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00:29Subscribe to the channel!
00:30Oh, thanks.
00:34Hello, Fawlty Towers.
00:37Yes.
00:38Yes.
00:40No, this afternoon, that'd be fine.
00:43No, it's 16 Elwood Avenue.
00:4616, that's it.
00:48Thank you.
00:49Can't put these outside, don't you, my dear?
00:51Polly, this is where we'll be if you need us.
00:54There's the number.
00:55So if Mr. Stubbs wants to know anything when he comes, just ring.
00:57But don't, if you don't have to, love, it's the first weekend we've had off since Audrey had her hysterectomy.
01:02Don't worry.
01:03I know what they've got to do.
01:04Oh, someone called about a garden gnome.
01:06Oh, yes.
01:07Well, it's in and they're going to deliver it this afternoon.
01:09Oh, good.
01:09Um, golf shoes.
01:12Good morning, Major.
01:14Very well, thank you.
01:17Now, does everyone know about dinner tonight?
01:19I think so.
01:20But you'll be able to manage breakfast tomorrow, will you?
01:22Oh, it's just the ladies in the major.
01:24Where are those shoes?
01:25One moment, please.
01:26I will get your bill, get your bill.
01:28Manuel, get your bill.
01:31I will get your bill.
01:32Get, get, go, go.
01:34Get, get, go, go.
01:35That's it.
01:35I will get your bill.
01:38Polly, oh, Manuel, put those in the case.
01:40You, uh, will you come in here?
01:43Ah, now, Manuel, hold on.
01:44One moment, please.
01:45I will get your bill.
01:47What?
01:48I'll get your bill, see?
01:49What are you talking about?
01:50Hey, listen, no, please.
01:51Today, we have beef bill orthoticism.
01:55See, see, what?
01:56Bankers.
01:57Look, shut up.
01:58Hey?
01:58Shut up.
01:59Oh, yes, yes, shut up.
02:00Yes, I understand.
02:01Well, will you please shut up?
02:02Yes, yes, and shut up.
02:03Now, while we're away...
02:04Shut up.
02:04Shut up!
02:05Now, while we're away,
02:07Darn, clean the windows.
02:10Oh, look.
02:11Look, when we're away.
02:13What's away in Spanish?
02:14Huh?
02:14You know, away.
02:15Away!
02:16Oh, yes, yes.
02:16No, no, not you.
02:18We're away.
02:19Clean the windows.
02:20Green.
02:21No, no, look.
02:23Clean the windows.
02:25Clean the windows.
02:29Ah!
02:29I think, oh, no, no.
02:32Morning, Fongy.
02:33Morning, Major.
02:33The windows, see?
02:34Look, it's clean.
02:35Oh, the windows.
02:36Come, brother, come, brother.
02:38Oh, Mr. Courtie.
02:39Ah, morning, ladies.
02:41Ursula and I think you're a very naughty boy.
02:43Don't we, Ursula?
02:44Oh, God.
02:45Oh, really?
02:46Going away for the weekend
02:47and leaving us all alone.
02:49Ah, yes.
02:50Ah, but we know where you're going.
02:52The cat's out of the bag.
02:54You and your wife.
02:55Well, it's only Penton.
02:57Ah, we'll have a lovely time.
02:59It'll do you good.
03:00You need to get away from things.
03:03Yes, well, we're going together.
03:05And don't you worry about us.
03:07Oh, all right.
03:08Now, you know the men are coming to do some work here.
03:10Oh, yes.
03:10So you have to go to Glen Eagle's for your din-dins tonight.
03:13Yes.
03:14And Polly will be in charge if you need anything.
03:16Oh, have a lovely weekend.
03:18And don't do anything we wouldn't do.
03:21Oh, just a little breathing, surely.
03:22Oh well, I must buzz off now.
03:25What, buzz?
03:26Yes, you know, Abita.
03:27That's Babbity Bumble.
03:28Oh, buzz, buzz, buzz, buzz, buzz.
03:31Polly, I have asked you, please,
03:33not to leave your strange drawings lying around the place.
03:35I mean, I'm sorry, but what is this supposed to be?
03:37Oh, it's just a sketch.
03:38I mean, what is it?
03:39What are you trying to do?
03:40This is a junkyard, isn't it?
03:41Oh, can I have it?
03:42Why has it got a collar and tie under it?
03:43Well, it's not finished.
03:44It's very good, you know.
03:45Old soup tins, broken down cards, dustbins, mattresses, hoovers,
03:49and a nice smart collar and tie under it.
03:51I mean, what's it supposed to be?
03:52It's not important.
03:53Can I have it back?
03:53It's irritating.
03:55I mean, do you ever sell any of those?
03:56I sell a few portraits now and again, thank you.
03:58Oh, God.
03:59Haven't much hope for this one.
04:00Would you give me that stapler, please?
04:02I mean, what is the point of something like that?
04:03No point.
04:04No point.
04:05What's the point of being alive?
04:06Beats me, you're stuck with them, I suppose.
04:08Would you be the stapler, please?
04:09You don't go on at me.
04:11The stapler!
04:14Sorry.
04:14I mean, what's the matter with you today?
04:16I didn't get much sleep last night.
04:18We are leaving you in charge.
04:19I didn't do it to spite you, I promise.
04:21Oh, good.
04:21Well, you won't be all so tired, then, will you?
04:23Baldy Towers.
04:25Basil.
04:26Who is it?
04:27It's Mr. O'Reilly, Basil.
04:29It's odd.
04:30Must be about the garden wall.
04:31Hello, O'Reilly?
04:33Now, look.
04:33When are you coming to finish our garden wall?
04:35We are sick and tired of having that pile of bricks blocking.
04:37Now, listen, I told you not to call.
04:38You know, my wife thinks Stubbs is doing the doors.
04:41Well, what time will they be here, then?
04:43All right, four o'clock.
04:44Now, listen.
04:44If there's any problems, tell your men to get Polly to call me.
04:47Do you understand?
04:48So, next week's definite, then, is it?
04:50Oh, good.
04:50Well, that'll be nice, won't it?
04:51I mean, we waited for that wall about as long as Hadrian.
04:55No no.
04:56Hadrian.
04:56The Emperor Hadrian.
04:58He had a walk.
04:58It doesn't matter.
04:59I'll explain it next week.
05:00Thank you so much.
05:00Goodbye.
05:02You don't really believe all that, do you, Basil?
05:03We've been waiting four months.
05:05Why should he do it now?
05:05Oh, I think he will this time, dear.
05:07If you'd used Stubbs...
05:08We'd have a huge bill.
05:09Look, you get what you pay for.
05:11O'Reilly's a cut-price cock-up artist.
05:13Oh, Sibyl!
05:13Miss Daz, you may pay a little more.
05:15A little more?
05:16Yes, a little, but he does a really professional job, and he does it when he says he will.
05:21You'll see.
05:22When is he coming?
05:24Oh, about four o'clock, I think, dear.
05:26And you're going to wear that jacket, are you?
05:28Yes, I am, thank you, dear.
05:29Yes.
05:30You just haven't a clue, have you?
05:31You wouldn't understand, dear.
05:32It's called style.
05:35Woo-hoo!
05:37They're here, Basil.
05:38How fabulous.
05:40Do try to be agreeable this weekend, Basil.
05:43Now, have I got everything?
05:44Handbag, knuckle-dusters, flick knife.
05:47Come on, Basil.
05:48Don't hang about.
05:49I'm just coming, dear.
05:51Quick, Polly.
05:54Now, Polly, the men will be here at four o'clock.
05:56Do you know what they're doing?
05:56Well, they're putting the door through to the kitchen.
05:58At the bottom of the stairs, and?
05:59And?
06:00And blocking the drawing room door.
06:01Blocking it?
06:02Just blocking it off, girl, so we get a bit of privacy away from the plebs.
06:04Don't you take anything in?
06:05Where's my camera?
06:06Oh, and one other thing.
06:07When the men come, there won't be Stubbs'ers, there'll be O'Reilly's.
06:10Where is it?
06:10What?
06:11O'Reilly?
06:12Yes, yes.
06:13What does Mrs. Forty know?
06:14I don't know.
06:14I wouldn't mention it, though.
06:16They don't quite hit it off together.
06:17But you know that.
06:17Look, I have to change it.
06:18Stubbs has got a virus or something.
06:19Well, she said you were never using him again.
06:21I don't want to be a response.
06:21Look, he's sending his best men.
06:22All you have to do is take a quick look when they finish.
06:24All right?
06:24Any problems, call me.
06:25Right, have a nice weekend.
06:26Goodbye.
06:27If she asks me, I'll tell her.
06:29Oh, thank you.
06:30Thank you, Polly, so much.
06:31Yes, I've always been a great admirer of Paul.
06:36I forget.
06:37Oh, it doesn't matter, Manuel.
06:39From Nardole.
06:40Oh.
06:41Uh.
06:47Oh, he's Mr. Fawlty.
06:49Shh.
06:51Windows, please.
06:52Yeah.
06:59Oh, Polly, it's finished.
07:00I'm tired.
07:01Oh, that's wonderful, Manuel.
07:02Just hold it a second.
07:03That?
07:05Ah, I want to get a shitty unemployment rate.
07:07Oh, no, no, no, please.
07:07You must speak English to me.
07:08It's good.
07:08I learn.
07:09I want to go upstairs in a moment.
07:12Huh, what?
07:14Should I go upstairs?
07:15Ah, yes.
07:16Easy, easy.
07:17For a little sleep.
07:18It's difficult.
07:19For siesta.
07:21Snap?
07:21A little sleep?
07:22Yes.
07:23Oh, same in Spanish.
07:24When O'Reilly's men come, you must wake me.
07:27When O'Reilly's men, oh, yes.
07:29No, Manuel, listen.
07:30When men come here,
07:32Mr. O'Reilly.
07:33Ah, when men come?
07:34You come upstairs and wake me up.
07:36Hey.
07:38Wake me up.
07:39Ah, yes.
07:39When men come, I'll go to your apartment to wake up.
07:42Before I start playing proper hockey, okay?
07:44I understand, I understand.
07:45Finished.
07:46Hey?
07:46Oh, good.
07:54Manuel!
07:57Yes.
08:00Manuel Towers, how are you?
08:02It's nice today.
08:04Good.
08:04Goodbye.
08:11Oh, good day.
08:13Hello.
08:13How are you?
08:15Number 16.
08:16Yes, 16, but no eat.
08:18What?
08:1916 is free, but not possible.
08:21Is this number 16?
08:23No, no, this lobby.
08:2416 upstairs on the right.
08:27Who's in charge here?
08:28No, no, charge later after sleep.
08:31Where's the boss?
08:32Uh, boss is, uh, oh, I boss.
08:36No, no, no, no.
08:37Where's the real boss?
08:39What?
08:40What?
08:40The, the, the generalissimo.
08:43Madrid?
08:46Look, just sign this, will you?
08:49Yes, yes, yes, yes.
08:50Uh, 16.
08:52What?
08:52Do you want room 16?
08:53No, I don't want a roommate.
08:56I'm just leaving him, right?
08:58Do you want room 16 for him?
09:01Yeah, with a bath.
09:03You dago twit.
09:04Are you mad?
09:05Are you mad?
09:06Do you pay for the room first?
09:07Go crazy.
09:08For room 16, no room 16, no, no pay, no room 16.
09:12Ah, ah.
09:14Ah.
09:15Hey.
09:17Hey.
09:18Fawlty Towers, how are you?
09:20Nice day.
09:21What?
09:21Uh, no, no, no, he's not here.
09:24He's not here, very, very sorry.
09:25Eh, goodbye, goodbye.
09:26Oh.
09:28Ah.
09:29Hello, men.
09:30Good day now.
09:32Hey, you are men.
09:33What about you?
09:34You are men.
09:35Are you trying to be funny?
09:37Huh?
09:37I said, are you trying to be funny?
09:39Not here, but not here.
09:40You are men with O'Reilly.
09:41What?
09:42You O'Reilly men.
09:43What does that mean?
09:44You O'Reilly.
09:44You watch it.
09:45Where O'Reilly?
09:46What's he going on about?
09:47He means O'Reilly.
09:49What?
09:50Oh.
09:51Oh.
09:51Yes, that's right, yes.
09:53We are O'Reilly men.
09:56There goes a plank.
09:58Wait here, please.
09:59I go.
09:59You wait.
10:00Hey, hey, hey, you wait too, please.
10:06Oh.
10:15Oh.
10:19Oh.
10:19Oh.
10:19Oh.
10:19Oh.
10:21Oh.
10:31Oh.
10:32Oh.
10:32Hello, Folly Towers.
10:33How are you?
10:33It's a nice day.
10:34Oh, you again.
10:35No, I say he's not here.
10:36He is not here.
10:37Very, very sorry.
10:38Goodbye.
10:39Oh, cold.
10:40Wicked.
10:41Hey, you men know what to do?
10:43Oh, I think so. This is the, uh, dining room.
10:46Are you certain you know?
10:47It looks pretty simple. We've just got to block this one off.
10:51Yes, yes, yes!
10:53Oh, Jürgen, now listen.
10:55He's not here. How many times?
10:56Where are your ears, you great big half-wit?
10:59He's not here. Listen!
11:03Now you want to stand?
11:06He...
11:09Oh, Mr. Fawlty. I'm very sorry. Very sorry, are you?
11:13Yes, it's me, Mr. Fawlty.
11:16Polly, no, no, she's very busy.
11:19Men? Yes, men are here.
11:21Men are work. You work, men.
11:23Yes.
11:25Which? Ah, yes, man with beard.
11:27Please, which one is man with beard?
11:31Hey, kid.
11:32Yes, yes.
11:33Kid. Ag.
11:35Ag. Ag. Yes, yes, buying.
11:36Yes, one moment, please.
11:39Eh, you are a hideous orang-outang.
11:45Thank you very much.
12:12Hey!
12:26Stop! Stop!
12:45Stop! Manuel!
12:54Stop!
12:55Stop!
12:55Has he/she
12:56Not D-Eleven?
13:05Why not?
13:07The day of the Atting Center
13:08Are you?
13:10Is it your fault?
13:10No, no, no, no, no, no, no, no.
13:40No, no, no, no, no, no, no.
14:10No, no, no, no, no, no, no, no.
14:16No, no, no, no, no, no, no, no.
14:45No, no, no, no, no, no, no.
15:07No, no, no, no, no, no, no, no.
15:13No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:20no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:27no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:31no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:41no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
15:44Can I say tomorrow?
15:46Yeah.
15:47Yeah.
15:49What are you going to do now?
15:50That?
15:51What are you going to do now?
15:53What are you going to do now?
15:55Oh ok!
15:55Let's see!
15:57Yeah.
16:01Where is the door?
16:04Where is?
16:06The door is here!
16:07Where is!
16:12Good morning!
16:12Good morning, Major.
16:13I'm so sorry.
16:14I'm afraid the dining room door
16:15seems to have disappeared.
16:17Oh, yes.
16:18Oh, yes, so it has.
16:19It used to be that.
16:20Yes, well, I was silly enough
16:21to leave the hotel
16:22for a few minutes.
16:23Yes, well, these things happen,
16:25You know.
16:25Now I wonder where it's got to.
16:27Oh, well, don't worry.
16:29It's bound to turn up.
16:30Oh, oh.
16:30Has the newspapers arrived yet?
16:32Not yet, no, Major.
16:33And Manuel,
16:34will you please show the Major
16:35How to get into the dining room
16:36via the kitchen?
16:37It's difficult.
16:38Oh, Major,
16:38Will you please show Manuel?
16:39How to get into the dining room
16:40via the kitchen?
16:40Oh, yes, yes, of course.
16:42Come here.
16:42Come on, watch in here.
16:46Now, look here, everybody.
16:47I want my dining room door
16:48put back in.
16:49No, it's not the one
16:49taken away by one o'clock.
16:50Do you understand?
16:51No, no, no.
16:52I don't want to debate about it.
16:53If you're not over here
16:54in 20 minutes with my door,
16:55I should come over there
16:56and insert a large garden
16:57in you.
16:57Good day.
17:01I'm sorry, Mr. Fawlty,
17:03But my men just won't work
17:04on a Sunday
17:05And that's the way it is.
17:06There's nothing I can do about it.
17:07Well, how long is it going to take you?
17:08Well, I'm working as fast as I can.
17:10Well, I'd rather be fast enough.
17:11I mean, she is here
17:12in four hours.
17:13Aunt.
17:14What?
17:15Brewed a cup of fringar.
17:16Oh, lovely.
17:16He hasn't got time
17:17to drink that now.
17:18Biscuit?
17:18Oh, these look good.
17:19Give them to me.
17:19Now, will you get on with it?
17:20Look, look, look.
17:21This lot here,
17:22an hour and a half.
17:23This one, easy.
17:24Lick a paint,
17:25lick a paint,
17:26lick a paint one hour.
17:27Um, what time is it now?
17:29Ten to nine.
17:29All right, ten to nine
17:30and two and a half hours
17:31There is plenty of time.
17:33Give us a business.
17:33No, no, you can have one
17:34when you've done the door.
17:35Polly, take my way.
17:35You can have that
17:36when you've finished the door, too.
17:37The trouble with you, Mr. Fawlty,
17:39is that you're worried too much.
17:40But you keep it up like this
17:41and you'll have a stroke
17:42before you're 50.
17:43Stone dead, you'll be.
17:45Suits me.
17:46That's a dreadful thing to say.
17:47Not at all.
17:48Get a bit of peace.
17:49Don't be so morbid.
17:50The good lord made the world
17:51so that we could all enjoy ourselves.
17:53Look, my wife enjoys herself.
17:55I'm worried.
17:56Well, let me tell you,
17:57if the good lord meant us to worry,
17:59he would have given us
18:00things to worry about.
18:01He has.
18:02My wife.
18:03She will be back here
18:04in four hours
18:05and she can kill a man
18:06at ten paces
18:06with one blow up her tongue.
18:08How am I supposed not to worry?
18:11Just remember, Mr. Fawlty,
18:12There's always someone
18:13worse off than yourself.
18:15Is there?
18:15I'd like to meet him.
18:16I could do with a laugh.
18:17You'll just have to worry
18:18for both of us.
18:19I'm telling you,
18:19If the good lord...
18:20He's mentioned it once more,
18:21I shall move you closer to him.
18:23Now, please!
18:25Mr. Fawlty, she's here.
18:26What?
18:27She's here.
18:27Oh, God.
18:30Can't be mad.
18:31I'll just get them.
18:41I'll try and get rid of a hide.
18:43What?
18:43Where?
18:43In there.
18:43In there.
18:44I'll try and stall.
18:45Oh, God help me.
18:47Hello, Sybil.
18:48Hello, Basil.
18:50Well, you finished your gulf earlier.
18:52We haven't started yet, Basil.
18:54Ah, where are you going, dear?
18:55Up these steps.
18:56Oh, dear, it's such a lovely day.
18:57Let's go for a walk.
18:58We haven't done that for years.
19:00Oh, Sybil, I nearly forgot.
19:01You're not going to believe this.
19:02Let me show you.
19:03There.
19:05Look at that.
19:07There's Stubbs for you.
19:09Cool.
19:10Mind you, I warned you, but still, a reputable builder like that.
19:17Stubbs?
19:19Wicked.
19:21Where's O'Reilly, Basil?
19:23Criminal.
19:30Where's O'Reilly?
19:32O'Reilly?
19:33Yes, O'Reilly.
19:35Sybil, you never cease to amaze.
19:37I mean, just because of this, you automatically assume it has to be O'Reilly, right?
19:41I mean, you just assume that I have been lying all along, right?
19:44I mean, why O'Reilly?
19:46Because his van's outside.
19:48Well, he's here now.
19:50Of course he's here now.
19:51He's got to clear up this mess that your Stubbs has made.
19:53That's why his van's outside.
19:56On a Sunday.
19:56I mean, that's what I call service.
19:58I agree.
19:59Do you?
20:00Yes, but if Stubbs has made this mess, then I think they should come and clear it up.
20:04Well, yes, but I mean, there's no point now that O'Reilly's here, dear.
20:06I mean, we want it done straight away.
20:07Yeah, well, there's no point in paying money to Mr. O'Reilly when Mr. Stubbs would have to do it
20:10for free.
20:11I'll call him now.
20:12Well, he won't be there on a Sunday, dear.
20:13Well, then I'll call him at home.
20:14Oh, I'm getting a bit of a chip from the old lake this morning.
20:20Don't worry.
20:20Anyway, I've called him at home and he's not there.
20:23When did you call him?
20:24Oh, first thing, before I called O'Reilly.
20:26Wasn't that rather early for a Sunday?
20:27Well, I called him just a few minutes ago, just before you arrived.
20:29There's nobody there.
20:33Oh, yes, hello.
20:34Fawlty Towers, yes.
20:36Who?
20:38Uh, yes, I think you'd better have a word with my wife.
20:41Um, somebody for Mr. Stubbs, dear.
20:44Hello, Sipfawlty.
20:46Well, it is a complete mess.
20:49Well, could you come straight round and put it right?
20:52Would you like to deal with this, Basil?
20:55So, you see, we couldn't possibly manage it for at least three weeks.
20:58But if you want it done straight away, I suggest you try someone like, uh,
21:02Oh, what's his name?
21:04It's, uh...
21:05O'Reilly?
21:07Bravo, Polly.
21:08Well done, girl.
21:08But listen, where are you speaking from?
21:10She's in here with me, Basil.
21:13This is my wife.
21:15Well, I should have told you...
21:16Is there someone there trying to pretend that they're from Mr. Stubbs' company?
21:19What sort of game do you think you're playing?
21:20I mean, really.
21:21Real.
21:22Would you believe what some of these people will do, Simo?
21:24I am going to make you regret this for the rest of your life, Basil.
21:27Well, fair enough, I suppose, but I think Stubbs is partly...
21:29Basil!
21:31Don't you dare, don't you dare give me any more of those pathetic lies!
22:03Oh, right.
22:05Well, you got him in to change a washer in November and we didn't have any running water for two
22:09weeks.
22:09Well, he's not really a plumber, dear.
22:10Well, then why did you hire him?
22:13Because he's cheap.
22:14Oh, I wouldn't call him cheap, Sybil.
22:15Well, what would you call him then?
22:17Well, cheap-ish, but I mean...
22:18Well, the reason he's cheap-ish is he's no bloody good.
22:22I mean, he's not brilliant.
22:24Not brilliant, he belongs in a zoo.
22:26Oh, Sybil, you've never given anyone the benefit of the doubt.
22:29He's shoddy, he doesn't care, he's a liar, he's incompetent, he's lazy, he's nothing but a half-witted, thick Irish
22:34joke.
22:35Oh, hello, O'Reilly, how funny we were just talking about you.
22:37And then we got on to another Irish bill we used to know.
22:40Oh, God, he was awful!
22:42I was talking about you, Mr O'Reilly.
22:44Were you there?
22:45I thought you were talking...
22:47Come, come, Mrs. Fawlty.
22:49I'm coming.
22:50Oh, dear me, what have I done now?
22:52That and that.
22:53Not to worry, I'm putting it right.
22:55Nothing to worry about?
22:56You've heard of the genius of the lamp, Mrs Fawlty.
23:00Well, that's me.
23:01You think I'm joking, don't you?
23:04Oh, don't smile.
23:06Why are you smiling, Mr O'Reilly?
23:08Well, to be perfectly honest, Mrs Fawlty, I like a woman with spirit.
23:12Oh, do you? Is that what you like?
23:14I do, I do.
23:15Oh, good.
23:17Now, Sybil, that's enough.
23:20Come on, then, give us a smile.
23:25Oh, O'Reilly, I have seen more intelligent creatures than you lying on their backs at the bottom of ponds.
23:30I have seen better organized creatures than you running round farmyards with their heads cut off.
23:34Now, collect your things and get out.
23:37I never want to see you or any of your men in my hotel again.
23:42Now, if you'll excuse me, I have to speak to a professional builder.
23:45Hello, Mr. Stubbs.
23:47It's civil faulty here.
23:48I'm sorry to disturb you on a Sunday morning.
23:50We have a slight problem with a couple of doors we'd like you to take care of.
23:53When do you think you could come round and take a look at them?
23:57Tomorrow morning at nine o'clock.
23:59That'll be fine.
24:00See you then.
24:01Thank you very much.
24:02Goodbye.
24:04Well, I think I shall go over to Audrey's now and I shan't be back until the morning.
24:09Oh, Basil.
24:10Yes, dear?
24:10What are they doing here?
24:12It's your garden home, dear.
24:13Isn't it nice?
24:14Well, don't you think it will be better in the garden?
24:16Yes, dear.
24:17Good idea.
24:18Oh, no, no, no.
24:18Basil, put him back.
24:19On second thoughts, I think I'll leave him in charge.
24:21I'm sure he's cheap and he'll certainly be better at it than you are.
24:26Have a nice day, dear.
24:29Don't drive over any mines or anything.
24:32Tarsic midget.
24:34Where are you going, O'Reilly?
24:35Would you please take your tools back and continue with the work?
24:38Well, I can't infuse what Mrs. Fauci was saying.
24:40You're not going to take that seriously, are you?
24:42Well, I thought I might.
24:43You thought you were a man.
24:45What sort of a man are you, O'Reilly?
24:46Are you going to let her speak to us like that?
24:47Well, she did.
24:48No, she didn't.
24:49She thinks she did, but we'll show her.
24:51We're not just going to put that door back and take that one out.
24:53But we're going to clean that one off and put that one through as well.
24:56We're going to do the best day's work you've ever done, O'Reilly.
25:04Manuel, any sign?
25:06Yeah, no, no, no, no.
25:08Morning, Fauci.
25:09Ah, morning, Major.
25:10Paper secure?
25:11Ah, good.
25:12Is there anything new, Major?
25:13Another car strike.
25:15Never mind, never mind.
25:16Morning, Major.
25:17Oh, good morning, uh...
25:19Never mind.
25:20Oh, right.
25:22Ah!
25:22Ah, you found it.
25:24I knew you would.
25:25He lost it, you know.
25:27Mr. Follies, she come now.
25:29She's coming now.
25:29Quick, quick.
25:30Er, please.
25:50Morning, girl.
25:58Did you have a pleasant evening, dear?
26:00Oh, good.
26:01Ah, Mr. Stubbs, my wife's just there.
26:03Thank you.
26:03Good morning, Mrs. Forty.
26:05Oh, Mr. Stubbs, this is most awkward.
26:07I'm afraid I have to apologize.
26:12My husband has put me in rather in an embarrassing situation once again.
26:16I was going to ask you to do some work here.
26:18Yes?
26:19Er, but I was away last night, and when I came back just now, well, it appears to have been
26:23Done.
26:23Everything alright, dear?
26:24Oh, I see.
26:25I mean, it'll probably all fall down by lunchtime.
26:28Oh, do you think so, dear?
26:29Well, let's ask a real expert.
26:30Do you think it'll all fall down by lunch, Mr. Stubbs?
26:32Oh, no, no.
26:33No, Mr. Stubbs wouldn't agree with you on that one, dear.
26:35It's a very good job.
26:36Oh, did you hear that, dear?
26:37Very good job.
26:39Hmm?
26:40Oh, none of us likes being wrong, dear.
26:41I certainly don't.
26:42And then we knock through this door here, and we close this one off.
26:45What did you use?
26:47RSJ?
26:47No, no, 4x2.
26:49Not bad, eh, dear?
26:50And not expensive.
26:51Oh, I mean, for the lintel.
26:52Did you use an RSJ?
26:54You know, an iron girder.
26:56Or did you use a concrete lintel?
26:58Er, no, a wooden one.
27:00But that's a supporting wall.
27:02What?
27:03Remove.
27:03Well, thank you very much for coming over this morning.
27:06Just a minute.
27:07You mean that isn't strong enough?
27:09That's a supporting wall, Mrs. Foley.
27:10You could give away at any moment.
27:12Any moment?
27:13Yeah, good help.
27:14The floor's above.
27:14Look, keep this door shut.
27:16So I can get a screw jack to prop it up before the bloody lot comes in.
27:19I don't know, cowboys.
27:21Basil?
27:23Basil!
27:24Basil!
27:28I'm going to see Mr. O'Reilly, dear.
27:30I think I might go to Canada.
27:39I think I might go to Canada.
27:42I don't know.
27:42I can't believe that.
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