours.
00:49:39Thank you, sir. Thank you.
00:49:42Thank you, sir.
00:49:46Thank you, sir.
00:49:52Get your back in here.
00:50:11Where's that noise?
00:50:13Where?
00:50:15Back there.
00:50:19I can't see anything.
00:50:22Well, let's go.
00:50:34There's the steamer.
00:50:39There's a galley behind us.
00:50:49Ahoy there!
00:50:50Passengers for boarding!
00:50:52You have an escaped convict there!
00:51:12That's a man!
00:51:13He will not wish!
00:51:14I apprehend that man!
00:51:16I call on him to surrender and you to assist!
00:51:18Wait a minute!
00:51:20You watch him!
00:51:21You're ready!
00:51:22That's ready!
00:51:23Go!
00:51:24Get back here!
00:51:30Bagwitch!
00:51:32Bagwitch!
00:51:33Get out!
00:51:42Bagwitch!
00:51:43Magwitch!
00:51:51Magwitch!
00:51:59Magwitch, we're here!
00:52:07Put him down.
00:52:09Pull him in.
00:52:13Gable Magwitch, you are hereby sentenced to die for your crimes...
00:52:31...and all your possessions to be forfeit to the crown.
00:52:43Don't look so sad, dear boy.
00:52:51This way, I'd cheat to hang with her.
00:52:55If I'm sad, it's to think that you came home for my sake.
00:52:59I was content to take me chance.
00:53:03I've seen me boy.
00:53:09He can be a gentleman without me.
00:53:13I'm no gentleman.
00:53:15I'm not good to judge them, but you are a very German.
00:53:25You ain't missed a day.
00:53:29These two weeks.
00:53:33Magwitch.
00:53:37Magwitch, can you hear me?
00:53:39You had a daughter who you thought was dead.
00:53:45She lived.
00:53:47She's living still.
00:53:49She's a great lady.
00:53:53And I love her.
00:54:03Magwitch.
00:54:05Magwitch.
00:54:19You would be merciful to her.
00:56:05You've been ill quite a while.
00:56:09And you've been ill all the time?
00:56:15Pretty nice, old chap.
00:56:16When your friend, Mr. Pocket, wrote you was ill, Betty says to me, Joe, she says he was going to the bathroom.
00:56:25I say, you seem fit today.
00:56:38Doesn't he, Joe?
00:56:44Indeed he does.
00:56:47Well, I'll go put up some tea.
00:56:49Don't let him go over doing the talking.
00:56:54How are you, Pocket?
00:57:00How are you, Pocket?
00:57:05Splendid, Pip.
00:57:06As fit as ever.
00:57:08You must have had a lot of exercise keeping the bailiffs from the door.
00:57:12Well, as a matter of fact, Pip, Joe paid some of your debts himself.
00:57:16Joe?
00:57:18Pocket, you know I won't allow that.
00:57:21Joe!
00:57:21Please, Pip, don't call.
00:57:23He, he won't come.
00:57:26He left you this note.
00:57:30I'm trying to understand.
00:57:32As soon as the word was out that you'd lost your good fortune, they, they, they came for the furnishings.
00:57:36Well, Joe didn't want you to recover in a bare bedroom without any comforts.
00:57:47Not wishful to intrude, I have departed.
00:57:53For you are well again, dear Pip.
00:57:56And it's time I returned home to Biddy.
00:58:02Ever the best of friends, Joe.
00:58:06Amazing.
00:58:10She's taught him to write.
00:58:18There's nothing for it, Pocket, but to repay him.
00:58:25Perhaps, perhaps I should go back to the forge.
00:58:29If Joe will have me.
00:58:30Pip, there's no turning back.
00:58:33Like it or not, you're a gentleman now.
00:58:35Rubbish.
00:58:37I was merely a snob, an ingrate.
00:58:41If that's being a gentleman, I have no more of it.
00:58:44Then you'll just have to go to work with me.
00:58:48Oh, no, Pocket.
00:58:49I, I must leave London.
00:58:51Yes, I, I hear there's a place for any young man who's not afraid of a lot of heat and a little work.
00:58:57Well, you've been in a fort, so you can bear the heat.
00:59:00And I've been in a bank, so I can bear the work.
00:59:04So together we should go to India.
00:59:07Why not?
00:59:17Why not?
00:59:17For eleven years, I had not seen Joan or Biddy,
00:59:38though they had both been often in my thoughts,
00:59:41when on one Christmas Eve, an hour or two before dark,
00:59:44I knocked softly at the cottage door.
00:59:50Happy Christmas!
00:59:52Cheers, sir.
00:59:54When we gave him the name of Pitt, dear old chap,
00:59:56we thought you might grow a little bit like you.
00:59:58Oh, no.
00:59:58We think he'd do.
00:59:59No, he's a much better-looking lad than I ever was.
01:00:02I think he favours his mother.
01:00:05Now, look, you will send my godson to me on holiday visits.
01:00:07Now I'm to settle in London again.
01:00:09Better you married and had a son of your own.
01:00:11Yes, that's what Pocket and his wife are always saying,
01:00:15but I don't know, I don't think I ever will.
01:00:18I'm already quite an old bachelor.
01:00:21Uncle Pip, do they really wear rubies in their noses?
01:00:25Did you really ride elephants and charm snakes?
01:00:28It's Uncle Pumperchoke.
01:00:30Well, go on, lad.
01:00:31Let him in.
01:00:33You don't mean you invited him here to spoil the boy's Christmas?
01:00:36Oh, he's all alone in the world, and it is Christmas.
01:00:42Truth is, I don't invite him.
01:00:44He appears.
01:00:46Merry Christmas, Uncle Pumperchoke.
01:00:49Compliments of the season, Mum.
01:00:51I brought you a bottle of port wine.
01:00:54Thank you, Uncle Pumperchoke.
01:00:57Pep, pass the bowl to Uncle Pumperchoke,
01:01:00and be certain to save something for yourself.
01:01:02You'll spoil the boy by pampering him.
01:01:04How else will he grow up to be a fine gentleman like his Uncle Pumperchoke?
01:01:07Why, it's Mr. Pip made his fortune in India with tea and spice.
01:01:11I'd very much like to hear about that trade.
01:01:14Merry Christmas, Uncle Pumperchoke.
01:01:15Merry Christmas, I know.
01:01:16What I always say is, one's never too old to learn from a young one.
01:01:20Get out of tea as soon as you can.
01:01:22Get into railroads.
01:01:24If I was a young man, I'd risk my future in steam.
01:01:28Do you know they're building a railway station right here in the village?
01:01:31Indeed?
01:01:31Yes.
01:01:32Miss Havisham's old place.
01:01:35Didn't I take you there once to play?
01:01:38No matter, it's all coming down now.
01:01:40Making way for progress.
01:01:44Excuse me.
01:01:53What's wrong, Pep?
01:01:55Forgive me, Biddy.
01:01:56I'll return shortly.
01:01:56I must see that house again.
01:02:01Dear Pep, after 11 years, have you not forgotten her?
01:02:06Biddy, I've forgotten nothing in my life that ever was important to me.
01:02:09Why else would I return from India to be with you and Joe?
01:02:14I'll just slip out through the forge.
01:02:15I'll see you.
01:02:28For more information, please help me.
01:02:31Oh, my God.
01:03:01Don't worry. Don't worry.
01:03:31I never meant you to suffer as I did.
01:04:01I said that you should pay a game of broken hearts.
01:04:30Oh, that was so ridiculous.
01:04:37I'm not going in.
01:04:47Pip?
01:04:48Yes.
01:04:53Well, are you afraid to look at me?
01:04:55I am greatly changed.
01:05:09Stella.
01:05:10I wonder you still know me.
01:05:24Do you often return here?
01:05:27No.
01:05:28No, I have not been here since the night I left to marry.
01:05:34I wanted to see the old house once before it was torn down.
01:05:39Are you still living abroad?
01:05:48Oh, no, no.
01:05:49I returned yesterday.
01:05:51You do well, I'm sure.
01:05:56I work fairly hard for my living.
01:06:01Yes, I suppose you could say I've done well.
01:06:04I have often thought of you.
01:06:09Of late.
01:06:11You have?
01:06:12Oh, what ridiculous children we were.
01:06:16Both trying to master our own lives.
01:06:22Yes.
01:06:26You were forgotten.
01:06:29No.
01:06:31I've never forgotten you.
01:06:32After Drummle was killed in Paris, I went to Germany for a while.
01:06:43He was just as you said he was, Pip.
01:06:45He made my life an agony once he learned my secret.
01:06:51Jaggers told him.
01:06:52Jaggers?
01:06:54How should Jaggers know?
01:06:56I told Drummle myself shortly after we were married.
01:07:00But I had married him to escape from loving you.
01:07:06You loved me?
01:07:10From the first moment I saw you at the gate.
01:07:13A boy that was sent here to play.
01:07:16Till the last time we partied.
01:07:19Oh, how frightened I was that you would discover my secret.
01:07:24That I would suffer the same weakness as she had.
01:07:27Thank heaven we outlive our fears.
01:07:34Stella, you are lovelier today.
01:07:37Pip, please don't.
01:07:40I know what I am.
01:07:43I'm like this place.
01:07:46Wasted and broken.
01:07:49Nonsense.
01:07:50You are softened by time.
01:07:52No more.
01:07:52Pip, I have not lost my pride.
01:07:56I will not be pitied.
01:07:59Pity you?
01:07:59For God's sake, why should I?
01:08:01Why should anyone pity a woman who is so greatly loved?
01:08:10It is too late for us now.
01:08:13Let us part friends.
01:08:15No, Estella.
01:08:17Friends will quarrel.
01:08:19Friends will part.
01:08:20We're long past friendship.
01:08:45Come here, boy.
01:08:46You may kiss me if you like.
01:08:50You may kiss me if you like.
01:08:50You may kiss me if you like.
01:09:16You may kiss me if you like.
01:09:17I'm enough.
01:09:19I'm not this.
01:09:20Please.
01:09:20I'm not this.
01:09:21I'm not.
01:09:21I'm Wha...
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