- 3 months ago
- #belle
- #affairsoftheheart
- #enchantedapril
#belle #affairsoftheheart #enchantedapril
Pip has a terrifying encounter with an escaped convict and later the mysterious Miss Havisham summons Pip to Satis House, where he finds himself falling for her adopted daughter, Estella. Starring: Stratford Johns, Gerry Sundquist, Joan Hickson.
Pip has a terrifying encounter with an escaped convict and later the mysterious Miss Havisham summons Pip to Satis House, where he finds himself falling for her adopted daughter, Estella. Starring: Stratford Johns, Gerry Sundquist, Joan Hickson.
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Short filmTranscript
00:00To be continued
00:30My first and most vivid impression of the identity of things seems to me to have been
00:46gained on a memorable raw afternoon towards evening, when I was eight years old and on
00:52my way home from school.
01:00It was then that I found out for certain that the bleak, overgrown place about a mile from
01:18my home was the churchyard, and that my father, Philip Pirip, late of this parish, and also
01:26Georgiana, wife of the above, were dead and buried.
01:31And that Alexander, Bartholomew, Abraham, Tobias and Roger, their infant children, were also
01:39dead and buried.
01:41And the dark, flat wilderness beyond the churchyard was the marshes.
01:46And a small bundle of shivers, growing afraid of it all and beginning to cry, was Pip.
01:54Keeps to a little devil, I'll cut your throat.
02:02Give us your name, quick.
02:04Pip, sir.
02:06Once more, give it mouth.
02:08Pip, sir.
02:09Show us where you live.
02:09Point out the place.
02:10Where's your mother?
02:31There, sir.
02:34Where are you, young dogs?
02:36There, sir.
02:37There's my mother.
02:40Is that your father lying along with your mother?
02:45Yes, sir.
02:46I'm your brothers.
02:48Who do you live with?
02:49Sister, sir.
02:50Wife of the blacksmith.
02:55Blacksmith, eh.
02:59You know what a file is.
03:01And you know what whittles is.
03:03Food, sir.
03:03Yeah.
03:05You bring them both.
03:06Fire and whittles.
03:08Or I'll cut your heart and never out.
03:10Tomorrow morning, first thing.
03:12You bring them both to me.
03:14And never dare say a word to no one.
03:16And you shall be allowed to live.
03:19Fail.
03:20And your heart and your liver shall be tore out, roasted, and ate.
03:25I'm not alone, as you may think I am.
03:30There's a young man here along with me, and compared with which one young man, I am an angel.
03:36That young man hears the words I speak.
03:39That young man, a secret ways, peculiar to himself, of getting at a boy, and his heart and his liver.
03:49A boy may lock his door, may be comfortable in bed, may think he's warm and safe, but that young man will softly creep, and creep his way to him, and tear him open.
04:00Now, at the present moment, I am having great difficulty keeping that young man from harming you.
04:10I am finding it hard to stop him getting at your innards.
04:16I'll bring you a father, and food.
04:22Say, Lord, strike you dead if you don't.
04:26Lord, strike me dead if I don't.
04:29You remember what you've undertook, and you remember that young man.
04:35He looked as if he were eluding the hands of the dead, stretching up out of their graves to get a twist upon his ankle, and pull him in.
04:47MUSIC PLAYS
04:56CLARES
04:56CLARES
04:57CLARES
04:59CLARES
05:00CLARES
05:01CLARES
05:02CLARES
05:03CLARES
05:03CLARES
05:05CLARES
05:06CLARES
05:11She's been out a dozen times looking for you old chap, and what's worse, she's got a tickler with her.
05:17She sat down, and she got up, and she made a grab at Tickler,
05:21and she rampaged out.
05:23That's what she did, Pip. She rampaged out.
05:26Has she been gone long, Joe?
05:28She's been on the rampage this last spell, about five minutes.
05:39Where... have... you... been?
05:43I've only been to the church, George.
05:45If it weren't for me, you'd have been in the churchyard long ago
05:48and stayed there.
05:50Who was it brought you up by hand?
05:53You did.
05:54And why did I do it, I should like to know?
05:56I don't know.
05:57No more do I.
05:59I'd never do it again, I know that.
06:01I've never had this apron off since you were born.
06:04It's bad enough to be a blacksmith's wife, and him a gargery,
06:08without having to act as second mother to you.
06:15Churchyard, indeed.
06:18You'll drive me to the churchyard between you.
06:21Precious pair you'd be without me, too.
06:24All right.
06:25Here you go.
06:38For fish experience.
06:39I will have enough to know why.
06:43I'm afraid of you.
06:45I'm afraid, you know...
06:47HE SIGHS
07:08Another convict off?
07:10What does that mean, Jo?
07:12Escaped! Escaped!
07:14There was a convict off last night, Pep, and they fired warning of him.
07:19Now they find warning of another.
07:22Who's firing?
07:23Drop that boy! What a questioner he is!
07:26Ask no questions, you'll be told no lies.
07:29But where's the firing coming from?
07:32Lord Blassus, from the Hulks!
07:35What's Hulks?
07:37That's the way with this boy. Answering one question, he'll ask you a dozen.
07:42Hulks are prison ships.
07:45BOOM!
07:55Pip, old chap.
07:56You'll do yourself a mischief.
07:58What is it now?
08:00It'll stick somewhere. You can't just fuse it.
08:02What is it?
08:03I didn't cough in his draft and have it up, Pip.
08:06Manners is manners, but you're out, you're out.
08:09Now perhaps you'll tell me a staring great stuck pig?
08:13All that bread, gone in a thrash.
08:17Been bottling his food, has he?
08:19Right.
08:20It's a dose of tar water for you, young man.
08:27You and me is always friends, Pip.
08:29And I'd be the last to tell on you any time.
08:32But such an uncommon bolt as that, it's a wonder you ain't bolted dead.
08:40You come along and be dosed, boy.
08:42What's put into prison ships, Jo?
08:54Just come here.
08:56Didn't bring you up by hand to have you go badgering people's lives out.
09:00People are put in hulks because they murder and rob and forge and...
09:05And because they do all sorts of bad, convicts always start by asking questions.
09:16Now off with you. Get to bed.
09:22Since that Christmas Eve, which is far enough away now,
09:27I've often thought that few people know what secrecy there is in the young under terror.
09:32I was afraid to sleep, even if I had been inclined.
09:38For I knew that at the first faint dawn of Christmas morning, I must rob the pantry.
09:48I was in mortal terror of the man with the ironed leg.
09:52I was in mortal terror of his friend who wanted my heart and liver.
09:56I was in mortal terror of myself, from whom that awful promise had been extracted.
10:12But I was in mortal terror of my heart and my heart even took my soul to,
10:14the ironing of his friend's daughter.
10:15I will fall asleep to her.
10:18I was in mortal terror of Sarah's mother.
10:26I was unable to let her know how to crucify me.
10:28I did not want to do it now.
10:30You were in my mind, though.
10:32I was in mortal terror of my heart.
10:34I was in my heart.
10:35I was in mortal terror of my heart.
10:36I had no doubt and I was in a way.
10:38I had no doubt about it.
10:39PIANO PLAYS
11:09PIANO PLAYS
11:39PIANO PLAYS
12:09PIANO PLAYS
12:15PIANO mating
12:21PIANO PLAYS
12:23PIANO PLAYS
12:24PIANO PLAYS
12:28PIANO PLAYS
12:30Ma, she's a dreadful rheumatic.
12:33I'd best have my breakfast before they're the death of me, eh?
12:45You brought no one with you?
12:46Oh, no, sir.
12:48No.
12:55Won't you leave any food for him, sir?
12:58Him?
12:59The young man.
13:01The one who wants my liver.
13:07No, you won't want no whittles, sir.
13:10Thought he looked as if he did.
13:13Looked?
13:14Just now.
13:15Where?
13:17Yonder.
13:18I found him asleep.
13:20I thought it was you, but he has a scar on his face.
13:24Compassion.
13:26I'll blow down.
13:28I'll bring him down.
13:30The gentleman.
13:34I'll bring him down.
13:35I'll get him.
13:37Thank you, lad.
13:39Thank you, lad.
13:43Be grateful.
13:44Especially be grateful, boy, to them which brought you up by hand.
13:51Why is it the young are never grateful?
13:53Naturally wishes, that's why.
13:55True.
13:56True.
13:57Very true.
13:58I thought little of the sermon this morning.
14:01The subject for the day's homily was ill-chosen.
14:04I'll give you your head, Mr. Wopsle, and you'd read the clergyman into fits.
14:08It's not right.
14:09You're only clerk at the church.
14:10The church should be thrown out into competition.
14:12Plenty of subjects going about to choose from for sermons.
14:15You've hit it, sir.
14:16A man needn't go far to find a subject.
14:18Look at poor Cologne.
14:20Oh, there's a subject.
14:22Is he true?
14:23Many a moral for the young might be deduced from that text.
14:26You listen to this.
14:27Swine were the companions of the prodigal.
14:30The gluttony of the swine is put before us as an example to the young.
14:34What is detestable in a pig is more detestable in a boy.
14:37Oh, girl.
14:38Of course, or girl, Mr. Huffle, but there's no girl present.
14:40Think of what you've got to be grateful for.
14:42Now, if you've been born a squeaker...
14:43He was.
14:44If however a boy was...
14:46He was a world of trouble to you.
14:47I mean a four-footed squeaker, Mum.
14:49Now, if you've been born such, would you have been here now?
14:52Unless in that form.
14:53I don't mean in that form, sir.
14:57Oh, wait!
14:58Wait!
14:59Wait!
15:00Wait!
15:01Now, I have brought, as the compliments of the season,
15:07I have brought you, Mum, a bottle of sherry wine.
15:10And I have brought you, Mum, a bottle of port wine.
15:13Oh, Uncle Pumblechook, this is kind.
15:16Ah, no more than your merits, Mum.
15:18And now six men of the vapens, eh?
15:21All bobbies, are you?
15:22As I was saying, if you want a subject for a sermon, look at pork.
15:26Very plump and juicy, very rich.
15:28As I was saying, if this lad had been born a squeaker,
15:30would he have been here now?
15:32Would he have been enjoying himself with his elders and betters
15:34and improving himself with their conversation
15:36and rolling in the lap of luxury?
15:38You would have been disposed of for so many shillings
15:41according to the market price of the article.
15:43And Dunstable the butcher would have come up to you
15:45as you lay in your straw.
15:47And he would have whipped you under his left arm.
15:49And with his right hand he would have tucked off his apron
15:51to get out a penknife from out of his pocket.
15:54And he would have shed your blood and had your life.
15:57If they would only have left me alone.
16:00No bringing up my hand then. Not a bit of it.
16:03I might have been an unfortunate little bull in a Spanish arena
16:06I got so smartingly touched up by these moral goads.
16:14Remember all that?
16:15Big pardon.
16:16You must all taste to finish with
16:19the most delightful and delicious savoury pie.
16:23Oh!
16:24With the savoury pie, Mum would sit on top of anything and do no harm.
16:28Clean plates, Cole.
16:30You shall have some too, old chap.
16:32Have a little brandy, Uncle.
16:34Do!
16:35He-he-he.
16:36Er...
16:37Er...
16:38Er...
16:39He-he-he-he.
16:42He-he-he.
16:46He-he-he-he!
16:47He-he-he!
16:48He-he-he-he!
16:49He-he-he-he!
16:50Hey, Mr Pumplechamp!
16:51Out of his mind!
16:52That's no way for a corn charler to behave!
16:55My pie's gone!
16:57Gracious heavens!
17:00Uncle Pumplechook!
17:02Tar!
17:03Ooh!
17:04Tar water!
17:05Tar water?
17:06Er...
17:07Tar water?
17:08Whoever could tar water come, then?
17:12Why, you deceiving little imp, have you?
17:20Beg a new pardon, ladies and gentlemen.
17:22I'm on a chase in the name of the Queen.
17:24I, uh, need the blacksmith here.
17:26And pray what might you want with him!
17:28Mrs, speaking for myself,
17:29I should reply the honour and the pleasure
17:31of his fine wife's acquaintance.
17:33Speaking for the Queen, though,
17:34we, uh, need a little job done.
17:36Yes.
17:37The lot goes wrong.
17:39The...
17:40The couple don't act, pray.
17:41Convict?
17:42Sergeant?
17:43Aye, two of them.
17:44You'll mean lighten the forge fire?
17:45Then will you set about it at once, please?
17:47In Her Majesty's service, Mrs.
17:49How far might you call yourself from the marshes hereabouts?
18:08Not another mile, I reckon.
18:10Supposing they've left the marshes?
18:11Oh, sir.
18:12They're pretty well known to be out there.
18:13They won't try to get clear for dark.
18:15Now for you, frat, sir.
18:17I'll have them villains sooner than they count on.
18:19See, we've got them well trapped.
18:21There's men posted twix here and yon church.
18:23See, they don't double back.
18:24Your health, sir.
18:25Compliments of the season.
18:26Good stuff, eh, Sergeant?
18:27Aye, sir.
18:28And here's to a misprovide...
18:29As I watched them enjoying themselves so much,
18:31I thought what terrible good sauce for a dinner
18:33my fugitive friend on the marshes was.
18:35They were in such lively anticipation
18:37of the convicts being taken.
18:39I thought what terrible good sauce for dinner
18:42my fugitive friend on the marshes was.
18:44They were in such lively anticipation
18:46of the convicts being taken.
18:48Oh, fine work, blacksmith.
18:53Would you care for a glass of brandy now?
18:56Oh, give him wine, Mum.
18:57I'll engage there's no tar in that.
18:59Well, Mrs, I do prefer my drink without tar,
19:03but, er...
19:04Well, just now I'll drink Her Majesty's Health in beer,
19:06but I wish you all the compliments of the season.
19:08Fine to you.
19:09Hard bread, no.
19:10Top of mine to the foot of your hand.
19:12Merry Christmas, Mrs Hubbell.
19:13Your health, Mrs Gargery.
19:15Mrs Gargery.
19:16So, you are at the spring...
19:18Ring once, ring twice,
19:19the best tune on the musical glasses.
19:21Merry Christmas, Pip, old chap.
19:23Merry Christmas, Joe.
19:25What larks, eh?
19:27Gentlemen, who's to go on the hunt with the sergeant, eh?
19:31Will it be all right?
19:33I suppose so, but keep to the rear mind.
19:36Speak no word after we reach the marshes.
19:39Not I.
19:40It's cosy in here and I haven't had me pipe yet.
19:42A pipe and ladies' society, Mr Hubbell.
19:45Not forgetting the ladies, Mr Pumblechook.
19:47I'll go if you will.
19:52Well, Mum?
19:55Laura, mussy me, Mr Wopsle.
19:57Do as you please.
19:59Well, Mrs, I'll, er...
20:01take my leave and get the men fell in.
20:03Take him with you.
20:05And the boy.
20:06He's an offence for the company's eyesight.
20:08And don't bring him back here,
20:10grimed with dirt from head to foot.
20:12I think you're very foolish, very.
20:14Joe Gargery.
20:16If you bring that boy back
20:18with his head blown to bits by a musket,
20:20don't look to me to put it together again.
20:22Was there ever such a moon-calf as this?
20:27Eh...
20:29Eh.
20:30Eh.
20:49It's turned on the right.
20:51I don't know.
21:21I don't know.
21:51I hope we shan't find them, Joe.
21:57Pebble chap.
21:59I'd give a shelling if they'd cut and run.
22:21Compassion!
22:33Keep away.
22:40Keep away!
22:43Mother!
22:47Help!
22:48Halt!
22:49I can find you to the wild beasts!
23:05Carisondor!
23:07Carisondor!
23:09Carisondor!
23:09Carisondor!
23:11Carisondor!
23:20Carisondor!
23:23Take notice guard. He tried to murder me.
23:47Try to. Try and not do it.
23:55I took him and give him up.
23:58That's what I done. You mark that. I give him up to you.
24:01It'll do you small good being in the same plight yourself.
24:04He's a gentleman this villain. Look at him.
24:07He tried to murder me.
24:11When we move off keep close to him. Keep close. They're dangerous.
24:17I wish to say something concerning this escape.
24:24It may save some other people laying under suspicion along our mien.
24:29You can say what you like. You got no call to say there?
24:32He took some whittles from the village over yonder by where the church stands.
24:37Took? You mean stole?
24:40From the blacksmiths.
24:42Who?
24:43It was some broken whittles that's what it were.
24:46And a dram of liquor and a pie.
24:48Have you happened to miss such a hearticle?
24:50Has a pie blacksmith?
24:52My wife did.
24:53At the very moment when you came in.
24:56You're the blacksmith and I am sorry to say I eat your pie.
25:01God knows you're welcome to it.
25:03We don't know what you've done.
25:05But it wouldn't have you starved to death for it.
25:08What is Pip?
25:09Enough of this poorly.
25:11Single-handed.
25:12I got away from the prison ship made a dash and I done it.
25:16I'd have got clear of these flats too.
25:18Look at my leg you won't see much iron on it.
25:20Then I made discovery that he'd found the means I used in escape too.
25:27I should have met a dead man if you hadn't come up.
25:29He's insane.
25:30He's a liar.
25:31He was born a liar and a liar he'll die.
25:34Look at him.
25:35It's writ all over his face.
25:37Move on.
25:38I said . . .
25:41If I died down there, I would have held him in such a grip.
25:43You would have been safe to find him in my hold.
25:48Move on I said.
25:49Just once more my convict turned his eyes on me.
25:54He gave me a look I didn't understand.
25:59Move on I said.
26:00It passed in a moment.
26:03But if he had stared at me for an hour and for a day,
26:06I couldn't have remembered his face ever afterwards as having been more attentive.
26:16One night in the year following our hunt on the marshes I was kneeling in the forge with my slate
26:22expending great efforts on the production of a letter to Joe.
26:27Joe kept a journeyman at weekly wages whose name was Orlick.
26:31He had no liking for me, for he was confirmed in some suspicion
26:37that I should displace him when I became Joe's apprentice.
26:40Oh, I say, Pip, old chap, what a scholar you are, ain't you?
26:45How do you spell Gardery, Joe?
26:49I don't spell it at all.
26:52Didn't you ever get a score when you were little?
26:55I'm most awful dull, Pip.
26:59Mrs Joe's late home.
27:02Hope Uncle Pumblechook's mare ain't gone down.
27:16The devil makes up his fire out of little live boys like you.
27:21You'll burn very nicely.
27:23Very nicely.
27:26Consider yourself fuel boy.
27:28Why didn't you ever go to school, Joe?
27:41Well, Pip...
27:43My father, Pip,
27:47he were given to drink.
27:51Now, when he were overtook by it,
27:54he hammered away at my mother, most unmerciful.
27:59And he hammered at me, too.
28:01With a vigour only to be equaled by the vigour
28:04with which he didn't hammer at his anvil.
28:06Are you listening and understanding, Pip?
28:10Yes, Joe.
28:14Consequence,
28:15me and my mother ran away from my father several times.
28:21And then, my mother, she'd go out to work.
28:24And she'd say to me,
28:25Joe, she'd say,
28:27now please God, you should have some schooling.
28:29And she'd put me to school.
28:33Poor Joe.
28:36My father, though,
28:38he were that good in his heart,
28:39he couldn't have bare to be without us.
28:42So he'd come with a most tremendous crowd
28:44and make such a row at the doors of the houses
28:46where we was
28:47that they'd have no more to do with us.
28:50Then,
28:51he took us home
28:52and hammered us.
28:53Which, you see, Pip,
28:56were a drawback to my learning.
28:59What happened to your father, Joe?
29:02Went off in a purple leptic fit.
29:07And it were my intentions
29:08to have cut on his tombstone
29:10that what so may the failings on his part
29:14remember, reader,
29:16he were that good in his heart.
29:20It were my intentions
29:21to have that cut over him.
29:23But poetry costs money, Pip.
29:26Cut it how you will,
29:27large or small.
29:28And it were not done.
29:31Any money that could be spared
29:33were wanted for my mother.
29:38She weren't long a-followin' him, poor soul.
29:42And her fair share of peace
29:44came round at last.
29:45It were lonesome men living here.
30:08But then I got acquainted with your sister, Pip.
30:11A fine figure of a woman.
30:14Is she, Joe?
30:15Oh,
30:16a little redness
30:17or a little matter of bone
30:18here and there.
30:20Not a fine figure, Pip.
30:23As for yourself,
30:25I never saw anything
30:26so small and flabby and mean.
30:28ever the best of friends,
30:32ain't it, Pip?
30:32Such larks, Joe.
30:35They're coming.
30:46When you take me an hand
30:48in my learning, Pip,
30:49Mrs. Joe mustn't know too much
30:51of what we're up to.
30:52It must be done on the sly.
30:55And why on the sly?
30:56I'll tell you why.
30:58Your sister, Pip,
30:59is given to government.
31:01Government, Joe?
31:02Government of you and me.
31:04And she ain't over-partial
31:06to my being a scholar
31:07for fear as I might rise.
31:12This I want to say
31:13to you very serious,
31:14old chap.
31:16I see so much
31:17in my poor mother
31:18of a woman slaving
31:20and drudging
31:21and breaking her heart
31:22and never getting no peace
31:23in her mortal days
31:24that I'm dead afeard
31:26in going wrong
31:27and not doing what's right
31:28by a woman.
31:30I'd far rather of the two
31:31go wrong t'other way
31:33and be a little
31:33inconvenienced myself.
31:37But I wish it were only me
31:39that God put out, Pip.
31:41I wish there weren't
31:42no tickler for you,
31:43old chap.
31:45I wish I could take it
31:46all upon myself.
31:48But this is the up
31:50and down
31:51and the straight
31:51on it, Pip.
31:52And I hope you'll
31:53overlook shortcomings.
31:55They were the best
31:56of friends, Joe.
31:59If that boy ain't grateful
32:00this night,
32:01he never will be.
32:03It's only to be hoped
32:04he won't be tempered,
32:05but I have my fears.
32:06Ah, she ain't in that line,
32:07Mum.
32:08She knows better.
32:11Well, what are you
32:12staring at?
32:13She?
32:14She is a she,
32:15I suppose.
32:16Unless you call
32:17Miss Havisham,
32:19are he?
32:20Miss Havisham uptown?
32:22Is there a Miss Havisham
32:24downtown?
32:25She wants this boy
32:26to go and play there
32:28and he'll do it
32:29or I'll work him.
32:31This boy's fortune
32:32may be made
32:33by his going
32:33to Miss Havisham.
32:35I had heard
32:36of Miss Havisham.
32:38Everybody for miles
32:39around had heard
32:40of Miss Havisham.
32:41An immensely rich
32:43grim lady
32:44who led a life
32:45of seclusion.
32:50Let your behaviour
32:51here be a credit
32:52to them
32:52which brought you
32:53up by hand.
33:06What name?
33:07Uh, Pumblechook.
33:09Quite right.
33:10Uh, this is Pip.
33:27This is Pip, is it?
33:28Mm-hmm.
33:29Come in, Pip.
33:45That way, boy.
33:47Did you wish to see
33:48Miss Havisham?
33:50Well, if Miss Havisham
33:51wished to see me.
33:53Ah, but you'll see
33:53she doesn't.
33:54Don't light her, boy.
34:04Come this way, boy.
34:26Come this way, boy.
34:26Come this way, boy.
34:29Don't light her, boy.
34:39Don't light her, boy.
34:55call this way, boy.
34:57Go in? After you, miss.
34:59Don't be ridiculous, boy. I'm not going in.
35:20Enter.
35:27Who is it?
35:31Pip, Mum.
35:38Pip?
35:40Mr Pumplechuck's by, Mum. Come to play.
35:44Come nearer. Let me look at you.
35:48Come close.
35:57Look at me.
36:10You are not afraid of a woman who has never seen the sun since you were born.
36:18Do you know what I touch here?
36:24Yes, Mum. Your heart.
36:26Broken!
36:31I'm tired.
36:33I've done with men and women.
36:36I want diversion.
36:40I have a fancy to see you play.
36:47Well, play, play.
36:50Are you sullen and obstinate?
36:57Very sorry. I can't play, Mum.
37:03Call Estella.
37:05If you complain of me, Mum, I should get into trouble with my sister.
37:08Call Estella.
37:10You can do that, can't you, at the door.
37:39Estella?
37:40Estella?
37:42Estella?
37:44Estella?
37:46So new to him, so old to me.
37:50So strange to him, so familiar to me.
37:55So melancholy to both of us.
38:08Let me see you play cards with this boy.
38:22With this boy?
38:23Why, he's a common labouring boy.
38:28You can break his heart.
38:34What do you play, boy?
38:35Nothing but beg of my neighbour, miss.
38:38Beg of him.
38:42Your own one day, my dear, and you will use it well.
38:48Fetch the cards.
39:05Fetch the cards.
39:28I've got one already.
39:30Yes, miss?
39:31he calls knaves jacks this boy
39:34what coarse hands he has
39:37thick boots
39:39you're nothing but a stupid
39:41clumsy laboring boy
39:43she says many hard things of you
39:49you say nothing of her
39:52what do you think of her
39:55I don't like to say
39:57come
39:59tell me in my ear
40:01I think she's very proud
40:10anything else
40:14I think she's very pretty
40:17anything else
40:22I think she's very insulting
40:24I think I should like to go home now please mum
40:27well
40:28when will you come again
40:32let me think
40:33today is Wednesday
40:34I know nothing of the days of the week
40:37or the weeks of the year
40:38come again in six days time
40:43yes mum
40:44take him down Estella
40:46give him something to eat
40:49come along boy
40:55wait there
41:18bigger him
41:26bigger him
41:27bigger him
41:28eat
41:39I'm not hungry
41:41then why don't you cry boy
41:45because I don't want to
41:47yes you do
41:48you're near crying now
41:50pretty well
41:58pretty well
41:59pretty well's no answer
42:00tell us what do you mean by pretty well boy
42:04you mean pretty well
42:05leave the lad to me mum
42:18no boy
42:19how did you get on uptown
42:21did he say nothing coming home
42:24what like is miss Havisham
42:25very tall and dark
42:27better boy better
42:28we're beginning to hold our own
42:30I think mum
42:30you know so well how to deal with him uncle
42:33no boy
42:34what was she a doing of when you went in
42:36she was sitting in a black velvet coach
42:41a black velvet
42:42black velvet
42:43black velvet coach
42:44and miss Estella handed her in cake and wine
42:46up the coach window
42:47on a gold plate
42:49and I got up behind
42:50to eat mine
42:50because she told me to
42:52was anybody else there
42:53four dogs
42:54four
42:55large or small
42:57if you can't express your opinion better than that
42:59you better go and do some work
43:01huge
43:02and I thought for
43:03a little cat that's had a silver basket
43:05where was this coach in the name of gracious
43:09in the dining room
43:10but there weren't any horses to it
43:12can this be possible uncle
43:14what can the boy mean
43:16I tell you mum
43:18my opinion is
43:19it's a sedan chair
43:21she's flighty you know
43:22very flighty
43:23have you seen her any
43:24how could I
43:25when I never clapped eyes on her
43:26you spoken to her though
43:28when I been there
43:28I been took up to outside her door
43:30and the door's been ajar
43:31and she spoke to me that way
43:32what did you play at boy
43:34with flags
43:35flags
43:37Estella waved a blue one
43:38and I waved a red one
43:40Miss Everson waved one
43:41sprinkled all over
43:42the little gold stars
43:43then we all waved our swords
43:45and shouted hurrah
43:46swords
43:48where on earth
43:48did you get swords from
43:50out of the cupboard
43:51and I saw pistols in it too
43:53and jam
43:54and pills
43:55there was no daylight in the room
43:56but it was all lighted up
43:57with candles
43:58that's true mum
43:59that's the state of the case
44:01that much I've seen myself
44:02so
44:14remember all that about Miss Everson's
44:30remember
44:32wonderful it were
44:34wasn't true
44:36don't mean to say it were all
44:39lies
44:40all of it
44:42no Blackwell would coach
44:45at least there was dogs
44:48Pip
44:48if there weren't no wheel cutlers
44:50at least there was dogs
44:51a dog
44:54a puppy
44:56no Joe
44:58I say Pip
45:00old chap
45:01this won't do
45:02where do you expect
45:04to go to
45:04it's terrible Joe
45:06isn't it
45:06terrible
45:07awful
45:08what possessed you
45:11what possessed you Pip
45:15I wish you hadn't taught me
45:17to call names
45:18Jax
45:19I wish I wasn't common
45:21Joe
45:22look here Pip
45:27if you can't get to be uncommon
45:30through going straight
45:31you ain't never gonna get to it
45:32through being crooked
45:33don't you tell no more lies
45:37Pip
45:37that ain't the way to get out
45:39to being common
45:40old chap
45:40don't never do it no more
45:43and live well
45:44and die happy
45:46yes Joe
45:48you'll get your sister
45:49on the rampage
45:50and when she's on the rampage
45:52Pip
45:53she's a buster
45:54didn't even know
45:58ER
46:03there used to be
46:08nic
46:10no
46:17the
46:17the
46:21well well miss am i pretty yes am i insulting not so much as last time
46:41now you coarse little monster what do you think of me now shan't tell you because you're going
46:51to tell miss haversham i suppose no why don't you cry you little wretch i'll never cry for you again
47:21so the days have worn away have they yes mom are you willing to play i don't think i am mom
47:35if you're unwilling to play are you willing to work yes mom then go into that room opposite
47:43wait until i come
48:13now walk me come come walk me
48:31this is where i shall be laid when i am dead they shall come and look at me here
48:42on this day of the year long before you were born this great heap of decay was brought here
48:52it and i have worn away together
48:59the mice have gnawed at it and sharper teeth have gnawed at me
49:07when the ruin is complete and they lay me dead on the bridal table in my bride's dress which shall be done
49:17which shall be done which will be the finished curse upon him
49:24so much the better
49:33do you know what that is that great heap of cobwebs there
49:37i can't guess mom
49:39it's a great cake
49:41a bride cake
49:44mine
49:48come walk me walk me
49:50over the next three years
50:08i entered on a regular occupation of walking miss havisham round her dining room
50:13over and over we would make these journeys
50:16and sometimes they would last for hours at a stretch
50:19enough
50:36they may come up
50:37well fetch them girl fetch them
50:39today is my birthday pip
50:51many happy i don't suffer it to be spoken of
50:55i don't even suffer those waiting in the hall to speak of it
51:00well
51:01now
51:02well i'm sure
51:03what nexy idea
51:16these toadies and humbugs were miss havisham's relations
51:19come to pay their annual call
51:34how well you look miss havisham
51:37i do not
51:39i am yellow skin and bone
51:41poor soul
51:42how could you be expected to look well
51:45the idea
51:47and how are you
51:49oh thank you
51:50i am as well as can be expected
51:53why
51:54what's the matter with you
51:55oh nothing worth mentioning
51:56i don't want to make a display of my feelings but
51:59i have thought of you rather more in the night than i am quite equal to
52:05then don't think of me
52:07oh
52:09raymond is a witness what ginger and salvo latterly i had to take in the night
52:13he is a witness what nervous jerkings i have in my legs
52:17camilla my dear it is well known that your family feelings are undermining you
52:22to the extent of making one of your legs shorter than the other
52:26it is a weakness to be so affectionate but i can't help it
52:31and there's matthew never coming to see how miss havisham is
52:36i've had chokings and nervous jerkings for hours on end
52:40on account of matthew's strange and inexplicable conduct
52:43matthew will come at the last when i am laid on that table
52:48that will be his place there of the head
52:51yours will be there
52:53your husband's will be there
52:56and sarah pocket's there
52:58now go go
53:00now they all know where to take their stations when they come to feast upon me
53:19should i go too miss havisham
53:23come again as usual pip
53:30you
53:31you
53:32you
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