- hace 2 días
Reparto: Edwige Fenech, Vittorio Caprioli, Stefania Careddu, Jürgen Drews, Paolo Turco, Antonia Brancati, Carlo De Mejo, Mario Carotenuto, Francesca Benedetti, Peter Berling, Don Backy, Vittorio De Sica
Dirección: Aldo Grimaldi
Sinopsis: Cuenta las aventuras de tres jóvenes que buscan diversión en la Toscana del siglo XIX, una época en la que las leyes contra el adulterio eran muy severas pero la picardía popular era protagonista.
Dirección: Aldo Grimaldi
Sinopsis: Cuenta las aventuras de tres jóvenes que buscan diversión en la Toscana del siglo XIX, una época en la que las leyes contra el adulterio eran muy severas pero la picardía popular era protagonista.
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DiversiónTranscripción
00:00:11La La La La
00:00:52I'll be back before nightfall, Marta. Take care of my wife.
00:00:54Don't worry, sir. Madonna Julia, as always, will receive the best care from me.
00:01:00I couldn't care less about your care. What you need to do is keep an eye on her and tell me if anything happens.
00:01:06A handsome man has appeared in my absence.
00:01:08Lord, what gallants! When you go to Florence on your business, Madonna Julia never even peeks out the door.
00:01:14She doesn't even appear on the balcony. Madonna Julia is above suspicion.
00:01:19Above, yes, but what I suspect is coming from below.
00:01:23On top? Underneath? Is it possible that every time you leave the house you give me the same old spiel?
00:01:28Because I'm terribly jealous. I'd kill her if she cheated on me.
00:01:32Oh, get that out of your head, sir. Madonna Julia loves you, respects you, and would never deceive you.
00:01:39Yes, yes, maybe. But you keep an eye on things, keep an eye on things, and then tell me everything.
00:01:45I'll tell you everything in detail, sir.
00:01:47You know, whoever calls, don't open the door. Don't let anyone in, not even women, who might be pimps.
00:02:08I plan to return to Prato tonight.
00:02:11You, go sit down as usual on the gate of my house.
00:02:15And don't let anyone in for any reason.
00:02:18What if I have a need?
00:02:21You do it on top of it.
00:02:24Keep watch, keep watch, and then tell me who comes in, who knows, and who hangs around these parts.
00:02:30Go about your business in peace, master.
00:02:32Even if I do everything on myself, nobody will come through that door.
00:02:54So, what is it?
00:03:20There is no.
00:03:21We have the weather in Chachars.
00:03:24I'll prove it to you as soon as you lie down in bed.
00:03:26Lie down and look at the rocks!
00:03:27Well!
00:03:50Oh man, call the milk.
00:03:52Did I get a flat tire?
00:03:55I'll have to go back home.
00:04:02You're killing me, you're driving me crazy.
00:04:06Today I'll break you, I'll break everything.
00:04:09Yes, yes, destroy me, my love.
00:04:10Destroy me and call me a whore.
00:04:13Whore, whore!
00:04:14Tell me what!
00:04:16You fucking whore!
00:04:17That!
00:04:18And tell me you'll pay me!
00:04:20Hey, you're kidding about that, right?
00:04:22You're a whore, but a free one.
00:04:27What has happened to you, my master?
00:04:29What happened to me?
00:04:30This horse that has lost a horseshoe along the way.
00:04:33Take it to the blacksmith right now.
00:04:34And as soon as it's ready, come and call me right away.
00:04:36Understood?
00:04:37Understood. I'll be right back.
00:04:39Is everything alright at home?
00:04:41Like in a cemetery.
00:04:43To get in, they would have had to step over my dead body.
00:04:45Okay, you're dumb, but useful.
00:04:46If they haven't gone through you, they haven't been able to get to my wife.
00:04:49There are more horns in Prato than wax in a church.
00:04:52And I am one of the few who can walk with their head held high.
00:04:58Bernarda.
00:05:01What do you want?
00:05:02What do you want?
00:05:03Don Romildo has returned and now he's going to surprise you.
00:05:05Poor Madonna Julia.
00:05:07Don Romildo has suddenly returned and is going to surprise Madonna Julia.
00:05:09My God.
00:05:10He'll be a bastard.
00:05:11He pretended to leave to deceive the poor girl.
00:05:14So that you can trust husbands.
00:05:16He probably said he would return, we don't know when.
00:05:18Madonna Julia naively wanted it.
00:05:20And she hasn't had time to hide her lover under the bed.
00:05:23That's it, that's it.
00:05:24Or he has to find out.
00:05:26Traynora.
00:05:27Calvurnia.
00:05:28Messalina.
00:05:29Oh!
00:05:30There's going to be shouting.
00:05:31Which is better?
00:05:32He is caught red-handed.
00:05:34Of course.
00:05:35First you say you're leaving, and then you don't.
00:05:37I'll have to kiss my horse's horseshoe.
00:05:39Bitch.
00:05:40Unfortunate woman.
00:05:41Bitch!
00:05:41Be careful what you say.
00:05:42I am a true lady.
00:05:44Oh yeah?
00:05:44And who is this?
00:05:46Who is this man?
00:05:47Tell me who it is.
00:05:48If you stop shouting, I'll introduce you to him.
00:05:49I don't want to meet him!
00:05:51Run away!
00:06:21Lalala!
00:06:26Lalala!
00:06:41Lalala!
00:06:43Lalala!
00:06:44La, la, la, la, la...
00:07:16La, la, la, la, la, la...
00:07:48Hey! Ci give a fine passaggio to Signa?
00:07:51Io a Prato!
00:07:54Ci portereste a Signa?
00:07:55I'm coming to Signa, I'm going to Prato!
00:07:59Abbiamo fatto buca.
00:08:02Beh, we try to see the road by signa è quella.
00:08:06Hey, do we go to quest'altra?
00:08:09Hey!
00:08:10Stop! Stop!
00:08:12Questa!
00:08:13Non si volete a Signa?
00:08:15A Signa? Io a Prato.
00:08:17Voi togliere tutti a Prato?
00:08:18Of course, a giudice is going to be held in a square for adultery.
00:08:21Oh, really?
00:08:22A wealthy merchant
00:08:24He found his beautiful wife in bed
00:08:26While he was messing with his lover!
00:08:29Good aunt, opportunistic.
00:08:31What do you think, shall we go to trial?
00:08:32Of course.
00:08:33It's worth going.
00:08:34Look, my car, you won't regret it.
00:08:37I came all the way from Adesso just to see that whore burn.
00:08:40Let's vote!
00:08:42Come on, prato, ni chachos!
00:08:44Surprise!
00:08:45Yes! Yes!
00:08:47Let's go!
00:08:49In the region of Tuscany, the laws mandate that women be burned alive.
00:08:53that she be found by her husband in flagrant adultery with her lover.
00:08:58Without making any kind of distinction.
00:09:00Whether it's for love, money, or any other kind of merchandise.
00:09:05Do they know the laws well?
00:09:07No, it's only for the sane.
00:09:08And thanks to my wife?
00:09:09He didn't put them on me, not someone else.
00:09:11Did you report her?
00:09:12Damn, of course.
00:09:13And they condemned her to be burned.
00:09:15And did the poor thing die at the stake?
00:09:17Poor thing!
00:09:18She escaped with the jailer, the son of a bitch.
00:09:21Thank goodness it was him.
00:09:22They covered it up!
00:09:25I'm going to Maña with the Madonnas.
00:09:28He put the neck, placed on my cane.
00:09:32I have it stiff and I sang it more.
00:09:35I'm going to Maña with the Madonnas.
00:09:45I told Madonna not to appear in court.
00:09:48But she's so brazen that I have her right there.
00:09:49That's a good way to introduce yourself.
00:09:51If they found her in the street, they burned her without trial.
00:09:55No.
00:09:56If she denies it, the mayor cannot condemn her.
00:10:00Hey, look how beautiful she is.
00:10:02Who?
00:10:04That thing over there?
00:10:05Francisca, let's go.
00:10:06This is not the right place for a girl.
00:10:08Father, there is nothing wrong with me staying.
00:10:10Friar Mariachi has brought his niece.
00:10:11Yeah.
00:10:12And where are they? I can't see them.
00:10:13Over there.
00:10:14Look, guys.
00:10:15He's noticed me.
00:10:17He points at me while talking to the man who is frightened.
00:10:19It's not pointing at you, but at someone there.
00:10:22How beautiful and sweet.
00:10:24Who will that celestial creature be?
00:10:26Her name is Lucia.
00:10:27And she's the priest's daughter.
00:10:28But priests can't get married.
00:10:30Getting married, no, but having children, yes.
00:10:32Is it enough to call him nephew?
00:10:35I have brought you with me so that on your wedding day you do not commit a crime that the church condemns.
00:10:41with eternal fire and the law punishes with normal fire.
00:10:46The mayor!
00:11:08Public trial of the city of Prato against Madonna Giulia Barone.
00:11:13Accused by her husband, Don Romildo, of flagrant adultery, having been caught under their own roof and on their own bed,
00:11:23conscious and closely coupled with the noble Marcucho de Lujani.
00:11:30Accused!
00:11:32Accused!
00:11:32Relax, stay comfortable for now.
00:11:34Is this you in person, Madonna Giulia Barone?
00:11:37Don't you know me, Mr. Mayor?
00:11:40Yes, I have that privilege.
00:11:42But the law requires that he confirm it.
00:11:45I am in person.
00:11:47Is it you, Marcucho de Lujani?
00:11:49Yes, it's me.
00:11:51And who are you?
00:11:53Your servant, Mr. Chesco.
00:11:55I am not taking a census of my servers.
00:11:58Tell me your first and last name.
00:12:00Romildo Barone, excellence.
00:12:02Don Romildo Barone, if you wish, you still have time to withdraw the complaint and return home with your
00:12:09women.
00:12:09Never, never!
00:12:10That woman has betrayed me and I demand justice according to the law.
00:12:13And justice will be done.
00:12:17Marcucho de Lujani, the law does not provide any penalty against you.
00:12:22So, you can tell the truth.
00:12:25Are you a lover of Madonna Giulia and have you slept with her?
00:12:29I am not Madonna Giulia's lover and therefore I have not slept with her.
00:12:35However, many witnesses saw you leaving Madonna's window wearing only your underwear.
00:12:40They may have seen me leaving, but not lying down.
00:12:42I saw it myself, I saw it myself, Your Excellency.
00:12:46Unicus testis testiculus est, un collone, as the Latins said.
00:12:52Your word is worth as much as your wife's.
00:12:55Of course, and she will surely plead innocent now.
00:12:58So, you'll be left with the woman you didn't want and the horns you wanted.
00:13:05Madonna, at this point the process is practically finished, since it depends on your response which we take for granted.
00:13:13Are you innocent or guilty?
00:13:16I am not guilty, but I am not innocent either.
00:13:21Madonna, there is an obvious contradiction in what you say.
00:13:24If you are not guilty, you are innocent, or vice versa.
00:13:28There is no contradiction.
00:13:30To you I am guilty, to me I am innocent.
00:13:33It's true.
00:13:34My husband found me in the arms of a man I love, and for whom I am also...
00:13:38beloved.
00:13:39But I understand that laws must be made in accordance with those they affect.
00:13:44And this law has been made only for you men, who go to water the garden of the
00:13:48neighbor
00:13:48And you let your wife's garden dry up, which, unlike yours, is capable of watering and being
00:13:53watered by several hoses at once.
00:13:55Long live Madonna, Julia!
00:13:57Viva!
00:13:57Long live the superhero!
00:14:00Long live the superhero!
00:14:01There are no rights without duties, nor duties without rights.
00:14:05If there is an adulteress, let there be an adulterer; the stake for both of them.
00:14:08Long live the superhero!
00:14:11Long live the superhero!
00:14:12This aunt is a revolutionary.
00:14:14But he knows what he's talking about.
00:14:16And he's got a pair of balls.
00:14:18That was all that was missing.
00:14:19Mr. Mayor, if you wish to be my executioner to the detriment of my body and your soul, then be so.
00:14:26But before you condemn me, I beg you to ask my husband how many times he has desired it,
00:14:31Without ever saying no, I have given him my whole person and my whole body.
00:14:36Whenever and as many times as you wanted, without ever saying no.
00:14:40Has Madonna granted you her whole person and her entire body?
00:14:44Whenever I wanted, everything and all.
00:14:46But you could never do it more than once, and only very rarely.
00:14:49That's slander.
00:14:50Once I'm in the game, there's no stopping me.
00:14:52If you never try, and when you do, it's a huge effort, and I'm always left with the honey.
00:14:55on the lips.
00:14:56And now I ask you, if he has always been content with a small part, what am I to do, sir?
00:15:02with what I have left over?
00:15:04Do you have anything to spare?
00:15:05I don't know.
00:15:07You tell me.
00:15:19Yes, sir, yes, we have plenty.
00:15:22Tell me then, should I throw this love-craving body to the dogs?
00:15:26Wouldn't it be better to give it to a kind man who loves me instead of letting it get lost and be
00:15:30Wrinkle?
00:15:30Why should it be arrogated?
00:15:32A work of art is not thrown to the dogs.
00:15:35I want to see clearly.
00:15:37I want to see this matter more clearly.
00:15:39Let the accused get dressed again and return to her home, where we will conduct the truth test tonight.
00:15:45The process is completed.
00:15:47Let's go, quickly.
00:15:48My blood is rushing to my head.
00:15:51I need to take a foot bath.
00:15:53Have you seen how prostitutes end up?
00:15:56She has not yet been convicted.
00:15:57Will she be convicted?
00:15:58A woman should have only one man, her own husband.
00:16:01You must love him, honor him, and respect him, do you understand?
00:16:04Understood, but with you driving away all suitors, I won't have a single one.
00:16:08I will find you a husband, and a good one at that, as long as you avoid temptations and obey me without question in everything.
00:16:14I'll do everything you tell me, man, but find me soon.
00:16:17Do you think he'll escape?
00:16:20With all this confusion, she slipped away from me; I lost sight of her.
00:16:23Me too, but Prato is small, we'll find it.
00:16:25When? If we have to go to Ciña.
00:16:27So that?
00:16:28What are we going to look for there?
00:16:29We'll stay here, where the ladies are so charitable that...
00:16:32To prevent their belongings from getting wrinkled, they give them to the first person who needs them.
00:16:35It's true.
00:16:36I hadn't thought about it.
00:16:37Yes, but my aunt would have hosted us.
00:16:39And who will my uncle host us with?
00:16:40You have an uncle in this paradise.
00:16:43A brother of my mother who has been looking after our interests since my father died.
00:16:47He has a beautiful wife and an ugly daughter.
00:16:49And what's he like?
00:16:50I don't remember him; I haven't seen him for many years.
00:16:53I don't care about her appearance, what's her character like?
00:16:56As stingy as he is rich.
00:16:57Then he won't host us.
00:16:59Yes, yes, it will welcome us.
00:17:01Reluctantly, but he will do it.
00:17:03He still owes my mother two thousand florins from last year's rent.
00:17:16Is this the house of Quintus Fulvius?
00:17:18Who's asking for him?
00:17:19His nephew, Roberto.
00:17:21Roberto!
00:17:22My cousin!
00:17:23Madonna Peronela!
00:17:24Madonna Peronela!
00:17:25What are you doing?
00:17:26Do you want your father to kill me?
00:17:27Why, Berta?
00:17:29Why?
00:17:30You open the door when you shouldn't.
00:17:31You hug and kiss and press yourselves against the first person who arrives.
00:17:35But, silly girl, yes, he is my cousin Roberto.
00:17:37What are you saying?
00:17:38Yes, I recognized him right away, although he has become a very handsome man.
00:17:43I don't think your cousin is this type of person.
00:17:47Tassio.
00:17:48I am Tassio.
00:17:49I knew it.
00:17:50I am Guisipo.
00:17:51And I'm your cousin Roberto.
00:17:58It's a little crazy, but simple and good.
00:18:02How good?
00:18:02Excellent.
00:18:03And she's become beautiful and gorgeous.
00:18:05Clear.
00:18:05The last time you came with your mother I was ten years old.
00:18:08A girl becomes a woman in a short time.
00:18:11But close the door and follow me.
00:18:13I'll let your uncle know.
00:18:15He hugged me.
00:18:17He hugged me.
00:18:18Why did he mistake you for me?
00:18:19Well, that's fine by me.
00:18:20I hope I always confuse everything.
00:18:22Even his room with mine.
00:18:24Calm down, calm down.
00:18:24Don't run.
00:18:26Are you jealous because of the family connection?
00:18:28No way, but first let's see if my uncle will host us.
00:18:30Exactly, because having that beauty here I'm afraid she'll kick us out.
00:18:33No, he can't do that.
00:18:34I've fallen in love.
00:18:36You'll convince her to let us stay, right Roberto?
00:18:38I'm waiting for it for you and for me.
00:18:40That woman from the trial is driving me crazy.
00:18:42Like the priest's niece did to me.
00:18:43I always have it in front of me.
00:18:48Come in, gentlemen.
00:18:49My master awaits you.
00:18:51Please.
00:18:53Oh, my dear nephew, come into my arms.
00:19:01Come into my arms.
00:19:04I'm glad to see you, Uncle Quinto.
00:19:06Glad to hear it.
00:19:07Your sister and my mother greets you with affection.
00:19:11My dear Gilla, how are you?
00:19:13How are you doing?
00:19:14Good health, thank you.
00:19:15These are my friends.
00:19:17Tassio and Guisipo.
00:19:18Lady.
00:19:18Good, good, good.
00:19:21So, in a cheerful group, you go through the world without worries.
00:19:25One day here, the next there.
00:19:27No no.
00:19:27But we'll be staying here much longer.
00:19:30Oh, really?
00:19:32You don't stay in Prato.
00:19:35At your house, dude.
00:19:36Otherwise, it would be a great insult to you.
00:19:38Ah, of course.
00:19:39That would be disrespectful to me.
00:19:40I believe it.
00:19:41But unfortunately, I can't accommodate you here, can I?
00:19:44Because the barn is overflowing with grains, with cereals.
00:19:48This year's harvest has been very good.
00:19:50Don't worry about that, man.
00:19:52We'll go to the inn, and that way my mother will be happy too.
00:19:57Happy?
00:19:57Why happy?
00:19:59Your sister asked me before I left not to cause you any inconvenience.
00:20:03And that he pay for my lodging with part of the two thousand florins that you owe him and that you me
00:20:08you would give.
00:20:10Of course I owe them.
00:20:12Oh, and I'm sure I would have given them to you.
00:20:14Had they not invested them for a greater profit.
00:20:18In your own interest, naturally.
00:20:21But don't worry, nephew.
00:20:22I've had a great idea.
00:20:24I have a beautiful room for you and two for your friends.
00:20:26You will stay here until I can give you a few florins.
00:20:31Two thousand, dude.
00:20:32Two thousand.
00:20:34Two thousand.
00:20:36Well, whoever they are.
00:20:37Meanwhile, and from this moment on, you shouldn't think about anything.
00:20:40You eat, drink, sleep and have fun with your friends.
00:20:44Yeah.
00:20:45Ah, youth that causes sorrow.
00:20:48As soon as everything happens, it all loosens up.
00:20:50You know what?
00:20:51At your age I had a great time and I didn't have a penny.
00:20:55But back then it was a big leaf.
00:20:56You haven't changed much.
00:20:58Okay, okay.
00:21:00You are a perceptive young man.
00:21:01Come in, my nephew.
00:21:03Come in, man.
00:21:05And you come in too, come in.
00:21:08Welcome to my house.
00:21:10Well, I'm in a fine mess, that's all I needed...
00:21:14Gisa.
00:21:16Come here, come.
00:21:19You'll see what a pleasant surprise it is.
00:21:26Look, Gisa, don't you recognize our nephew, Ruberto?
00:21:30Yes of course.
00:21:31Yes, I would say so.
00:21:33Dear nephew.
00:21:35But woman, who are you hugging and who are you kissing?
00:21:38This is our nephew.
00:21:39These are his friends.
00:21:41Oh, Ruberto!
00:21:43Dear Ruberto.
00:21:44Okay, fine.
00:21:46My daughter, go on.
00:21:48You must kiss your cousin.
00:21:50Do you give me permission to...?
00:21:52For the cousin and license, but don't go overboard.
00:21:56My friends, Tassio and Guisipo.
00:21:59Sirs.
00:22:00Madonnas.
00:22:01Too many Madonnas for these scoundrels.
00:22:11Come on, ladies, don't waste time.
00:22:13Go back to your tasks.
00:22:15These youngsters will be with us for a while.
00:22:18And so they don't get lost around here,
00:22:20I want to show you the whole house.
00:22:23Understood?
00:22:24Come on, my children, come with me.
00:22:26Come, come, come.
00:22:35Oh, oh, how handsome he is, Mom.
00:22:38Yes, Ruberto has grown into a handsome young man.
00:22:40No, I'm not talking about my cousin,
00:22:42but from his friend.
00:22:44Yes, yes, handsome and shy.
00:22:45As I hugged him, he stiffened.
00:22:47No, not that one.
00:22:49The other one, Tassio.
00:22:50Oh yes, he's also quite handsome.
00:22:52How handsome?
00:22:53It's great.
00:22:55Be careful, don't say those things in front of your father.
00:22:58And don't let him see you speak a single word to Tassio.
00:23:00I would kick them out of the house.
00:23:01Please, Madonna Peronela,
00:23:02I'd do the same to myself.
00:23:04Don't worry, I'll do it when nobody's around.
00:23:08What are you up to?
00:23:09What you did to make my father fall in love with you.
00:23:12No, Peronela, no.
00:23:13Before you get married, you can't do that.
00:23:16But hey, then,
00:23:17What did you do before you got married?
00:23:19Nothing.
00:23:20Anyway, Berta will be watching you day and night.
00:23:22Madonna is calm.
00:23:23I won't leave her alone for a minute.
00:23:25Okay, I'll try to be sensible in my own way.
00:23:28But tomorrow the carnival starts.
00:23:29And you haven't given me money for new dresses and decorations.
00:23:32It's not my fault that your father pretends not to hear me talk about money.
00:23:35Then I'll go dressed as a goddess.
00:23:38Don't exaggerate.
00:23:39You are the richest young woman in the region
00:23:41And you have lots of things to wear.
00:23:43In short, tonight I will subdue your father's greed
00:23:46And you'll have the money tomorrow.
00:23:48Mom, how will you convince him to open the bag?
00:23:52Are you refusing him like Lizís Trata did?
00:23:54Oh, what can I say no to?
00:23:55I'm always on his case about that.
00:23:57I have something better planned for tonight.
00:23:59And if our surgeon hasn't deceived me,
00:24:02Tomorrow you'll have enough money to buy lots of clothes.
00:24:06This, modestly, is the best-stocked wine cellar in the whole town.
00:24:11Look, these barrels contain the best Tuscan wine from this year onwards.
00:24:16and continuing like this until the end,
00:24:18where, as you can read, there is a wine that is over 30 years old.
00:24:22It must be ambrosia.
00:24:23Ah, I'll give you a drop to try.
00:24:25You are too good.
00:24:27Not always.
00:24:29You'll see that there's no shortage of legumes, flour, or cheese here.
00:24:33There's everything.
00:24:34Strings of garlic, onions,
00:24:36everything that can be used to fill a good table.
00:24:40There's no shortage of ham and sausage either.
00:24:44Can you see it now?
00:24:45There are also sausages.
00:24:47They're not sausages.
00:24:48What are they?
00:24:50Kitten sausage.
00:24:52Torn out by my own hands
00:24:54to those who dared to set their sinful gaze upon my women.
00:24:58You've been warned, okay?
00:24:59You must not approach them during the day
00:25:02nor leave your bed during the night
00:25:04except for urgent needs, of course.
00:25:07Because if I hear anything suspicious,
00:25:11so...
00:25:12Tap!
00:25:13Understood?
00:25:14And so your mothers will not have the pleasure of becoming grandmothers.
00:25:19But I am a relative of yours.
00:25:21Ah, to the daring relative,
00:25:23I turn the minga into sausage.
00:25:25The patch has been heard.
00:25:27Having checked this room.
00:25:29Seeing the door closed,
00:25:31the prepared thalamus and the closed window.
00:25:34The maid and the servant overheard
00:25:36who have declared themselves ignorant and strangers to everything that has happened,
00:25:40I continue in my duties as mayor of the town of Prato
00:25:44and I proceed to the test to demonstrate the quantity the husband was taking.
00:25:47and the tantum that the lover received.
00:25:51Seeking advice for the judgment I am about to issue
00:25:54by surgeon Uchardini,
00:25:56primus ante omnia of the luminaries of medicine in our city
00:26:00and by Friar Mariaccio,
00:26:03a man of the church, as humble as he was wise and experienced.
00:26:06Therefore,
00:26:08Don Romildo Barone,
00:26:09proceed.
00:26:10That?
00:26:11Well, that's what the quantum is for.
00:26:13In front of everyone.
00:26:14I'm ashamed.
00:26:16Cover yourselves with the sheet.
00:26:17Even up to the neck,
00:26:18or if you prefer,
00:26:19up to the head.
00:26:20The important thing is that we,
00:26:22those of the court,
00:26:24experts in ecclesiastical science,
00:26:26in medicine,
00:26:27in years of experience,
00:26:29Let's clearly see the movement,
00:26:32the duration,
00:26:33the function,
00:26:34the cube,
00:26:34the tantum and the quantum
00:26:36in order to be able to say
00:26:37if Madonna and Julia's assertions
00:26:39They are more or less well-founded.
00:26:41And do you have to look at all that?
00:26:42Yes, yes, of course,
00:26:44scrupulously.
00:26:44What if I don't arm myself?
00:26:46What would be the safest option?
00:26:47Madonna and Julia,
00:26:48if you completely disassemble it.
00:26:50That's not the case, surgeon.
00:26:52You're right,
00:26:54Murieris influence
00:26:55is decisive
00:26:57for consummation
00:26:58of the aptum amatorium
00:26:59and what's more,
00:27:00It's advisable that I help him.
00:27:01with warm zeal.
00:27:03Have you heard,
00:27:04Madonna and Julia?
00:27:06Perfectly,
00:27:06Your Excellency.
00:27:07And even if he wanted to
00:27:09to obstruct,
00:27:10I couldn't.
00:27:11by my own nature,
00:27:13exuberant
00:27:14and hungry.
00:27:15Let's go.
00:27:18Come on.
00:27:19Let's hope for the best.
00:27:30The bodies do not move.
00:27:32They don't move.
00:27:33They don't move.
00:27:33They don't move.
00:27:34I already thought so
00:27:35that something wasn't working.
00:27:38Do you do it, husband?
00:27:40Are you weathering the storm?
00:27:41Regarding the storm,
00:27:42I prepare the mainmast.
00:27:43Madonna and Julia,
00:27:44It has helped me a little.
00:27:45Fake it, whore.
00:27:46I'm not faking it,
00:27:47Your Excellency.
00:27:48I have been all my life.
00:27:50But my husband
00:27:51He's very slow at this.
00:27:52So,
00:27:53Take it easy,
00:27:54But let us know.
00:27:55Three sighs
00:27:56The warnings will be
00:27:57what has happened.
00:27:58Three warnings?
00:28:00I will try
00:28:00don't take it out
00:28:01the meek.
00:28:03Sirs,
00:28:04Let's wait and see.
00:28:05We are in your hands.
00:28:08Good night,
00:28:09my nephew.
00:28:10The mother who gave birth to him.
00:28:13Good night,
00:28:14daughter.
00:28:16Good night, Mom.
00:28:17Good night.
00:28:18Good evening, gentlemen.
00:28:20Good night.
00:28:21And you,
00:28:22What are you waiting for?
00:28:23So that?
00:28:24To follow my daughter.
00:28:25Tonight
00:28:25You sleep in his room.
00:28:27Ah, yes, that's right.
00:28:28Sleep with her.
00:28:29Good evening, gentlemen.
00:28:30Good night.
00:28:32These are
00:28:33your rooms.
00:28:34Sleep well
00:28:36And good night.
00:28:38Good night.
00:28:39Good night.
00:28:40Good evening, gentlemen.
00:28:41Good night.
00:28:42See you tomorrow, young people.
00:28:46And you know,
00:28:49Sleep in peace and bliss
00:28:51Or remember the sausage.
00:28:58Let no one dare
00:29:00to even look
00:29:01to women.
00:29:01One moment,
00:29:02That's not for me.
00:29:03I am a cousin
00:29:04and nephew.
00:29:05The real danger
00:29:06it's you
00:29:06because you like it
00:29:07Peronela
00:29:07And she likes you.
00:29:08And you don't, huh?
00:29:09That you have disturbed
00:29:10to the mother
00:29:10and you devoured it
00:29:11with the eyes.
00:29:12I just think
00:29:13in the priest's daughter.
00:29:14But look at my aunt
00:29:14which is worse
00:29:15because if he finds out
00:29:16my uncle
00:29:17It castrates us all.
00:29:18So stay away
00:29:19from the fire.
00:29:19I will walk away.
00:29:20Don't worry
00:29:21Yes, there are women here.
00:29:21ample.
00:29:22You can speak
00:29:24because you have found
00:29:25outside what I was inside.
00:29:26You've insisted
00:29:27in which they hang it on us
00:29:28in the cellar.
00:29:29No no.
00:29:29No, on the contrary.
00:29:31I will know how to endure the silence.
00:29:33He suffers.
00:29:34He suffers.
00:29:36I will suffer.
00:29:37Your room
00:29:38It's the one in front.
00:29:39And?
00:29:40What do you want to do?
00:29:43Go see him
00:29:44and spend the night with him.
00:29:47You will be here with me.
00:29:49Bertha,
00:29:50Love is calling me.
00:29:51Pretend you don't hear him.
00:29:53Can't.
00:29:54Scream.
00:29:55Well, cover your ears.
00:29:56and everything else.
00:29:57Your father
00:29:58He would kill us both.
00:29:59No way?
00:30:00When has he not killed?
00:30:01to my mother
00:30:01With everything he's done?
00:30:03What are you saying?
00:30:04That's the same
00:30:04What have you done?
00:30:05as a cover with my mother
00:30:06You'll cover for me.
00:30:08You don't know very well
00:30:09what you're saying.
00:30:09But you do know
00:30:11from what I have seen.
00:30:12Oh, really?
00:30:13Yeah.
00:30:14And that's why
00:30:15You're going to help me
00:30:16to sleep with Tasio.
00:30:20Tonight?
00:30:22No.
00:30:23Tonight
00:30:24I will only ignite his desire
00:30:25with a visit.
00:30:27What if your father
00:30:28Did he hear you?
00:30:29I will wait
00:30:30until he is asleep.
00:30:32What are you looking at?
00:30:33Go back to bed.
00:30:36Who looked
00:30:37Did he survive?
00:30:40When a woman wants
00:30:42the one who looks the most
00:30:43less see.
00:30:44What do you mean
00:30:45With that, woman?
00:30:46No, you haven't understood.
00:30:48Oh, really?
00:30:49So I
00:30:51with two eyes
00:30:51I alone haven't been saved.
00:30:53Don't ask questions
00:30:54stupid.
00:30:55Go back to bed, will you?
00:30:57I'm coming, I'm coming.
00:30:58If when the woman
00:30:59wants
00:31:00There's no man...
00:31:03And how many times have you
00:31:05Did you want to?
00:31:06But are we going
00:31:07to do these hours
00:31:08inventory of horns?
00:31:09I don't know why
00:31:10I have the fly
00:31:10behind the ear.
00:31:28Are we there yet?
00:31:30I'm ready.
00:31:31Thank goodness.
00:31:33Forward!
00:31:34As soon as I find it,
00:31:35Your Excellency.
00:31:36What are you looking for?
00:31:37The instrument of mating.
00:31:40I've found it!
00:31:42Congratulations.
00:31:43Let's see if this works
00:31:43We must move
00:31:44something down there.
00:31:45It moves.
00:31:46It moves.
00:31:47It moves.
00:31:48You're so beautiful!
00:31:50It's not moving anymore.
00:31:52It's not moving anymore.
00:31:53It doesn't move.
00:31:54Don Romildo,
00:31:55You don't move.
00:31:57Don Romildo.
00:31:58Come on, come on!
00:31:59And that's it.
00:32:00Your Excellency.
00:32:02So soon?
00:32:04Is it done, Madonna?
00:32:05Yes, he did.
00:32:06Unfortunately, I have nothing.
00:32:07You unfortunately
00:32:09nothing?
00:32:10Of course, necessarily.
00:32:12He starts late
00:32:13and it arrives soon
00:32:13And I'll start soon.
00:32:14and I arrive late.
00:32:16So we never agreed.
00:32:18Husband,
00:32:18fast,
00:32:19He lent a horn.
00:32:21TRUE.
00:32:22It shines longer
00:32:23a bad bluff
00:32:23than a good rocket.
00:32:25Don't worry,
00:32:26Madonna.
00:32:27Let's see if in the next ones
00:32:28You are lucky
00:32:29to coincide.
00:32:30If he continues,
00:32:30I am available
00:32:31of the court.
00:32:32I am ready, sir.
00:32:35Do you want any?
00:32:36Something else about me?
00:32:37No, thanks.
00:32:38Do we feel like it?
00:32:39Nothing in particular?
00:32:40I'm fine like this.
00:32:41Really
00:32:42nothing, nothing.
00:32:43No, but oh well,
00:32:44That's enough.
00:32:45Mr. Mayor.
00:32:46You have asked me
00:32:46that he did it
00:32:47And I have done it.
00:32:48I think I've done my part.
00:32:50Besides,
00:32:51keep in mind
00:32:52because today is Thursday
00:32:52and it wasn't my turn
00:32:53until Saturday.
00:32:54You are not much,
00:32:55Don Romildo, little.
00:32:57Your accusation
00:32:58It begins to wobble.
00:33:00Relinquishment of the position
00:33:00to your antagonist.
00:33:02What position?
00:33:03What do you want?
00:33:04What should that man do now?
00:33:05Man,
00:33:06the counter-test.
00:33:07That one about the counter-test
00:33:08I don't like.
00:33:09Am I going to be
00:33:10me specifically
00:33:11the one who throws
00:33:11to my wife
00:33:12in the arms of her lover?
00:33:13Don Romildo,
00:33:14when you didn't throw it out,
00:33:15He was throwing her out.
00:33:16You have surprised them.
00:33:18For once,
00:33:19more or less,
00:33:19do not prevent
00:33:20that justice
00:33:21follow its course.
00:33:22Alright,
00:33:23Alright.
00:33:23Let's see
00:33:24what does it have
00:33:24this one that I don't have.
00:33:26You will end up at the stake,
00:33:27You'll see.
00:33:28It may end
00:33:28at the stake,
00:33:29but take it away from me
00:33:30the dancing.
00:33:31What rudeness?
00:33:34Friar Mariacho,
00:33:36start writing
00:33:36the names
00:33:37and so many
00:33:39of each one.
00:33:41Romildo 1,
00:33:43Romildo 1,
00:33:43Malcucho,
00:33:45We'll see now.
00:33:48Prepared?
00:33:49Prepared.
00:33:50Wow!
00:33:51Bye bye!
00:33:52The,
00:33:52the,
00:33:53the,
00:33:53the,
00:33:53the,
00:33:54the,
00:33:55the,
00:33:56the,
00:33:57La, la, la, la, la, la...
00:34:31This guy makes him say the entire alphabet.
00:34:46You, here and at this hour.
00:34:49Speak quietly, do you want them to discover me?
00:34:52No, nothing to discover, I'm covered.
00:34:54And if you went to your room to hide, no one would discover us.
00:34:58How excited you are.
00:35:00You speak in fits and starts, you tremble.
00:35:03And you look at me with wide eyes.
00:35:05Why, Tassio?
00:35:07Because I'm scared.
00:35:09About me?
00:35:10Yes, I am an only child.
00:35:12And my mom wants to have a grandchild.
00:35:14Don't worry, your mom will have it.
00:35:17If you don't leave right away, he'll never have it.
00:35:20You're naive.
00:35:21You don't know yet that to have a child you need a woman.
00:35:26And something with what?
00:35:27So why don't you take advantage of me?
00:35:31No, I don't want to.
00:35:32Go away, withdraw, go away.
00:35:35Tassio, are you rejecting me?
00:35:36Yes, yes, no, stay still, don't come any closer.
00:35:39Then I was wrong.
00:35:42Aren't you in love with me?
00:35:44Yes, that is, no, I can't.
00:35:46Go away, I beg you.
00:35:47Get out of here.
00:36:05What happened to you, Madonna?
00:36:07He kicked me out of his room.
00:36:10He rejected me.
00:36:11Is it possible to reject a beauty like you?
00:36:16He told me he doesn't want to, that he can't.
00:36:23Does he/she not want to or cannot?
00:36:26I don't know, I don't remember.
00:36:30What's the difference?
00:36:32There is one, my poor thing, and it's enormous.
00:36:35Because not wanting means not liking it.
00:36:38Whereas not being able to means not having the means.
00:36:43So he's not a man.
00:36:44Well, from what you're saying, it seems to me that he's as much of a man as I am, bishop.
00:36:55Silence, silence.
00:36:57Silence, that's enough.
00:36:58Comments are prohibited.
00:36:59If you continue to obstruct the test, you must house the room.
00:37:05Brother Mariacho, how's the scoring going?
00:37:07Romildo, one.
00:37:09Marcucho, nine.
00:37:11But I'm not very sure.
00:37:13How is that?
00:37:14Because I can't remember if I wrote it down last time or not.
00:37:17Well, it's a mess.
00:37:19If I give him too much, I'll harm Don Romildo, and if I give him too little, I'll harm Marcucho and Madonna.
00:37:24I cannot judge arbitrarily.
00:37:26Let's see what the experts say.
00:37:28I say it should be noted.
00:37:30Because?
00:37:32Because Melius Abundo I will make it a point to steal.
00:37:35On the contrary, Melius that are missing.
00:37:37They have done a great job.
00:37:39Let's give it a try.
00:37:39No.
00:37:40Yeah.
00:37:40I say no.
00:37:41I say yes.
00:37:42No.
00:37:42Yeah.
00:37:43No.
00:37:43Zero?
00:37:44Should we add it, yes or no?
00:37:46Forgive me, Your Excellency.
00:37:47But to get you out of this mess, let them erase everything and we'll start again.
00:37:51Again?
00:37:52And why not?
00:37:52In short, for those who were going.
00:37:53Those who were going.
00:37:55Madonna, do you agree?
00:37:56Do you want it?
00:37:58Do I want it?
00:37:59No, but I'll sacrifice myself.
00:38:01Father, erase everything.
00:38:03Let's start from the beginning.
00:38:08Double Marcucho.
00:38:09Proceed.
00:38:10Here I come.
00:38:12That woman has a bone in her body.
00:38:14Yes, but the steel one.
00:38:18No.
00:38:42No.
00:38:43No.
00:38:48No.
00:38:50No.
00:38:53No.
00:38:53No.
00:38:55No.
00:39:14Thank you!
00:39:30Where are you going?
00:39:31Oh my God, what's wrong with you?
00:39:34What's wrong?
00:39:35Did you get a chill or...?
00:39:38But...
00:39:38Oh no, that thieving aunt!
00:39:40You can rob me!
00:39:42My florins!
00:39:43You can rob me!
00:39:46Steal from me!
00:39:50Oh, what a shame!
00:39:51What a shame!
00:39:55Mother!
00:39:56Cover yourself, you pig!
00:40:00I didn't get it!
00:40:04Take away his money!
00:40:07To your father!
00:40:08Father, what have you done to my mother!
00:40:11Come on, sweetie!
00:40:12And he wanted to rob me while I was sleeping.
00:40:15The wife doesn't steal!
00:40:16She's just as much of a mistress as her husband!
00:40:17But when the husband...
00:40:19Oh!
00:40:20When the husband doesn't even have enough to pay his debts!
00:40:23Don't worry about me!
00:40:25Think of Aunt Gisa.
00:40:26Yes, yes!
00:40:27You're right!
00:40:28Grab it, gentlemen!
00:40:29To put her in bed!
00:40:30Come on, come on!
00:40:31Grab it!
00:40:32Yeah!
00:40:32One moment!
00:40:33Come on!
00:40:35Be very careful about touching her butt!
00:40:37Come on!
00:40:37Up with her!
00:40:38Slowly!
00:40:39Slowly!
00:40:41Slowly!
00:40:43Slowly!
00:40:44Slowly!
00:40:44Covered up!
00:40:45Covered up!
00:40:45My love!
00:40:47My love!
00:40:50Twenty-two, twenty-five!
00:40:53Four, twenty-five!
00:40:55Twenty-two, twenty-five!
00:40:56Twenty-two!
00:40:57What are you doing here?!
00:40:59What do you want?
00:41:01We're here for you!
00:41:03You were feeling unwell!
00:41:06I?!
00:41:07What nonsense?!
00:41:09Am I waking up right now?!
00:41:12Now, now?!
00:41:13Poor thing!
00:41:14So you went and stole the money I had saved while you were sleeping!
00:41:18Oh!
00:41:18What money are you talking about?!
00:41:20This one!
00:41:21You see it!
00:41:21This one!
00:41:22I surprised you when you came back!
00:41:24You were going around like that!
00:41:25Look how he was driving!
00:41:26The sleepwalker!
00:41:27That's how he was!
00:41:28That's how he was!
00:41:29But my eyes were closed, like you said!
00:41:31I was asleep!
00:41:33He was asleep!
00:41:34Yes, I was asleep!
00:41:34Oh!
00:41:35My poor mother!
00:41:36I was sleeping!
00:41:38No!
00:41:38He stole while he was sleeping!
00:41:41My God!
00:41:42My husband is right!
00:41:43I must be seriously ill!
00:41:45Or maybe you've been bewitched!
00:41:46No no!
00:41:47There's no witchcraft here!
00:41:48It's top-notch!
00:41:49So is he the devil?
00:41:50No!
00:41:51Not the devil!
00:41:52Well, well!
00:41:52Tomorrow we'll know if you're sick or if the devil has taken hold of you!
00:41:57And how will we know, my husband?
00:41:59It's very easy!
00:41:59Call the surgeon and the priest!
00:42:02Do you understand?
00:42:03I'm going to sleep there!
00:42:05Berta and Peronela will keep you company!
00:42:07Don't let me have another one of those attacks!
00:42:12Peeping Toms!
00:42:14Leave women alone!
00:42:16Go to sleep in your rooms!
00:42:18Let's go to sleep!
00:42:21Are you resting?
00:42:22Likewise, my master!
00:42:26That man of mine is such a light sleeper!
00:42:28He caught you red-handed!
00:42:30And you did it so you could buy me a new dress?
00:42:33Naturally!
00:42:33But you'll see, tomorrow night I'll take all the money I want right under their noses!
00:42:39Oh, yes!
00:42:39And how will you do it?
00:42:40With the surgeon's help!
00:42:42Naturally!
00:42:43But how did you know?
00:42:44Why have you spoken of devils and witchcraft?
00:42:46To help you better!
00:42:47Oh, well that is funny!
00:42:49And to help me, you sic that friar Mariacho on me?
00:42:52He knows more than the devil!
00:42:54He is not the devil!
00:43:00Latte broth!
00:43:02They're fresh, glassy!
00:43:03Latte broth!
00:43:04They're fresh, glassy!
00:43:06They're fresh, glassy!
00:43:08They're fresh, glassy!
00:43:08They're fresh, glassy!
00:43:09Latte broth!
00:43:10Not so much!
00:43:10Do you want the eggs?
00:43:11No, not me!
00:43:12Take them to him in case he needs them!
00:43:14This is hot!
00:43:15You guys need some balls!
00:43:16That's hot!
00:43:17I'm already well served!
00:43:19Thank you!
00:43:20I don't want to overdo it!
00:43:20Bread and hard-boiled egg!
00:43:24Bread and hard-boiled egg!
00:43:26Bread and hard-boiled egg!
00:43:29Bread and hard-boiled egg!
00:43:31Enough!
00:43:33You've already sold quite a lot.
00:43:36Out, out!
00:43:38The break is over.
00:43:40Madonna and knight.
00:43:43Hey, hey!
00:43:44What has become of daylight? What do you plan to do?
00:43:46Continue.
00:43:48Oh, you still haven't had enough?
00:43:49Not me, to be honest.
00:43:51What if the knight doesn't disarm?
00:43:54Remember, a gentleman is always armed.
00:43:56Lie down.
00:43:57And this is to your husband's health.
00:43:58Well, let's see if you can finish up already, because otherwise we're all going home.
00:44:02Ready?
00:44:04Ready!
00:44:05Well, off I go! Here I come!
00:44:09If, as Mr. Quinto claims, Madonna and Giza acted with their eyes closed...
00:44:14He was asleep, sir.
00:44:15Precisely.
00:44:16If he acted like he was asleep and walked with his arms outstretched in front of him...
00:44:20...it appears from medical science that he was in a state of sleepwalking.
00:44:24Of course, sleepwalker, sir.
00:44:26Hey, shut up!
00:44:27Brother Mariacho, what do you think?
00:44:29I believe the illustrious doctor's diagnosis was accurate...
00:44:33...if Madonna and Julia, upon grabbing her husband, had not screamed like an obsessive woman amidst violent convulsions.
00:44:39What are you trying to prove?
00:44:41For me, a man of the church, without excluding the surgeon's sleepwalking...
00:44:46...it could be a sick soul, or even the devil himself.
00:44:52That he had taken over Madonna's body.
00:44:55Impossible!
00:44:56I am very religious, what about the devil?
00:45:01He would be scared of me.
00:45:02Is that what you're saying?
00:45:03I and medicine say the same thing.
00:45:06No, medicine has nothing to do with this, Friar Mariacho.
00:45:09Would she turn to Satan if my wife were a sinner?
00:45:12Did it offend you?
00:45:14Of course, bear, bear!
00:45:16Answer, father.
00:45:18Yes, if I were to sin, yes.
00:45:20But he could also approach an honest and virtuous woman to induce temptation.
00:45:27Ah, maybe.
00:45:28I, however, exclude it a priori and insist on sleepwalking.
00:45:32No, no, I don't exclude anything at all.
00:45:34I just want to know if the devil is here or not.
00:45:37And if he is there, I want to know if he has chosen my wife with the purpose of tempting her.
00:45:43Because he feels very comfortable there.
00:45:46Inside her body.
00:45:48And how can all that be known?
00:45:50With exorcism.
00:45:52With what?
00:45:53With exorcism.
00:45:54If he's there, I'll make him come out and ask him what he was doing in there.
00:45:58And the devil says so?
00:45:59No, he doesn't say that.
00:46:01But I understand him because of how he reacts.
00:46:07Okay, fine.
00:46:09Exorcise me.
00:46:11Exorcise her, however you wish.
00:46:13That.
00:46:13Where is your bedroom, my little girl?
00:46:16Behind you, father.
00:46:18Follow me, my daughter.
00:46:20One moment.
00:46:22I ask you, Father, couldn't you do all this fuss in front of us?
00:46:26No.
00:46:27Oh, no.
00:46:27It wouldn't work out if it was done in front of everyone.
00:46:31In secondis in the bedroom is better.
00:46:33How better?
00:46:33Far better.
00:46:36Yes, it's done better.
00:46:46Get ready, my daughter.
00:46:47Why, Father?
00:46:48So that he can perform the exorcism on you.
00:46:50First you have to get naked.
00:46:53Ah.
00:46:54Do I have to get naked?
00:46:55Of course.
00:46:57If you don't get naked, where will Satan come out?
00:46:59As?
00:47:00Which way do you want it to come out?
00:47:02Wherever I can, daughter.
00:47:18Come on, do that to me as soon as possible.
00:47:22I'll do it for you right now.
00:47:24Word of Frei Mariacho.
00:47:28Get out of here, Satan!
00:47:33No, I say it comes out.
00:47:35I say it doesn't come out, because before she went with the priest she didn't have it inside her.
00:47:39It's inside him.
00:47:40If you like, I've said she's a sleepwalker, and a sleepwalker she is.
00:47:45Where are you going?
00:47:46I need to fill my lungs with clean air before a whiff of diabolical sulfur comes out of the bedroom.
00:47:52Wait a minute, wait a minute, Mester Cerúsico.
00:47:55Uno mica de que mi amoglio no puede ser sonámbula.
00:47:58Ma la scienza a volte captivates you.
00:48:00They catch one of più de preti.
00:48:01It's true that they trick one of them...
00:48:06Hmm!
00:48:09Hmm!
00:48:11Hmm!
00:48:17Save yourself!
00:48:18Keep mine, daughter!
00:48:20She is sweet, tender, affectionate with her friends, she flees from the tempting man, she is an angel.
00:48:34You are very lucky.
00:48:36You become infatuated with two girls you've seen on the street.
00:48:38And you find them at Peronelna's house as her friends.
00:48:42It's true.
00:48:43We've been very lucky.
00:48:45Yes, but who's to say they're going to give us their blessings?
00:48:47Peronel offered them to me last night.
00:48:50And you?
00:48:52I rejected it.
00:48:53You did the right thing.
00:48:54Yes, but how long can you hold out?
00:48:56Until we leave.
00:48:58That's how I lose Peronella.
00:49:00Yes, but you keep the kitten.
00:49:09It's a dream I have frequently, almost a nightmare.
00:49:13I dream that I am in the forest, dressed as a man.
00:49:17In other words, I feel like a man.
00:49:18And I run after a naked woman who is waiting for me.
00:49:23How strange.
00:49:24My uncle says that some dreams are sent by the devil.
00:49:28No, that's not the work of Satan.
00:49:30It is desire that commands them.
00:49:33How did that go? Did it work out?
00:49:34It hasn't come out.
00:49:36And I've tried it from above, below, in front, and behind.
00:49:39So he has it inside?
00:49:40No, because that's what I'm here for, I've done everything necessary and the exorcism has turned out negative.
00:49:46And what does that mean?
00:49:48That your wife is good and chaste and is not possessed by Satan.
00:49:52This proves that your wife suffers from sleepwalking.
00:49:56Is that serious?
00:49:58Not much.
00:49:59But, apart from the fact that it will pass, the sleepwalker, even with her eyes closed, sees the danger, avoids it, maintains
00:50:08the balance on the edge of a precipice.
00:50:11And wherever he goes, Peribus Calcántibus always finds his way back.
00:50:17So it's not serious?
00:50:18It's not serious.
00:50:19But the sleepwalker must not be disturbed, prevented, or awakened, no matter what she does.
00:50:26This was to prevent him, in the throes of epileptic convulsions, from exhaling his soul.
00:50:33Well, that's the least of it.
00:50:35Also, in a fit of raptus homicidi, she could kill the unwary person who obstructs her with the superhuman strength of her own hands.
00:50:44Do you understand?
00:50:45Yes of course.
00:50:46And who thinks they can be an unwitting obstacle because of me? They can go wherever they want and do whatever they want.
00:50:53You are a good husband.
00:50:55Okay, okay.
00:50:57Three times good.
00:50:59Three times good.
00:51:01Cuckold singing.
00:51:03Well, Mr. Surgeon, I don't know how to thank you.
00:51:07Paying me ten florins for the visit.
00:51:09Ah, yes, the visit.
00:51:11And five florins for me.
00:51:13But you haven't visited it.
00:51:15I've done everything necessary.
00:51:17You also have to pay for that.
00:51:19We poor priests live off these little things.
00:51:22A little bit of this, a little bit of that.
00:51:23We're like little fatties.
00:51:26You'll say freeloaders.
00:51:27Fifteen florins.
00:51:28Okay, come with me.
00:51:30Between the surgeon and the...
00:51:31Madonna.
00:51:34Nice to meet you, Madonna.
00:51:36The pleasure has been all mine, Father.
00:51:45Madonna, tell me the truth.
00:51:46Did the priest do you any good during the exorcism?
00:51:49Very well, no.
00:51:51But he did it to me.
00:51:53Naval, I want to have a lot of fun.
00:51:56I want to have fun too.
00:51:57I never leave the rectory.
00:51:59And if I ever go out, my uncle the priest accompanies me.
00:52:01I have never approached a man.
00:52:04And I would like that.
00:52:05But it's useless.
00:52:06My uncle keeps a close eye on me.
00:52:08Bad luck, Gisipo.
00:52:10It is under heavy surveillance.
00:52:11I'll invent some way to trick his uncle the priest.
00:52:14Lucia!
00:52:15Hunt!
00:52:16Here we are!
00:52:17We're coming!
00:52:18Come on!
00:52:20Wait for me in the cave.
00:52:28Premium!
00:52:29What do you want?
00:52:30I need to talk to you about your friends.
00:52:32And what is it you want to know, cousin?
00:52:34If you're cut from the same cloth as Tasio, perhaps it's better if we talk about a handsome young man.
00:52:39What are you saying?
00:52:40I say that when a young woman like me offers herself to a man to abuse her, he doesn't...
00:52:44They reject it.
00:52:46And I answer you that if your father hadn't threatened to cut off certain things,
00:52:50I would have seen what Tasio was capable of doing to you.
00:52:53Well, do you know what they call us in our town?
00:52:56Golden balls.
00:52:56Cousin, I won't allow you to speak to a lady like that.
00:52:59I'm sorry, cousin, if I've been disrespectful, but...
00:53:02Faced with that threat, even the stones of the cathedral crumple.
00:53:05Forgiven.
00:53:06So, if you have forgiven me...
00:53:10intercede so that I may win Pómiga's heart.
00:53:13Lucia, the priest's niece.
00:53:15No, no, no, the other one, the one about dreams.
00:53:23I would like to talk to you.
00:53:24Speak to me, then.
00:53:25I didn't know you were so sick.
00:53:28And now that you're convinced?
00:53:30Nothing, I'm just here to tell you that if you like sleepwalking,
00:53:33You can sleepwalk all you want, as far as I'm concerned.
00:53:36Are you perhaps afraid of my rapture or my line?
00:53:38Oh, don't get like that, woman, I'm not forbidding you anything anymore!
00:53:41What I do ask is that you sleepwalk as far away as possible from my florins.
00:53:46I can't guarantee that.
00:53:47Because?
00:53:48I am not aware when I am sleepwalking.
00:53:53You can sleep with our daughter instead of Berta, and that way I'll close my door.
00:53:58key.
00:53:59Don't even think about it.
00:54:01When I sleepwalk for money, I have to find it.
00:54:05He would tear down houses, force open drawers, and then kill whoever caught him.
00:54:11Oh my goodness!
00:54:14My rapture doesn't forgive.
00:54:16He doesn't forgive, does he?
00:54:19Sleepwalker of the nose.
00:54:22It's a male, it's a male!
00:54:25Slow down, slow down!
00:54:27Let me go, please! I'm getting dizzy!
00:54:29And I'm drunk! Drunk with joy and happiness!
00:54:32But what's happening?
00:54:33But I haven't told you, Berta! It's a male, it's a male!
00:54:36Who?
00:54:36Tasio!
00:54:38That?
00:54:38Yeah!
00:54:40But you were rejected last night.
00:54:41Because my father threatened to cut off what you can imagine.
00:54:45Oh!
00:54:45A good man should not be threatened like that.
00:54:48Your father is bringing trouble upon himself.
00:54:50And are you going to help me give them to them?
00:54:52Oh, no.
00:54:53No.
00:54:54If your intentions are not honest, no.
00:54:57To be perfectly honest, Tassio will be my husband someday.
00:55:00Does he agree?
00:55:02And the one who has to do with it.
00:55:03The important thing is that I agree.
00:55:06Do you know what Lucia is going to wear for the carnival?
00:55:08No.
00:55:09Of flower.
00:55:10And peronela?
00:55:11Like a witch.
00:55:13Well, look, I like it.
00:55:14And Francesca?
00:55:15Of a man.
00:55:17Why a man?
00:55:17Because I wish I were.
00:55:19No.
00:55:20No.
00:55:21Unfortunately, yes.
00:55:23Now I understand his dream.
00:55:24And the caresses for friends.
00:55:26I'm sorry, Roberto.
00:55:27You've had bad luck.
00:55:29You'll soon forget it.
00:55:30You'll find another one that's even more beautiful.
00:55:32But I love her.
00:55:33With these trends, I don't know what the point is.
00:55:35Do you like women?
00:55:37Do you like women?
00:55:38Do you like women?
00:55:41Do you like women?
00:55:47Not bad.
00:55:54It's mine.
00:55:56I'm going to volunteer.
00:55:57Let's see what happens.
00:55:58Don't worry.
00:56:01Do you want wine, sir?
00:56:03Oh, no.
00:56:05Can I offer you something for the baby?
00:56:07I accept everything from a handsome young man like you.
00:56:16Because of your beauty.
00:56:18Do you really like it?
00:56:19I would do anything to get your thanks.
00:56:21Drink first.
00:56:23And then?
00:56:24Then, who knows.
00:56:25We'll see.
00:56:26We'll see what happens.
00:56:27Hey, you're going too fast.
00:56:30You make my blood rush to my head.
00:56:32Well, take your hand away because if it gets too big,
00:56:33You'll see what happens.
00:56:35Let me caress you.
00:56:36Keep your hands still.
00:56:38What are you afraid of, woman?
00:56:39No, it's not fear, it's just precaution.
00:56:42Let me caress you.
00:56:43No, no.
00:56:44Well, play it.
00:56:46Why did you leave?
00:56:47Have you noticed?
00:56:48Of course.
00:56:49He put his hand in the middle of the tap,
00:56:51But the experiment went well.
00:56:52Now with Francesca.
00:56:53Yes, let's go.
00:56:54What do you have to do with Francesca?
00:56:56No, I was referring to Lucia.
00:56:57I've had a fantastic idea.
00:56:59How are you?
00:56:59I'm going to tell you.
00:57:01Then, as soon as night falls,
00:57:03Roberto will go to see Friar Mariaccio.
00:57:05You already know,
00:57:06closes from the inside
00:57:07And don't open it to anything.
00:57:09I'll do it that way, man.
00:57:10And remember that men have nothing good about them.
00:57:12They have nothing good about them.
00:57:13Some, yes?
00:57:14No, no, none.
00:57:15I am a good person.
00:57:16Only you,
00:57:17because I am the nephew of Quintus Fulvius
00:57:19And why are you coming with me now?
00:57:21Did you understand?
00:57:22Understood, dude.
00:57:23Good night, madrón.
00:57:24Good night, sir.
00:57:25Come on, come on,
00:57:26and that I hear clearly
00:57:28How do you block the door?
00:57:31There are a lot of scoundrels around here
00:57:33who only seek the virtue of maidens.
00:57:35You're right, Father.
00:57:37And if you act as you speak,
00:57:39Do you mean something by that?
00:57:41No, no, no.
00:57:42You are a holy man.
00:58:10Who is it?
00:58:12A good Christian.
00:58:13What do you want?
00:58:14I want to confess my sins to Friar Mariaccio.
00:58:17My uncle is not here.
00:58:18Come back later.
00:58:19Where am I going to go?
00:58:21Poor me.
00:58:21I live very far away.
00:58:22Let me wait for him in there.
00:58:24I can't let anyone in.
00:58:26I am alone.
00:58:26I wouldn't understand if I were a man,
00:58:28But I am a woman and also pregnant.
00:58:32Abidme, for charity.
00:58:33Night is falling
00:58:34And I'm scared.
00:58:35Separate yourselves a little
00:58:36And let me see your belly.
00:58:52Oh, oh, thank you so much.
00:58:56What are you doing?
00:58:58God bless you.
00:58:59I couldn't leave you out in this state.
00:59:01I'm nine months pregnant.
00:59:02and I'm going to give birth any moment now.
00:59:03Is this the first one?
00:59:04No, it's the fifth one.
00:59:06I am a rabbit.
00:59:07My husband loves me very much.
00:59:08and how we go to bed so early.
00:59:14Come in, I'll heat up a bowl of milk.
00:59:16Milk is good, I like it.
00:59:23Also.
00:59:31Cheer up, son.
00:59:34I have done it.
00:59:35What have you done?
00:59:36Sins.
00:59:37Well, just say them already.
00:59:38because otherwise it's going to get light out here.
00:59:40Be patient
00:59:43with a
00:59:45dying.
00:59:46Yes, of course, but hurry up.
00:59:48Why should I leave?
00:59:49Yeah.
00:59:50No, no, no.
00:59:51In confessing to you.
00:59:52It's because I've left my niece alone.
00:59:54She's pretty.
00:59:55Your
00:59:57niece.
00:59:58How do you know?
00:59:59Do you know her?
01:00:00Yeah.
01:00:03Tell me everything.
01:00:05Confess everything to me.
01:00:08Further
01:00:08late.
01:00:11Now
01:00:12leave me
01:00:13rest a little.
01:00:15Rest, rest,
01:00:16son of a...
01:00:16Who am I talking about?
01:00:17But then you'll have to confess everything to me.
01:00:19Because if you don't, I'll destroy you.
01:00:23Forgive me, lady, this great sinner, but this creature is all mine.
01:00:27Mea culpa, mea culpa, mea culpa, mea massima culpa.
01:00:33Because?
01:00:41Because?
01:00:44Because?
01:00:44Because?
01:00:45Le mani bastan, ma poi...
01:00:47Why isn't more enough?
01:00:48No, smania is increasing.
01:00:50Exit.
01:00:51It always comes out.
01:00:53How does it turn out?
01:00:54When did this mania begin?
01:00:55Does it last long?
01:00:56It lasts, it lasts.
01:00:58But do you distance yourself from him like that, my wife?
01:01:00Calmatevi, su, distendetevi.
01:01:02Vorrei distentemi, ma dove?
01:01:04Appoggiatevi to me, try.
01:01:07So, so good, yes, ma...
01:01:08Poi troveremo di meglio, no?
01:01:19Dimmi di mia nipota, allora.
01:01:21Presto, prima che te ne vai.
01:01:23Che sai di lei, quando l'hai conosciuta.
01:01:27Qui, ieri.
01:01:28L'hai avvicinata.
01:01:29L'ho vista.
01:01:31È bella.
01:01:32Sia ringraziata il signore.
01:01:34È also la mamma che l'ha fatta.
01:01:36We didn't waste time with mom.
01:01:37Confessate che è tardi.
01:01:40Ho fatto peccati di pensiero.
01:01:44Your chi?
01:01:45His Madonna Gisa.
01:01:47Ego te assolvo.
01:01:49His Madonna Peronella.
01:01:51Ego te assolvo.
01:01:52E su vostra nipote.
01:01:53È peccato.
01:01:54mortal sin.
01:01:55Io ti mando all'inferno.
01:01:57My nipota, not if he saves, not if he thinks, not if he touches.
01:02:04Sono sposa, vedo che la smaniva è passata.
01:02:15With Fra Mariaccio there is an exaggeration, at the moment there is a solution.
01:02:19Ma a mio zio, como spieghiamo la tua guarigione improvisa?
01:02:23Digli che è stato un miracolo, che la cure dell'anima harito anche il corpo.
01:02:27And aggiungerò che il frate, dopo averti confessato, ha detto che mai aveva incontrato a giovane both devout and honest.
01:02:35Così si se tranquillizzerà e avrà less da feare por le sue donne.
01:02:41Hai fatto male.
01:02:42Non dovevi far entree nessuno.
01:02:44Ma è incinta, poverina.
01:02:46Questo lo dice lei.
01:02:50Vedete come pregna?
01:02:53I forbid, I forbid.
01:02:54E tu prossima a parteorire quale sei?
01:02:56Do not consider the day to confess.
01:02:59Proprio per questo sono venuta.
01:03:01Che gave me my volesse to know that my baby looks bright, and I found him with the lightest soul.
01:03:06e pulita.
01:03:07Brave.
01:03:08This is the talk of Christians.
01:03:10Ora ti libero subito.
01:03:12Dai i tuoi peccati e te ne returni a casa.
01:03:14Ahimè, è sad come around the house alone, say notte, tutta trambasciata, che il mio bimbo canrebbe nascere per la
01:03:21strada.
01:03:22What time do you want to spend in Canonica?
01:03:24No, but I'll be late and I won't be able to come until my husband returns to the countryside.
01:03:29A chi affidavo i miei figlioli?
01:03:31Abiti molto lontano.
01:03:33Dall'altra parte del paese.
01:03:35E va bene.
01:03:36Allora when è così vuol dire che stanotte will sleep with my nipote.
01:03:39Oh, thank you, thank you, thank you.
01:03:42Dio venerebbe a merito.
01:03:43E ricompensi tu nipote con tutto quello che desidera il suo cuore.
01:03:48Va bene, va bene, va bene.
01:03:49Lucia, tu vai di là.
01:03:50Ti chiamerò when avrò finito l'uffizio.
01:03:53E tu inginocchiati.
01:03:55No, not at all.
01:03:56Siediti che è meglio.
01:03:58Thank you.
01:04:01E preparati alla confessione.
01:04:04In nome del padre, del figliolo, lo spirito santo che ci sia.
01:04:09Avanti.
01:04:11Father, oh sin.
01:04:13Ah, we begin well, this is what I know, altrimenti non saresti qua.
01:04:17Dimmi i peccati, quelli grossi.
01:04:19Ho fatto gilli magne.
01:04:21E che sarebbe?
01:04:22Large foistery with grandissime magagne.
01:04:25Oh yeah?
01:04:26And with chi?
01:04:27With my husband, always with Lui.
01:04:28Ah vabbè, this is naturale.
01:04:30Non sempre naturale.
01:04:31E no, questo è peccato.
01:04:33The connection must always be in function of the concept.
01:04:37Lo so, ma io sono rimasta incinta tutti gli anni e volevo proprio avoid questo figlio.
01:04:42Ma non l'hai evitato però?
01:04:43Io yes, if you see that my husband has sbagliato indirizzo.
01:04:47Well, it's a shortcut from what I said to you and it continues second to nature, right?
01:04:51Eh no, è che when this sotto non ci capisco più niente.
01:04:56Sei sensitiva?
01:04:57Yes, father, what is a sin?
01:04:59Tutto, tutto il troppo è peccato.
01:05:03But apart from the indirizzo sbagliato ci sono state altre località?
01:05:09Yes, sir.
01:05:13Have you ever seen any of the fonts of the piacere?
01:05:15Se sapesse padre.
01:05:17Che vuol dire se sapesse?
01:05:19Io devo sapere.
01:05:20Allora che ci sto a fare qua?
01:05:22This is part of my office, right?
01:05:28We arrive at this point to recommit everything and calmly.
01:05:34Oh yeah?
01:05:34Yes.
01:05:35Qui la cosa si fa lunga.
01:05:38Oh.
01:06:13Allora che pesa.
01:06:15Allora che pesa.
01:06:37Yeah?
01:06:39Yes, yes.
01:06:49Allora che pesa.
01:06:59Allora che pesa.
01:07:01in this house with the joke about sleepwalking.
01:07:04I'll take this one from you, at least.
01:07:10Thief, big thief!
01:07:13Where are you going now?
01:07:25Where are you going?
01:07:31Don't wake her up! She hasn't stolen much!
01:07:40What does it matter, sir?
01:07:43The daughter...
01:07:44...of the truth.
01:08:19What's wrong with you, lady? What's wrong with you?
01:08:21What's going to happen, my little girl?
01:08:22Are you getting that mania again?
01:08:24Yes, and much louder than before. I have to play, to pound.
01:08:28Am I bothering you?
01:08:29No, if that makes you feel better.
01:08:31Then, if it doesn't bother you, lift your head a little so that your arm can pass to the other side.
01:08:36Pass it on, if you want.
01:08:39How are you feeling like this?
01:08:41Scary.
01:08:46Tell me, what do you have between your legs?
01:08:48What do you have, my little girl?
01:08:50No, I don't have something that hard.
01:08:53Why haven't you developed the habit as soon as you get it?
01:08:56What if I make it go in?
01:08:57If you let it in, you'll see what's good.
01:09:00I want to try.
01:09:01Try it, try it.
01:09:03Hold me tighter.
01:09:04Anything you want.
01:09:05Touch me all over.
01:09:06Yes, everywhere.
01:09:10What excitement! What a mania! What a mania!
01:09:14What a mania!
01:09:15Good, good! That's it!
01:09:17What a great habit!
01:09:19I got it too!
01:09:21I can tell!
01:09:23How beautiful, how beautiful!
01:09:27No! I couldn't do it! This is your thing!
01:09:30Be quiet! Don't shout! Your uncle will wake up!
01:09:33I want to wake him up! Uncle, priest! Uncle Mariacho!
01:09:37What's wrong? What? What's happening? What's going on?
01:09:41It's a boy! Come!
01:09:43And me? What for? That's women's business!
01:09:46Go on! You help her and let me sleep in peace!
01:09:51Help him?
01:09:52Me? Didn't I tell you he's a boy?
01:09:55Well, boy or girl, we'll name it later.
01:09:59Now do everything he needs and take good care of him.
01:10:01But, I don't know, man. It's my first time.
01:10:05Grab him by the feet and give him two spanks on the bottom so he cries.
01:10:09Then you calm him down and hold him in your arms.
01:10:13He will be comforted, and you will see how the poor man falls asleep.
01:10:18Happy and peaceful.
01:10:25Come, my love.
01:10:27What do you want from me?
01:10:28What did your uncle say?
01:10:29I'm very naive, you tell me that.
01:10:32First you have to hug me.
01:10:33So?
01:10:33Then you have to rock me until I calm down.
01:10:37So, is that it?
01:10:39So.
01:10:44My love.
01:10:46I was waiting for you, I was always waiting for you.
01:10:48Well, I've arrived to make you happy.
01:10:51Yes, make me happy, I want to be happy.
01:10:54The truth is, it sounds in the little girl's room.
01:10:58What a shame.
01:11:00There it is.
01:11:01There it is.
01:11:03This time I won't let you in where the money is, you bastard.
01:11:08Where are you going?
01:11:13This time I'll take it from you.
01:11:15Even if it rips your fingers off.
01:11:17What are you doing, my husband?
01:11:19Crouched down there.
01:11:20I've ducked down so you can't punch me while moving like that,
01:11:23And you gouge out one of my eyes.
01:11:24Do you think I'm blind?
01:11:25No, sleepwalker.
01:11:27Do you mean that it will also be...
01:11:29You've stolen a lot of florins from my cupboard.
01:11:31What florins?
01:11:32Those you have in your hand, just kidding.
01:11:34She also sleepwalks.
01:11:36Then it will be a hereditary disease.
01:11:39On your mother's side, because in my family neither...
01:11:41I wake her up, I wake her up.
01:11:43No, no, please.
01:11:43What are you saying?
01:11:45What if I wake her up?
01:11:46No.
01:11:52Goodbye, florins.
01:11:53Instead of thinking about the florins, think about us, who are sick.
01:11:56If you, who are squandering my florins, are sick, how must I be?
01:12:00I wake her up.
01:12:01No, she's a sleepwalker.
01:12:03Sleepwalking thief, just like her mother.
01:12:14He believed it.
01:12:15My father believed it.
01:12:17Okay, okay.
01:12:18You did better than your mother.
01:12:20We've got it.
01:12:21We've got it.
01:12:22What do you mean?
01:12:23I know it.
01:12:24I know it.
01:12:27Today, March 14, 1395, in my capacity as mayor, I resume the process of the people
01:12:34de Prato against Madonna and Julia Barone.
01:12:38To that end, I summarize the minutes of the session that was held behind closed doors in the bedroom where
01:12:45The crime was committed, so that the entire town of Prato would be aware of what had happened.
01:12:50Beginning.
01:13:19Beginning.
01:13:20And he threw in the towel, a sign of surrender, thus awarding himself a single benefit, which was recorded in
01:13:27the blackboard by the present Friar Mariacho.
01:13:31The husband getting out of bed, and the lover getting in, the well-endowed Marcucho here present,
01:13:38It left us all amazed by the collaboration between Madonna and Julia, whom you can
01:13:45admire in all its magnificence, as defined by the surgeon.
01:13:51Ninfa di Boratice de hominis per se re famelica de gustorum.
01:13:57And indeed, the accused has withstood up to 35 assaults from the brave Marcucho who attacked her.
01:14:03everywhere, with all the weapons of love he possesses, leaving her calm, though not satiated.
01:14:09With the score at 35 to 1, it is proven that in the hands of Don Romildo, everything that
01:14:17Madonna and Julia would be wasted and completely wrinkled, with serious
01:14:23consequences for the health of the aforementioned Madonna.
01:14:26And since the health of the soul cannot exist without the health of the body, in order to save it
01:14:32One, we must save the other, for which reasons I am modifying the law at this time, leaving valid
01:14:40Death at the stake for those married women who traffic in their own bodies, and annulling it
01:14:47However, for those granted to third parties, whether due to the husband's shortcomings or excesses
01:14:56of the woman, sentence, in the name of the people of Prato, I acquit Madonna Giulia Baroni, because
01:15:06The facts do not constitute a crime.
01:15:14And on top of that, I end up cuckolded and beaten.
01:15:17Because?
01:15:18Nobody has beaten you up yet.
01:15:26Because?
01:15:27No.
01:15:27No, no, no, no.
01:16:01But Nelda hadn't told me that she had such a beautiful cousin as you.
01:16:06Maybe I love you. And can't I use this?
01:16:08No, no. She's not my type. Nor am I hers.
01:16:13And what type are you?
01:16:15You?
01:16:16Oh, I fell in love with you the moment I saw you.
01:16:19Who knows how many women you've said that to before?
01:16:22None. You're the first.
01:16:23I swear.
01:16:24No, I don't think so.
01:16:26What if it were true?
01:16:28If it were true, I would be happy.
01:16:31Be so, then. Be happy because I am ready to show you all the passion that burns in my heart.
01:16:37With the sweetness of my kisses and the tenderness of my caresses.
01:16:41Don't make me blush.
01:16:43I beg you, beg you.
01:16:45Why? Does it bother you perhaps?
01:16:47No, you're not disturbing them.
01:16:49Do you feel anything for me?
01:16:51A lot, a whole lot.
01:16:53You bring me so much joy.
01:16:56Please leave me alone.
01:16:58They might not guess me, abandon me to you.
01:17:00Do it, do it.
01:17:02Abandon yourselves.
01:17:03But what are you saying here, in front of everyone?
01:17:04You are right.
01:17:05I will lead you to a secluded place.
01:17:07Do you think he'll make it, Roberto?
01:17:09It seems that she is excited.
01:17:11Not lucky them.
01:17:12Yes, but for how long?
01:17:15Sooner or later, he will face the naked and raw reality.
01:17:19That's true, and they will suffer greatly.
01:17:22Like we suffered.
01:17:24Even if we agree with reality, however stark and raw it may be.
01:17:27In love, for all joy, one must do penance where a kiss.
01:17:31No, I'm scared.
01:17:32About what?
01:17:32From your father, the troublemaker.
01:17:34Where will they be?
01:17:35What does this disorder mean?
01:17:36What are you looking for?
01:17:37I'm looking for my money, that's what I'm looking for.
01:17:40Or always thinking about money.
01:17:42Sure, money earned by the sweat of one's brow.
01:17:45As for the rest, through usury.
01:17:48No, it's not usury.
01:17:50People need it and I help them.
01:17:54Wow, now you've become a benefactor.
01:17:56Let's leave that aside, you'd better help me find my money.
01:17:58Where could it be?
01:17:59Where did you put it?
01:18:01I don't know, I don't remember.
01:18:02Like a pain!
01:18:04I don't remember how long it's been since you last fulfilled your marital duties either.
01:18:09Yeah?
01:18:10You're right about that, but what do you want?
01:18:13First the drought, then the meager harvest, then sleepwalking in pairs.
01:18:19And you know that you don't need to worry about that.
01:18:23That being the case, please excuse me.
01:18:25I thought you only used your brain to think.
01:18:29Brain?
01:18:31I forgot.
01:18:33What did your uncle the priest say this morning?
01:18:35That you were an exceptional woman for leaving so soon after giving birth.
01:18:38What else?
01:18:39What did I expect, to soon be married to a nice young man?
01:18:42Fair.
01:18:43It's a shame I'm so bad.
01:18:45It doesn't matter, I'll make you better.
01:19:06I've longed for this moment so much.
01:19:11I feel happy about my choice.
01:19:13I know she's the best.
01:19:14I love you.
01:19:20I feel like I couldn't live without you.
01:19:22Not me without you, Francesca.
01:19:24Yes I know.
01:19:25I just want you to love me for who I am, not for who you think I am.
01:19:30No, I will not love you as you are.
01:19:35If you love me as I am.
01:19:39But who are you?
01:19:41A woman.
01:19:42And I'm not ashamed to tell you that I love you.
01:19:46I have always felt a great deal of acceptance from my friends.
01:19:49An attraction.
01:19:51But today I've decided on you.
01:19:53Because for the first time...
01:19:55I experienced a feeling...
01:19:58Further...
01:19:59More alive.
01:20:00More powerful.
01:20:01Me too.
01:20:03But...
01:20:04No buts.
01:20:06I beg you.
01:20:07It's so wonderful to have what you've wanted for so long.
01:20:10You'll see.
01:20:11We will be happy.
01:20:13With a sweet, tender love, without violence.
01:20:16I don't believe that.
01:20:18Why do you say that?
01:20:20Because I like men.
01:20:22What are you saying?
01:20:23If this was your first time...
01:20:25It's because you haven't experienced pleasure...
01:20:27Kissing me...
01:20:28And letting me kiss you.
01:20:30Yes, but...
01:20:31You haven't felt a tremor in my arms...
01:20:34Like me among yours.
01:20:35That's true, but...
01:20:36I didn't know you were a woman yet.
01:20:38Love is not wisdom.
01:20:41It's a feeling.
01:20:42You just have to feel it.
01:20:45Now...
01:20:46While I hug you...
01:20:47You feel something for me.
01:20:49Yeah.
01:20:51So...
01:20:52Do not destroy what has been created that is beautiful.
01:20:54Even if they say...
01:20:56That is against nature.
01:20:58No, it's against nature.
01:21:00So you think that way too.
01:21:02No.
01:21:03It's just that this wonderful thing we've experienced...
01:21:06It's natural because...
01:21:08I am a man.
01:21:10Son.
01:21:12Son.
01:21:13I believed you were a woman.
01:21:14And I believed you were a man.
01:21:16And yet we kissed.
01:21:18And embraced.
01:21:19And we have felt pleasure.
01:21:21How is that possible?
01:21:22Love is not wisdom.
01:21:24It's a feeling.
01:21:24You said it yourself.
01:21:25And that means we're normal.
01:21:27What if we were wrong?
01:21:31Well...
01:21:31Check again.
01:21:43I don't want them.
01:21:45I don't want them.
01:22:09He's going to jump off the balcony.
01:22:14He's going to jump off the balcony.
01:22:18Again?
01:22:27Is it possible?
01:22:39What harm?
01:22:40Alright?
01:22:45Whatever you want.
01:22:55There's the other one.
01:22:56The last thing I needed was for him to steal this one too.
01:22:59He got this from his mother.
01:23:03It must be hereditary.
01:23:07Damn, what a family.
01:23:29No, no, no, no, no, no, no, no.
01:23:42Why did you lock her up in there?
01:23:43Because that way at least my florins will be safe tonight.
01:23:49Why would she have run to the lock from the inside?
01:23:52Because sleepwalkers don't know what they're doing.
01:23:55But the boys could take advantage.
01:23:57They would wake them up and they would scream.
01:24:00I'm dying of sleepiness, I can't take it anymore.
01:24:02You can't sleep in this house anymore.
01:24:05I'm going to get into bed.
01:24:06You must go to bed, master.
01:24:09Berta, if you hear the women screaming, let me know right away, okay?
01:24:13He is calm.
01:24:15They will not shout.
01:24:16No, huh?
01:24:16No.
01:24:17Good night, love.
01:24:22Arms outstretched, eyes closed, and they don't fall because they won't fall.
01:24:25No!
01:24:27Yes, I'll be an idiot.
01:24:29You have the same concern as my husband, don't you?
01:24:33It's because you don't like me.
01:24:34Yes, I like you guys, but I spent a sleepless night last night and I'm tired.
01:24:38You'll rest tomorrow, come on.
01:24:40Talk about it again, cooperate.
01:24:42Move it already.
01:24:44Move it already.
01:25:23It's me.
01:25:24A real woman.
01:25:26Now that's a real woman.
01:25:28Thanks to you.
01:25:49Do you believe anything about me, my husband?
01:25:51No.
01:25:53Don't you feel like doing anything else?
01:25:55No.
01:25:57Absolutely nothing.
01:25:59No.
01:26:01Well then, get dressed and go to hell.
01:26:06Marten.
01:26:07Marten.
01:26:09Throw my husband out and make the bed.
01:26:11Immediately, love.
01:26:14Come on.
01:26:15Ah.
01:26:16Come on.
01:26:16Get out of here.
01:26:17Below.
01:26:18Down, down.
01:26:24I couldn't stay, could I?
01:26:26And two.
01:26:27And two, and two, and two.
01:26:28I'm leaving now, I'm leaving now.
01:26:29And two, and two, and two, and two.
01:27:07La, la, la, la, la, la, la...
01:27:22Ay, la, la, la, la, la, la, la, la...
01:27:42La, la, la, la, la, la, la, la...
01:28:10La, la, la, la, la, la, la, la, la...
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