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00:23One double room without Bath, the 16th, 17th and 18th.
00:26Yes, and if you'd be so good as to confirm by letter,
00:28thank you so much. Goodbye.
00:31Have you made up the bill for room 12, Basil?
00:32No, I haven't yet, no.
00:33Well, they're in a hurry. Polly says they didn't get their alarm call.
00:37And, Basil, please get that picture up. It's been there for a week.
00:40It's been there since Monday, Sybil.
00:41Tuesday, Wednesday, Thursday. Good morning.
00:46Friday, set...
00:52Manuel, there is too much butter on those trays.
00:56There is too much butter on those trays.
01:00No, no, no, senor. Not on those trays.
01:05No, sir. Uno, dos, tres.
01:07No, dos, tres.
01:12¿Qué?
01:13Hay mucho burro ali.
01:15Ah, mantequilla.
01:17What?
01:17¿Qué?
01:18Mantequilla. Burro is, uh, is, uh, y o.
01:24Burro. Burro.
01:25Y o.
01:26Manuel, por favor, momento.
01:28Sí, sí, sí.
01:29I...
01:29Nothing, dear. I'm just dealing with it.
01:31He's been good, how you say...
01:33English.
01:34Mantequilla.
01:37Solamente dos...
01:37Dos.
01:39Well, don't look at me. You're the one who's supposed to be able to speak it.
01:42Two pieces. Two each.
01:45Arriba, arriba.
01:48Well, I don't know why you wanted to hire him, Basil.
01:51Because he's cheap and keen to learn, dear.
01:52And in this day and age...
01:54But why did you say you could speak the language?
01:56I learned classical Spanish, not the strange dialect he seems to have picked up.
02:00Be quicker.
02:01Be quicker to train a monkey.
02:03Morning, Miss Gatsby. Morning, Miss Tibbs.
02:04Good morning. Good morning.
02:09Basil.
02:10Yes, dear?
02:11Are you going to hang the picture?
02:13Yes, I am, dear. Yes, yes.
02:14Well, when I've... When I've... Hmm?
02:16Well, why don't you do it now?
02:17Well, I'm doing this, dear. I'm doing the menu.
02:19Well, you've got all morning to do the menu. Why don't you hang the picture now?
02:23Well?
02:23Yes, all right. I won't do the menu.
02:24I don't think you've realised how long it takes to do the menu.
02:26But no, it doesn't matter. I'll hang the picture now.
02:28If the menus are late for lunch, it doesn't matter.
02:30The guests can all come and look at the picture until they are ready, right?
02:33Lower.
02:36Lower.
02:37Up a bit.
02:39Thank you, dear. Thank you so much.
02:41I don't know where I'd be without you.
02:43Land of the living, probably.
02:49Yes?
02:51Could we have our bill, please?
02:53Well, can you wait a minute?
02:54Well, I'm afraid we're a bit late for our train.
02:56We didn't get our alarm call.
02:58Right!
03:00That was under five, you know.
03:02We do have staff problems. I'm so sorry it's not all done by magic.
03:05Basil, are you doing the menu?
03:06No, I'm not doing the menu, dear.
03:08I'm doing the bill for these charming people who are in a hurry.
03:11I'm sorry to cause all this trouble,
03:12but the reason we're late is we didn't get our alarm call.
03:15Oh, dear, I am sorry.
03:16Basil, where didn't they get their alarm call?
03:18Because I forgot.
03:19I am so sorry I am not perfect.
03:23There you are.
03:24There's the bill.
03:24Perhaps you'll pay my wife.
03:25I have to put the picture up.
03:27There aren't any dustbins to be cleaned out.
03:29Newsplay board!
03:37Goodbye!
03:38See you again.
03:42Don't forget the picture, Basil.
03:44I won't, dear. Leave it to me.
03:45I'm going out now. I expect it to be up when I come back.
03:49Drive carefully, dear.
03:52Morning, Major.
03:53Morning, Volta.
03:54I do apologise for the tardiness at the arrival of your newspaper this morning, Major.
03:57I will speak to them again, see if something can be done.
03:59Ah, more strikes.
04:01Dustman, post office.
04:03Oh, makes me want to cry, doesn't it?
04:04What's happened to the old idea of doing something for your fellow man?
04:07Of service?
04:08I mean, today, people just...
04:09Yes, I'm coming, I'm coming.
04:11Wait a moment.
04:13I treat you like dirt, you know.
04:14Of course, it's pure ignorance.
04:16We're the class of guests.
04:17Ah, Dolly Vera made a hundred.
04:19Did he?
04:19Yes.
04:19Did he, really?
04:20Good for him.
04:21Good old Dolly.
04:22Oh, well, well.
04:23Ah, thank you, boy.
04:25Ah, we're only staying till Sunday.
04:28Right, thank you.
04:55Oh, I thought you were going out, dear.
04:57What's this?
04:59I decided, Sybil, to advertise...
05:01How much did it cost?
05:02Oh, I have...
05:03Fifteen.
05:04Forty.
05:05Forty?
05:06I have told you where we advertise.
05:09Sybil, I know the hotel business.
05:11No, you don't, Basil.
05:12Sybil, we've got to try and attract a better class of person.
05:15Why?
05:16Well, we're losing tone.
05:17You're making money.
05:18Yes, yes.
05:20Just?
05:21Yes, but now we can try and build up a higher class of clientele.
05:25Turn away some of that riffraff.
05:26So long as they pay their bills, Basil.
05:28Is that all that matters to you, Sybil?
05:30Money?
05:30This advertisement is a waste of 40 pounds.
05:33One moment.
05:34One moment, please.
05:37Well?
05:38Well?
05:39My dear woman, Sir Richard and Lady Morris arriving this evening for two nights.
05:42You see, they saw our advertisement in Country Life.
05:45I wish they were staying a week.
05:46Well, so do I.
05:47Might pay for the ad, then.
05:48Sybil, look, if we can attract this class of customer, I mean, the sky's the limit.
05:53Basil, 22 rooms is the limit.
05:56Have you seen the people in room six?
05:59They've never even sat on chairs before.
06:01They're the culprits of my vulgarist, most...
06:15Hello.
06:18Got a room?
06:21I beg your pardon?
06:22Got a room for tonight, mate.
06:26Now, shall I have to see, Sir?
06:27A single?
06:28Yeah.
06:29No, make it a double.
06:30I feel lucky today.
06:34Hello.
06:35Good morning.
06:39Only joking.
06:41No, we haven't...
06:41What?
06:42We haven't any rooms.
06:43Good day.
06:43Number seven is free, Basil.
06:45What? No, Mr. Tone is in number seven, dear.
06:47No, he left while you were putting the picture up, Basil.
06:50You have luggage, sir?
06:51Just one case.
06:53In the car.
06:54The white sports.
06:57Fill this in, would you, sir?
06:58If you can.
07:02I hope you enjoy your stay, Mr. Brown.
07:05Manuel, would you fetch this gentleman's case from the car outside to take to room seven?
07:13He's not easy for me.
07:14What?
07:15He's not easy for me, entender.
07:17Ah, it's not easy for you to understand.
07:19Manuel, we're training him.
07:21He's from Barcelona.
07:22I don't know.
07:23In Spain.
07:25Obtener la valisa.
07:27Okay?
07:28La valisa en el auto bianco sportif y a la sala siete, por favor.
07:39Pronto?
07:40He's impossible.
07:42What?
07:42He's impossible.
07:43It's perfectly simple.
07:44Manuel, si vas, y busca mi equipaje que esté en el automovil blanco y lo trae a la sala
07:50número siete.
07:52Señor, habla español.
07:54Oh, solo un poco, lo siento.
07:56Pero he olvidado mucho.
07:58No, señor, hablo muy bien.
07:59Muy, muy bien.
08:00Formidable.
08:01Gracias, gracias.
08:02Lo voy a coger ahora.
08:08Well, if there's anything else, I'm sure Manuel will be able to tell you, as you seem to
08:12get on so well together.
08:14All right, key.
08:38Hello, dear.
08:39Just doing the picture.
08:42Don't forget the menu.
08:45I beg your pardon?
08:47Don't forget the menu.
08:48I thought you said you want...
08:49Right, I'll do the menu.
08:53You could have had them both come by now if you hadn't spent the whole morning skulking
08:56in there listening to that racket.
08:58Racket?
09:00That's Brahms!
09:03Brahms' third racket!
09:08The whole morning.
09:10Two bars.
09:13Ready to order?
09:14Yeah.
09:15What's a grail frit?
09:17Grapefruit.
09:18Oh.
09:19And Crane Pot Rouge.
09:22Oh, Portuguese.
09:23Tomato soup.
09:23I'll have the grail for it.
09:26Now.
09:27Balm carousel.
09:29Lamb?
09:30Casserole.
09:30Oh, sounds good.
09:31Does it come with a smile?
09:32Comes with sprouts or carrots?
09:34Oh, a smile's extra, is it?
09:35You'll get one if you eat up all your sprouts.
09:39Waiter.
09:47I beg your pardon?
09:49Oh, hello.
09:51Can I have some wine, please?
09:52The waiter is busy, sir.
09:54But I will bring you the carte de vin
09:56when I've finished attending to this gentleman.
09:58Oh, fine.
09:59No worry.
10:00Oh, good.
10:00How nice.
10:01I'm very good.
10:02I trust the beer is to your satisfaction, sir?
10:04Yeah.
10:06Fine.
10:07Ah, good.
10:07May I wish you bon appetit?
10:11Manuel?
10:14Would you fetch the wine list, please?
10:16Si, senor.
10:18The wine list.
10:20See?
10:21The wine...
10:21Vino.
10:22Senor.
10:23No, no, no.
10:24No, no, no.
10:24The list.
10:26There, there, the list.
10:29The list there.
10:31The red cross.
10:32Look there.
10:34There.
10:35Ah.
10:38Thank you, Manuel.
10:44Have you got half a bottle of the Beaujolais?
10:46Yes.
10:48Oh, fine.
10:49Right, give me mine.
10:50Manuel, another grapefruit for David's 12, please.
10:53Manuel, I do a beg of a pardon.
10:55I apologize.
10:56I'm so sorry.
10:57I'm so sorry.
11:06I'm so sorry.
11:09Oh, throw it away.
11:12Now!
11:14Throw it away!
11:19Sorry.
11:20Sorry.
11:20What do you mean, throw?
11:22Sorry.
11:34What do you mean, throw?
11:35What do you mean, throw it away?
11:37One half-bottle of Beaujolais.
11:41Symbol!
11:42Someone at reception, dear.
11:48Yes, yes, well, yes.
11:51Well, I was wondering if you could offer me accommodation for a few nights.
11:54Well, have you booked?
11:54I'm sorry.
11:55Have you booked?
11:56Have you booked?
11:56I know.
11:57Oh, dear.
11:58Why, are you a fool?
12:00No, no, we're not full.
12:02I'm a fool.
12:03Of course we're not full.
12:05Well, I'd like to...
12:06One moment, one moment, please.
12:09Yes?
12:10A single woman.
12:11Your name, please.
12:11Could I have your name?
12:12A male one.
12:13One second, please.
12:14Hello?
12:16Ah, yes, Mr. O'Reilly.
12:17Well, it's perfectly simple.
12:18When I asked you to build me a wall,
12:20I was rather hoping that instead of just dumping the bricks in a pile,
12:23you might have found time to cement them together,
12:25you know, on top of the other in the traditional fashion.
12:28Could you fill it in, please?
12:30Oh, splendid.
12:33Ah, yes, yes, yes.
12:34Ah, but when, Mr. O'Reilly?
12:35There, there, there.
12:38Yes, yes, yes, but when?
12:40Yes, yes, yes, yes.
12:43Ah, the flu.
12:44Yes.
12:45Both names, please.
12:47Yes, I should have guessed, Mr. O'Reilly.
12:48That of the potato famine, I suppose.
12:50Yeah, I beg your pardon.
12:52Would you put both your names, please?
12:54Well, will you give me a date?
12:55I only use one.
12:57You don't have a first name.
12:58You know, I'm Lord Melbury, so I simply sign Melbury.
13:05Go away.
13:06I'm so well sorry to you, Captain Wraith,
13:09but I do apologise.
13:10Please do accept my forgiveness.
13:12Now, is there something,
13:13something, anything, that I can do for you?
13:15Anything.
13:16Ah, yes, well, I have filled this in.
13:18Oh, please, don't bother with that.
13:19Now, a special room, a single?
13:21A double?
13:22A suite?
13:23Well, we don't have any suites,
13:23but we have some beautiful doubles.
13:25Oh, no, no, no, no, just a single.
13:26Just a single, absolutely.
13:27How very wise, if I may say so, Your Honour.
13:29With a bath.
13:30Oh, naturally, naturally.
13:33Naturellement.
13:36I shall, I shall be staying for one or two nights.
13:39Oh, please, please.
13:40Manuel!
13:46Well, it's rather grey today, isn't it?
13:48Oh, yes, it is rather.
13:48Yes, of course, usually down here,
13:50it's quite beautiful,
13:50but today is a real old,
13:53er, rotter.
13:56Manuel!
13:58Still, it's good for the wheat.
14:00Oh, yes, I suppose, sir.
14:00Oh, yes, I hear it's coming on wonderfully at the moment.
14:03Oh, thank God.
14:04Oh, I love the wheat.
14:05Oh, there's no sight like a field of wheat
14:07waving in the...
14:09waving...
14:10Manuel!
14:11Oh!
14:13Well, how are you?
14:15I mean, if it's not a personal question,
14:17well, it is a personal question.
14:17Lord, let me get your cases for you.
14:19Oh, yes, thank you very much.
14:20They're just outside.
14:21Thank you so much.
14:22I won't be alone now.
14:27Well, you know,
14:28it's bringing a...
14:29Well, you just put your...
14:31Ah, Lord, Melville,
14:32um, may I, may I introduce my wife?
14:34Yes, we have, ma'am.
14:35Ah, my wife, may I introduce his lordship?
14:37Thank you, Basil, we've sorted it out now.
14:39Splendial, splendid.
14:41Now, could I deposit this case with you?
14:43It's just a few valuables.
14:45Valuables, ma'am.
14:45Of course, please, let me take it now
14:47and have it put in the safe straight away.
14:49Sybil, would you put this in the safe, please?
14:50I'm just off to the kitchens, Basil.
14:52Yes, well, if you're too busy.
14:53Nice to have met you, Lord Melbury.
14:54Hope you enjoy your stay.
14:55Thank you so much.
14:56I'll do it then, then I'll do the picture.
14:57I'll put this away in one moment, your lord.
14:59Manuel, would you take these cases
15:01to room 21?
15:04Okay?
15:05Take to room 21.
15:09No, entender.
15:11Prende las casas.
15:13Oh, it doesn't matter.
15:14I'll do it.
15:14Right, thank you, Manuel.
15:16Oh, I take them.
15:17No, no, no.
15:17See, see, see.
15:18Wait.
15:19Go and wait.
15:21Wait.
15:22Wait.
15:22Wait.
15:23In there.
15:23Go and wait in there.
15:24Go and be a waiter in there.
15:30I do apologise, your lordship.
15:32I'm afraid he's only just joined us.
15:34It'll be quicker to train a monkey.
15:48Oh, do, uh, do please follow me.
15:50I mean, if you're ready.
15:51There's no hurry.
15:52Oh, yes, yes.
15:53No, fine.
16:00Excuse me.
16:01I'm sorry to bother you.
16:01Would you mind moving to that table?
16:03Of course.
16:04Could I ask you, please, to move to that table over there?
16:06I'm so sorry to trouble you.
16:08We're halfway through.
16:08Thank you so much.
16:09This is Lord Melbury's table, you see.
16:11What?
16:11Lord Melbury, when he says he's with us, he always sits at this table.
16:14Why did they put us here, then?
16:16An oversight on my wife's part.
16:17I'm so sorry.
16:18He's only just arrived, you see.
16:19Would you mind, Polly?
16:20Would you help these people move to that table?
16:22Great food round your ears.
16:23Thank you so much.
16:24Come on, come on.
16:36Ah, Lord Melbury, do please come this way, Your Lordship.
16:39I have your table over here by the window, as usual.
16:43Just here.
16:46Thank you very much.
16:46Yes, you're welcome.
17:06Lord Melbury, I really must apologize again.
17:08Please, please, think nothing of it.
17:10Oh, but it was...
17:11No, no, no.
17:12Smallest of accidents could have occurred anywhere.
17:14Yes, but I mean...
17:15No, no, I've forgotten all about it.
17:17Well, that's most obvious, not really.
17:18Your Lordship, would you allow me to offer you dinner here tonight as our guest?
17:24Oh, that's extremely kind of you.
17:25Unfortunately, I have an engagement tonight.
17:27Oh, actually, there is one thing.
17:30Oh, good.
17:32I was wondering, can you cash me a small check?
17:35I'm playing golf this afternoon.
17:37Oh, delighting.
17:37I'd rather not go into the tar.
17:39Absolutely.
17:40I mean, how much?
17:42If it's not a rude question.
17:43No, well, could you manage 50...
17:46Oh, 100?
17:48100?
17:49Oh!
17:51Absolutely.
17:52Oh, yes.
17:53I mean, will 100 be enough?
17:55I mean, 150?
17:56200?
17:57160?
17:58Oh, yeah.
17:59Well, now, let's see.
18:00It's dinner tonight.
18:00A few tips.
18:01Oh, and it's weekend, isn't it?
18:02Would 200 be all right?
18:07Oh, please.
18:08Oh, tremendous.
18:10Oh, I'm so happy.
18:12I'll send someone down to the town straight away
18:14and have it for you here when you get back.
18:16Yes, well, that'll be splendid.
18:17Oh, thank you.
18:18Thank you a lot.
18:19Thank you so much.
18:19Oh, not at all.
18:20I mean, my privilege.
18:23Really, I mean.
18:25Sure.
18:27Hello, dear.
18:29What are you doing?
18:30I'm kissing you, dear.
18:32Well, don't.
18:33Oh, I thought it might be nice.
18:34I thought it was some small sign.
18:35I heard about lunch.
18:37What?
18:38Oh, that all.
18:39Think nothing of it.
18:39What?
18:40It was the smallest of accidents.
18:41Could have happened anywhere.
18:42Anywhere?
18:43First, you move that nice family in the middle of their mail
18:45and then you attack Lord Melbury with a chair.
18:48Okay, several.
18:50I've had a word with Lord Melbury about it.
18:51He was quite charming.
18:53It's delightful to have people, I bet, staying here.
18:55Sheer class.
18:56Golf.
18:58Bath.
18:58There's engagements.
18:59Couple of hundred horses.
19:02Well, I've never seen such tatty cases.
19:04Of course you haven't.
19:06It's only a true upper class that would have tapped like that.
19:08It's the whole point.
19:10Oh, you don't know what I'm talking about.
19:11No, I don't.
19:12But don't ever move guests in the middle of a meal again
19:14and get that picture up.
19:16Oh, darling.
19:18Saral right.
19:21Ah, would you do me a favour?
19:24Sarah, when you're down in the town this afternoon,
19:27would you just pop...
19:29just between ourselves, don't mention quite,
19:31pop into the bank
19:32and just...
19:33and just...
20:02Oh, I don't know what I'm talking about.
20:41Could somebody answer that, please?
20:46Hello?
20:48Is there nobody who can answer that?
20:51There must be someone.
20:54Not you.
20:57I'll have to get it up.
20:58That's my holiday. Do it then.
21:00Hello, Fawlty Towers.
21:03Hello, Fawlty Towers.
21:04Hello, Brenda.
21:06Basil, it's six o'clock.
21:08What?
21:09Ah, Polly.
21:10Did you cash it?
21:11Yes.
21:12Mr Fawlty.
21:12Good, good.
21:13Could I have a word with you?
21:14What?
21:14Could I speak to you in the office for just a minute?
21:16Polly.
21:16It's very important.
21:17Later, later.
21:18Yes, I'm just going, dear.
21:19Thank you so much, Polly.
21:20Why don't you move to that, please?
21:27Ah, good evening, Major.
21:28Evening, Fawlty.
21:30Ah, the usual.
21:31Ah, oh, why not indeed, yes.
21:35Why not?
21:35Well, I've just been watching one of those nature films on television.
21:39Oh, yes?
21:40Did you know the female gibbon gestates for seven months?
21:45Seven months?
21:46Yeah.
21:46Well, I never.
21:47Here you are, Major.
21:49Seven.
21:50Oh, my word.
21:51Ah, good evening, Mr Waring.
21:53A gin and orange, a lemon squash, and a scotch and water, please.
21:56Seven, now.
21:57Oh, is there any part of the room you would like us to keep in mind from?
22:02Oh.
22:04We'll be over there, then.
22:08Seven.
22:08Well, we'll...
22:09Evening, Fawlty.
22:10Ah, good evening, Lord Melbury.
22:11Anywhere.
22:12Yes, anywhere, anywhere.
22:14Lord Melbury, may I offer you a little aperitif as our guest?
22:17Oh, that's very kind of you.
22:18Dry sherry, if you please.
22:20What else?
22:23Ah, such...
22:24Oh, I don't know what.
22:25Je ne sais quoi.
22:27Exactly, exactly.
22:29Ah, there you are, Sybil.
22:31Good evening, Major.
22:31Evening, Mrs Fawlty.
22:33There you are, Your Lordship.
22:34Oh, thank you very much.
22:36I see my little collection of coins tickles your interest.
22:38What?
22:39Oh, oh, yes, yes.
22:41Old British Empire, of course.
22:43Used to be quite a hobby of mine.
22:45A little investment, too.
22:46Yeah, quite.
22:46Um, talking about, um, did you manage, uh...
22:49Oh, yes, yes, ma'am.
22:51There you are, Your Lordship.
22:52Oh, thank you very much.
22:54Yes.
23:03Oh, yes, you know, these sorts of things, they...
23:05Their values soared this last couple of years.
23:08Have they?
23:09Oh, yes, now, you take my advice.
23:10You get them revalued and insured for the full amount.
23:13Yes, yes, I will.
23:15You can't take any whisks nowadays, I'm afraid.
23:17No, no.
23:18Well, I must be off.
23:19Well, thank you very much, Your Lordship.
23:20Oh, Basil.
23:21Yes, I'm just talking to Lord Melvary, dear.
23:23Uh, gin and orange, a lemon squash and a scotch.
23:26I do apologise.
23:27I was just talking to you.
23:28Oh, I'm sorry.
23:29Yes, yes, sir.
23:29Um, I was, um, I was thinking.
23:33You see, I am having dinner tonight, uh, with the Duke of Buckley.
23:37Uh, do you know him?
23:38Uh, no, not, uh, not personally, no.
23:40Oh.
23:41Well, he's a great expert.
23:42You know, Sotheby's and all that.
23:44You see, well, now, if you liked,
23:45I could take them with me,
23:47ask him to have a quick look at them,
23:48and you can find their current value.
23:50Would you?
23:51Yes, yes, certainly, yes.
23:53Now, I'll be off in a few moments, you know.
23:54Well, I mean, that's really soon.
23:55Basil!
23:56Oh, no, no, no, no, no, no!
23:59a lemon squash and a scotch and water.
24:02All right, all right.
24:08Oh, Mr. Fawlty, could you...
24:09Was that called, Melbury? Has he gone?
24:10I rang. Mr. Fawlty, I must speak with you.
24:12What? Can't you see I'm busy?
24:13Please, it's very important. Can we talk in there?
24:15I can't.
24:16It's very important.
24:17I'm just giving him something important out here, civil. Thank you.
24:21Yes, it's all right. Yes, yes.
24:23Well, well, yes, yes, I guess.
24:25It's about Lord Melbury.
24:26Yes.
24:27He's not Lord Melbury. He's a confidence trickster.
24:30I beg your pardon?
24:31Mr. Brown told me.
24:32Ah.
24:33Mr. Brown's from the CID.
24:35They've been watching Melbury because he's pulling some big con trick in the town.
24:38They're going to arrest him as soon as he leaves here so as not to cause you embarrassment.
24:41But he asked me to tell you so that you wouldn't...
24:42Oh, how nice of you.
24:43Oh, please, Mr. Fawlty.
24:44Oh, I don't know what other tales Mr. Brown of MI5 has been impressing your work.
24:48He's a con man.
24:49Oh, yes, of course. It stands out a mile, doesn't it?
24:51He's so common.
24:53Unlike that cockney git whose ulterior motives will soon, no doubt, become apparent to you,
24:58poor, innocent, misguided child that you are.
25:01That's it. What's going on?
25:01Nothing, my dear. Nothing at all.
25:03Mrs. Fawlty.
25:03Now, look.
25:04Yes, Polly.
25:04I don't know what she's...
25:07Mr. Brown is from the CID.
25:09He showed me identification.
25:11They're watching Melbury.
25:12He's a confidence trickster.
25:13I see.
25:14What do you mean, you see?
25:16Let's have a look at these valuables.
25:17What are you doing, Sybil?
25:18Sybil, I forbid you to open that safe.
25:20Sybil, I forbid you to take that case home.
25:22Sybil, do not open that case.
25:24I forbid it.
25:24I have forbidden reason.
25:26I never thought I would live to see the death.
25:28Why not?
25:29The peer of the rep trusts to us.
25:31Case of Adams.
25:33In trust.
25:51Hmm.
25:58I'll call the police.
26:00They're already here.
26:01Mr. Brown's outside.
26:03Someone at reception, Basil.
26:15Ah.
26:16Um.
26:18All right.
26:19Uh.
26:21Good evening.
26:22I believe you were expecting us.
26:24No, I was expecting somebody else.
26:25Sir Richard and Lady Morris.
26:27Yes, yes, them as well.
26:28I'm sorry.
26:29How did you know?
26:29What?
26:30Oh, you're Sir Richard and Lady Morris.
26:32Ah, I do beg your pardon.
26:33I was just thinking...
26:35Hmm.
26:39Ah, would you mind filling this out, please?
26:41We've given you room to...
26:43Ah-ha.
26:43Ah, 40.
26:45Mr. 40 to you, Lord Marlborough.
26:48I beg your pardon?
26:49Oh, nothing, please.
26:50Forget all about it.
26:51Ah, well, here's the check for 200 pounds.
26:53Ah, thank you so much.
26:57Now, about my priceless collection of coins.
27:00Oh, yes, do you still...
27:00Do I still want you to take them to be valued by the Duke of Buckley, my lord?
27:03Oh, yes.
27:04No, I don't.
27:04Because we just heard that the Duke of Buckley is dead.
27:07Yes.
27:08Got his head knocked off by golf ball.
27:10Tragic.
27:11Tragic.
27:12Well, how are you, Lord Marlborough?
27:14How are you, then?
27:16All right, mate?
27:17How's me old bucker?
27:20Any valuables to deposit, Sir Richard?
27:22Any bricks?
27:23Oh, no, no, no, no.
27:24I do apologise.
27:25You bastard!
27:29I'm 12, but if you're overlooking the park, I'm sure you'll like it.
27:32We'll have your bags brought up to you.
27:34Oh, and may I introduce your wife?
27:35Thanks to me.
27:35Hello, Lord Marlborough.
27:39Bastard!
27:42Please, um, think nothing of it, Claire.
27:44Oh, no, no, no.
27:50Do, uh, please excuse me one moment.
27:52Oh, no, no, no, no, no.
27:56Oh, no, no, no, no, no, no.
27:58Oh, no, no, no, no, no, no.
28:02Oh, no, no, no, no, no, no, no.
28:04Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
28:05Come on.
28:07No, no, no, no, no, no.
28:10How are you going?
28:11We're leaving.
28:12Oh, don't.
28:12Please, sorry.
28:13Your light is here.
28:14I've never been in such a place in my life.
28:22you snobs
28:24you stupid
28:27stuck-up
28:28toffee-nosed
28:29half-witted
28:30upper-class
28:32piles of
28:33hearts
28:41just one
28:42sorry Mr Falsey
28:43just one
28:43please
28:54sorry Mr Falsey
29:04oh I better put the picture up
29:09thank you Polly
29:10for the
29:14well done Manuel
29:15okay
29:16oh
29:17ole
29:19sorry about that Mr Falsey
29:20can I buy you a drink
29:22no no I better put this off
29:24I suppose
29:24basil
29:26a gin and orange
29:29lemon squash
29:31and the scotch
29:32and the scotch and water
29:33pees
29:34right
29:34oh
29:36oh
29:37thank you
29:40I love you
29:42thank you
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