- 2 days ago
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00:00Ah, dof daf, noba le tseka, dolef go raif, go laf soos yes ya
00:05En het weg op jou moer, soos een officer kom iets op me hinderig vervoer
00:09Nae koel af, en hae kwai soetal, tsae se botan, nae op slaterpansula
00:14Firae stoop af, draai de skroof af, met soutena se
00:17Kooslijke draak, wees, dis hae goed staf
00:19Wit jou maat ze is hier, wit jou paad ze
00:21Lief, go laat jou vir my smaad, ya, music
00:24Sok naat, my broes een week in ome seks
00:26Ik zie een boven, dat is een moef, kon lekker op een
00:29Mouw te kaal, toen ik slauwt ze oudjes is
00:31Mouw met die saam, soos panitzaals van die kaapfriken
00:34Skaftien, soos bakstien, van jou ziekgedachtes en asfaltbienen
00:38Koen naak met die freestyle, so vieles op die landkaart
00:41Zo, soos kaaspaas en traans, faal
00:44Die banen niet berreld, dat gaat de biewe, want schat
00:46De noppen is de jasnoorakiedem
00:48Freestyle vrygen, jasnoorakiedem
00:51Zut, vangen, jasnoorakiedem
00:52Jasnoorakiedem
00:53Ja
00:57Tuts komen verdraps, kop en klappes, kop en taak
01:00Dof opgemaakt
01:02Tokkelig oppervlak en droopvraagte
01:04Vol sap, stens, soos viskop en patat
01:06Hmm
01:07Druk het in jou ton, zo springen in mene
01:09Begin die film, dit is een gospel
01:12Doefdaaf, roepa liet zeka
01:14Toeleef goe raai, vlaag, soos jasja
01:17En het werk op jou moer
01:18So, so of is het ook iets opgehinderig vervoer
01:21Nae koel af, men hae kwaai soet aan
01:23Tsai Sibuta, nae sratte pansula
01:25Vier ae stoep af, draai die skroep af
01:27Met soot en asen, kooslikke draak
01:29Wees die sy goed staal
01:31Viet jou maad, zei zi, vit jou paad
01:33Zei lief, kort laat toch in my smaad
01:35Ja, muusik, sok naat my broes
01:37Een weekje nomme set, zi een kop en daai
01:39Se moef, kon lekker op, uh
01:40Maal die kalte, ek se oudsie oudsies
01:43Maal met die sound, soos van die kaap
01:44Frippin
01:46Skafdeel sus baksteena
01:47Fa yo sikha dachtas en asfalbeena
01:50Kunnak me de freestyle, sa fila sobe langka
01:53Zool sus kaspaas en transphal
01:55De bana nimbaravt
01:57Da haddu bivabon satan, yo banas da
01:59Yasno rakidung
02:00Freestyle Friday, yasno rakidung
02:02Tsuts, funga, yasno rakidung
02:04BLUH
02:07Tegu leitia, uh
02:09Tsuts koman fud
02:12Yo, what's up, what's up guys
02:14Welcome to Hip Hop Nation TV
02:16It's another episode, yeah man
02:17So good, so good
02:19What's up, what's up, what's up, what's up
02:21Hala at y'all
02:22Aw man, aw we got a dope MC today man
02:26Cape Town, big up, big up, big up, big up, yo
02:31Yo, we about to go in
02:33Aw, homie's here, okay
02:35Let's go in
02:36It's my homie, just thing
02:38Aw we
02:44Just wait for him to go in
02:56Aw we
02:56Aw we
02:57Aw we
02:57Aw we
02:58Aw we
02:59Ciao
03:01I'm good my guy, I'm good my guy, yeah man
03:04It's funnily the day, otherwise
03:06Otherwise, yeah, one day at a time bruh
03:09Yeah, yeah, yeah
03:10Trying to stay COVID
03:12Trying to stay COVID free
03:13Ash my guy
03:15It's one of those things, you know
03:17Quarantining and all that stuff
03:19Ash, you know, you know
03:21Yeah, yeah, yeah
03:22I mean, we can still stay creative, you know
03:24We can still stay connected
03:26True
03:26You know, with each other
03:28Thanks to the internet
03:29Yeah
03:30Yeah
03:31Yeah, yeah, and technology
03:34We made it, we made it, so
03:36Yeah
03:37We might as well use it
03:39Yeah, we're going to teach it all, man
03:41So, yeah, man
03:42Oh, please, man
03:43Introduce yourself, man
03:44For our viewers, you know
03:45And the young stars out there, you know
03:48Yo
03:49Okay, that's from the Afrikaans MC
03:51And I also dabble with a bit of theatre
03:55I do record and perform
03:59Started travelling early
04:00Trying to, you know, spread
04:03What we do in South Africa
04:05Especially Cape Town
04:06With regards to Afrikaans
04:08Right
04:09And, you know, not only that
04:11But the way we, the way we live
04:13You know
04:15True, true, true, true
04:16And thanks to rap
04:17You can now force a whole lot of information in 16 bars
04:21True that, true that, true that, true that, man
04:24So, man, what really inspired you to rap in Afrikaans?
04:29And, like, how important do you think it is, like, in finding the preservation of the language and in your
04:38culture?
04:41Well, the first time I heard rap, my older brother
04:46Yeah
04:47He used to, he used to play rap music
04:49And, when I say that, he used to play Ice Cube, Public Enemy, EZE stuff, Ice T
04:58Sure
04:59I was, I was baptized in fire
05:03So, at a young
05:05That can't stop
05:06Yeah, man, I'm an 80s baby
05:08So, by the time he started influencing me, I was about 11 years old
05:13When I heard my first rap, you know, on cassettes
05:17Because rap wasn't as glamorous as it is today, most
05:22True, true, true, true
05:23Today you find everyone wants to rap
05:25We started when no one had an idea, thought about it, or even want to get near the art form
05:32You know, when it was only Black Noise, or when it was only Prophets of the City, you know
05:38True, true
05:39With that bit of airtime on radio, or on TV, so you, you really had to squeeze the most of
05:47your attention
05:47To get into every word they say, and yeah
05:50So, for me, that was the excitement
05:54And, getting into the lyrical part of it was based on my love for language
06:00I mean, I read books, loads of books, when I was still in my primary school years
06:06My father made us go to the library, make us choose five books we wanted to read for the week
06:13You know, how that went
06:15So, I just went into sci-fi here, and I went into, you know, actual there, and that's how it
06:21went
06:21So, that was my consumption
06:23I loved language, man
06:26Word, word, word
06:27Let's talk, because I see in your, in your performances, like you, you're into poetry, and then it's rap
06:34And then, the, the, the jazz
06:37So, like, how do you, like, um, able to co-combine all those elements, and then make it into, to
06:44one thing
06:45And accommodate the entire audience
06:48Oh, I, yeah, did I mention my mother taught me how to play guitar, in fact
06:54Oh, wow
06:55My family is musical, you know
06:57Oh, okay
06:58Yeah
06:58So, I was exposed to harmonizing, um, keeping, you know, staying in key, um, staying in the pocket, um, from
07:08playing piano since I was four
07:10Uh, keyboard, though
07:13My father bought me a little Casio when I was like four years old
07:16And I was busy conducting sound
07:20And then, that's how that developed
07:22So, there was a lot of things
07:24That, you know, a lot of investments were made, can I say
07:28Um, into what sits for me today
07:32Since an early age
07:34And, um, yeah, I just try to do all that I can
07:39Um, if not in a rap song, then I collaborate with an opera singer, maybe
07:43Or, you know, just see what I can do and not limit myself
07:47Because, yeah, that's, leave that to the, to the platforms that says
07:52Yeah, you can only do this and that
07:54So, I'm like, yeah, okay
07:55But if I work with that one, then I'll be on a theater stage
07:58And if I work with that one
07:59Sure, sure, sure
08:01So, so, so I guess, so I guess you get the support system from the family
08:07And, and, um, like even, even, you even mentioned that your, your influences are people like Pops Muhammad
08:15Oh, yeah
08:16So, that's, that's, that's a legend right there
08:20You know, cause, yeah
08:22Funny thing, funny thing
08:23And I have to big up, uh, Teba
08:25The, the original social worker, Teba Shumba
08:29Sure
08:30When I was back in, um, mid-2000s
08:33When I had to open for Kadesa, Teba
08:36Those were the acts in the nineties
08:37Like, in the mid-2000s
08:40I was the opening act, you know
08:42So, I learned a lot from them
08:43Teba, the, um, what he did was
08:46He helped organize this gig called, um, Speak the Mind
08:51And, yeah
08:52I was still touring in Switzerland in 2008
08:55So, before I came back
08:56He sent me, um, this invitation saying
09:01You, you're gonna be on the line-up
09:03And you're gonna collaborate with Pops Muhammad
09:05So, I was on a train somewhere between St. Gallen and Bern
09:08Or something
09:09And then something told me, brah, Google this, brah
09:13Google Pops Muhammad
09:15Get to know the people you're gonna work with
09:18I sat for five minutes scrolling that guy's biography
09:22Just scrolling, going like, okay, so this brah
09:25Just, he's been around for long
09:28He's been working with
09:30You know, he got in touch with the Quincy Joneses
09:33And he started in the late 60s
09:35You know, so, yeah
09:37Wow
09:38I couldn't wait to get home, brah
09:40And, during soundcheck, we sorted out that whole performance
09:45During soundcheck, me and Pops, we were just saying
09:47Yeah, yeah
09:47And then we're gonna do that?
09:48Yeah, and you're gonna play this?
09:50I'm gonna play
09:51They had to stop us
09:53People were busy leaving when we were still standing on stage
09:56Right
09:56At the arena, um, stage, and
10:01At Artscape, yeah
10:02That was where it was
10:04Yeah, so
10:06It's funny, you should mention, like, Quincy Jones
10:09Because he also, like, has a major influence in hip-hop, you know
10:12Like, people sampling from him, you know
10:15So, yeah, man
10:16Because I even remember my late father
10:19When he had the collections for Pops Muhammad
10:22So, yeah, I know, yeah
10:25Those are, yeah, man
10:26Those are jazz legends right there
10:28So, I mean, so
10:30Considering the fact that you traveled
10:33I mean, like, France, Taiwan, Netherlands
10:36And as a child
10:38And then Switzerland, right?
10:40Yeah
10:40So, I wanted to know, like, how was your experience
10:43With that audience
10:44And your rapping in your own language
10:47And, you know, you're presenting your culture there
10:50How was that experience for you?
10:53It started in 2007
10:55When I went to Taiwan for the Migration Music Festival
11:03Word
11:03And I went with a
11:04With a, with a
11:05With a Khoisan praise poet, Zethro Lo
11:08Called himself Tanaman Kham
11:10And he kind of opened that whole door for me
11:13With regards to culture
11:14Getting to know your, your roots
11:17Your real roots, you know
11:19Word
11:19So, so I went
11:21So that's when I could cut through the stereotype
11:23Of being a so-called colored, you know
11:27And, and follow this trajectory of
11:30What does it mean to be
11:32Indigenous?
11:34And what does that entail, you know
11:36And, yeah, people were curious
11:38Taiwan was curious
11:39Like, oh, you speak what? Afrikaans?
11:42And then I've got this call and response
11:44Where I go, if I say Dicey move
11:45You say Markatan
11:46And then I just clap
11:53And the people were like
11:58Oh, some guy was just putting on his shades
12:01It was night time
12:02And he decided to take his shades out
12:04I was looking at the footage afterwards
12:06And I thought, is that what I'm putting on his shades?
12:08And it's just wonderful
12:09He just felt so cool
12:11I thought, I could make Taiwanese folk feel cool
12:14In my own language
12:15And that was the, that was just the, the, the approval
12:19That was the, you know
12:24Yeah, that just told me that
12:26There's a whole world out there that needs to hear this
12:29And then since then it was Switzerland
12:30And then it was the Netherlands
12:32And then it was France, Chile
12:35Yeah, same thing
12:38So, so that, if I'm not mistaken
12:41That was the time when you did your, your first project
12:43Skelet, let's get down, yeah?
12:47Skeleton key in English
12:49Yeah
12:49Yeah, I just thought, man
12:54This, they, they say that the doors of opportunity, right?
12:58Right, right
12:59But how do you get in there?
13:01You know?
13:02Yeah, yeah
13:02Use a key that goes, you know, that unlocks that door
13:05The way, the way you think
13:08And you need to inform yourself always
13:10So that's the meaning of that
13:12Word
13:14So, I released my album in 2006
13:18It was done in 2005, March 2006
13:21And just after that, I started travelling here
13:24Everyone, I recommend everyone to travel, bro
13:26At least once in your life
13:28Go out there
13:29Yeah, yeah, yeah
13:30Get to learn other people's languages, cultures, you know
13:34It's funny enough, you, yeah
13:36Yeah, funny enough, you learn about your own culture
13:38Your own people, your own environment
13:40By being somewhere else
13:43Right, right
13:43I mean, in Taiwan, I saw how people could actually survive off their own culture
13:48And that was just when I realised, I'm indigenous to this land, you know?
13:53Right, right
13:54But why isn't my culture working for me?
13:56Why aren't we
13:57Why have we
13:59Adopted so much of
14:00Western civilisation that we've become lost?
14:04True that
14:04We're still finding ourselves
14:06Kids are still going through identity crises
14:08Older folk as well
14:10So, you know
14:12That made me realise
14:13Yeah
14:14Because it's interesting you saying that, you know
14:16Because like, you have like
14:18When you look backwards in history
14:20Like you have the ancient Moors
14:22Like black people travelling to
14:25To Europe, you know
14:27We introduced trade to them
14:29We introduced alchemy
14:31You know, the science
14:32We introduced it to them, you know
14:34So, yeah, yeah
14:36I totally
14:37I totally get that
14:38I totally
14:40Understand that
14:40So like, with the whole production
14:42Of Skeletal, then
14:44Who did you have?
14:45And what?
14:50Okay
14:52Yeah, like, who did you work with?
14:54And
14:55And how was the production process to it?
15:04Yeah
15:06For those who don't know
15:08We still came out on CDs back then
15:12Yeah, man
15:13I recorded everything
15:17Through a crew
15:20Production, house, management
15:22All in one
15:23And they call themselves
15:25High Voltage Entertainment
15:27Right
15:29Cranbo Williams
15:31Yeah
15:32Yeah
15:33On production alone
15:35Cranbo Williams
15:38Dubmaster Chyna
15:40And
15:42POC's
15:45How can you say
15:46I won't say front of leading MC
15:48But Shaheen Areddin
15:50He also came through
15:51And I mean
15:52There I was with one of my heroes
15:54And he's just cooking a beat for me
15:56While I was just sat there
15:58In Woodstock
15:59Opposite the police station
16:01You know, where I slept
16:02I slept in the studio
16:06Recording
16:06And sometimes, you know, coming back from a gig in Longstreet
16:09We were back in the studio
16:11Recording the song we had just performed
16:13Because now it was ready to be recorded
16:15And then that's how we progressed the album
16:18Who else was on here?
16:20Features include
16:22Isaac Mutant
16:24The Light Chark
16:26You know, Kloff O'Brien
16:28Egypt on Lyric
16:29Theba Shunba
16:31MXO
16:33Wow, wow
16:34Yeah, he's also here
16:35And a few cuts and scratches from DJ Azul
16:38Oh, yeah, yeah, yeah, yeah, yeah
16:41With Reddy Key
16:42What was the crew?
16:44Peepbangers
16:45Yeah, Peepbangers
16:47Yeah, the pioneers, man
16:48Those are the pioneers, bruh
16:50So, yeah, that's
16:52The 16th track album
16:55Wow
16:56Still available
16:57And it's on sale in my band camp
17:00So, yeah, people can go get it
17:03Yeah, they heard it
17:05They heard it
17:05They heard it for sure, for sure
17:07So, like, as you've said, like
17:10You've written music for theatre and films
17:15So, would you feel
17:16Would you say that, like
17:18Do you feel that SA Hip Hop
17:19Is well, like, represented in
17:22South African films?
17:23You know?
17:25I haven't seen many
17:27I always try to make sure that I
17:29That I get my
17:31Dose of local movies
17:33I still need to check those
17:35Productions on Netflix
17:36There are a couple of new ones
17:39Dancers, characters
17:40So, yeah, I would say
17:43I would say yes
17:46Because
17:47Alright
17:47When Four Corners came out
17:50In 2000, was it 11 or 10?
17:53The producers made sure that
17:55They don't borrow music
17:57Like, that's not from the country
18:00For a local produced movie
18:03And that made me
18:05Not
18:08Complacent
18:08Or, you know
18:09Comfortable
18:11To say, okay, not cool
18:12You guys are actually
18:13Trying to get to the artists
18:15It's still continuing
18:17In fact, they're getting younger
18:18Musical directors
18:20Like Kyle Shepard
18:21And Benjamin Jafters
18:22Who are in touch with
18:24The hip hop scene
18:25Through artists like myself
18:27And others
18:27To work with them
18:29On the soundtracks and stuff
18:31So, yeah, I'm definitely
18:32I'm confident that there is
18:34I mean, there's this new movie
18:35That's going to come out now
18:36Called Indemnity
18:39Which is
18:39Already looking fire
18:41So, I'm
18:42I'm going to check that out
18:44You know
18:45And I think Kyle does the score there
18:47I'm not too sure
18:48But I saw his name there somewhere
18:49Yeah
18:50Word, word, word, word
18:53So, also
18:54You mentioned that you were
18:56A facilitator, right?
18:58Yeah
18:58Yeah
18:59You've done workshops
19:01You went to high schools
19:03And institutions of higher education
19:07And museums
19:08And prisons
19:13In terms of going to such places
19:16Like, what do you think hip hop can do
19:20To educate such people?
19:23People like?
19:25People like?
19:27Like institutions
19:27Like the youth
19:29In high schools
19:30And the young people
19:31In the
19:33Institution of higher education
19:35And then like in prisons
19:37Like I mean
19:38It's a place for rehabilitation
19:40Right?
19:41So what do you think
19:42We can do
19:43To address those people
19:47And
19:48And inspire them
19:50You know
19:51And take them to the next level
19:55Can you hear me?
19:56Yeah, okay
19:57Good question
19:59I'll tell it like this
20:00I'd say
20:02You know, because these are all
20:03Institutions that has a particular purpose
20:05But
20:06At the very
20:09Foundation of it
20:10When trying to get information across
20:14From prison to schools
20:18Tersery
20:19Institutions as well
20:20It's the way they socialize
20:23Or
20:23How you find
20:25The
20:27They like little microcosms of
20:29Various
20:31You know
20:33Energies that has information
20:35Which you need to unlock
20:36But only through
20:37Something that's familiar
20:38Like hip hop
20:41Everybody understands hip hop is
20:43Such a solid
20:46Identity vehicle
20:47Like you can identify
20:48Like you can identify
20:48With a certain
20:50Emotion
20:51You know, whatever it is
20:52Aggression
20:52Feeling good
20:54You know
20:54And then that vehicle
20:56Allows you to actually
20:57Put something in there
20:58That out of all of them
21:00At least one or two
21:00Can take with them
21:02You know
21:03To basically just
21:06Dig further
21:08Because
21:09Knowledge of self
21:10Is such a key
21:12Ingredient
21:12When it comes to
21:13Emceeing for me
21:14Through hip hop
21:15That I've found
21:17I can use that in schools
21:18High schools
21:19In particular
21:20When it comes to
21:22Doing a lecture
21:24At university level
21:26As well
21:26Which I've done
21:27A couple of times
21:28Both here
21:29And
21:30Butts University
21:30Is one
21:31Grahamstown
21:32And then there's
21:34In the Netherlands as well
21:35And then
21:36In prisons as well
21:37They need to
21:38To forget who they are
21:40For that little moment
21:42To understand
21:42Something
21:44Yes
21:45Something that speaks
21:46To them
21:47So directly
21:49That you wake up
21:51Almost like a slumbering giant
21:52Within everyone
21:53Through that
21:54And when I speak
21:55In my own language
21:56Now they feel it
21:57Without needing to
21:58Understand
21:59Every word
22:00You know
22:02That makes sense
22:03So now with mathematics
22:04You spoke
22:05To
22:07Movement
22:07So there's kinetic
22:09There's rhythm
22:09So you know
22:11Yeah anyway
22:12It's multifaceted
22:14This thing
22:15Once you understand
22:16The art form
22:17Right
22:18Right
22:18What it's really about
22:20Yeah
22:21Yeah man
22:22It's dope that you
22:23You do something like
22:24You're doing something like that
22:25Because you know
22:26There's a lot of misconceptions
22:27About our
22:28Music
22:29You know
22:30I mean our culture
22:32About hip hop
22:33As a culture
22:34Thanks
22:34So yeah
22:35Thanks
22:36And I'm thankful for
22:37Everyone that
22:38That found
22:40You know
22:42Inspiration through what I do
22:43To be part of their
22:45My journey as well
22:46I mean
22:47Definitely
22:48My growth
22:49For the longest period
22:50Since the early
22:52Like
22:52Since 2010
22:53Or just before
22:55Was
22:56The
22:57The jazz world
22:58Or the students
23:00Of what
23:00What is called jazz
23:01You know
23:02Word
23:03Word
23:04Now I'm talking about
23:06Again
23:07You know
23:07Benjamin Jeff
23:08The scholarship
23:10It's
23:10Melanie Schultz
23:14And the list goes on
23:15They've got such a deep appreciation
23:18For originality
23:20And
23:22Telling our stories
23:23You know
23:24Emancipation
23:25Of
23:26You know
23:27Us
23:28You know
23:29From this
23:30If a serial
23:32Almost
23:32Reality
23:34You know
23:35Word
23:36Because we still
23:37We still trying to make sense
23:38Of what this democracy is
23:40You know
23:41I mean this is the country
23:42Where a guy came from prison
23:45Got
23:45Became president
23:46And
23:47Yeah
23:49Yeah
23:50Yeah
23:51Presidents going to jail as well
23:53But yeah
23:54Yeah
23:55That's where
23:56I still today
23:57I can
23:58I can now
23:59Find myself
24:00In the
24:01Jazz world
24:02Learning more
24:03And applying it
24:04To my raps
24:05And stuff
24:06And I'm still in touch with him
24:07And
24:08Yeah
24:11There's
24:11There's too much
24:12To gain to abuse it man
24:14Listening music
24:15True that
24:16So yeah
24:17True that
24:17True that
24:18Yeah man
24:19Because from the way you're saying
24:20That you get your influence
24:22From prophets of the city
24:23And
24:24Public enemy
24:25Like
24:25I can tell that you
24:27You're a revolutionary type of person
24:29Because you
24:30You even mentioned the fact that
24:34You're worried about the fact that
24:36The rich
24:37Are making decisions
24:38On behalf of the poor
24:40So
24:41I wanted to know from you
24:42Like
24:42Hey wait
24:44What do you think
24:44What do you think
24:46What do you think
24:47Yeah sorry
24:48In your
24:49In one of the sites
24:50Where you
24:51You mentioned something like that
24:52So like
24:53I wanted to know from you
24:55Like
24:56What do you think can be done
24:58For the poor
24:59To
24:59To
25:00To be well represented
25:01You know what I'm saying
25:03For the poor
25:04To not think of themselves as poor man
25:07Um
25:08Word
25:08You see
25:10Cause
25:10Cause we were told we are poor
25:13Word
25:14But if you're alive
25:15You're reaching life
25:16You know
25:16So is the
25:17Is that
25:18Is that perspective thing
25:19Once again
25:21Um
25:21If you
25:22Don't
25:22Don't walk around with the mind of your priest
25:25It's that simple
25:27You'll stay where you are
25:29With a constant
25:30If you have that victim mentality
25:31Like
25:31You are owed this and that
25:33We
25:33When you look around
25:34People are getting up every morning
25:36To go and get
25:37Their daily bread
25:38You can't just sit and pray man
25:40Hope and wish
25:41And stuff
25:42Yes
25:42We've got ways and means
25:43We are African like that
25:45You know
25:46You know
25:47We created everything that people believe today
25:49Like
25:50Systems
25:50You know
25:51So
25:52So
25:53Um
25:53And also
25:55Uh
25:58We need to start
26:01There's a lot that's doing it already
26:03Investing in each other's business
26:05True that
26:06Um
26:07In each other's platforms
26:08Hip hop TV needs to grow more
26:10You know
26:11And it's gonna grow some more
26:12True that
26:13There you go
26:14So
26:14So there needs to be that mentality
26:16And
26:16And definitely
26:18If you know your friend has a business
26:20Please do not look for discounts
26:23Don't use
26:24Don't use
26:24Don't use the fact that you are
26:25Connected to that person by blood
26:27Or
26:27You know
26:28Some friendship thing
26:30That now you wanna abuse
26:31The business
26:32You're killing it basically
26:34You know
26:34True
26:35Because you're not gonna do that
26:36When you go to the garage
26:37To ask for
26:38Um
26:39You know
26:40Fuel
26:41Yeah
26:42Or when you're going to pick and pay
26:43Or checkers
26:45Exactly
26:46Welcome to someone you love man
26:48Yeah
26:48Exactly
26:49Yeah
26:50Yeah
26:51Yeah
26:52That's dope
26:53True that man
26:54We definitely do need to
26:56Start collaborating as a community
26:58Yeah
26:59Yeah
27:00I'm truly
27:00I'm truly down with that
27:02Oh
27:03And while we're there
27:04I just wanna big up
27:05Trackside
27:06Cause that's where I met
27:08One of the dopest beat makers
27:10DJ Q1
27:13He was playing cassettes man
27:14He made beats on cassettes
27:15I was there with Youngster
27:17And a few other guys from El Dorado Park
27:20When I was a jumper
27:21Right
27:21And
27:22Sure
27:24I listened to this guy speak so passionately about his beat making
27:28And he was all about his analog sound
27:31Right
27:32And then when there was a freestyle
27:34We just
27:34Youngster was looking at me going
27:36We're gonna get on to that
27:38I was like
27:38Yep
27:39You wanna go brah?
27:40I'm gonna finish you Scott
27:41I'll finish that
27:42And that's just what we did
27:44Right
27:45And since that day we were in touch
27:48Q1 and I
27:49And he's still sending me beats
27:50So
27:51Look out for that
27:53Right
27:54It's the collaboration with DJ Q1
27:56Yeah
27:57Yeah
27:57He had a radio
27:58He had a platform
27:58Radio Steez
27:59I don't know this
28:00Yeah, yeah, yeah
28:01Radio Steez I still remember that
28:02Yeah, true, true, true, true
28:04Big up, big up, big up, big up, big up, DJ Q1
28:06So lots of love for the guys
28:07Yeah, yeah, yeah
28:07And also Ozort beats
28:09Ozort beats as well
28:11Yeah, yeah
28:12Yeah, man
28:13Let's do some more
28:14Let's do some more
28:15Yeah, man, before you leave us, man
28:17We just wanna request you if you could give us a 16 power of what's coming next
28:24Just a little sample
28:25I did not see that question coming
28:33So is this acapella stuff?
28:37Yeah, sure
28:38I can go acapella stuff
28:40Oh, man
28:41Okay
28:43Okay, so
28:44How could you have to be with you?
29:02is stivagster, uit die geloof,
29:04MC, jouw worde verloor, betiekenis,
29:07penny for your thoughts,
29:08so University Crohn, my flow so lekker,
29:10maak even a stilwee gewoon,
29:12so Monika, Tiki, DC, Babungam,
29:14of spekje, ek slaat een bekje, soos matras,
29:16de after effectrie, basic centrik,
29:18style tentrik, hoogsvlaanbaar,
29:20ek doep a swaatskaap, met bleeds,
29:23skaak maats on a test piece,
29:25it's kinetic, my kraamsaal
29:26as a taxi, hip hop
29:28met my addicted, ek rendezvous met
29:30a vixen, op a bosnes, a sygeling
29:32en rollerball, kreeg wat de longa streets,
29:34kom op katies, dis fokke stekes
29:36for poro beksaipers, yay,
29:38hip hop TV, tis funga.
29:41Ah, ah, big up,
29:43Tiki, shout out to you, man,
29:45thanks for letting me interview you,
29:46bro, yo, man, much
29:48respect to you guys and everything,
29:50yeah, man, wish you all the best, man,
29:53sweet, so we'll be
29:54we'll be waiting soon for the project, man,
29:56you know we're going to share it. You'll be the first
29:58to know, you'll be the first to know,
30:00I hope everyone enjoyed it,
30:01yeah, peace soon.
30:02Yeah, yeah, yo, shout out to everyone,
30:05Ms. Bova Sender,
30:06photos by Simeon,
30:09yo, AF Easy,
30:11away, Kalib,
30:13photos by Simeon,
30:15Luisa,
30:17Benjamin, yo,
30:19shout out to you guys,
30:21thanks for watching,
30:21Leanne Mayer,
30:23RedGXA,
30:24Tanya,
30:27Lengie,
30:28Dippy,
30:29T-Mansho,
30:32Shantae Phillips,
30:34Marco,
30:35yeah, Marco Ross,
30:37Aaron,
30:38Ty,
30:39Reedy,
30:40Jane,
30:41Mingus,
30:43yeah, just Tiffany,
30:45Zion1,
30:46Heine,
30:47Jackie,
30:47Kiso Palma,
30:483D,
30:49Haney,
30:50okay,
30:50Georgian,
30:51Miguel,
30:52Gavin,
30:53Skitz,
30:55let me see,
30:56let me see,
30:56yeah,
30:57yeah,
30:58N or 2,
30:59yeah,
30:59shout out to you guys,
31:00thanks for watching,
31:02yeah man,
31:02see you next time,
31:04so yeah,
31:05that's what's up man,
31:06that was with our homie,
31:08Js Fing,
31:09yeah,
31:09shout out,
31:10Hip Hop Nation TV signing out,
31:12I'm your homie,
31:13my dear cryptid,
31:14peace out,
31:15291,
31:16we present,
31:17peace.
31:18Peace.
32:11Peace.
32:13Peace.
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