Enjoy My Favorite Brunette (1947), a timeless comedy mystery starring Bob Hope and Dorothy Lamour. Packed with hilarious misunderstandings, clever detective twists, and unforgettable classic Hollywood charm, this entertaining film delivers laughter, suspense, and adventure from beginning to end. If you enjoy vintage comedy, film noir, and classic cinema, this movie is a must-watch.
This film is presented for classic movie enthusiasts who appreciate Hollywood's golden age and unforgettable performances.
#MyFavoriteBrunette #ClassicMovies #ClassicComedy #ComedyMystery #BobHope #DorothyLamour #VintageCinema #FilmNoir #OldMovies #PublicDomainMovies #ClassicHollywood #BlackAndWhiteMovies #RetroCinema #MysteryMovie #ClassicFilm #HollywoodClassics #FullMovie #1947Movies #GoldenAgeOfHollywood #ClassicEntertainment
This film is presented for classic movie enthusiasts who appreciate Hollywood's golden age and unforgettable performances.
#MyFavoriteBrunette #ClassicMovies #ClassicComedy #ComedyMystery #BobHope #DorothyLamour #VintageCinema #FilmNoir #OldMovies #PublicDomainMovies #ClassicHollywood #BlackAndWhiteMovies #RetroCinema #MysteryMovie #ClassicFilm #HollywoodClassics #FullMovie #1947Movies #GoldenAgeOfHollywood #ClassicEntertainment
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Short filmTranscript
00:00:00The End
00:00:37THE END
00:01:00THE END
00:01:30Oh, sure glad to see you, warden. So the governor came through with that stay, huh? I knew he would.
00:01:35He's a very good guy.
00:01:36Sorry, Jackson. No word from the governor.
00:01:39Yeah, well, I'm sorry.
00:01:41No. No word?
00:01:49No word, huh? Well, I don't know who to vote for next time.
00:01:53Come along, Jackson.
00:02:07Nice cozy little nook.
00:02:11Oh, so that's it, huh? Mind if I take a look?
00:02:15I wouldn't advise it.
00:02:17You're getting soft, warden.
00:02:24Gas. Haven't even put in electricity.
00:02:27Right on here, Jackson.
00:02:35Jackson, I'm going to grant you a special privilege not often given to a man in your position.
00:02:41Is what you asked for. A chance to tell your story to the newspapers. To get it off your chest.
00:02:48Thanks, warden. See you in a while, Jackson. I'll be right here.
00:02:55Oh, Mr. Jackson, I think you're wonderful. You've really got what it takes.
00:03:00Well, I ain't exactly a cream puff.
00:03:02Cigarette?
00:03:03Never mind.
00:03:05Thanks, George. Might be a saw on that one.
00:03:07Oh. Well, you've got what I call guts.
00:03:10Well, the way I figured... Anybody get a match?
00:03:12Yeah.
00:03:14The way I figured, if a guy feels in his heart he's taking a phony rap,
00:03:18well, it's not so tough to kick the bucket.
00:03:21It's not so tough to walk that last mile.
00:03:24It's just tough to light a cigarette, that's all.
00:03:29Say, Jackson, how'd you get into this mess?
00:03:32Was it a woman?
00:03:34It's always a woman.
00:03:36You should have seen this woman.
00:03:38Skin like smooth satin.
00:03:39Beautiful blue eyes.
00:03:41Dark silken hair.
00:03:43Kind of a gal that'd make you want to give away your last shirt.
00:03:47I borrowed this from the warden.
00:03:49This girl. How'd you meet her?
00:03:50Did she come up to your office?
00:03:51Did you fall in love with her?
00:03:52Wait a minute. One at a time.
00:03:54You may not know this, but I wasn't always a detective.
00:03:57Before they pinned this murder rap on me,
00:03:58I had one of the sweetest little rackets in San Francisco.
00:04:01A legitimate business?
00:04:02Better than legitimate. It was profitable.
00:04:04My office was in the Trafalgar building, just on the edge of Chinatown.
00:04:07Oh, in Chinatown, huh?
00:04:09No, not right in.
00:04:10You know California Street from the hill at Stockton?
00:04:13Yeah.
00:04:13Well, coming down the hill on the cable car, you could just see my office.
00:04:18Third floor, front.
00:04:21Ronnie was the name.
00:04:22Ronnie, baby photographer.
00:04:24I'll never forget that day.
00:04:26For two hours, I'd been trying to make that little brat smile.
00:04:28I threw the book at him, every surefire trick of the trade.
00:04:51This kid's going to grow up to be a sponsor.
00:04:54He's even wearing out the lights.
00:04:56Oh! Oh!
00:04:59Quick, snap it.
00:05:01Watch the birdie. Watch the birdie.
00:05:03There you are.
00:05:05Another masterpiece.
00:05:06Sweetums, you're wonderful.
00:05:09You're wonderful too, Mr. Jackson.
00:05:11Well, that's because I was a kid once myself.
00:05:20I'm just dying to see those proves.
00:05:22When will they be ready?
00:05:23Oh, the first thing in the morning, Mrs. Fong.
00:05:25Good.
00:05:25And I'm sure you'll like them.
00:05:27Well, goodbye, you little rascal, you.
00:05:30You...
00:05:31Oh! Oh!
00:05:32Call him off!
00:05:33Give Mr. Jackson back his finger.
00:05:35Time! Time!
00:05:36This is awful!
00:05:37Oh! Oh!
00:05:39Doesn't he get meat at home?
00:05:41You're a happy little gourmet.
00:05:44He's sweet, though.
00:05:45Let me see.
00:05:47Uh-huh.
00:05:49Baby photographer.
00:05:50A fine job for a two-fisted he-man like Ronnie Jackson.
00:05:54Well, I'd promised to have pictures of the kid ready by morning, so I got to work and developed
00:05:57them.
00:05:58It must have been about 20 minutes later, or a half hour or something like that, when I
00:06:02heard a door slam in the hallway outside.
00:06:04I knew it was Sam McCloud coming back to his office from a busy day, pinning the goods on
00:06:08a few assorted crooks and murders.
00:06:10Sam McCloud, the coolest, toughest private eye in the business.
00:06:14You see, I wanted to be a detective, too.
00:06:16It only took brains, courage, and a gun.
00:06:18And I had the gun.
00:06:21I'd figured out a way for Sam to hire me, so I started across the hall.
00:06:25Already I could see my name in big letters.
00:06:27Ronnie Jackson, private eye.
00:06:29What I didn't see was the small print underneath.
00:06:32Rest in peace.
00:06:36Yeah, well, don't worry your pretty little head about it, baby.
00:06:39I'm catching a rattler for shy right now.
00:06:41Hi, Sam.
00:06:42Oh, listen, baby.
00:06:43It'll take more than a couple of hopped-up gunsels with itchy fingers to scare me off.
00:06:47Yeah.
00:06:49Yeah?
00:06:49We'll have to talk that over some rainy night in front of a nice warm fire.
00:06:53I'll bring the matches.
00:06:55Come on.
00:06:57What's on your mind, Ronnie?
00:06:59Matches.
00:07:00No, I mean, look, Sam.
00:07:02It came today, license and everything.
00:07:04Now can I be your partner?
00:07:05I told you before, stick to watching the birdie and you'll die of old age.
00:07:09Oh, yeah, but I was cut out for this kind of life.
00:07:11All my life I wanted to be a hard-boiled detective like Humphrey Bogart or Dick Powell or even Alan
00:07:15Ladd.
00:07:17You don't have those beautiful women coming into the office and those warm fires on those rainy nights.
00:07:22That's the kind of life I want.
00:07:24How about it, Sam?
00:07:32Smooth, huh?
00:07:35Say, I can be a lot of help to you, Sam.
00:07:36Look, here's my latest invention right here.
00:07:39A camera with a keyhole lens.
00:07:41Takes pictures right through doors.
00:07:44I've been kicked out of five hotels already.
00:07:47How about it, Sam?
00:07:48Can I go to work for you?
00:07:50Just give me a simple yes or no.
00:07:53No.
00:07:54Oh, but that's too simple.
00:07:56Why don't you give it a little thought?
00:07:58I'm going to Chicago for a few days.
00:08:01I'll leave the door open so you can come through and answer the phone.
00:08:12A little stiff.
00:08:18I could go with you.
00:08:19I've got a coat just like that.
00:08:21I can help you out quite a bit in case you're running any keyhole work or...
00:08:25You're sure there's nothing I can do for you?
00:08:27Yeah, you can keep your nose clean.
00:08:32That's the last chance I'll give him.
00:08:35Keep my nose clean.
00:08:36Answer the phone.
00:08:38I ought to go in business for myself.
00:08:41Ronnie Jackson, the private eye.
00:08:45I could catch those gunned up hopsals over a warm fire, even if it wasn't raining.
00:08:51Drink as much as he can.
00:09:03I'll give you a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:04little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:06little bit of a little bit of a little bit of a little bit of a little bit of a
00:09:23Shh.
00:09:35I suppose you wonder why I act this way.
00:09:37Oh, no, every girl who comes in here does that.
00:09:42I need a detective.
00:09:43Please say that you'll help me.
00:09:45Yeah, but look, I'm just...
00:09:46Please, Mr. McLeod, please.
00:09:50Just call me Sam.
00:09:51Listen, this is my type of case.
00:09:55Spill it, sister.
00:09:57My name is Carlotta Monte.
00:09:59Baroness Monte.
00:10:01A Baroness?
00:10:05I feel as though someone's watching me.
00:10:07Yeah, that's me.
00:10:11I arrived here three days ago in the Queen of Peru
00:10:14with the Baron, my husband.
00:10:17Oh, you've got a husband.
00:10:21This was taken the day we arrived.
00:10:24You call him cutting a San Francisco citizen.
00:10:27He must rate.
00:10:27I'm in trouble.
00:10:29Deep trouble.
00:10:30What's the wheelchair for?
00:10:31My husband is an invalid.
00:10:33He hasn't been out of that wheelchair in seven years.
00:10:36You're in trouble.
00:10:37Keep talking.
00:10:39At the dock, I went ahead to clear our luggage through customs.
00:10:44I was gone five, ten minutes at the most.
00:10:47When I returned, he had disappeared.
00:10:50A snatch job, huh?
00:10:51Have you gone to the police?
00:10:52No.
00:10:55If I go to the police, they'll kill him.
00:10:58Who's they?
00:11:00That's what I want you to find out.
00:11:03Look.
00:11:05I have no money.
00:11:06But this ring can be pawned anywhere for at least $5,000.
00:11:12Look, sister, five grand is a lot of moolah.
00:11:14You don't have to.
00:11:14The ring is nothing.
00:11:16We Monte is a generous.
00:11:18If you will just find my husband, I will be so grateful.
00:11:22You will see.
00:11:24Yeah, I'll bring the matches.
00:11:26Oh, but this isn't necessary.
00:11:33What's the matter?
00:11:34Listen.
00:11:35They mustn't find me here.
00:11:37Hold on.
00:11:38Well, I don't hear anything.
00:11:39Be at this address.
00:11:42As soon as you can.
00:11:44Will five minutes be too soon?
00:11:56We're dealing with dangerous men.
00:11:58Be careful.
00:12:00They mustn't know you're a detective.
00:12:02Don't worry.
00:12:02You're a pretty little head about it, honey.
00:12:03I'll find your husband.
00:12:05Fool that I am.
00:12:06Shh.
00:12:07Somebody's coming.
00:12:12Guard this map.
00:12:13With your life.
00:12:14Yeah.
00:12:14With my life?
00:12:16Hurry.
00:12:17Okay.
00:12:26Oh, it's you, Mabel.
00:12:29Oh, I'm sorry.
00:12:32Here.
00:12:32There you are.
00:12:34Come in the studio some night after hours, and I'll take your picture when everybody's gone.
00:12:38No charge.
00:12:40Except for the negatives.
00:12:41Come right in.
00:12:43Prints are down in half.
00:12:45Anytime.
00:12:46Anytime.
00:12:49Anytime.
00:13:12Uh-huh.
00:13:13Well, what are you waiting for?
00:13:14Well, you want to be a detective, don't you?
00:13:18Let me see.
00:13:19What was that address?
00:13:23Well, the map.
00:13:24My life.
00:13:36Smooth.
00:13:48Small bullets.
00:13:53Oh.
00:13:55Ain't this your camera, Ronnie?
00:13:57Oh, yeah.
00:13:58Thank you very much.
00:13:58Well, say, you don't have to pull no gun on me to kiss me.
00:14:03Anytime.
00:14:08Well, there I was on my own.
00:14:10A missing husband in a dark-eyed dreamboat up to her gorgeous lips in trouble.
00:14:14What a parlay.
00:14:15And, oh, yeah, that mysterious map.
00:14:18The whole thing just like you'd read it in the detective magazine.
00:14:21I had my car for the address the doll gave me, and it turns out this place is practically a
00:14:25sleeper jump from town.
00:14:27Anyway, later that afternoon, I'm driving through the gates of one of those upper bracket estates down in the peninsula.
00:14:33Pretty soon, I come to another gate.
00:14:35That should have been my cue to put the car in reverse.
00:14:38And then I got a load of the mansion.
00:14:40Boy, what a joint.
00:14:42Must have been something left over from Wuthering Heights.
00:14:45You know, the kind of a house that looks like you can hunt quail in the hallways.
00:14:49I didn't know it then, but I was going to be the quail.
00:14:54Beautiful day, isn't it?
00:15:00Well, maybe it isn't so beautiful.
00:15:04It is day, though.
00:15:07But it's late.
00:15:09Sort of.
00:15:18Allow me.
00:15:24Oh, Dr. Landau.
00:15:25Good afternoon, sir.
00:15:27Good afternoon, Kismet.
00:15:29Yes.
00:15:30Baroness Monté is expecting me.
00:15:33Pronto.
00:15:34Oh, yes.
00:15:35Won't you come in?
00:15:36Pronto.
00:15:41Nice chair for place.
00:15:42What time they bring the mummies out?
00:15:44It's very amusing, sir.
00:15:46Madame la Baroness is in the living room.
00:15:48Shall I announce you?
00:15:50Never mind.
00:15:50I'll take it from here.
00:15:51May I help you with your overcoat?
00:15:54Oh, pardon, sir.
00:15:56You're coming.
00:15:56Yeah, I'm roughing it.
00:15:59Here we are.
00:16:00Thanks, Cuddles.
00:16:03Very amusing.
00:16:08Very amusing.
00:16:20Miss Monté?
00:16:21Hello.
00:16:22Pretty song, isn't it?
00:16:25Yeah, it's pretty.
00:16:26But you were so anxious.
00:16:29I sigh beside you
00:16:34Through the winter storm
00:16:38For here beside you
00:16:42I'm forever warm
00:16:46I'm not stealing daydreams
00:16:53It isn't any crime
00:16:59To want to be beside you
00:17:04Till there's no more time
00:17:12Quick.
00:17:13Quick.
00:17:15First, I must know this.
00:17:17Are you a man who is afraid of danger?
00:17:19No, you can get as close as you like.
00:17:21Baby, we're in this together.
00:17:22I'm with you till my dying breath.
00:17:24Please, you mustn't.
00:17:25Yeah, better not leave any fingerprints.
00:17:27Listen closely.
00:17:28My uncle, Baron Monté
00:17:30Came to this country.
00:17:32Your uncle?
00:17:33Yes.
00:17:34Yeah, but I thought you said
00:17:34The guy was your husband.
00:17:36Well, I...
00:17:38I had to have your help.
00:17:40I know men.
00:17:42Somehow they always seem
00:17:43To be more interested
00:17:44In the problems of young wives
00:17:46With older husbands.
00:17:48Oh, no.
00:17:49It just seems that way to you.
00:17:51Please, listen.
00:17:52My uncle came to this country
00:17:54On a very important mission.
00:17:56So important that he wouldn't
00:17:57Tell anyone about it.
00:17:58Not even me.
00:18:00Your uncle, huh?
00:18:01So he's not your husband.
00:18:02Well, did I quote you any rates?
00:18:04I may work cheaper, you know.
00:18:05Please.
00:18:06Not now.
00:18:07Too fast, huh?
00:18:08Okay.
00:18:10Tell me.
00:18:11Did your uncle have any enemies?
00:18:14Not that I know of.
00:18:15Huh?
00:18:16And how about this house?
00:18:19Who lives here?
00:18:20It belongs to a Major Simon Montague.
00:18:23He was the former business partner
00:18:25Of the Barons.
00:18:26When my uncle disappeared,
00:18:28I...
00:18:28I was frantic.
00:18:29So I called Major Montague
00:18:31And he offered to help me.
00:18:33Mm-hmm.
00:18:34And what do you know about it?
00:18:35My uncle trusted him implicitly.
00:18:38And still...
00:18:39He treats me like a child.
00:18:42Tells me not to worry.
00:18:44He says that he's handling things.
00:18:46And all the time,
00:18:47I feel as though I'm being watched.
00:18:53And he's been so sweet and kind
00:18:55Ever since my arrival.
00:18:57Getting kind of dark in here, isn't it?
00:18:59Oh, we were just talking about you.
00:19:02Something flattering, I hope.
00:19:05Maybe I should have listened a minute.
00:19:06If there's anything that warms my heart,
00:19:08It's finding out people like me
00:19:10As much as I like them.
00:19:12I don't believe I've had the honor, sir.
00:19:14Oh, uh, Mr. Craig.
00:19:16Oh, hi, Mr. Craig.
00:19:17Glad to see you.
00:19:17I'm...
00:19:17What?
00:19:18I thought your name was Craig.
00:19:19Yeah, I'm Craig, too.
00:19:20That's quite a coincidence.
00:19:21This is Major Montague.
00:19:22I met Mr. Craig on shipboard.
00:19:25I'm still a little seasick.
00:19:27Well, it's a pleasure knowing you, son.
00:19:29Anything I can do for you
00:19:30While you're in the country,
00:19:31You just speak up.
00:19:32Oh, thanks, sir.
00:19:34Do you have a cigar?
00:19:35No, thanks.
00:19:36I'm driving.
00:19:37Craig.
00:19:38Craig.
00:19:39Yeah.
00:19:39Now, where have I heard that name before?
00:19:43Madame,
00:19:45There's a phone call for you.
00:19:46Please take the message.
00:19:48After all, Collada,
00:19:49It may be important.
00:19:50Yes, you're quite right.
00:19:55Excuse me, Mr. Craig.
00:20:01All right, sir.
00:20:03Now we'll quit playing possible.
00:20:04Yeah.
00:20:05How do you do, Mr. McLeod?
00:20:07Well, how I...
00:20:10Oh, Craig is the name.
00:20:11Elliot Craig.
00:20:12I was...
00:20:12I was a shipboard and...
00:20:15Oh.
00:20:16Oh, you know that...
00:20:17You're a private detective.
00:20:19Oh, yeah?
00:20:20Yes, yes.
00:20:21Sam, just call me Sam.
00:20:23And just to show you my heart's in the right place,
00:20:25I'm going to help you do a little detecting.
00:20:27Okay.
00:20:28This way, son.
00:20:29Coming, Dad.
00:20:31I may have a little surprise for you.
00:20:36You pardon us, gentlemen?
00:20:37Certainly.
00:20:38Yeah, this is Mr. McLeod.
00:20:39Mr. McLeod, I'd like you to meet...
00:20:41The man in the picture.
00:20:42Baron Montaigne.
00:20:43How do you do?
00:20:44Yeah, but she...
00:20:45She said you'd been snatched.
00:20:47You have my word for it, young man.
00:20:49I'm not a mirage.
00:20:51Yeah, but she told me she seems so...
00:20:54I don't get it.
00:20:56Such a lovely girl.
00:20:57The very flower of young womanhood, too.
00:21:00Perhaps, uh...
00:21:01Dr. Lundau can tell you about her.
00:21:02I believe you've met the doctor.
00:21:08Oh, yes, we had a long talk outside.
00:21:10Beautiful day, isn't it?
00:21:12I said that.
00:21:14Well, Mr. McLeod, as you perhaps know,
00:21:16it is not the habit of a psychiatrist
00:21:18to put on display the skeletons in anyone's family closet.
00:21:23However, I believe you are entitled to an explanation
00:21:26of the strange behavior of Baron Montaigne's wife.
00:21:29Wife?
00:21:30But she just told me she was his niece.
00:21:33Last week, she was his little sister.
00:21:35It is not funny, Major.
00:21:37For the past six months,
00:21:39Miss Montaigne has been suffering
00:21:40from an acute form of schizophrenia,
00:21:43accompanied by visual aberrations
00:21:45and increasingly severe paranoic delusions.
00:21:48Mm-hmm.
00:21:49And how is she mentally?
00:21:52Our friend, Mr. McLeod, is a Harvard man.
00:21:55I am not.
00:21:57Fairmount High.
00:21:59Cleveland.
00:22:00Won't you sit here, please?
00:22:02Mm-hmm.
00:22:05I'll, um...
00:22:06I'll try to simplify the case.
00:22:08Oh, well, make it easy on yourself.
00:22:09I handle all these...
00:22:11I...
00:22:14Miss Montaigne has an obsession
00:22:15that her own life is in danger,
00:22:17and she believes that her uncle,
00:22:19the Baron here,
00:22:19has been kidnapped.
00:22:21Well, gee, I...
00:22:23I mean,
00:22:24why don't you bring her in here
00:22:25and show her the Baron?
00:22:26Yeah?
00:22:27Yeah, that's what I do.
00:22:28I'd...
00:22:31I'd...
00:22:33No, no, senor.
00:22:34It would be too severe a mental shock.
00:22:37What?
00:22:37Well, my idea is to break down her fear
00:22:39with suggestive therapy.
00:22:41Hmm.
00:22:42Well, does she snap her cap very often?
00:22:44I mean, when you invite company for dinner,
00:22:46do you take away your knife and fork?
00:22:48She's only dangerous
00:22:49if she's emotionally disturbed.
00:22:51You must have come across
00:22:52many similar cases
00:22:53in your business, Mr. McLeod.
00:22:55Did you?
00:22:56Oh, for me.
00:22:56Oh, sure, sure.
00:22:58I could take those schizos
00:22:59or leave them alone,
00:22:59and usually I leave them alone.
00:23:01I figured that...
00:23:03Well, I must get back to the office
00:23:05and file some fingernails.
00:23:06I mean, fingerprints.
00:23:07See you then.
00:23:09You know,
00:23:10my heart goes out
00:23:11to that poor unfortunate girl.
00:23:14Her mind is all mixed up.
00:23:16It's downright pitiful.
00:23:18I suppose she even said
00:23:20something about a map, huh?
00:23:21Map?
00:23:22Yeah, she even gave me
00:23:23one to hold for.
00:23:25Mysterious map, missing uncle.
00:23:27Pretty corny.
00:23:28You know, there was something
00:23:29about the way she looked
00:23:30that made me suspicious.
00:23:31The way she looked,
00:23:32I didn't care.
00:23:34But she kept the map.
00:23:35Oh, sure.
00:23:36Why not?
00:23:37She may not have it up here,
00:23:39but...
00:23:40Hubba hubba.
00:23:43Thank you, Kismet.
00:23:44Now, you watch yourself, son.
00:23:48Oh, come in, Carlotta, dear.
00:23:51Nutty as a fruitcake,
00:23:53and with all that beautiful frosting.
00:23:56I was just saying
00:23:57to your friend, Mr. Craig,
00:23:58at any time he's in the neighborhood,
00:23:59he should feel free
00:24:00to drop in
00:24:00and have a julep with us.
00:24:02You all, excuse me.
00:24:03Oh, don't go, Major.
00:24:04You know the old saying,
00:24:05three's company
00:24:06and two's a crowd.
00:24:07You'll take care of yourself, son.
00:24:09Yeah.
00:24:11Well,
00:24:12here we are,
00:24:13alone at last.
00:24:14Goodbye.
00:24:16Do you know
00:24:17who that phone call was from?
00:24:18Napoleon?
00:24:19Shh.
00:24:23Her schizo's about to frania.
00:24:26Why did I get up today?
00:24:30I just spoke to my uncle.
00:24:32That's funny.
00:24:32So did I.
00:24:34Who?
00:24:35My uncle,
00:24:36Baron Monte.
00:24:37He told me not to worry.
00:24:39But I'm terribly disturbed.
00:24:42Emotionally?
00:24:43Yes.
00:24:45He said he was safe.
00:24:47Oh, he's safe, all right.
00:24:50I mean, he's safe, all right.
00:24:52But he's not safe.
00:24:53I know he isn't.
00:24:54No, no.
00:24:55He's in a terrible spot.
00:24:57But I feel he's in great danger.
00:24:59Yes, yes.
00:25:00He's in great danger.
00:25:01Yeah, but he's safe, all right.
00:25:04He's safe.
00:25:05You sound like an umpire.
00:25:06Don't you see?
00:25:08Someone forced him
00:25:09to make that call.
00:25:11Someone who wants me
00:25:12to believe
00:25:13that nothing is wrong.
00:25:15Oh, Mr. McCloud.
00:25:17I don't know what to do.
00:25:19I'm at my wit's end.
00:25:20Yeah, I passed there
00:25:21an hour ago.
00:25:22What's the matter with you?
00:25:23Oh, me?
00:25:24Here, sister.
00:25:25You better take
00:25:26the ring back.
00:25:28But...
00:25:30But, Mr. McCloud.
00:25:32Sam.
00:25:34You wouldn't desert me.
00:25:36Not now.
00:25:37No, no.
00:25:37I just remembered
00:25:38I got a date
00:25:38with J. Edgar Hoover.
00:25:39Kid never makes a move
00:25:40without me.
00:25:41But, Sam.
00:25:42You said we were
00:25:43in this thing together.
00:25:44You said you'd stick
00:25:45with me to your dying breath.
00:25:46Yeah, and I'm
00:25:47getting too close to it.
00:25:48Now, don't get upset,
00:25:49Miss Monte.
00:25:50You just listen
00:25:51to the Major.
00:25:52He's a very fine man.
00:25:53And he...
00:25:54He likes you.
00:25:56Oh.
00:25:57So they've been
00:25:57talking to you.
00:25:58They've been
00:25:59telling you things.
00:25:59Oh, you're crazy.
00:26:00I mean,
00:26:01you're being silly.
00:26:02Nobody's been
00:26:03talking to me.
00:26:04I haven't even
00:26:04been talking to myself.
00:26:06Oh, yes, they have.
00:26:08They told you something.
00:26:09And you'll believe them.
00:26:10Oh, no.
00:26:10No, I'm...
00:26:11I'm on your side.
00:26:12Oh.
00:26:14So now I know
00:26:15who's at the bottom
00:26:16of all this.
00:26:17Major Simon Montague.
00:26:19Oh.
00:26:20No, no.
00:26:21We're in this together, baby.
00:26:22We're...
00:26:22Please don't believe him, Sam.
00:26:24Huh?
00:26:24Please say you'll help me.
00:26:26Please.
00:26:28Please, baby.
00:26:29Huh?
00:26:30Do it for Mama.
00:26:35Mama knows best.
00:26:37Darling,
00:26:39promise me
00:26:39you'll guard
00:26:40the map with your life.
00:26:41Yeah, the map.
00:26:43The map.
00:26:45The map.
00:26:46Yeah.
00:26:47Here, let me take this.
00:26:48Oh.
00:26:49Oh, then.
00:26:50You can open
00:26:51the mailman later.
00:26:52Gee, gee.
00:26:54Six o'clock already.
00:26:55Well, I...
00:26:56Well, so long.
00:26:58Well, I got out of the house
00:27:00and was just starting
00:27:00for my car
00:27:01when I realized
00:27:02me and my gad
00:27:03had parted company.
00:27:04Holster and all.
00:27:05I figured
00:27:06little Miss Screwball
00:27:07must have lifted it
00:27:07when she kissed me.
00:27:08I started to go back for it,
00:27:10but I changed my mind.
00:27:11I spot a high window
00:27:12around the corner
00:27:13of the house
00:27:14and decide to climb up
00:27:15and take a gander.
00:27:16I figured the only way
00:27:17to get the inside dope
00:27:18is from the outside.
00:27:19Dope.
00:27:20So I scamber up the hill
00:27:22in about three jumps
00:27:22like any other goat
00:27:23and take a sneak peek.
00:27:25And what do you know?
00:27:26The guy who told me
00:27:27he couldn't walk
00:27:28is out of his wheelchair
00:27:29and sashaying around
00:27:30chipper as a jaybird.
00:27:32Then I knew
00:27:32Carlotta wasn't nuts.
00:27:34I get out my brownie
00:27:35and I'm all set
00:27:36to snap exhibit A
00:27:37when Laughing Boy
00:27:38gets out of his chair
00:27:39and starts for the window.
00:27:40I figure he sees me.
00:27:42But no,
00:27:43he pulls up the shade
00:27:44right in my kisser
00:27:45like it was
00:27:45ladies night
00:27:46in a Turkish bath.
00:27:47I'm stymied,
00:27:48but only for a second.
00:27:50The keyhole.
00:27:51Here's where
00:27:51my gadget pays off.
00:27:53The greatest invention
00:27:54since the Albany nightboat.
00:27:55This'll do it,
00:27:56I says.
00:27:57Next stop,
00:27:58Rogue's Gallery.
00:28:04Now watch the birdie.
00:28:05Quick.
00:28:07Oh, Carlotta,
00:28:08quick.
00:28:09What am I saying?
00:28:14Uh-huh.
00:28:16Hey, he saw the Baron.
00:28:18He took a picture.
00:28:19A picture.
00:28:19Get that camera for
00:28:20or I take the hide off.
00:28:21Yeah, right.
00:28:22There he goes.
00:28:25Hold it.
00:28:26Close the gates.
00:28:27Close the gates.
00:28:53Step on it to me.
00:28:53Step on it.
00:28:54Step on it.
00:29:04Come on,
00:29:04take this shortcut.
00:29:05Aim off.
00:29:29Too fast for him.
00:29:31Hot rod.
00:29:35We lost him.
00:29:36He must have taken the other road.
00:29:38Turn around.
00:29:49Hey, you big road hog.
00:29:51Where are you?
00:30:06I don't know.
00:30:07I don't know.
00:30:08Oh my God.
00:30:21Shh!
00:30:21Hey, you big road hog.
00:30:26Oh, oh, oh, oh, oh, oh, oh!
00:30:29Oh!
00:30:30Oh!
00:30:47Hello, honey, this is Joe. Hello, honey, this is Joe. Hello, honey, this is Joe.
00:30:50Come on up, Joe. Where have you been?
00:30:52I've been waiting for you. It's a good time, Joe. Come on up, Joe. Come on up, honey.
00:30:57That Joe, what a man he must be.
00:30:59I've been waiting for you, Joe.
00:31:01Don't let him in there from the finance company.
00:31:04Come on up, honey.
00:31:06I must remember this address.
00:31:13That'll cool you off, Joe.
00:31:15Hold it.
00:31:30Uh-huh. Didn't think you'd do it after that bath we had. You, darling, you. We both came through like
00:31:37men.
00:31:52Oh, hello, operator. Get me the state police. Yeah, I'll hang on.
00:32:10Plenty rugged. Smooth, though.
00:32:18Cuddles, huh?
00:32:22Operator?
00:32:25Operator, never mind that call.
00:32:43Very thoughtful of you to include the negative.
00:32:53When I came to, I was playing post office with the floor.
00:32:56I had a lump on my head the size of my head.
00:32:59Inside, Toscanini was conducting the anvil course with real blacksmiths.
00:33:03I looked at the bottle of old Piledriver and decided to stick the double waltz.
00:33:09Then those kids with the hammer started pounding again.
00:33:11But the thumping wasn't in my head.
00:33:14It was somebody knocking on the door.
00:33:15And it wasn't McLeod's door.
00:33:17It was my door.
00:33:19My door and the other room.
00:33:24Oh, it's you.
00:33:25Yes, here I am, Mr. Jackson.
00:33:27My heads.
00:33:28How did they come out?
00:33:29Yanks 4, Cleveland 7.
00:33:30Now, Mr. Jackson, a man of your responsibility shouldn't drink.
00:33:34Well, who's drinking?
00:33:35I...
00:33:36Oh, that's a bottle of bean bopper.
00:33:38I want my baby picture.
00:33:40Yeah.
00:33:42Picture?
00:33:44Oh.
00:33:45Wait a minute.
00:33:46Where are you going?
00:33:47Just a second.
00:33:48Mr. Jackson.
00:33:48Wait.
00:33:49Mr. Jackson.
00:33:50Uh-huh.
00:33:51They got it.
00:33:52It's gone.
00:33:53It's gone?
00:33:54Let me see.
00:33:55I had it in here and I took it in there.
00:33:56Oh, this would have to happen just to eat them.
00:33:58No, no.
00:33:59Look, Mrs. Fong, it's not your baby's picture.
00:34:01Here's the negative of that.
00:34:02Have it, have it to print it someplace else, please.
00:34:04Someplace else?
00:34:04Yeah, I'm out of business now.
00:34:05I'm retired.
00:34:06Remember that if you have another baby, please.
00:34:09Quiet, I'm thinking.
00:34:11Boy, I've got things to do.
00:34:13Yes, sir, important things to do.
00:34:17What have I got to do?
00:34:19I...
00:34:19Carlotta!
00:34:31Hey, there he is.
00:34:32That's the fella.
00:34:34Get him.
00:34:35Watch him.
00:34:36He's one of the gang.
00:34:37All right, what'd you do with the Baron?
00:34:38Come clean, you guns.
00:34:39We mean business.
00:34:40Don't we, fellas?
00:34:42I beg your pardon?
00:34:43What's going on here?
00:34:44Don't try to look so innocent with those blue-point eyes.
00:34:47Watch him.
00:34:47He's got a knife.
00:34:48Have he got a knife?
00:34:49Sure, I've got a knife.
00:34:51I'm the gardener.
00:34:52Huh?
00:34:52What'd you think I was last night, a chrysanthemum?
00:34:54He tried to prune me.
00:34:55Hold it, bud.
00:34:56Is there anyone living here by the name of, uh...
00:34:58Carlotta Montay.
00:34:59Carlotta Montay.
00:35:00Who is Carlotta Montay?
00:35:02You know who she is.
00:35:03She's staying here with Major Montague.
00:35:04Who is Major Montague?
00:35:06Look, this house belongs to the George Crandles.
00:35:08They've been in South America for four months.
00:35:10Six months.
00:35:11Yeah, then he's subletting.
00:35:13You mind if we take a look inside?
00:35:14No, please come along.
00:35:16Pardon me.
00:35:18This way.
00:35:19I'll show you.
00:35:20They're probably all hiding in here.
00:35:21Stick with me.
00:35:24Hey.
00:35:25Hey, what's this?
00:35:27Looks like nobody home.
00:35:29Nothing personal about that, I hope.
00:35:31What do you think, Sarge?
00:35:32I think a rebuke is in order.
00:35:33Oh, now, wait a minute.
00:35:34Don't get your badges in an uproar.
00:35:35You got this all wrong.
00:35:36They fixed my car.
00:35:37They fixed the gate.
00:35:38They fixed everything.
00:35:39That's their racket.
00:35:40They're trying to make people think everybody's crazy.
00:35:41Yeah, but with you, they had a head start.
00:35:43Oh, now, wait a minute.
00:35:44You got to listen to me.
00:35:45You got to trust me, fellas.
00:35:46This is the biggest frame-up since Whistler's mother.
00:35:48All right?
00:35:50Wait a minute.
00:35:52Now, keep moving.
00:35:52You got a long drive back to town.
00:35:54Yeah, well, let me tell you something.
00:35:56What?
00:35:57I like long drives.
00:35:59Get going.
00:35:59Okay.
00:36:00If you're bothering us again,
00:36:01I'll personally punch you in the nose so hard
00:36:03it'll look like other people's noses.
00:36:05Yeah, well, it might be worth it.
00:36:09I'm sorry we bothered you.
00:36:11You're not a bad guy for a foreigner.
00:36:13But I'm going to be a citizen.
00:36:14I'm studying for my examination.
00:36:17By the way, could you gentlemen tell me
00:36:19who was the eighth president of the United States?
00:36:24So long, bud.
00:36:40He's going around to the back.
00:36:43Well, you know what to do.
00:36:44Sure I know what to do.
00:36:46Not that, you fool.
00:36:48Why did he come back?
00:36:49Why does he want to search the house?
00:36:51He's looking for clues.
00:36:53Clues, huh?
00:36:55He wants a clue to Carlotta's whereabouts.
00:36:57See that he finds one.
00:36:59This one.
00:37:05Find one.
00:37:21It always looks so easy in those Tarzan pictures.
00:37:45Oh, look.
00:37:49Hold on.
00:39:23Seacliff Lodge.
00:39:25So that's where she is.
00:39:28Oh, I believe a clue.
00:39:39Here.
00:39:52Well, I knew where the doll was.
00:39:54My next move is to find her.
00:39:55So I get back into my hot rod special and start out.
00:39:59About an hour later, I spot a sign.
00:40:01Seacliff Lodge.
00:40:02So I go in to locate the girl, pretending I'm just another guest looking for a little quiet
00:40:08relaxation.
00:40:09The place is just what I figured.
00:40:11A ritzy summer resort, complete with golf course.
00:40:18Hey, pardon me.
00:40:20How do you get to the lodge from here?
00:40:21The lodge?
00:40:22That's where I live.
00:40:24Straight ahead.
00:40:24You can't miss it.
00:40:25Oh.
00:40:26Hey, pardon me.
00:40:27Did you notice if a good-looking dark-haired girl checked in there last night?
00:40:31Shhh.
00:40:32Can't talk.
00:40:35Care to play these last three holds?
00:40:37It'll take you right there.
00:40:39Oh.
00:40:40Okay, but how about my car?
00:40:42They'll send for it.
00:40:44Crawford's the name?
00:40:45Oliver J. Crawford.
00:40:47Well, mine's Smithers.
00:40:50Nine-iron.
00:40:51Care to shoot first?
00:40:52Okay.
00:40:54Say, this girl last night, did you notice if she was alone?
00:40:57Shhh.
00:40:58Care to make a small wager?
00:41:00Dollar hole?
00:41:01All right.
00:41:01I said, did you notice if she had a, a, a, a full nine?
00:41:05There's water down there.
00:41:07Okay.
00:41:22Missed it.
00:41:23Ha-ha.
00:41:24Cop must have moved on me.
00:41:25Hey, I feel like a pretty good round today myself.
00:41:28You do?
00:41:40Lucky I got up with those traps.
00:41:42I didn't see it.
00:41:49Right in the cup.
00:42:00I'll concede that.
00:42:01Thanks.
00:42:06For a minute there, I didn't think you had a ball.
00:42:08Top luck, old boy.
00:42:10You're one down.
00:42:19Where's your ball?
00:42:20Right here.
00:42:23Nice line.
00:42:28Right on the green.
00:42:30Yeah, I can't even see the green.
00:42:31I can.
00:42:32Oh, say, Smithers.
00:42:33Huh?
00:42:33How about that buck you owe me?
00:42:35I owe you?
00:42:35Dollar a hole.
00:42:37Uh-huh.
00:42:38Nice racket you got.
00:42:39Thanks.
00:42:41George Washington.
00:42:42Where?
00:42:43He's staying here, you know.
00:42:44Oh.
00:42:45Got the room next to mine.
00:42:46Uh-huh.
00:42:47Keeps me up all night long playing Yankee Doodle on his fife.
00:42:50Off key.
00:42:52Why don't you tell Petrillo about it?
00:42:57Hey, you hurry up.
00:42:58Quick, grab them.
00:42:59There they go.
00:43:00I'm looking for you, chummy.
00:43:02We're going to see the doctor.
00:43:04Doctor?
00:43:06Sanitarium.
00:43:07Oh, no.
00:43:07You got me wrong.
00:43:08I'm not crazy.
00:43:09Oh, I know.
00:43:10I know.
00:43:12Maybe you'd like some walnuts.
00:43:14Walnuts?
00:43:14Why don't you grab those nuts?
00:43:15There's strudel in the noodle.
00:43:16Oh, I want you.
00:43:18Yeah, but I'm okay.
00:43:19I'm sane.
00:43:19I'll prove it to you.
00:43:20Watch this coordination.
00:43:24It's the wrong hand.
00:43:27It's...
00:43:29Well, I'll practice a little and see you later.
00:43:31Hey, come on.
00:43:32Easy.
00:43:33That's my pinball hand.
00:43:34We're going to see the doctor.
00:43:35It's no use, bud.
00:43:36I'm not going with you.
00:43:38Oh, oh, oh.
00:43:38Let's see the doctor.
00:43:40Doctor!
00:43:40Stop, stop, stop.
00:43:42Oh.
00:43:43Watch out.
00:43:43We'll never get that down again.
00:43:46Oh, that's better.
00:43:48That's...
00:43:48There's a park missing.
00:43:50It's a...
00:43:51A thing like this could be permanent.
00:43:55Oh, Cuddles.
00:43:57Hello.
00:43:58Do they have bellhops here?
00:44:00Welcome to see Cliff.
00:44:02Oh, yeah.
00:44:03Calisthenics?
00:44:04Oh, hey.
00:44:05Oh, steady.
00:44:06The map.
00:44:07Where's the map?
00:44:09You didn't bring it with you.
00:44:10That's very bad.
00:44:12Look, I didn't expect to see you.
00:44:13Get me out of this angle.
00:44:15Get...
00:44:15Very bad.
00:44:16Trying to choke somebody?
00:44:18Look, I don't know what's going on here.
00:44:20And I'm not scared, see?
00:44:22You've got company, ma'am.
00:44:24Carlotta!
00:44:25Sam.
00:44:27Oh, Sam, I'm sorry.
00:44:29Oh, that's all right, baby.
00:44:30Oh, why did I have to go and do this?
00:44:32Now I've got you in this mess, too.
00:44:34Oh.
00:44:36Oh, Sam.
00:44:36Oh, now, wait a minute.
00:44:37Don't go feminine on me.
00:44:39All right.
00:44:39Don't go masculine, either.
00:44:46Oh, I didn't know this was going to be formal.
00:44:49Oh, I'll be right with you, boss.
00:44:53Over here and sit down, son.
00:44:55You and I are going to have a little talk.
00:44:57Yeah, I'll do the talking, you do the sitting.
00:45:00I'll do the talking.
00:45:04I'll do the sitting.
00:45:06The map is met?
00:45:07Didn't have it on him, Sam.
00:45:09No?
00:45:09No.
00:45:10Hmm.
00:45:11That kind of changes things, don't it?
00:45:13Yes, it does change things.
00:45:14Sam, boy, recently, I offered to buy from Baron Monte
00:45:18the mineral rights of a section of his land.
00:45:21Unfortunately, the Baron turned my offer down.
00:45:24He came to this country to make a deal with somebody else.
00:45:28Who is this someone else and what kind of mineral rights?
00:45:31You're getting too inquisitive, son, and that ain't healthy.
00:45:35Now, maybe a little Carlotta here is beginning to see the light.
00:45:39You know, I'm very fond of you, Carlotta, and I don't like to see you holding out on me.
00:45:44Lay off of her, you phony, you, you all.
00:45:48Carlotta, it's a good thing you're here.
00:45:49I'd be brutal.
00:45:54Carlotta.
00:45:55Uncle Stefan.
00:45:57Are you all right?
00:45:58Yes, child.
00:46:00They haven't hardened me.
00:46:01Hey, is that your uncle?
00:46:02He looks just like the guy in the picture I took.
00:46:05He should have held on to it, son.
00:46:07That picture might have spoiled everything for us.
00:46:10Light, please, Carlotta.
00:46:12Oh, Simon, if you don't mind, I'd like to acquaint the Baron with a few basic facts.
00:46:17You see, Monsieur Le Baron, we have you.
00:46:20We have your niece.
00:46:22And, uh, having Mr. MacLeod, we have the map.
00:46:28Not yet, you haven't.
00:46:29Yes, but before the chrysanthemum blooms, we will have it.
00:46:37Please put this away, yes?
00:46:41Come here, Willie.
00:46:42Now, let's stop fooling around, son.
00:46:44I want that map, and I want it now.
00:46:47What you want and what you're going to get are two different things.
00:46:49I'm not the given kind.
00:46:50No.
00:46:51You're not...
00:46:51Oh.
00:46:54I...
00:46:55Oh.
00:46:57Temper, kismet, temper.
00:47:00Don't be so rough with Sam.
00:47:01He can take it.
00:47:03The poor boy sees.
00:47:04He don't know what's going on.
00:47:08Oh.
00:47:09Oh, I'm sorry, honey.
00:47:11I didn't mean to get so fresh.
00:47:13I...
00:47:14I...
00:47:14Oh, it's you?
00:47:16Oh.
00:47:18Now, where's the map, son?
00:47:20Oh, is that what you want?
00:47:21Well, why didn't you say so?
00:47:23You don't have to get it the hard way.
00:47:25Sam, don't.
00:47:26Oh, what's the use?
00:47:26They'll beat it out of us anyway.
00:47:28We might as well tell them.
00:47:29Go on, Charmy.
00:47:30You tell them.
00:47:31All right.
00:47:31I hid the map in a water cooler in my office.
00:47:33Oh, he's lying.
00:47:35I've searched his office.
00:47:36No, you looked in the wrong water cooler.
00:47:38The one I mean is in...
00:47:38Sam.
00:47:39Huh?
00:47:40We might as well tell them the truth.
00:47:43You'll find the map in a water cooler at the ferry building.
00:47:48Yeah.
00:47:49Yeah, in the ferry building.
00:47:50In the water cooler by the newsstand.
00:47:53Third cup from the top.
00:47:55We'll find out.
00:47:57Tony, it should take you about three hours to get to that ferry building and back.
00:48:01Get going, son.
00:48:03Doctor?
00:48:04Uh, better register them as patients.
00:48:07In case, uh, they should happen to meet with, uh, an accident.
00:48:10The usual papers will be filled out.
00:48:13You see, if, uh, Tony doesn't happen to find that map...
00:48:43James Collins.
00:48:52Sam.
00:48:55Sam, can you hear me?
00:48:59What's up, baby?
00:49:00That cigarette you saw me take from my uncle.
00:49:02There was a message in it from him.
00:49:05We've two hours to get out of here.
00:49:07Oh, we've got nothing to worry about.
00:49:09Till Tony gets back.
00:49:11You know, they took all my clothes.
00:49:12Mine, too.
00:49:13They did?
00:49:14Well, they did, huh?
00:49:17Say, have you got a hairpin?
00:49:19Sam, this is no time to be thinking about your looks.
00:49:22Here.
00:49:23Oh, good.
00:49:28Say, how'd you know about that cigarette?
00:49:29Well, my uncle never smokes.
00:49:32So, when he asked me for a light, I...
00:49:35He wants us to get in touch with the James Collins Engineering Facts Corporation.
00:49:41Uh-huh.
00:49:42I've seen this done a thousand times.
00:49:44Who is this James Collins?
00:49:46I don't know.
00:49:47But we've got to find him.
00:49:49It's always so simple.
00:49:50You just put the hairpin in the lock, give it a quick twist, and...
00:49:53Well, come on in.
00:49:54Get up.
00:49:55We can play Jack Slater.
00:49:57Come on.
00:49:59Uh-oh.
00:50:02Quick.
00:50:02Managed.
00:50:03Quick.
00:50:04Quick.
00:50:11Oh, it's you.
00:50:13Okay.
00:50:14Take me away.
00:50:15I've run you some grub.
00:50:17I fixed it all myself.
00:50:19Well, I haven't got much of an appetite.
00:50:21If I could take a long walk...
00:50:23Oh, them there guys wouldn't let you.
00:50:25You know, Chummy, I like you.
00:50:28Yeah, well, you've got a funny way of showing it.
00:50:30I'm still trying to get the corpuscles to move back in.
00:50:32Oh, I'm sorry.
00:50:34You just don't know your own strength.
00:50:39You know, Willie, I like you, too.
00:50:43You do?
00:50:44Yes, sir.
00:50:45What a physique.
00:50:46Boulder dammed with legs.
00:50:48And look at those shoulders.
00:50:49And that arm.
00:50:51Mm, like a sack of doorknobs.
00:50:53Recess, recess, recess.
00:50:55You're...
00:50:56I'm just kidding.
00:50:57Hey, Chummy.
00:50:59Do you care if I feel your muscle, too?
00:51:02No.
00:51:02Go ahead.
00:51:05Look around.
00:51:05It's there someplace.
00:51:07Oh, there it is.
00:51:09That's it.
00:51:11It's just like a woman.
00:51:12Yeah.
00:51:14Easy.
00:51:14Easy.
00:51:15Easy.
00:51:16Everything you touch turns to rigor mortis.
00:51:19You know, Willie, with your strength, I bet you could take that radiator and just pull
00:51:23it out by the roots and play it like an accordion, huh?
00:51:25Wouldn't that be fun?
00:51:26Or you could even take those bars and just bend them apart, huh?
00:51:30Oh, I don't like to brag.
00:51:32Oh, well, go ahead and brag.
00:51:35All right.
00:51:45Oh, that's great, Willie.
00:51:47Gee, you're strong.
00:51:48You want I should tear out the ratty head?
00:51:51No, no, no.
00:51:51That's okay.
00:51:52Oh, you've done enough.
00:51:53You're wonderful, Bay.
00:51:54Oh, you're solid spinach.
00:51:56You're great.
00:51:56I'll buy you rabbit later.
00:51:59Thanks very much.
00:52:00Oh, I'll be seeing you, Tommy.
00:52:02All right, thanks.
00:52:03Well, huh?
00:52:17No.
00:52:22You've got to be neat, you know.
00:52:24Oh, yeah, yeah, you can't.
00:52:37Willie.
00:52:42Did you hear that?
00:52:43Yes.
00:52:45Big detective outsmarted by an imbecile.
00:52:48We've got to get out of here.
00:52:50In two hours, though.
00:52:52Yeah, we're caught like rats in a trap.
00:52:54Well, at least we're a boy rat and a girl rat.
00:53:09Here's your dinner.
00:53:12All right.
00:53:13No use struggling.
00:53:22See?
00:53:23I told you there was no use struggling.
00:53:25Come on.
00:53:25No, get the keys.
00:53:26Huh?
00:53:28I'll be your nurse, patient.
00:53:30Oh, great.
00:53:31Here's where I get some new clothes.
00:53:35We better split up when we get downstairs and meet me in my car.
00:53:38You can't miss it.
00:53:39It's a great convertible job of a horn that goes that, that, that, that.
00:53:41It's a conservative model.
00:53:43Yes, but suppose they took the keys.
00:53:45Don't need them.
00:53:46There's a trick you can do with the wires.
00:53:48Shh.
00:54:00Somebody's coming.
00:54:00Act like a nurse.
00:54:02Act like a patient.
00:54:03Yeah.
00:54:07There, there.
00:54:09See you.
00:54:09Oh, nurse.
00:54:11There's no barbatole.
00:54:12It's a triplicate and a third.
00:54:16I think I do this too well.
00:54:18Come on.
00:54:19Oh, no.
00:54:20Oh.
00:54:21Wait a minute.
00:54:21Wait.
00:54:22I see what's in here.
00:54:23Yeah.
00:54:25There's nothing here but this mangy old piece of moth bait.
00:54:27It's mine.
00:54:28Yours?
00:54:28Oh, it's pretty, isn't it?
00:54:30We can't use this.
00:54:32Come on.
00:54:33When we get to the door, we'll make a break for it.
00:54:37Hiya, stranger.
00:54:39Shh.
00:54:41How do you do, my dear?
00:54:42Shh.
00:54:43Going around to the pretty nurse, I see.
00:54:45You'll be getting out of here in no time.
00:54:47See you.
00:54:48Yeah.
00:54:50He's one of us.
00:54:54How many branches does our government consist of?
00:54:58Our government consists of three branches.
00:55:02What are the three branches of our government?
00:55:08The three branches of our government are, huh?
00:55:12The legislative, the executive, and the judicial.
00:55:18What does the legislative branch of our government do?
00:55:23Hmm?
00:55:25Huh?
00:55:27Huh?
00:55:28It makes the laws.
00:55:30What does the executive branch of our government do?
00:55:34It carries out the laws.
00:55:37Sneaking out, stranger?
00:55:38Oh, oh, oh, oh, oh.
00:55:40Oh, it's you.
00:55:42Oh, oh, oh, oh, oh, oh.
00:55:44Practicing again?
00:55:45Oh, why would it only me?
00:55:46Practicing again?
00:55:46Oh, how delightful.
00:55:48Oh, wonderful.
00:55:50Oh, wait a minute.
00:55:53Take it easy, Cuddles.
00:55:54Cuddles, huh?
00:55:55Look, I was just, I was just, marvelous.
00:55:59Come here, you coward.
00:56:01Look, you can get in trouble if you, oh.
00:56:04Why, you dirty rat.
00:56:08Oh, oh, nothing personal.
00:56:12Why?
00:56:12How'd you, come here.
00:56:13Come here, where are you?
00:56:15Hey, what, what, you temper, I hate you.
00:56:19You, why you stupid.
00:56:21Pardon me.
00:56:22You, you, marvelous.
00:56:23You, you, broken.
00:56:25Come on.
00:56:31Hey, Willie, you go that way.
00:56:35Hey, I don't see him.
00:56:40Stand out, Willie.
00:56:41Let's search the woods.
00:56:42Stand out.
00:56:49Oh, friend.
00:56:50Oh, how'd you get rid of him?
00:56:53You just couldn't stand the details, baby.
00:56:55I just hope I didn't slug him too hard.
00:56:58It's a good thing we're downhill.
00:57:00Yeah.
00:57:01I'll release the brake.
00:57:02Yeah.
00:57:06What are you doing now?
00:57:07I'll show you that trick with the wires.
00:57:09You don't need a key.
00:57:10It's great.
00:57:28What a time to hit the jackpot.
00:57:43You do better with your knife.
00:57:45Shut up.
00:57:47What happened?
00:57:48Hey, I'm driving.
00:57:51I'll take it through here.
00:57:52It gets a little rough.
00:57:53Thanks.
00:57:56As soon as we get to the city, we'll call Mr. Collins.
00:57:59Or better yet, we'll go to your office and get the map, and then we'll go...
00:58:02Hold it.
00:58:02Hold it.
00:58:03What's the matter?
00:58:04I got news for you, Miss Monte.
00:58:06I'm bowing out.
00:58:07But, Sam, you can't.
00:58:08I'm forcing myself.
00:58:10This kind of life is too rich for my blood.
00:58:12The little I got left.
00:58:13I'll get you the map, and then we'll call it quits.
00:58:16Tell me, Mr. McLeod.
00:58:17Are you always afraid of old men with phony southern accents?
00:58:20Wait a minute.
00:58:21What do I owe you?
00:58:22All I know is you came into my office with a phony story and a ring, and now I ain't
00:58:26got
00:58:26the ring, and I'm stuck with the story.
00:58:29Put this top up.
00:58:31It's going to rain.
00:58:32It never rains at this time of the year.
00:58:39Orange juice.
00:58:42There you are.
00:58:43Ronnie Jackson, photographer for babies.
00:58:46Yeah, that's me.
00:58:47Well, where's Sam McLeod?
00:58:49He's out of town, which is a tough break for all of us, except him.
00:58:52So you've been playing, detective.
00:58:54Yeah, and I'm through playing, sister.
00:58:56The last 24 hours, I've been knocked out, shot at, beaten up, knocked out again, and put
00:59:00through the ringer.
00:59:01And if I'm still alive, it's only because the insurance company doesn't want to give up.
00:59:05They're afraid it would break them.
00:59:08Here.
00:59:09Here's your map, Miss Monte.
00:59:11The right water cooler, but the wrong office.
00:59:14Goodbye.
00:59:15All right.
00:59:17Goodbye, Sam.
00:59:18I mean, Mr. Jackson.
00:59:23Goodbye.
00:59:24And I don't mean to see you later.
00:59:27So long, sister.
00:59:40Wait a minute.
00:59:41You can't go out like that.
00:59:42You're soaked to the skin.
00:59:44I'll manage.
00:59:45Oh, steady.
00:59:47Why do women always act like women?
00:59:50Here, here are a few things.
00:59:51Whose things?
00:59:52Mine.
00:59:53Pick out what you need.
00:59:54The ones with the lace are still at the laundry.
00:59:57Well, may I change?
00:59:57No, it's my room.
00:59:58Over here, behind the screen.
01:00:01You're not a detective.
01:00:02You act like one.
01:00:03Well, I ain't exactly a cream puff, sister.
01:00:09Guy could use water wings in this business.
01:00:14Oh, Ronnie.
01:00:15Yeah?
01:00:16I just wanted you to know.
01:00:17I'm not really angry with you.
01:00:20Why not?
01:00:21I'm very grateful for all you've done for me.
01:00:24Even if you were Sam McLeod, you couldn't have accomplished more.
01:00:28Look, don't red apple me.
01:00:30From now on, I'm going to stick to watch the birdie and leave the chicks alone.
01:00:35Ronnie.
01:00:36Yeah?
01:00:38I think you're a very brave man.
01:00:40I know a sniveling coward when I see one.
01:00:44How do you sniff?
01:00:45But I've no one else to turn to.
01:00:48Won't you help me?
01:00:49No.
01:00:51Please.
01:00:52Oh, no, you don't.
01:00:53What kind of a sucker do you take me for?
01:00:55Just because you're a girl and I'm a boy and you're throwing those big blue eyes at me
01:01:00and you're letting me put my arms around you
01:01:02and you let me hold you close, even closer,
01:01:05you think you can get me to do anything you want?
01:01:12What do you want, baby?
01:01:14Darling, the first thing we've got to do...
01:01:16We're doing it.
01:01:19We've got to find James Collins.
01:01:21Collins?
01:01:22Yeah.
01:01:24No.
01:01:25No, we've got to get out of here.
01:01:26This is the first place those characters will look.
01:01:28I don't want that cuddles playing mumbly peg on my throat.
01:01:31Take those off.
01:01:31What?
01:01:32I mean, put this on.
01:01:34Oh, you better roll with us up first.
01:01:36Where's my hat?
01:01:39Shh.
01:01:43Oh, it's you, Mrs. Fong.
01:01:45Mr. Jackson, stop pushing me.
01:01:46I'm sorry.
01:01:47Hurry.
01:01:48Mr. Jackson, I'm very disappointed in you.
01:01:50I know.
01:01:50You'll take a picture of Sonny smiling for the first time in his life.
01:01:53And then you gave me the wrong...
01:01:55Yeah, well, don't worry about a thing, Mrs. Fong.
01:01:56I'll give you your money back.
01:01:57Hurry.
01:01:58But I don't want my money back.
01:02:00I want a picture of Sonny smiling for the first time in his life.
01:02:02Shh.
01:02:05Here they come.
01:02:06Hurry.
01:02:07Hurry up.
01:02:08Come on.
01:02:08Let's go while we're still here.
01:02:12Don't worry about a thing.
01:02:13I'll send you a check.
01:02:16But you gave me the wrong negative.
01:02:18Yeah.
01:02:29Well, our next move is to contact Mr. James Collins.
01:02:32His secretary said he had a date that night at a spot called the Poulet d'Or.
01:02:36From herein, we had no worries.
01:02:38Montague and his cute little playmates, they were washed up.
01:02:41Through, lost in the shuffle.
01:02:44Well, Poulet d'Or was our next stop.
01:02:45But we didn't look exactly like cafe society.
01:02:48So I blew the bankroll.
01:02:50A rented tuxedo for myself and an evening gown for Carlotta.
01:02:53Boy, did she stack up.
01:02:55I guess you only get out of a thing what you put into it.
01:02:58An hour later, we were at the Poulet d'Or.
01:03:00One of those real swanky cafes where they eat mink for breakfast.
01:03:08Just a moment.
01:03:11Mr. Whitelow has been waiting.
01:03:14Mr. Collins' table.
01:03:15He's expecting us.
01:03:16Oh, yes, sir.
01:03:17Mr. Collins.
01:03:18He's right there by the window.
01:03:22Oh, yes.
01:03:23Yes, there he is.
01:03:24Hey, George.
01:03:26This way, please.
01:03:27Ah, just a minute, bud.
01:03:28Look, here's a fin.
01:03:30Tell that blonde at that table over there she's wanted on the phone.
01:03:34Pronto?
01:03:35Certainly, sir.
01:03:37Let's move in.
01:03:39Pardon me, sir.
01:03:40You're wanted on the telephone, miss.
01:03:42Can you excuse me?
01:03:45Oh, Mr. Collins?
01:03:46We'd like to speak to you for a minute.
01:03:48I don't believe I've had this.
01:03:49Sit down.
01:03:50Start talking, baby.
01:03:51My name is Carl Adamonte.
01:03:53My uncle is Baron Monte.
01:03:55Baron Monte?
01:03:58I don't think I've ever...
01:04:00My uncle told us to get in touch with you.
01:04:05I'm sorry.
01:04:06I'm afraid you have the wrong man.
01:04:08Waiter.
01:04:09My check, please.
01:04:10Does this map mean anything to you?
01:04:22Where is the Baron?
01:04:25Henry!
01:04:27The waiter said you had a phone call for me.
01:04:29I will check it for you, madam.
01:04:30The Baron had an important appointment this Wednesday afternoon in Washington.
01:04:34Washington?
01:04:34In his office at the Pilgrim Hotel.
01:04:36Pilgrim Hotel?
01:04:37Someone must keep that appointment.
01:04:39Someone will, but it won't be the right Baron Monte.
01:04:42Right.
01:04:42Our first move is to get the local police.
01:04:44That's it.
01:04:45No, you stay here, Miss Monte.
01:04:46Yeah, you stay here.
01:04:47These men are killers.
01:04:48Yeah, then I'll stay here, too.
01:04:50Oh, come on.
01:04:51Okay.
01:04:51If we're not back in 45 minutes, call the police.
01:04:53All of them.
01:04:54Check.
01:04:57The 10th Precinct Police Station is the closest.
01:05:00Good.
01:05:00We'll call from there.
01:05:01But the sooner we get this into the hands of the FBI, the better.
01:05:05FBI?
01:05:06Baron Monte's appointment in Washington Wednesday was with the State Department.
01:05:11Boy, this thing is dynamite.
01:05:13Look, Mr. Collins, just how do you figure in this deal?
01:05:16I'm a geologist.
01:05:17I work with Baron Monte in San Bimas.
01:05:19In fact, I drew up this map for him.
01:05:21It shows the location of a great deposit of cryolite.
01:05:25Well, I don't see anything.
01:05:26It's in code.
01:05:27Oh.
01:05:28Yesterday morning, I got a phone call.
01:05:30A voice exactly like Baron Monte's.
01:05:32Whoever it was said that there had been a change in plans, that the land was no longer for sale.
01:05:36Do you realize what that means?
01:05:38Well, not exactly.
01:05:39It means that somebody, some other government, perhaps, is after that cryolite.
01:05:43Mm-hmm.
01:05:48Cryolite, huh?
01:05:49Well, we can't let them get it.
01:05:51What's cryolite?
01:05:53Cryolite?
01:05:53It's an ore containing cryptobar.
01:05:56Cryptobar?
01:05:56Oh, well, we can't let them get that.
01:05:59What's cryptobar?
01:06:00A source of uranium.
01:06:02Yeah, and what's...
01:06:03Uranium?
01:06:04Oh, well, now I got you.
01:06:05I read Buck Rogers, too, you know.
01:06:07Uranium.
01:06:13Must be that right front.
01:06:14Come on.
01:06:17You know, I had a hunch this thing was much bigger than it looked.
01:06:24That's funny.
01:06:25It's okay.
01:06:27Come on.
01:06:33Hey.
01:06:37Hey, Mr. Collins, we're here.
01:06:39Mr. Collins.
01:06:41Mr. What?
01:06:43Blood.
01:06:44And if it ain't mine, it's red.
01:06:46Keep cool, Ronnie.
01:06:48Ronnie, keep cool.
01:06:48The murder weapon.
01:06:50Yeah.
01:06:51Pardon me.
01:06:52Huh?
01:06:53Find the owner of this gun and you've got the killer.
01:06:54Yeah.
01:06:55Yeah, it's mine.
01:06:56Yeah, my gun.
01:06:58Mine?
01:06:58Oh.
01:07:00Yeah, it's got my fingerprints on it.
01:07:02Shh.
01:07:03Shh.
01:07:03Shh.
01:07:04Shh.
01:07:33I don't care if she has got a girlfriend.
01:07:34I don't care if she's on you, huh?
01:07:36Hold that.
01:07:37Oh, yeah.
01:07:37Let me see your driver's license.
01:07:39Yeah, but you got me all wrong, officer.
01:07:41This isn't my car.
01:07:42Oh, it isn't, huh?
01:07:43No, I don't drive.
01:07:44I drink a lot.
01:07:44I get nosebleeds.
01:07:45And what are you doing here?
01:07:46Well, I was just cleaning.
01:07:47I'm trying to roll that drunk.
01:07:49Oh, no, I wouldn't think of it.
01:07:50How far could I roll them?
01:07:52Besides, some of my best friends are drunks.
01:07:54I was just...
01:07:56Well, I've got to go now.
01:07:57It's been fun.
01:07:58Not too fast to look suspicious.
01:08:00So long.
01:08:01It's been fun.
01:08:02Stop saying that.
01:08:04Well, goodbye now.
01:08:05I've got to run now.
01:08:07I...
01:08:07Sorry, fellow.
01:08:10Hey.
01:08:14Hey, stop or I'll shoot!
01:08:29Well, that takes care of him.
01:08:31He's a real help to us, that boy.
01:08:33What about the girl?
01:08:35Carlotta's no problem.
01:08:36We have the map.
01:08:41When I told Carlotta they'd rubbed out Collins, it was quite a blow.
01:08:44But the kid bounced back like a rubber ball.
01:08:46A nice, soft rubber ball.
01:08:48Too bad I wasn't in the mood to play catch.
01:08:51I was in for keeps now.
01:08:53Ronnie Jackson wanted for murder.
01:08:55Well, if we were going to save the doll's uncle and Mrs. Jackson's boy Ronnie,
01:08:58we had to get something on that gang.
01:09:00That meant our next stop had to be Washington.
01:09:03But we needed dough to get there, and little Carlotta came through.
01:09:06We got the last two seats on a plane headed east,
01:09:09and by midnight we were playing tag with the Rockies.
01:09:12Carlotta was very sweet.
01:09:13She looked after me like a mother.
01:09:15I guess she wanted to make sure I didn't get away.
01:09:18And for a disguise, I was wearing a ten o'clock shadow.
01:09:21I had to play it cagey.
01:09:22The only thing that bothered me was the altitude.
01:09:24I knew it would get me.
01:09:26I get airsick when I step on a thick carpet.
01:09:29We hit Washington about noon the next day,
01:09:31and we grabbed a cab for the Pilgrim Hotel.
01:09:34Now this was the end of the ride.
01:09:36The payoff.
01:09:37Ronnie Jackson versus Mint Jewel of Montague.
01:09:40My brain pitted against his.
01:09:43Yeah.
01:09:43He had the brain and I had the pit.
01:09:53I suppose they haven't got a room near my uncle's suite.
01:09:55You just tossed that smile at them, honey.
01:09:57You need to give us the joint.
01:09:58Thanks, Ronnie.
01:09:59Look.
01:10:03It's nice to see you again, Baron.
01:10:06We went ahead, Tim.
01:10:09I guess old Shorten and Brad joins them later.
01:10:12I'll see about that room.
01:10:14Say, Bud, we'd like to talk to you about him.
01:10:16One moment, please.
01:10:16Can you tell me the number of Baron Monte's suite?
01:10:19Sorry, he's out of town.
01:10:20Oh, I'm Mr. Dawson of the State Department.
01:10:24Oh, yes.
01:10:25He's expecting you.
01:10:26Suite 14C.
01:10:30Yes?
01:10:31Oh, we'd like a room, please.
01:10:32Something on the 14th floor.
01:10:33Sorry, we're having a thing.
01:10:34Say, what about those rooms for Hennessey and Mackay?
01:10:37And Kelly.
01:10:37And Schultz.
01:10:38Oh, yes.
01:10:39Would you please register?
01:10:41I thought you said you didn't have a room.
01:10:43Well, you see, if you were with the convention, I could probably...
01:10:46Oh, yeah, yeah, sure.
01:10:47I were with the convention.
01:10:48Well, you certainly don't look like a detective.
01:10:51Well, it's...
01:10:57Oh.
01:10:59Well, I'm not exactly a detective.
01:11:01I'm more of a stool pigeon.
01:11:04They're at the other hotel.
01:11:05See, and I...
01:11:06Well, look at...
01:11:10Well...
01:11:12Well, we must be off, old boy.
01:11:15Cheerio, pip-pip, taphole, and all that sort of rot.
01:11:17Come, Deborah, come.
01:11:19Yes, we mustn't be late for tea.
01:11:21Now, I hate soggy crumpets, you know.
01:11:23So do I.
01:11:23Well, step up, bud.
01:11:24Goodbye, Jeff.
01:11:27Read all about it.
01:11:29Get your latest.
01:11:31Read all about it.
01:11:33Police, capture, killer.
01:11:36They got me.
01:11:37New York Gang Slayer Jail.
01:11:39It's a New York murderer he's yelling about.
01:11:41Oh, yeah, sure, and I'm just a San Francisco murderer.
01:11:44I don't know how much more of this I can take.
01:11:46You've had me in hot water so long, I feel like a tea bag.
01:11:48Well, why don't you quit?
01:11:49I can take it from here.
01:11:50Oh, sure, now that she got me over a barrel, now that I'm wanted for murder.
01:11:54For murder.
01:11:55You want me to quit, huh?
01:11:57Well, let me...
01:11:58Hey.
01:12:01Hey, did you hear that bell ringing?
01:12:03What bell?
01:12:04It just rang for ice water in 14C.
01:12:06And who do you think is going to bring it up?
01:12:08Me.
01:12:09How much, Hampermaid?
01:12:23Hey.
01:12:25Hey.
01:12:26Hey, Mr. Dawson.
01:12:27Boy, bring it back.
01:12:28Mr. Dawson, I want to talk to you.
01:12:30We're brave, huh?
01:12:31Is that all right, Major Montague?
01:12:34Hey, boy.
01:12:36Give me a hand with these bags.
01:12:37No, but this ice water, there's a blonde in 14A who's on fire.
01:12:40Cut the comedy and get these bags.
01:12:42This is an emergency.
01:12:43She's sizzling.
01:12:44Come on.
01:12:45Okay, sleigh drop her.
01:12:50Don't push me around.
01:12:51My dues are paid, too, you know.
01:12:54All right, Tony.
01:13:00Let's go.
01:13:04Oh, boy.
01:13:05You.
01:13:05Yeah?
01:13:06That portfolio...
01:13:07The office is in there, Simon.
01:13:09Yeah, they put the bags in that room of the portfolio in the office.
01:13:12Uh-huh.
01:13:17Hey, Baron, how was it easy?
01:13:19I handled Mr. Dawson beautifully.
01:13:21Pete, shh.
01:13:23Nice having you with us again, Baron Marte.
01:13:25Will you be in Washington long?
01:13:26Not long.
01:13:27A few days, perhaps.
01:13:29Let me tell you about Dawson.
01:13:30Yeah, but not now.
01:13:32A little bit alone.
01:13:33Would you like me to open the window for you?
01:13:35No, no.
01:13:36It's quite all right.
01:13:37Yes, Baron.
01:13:38Oh, boy.
01:13:44Oh, boy.
01:13:46Coming, coming.
01:13:48Yes, sir.
01:13:48Yes, sir.
01:13:50Will that be all, sir?
01:13:51That's all, thank you.
01:13:53And the other boy...
01:13:55Just a minute, young man.
01:14:00Give this to your friend.
01:14:01Oh, thank you, sir.
01:14:05Hey.
01:14:09Hey!
01:14:10Okay, sucker.
01:14:22You'd have been proud of me, I tell you.
01:14:25Not a kid's man.
01:14:26He's never proud of anybody.
01:14:28No.
01:14:28Well, come on.
01:14:29Now, let's go.
01:14:30Now, let's go, man.
01:14:56Well, the Baron's a stubborn old man.
01:14:59He still hasn't talked.
01:15:02He pretends he doesn't know the code.
01:15:05Give me that.
01:15:18Well, if it ain't jumping.
01:15:20Shhh.
01:15:21Look, Willie.
01:15:23We're friends pals, remember?
01:15:24Sure. I like you.
01:15:27Let's go tell the fellas.
01:15:28No, Willie, no. They'd ruin everything.
01:15:30We're friends. Let's be alone.
01:15:32Here, have some walnuts.
01:15:33Are them yours?
01:15:35Slip this into your pocket.
01:15:36Geez, thanks.
01:15:40You know, I like walnuts better than almost anything.
01:15:43Shhh.
01:15:45Except coconuts.
01:15:46Oh, coconuts, yes.
01:15:47I hate them.
01:15:48I hate them.
01:15:48They don't fit in here.
01:15:50And they will so.
01:15:51Yeah.
01:15:52Shhh.
01:15:53Look, just forget that you ever saw me.
01:15:55I'll bring you some bleachy nuts.
01:15:56You can crack them with your eyelids.
01:15:58They're more fun.
01:16:00Shhh.
01:16:02Shhh.
01:16:03Shhh.
01:16:03Shhh.
01:16:05Shhh.
01:16:05Oh.
01:16:06Goodbye.
01:16:07Why do I do that?
01:16:09Goodbye, Willie.
01:16:31Shhh.
01:16:32Hey, you know who I just seen?
01:16:33Shhh.
01:16:34Shhh.
01:16:34At least.
01:16:35See the part that's in code.
01:16:38Shhh.
01:16:39Quiet.
01:16:40What are you doing?
01:16:41Cracking nuts.
01:16:43Uh, guess who given to me?
01:16:44Oh, sit down.
01:16:45He, he, he was right out and...
01:16:46Stop interrupting.
01:16:47But I just wanna...
01:16:48Shut up.
01:16:50Well, that ain't no nice way to talk to a person.
01:16:56All right.
01:16:56Just for that, I'll keep quiet.
01:17:03Any luck?
01:17:04Oh.
01:17:05Shhh.
01:17:06I thought you looked a little thin.
01:17:08Anything in the portfolio?
01:17:09Just this.
01:17:10They're too smart to put anything on paper.
01:17:12Uh huh.
01:17:13I'd go out in there and shoot it out for them, but it's so messy.
01:17:16I've looked all through the filing cabinet.
01:17:18Huh?
01:17:19We gotta get something on the baby or we're dead ducks.
01:17:23We gotta get something on the baby or we're dead ducks.
01:17:25Yeah, I said that.
01:17:27Hey.
01:17:30What is it?
01:17:31That's a recording machine that repeats what you say.
01:17:34You know, for a guy too fat to hold a secretary in his lap.
01:17:36Do you know how to work it?
01:17:37I'm sure you just speak into this mic and make a record.
01:17:39That's it.
01:17:40That's what?
01:17:41You work the machine.
01:17:42I'll get them to talk.
01:17:44This is one of the best ideas I ever had.
01:17:47Marvelous what you can do when you think.
01:17:50Okay.
01:17:51Lead him in.
01:17:57What was that?
01:17:58I don't know.
01:17:59It came from England.
01:18:07What was that?
01:18:13I don't know.
01:18:16It came from England.
01:18:17You see, she's dangerous.
01:18:19We've got to get rid of her.
01:18:20Oh, let her go, kid.
01:18:22We don't want any trouble here.
01:18:23But that's no trouble.
01:18:24I put her in a trunk and sent her to my brother in California.
01:18:28I said let her go.
01:18:29All right, boys.
01:18:31We'll handle this.
01:18:33Sit down, grandmother.
01:18:34Sit down.
01:18:35Sit down.
01:18:36Whatever happened to your friend, what was his name, Mr. Jackson?
01:18:40That fool.
01:18:41That imbecile.
01:18:42He never knew when to keep his mouth shut.
01:18:45And you were too smart for him.
01:18:47Now I'm alone and too weak to fight any longer.
01:18:53Well, there's really nothing to fight about, honey.
01:18:56Yeah, I'll show you what I mean.
01:18:58Carter, I once made you a mighty generous offer concerning this.
01:19:03The, uh, the map?
01:19:06Yes, the map.
01:19:07Now, I'm repeating that offer.
01:19:10Uh, there seems to be something missing here.
01:19:12The code.
01:19:14You get me the code to the uranium deposits in San Dimas,
01:19:17and I'll let you both go.
01:19:19You mean, my uncle and me?
01:19:21Yes.
01:19:22I see.
01:19:24Otherwise?
01:19:26Well, you know what we did to Mr. Collins.
01:19:29What do you mean, we?
01:19:31I did.
01:19:32I always believe it.
01:19:33When I do a job, I do it.
01:19:36I don't think we ought to waste time arguing between ourselves, Kismet.
01:19:40All right.
01:19:42Well, I...
01:19:43I'll get to take it over for a minute.
01:19:45It's a very big decision.
01:19:47I don't like to be kept waiting, girl.
01:19:49No, we don't.
01:19:50Did you hear me, Collada?
01:19:53Well...
01:19:56Did you really kill Mr. Collins?
01:19:58Well, who do you think did it?
01:19:59That baby photographer?
01:20:01That...
01:20:01That phony detective, huh?
01:20:03How do you like that?
01:20:04Such a neat job.
01:20:05An artistic job.
01:20:07And she thinks an amateur did it.
01:20:09Yes, yes.
01:20:10Stop taking bows.
01:20:11I'm not taking any bows.
01:20:12I'm still waiting, Collada.
01:20:15Did you hear me?
01:20:18What?
01:20:18Kismet.
01:20:19I can't believe that you killed Mr. Collins.
01:20:22But I did.
01:20:23I killed him.
01:20:24I killed him.
01:20:25I killed him.
01:20:25How often do I have to see?
01:20:27That does it.
01:20:28That does it.
01:20:29Stick him up.
01:20:30Stick him up.
01:20:32Easy, Cuddles.
01:20:33One move and you're a dead midget.
01:20:35Didn't recognize me, huh?
01:20:37Give me that map.
01:20:38Come here, baby.
01:20:40You're liable to be in the crossfire.
01:20:41Now, get your friends in here.
01:20:43Hurry up or I'll fill you so full of holes
01:20:45you'll look like a fat clarinet.
01:20:47Come on, get them in here.
01:20:48Get back there.
01:20:49Make it snappy.
01:20:51Nice work, baby.
01:20:52All right, boys.
01:20:53You can come in now.
01:20:55Come on.
01:20:57All right, yeah.
01:20:58Come on.
01:20:59Easy does it, fellas.
01:21:00I got a bullet in here for each of you.
01:21:02And one left over in case I can still hear breathing.
01:21:05You know those dicks downstairs?
01:21:07Tell them I'm giving a little party in 14C.
01:21:09Hurry.
01:21:09All right.
01:21:11All right.
01:21:11Would you be all right?
01:21:12All right.
01:21:12This is my type of work.
01:21:14Line up against the wall.
01:21:16Hurry up.
01:21:16I got you covered.
01:21:17Back up, all of you.
01:21:21I said back up.
01:21:25Okay, then I'll back up.
01:21:28Now, come on, fellas.
01:21:29Be sensible.
01:21:30At least you can do it.
01:21:31Put your hands...
01:21:33Aha! Aha!
01:21:34Why didn't I think of that before?
01:21:38See this record?
01:21:39It's a little swing number.
01:21:40And you guys are going to do the swinging.
01:21:43Willie.
01:21:44What about Willie?
01:21:46Give it to me, Charlie.
01:21:48Steady walnuts.
01:21:48I don't want to hurt you.
01:21:52Why, you coward.
01:21:53Using your feet, huh?
01:21:56Sorry.
01:21:57Get after him.
01:21:58Get that record.
01:21:59Get after him.
01:22:00Oh, get that record.
01:22:02Look.
01:22:03You come one step closer, and I'll break this record into a thousand pieces.
01:22:08Wait a minute.
01:22:09Whose side am I on?
01:22:10Please, fellas.
01:22:11I can't go any higher than the ceiling.
01:22:13I'll blow my top.
01:22:14Get him out when I get the record.
01:22:15Ah, no leechy nuts.
01:22:17Oh, wait a minute.
01:22:18Finally.
01:22:18Watch out, Mike.
01:22:19What are you doing?
01:22:20It's too old.
01:22:21Aha!
01:22:22Ray Moran's been here.
01:22:24I hate to do this, Willie.
01:22:31What's going on in here?
01:22:33Huh?
01:22:34I'm Lieutenant Hennessey.
01:22:35Oh, Lieutenant.
01:22:36Oh, boy.
01:22:36Am I glad to see you.
01:22:38Arrest that man.
01:22:39He's a crook and a murderer.
01:22:40They're all murderers.
01:22:41Stand by.
01:22:42Are you all right?
01:22:43Oh, yeah, thanks.
01:22:44You got here just in time.
01:22:45What is this?
01:22:46Well, the young fella's a little mixed up, officer.
01:22:48I want you all to meet Ronnie Jackson, who's wanted by the state of California for the murder of one
01:22:52James Culley.
01:22:53Just a minute.
01:22:54You listen to that record.
01:22:55And you'll see who killed James Collins.
01:22:57Yeah, get the record.
01:22:58And we'll play it.
01:22:58Who's locked the door?
01:23:00Where?
01:23:00Oh, oh.
01:23:01Here.
01:23:01Come, watch.
01:23:02Listen to this.
01:23:03Come here.
01:23:03Stay here, Jim.
01:23:04Yes, sir.
01:23:04He's mad.
01:23:08And that's not all I'll show you.
01:23:09I'll fix these characters.
01:23:10Come here.
01:23:11I'm crazy.
01:23:12Wait till you hear this.
01:23:12I'll send all these guys to the cooler.
01:23:14That's right, Ronnie.
01:23:14You may be having a detective's convention, but I've been doing a little sleuthing myself in the modern way with
01:23:19a recording machine.
01:23:20Need any help?
01:23:21Give me that record.
01:23:22Back away, gremlin.
01:23:23All right.
01:23:23Gentlemen, the record you're about to hear not only clears me of a murder charge, but also exposes a tremendous
01:23:29international conspiracy.
01:23:30A conspiracy, gentlemen, which seeks to destroy civilization.
01:23:34Listen.
01:23:35He says, murder!
01:23:36He says.
01:23:36Every time we kiss, he says, murder!
01:23:38He says.
01:23:38At a time like this, he says, murder!
01:23:40He says.
01:23:40Is that the language of love?
01:23:43No, this isn't the record.
01:23:44I've been framed.
01:23:45They switched the records.
01:23:46Come on, buddy.
01:23:47No, wait a minute.
01:23:49Just a minute.
01:23:49Before you take him away, in that pocket, he has something that belongs to me.
01:23:54Give me that map.
01:23:55But it's not his.
01:23:56It's the Baron Monte's.
01:23:57Ask her.
01:23:58Ask Carlotta.
01:23:59Carlotta!
01:24:01Show me.
01:24:01Carlotta!
01:24:06Carlotta!
01:24:09Let's go, killer.
01:24:11Yeah.
01:24:17Well, that's about it.
01:24:19You know the rest.
01:24:21Quick trial.
01:24:22Carlotta never showing up.
01:24:25Nice deal.
01:24:26With women.
01:24:29Hey!
01:24:30Reminds me.
01:24:31Yeah, we're late.
01:24:32You're late.
01:24:33In about five minutes, I'll be the late Ronnie Jackson.
01:24:36We got tickets for this thing.
01:24:38Oh, my.
01:24:38Remember, I'm doing this without a rehearsal.
01:24:43Yeah.
01:24:44It's had too tight.
01:24:44Can you breathe?
01:24:46What's the difference?
01:24:47What is this thing, Doc?
01:24:48That is the stethoscope.
01:24:50Stethoscope?
01:24:52Still beating it.
01:24:55Well, hello, Horton.
01:24:57Any news from the governor?
01:25:00Open up.
01:25:04Come here, son.
01:25:05You and I are gonna take a little walk.
01:25:10Daddy Jackson.
01:25:12You can take it.
01:25:16Get some water.
01:25:17Get some water.
01:25:22Now I lay me down asleep.
01:25:24I...
01:25:27Oh, they got you too?
01:25:28Yes.
01:25:30You look alive.
01:25:31Yes.
01:25:33Where are we?
01:25:34Well, look.
01:25:36Carlotta.
01:25:37Carlotta.
01:25:38You double-crosser.
01:25:39Why didn't you come to my trial?
01:25:40Where have you been?
01:25:40Ronnie, Ronnie.
01:25:41You're free.
01:25:42I said...
01:25:43I'm free?
01:25:46I'm...
01:25:47Yeah, but how?
01:25:48Who did it?
01:25:49You did.
01:25:50With your own little keyhole camera.
01:25:52Look.
01:25:52Sam got this from Mrs. Fong
01:25:54and he claims rest was just routine.
01:25:55My keyhole shot of the phony Baron.
01:25:58So you're the McCoy.
01:25:59Young man,
01:26:00I want to thank you for saving my life.
01:26:02Oh, it was nothing.
01:26:03And I did it.
01:26:04I knew I had it in me.
01:26:06Hey, maybe I was supposed to be a detective, huh?
01:26:09Yeah, that's it.
01:26:10Ronnie Jackson, the private eye.
01:26:12No, Ronnie.
01:26:13No.
01:26:13I think you'd better stick to taking baby pictures.
01:26:16Oh, I forgot to tell the executor.
01:26:18It's all off.
01:26:20Harry.
01:26:20Oh.
01:26:21Oh.
01:26:22Oh.
01:26:26Yes.
01:26:35Well, he'll take any kind of a part.
01:26:42Oh.
01:26:46Man!
01:26:58Oh, no, that's it.
01:27:13It's just that you hopefully get out of here .
01:27:13Oh, that's right!
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