00:00In today's video, we're going to compare the iconic moment from the final stretch of Teresa, where she renounces her
00:06family.
00:07We'll look at the scenes in the 1989 version with Salma Hayek and the 2010 version with Angelique Boyer.
00:16Well, first, for the older viewers, in the 1989 version, the godmother wasn't in this scene.
00:23Only the mother is renounced by her.
00:25And not in front of a journalist, but in front of Hector de la Barrera himself, who was called Arturo
00:32in the other version.
00:34For those who don't know, in this version, Teresa does not marry the professor.
00:39He was just another one of her lovesick victims.
00:42But Mariano, who in this version is called Mario, is the true love who stays with her in the end.
00:49She hid her family from Hector and Louisa, just as the 2010 version did at the beginning of the soap
00:56opera with her school friends.
00:58Josefina didn't constantly put her daughter down like we saw Refugio do many times in the 2010 version.
01:05She was humble but supportive of her daughter.
01:08But anyway, the poor woman arrives with flowers to visit her daughter at the professor's house,
01:13and Teresa says she was just an employee who was very fond of her.
01:18That lie, the 2010 version invented that her parents traveled a lot and lived abroad, also existed here.
01:26The mother tries to hug her, and Teresa responds with a cold greeting.
01:30She says that surely the supposed employee had been sent to find out how she was doing.
01:36She tells her mother, as if giving a message to her parents, that they shouldn't worry, because she was doing
01:43very well there.
01:45Teresa asks if the roses her mother brought were for her, and Josefina replies no, they were for Louisa, the
01:52professor's sister.
01:53The poor woman says goodbye, hands over the snack she had brought for her daughter, and leaves in deep sadness.
02:00In this version, we can feel much more of Teresa's remorse.
02:04After her mother leaves, she tells the professor that she loved that woman with all her soul.
02:10She also says she has a feeling that the doors of her home had just been closed to her forever.
02:17Louisa arrives inviting them to the theater, and Teresa quickly puts her mask back on.
02:22This scene has a much rar and more direct approach than the 2010 version.
02:28Now let's talk about the 2010 version.
02:31Teresa was with Fernando, and a journalist from a very reputable magazine had come to interview the Playboy's girlfriend.
02:40Right at that moment, Teresa's mother and godmother were at her house.
02:44When the journalist asks about her parents, Teresa says she came from a very rich and important family.
02:51The same old lie, except that her parents had died a long time ago.
02:55When the godmother tries to intervene, Teresa disguises it and changes the subject.
03:01The journalist notices the heavy atmosphere, and Refugio stands up saying that Teresa had right to say she had no
03:09father or mother.
03:10Juana continues trying to appeal to her goddaughter's good sense, but Teresa tries to make her understand her reasons.
03:18But any understanding the godmother could have had disappears when Teresa says the godmother was just a nanny, and that's
03:26why she dared to behave like that.
03:28Unlike the 1989 version, in this scene, Teresa shows no remorse for what she had just done.
03:35She continues with her game, 100% focused on money and appearances, while her mother and godmother suffer outside the
03:43house.
03:44In fact, we realize in that final neighborhood scene that until then, Teresa hadn't even realized how much she had
03:52hurt the two of them.
03:53She arrives home as if everything were normal and is rejected by everyone.
03:58Well, but I want to know from you, which of the two scenes did you find sadder?
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