- 22 hours ago
Igra sudbine 1844 epizoda (17/7/2026)
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TVTranscript
00:04Transcription by CastingWords
00:13What is it? What is it?
00:15I'm interested in one thing.
00:19Where do you think you're lying?
00:21Who do you work?
00:24We've told you that it's a tough intelligence.
00:26It's a tough intelligence.
00:29Where is it?
00:31Where is it?
00:34What is it?
00:37What is it?
00:38You're sure you don't work for me.
00:40If you don't work for me, who do you work for me?
00:46You know what I'm doing for you.
00:48I don't know exactly what you're doing.
00:51You don't know what you're doing?
00:52No.
00:53Why did you tell me that Alex Ožegović paid a lengthy note?
00:58I have to tell you something.
01:03You can. I just pray for some criticism.
01:06You don't have any more knowledge.
01:08And this isn't a criticism. It's a compliment.
01:14Compliment, I'm sorry.
01:15I'm sorry.
01:16Listen.
01:17I have a lot of work.
01:20It's like you're doing something.
01:23You're looking for a little bit.
01:25You're looking for a little bit.
01:26You're looking for a little bit.
01:28I understand you.
01:29Let's do it.
01:29Let's do it.
01:32What are you doing?
01:34What about you?
01:35What about you?
01:35What about you?
01:37What about you?
01:38What about you?
01:40What about you?
01:41What about you?
01:41What about you?
01:43What about you?
01:44What about you?
01:44What about you?
01:44You're a great mother.
01:46Alexa?
01:48Is it Lenkina's love from the past?
01:52Where do I go?
01:53When Lenk would know that Alexa would pay her money,
01:57she would return her.
01:59And no one would have been able to develop them.
02:03I'm sorry.
02:04I don't know what that is.
02:05I think if we need Alex,
02:09how to call him,
02:10we can do it.
02:11There's no problem.
02:12No.
02:13You don't care about anything?
02:13No.
02:14We can do it.
02:15I can do it only in the monastery.
02:19So, everyone is loving.
02:21Everyone is happy.
02:22That's all.
02:23That's all.
02:24That's all.
02:24That's all.
02:30That's all.
02:31Asistencia
02:32from one unawaited man.
02:34Unawaited man.
02:35Unawaited man.
02:36Asistencia.
02:37Well, good.
02:40In this long time,
02:42you will come to the very public information
02:46about Reli Topic,
02:51about Grkljan
02:54and
02:56Urošu Mikovic.
02:57What happened.
02:58Here is the club.
03:00He'll be right back.
03:03I don't know.
03:04The other guy from Leiv.
03:05The former Reli Topic.
03:07No.
03:07What about her?
03:09I thought,
03:11I was convinced her to tell the Reli
03:14to come here.
03:15I mean,
03:15to convince her to come here
03:17in an argument
03:17that he's a other.
03:18I understand.
03:20I've told you that he's a brother.
03:24Okay.
03:27In this case, it would have been a better son.
03:29I'll see a little bit more.
03:32It's easier.
03:34What do we not want to do?
03:36We'll be happy with that.
03:38In my life.
03:42This road starts to turn.
03:45Turn, turn, turn.
03:47What do you think you need to do?
03:49We need to leave it as soon as possible.
03:53Okay.
03:54And we need to do our story.
04:20You say that life is not good.
04:25Sometimes it's a trap, sometimes it's easy.
04:29It's always not bad.
04:32it's my fault.
04:38As love in the war, there is no rules, you have one life, only one chance to become the one
04:55who is the star.
04:57All the love, play in the war, like a happy heart, someone wants, someone doesn't even know, as if they
05:12fly in the world, and we are like a happy heart, and we are like a happy heart, and we
05:27are like a happy heart.
05:27Oh, oh, oh, oh, oh, oh.
06:15To be continued...
06:28It's good that you weren't on tests.
06:30And I'm really interested. How was it?
06:32It was very unpleasant.
06:34Very unpleasant.
06:36If you don't want to tell me anything more about that.
06:39Well, you know what? It's better than that, really.
06:42Well, I understand. But you know what?
06:44It's important that you're willing to do all this.
06:46Believe me.
06:47Well, yes.
06:48It is, really.
06:49Because I've ordered a look at one of the best cases.
06:53And now I'm really going to the right path.
06:57Thank you very much.
06:59I don't know what to say about you.
07:00Come on, please.
07:03And tell me...
07:04What hurt you?
07:19And what do you want now?
07:21What do you want now with that Sojenko?
07:23He's sitting on a place where he doesn't belong to me.
07:26What do you want now with that?
07:27What do you want now with that?
07:27What do you want now with that?
07:28Uruš heard that you took the money from Aleksiju, Žegoviću, Žapotku, Lenke.
07:33Okay.
07:34And what's with that?
07:36What's with that?
07:37He wants to return the money.
07:40What do you want to return the money?
07:42I've earned those money.
07:43I've earned those money.
07:44I've earned it.
07:46I've earned it.
07:47I've earned it.
07:48I've earned it.
07:49I've earned it.
07:49You know what I'm saying.
07:51I don't know what you think of it.
07:54But I don't know if you're listening to me.
07:56I think of it when I say it.
07:57The circumstances have changed.
07:59He wants to return the money.
08:02Wait, wait, wait.
08:04He's got a girl.
08:05And now he wants to return the money.
08:08That's my idea.
08:09You didn't understand me.
08:11He won't return the money.
08:14I'll return the money.
08:15I'll return the money.
08:16I'll return the money.
08:17Alexi Kozajgovic.
08:17Did you stop you from?
08:30They are telling me the money.
08:30It's a moral dilemma.
08:32What's this?
08:34I've asked Alexi.
08:35I've asked him to tell Lenki.
08:37He paid the deposit for her.
08:38And?
08:39He's fixed as usual.
08:41He's offended?
08:42Absolutely.
08:43He wants it to know.
08:44I've never realized that.
08:45Well, you know what? I have my own reasons.
08:49I don't know which reasons, really.
08:51Well, for example, what was married with Gabriel.
08:54Why?
08:56How do you think about it?
08:57When Lenka knew that I would pay for her,
09:01it would certainly be caused some emotions, some feelings.
09:05And that's already a nightmare in the news.
09:08Well, I'll tell you again what?
09:10And you'd be surprised for that.
09:12You'd be surprised by that.
09:14I know, but Alex doesn't want that.
09:19It's like that. There's a point on that.
09:22Okay, but you don't think that the girl needs to know who saved her?
09:27When I think about it, I think it would be necessary.
09:32It's kind of cosmic.
09:34I'm talking about that.
09:35I feel that I have to do something.
09:49You get a bill.
09:50Let's pay for the fact Alexi o'Žegovic.
09:51Are you aware that it's impossible?
09:53You understand if you are in open hall with Uroš?
09:57And?
09:58What?
09:59Do you hear what I am saying?
10:00I sound perfectly.
10:02I understand how you speak.
10:03but I don't really care about what you're going to do.
10:05Okay, that's not the most important thing.
10:07It's not the most important thing that you want to sit on two floors.
10:10I sit on two floors.
10:12No, I'm trying not to get the brother's blood.
10:15What's the brother's blood?
10:16I've told you that he's not a brother and don't call him.
10:19Okay, okay.
10:22Let's not deal with you anymore.
10:25Let's deal with your family's father, Velibor.
10:29Why don't you look at him?
10:30What?
10:34He looks at him.
10:36That's why I'm going to be the main head in this city.
10:39Do you know why he's being the main head?
10:44You don't know?
10:46He didn't go around, he had a pistol and made a fool.
10:49Worseful stuff.
10:50I'm not even sure as if he had a surprise to hang out with someone,
10:57he didn't even go into that house.
10:59And he's never entered that house.
11:00Get out of here.
11:01Open house.
11:03Get out of here.
11:04Get out of here.
11:05This house is here, this house is here.
11:09Now is the other time.
11:10I have the way to get to it that is traced to me.
11:18Okay.
11:18What about Uroša?
11:20He will never get what he has done.
11:24Okay.
11:45And what do you think?
11:47I don't know.
11:49I would like to ask Alex to save it.
11:53But how?
11:55Well, that's a good question.
11:56Since we haven't seen a long time,
11:58I don't know who would be the reason for our view.
12:01It's Gabriela here with us at home.
12:03Yes.
12:04That's all the pain.
12:06I know, but you know how I feel.
12:08I feel like I'm going to kill if I don't say anything.
12:11No, Olga.
12:11I pray that you don't do it.
12:15You are really against it?
12:18No, I'm not.
12:19I need to do things in cold hands.
12:24I don't need to do it for the first impulse.
12:28I don't know.
12:29I'm really scared.
12:31Alex would be scared to be scared.
12:34I know.
12:34But on the other hand,
12:35he told me that he won't be afraid
12:37if he creates a chance for it.
12:39Yes.
12:40But not to build a chance
12:43to say it.
12:45You know, I believe it.
12:47You have to go a little time
12:49and that time will decide
12:52when he does the moment
12:53to tell you.
12:54I believe it.
12:56Okay.
12:57I think that's right.
12:57not you, Olga.
13:24No.
13:25No.
13:28It's nice to me, Panić.
13:30It's nice to me, right?
13:32Now it's nice to me, right?
13:33It's nice to me.
13:35I actually realized that I'm a simple man, you know?
13:41You see, if you were to say that you would understand it,
13:46but you would have to explain it.
13:49To me, Panić, for happiness, it's needed only a little love and family support.
13:58Do you understand?
13:58And a krompir, and everything.
14:02That's it, Panić.
14:05You're nothing without a family.
14:07Nobody is nothing.
14:08Everyone who has lost it, nothing.
14:12There's nothing from that, Panić.
14:16What would you do if it wasn't for you?
14:19I really don't know.
14:21Thank you, Panić.
14:24Please, Panić, in my head.
14:28Where are you, your sun?
14:31Where are you, Panić?
14:34Where are you, Panić?
14:34Where are you, Panić?
14:34Where are you, Panić?
14:36Where are you, Panić?
14:38Where are you, Panić?
14:42I admit, you're good enough.
14:44And?
14:45It's not enough. I'm not enough. I'll give him time for that.
14:47And the money is taking us away.
14:50And? And that's all right.
14:51They got hurt us.
14:54And that's all right.
14:58And...
14:59And sorry.
15:02And sorry.
15:03You have to say this a thousand times.
15:04Let me see you, I'm sorry.
15:08Melema, you have to get yourself out of here.
15:12Amazingly, you have to get yourself out of here.
15:17I'm going to get myself out of here.
15:19I'm going to get myself out of here and there's no room.
15:29I like this.
15:31Trio Fantastico, again on the open.
15:33Wait, wait.
15:34We are Trio or Fantastico?
15:36I don't know.
15:37What's wrong with us?
15:39Sorry, listen.
15:40There's some music, some cocktails.
15:43Is there something new?
15:45Is there something new?
15:47A collection?
15:49Yes.
15:50I think we need to talk a little bit about it.
15:53I have a few ideas.
15:55Let me see.
15:56I thought I was going to put some light material, some fun colors.
16:03You see?
16:04There's something new.
16:07I like it.
16:08It's good.
16:10It's good.
16:11It's good.
16:11You're going to put it in there.
16:14And I'm going to put it in there.
16:15I'm going to say something.
16:16This is a good review.
16:20I'll say that.
16:21Review?
16:21Yes.
16:23What to see?
16:24You're going to tell me.
16:25You're going to hear it, brother.
16:27Ok, ok.
16:28You're going to tell me.
16:29You're going to tell me.
16:30I'm going to tell you.
16:31But now it's not common.
16:33What?
16:33What do you think?
16:45How do you do it?
16:48It's not for this.
16:51You do it, my dear, as you know and you know.
16:54You can't go through your life without your head.
16:56But I am sovereign, I am a quiet, peaceful, peaceful soul.
17:03You know, I don't have any strength for these slings, for these slings.
17:08I don't have a heart.
17:09My dear, you're a peaceful soul.
17:12It doesn't mean that you should be the one who will be the one who will be.
17:17What does it mean now?
17:19It means that you have to be open.
17:21I'm open.
17:23You're open.
17:24I'm open.
17:25I'm open.
17:26I don't know if I'm able to be open.
17:28I'm open.
17:29You have to be able to be open as you know and you know.
17:32Who is asking?
17:34You can't go through your life without being open.
17:38I don't think so.
17:39I don't think so.
17:40I don't think so.
17:42I don't think so.
17:43And stop being open to your life.
17:47You have happiness, man.
17:48What a happiness, man?
17:50What a happiness!
17:52You have happiness, happiness.
17:53You have to be like a dog.
17:55You have to be like a dog.
17:57You have to be like a dog.
17:59Yes, you have to be like a dog.
17:59What would you do if you're going to be like a dog?
18:02Yes, you are not thinking that I haven't acquired him.
18:06But you didn't like a dog.
18:08Yes, I didn't like a dog.
18:11I didn't like a dog.
18:12Oh, my God.
18:14So, hold on and shut up.
18:19But, Mila, I have a prayer for you.
18:38It's been a little time from your time, but only that.
18:42How does it have to be?
18:44Okay, let's think about it.
18:46If someone would have thought about it,
18:49that you would use this whole situation
18:51for promotion,
18:53that you would like to do yourself, rate it.
18:54What do you care when I know that it's not true?
18:57Okay, but when is people interested in truth?
19:00Everyone has their own perception,
19:02and that's it.
19:03It's not important what we think,
19:05and what others will say.
19:06Oh, I'm sorry.
19:08When the job is in question,
19:09it's important what people say,
19:11and what people think.
19:13Now, when it happens,
19:15it will happen at least one person
19:18who criticizes the story.
19:22Everything is great.
19:22It will be great.
19:23What do you think you would have hit me?
19:26I think someone would have said that you are,
19:28I don't know,
19:29someone who says that you are sensationalism,
19:31that you want to use this trauma for personal profit.
19:34You don't know how people are.
19:37You don't know how people are going to look at it.
19:40You don't know how people are going to take care of it.
19:43You don't know what to do.
19:45Marketing, that's not that.
19:47Okay.
19:48That's why I'm here.
19:49I understand myself.
19:50I know that I'm in the job.
19:51I know what I'm talking about.
19:52Okay.
19:54Okay.
19:55As long as I'm with you,
19:57revie, revie,
19:58no revie, no revie,
19:59as long as you decide,
20:00I'm here.
20:03I'm here.
20:05How long is it?
20:06I have to go.
20:07I'm going to go to the room.
20:08Love is a lot.
20:10Come on.
20:10Love is a lot.
20:12Bye.
20:12Bye.
20:13Bye.
20:13Bye.
20:14Bye.
20:14Bye.
20:16Bye.
20:23Bye.
20:24Bye.
20:35Bye.
20:37Bye.
20:40Bye.
20:42Bye.
20:43Bye.
20:45Bye.
20:46Bye.
20:46Bye.
20:46Bye.
20:47Bye.
20:48Bye.
20:48Bye.
20:50Bye.
20:50Bye.
20:52Bye.
20:53Who reminds him of Senki?
20:55Who reminds Senki?
20:57You mentioned Senki.
20:58The man in mind, listen to me what I want to say.
21:01Concentration.
21:03It's not about Senki.
21:06It's about Goran and his new girl.
21:10That's right.
21:14Suna is called.
21:15Suna?
21:16He works at Aleksa in the company.
21:18Aha.
21:20I'm sure that you have already blaminated by Aleksa.
21:24Blaminated?
21:25You mean you know Suna?
21:27I know.
21:28What are you doing?
21:31Good morning, excuse me if we go.
21:33No, no, no, excuse me.
21:35Good morning.
21:36Good morning.
21:37Excuse me.
21:38I'm Lea.
21:39I'm Suna.
21:40We're in a conversation for a job.
21:43Are you able to get some salt and salt?
21:46Rasola?
21:47Rasola?
21:48Ne.
21:49Ne, ne mora, ne.
21:50Ne morate da mažete.
21:51Možete i oralno.
21:52Ne, ne.
21:53Jedan moj bivši dečko je popio taj rasol, pa je onda celu noć proveo na WC šoli.
21:57Nećemo sad, Suna.
21:59Dobra.
22:00Mila je upravo krenuo kući.
22:02Jeste.
22:03A vas, gospodino Žegović, čekam.
22:05Možete ući.
22:06Hvala.
22:07Hvala.
22:09Od mog rasola nije sigurno.
22:14Ho-ho-ho-ho-ho-ho-ho-ho.
22:18Ho-ho-ho-ho-ho!
22:19Devojčice moje, šta se slavi?
22:21Pojale smo izvešte za doručak.
22:23A izvestile smo ga na maks.
22:28Pojale ste izvešte?
22:29Da.
22:31Lepo.
22:32Umjesto da ručkate rendanog mileta za doručak, vijedete papire.
22:37What are you talking about? How do I eat kiseli kupus?
22:41Kiseli kupus is full of minerals and vitamins. What are you talking about?
22:44Where do you eat paper, wood, wood? What do you think?
22:48My mother...
22:49Where is Alex?
22:51There it is.
22:52There it is, great. Try laptop, it's delicious.
22:56We can't.
22:57We'll have to go back to the store again. Okay, okay, no.
23:01We won't.
23:03I want you to ask me everything.
23:07Who is? What is it?
23:10Who is it?
23:11Who is it?
23:12Who is it? Who is your parents?
23:13Who is their family?
23:14Who is it when no one is looking?
23:16Who is it when everyone is looking?
23:18Okay, I have to write all of it.
23:19What do you have to write?
23:21Remember, the memorial center and the memorial center.
23:25You have to find everything in your eyes and analyze it.
23:31And analyze it.
23:33That's right.
23:35So, is it where it came from?
23:36It came from and beyond.
23:40I won't stop anything anymore.
23:44Do you agree?
23:46We need a blood group.
23:47Okay.
23:55What is that question?
23:57I don't think I have any problems with you.
23:59I don't know.
24:01I don't know.
24:01What is that question?
24:03Okay.
24:03I think that I'm really looking at the situation.
24:06Did we have thought a big lie?
24:08Yes.
24:09And now we need to keep it in life.
24:12All this story about your burial center, your burial center, your burial center.
24:17Did we have planned the story that you were under stress?
24:20That it was necessary to avoid everything?
24:23That you work on your mental health?
24:24That's right.
24:25Yes.
24:26And now just think about how it would look like you're doing a review.
24:32You're all good.
24:33Everything is okay.
24:34It's just bad for marketing.
24:37You really think that it's a bad idea?
24:40In this moment, it would be very intelligent.
24:45It's not good for brand, brother.
24:48It's just a question.
24:52What would it be?
24:53Why do you know, Kala?
24:55I don't know.
24:56You're strange to behave a little differently.
24:58How can I know what is the question?
25:00No, no, Lupita.
25:02I'm strange.
25:04It's not.
25:05I'm just humorous.
25:06I have a lot of work and that's all.
25:08It's nothing.
25:10Okay.
25:10It's nothing.
25:11And when we're in the job, the best thing is to go home to everything I need.
25:20Let's go.
25:21Let's hear it.
25:21Let's hear it.
25:22Let's hear it.
25:23Love you.
25:24Bye.
25:24Bye.
25:26Bye.
25:26Bye.
25:26Bye.
25:27Bye.
25:28Bye.
25:28Bye.
25:29Bye.
25:30Bye.
25:33Bye.
25:45Bye.
25:46Bye.
25:47Bye.
25:47Bye.
25:48Bye.
25:50Bye.
25:51Bye.
25:51Bye.
25:51Bye.
25:53Bye.
25:54Bye.
25:54Bye.
25:55Bye.
25:57Bye.
25:59Bye.
26:03Bye.
26:04Bye.
26:04Bye.
26:04Really? I'm not good, Gabriela.
26:09Why? I mean, what are you doing?
26:13Look, I don't know, how to explain to you, I'm involved in so many things,
26:19and I'm not the right reason for that. I have a feeling like I'm hitting the place.
26:28That's your life. I'm just thinking that you know something more about it.
26:34I don't know if I do something else or another, I have a feeling that I'm griva.
26:41It's like a feeling of griva.
26:43It's not a feeling of griva.
26:45You see, if you want to be effective and effective,
26:49you can tell me exactly what you're doing.
26:52Let me ask you specifically what you want to know.
27:02Why did you take so much money?
27:05And why do you think Topić was invested in everything?
27:24We have a problem.
27:27I wouldn't be here to be here.
27:34I don't know.
27:36I don't know.
27:37I don't know.
27:37You've never been honest with them.
27:38I don't know.
27:39I don't know.
27:40They were close to me and more than I like.
27:43There were even Lenge, some Vukashin, an inspector,
27:49or whatever, in the police.
27:51What were they asked for?
27:53They were asked for real.
27:54They were still there.
27:55They were still there.
27:57They were still there.
28:00They were still there.
28:00I'm going to ask you clearly.
28:03Do you want to make it done?
28:06Not so fast.
28:09We can't because of the Grklen.
28:11But the situation is still at the same time.
28:13And the speed is only at the same time.
28:17And are you talking about Sunom?
28:20What is the connection with him?
28:22That's right.
28:23That's right.
28:25Why do you understand?
28:26He has a connection with him.
28:30Really?
28:30He's his brother.
28:32How do you think he'd react to him without his brother?
28:35Oh.
28:49Vanja.
28:51There are a few things that the traveller must know.
28:55That's the reality.
28:56But there are the others.
28:58Who traveller must not know.
29:00And you don't have to know all that.
29:02I know you all, but I don't know you.
29:03I don't know you, but I'm an ordinary job.
29:07I don't know you.
29:09How much is it?
29:10You're in a very high position in this company.
29:13Yes, I'm very good at this position.
29:18Tell me, when you're drinking with your partner,
29:21what are you saying?
29:23They're a little upset when you talk about it.
29:27I'm sure you're doing it.
29:29I'm sure you're enjoying it while you thank yourself.
29:32You're asking me to give up the mass.
29:35See, Gabriela,
29:38I don't have a doubt on my initial job,
29:41like on the payment.
29:43It's true.
29:44Listen to me, Vanja.
29:48I'm serious.
29:51When everything is finished,
29:52when everything is done,
29:54I promise you,
29:56I promise you,
29:57I promise you,
29:59Okay?
30:00I think you'll have a little less problem with your advice.
30:05Maybe you'll start to enjoy your luxury life
30:08as you deserve.
30:36Hey.
30:38Hey…
30:38Hey, Olga is all set up. Let's go to the doctor.
30:43That's all right.
30:44Maybe there's hope.
30:46Yes, I have to.
30:48Sinko, thank you for taking the stairs for me.
30:51For example, I'm going to take the stairs for you.
30:53See, but I decided to revanchise you, and I'm doing something for you.
31:00What?
31:01What?
31:02I asked Olgu to go to the entrance for the entrance.
31:10All for you.
31:11That would be very bad.
31:12Yes, yes, yes. I agree with that moment.
31:16Yes, the consequences would be.
31:19And I didn't expect it. That's better.
31:22But in relation to this, I wanted to tell you something.
31:26What?
31:49Hey, sorry.
31:51I forgot where I was having a hotel.
31:53No problem.
31:56Is everything okay?
31:57Yes, yes, excellent.
31:59It looks amazing.
32:03This woman is really hard, we have a lot of obligations,
32:05but the hygiene is on our first place.
32:08I like that.
32:09It's really nice when I have guests who think so.
32:12Please, just check that sum.
32:15No, I don't have to check that.
32:18What is new in your life?
32:20What is happening?
32:22I don't have anything special.
32:29But I've met a very interesting woman.
32:34That's amazing. What is it?
32:36It's beautiful, charming, a little remarkable,
32:40but also mysterious.
32:43I'm a little upset.
32:44Okay, my daughter doesn't listen to me.
32:48She says she's a little old.
32:49She's a little old.
32:49For the owners, but okay.
32:51You're crazy.
32:52You're crazy.
32:53You're not old.
32:54Besides that, you're old.
32:57You're never a love for love.
32:58Never.
32:59It's really nice to hear.
33:01You shouldn't have to say this.
33:02Believe me.
33:03I can really say that.
33:06Yes.
33:07The men here when you come to the house.
33:09No.
33:09No.
33:10No.
33:11No, that's so funny.
33:13No.
33:13No.
33:14No.
33:14What are you talking about?
33:16Nobody is talking about things.
33:17Let's talk about Ivan and Olga.
33:20Every day I had to...
33:23What did you say?
33:25Ivan and Olga?
33:28What are you talking about?
33:39What are you doing?
33:44Who are you talking about?
33:45Who?
33:56I think it would be nice that your brother would stay in a nice memory,
34:02and not to destroy your life like you.
34:06Okay.
34:07That's your choice.
34:08And your thinking.
34:10What?
34:10You don't agree with that?
34:11I don't agree with that.
34:24I don't agree with that.
34:29No, no, no.
34:30No, no, no.
34:31Listen to me, good.
34:32Very easy.
34:33Listen to me, good.
34:34I like you and your daughter,
34:36that you are so good,
34:37that you can make a very easy and nice conversation.
34:42But...
34:46you are so good.
34:48You are so good.
34:48You are so good.
34:48You are so good.
35:12I don't agree with that.
35:15M. Kastnis, M. Kastnis, M. Kastnis.
35:17Do you want me to do something like that?
35:19Let's go. I don't want you to do it.
35:21Yes, you are. You want me to do it.
35:24And now you've come to get me nervous.
35:27Yes. My hobby is to get you nervous
35:30and spend a lot of time.
35:42What happened, Vuki? What do you think of that?
35:45I came to you to help me try to understand some things.
35:51Okay. Who are you?
35:53I went to a circle of information that is in the most obvious way.
36:08Hey.
36:09Hey, Tera.
36:10Mama, how do you think?
36:14I was in the process.
36:16I was in the process.
36:16In the process before my company.
36:19You know me.
36:21You know me. I don't want to lie.
36:25What did you do, Mama?
36:26I have to tell you what I want.
36:29Tell me.
36:40It's hard. You know how it is.
36:42Yes.
36:43It really nerves me with him.
36:44Yes.
36:46And...
36:48There is one problem.
36:51What is the problem now?
36:52There is one problem.
37:03There is one.
37:04There is one.
37:04There is one.
37:06What is it?
37:07There is one who went to the garden.
37:10There is one.
37:11There is one.
37:12There is one.
37:23It was not a coincidence that this happened right now.
37:28In the cosmos.
37:29We lived here in the village, protected.
37:34You can't imagine that there are some mutlous faces around you.
37:39Yes, yes.
37:40Because Vuki, I really can't move on to them.
37:43Maybe I should.
37:44The story is ready, I said.
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