- 2 days ago
Igra sudbine 1843 epizoda (16/7/2026)
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00:00THE END
00:00THE END
00:00THE END
00:01THE END
00:01THE END
00:04THE END
00:10Hello, Lukasine.
00:12Hello, Miloradi.
00:13Did you come to ask me for a kid's meal?
00:16No.
00:17Why did you come to try a chocolate mousse?
00:21I didn't come to do that.
00:23Let's talk to yourself.
00:26I want to ask you for help.
00:29You can see her.
00:31She took Galino's work place.
00:34She took Galino's mom.
00:38What will I do?
00:39I'm tired, you know,
00:41all women are here.
00:43Because
00:46Vukasina came here.
00:47Vukasina.
00:49He was asked at Rev.
00:50and he told me
00:52to close the door
00:54and send some information.
00:56Yes.
00:59And what did you tell him?
01:02You know what I'm saying?
01:03I'm tired.
01:06You sound like your mother.
01:08Let me see my phone.
01:11Do you see what you're hiding here?
01:14No, no, no.
01:15I'm only for myself.
01:17What?
01:17What, Mila?
01:19You don't have any trouble anymore, Mila.
01:21You've lost, Mila, right?
01:23No, no, no, no, no.
01:25What?
01:26What?
01:27You ran away from the moment
01:28when there was a problem.
01:29When there was a problem,
01:31you broke up.
01:31I broke up.
01:33I broke up.
01:36I broke up.
01:37I broke up.
01:37You broke up?
01:38Yes.
01:38But there's one thing.
01:40I don't know.
01:41I don't know.
01:42I don't know.
01:43Okay, listen.
01:45You're a liar.
01:46I think they had contacted Alex.
01:49They called him,
01:50and they didn't want to pay.
01:53So, that's not a problem.
01:56I respect you.
01:58You've done it all.
02:00I'm here.
02:02I'm here.
02:02I'm here.
02:02I'm here.
02:03I don't want you to tell me.
02:05How was it?
02:06It was like it was.
02:08He faced some problems.
02:09I was a little nervous, I was surprised, but I was surprised.
02:14How were those tests?
02:16Do you want me to know?
02:18Yes, I want you, just as Ivan is smiling.
02:21I won't tell you.
02:22What kind of father you are.
02:24Iver does not fall far away from me.
02:25Do you understand me?
02:27I understand.
02:28Okay, I agree, I admit that it was wrong. It wasn't just this one. I was wrong.
02:33All right.
02:34What did you start?
02:35I was wrong.
02:39Let's go.
02:40Let's start from the beginning.
02:43With small steps, like with children.
02:46Here it is.
02:47I am ready to make all my mistakes with Vukashini.
02:53No, you didn't forget that.
02:56That's what I thought.
02:57No, I didn't.
02:59No, I didn't.
03:00I was wrong.
03:00I was wrong with you, but now I was interested to throw up a little bit of debris from the
03:05rest,
03:05because it was a shame to you.
03:07You felt that you were like, right?
03:10What?
03:10I was wrong.
03:11If they hear that I was coming from the cinema,
03:15they will be hurting me,
03:17to bitten me,
03:18to piss me,
03:19to pay for another money.
03:20You understand that.
03:21It's a lot better if it remains a problem.
03:24And it happened to you so much that she would never die again?
03:28Yes.
03:30Okay, I can't say that I'm sorry, but I won't resist.
03:53The life is written in novels, they say that life is not fair.
04:01Sometimes it's better, but often it's better.
04:06And everything is unknown, except for my fate.
04:16The life is written in novels, they say that life is not fair.
04:24You have one life, only one chance to become one of them,
04:32because the star is all in love.
04:35...
05:05Oh, oh, oh, oh, oh.
05:36Oh, oh, oh, oh, oh, oh.
05:39Oh, oh, oh, oh, oh, oh, oh, oh.
05:42Oh, oh, oh, oh.
05:43Hey, Gorane, why ge text Sam?
05:48How does that laugh?
05:50I tell her that she had write it down there.
05:52Then I'll write it down there.
05:55In my time, my brother, I didn't know what you think of a woman until you don't look into the
06:00eyes.
06:01Why did you not be able to do that at that time?
06:05What?
06:09You have a great pleasure in writing.
06:13What?
06:14A great pleasure in writing.
06:17First of all, your mother is a great pleasure.
06:19Then the older sister, if you have a job, you have to look at it, you have to open it.
06:26They have to open it up, so they would have to say to them, to see what they wrote.
06:30You understand?
06:33What a good time.
06:34We found ourselves on a different way.
06:37Then the mother and sister will take it, so they won't get him.
06:42Then you will wait for her.
06:44Then you will wait for the answer.
06:45Wait, wait, wait.
06:48And the heart, you know how beautiful it is.
06:51You were all at that time.
06:54You boys, all on a horse.
06:55I mean, someone on a horse.
06:57The princesses were married.
07:00Good, my brother.
07:01Good.
07:02You are the old man.
07:03That's the time.
07:05You are talking about your time.
07:07She was talking about something about science fiction.
07:10Yes, my boy.
07:12Not my brother.
07:13What do you say?
07:14The father is writing me.
07:15You know what he writes?
07:17My brother, my brother.
07:19Well, my brother.
07:19It's been like that time, you understand me.
07:23What do you love?
07:24I don't believe that you are good.
07:25You are normal.
07:26This is technology.
07:27I will find it and me know.
07:29Technology.
07:29Technology has lost us, I don't know.
07:31Really, technology has lost us?
07:33Technology, but what?
07:34You don't know, I don't know anything.
07:36I lost my speech.
07:38Waiting, waiting,
07:40awakening,
07:41suffering, you understand?
07:42We, young people, don't know.
07:44Let's go, better than me.
07:46Better than me.
07:47When it's better than me, give it to me.
08:01There's no pain.
08:03It's a great concern.
08:06What's the problem, brother?
08:10That, that, what's called?
08:14The guy who gave me this.
08:19He gave me a text, a song, all that.
08:22You understand?
08:23There's no one.
08:25How does he have?
08:26What?
08:27I don't know.
08:28I don't know who to do it.
08:29I don't know who to do it.
08:29I don't know who to do it.
08:29How does he do it?
08:44Okay, Uroš, this is an official report for the previous quarter
08:48and I'm going to give you the name of your.
08:51These are the documents of the submissions that were sent away.
08:54This is the public report.
08:56If you have written a letter,
08:58I'm going to give you the name of your.
09:02Is everything okay?
09:03Yes, it's okay.
09:06Yes.
09:10Just a little later, let me paraphrase everything.
09:13Okay.
09:20What is it? What is it?
09:23It's interesting to me one thing.
09:26It's interesting to me.
09:29Who do you work?
09:42How do you tell me?
09:44I'm in your head so I know what's happening.
09:46Who's in my head?
09:48I'm telling you.
09:50I have some letters.
09:51I'm telling you, you understand me.
09:52I'm telling you something.
09:53I'm telling you, I'm telling you.
09:57I don't have your ears.
09:59You're holding your ears.
10:00Okay, what are you doing?
10:01What are you doing?
10:03I'm telling you, you can't talk to someone.
10:05I'm telling you.
10:11I'm telling you.
10:12I'm telling you.
10:13I'm telling you.
10:16I'm telling you.
10:18I'm telling you now.
10:19We won't kill you because of that.
10:20You hear me?
10:21The only thing I've done.
10:22You heard me.
10:23It's social intelligence.
10:26It's a personal intelligence.
10:27I know you don't do it.
10:30What are you saying?
10:32What are you talking about?
10:34What are you doing?
10:35You're up to me.
10:36I'm telling you.
10:38My life is my life.
10:39We've said that social intelligence is human.
10:41It's not correct, brother.
10:44My brother, my dear, 5,000, here you go, my dear.
10:50What do you mean? I didn't have any money.
10:53What do you mean? I said, I'm not lying.
10:57Here's your text back.
10:58Give me my money, hear you?
11:01What do you mean? He said,
11:03I'm going to go to the bank and I'll throw you back.
11:05And he doesn't have it?
11:06He doesn't have anything on the phone.
11:10What do you mean?
11:11What do you mean? What do you mean?
11:13What do you mean?
11:14I'm going to go to the bank.
11:16You see?
11:17He said, you don't have anything.
11:18You see?
11:19Listen.
11:20I have a plan for you.
11:22Really?
11:23What?
11:24I have a plan for how to solve it.
11:27Let's go.
11:29That's right.
11:42What do you mean?
11:43What do you mean?
11:44What do you mean?
11:45What do you mean?
11:45What do you mean?
11:45You certainly don't work for me.
11:47When you've managed to tell me a very important thing.
11:49If you don't work for me, who do you work for me?
11:52Well, you know what I'm doing for you.
11:54I don't know exactly what I'm doing.
11:56What's the problem?
11:57You don't know what I'm doing?
11:58No.
11:59Why did you tell me that Alex Ožegović paid Lenkin's loan?
12:07Well, I'll talk about you.
12:08Good, good, good, good, good, good, good.
12:09Here I am, I'm so good.
12:11That's my fault.
12:13You're getting out of here.
12:15I'm leaving.
12:16You're getting out of here.
12:18Don't get out of here.
12:19I'm trying to talk with your idiot.
12:21I'm here.
12:23I'm here.
12:27You're getting really happy.
12:30What?
12:31What?
12:32What?
12:32What am I doing?
12:34I got my friend, I got my back.
12:37And I'm not a form of a head.
12:38That's right.
12:40What's it?
12:42That's the only opportunity to do that from you.
12:44Of you?
12:47Yes.
12:48Half a million dollars a year, it's a catastrophe.
12:51Half a million dollars a year?
12:53Do you know what your pain is causing us to be a problem?
12:59What is the problem?
13:02Do you think that the crime is allowed to give you an old man like that?
13:07And he's looking for his head.
13:09He's looking for his head.
13:12He's looking for his head when he's looking for his head.
13:17He's looking for his head.
13:19He's looking for his head.
13:22He's looking for his head.
13:23He's looking for his head.
13:27He's looking for his head.
13:31How?
13:33Wait, wait, wait.
13:35How do you think I'm going?
13:37Why don't you go?
13:40Why don't you go?
13:41Come on.
13:42Come on.
13:45Come on.
13:46Okay.
13:47Okay.
13:48Okay.
13:48Can we find a body and say,
13:51that those were the people?
13:53We can find them.
13:55What is the body?
13:56Are you normal?
13:56What do you think?
13:58What do you think?
13:58What do you think?
14:00No.
14:01No.
14:02No.
14:02No.
14:04No.
14:06No.
14:07Nobody will.
14:08No.
14:10No.
14:11Why is it not me doing this?
14:15What did you think?
14:19I know?
14:20I know.
14:21What did you tell me?
14:24I didn't know who Alex was,
14:26and why it was important if he paid for it or not.
14:30If you decide that it wasn't important,
14:32then it's your percentage, right?
14:36You trusted my percentage, right?
14:39I did, I did, but you changed it.
14:42Do you understand?
14:44That's right.
14:45That's right.
14:47What's important is that Alex paid for it.
14:53Can I tell you?
14:54Tell me.
15:06Wait, wait, wait.
15:07How do we solve it?
15:08What?
15:10I have one another,
15:13who will be able to buy that money from him.
15:16What do you have to buy?
15:18I don't want to call my money.
15:20No, they give you your money.
15:22And they take it from him.
15:24Do you understand?
15:26Wait, wait.
15:27No, no, no.
15:27I don't want to kill them.
15:29I don't want to kill them.
15:30I don't want to kill them.
15:30I don't want to kill them.
15:31I don't want to kill them.
15:31What?
15:31What are the mafiaists?
15:32They are good boys, gentlemen.
15:34What?
15:35What?
15:36What do they kill them?
15:37What do they kill them?
15:37What do they kill them?
15:38They are not the victims.
15:39They are all the victims.
15:40I see, I see.
15:41Some good people.
15:43I see, I tell you.
15:44I see.
15:44How are they?
15:45They are the victims.
15:46They are good.
15:46Everything is right against them.
15:49Nothing is violent.
15:50Nothing is violent.
15:51Nothing is violent.
15:52It is right.
15:54I can't understand anything.
15:56You can only explain it.
15:58You are no one.
15:59You sit with them.
16:01You speak and tell you.
16:02You are your own.
16:04You take your own part.
16:05You return to the anhela.
16:06You give me a percentage for me.
16:09I am going to get into my life.
16:10I am going to get some salt.
16:12I am going to take some water.
16:13You can take some water.
16:15You can take some water.
16:15You are happy.
16:16You are all.
16:16That is it?
16:17That is it.
16:17You can't do anything.
16:20You cannot do anything.
16:20I can't do anything.
16:22It is a mistake.
16:22I am going to have to be a task force.
16:26From one of unexpected people.
16:28Yes, unexpected people.
16:30Assistance.
16:31Okay.
16:44Sit down and explain.
16:52You see, Aleksa is Lenkina's great love from the past.
17:01When Lenka would know that Aleksa would pay for her savings,
17:05she would return to her.
17:06And no one would have been able to develop.
17:11Sorry, I don't know about that.
17:12I mean, if we need Aleksa,
17:17we could have to solve it.
17:19That's no problem.
17:20No.
17:20You don't care about anything?
17:21No, we could have to solve it.
17:23Then Lenka would have only been able to go to the monastery.
17:27Because he would have been asked for the whole life.
17:29Even if anyone knows what he thinks about now,
17:32it would have been destroyed by the whole life.
17:34You understand?
17:34It would have been destroyed by the whole life.
17:37That's right.
17:37It would have been destroyed by the whole life.
17:38Sorry.
17:38That's right.
17:39That's right.
17:40That means that we have to solve this situation.
17:44Sorry, I didn't know that you were aware of.
17:46I didn't know that you were aware of.
17:47What do you need?
17:48You need to contact Renju
17:51and tell him
17:53to leave Aleksa's money from the steal.
18:00Okay.
18:01Okay.
18:02And I don't want to go to the other side.
18:09Okay.
18:13Okay.
18:16Okay.
18:17Let's go.
18:18Okay.
18:21Okay.
18:21Okay.
18:24Okay.
18:28All right.
18:30Okay.
18:30What did you do with Natasha?
18:34I didn't do anything yet.
18:36How did you do anything?
18:38It was nice. I didn't know.
18:41I told him the phone.
18:42Don't call her, go and search for the council.
18:45You search for it.
18:48What are you doing?
18:49I don't understand you.
18:52We can't do anything.
18:55What are you doing?
18:57With what?
18:57We're talking about Natasha and Vujošević.
19:03What did you do with Vujošević?
19:04Yes.
19:06Nothing yet.
19:07You're an incredible mother.
19:09What am I?
19:10First, you call me Natasha and you don't have Vujošević.
19:14Listen, I've been looking for it every day. I'm working on you.
19:18But nothing.
19:19Nothing.
19:21Nothing.
19:23No problem.
19:23No problem.
19:24What are you doing?
19:24You're something about me.
19:30Good morning, boys.
19:32How are you, boys?
19:35I'm glad you see you.
19:50I have to say something to you.
19:55You can. I just pray if there is a criticism.
19:58There is no more power for it.
20:00But this is not a criticism. It's a compliment.
20:02Compliment?
20:06Compliment, I'm proud.
20:10I've done a lot, like you've done it.
20:16You know?
20:17I've done it.
20:18I know you've done it before, but you've done a lot more, more, more, more, more, more, more, more, more,
20:24more.
20:27Thank you for that. There are different situations and discussions.
20:32In the right direction, you've done it a little bit.
20:36I trust you, whatever it was, it helped you a lot.
20:39Yes.
20:41Yes.
20:43How do I say it?
20:45I've always been used to this, our security.
20:49Maybe everything comes here.
20:52I have to go back. I can always do security.
20:55It's not even so bad.
20:57I don't know what it looks like.
20:58No, no man.
20:59You can see it here.
21:00It's very good.
21:01It's nice, it's nice, it's nice, it's nice.
21:02Yes.
21:03But where is Chale?
21:05I don't know, I've been here until soon.
21:06It would have to come here for a minute.
21:08Yes, we'll go back to Chale.
21:10Yes.
21:12Ivana, let me leave you with us.
21:15Yes.
21:15Do you want to drink something?
21:17Yes.
21:17Yes.
21:18Yes.
21:23What?
21:24Yes.
21:25Yes.
21:25Yes.
21:26Yes.
21:27Yes.
21:27Yes.
21:27He's coming to our old friend, to meet us today.
21:43Friends, you can enjoy every time.
21:46Hey, this hotel is really good.
21:50Do you think about how much is this hotel?
21:53How much is it?
21:53It's a nice atmosphere, temperature, everything.
21:58Look at the glass.
22:04Good glass.
22:06I drank it yesterday.
22:10If you don't want temperature, this atmosphere, you can go out.
22:17You can go out and change the object.
22:18You can go out.
22:23You can go out.
22:23If you want to go out, you can go out.
22:25You can go out.
22:27The door.
22:30And you know what?
22:32Not the hotel, not the temperature.
22:35There are only some walls.
22:37The walls, the walls, the walls, the walls, the walls.
22:43Wait, Lukasin.
22:45Why are you not talking about this?
22:47What? You don't agree with me?
22:49I agree with everything you said,
22:51but we didn't want to go to the hotel.
22:58No one doesn't go to the hotel because you have a need.
23:00You go to the hotel because you have a collection of nonsense
23:03and you don't want to go to the hotel.
23:05Yes.
23:06Yes, but we didn't do any nonsense to finish in the hotel.
23:10Yes.
23:12You are really nice if you don't know what you did.
23:16You were not a priority, dear friends.
23:19I had many more nonsense with which I had to fight.
23:22I had many times in the hotel.
23:25I have some questions with the hotel.
23:26And so, let's go ahead and do a quick break.
23:28Let's go ahead and do a quick break.
23:28You know, Vera, you know my work.
23:33At the time of this time, we will try to get together with very serious information about Reli Topic,
23:43about Grkljan and Urošu Miković.
23:51I expect you to have an unnecessary cooperation
23:56because of the best and best of all of you.
24:00I'll be there.
24:11I'll give you two extra minutes.
24:15What would I say?
24:29Who's our friend?
24:31Who?
24:31Well, Vukashin.
24:33That's right.
24:35What did he want?
24:37He wants to help him.
24:39He takes a little bit of a lie.
24:41He made some stupid things,
24:43but Vukashin doesn't hurt Vukashin.
24:47He's all that.
24:51Okay. It doesn't sound so bad.
24:54No, don't.
24:55It doesn't sound bad.
24:56It doesn't sound bad.
24:58When I was talking to him,
25:00no one did nothing.
25:01When I was talking to him,
25:03he was going to throw a bomb,
25:06he was going to throw a bomb,
25:08then Vukashin heard him.
25:10And you heard him.
25:11You, Pandora, how do you know
25:13how to deal with each other.
25:16Okay, let's do this another way.
25:19Let's solve the current problems.
25:21No, no. What did you do?
25:22Something like you did.
25:24Well, let me get into trouble.
25:27What about Vukashin?
25:29You know that he's a good policeman.
25:31He's doing his job well.
25:32Let's do it.
25:33I don't care for him.
25:36I don't care for him.
25:37What?
25:38For this little cretin,
25:40little cretin.
25:42What did you think?
25:44We didn't think of him.
25:46I thought of him.
25:49I thought of him.
25:49How did he make of him?
26:05How did he leave?
26:11How did he leave?
26:13What are you doing now?
26:14What?
26:17This bro,
26:18started to turn.
26:20Tone, tone, tone.
26:22What do you think we should do?
26:24We should let him go before,
26:26before we turn.
26:29And we should make
26:31you and I
26:33our story.
26:34Okay, but
26:36what will we do tomorrow for Vukashina?
26:41I know he is good,
26:42but if we tried
26:43that we didn't say everything,
26:47it won't be good to write it to you.
26:52I mean, I don't have a solution.
26:56We should tell him all that we know.
26:59All?
27:00Not all.
27:02We tell him all that we know
27:04but we will take ourselves from the L.D. story
27:07and that's it.
27:08How do you say it?
27:10It doesn't matter.
27:12Everything, everything, everything, everything.
27:14You understand?
27:15I only have one interest.
27:18What, brother?
27:21Why is Vukashina
27:22interested in that
27:25invasion?
27:34What?
27:36What is the plan in relation to the Relly?
27:40See?
27:42At the club,
27:43soon the Relly leads to
27:46Ksenija,
27:47the teacher of the Ivo,
27:49the former Relly girl.
27:51What about her?
27:53Well, I thought I was going to ask her to tell her to come here.
27:58In other words, she was going to ask her to come here.
28:00I'm going to say that it's hard. You understand?
28:04Well, I see that you have a bad plan.
28:07No, don't worry. If you have better, take it away.
28:09No, no, wait. I'm just interested in whether you can leave it on the scene.
28:14Why do I leave it on the scene?
28:16He said that it's hard and he'll come here.
28:18I'm sure he'll be able to come here.
28:20No.
28:32I don't know why Lukášin is interested in that scene.
28:38I don't know why Lukášin is trying to look at it, but...
28:43Jim reminds him, there's a reason.
28:46I'm just wondering now that I don't understand who you are. Who is it?
28:52And then he's a family member. Is something like that?
28:56Is something like that?
28:56Is something like that?
29:11Yes.
29:12Everyone has some related to something.
29:14All right, what kind of a fool has a related to you?
29:17From Kuzava.
29:18The brothers have some papers, something that's all in the world.
29:21That's all, it's all in the world.
29:23It's all in the world.
29:25It's all in the world.
29:26Who will know it?
29:27Let's leave it now.
29:28I'll leave it at the point of it.
29:30I'll leave it on the point of that, but Lukášin is not enough.
29:32I know. That's why we have to agree with the story before we go to the party tomorrow.
29:40That's right.
29:50You see, I have a plan for that.
29:53Let's hear it too.
29:54You see, she wants to be a dancer, become a star and so on.
30:04So, you can finish with that?
30:07Yes, I will tell you that.
30:08I will tell you that.
30:08I will tell you that.
30:09I will tell you that.
30:12And for the reason she needs to do it?
30:17Yes.
30:18That's right.
30:20Okay. It doesn't sound so bad. It works.
30:26Nothing. Let's talk to her. When you talk to me, you tell me.
30:29Yes, yes.
30:30In the meantime, we will teach Lukashin. I will talk to him.
30:34Okay.
31:02I will tell you in the meantime, I'll talk to him.
31:03Oh, where are you for 100 years?
31:06I'm happy to see you.
31:07I just thought I'm constantly watching you.
31:12Yes, I don't care about you.
31:14I'll be watching you as always.
31:21And you? Where did you get used to it?
31:24Well, I didn't get used to the situation where his brother is in a hurry.
31:29I've told you that he wasn't his brother.
31:36Okay. In that case, it would be better.
31:38I see a little bit more. It's easier for me.
31:44What are we going to do all the time to meet him?
31:50Now you have the opportunity to meet him a little bit.
31:54Don't put me on my mind to do anything that will meet him.
31:57Well, if you don't want to meet him, it would be good to get him out of the way.
32:03You see what I mean. He's a happy person and I'm happy.
32:06So, that's what I mean.
32:09Okay. I think it would be better if we don't do anything better than what he is.
32:15It would be better.
32:19Okay. What does he want now?
32:28It's good that you weren't on tests.
32:30What's interesting to me?
32:32It was very unpleasant. Very unpleasant.
32:36When you don't want me to tell you anything more about it.
32:39You know what?
32:40It's better if you don't know anything.
32:42Well, I understand.
32:43But you know what?
32:44It's important that you've been given to all of this.
32:46Believe me.
32:46Well, it's true.
32:48It's true.
32:49It's true.
32:49I've ordered a look at one of the best students.
32:54And now we're going to get into the right path.
33:08What do you think?
33:11What are you eating?
33:14What are you eating put up like a pig?
33:16What's that?
33:22It's good.
33:25Good.
33:25Good.
33:27Good.
33:28Good.
33:46What do you want?
33:48What do you want?
33:49What do you want?
33:50What do you want?
33:51What do you want?
33:52You've heard of Alexie Možegovic and...
34:00...and...
34:00Well, how do you want?
34:04What do you want?
34:04You want to go back!
34:16I'll tell you something, this deserves a good review, I'll tell you.
34:22A review?
34:23Yes, yes.
34:25What do you see? You deserve it.
34:27You hear me, brother.
34:29Okay, okay, you deserve it.
34:30Great work, but I'll tell you that it's not clear.
34:34What?
34:35What do you think of me?
34:51Okay, Vanja, do you want me to tell you what's happening?
34:56Nothing.
34:57It's not nothing.
34:59You want to talk to someone with a lawyer.
35:01I think you need a therapist.
35:03Honestly, it's hard to look at you like that, but I'm angry.
35:09Okay, in real life, I'm not a good review.
35:13I'm angry.
35:15Why?
35:16I mean, what are you doing?
35:29He went around, shot a gun, made a fool.
35:34Until he didn't have an absolute curse,
35:37And the story of someone who comes to a war with someone,
35:40he didn't even enter the war.
35:43No one has ever been.
35:44Don't take a break.
35:45Open war.
35:46Don't take a break.
35:47Don't take a break.
35:48I've heard everything.
35:49This is a story.
35:50This is a story.
35:51This is a story.
36:03This is a story.
36:05This is a story.
36:06with Senkou.
36:08Did you agree with that?
36:11Yes, it is.
36:14Who reminds Senkou?
36:17Who reminds Senkou?
36:18Who reminds Senkou?
36:20Man, listen to what I want to say.
36:23Concentration.
36:24It's not about Senkou,
36:27it's about Goran and the new world.
36:31That's it.
36:46That's it.
36:50What else would it be?
36:51Why do you know, Kala? I don't know.
36:54You're strange to behave differently.
36:56How can I know what you're saying?
36:58Let's go.
36:59I'm strange.
37:01It's not that I'm just humorous.
37:04I have a lot of work.
37:05That's it.
37:06That's it.
37:07That's it.
37:17That's it.
37:18It's not that I'm so angry.
37:20You know, I'm angry.
37:22That's it.
37:23when I want you to be so effective
37:25and good,
37:26you have to tell me exactly what I'm doing.
37:28Here.
37:32Let me ask you specifically what you want to know.
37:38Why did you take so much money?
37:42Why do you think Topić is the same thing?
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