- 13 hours ago
Igra sudbine - 1820 epizoda NOVO
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TVTranscript
00:12You have to be free of food, you understand? You have to be free of love like that.
00:18Why do you praise him? You can see that he's not his own.
00:22Mariana, my happiness, my love, my destiny.
00:26Don't be afraid of me.
00:27Don't be afraid of me.
00:29Come on, come on.
00:33Listen to me well.
00:38You're so beautiful.
00:42Oh, you're so beautiful.
00:45Is it even your birth to you?
00:51Who would you be a king? Why would you ask?
00:53You're so beautiful.
00:54I mean, how do you feel like you're facing me?
00:57Yes, it's a threat.
00:59The threat is the best defense.
01:01I want you to tell me about what you're doing.
01:04Who is the threat?
01:07You have to ask me a question that is violent and aggressive.
01:11Okay, I'm going to calm down.
01:13I'm going to ask you a nice and civilized question.
01:16I'm going to ask you a little bit.
01:30I don't expect you a little bit.
01:34I'm going to ask you a little bit.
01:38I'm going to ask you a little bit.
01:44What is it?
01:45What is it?
01:46What is it?
01:46What is it?
01:49I don't know.
01:50Okay, get it.
01:52I have to go because of the job.
01:55I don't want to talk to you a little bit.
01:58How do I ask?
02:00What is it?
02:03That's fine.
02:08I didn't have any trouble, and I didn't have anything to do with you.
02:13Stop! Stop! Stop! I want to explain to you! Stop!
02:17Arianna?
02:18What did I do?
02:20My happiness, my happiness.
02:26It came to the moment that I will tell you the truth about Nefer.
02:31I am a songwriter.
02:34As a rapper, or...?
02:36No, I'm not as a rapper. I am a songwriter with a rhyme and a soul.
02:41This, what you've done now, is so unfair that I don't have a word.
02:47You've changed and changed every step.
02:51Look at this.
02:54I'm doing something like that.
02:56I don't have any trouble in my career that two young colleagues do these kinds of intrigues.
03:03You understand that they are ordinary people who can buy them every time.
03:08Do you understand that I give myself my whole life in this job?
03:14As long as I'm going to lay my own Quickly, I'm going to get up.
03:16What do I need to get up?
03:18I just got it because I need to get up with my own.
03:20Daj!
03:21I'm going to get up with you, Lukašiha.
03:25Come on, go to my home to my eyes I don't have to see you.
03:34Come on.
03:40Hello?
03:42Hello?
03:47Tell me, I'll tell you.
03:50Tell me, I'll tell you.
03:50I'll tell you.
03:51I'll tell you.
03:54Here are my news from the other side of the world.
03:59How are you?
04:00Good.
04:01How are you?
04:03It's clear to me that I'm good.
04:06I don't know...
04:07What are you doing?
04:08What are you doing?
04:12I'll tell you.
04:13Let's go.
04:32What are you doing?
04:52What are you doing?
05:04As for love in the war, there is no rules, you have one life, only one chance to become one
05:19of you, because the star is a miracle.
05:26A game of destiny, like a circle of happiness, someone who wants, someone who doesn't want, like on the fly,
05:38everything is over, and we are our own destiny.
05:56Oh, oh, oh, oh, oh, oh, oh.
06:25I don't know. I don't have a clue.
06:30Milana, I don't think so much. Every day, the whole day, the whole night, the whole day, the whole day,
06:34the whole day, the whole day, the whole day, the whole day, the whole day, the whole day, the whole
06:35day, the whole day, the whole day, I just think about what to do with the vrtić.
06:37I have a great problem, I think. I think about how to get out of the competition. Something has to
06:42happen, you know?
06:43I think, what do you think, man? You're advertising a vrtić, clean, clean, new, everything is new, the kids are
06:51no longer, what do you think?
06:53I don't think so. You who are at the time. This is now a completely different time than those who
06:57were at ours.
06:59What? I mean, what happened? What kind of robots need to feed their children?
07:03No, no. What happened? Everything happened. Parents are not interested in situations where their children are at the same time,
07:10but they need more.
07:12They need to animate them non-stop, to be constantly fun, to have an action, reaction, understand? That's it.
07:18That's it. What? Vrtić is going to be a castle. Something like that. Just let it go. It's not important.
07:24Now I just think about what I could do. I've noticed that it's not bad to throw out a light
07:32bulb.
07:33A light bulb. A light bulb on all sides.
07:37Okay, a little magic. I like it.
07:40Just let me tell you about magic. I pray that when you mention magic, I will be a little upset.
07:44No, don't worry. Don't worry about it. I'm just out of control.
07:47Okay, let me now, out of control. I believe that everything is better than magic.
07:52I thought about another option. I have one option now, but I don't know if that option is so good.
07:57I thought I was going to throw up a ripstall for venturing, you know?
08:01Or some lijans, and that they catch up on those lijanans like Tarzani, you know?
08:07And like, ah, you know, what do you think? Maybe that's not bad.
08:10I don't know. I mean, that's not bad enough.
08:13I don't know. You see, I don't know. I have a problem.
08:18But believe me, I'm very happy that I'm not a patient now when I'm actually six-seven.
08:25You know?
08:26What? Six-seven?
08:27What? I don't know.
08:29It's like, these people say six-seven, six-seven, six-seven, six-seven.
08:35What does that mean?
08:37I don't know. Nobody knows what it means.
08:39I mean, children know they know, but they don't want to say to adults.
08:41I mean, for.
08:43And then I just play magic.
08:47I don't know. I don't know. I'm just saying, I'm just a problem with these people.
08:51I don't know what to do. I don't know.
08:55I'm giving myself to me to do everything, but it's not bad.
08:57Just not bad.
09:00Well, I mean, you know what?
09:04The money is not growing on the tree.
09:05I know. You have to see that you can't turn it back.
09:08I know. I know. I know. I'm thinking about it.
09:10You know what I'm talking about because of all of this.
09:12You know how much money is invested in all of this?
09:14You don't want to miss it.
09:16I'm with so much pressure.
09:18When I look at myself, I can see that something has changed on my face.
09:21From pressure.
09:21Here, believe me.
09:22Here, I need to be falling.
09:23See?
09:24Here, it's exactly right here.
09:26See?
09:26I see everything.
09:27It's all because of pressure and stress.
09:29I don't know what to do.
09:30You understand?
09:31It's okay.
09:32I mean, okay.
09:33I mean, all of this is all right now.
09:35I have a bigger problem with Milet.
09:37I believe that it's a bigger problem.
09:39He's doing a thing with a thing with a thing.
09:40A thing with a thing with a thing.
09:41And that's not going to happen.
09:43You understand?
09:44When you mentioned that, I mean, when we were just like that,
09:48you know what Milet did when I saw him the last time I saw him?
10:03Let me tell you what you have.
10:05I don't have enough time.
10:06It's about your friend with a footer on his head.
10:11Ah, Relja Topic.
10:14Really?
10:15Okay.
10:16What about him?
10:17Hmm?
10:18Hmm?
10:19Šta je?
10:20Prope'o u stanici?
10:21Pa sad jurite nekog njegovog vrtaka, a?
10:25Ne.
10:26Mnogo gore.
10:28Ynngo, mislimo da ga pustimo.
10:32Aha?
10:35Ne ovo pa od kod sad to omisi?
10:37A poziv otužioci radam, ali ima mnogo veće leđa nego što smo mislili.
10:42No tako je on?
10:42Mm?
10:43E pa džaba mu to.
10:45Džaba mu, to sad je.
10:46It's not Gold.
11:17Yes.
11:18Okay.
11:20Now I want to tell you something.
11:23First, thank you for your attention.
11:25Second,
11:27I have to hear my image.
11:32If I don't hear the image,
11:35then I don't hear the image.
11:37So,
11:39I'm not sure that I can tell you anything.
11:43Let me tell you something.
11:47Let me tell you something.
11:55Let me tell you what Mileta did.
12:09I saw Mileta,
12:11how many of the last money from the owner
12:15can pay the customer.
12:17What?
12:18How is it?
12:20Really?
12:20Wait, wait, wait.
12:22What is the customer?
12:24What is the customer?
12:25What is the customer?
12:26What is the customer?
12:26The customer is the customer to pay the last money from the owner.
12:31You're throwing it with the money like the Queen of Cleopatra.
12:34No, I'm not so. I'm sorry.
12:36It's easy to do.
12:39I'm not so much,
12:40I'm not so much,
12:41I'm not so much.
12:41I'm not so smart.
12:42What is he looking for like the king of his house is so much?
12:44I'm not so smart.
12:46I don't understand what he wants.
12:47What do you want?
12:48Maybe you have to ask him a little bit,
12:50who is?
12:50I asked him.
12:52I asked him and he doesn't answer me.
12:53Then you ask him again.
12:54I asked him again.
12:56I asked him again and he doesn't answer me again.
12:57I don't understand.
12:59Maybe you expect him to ask him a little more questions.
13:02Do you understand yourself a little more?
13:05Excuse me, maybe you're going to ask me something.
13:08Someone has to, of course.
13:10Yes, yes, see what you are doing.
13:11You would look like you would like to ask for all this situation
13:14only Kaja and anyone else.
13:16That's all my fault, right?
13:18No, Kajo, it's not like that. Listen to me.
13:20I mean...
13:21What? Why do I listen to you?
13:22Why do I listen to you when I don't have anything to talk with you?
13:25Why do you say that you are all friends and Kaja is wrong?
13:27What is with you and others?
13:28What exactly is happening?
13:30What do you want from Mille?
13:31I'm going to listen to you.
13:32Okay, think what you want.
13:33I don't want to repeat it anymore.
13:35Do you understand?
13:36Mille has suffered from you.
13:53No doubt.
13:55Are you alive?
13:56I'm waiting for the village.
13:58Let's go.
13:59Let's go.
14:00Let's go.
14:03Look, it's much better to be found here than at the moment.
14:06Mother.
14:07I understand you.
14:09It's easy from the tambora.
14:10It's just a doubt that we're going to be a mess.
14:13It's not a problem.
14:14Yes.
14:15It's not a mess.
14:15It's clean air.
14:17It's not a mess.
14:18It's not a mess.
14:20It's not a mess.
14:23It's not a mess.
14:23What's going on?
14:25Well...
14:25I'm holding on the tank on the air, you know?
14:28You don't want to be caught up.
14:30Don't be caught up.
14:32I'm sorry, you're not caught up.
14:33Don't be caught up.
14:34Don't be caught up.
14:34You're telling me what I'm calling.
14:35Let's go.
14:37Gabriel sent me a location in the house.
14:42Where is he?
14:44He's supposed to be on a good location.
14:48Really?
14:50Okay.
14:52And?
14:53We have to live to see him.
14:56Live?
14:57Yes.
14:58Wait, brother.
14:59It's not a good day.
15:01Why not?
15:02Why not?
15:02It's not a good day.
15:03Why?
15:18Why not?
15:19And what do you say?
15:20A stupid joke with Žik in your daily life, eh?
15:23Oh, my God.
15:24Oh, my God.
15:25Oh, my God.
15:26We have to have to listen to the idiot Žike
15:30who calls that poem.
15:31Oh, my God.
15:33Oh, my God.
15:34I'm listening to that.
15:35I'm listening to that.
15:35It's better not.
15:36It's better not.
15:37It's better not.
15:37I'm going to kill him.
15:39I'm killing him.
15:40I'm killing him.
15:40I'm killing him in the house and live in peace.
15:41I'm killing him.
15:42I'm killing him.
15:42I'm killing him.
15:43I'm killing him.
15:45I'm killing him.
15:48I'm killing him.
15:48I'm killing him.
15:49I'm killing him.
15:50We'll end with Žik.
15:51We have you and I.
15:54We have to have the important stuff to talk about.
15:58Bersi.
16:00Is she done the decision?
16:03Do you want to help me with the house?
16:07Mom.
16:09It's hard to think about that.
16:13It's hard to bring the decision. It's our home.
16:16You have to stop.
16:19That guy won't work for me until he knows why he will do it.
16:25Don't stop me.
16:26Don't stop me. I can't make this decision to bring that up.
16:30I can't.
16:33I have a gift for you that you won't be able to kill.
16:49Wait, don't tell me why it's not a good day.
16:54You know how?
16:56How?
17:00It's not that I'm telling you what you need to do.
17:02You know what the best.
17:03But we have to be a little...
17:06a little...
17:07a little...
17:08a little...
17:08a little...
17:09a little...
17:09a little...
17:09a little...
17:39a little...
17:39a little...
17:39a little...
17:39a little...
17:40something good.
17:41So,
17:42You're the Western spaghetti and the partisan squadron, isn't it?
17:46If you have to, you just know that this job that you do in this area,
17:50you don't have a job. When you work, you have to do it.
17:53Yes, that's the business.
17:56Either the dark and the night, or the social help.
18:04You're right. I have to risk it.
18:07What do you say?
18:08If you don't risk it, you don't profit.
18:11Yes, that's right.
18:12First of all, good health.
18:13For the future and the investors.
18:15Cheers.
18:25Thank you very much for today.
18:27I saw you doing all the things from the show.
18:29So, we'll see you tomorrow.
18:32You know everything, see you.
18:33Bye.
18:45Bye.
18:46Bye.
18:47Bye.
18:48Bye.
18:55Bye.
18:57Bye.
18:58Bye.
18:59Bye.
19:18Put
19:19I don't know what's going on with my job, Ksenija.
19:23Hey, please.
19:24The drama is just to be criticized for something.
19:26You don't have successful women.
19:29Especially if they are younger and better.
19:31It's not about that, woman.
19:34I think I'm going to do something here.
19:37Pusti go, man.
19:38This is a paranoia.
19:40There's a lot of dekoltes with him.
19:42It's not that anyone can do it.
19:46I don't want to do any risk.
19:47You have a lot of functional tasks.
19:49I'm because of you and your dear.
19:51On a small lead.
19:59Why is this muscle on a small lead?
20:02And with whom?
20:04I'll have you a minute.
20:07The end of the pandemic
20:17What kind of advice do you have for me?
20:20Fantastic.
20:23Gabriela, I'm a woman in a year.
20:25I can only give you your and Victor's health.
20:31If you help me with this night,
20:35you'll be doing everything you need.
20:39I'll give you another day.
20:43You're hard for us.
20:58I've never seen you for me.
21:02I'll tell you the truth.
21:05The truth is that you're dealing with my friend.
21:09The truth is that I've been with my friend.
21:11Right?
21:12I'm here for you.
21:14What do I need?
21:15I don't need anything.
21:17Bye-bye.
21:17Bye-bye.
21:18It sounds like you need help.
21:20I don't need anything from you.
21:24You're all the same.
21:26You're all the same.
21:26You're all the same.
21:27I'm fine.
21:28I'm loving.
21:30I've never had anything to do.
21:32And then, when the person is a little bit of a friend,
21:34you're all the same.
21:35What do you say?
21:37What?
21:37You're all the same.
21:40You're all the same.
21:41You're all the same.
21:41You're all the same.
21:42Listen, Momok,
21:42I think that you have a basic problem.
21:44And it's that you think that every girl would have been with you.
21:47I don't want to be angry with the former boys of my friend.
21:52No, no, no.
21:53I'm sure you're the same.
21:55I don't know when I would have been given the opportunity.
21:58I think you're the one who is a friend.
22:02It's nice to me that I'm a little bit lost.
22:04And it's nice to me that I have this shame against you.
22:08That's good.
22:08What is it that matters about you,
22:10it's just because of you.
22:13Because of me?
22:26I'm not a problem.
22:29I thought that you are.
22:32How did you fall into memory?
22:34How did you fall into memory?
22:36You said you will be able to give me the other daughter.
22:37I'm going to ask you that.
22:38Okay.
22:41The truth is that I wanted to do with Aleksandr.
22:43I'm not a child.
22:44I'm not a child, but it's not a time ago.
22:46When will it be?
22:47I don't like it.
22:48I don't want to know it.
22:49Ma'am, I'm glad you're going to go.
22:51Okay, I'm sorry.
22:53I'm sorry, I'm sorry.
22:53I'm sorry, you're going to get my head more than anything.
22:55Okay.
22:56You're thinking of me?
22:57How is it now?
22:59It's a normal question.
23:01Okay.
23:02Tell me directly what you want.
23:04I'd like to say Victor's brother.
23:07Okay.
23:08He's a little bit, but he's a little bit,
23:09but he's something else.
23:12I agree with you.
23:13I agree with you.
23:14What do you want to do with that?
23:17Well, for that kind of thing, in fact,
23:21you should have to write the house on me.
23:25What do you want to do with that?
23:27Well, for that kind of thing,
23:34you should have to write the house on me.
23:37You should have to write the house on me.
23:39That's enough for you to write the house on me.
23:41Wait a minute.
23:43Why are you talking about this?
23:44What is this connection?
23:46Yes.
23:47Because I know you.
23:48And because Xenia has lost a chance for coming here.
23:52Because I know you.
23:54Because you were the old lady.
23:56The chorus when it was heard she literally threw her away from all.
24:01What did she do?
24:03And what did she do?
24:05I don't know what's going on with my job, because I'm Ksenina Trugarica.
24:13Let's pray. Relia, he left the local.
24:18Where are you now, the big boss?
24:21As you can see, he's not there. God thank you, he's not there.
24:24Now, go back to the field.
24:30I'll go back.
24:34I'll go back.
24:53It's a matter of fact, Mama.
24:55Without home there's no peace, without peace there's no children.
24:58The house, Gabriela, is our only security.
25:03I know.
25:05But we don't need more. We have a house in which we live.
25:10It's hard to sell. That's our family's house.
25:14We don't need more. We need money.
25:19We have a place where we live, understand?
25:21Do you know what I mean?
25:22Oh, that's right. I'm not sure if I'm sorry.
25:26That's enough.
25:27I need a final decision.
25:31What if I say no?
25:36What if I say no?
25:36I don't know how much I can do it.
25:38I've explained it already.
25:39I've already explained it thousands of times.
25:40I haven't done enough decision yet.
25:44Yes.
25:46You can do it as you want.
25:47Okay?
25:48I'll do it as I want.
25:51I don't know.
25:52I don't know why I leave with you all the time with Victor.
25:56I'd have to be there.
25:59I'll do it as soon as soon as possible.
26:02Why would I do it?
26:03Why not?
26:06Gabriela, there's no need for you to send me.
26:09I'll never do it.
26:13I will.
26:15No, fine.
26:17No, okay.
26:18So if you think that the house is a good decision,
26:23don't pass on.
26:28Believe me.
26:29You won't have to give up.
26:32That's fine.
26:49Zora, zora, zora je, pustaj mala, zora je, pustaj mala, zora je, pustaj mala, zora zliče, narane pri liče.
27:05Zora, zora je, pustaj mala, zora zliče, narane pri liče.
27:35Komarac Inženjering, najbolji u gradu, tako da se zove firma.
27:42Moskito Inženjer, delo je zbilnije.
27:47Delo je inoštranije.
27:48Ja, pustaj, zrža, nisni tijelo.
27:51Kako više?
27:53Maksim Investments.
27:57Maksim Inženjering.
27:58Uje!
28:00Znaš moja strano.
28:01Znaš moja kao ako, za najbolju ugradnju u gradu, zovite Maksima Uradnju.
28:09To ti več.
28:10Znaš moja kao, najbolji žive vidjeli u kur.
28:13Za budućnje investirim.
28:15Za budućnje investirim.
28:15Za budućnje investirim.
28:17Znaš moja.
28:19Sipaj, sipaj.
28:20Sipaj, sipaj.
28:20Sipaj, sipaj.
28:23Moramo…
28:24Nema više.
28:26A moramo da vidimo oko ove jedne stvari.
28:29Oko kuće.
28:32Oko upadanja, znaš.
28:35Jel, jel, jel mi upadamo ili ne upadamo?
28:39Šta ne redar?
28:57A smiri se.
28:58E, samo nemoj da me smiruješ.
29:00Moram ti.
29:00Moram ti.
29:01Moram ti.
29:02Pustim.
29:02Znaš kakva sam kad me drpi živac.
29:06Znam kakva si.
29:08Zato što te dobro znam.
29:10Zato ti kažem da se smiriš.
29:12A imam jednu taktiku.
29:14E, sad nemaš.
29:15Nemaš, nemaš.
29:17Ovog puta nemaš ni ti taktiku.
29:19Samo me pusti.
29:20Ovo te ne molim, ovo ti naređujem.
29:22Pusti me.
29:24Taktika je sljedeća.
29:26Da jedan ogroman problem zvani Senka
29:33razložimo na nekoliko manjih problema.
29:39Sviđa mi se.
29:41Ajde.
29:41Dopada mi se sve što podrazumeva
29:46rastakanje na delove.
29:48Ajmo.
29:49Dobro.
29:53Ajde sad ovako.
29:55Ovako.
29:56Šta je prva stvar koja te muči?
30:02Pa za početak jako sam nervozna.
30:05Zato što se Goran ne javlja.
30:08Dopro možda je zauzet trenutno.
30:11Čime je zauzet?
30:12Čime on to može da bude zauzet u ovo doba noći?
30:16Da se majici ne javi na telefon?
30:18Čime on može da bude? Šta je to preče?
30:21Šta je preče da majici ne odgovori na poruku jednu od dvesta poruka?
30:26Dobro pola.
30:28Možda u ovom trenutku baš sada razgovaraju.
30:33E o tome se radi.
30:35Zato sam nervozna.
30:37Zato što ne razgovaraju.
30:40Evo seci me gde sam najtanja.
30:43Zmijurina ga davi svojom telesinom.
30:47A ništa ne priča.
30:50Majte.
30:52Pa nije valjda luda.
30:53Mislim, kad mi znamo, zna da će i onda sazna povuku.
30:59Ništa ne podrazume vam kad je ona u pitanju.
31:02A celu ovu priču ni ne može da smisli normalan čovek.
31:07Nego samo lud.
31:08A kad kažem lud, ne mislim onako ludskast.
31:12Nego najluđi na skali ludih.
31:16Kako žicka batine.
31:19Kako žicka batine.
31:21I onda toliko blesava.
31:24Mislim, zna da će onda sazna kad tad u bilo kom trenutku.
31:27Mhm.
31:30Dobro, ajde sada.
31:32Prašam se ja da ona njemu neku bajku drugu ne zakuva, znaš?
31:37Šta?
31:37Da, da.
31:39Drugo nešto da ona njemu ne sprema.
31:42Eto, to je meni muka.
31:44Dobro, dobro.
31:45Ali sada kad znamo da će Goran to da sazna svakako,
31:49samo je pitanje ludka kada će da ti se javim.
31:52Znači javlja se sigurno.
31:55Jel' ok?
31:56To si upravo.
31:57Eto, znači sad...
31:59Sad kad smo rešile jedan problemčić...
32:04Ajde pređemo na drugih, ovako.
32:08Ajde.
32:10Ima još nešto što mene muči.
32:16Ajde.
32:17Dobro.
32:34Kako me prepade, singa, kako me presječe.
32:38Što se ne javiš?
32:39Ja ne nebila kad stigneš na moj pipaš.
32:41Misli još sam ko zna ko je.
32:42Pa, izvini, nisam treba da tupla.
32:44Nič nešto nego nisam.
32:46Nisam znao da si ti.
32:47Malo sam se zamislila koga.
32:48Šta je bilo?
32:49Je li sve okej? Si dobro?
32:51Ja sam, ja sam dobro sam.
32:53Ovej...
32:54Htjela sam samo da ti iznenadim.
32:56To valjate ako parovi radi.
32:58Bogo misli me, dobro iznenadila.
32:59Ako ti to bilo namjera i prepadla, iznenadila.
33:02Sve si to uradila.
33:03A nisam znao da si baš tako plaša.
33:04Eme, nisam ja plašu ili evo.
33:05Kad radim, zamislim se, isključim se i svega.
33:12Kako je hladno oružje?
33:14Kako hladno oružje?
33:15Kako koje hladno oružje?
33:18Ludo moja.
33:22Eto, sad znaš kakve ruke tebe čuvaju.
33:24Največe, na svijet.
33:26Da.
33:27Aj, reci mi zašto si došla.
33:29Oš cim da me prepadneš, iznenadiš
33:32i da mi kažeš da ti neizmjerno nedoste.
33:44Sveče, bre, ništa te, bre, ne pratim.
33:47Pa, naravno, me ne pratis, što ti odviski je.
33:51Ti odviski, bre, zapričaš i jezikom, bre, ništa te ne razum.
33:54Sveče, ti sad meni pričaš nešto, zapričaš ti jezikom, pričaš meni,
33:58slušaj, nije vrš.
33:59A biti ni te, bre, za o kuću.
34:01Oće omineju da ulazimo unutra i nećemo da je gledamo, onajko s poljakaka kaži.
34:05To je to sad bitno, majke?
34:07Ako što je bitno, bre, pa šta? Ako je unutra neka katastrofa?
34:11A dobro, pa šta i...
34:13E, a šta, ha, zamisli da imam unutra nešto, nešto drago, ocilano što možno na drpiku.
34:20Ako je tako, pa...
34:23Uraza nije zaboravio kako se obija kuća.
34:28Ouzko, znaš da nisi?
34:29E, pa, to ti je, znaš, kako kažu, kao, kad je te naučio da vozi bicikl i nikak ga ne
34:34zavara.
34:35A, da, da, da, kako ti kaže tako, onda onda ti vera, da.
34:39Ako ćemo da tražimo račun, no?
34:41Pa jo!
34:43Pa jo!
34:43Daj nam račun, eto.
34:49Izvolite račun.
34:51Hvala.
34:52Čeka, tani, ja plaćam.
34:54Ovo je.
34:56A ovo, bre...
34:58Šta, bre?
34:58Šta je, bre, ovo?
35:00Pa račun.
35:01Šta je, bre?
35:03Ko je popio ovo sve? Čije je ovo račun, bre?
35:04Šta je, bre, ovo?
35:05Ko je popio ovo sve? Čije je ovo račun, bre?
35:07Šti, bre, normalno.
35:08Požiši se, čuj, majko, užiši.
35:11Imali baši račun, imali ste...
35:12Naši račun.
35:13Ba, de, bre, naši račun, bre, šta lupat, bre?
35:15Bajo, nemoj da se nupineš.
35:17Bog će ti...
35:18Bog će te kazniti ako ovako odrudeš radio,
35:21a ako gudeš dobar, Bog će ti platiti.
35:24Bog će ti platiti.
35:25Bog će ti platiti.
35:29Nemoj, nemoj te prič, razumajš?
35:34Zora, zora, zora!
35:42Pravela ti kažu, od kada je uprošo mom životu,
35:44ja sam nekako stalno puno energije,
35:47puna nekog jelana, tako da mi ništa ne pada teško.
35:50Pa fino, fino je to.
35:53Šta znači to, fino, fino je to šta?
35:55Nešto nije u redu?
35:57Ma ne, nisam mislila ništa loše,
36:00nego ne znam, nisam baš sva svoje, umorna sam, to je to.
36:03Dobro je reko opet da imaš nešto da mi kažeš,
36:06pa se odlučiš da mi ne kažeš, pa mi prećutiš.
36:18Polak, polak, polak, čekaj, čekaj.
36:20Možda već možeš da počneš da mi tražeš dobro parcevu na grobi.
36:25E daj, molim te, nemoj da, nemoj da počneš.
36:28Ne, ne, nemoj, nemoj.
36:30To ti je sad važno tema.
36:32Mislim, ako požoriš, možda dobiješ i neki popusti.
36:47Dobro, evo, ja hoću da ti verujem da će to da bude tako lako.
36:51Tako?
36:52Ali Nado!
36:54Šta?
36:55On ne pokazuje.
36:58Ali...
36:59On je Nado istaja.
37:02Mnogo je emotiv.
37:04Kom.
37:17On je toliko ulaženo da ne zna više gdje je udara.
37:22A uspiti povukovi nas i to neće me dobro bi izaći.
37:27Naj se, samo da ne napravi neke veće problebe.
37:30Tako, da već nije u problemu, a i mi s njim zajedno.
37:45Hvala sam da popričam o nečem.
37:47O čemu?
37:50Pa...
37:50Ti i ja smo se dogovorili kada smo opet počeli ovde će mi biti iskreni jedno prema dogome.
37:55O tako?
37:56Bogu mi se, sem ka ja prema tebi iskren taj goran koji je lagao, on niša ne postoji.
38:01Ovo je nori goran iskreni goran.
38:02Ja se prema tebi jedan kroz jedan.
38:03Znam, znam, znam.
38:16Banja, ja bih volio da ti i ja razjasnimo neke stvari jednom zasvatim.
38:25A...
38:25Molim te da mi iskreno kaš šta se desilo sa Vitorom?
38:42To je baš svetko, ili da?
38:44Pa jeste.
38:46Mislim, ima ih svakakvih, da se ne lažemo to ja znam najbolje.
38:50Ali vidi, sve to na stranu, ja tebe moram nešto sada zamolim.
39:07Ne bojš ali, dosta je kad ja kažem da je dosta.
39:12A ne planiram to uskoro da kažem.
39:15O...
39:16O...
39:17Tako.
39:36Jaka, jaka...
39:37That?
39:39Jaka.
39:39Ahy tak ri randu da?
39:41Imamam.
39:42Namak.중...
39:43Tika,
39:45tika, tika. Boj din
39:46kanalu na lukasavim. Jonak.
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