02:00And the award is getting bigger and bigger.
02:02So all the very best idea.
03:48I am the majority of the story.
03:49My wife, Nancy Joshi Roy, is making a show that has adapted a Marathi Super Hits, and
03:56his story is a story of a gender-wide Indian middle-class family.
04:00Because our middle class struggles are all the same for us though, the same it was the
04:03which was 50 years ago,
04:05they are still the same struggles.
04:06And as soon as those struggles are still the same,
04:09the stories will not change.
04:10So I think this is a very vicious circle,
04:13because we can only show what's going on in society.
04:16Otherwise it will become a manganan story.
04:18So if you want to make these stories,
04:21whether it's regional Kannad, Malayalam, Bengali,
04:25Bhospuri, Hindi, Marathi, any language,
04:27if it's been a remake,
04:29then you have to put a little bit
04:31in which place it is placed in the place.
04:34And I think there's nothing wrong with it.
04:36I think stories work.
04:39Language doesn't matter because art has no boundaries.
04:57Don't ask me this question.
04:59If you've spoken about all the stories,
05:01like, you're going to chat.
05:05I think there will be a lot of questions,
05:08because I will react to you.
05:11But where the presence is,
05:13whether the screen presence is present or doesn't,
05:15I can't give you one advice to young actors,
05:18that a show hit will not be heard of you.
05:22Of course you're hit.
05:23You're a superstar.
05:25But when you're a show closed,
05:26If you have a show closed, people will forget to forget to create yourself.
05:32Your voice, your capacity, your movement, your movement, it comes from inside.
05:37It doesn't come from a show.
05:40So wherever you are talking about presence, you have some actors and others don't.
05:44But if you have any comment about it, it will be wrong.
05:47I hope you understand and appreciate that.
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