Una voce famigliare rassicura Pia: è Renzo che è venuto a cercarli. I due ragazzi tornano a casa, Pia è ancora scossa per l'accaduto ma la madre la rincuora. Intanto, all'ospedale dove è stato ricoverato Paolo Mainardi, Silvia Della Monica chiede alla sorella del ragazzo il permesso di pubblicare sui giornali la falsa notizia che Paolo avrebbe riconosciuto l'assassino per far uscire il mostro allo scoperto. La famiglia acconsente e la notizia viene diffusa. Paolo però non si è mai risvegliato e dopo poche ore dal suo ricovero muore. Non passa molto tempo che in ospedale giunge una telefonata sospetta: un uomo che si spaccia per un funzionario della procura e chiede al medico il nome fatto dal ragazzo. Il medico prende tempo e fa chiamare Silvia Della Monica, ma dall'altra parte riattaccano.
Il Mostro di Firenze 1.1
https://dai.ly/xagaxvm
Il Mostro di Firenze 1.2
https://dai.ly/xagayqa
Il Mostro di Firenze 1.3
https://dai.ly/xagazle
Il Mostro di Firenze 1.4
https://dai.ly/xagb1j6
Il Mostro di Firenze 1.5
https://dai.ly/xagb2wm
Il Mostro di Firenze 1.6
https://dai.ly/xagb3xu
Playlist Mostro di Firenze SerieTv 2009
https://dailymotion.com/playlist/xci4ly
Playlist Mostro di Firenze
https://dailymotion.com/playlist/xcj7ve
#MostroDiFirenze #Mostro #Firenze #Cicci #Scandicci #SerieTv #Telefilm #FilmTv #MonsterOfFlorence #Monster #Florence #TheMonster #Pacciani #CompagniDiMerende #Mostrologi #Mostrologia #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
Il Mostro di Firenze 1.1
https://dai.ly/xagaxvm
Il Mostro di Firenze 1.2
https://dai.ly/xagayqa
Il Mostro di Firenze 1.3
https://dai.ly/xagazle
Il Mostro di Firenze 1.4
https://dai.ly/xagb1j6
Il Mostro di Firenze 1.5
https://dai.ly/xagb2wm
Il Mostro di Firenze 1.6
https://dai.ly/xagb3xu
Playlist Mostro di Firenze SerieTv 2009
https://dailymotion.com/playlist/xci4ly
Playlist Mostro di Firenze
https://dailymotion.com/playlist/xcj7ve
#MostroDiFirenze #Mostro #Firenze #Cicci #Scandicci #SerieTv #Telefilm #FilmTv #MonsterOfFlorence #Monster #Florence #TheMonster #Pacciani #CompagniDiMerende #Mostrologi #Mostrologia #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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TVTrascrizione
00:00Aaaaaah!
00:12Oh my god, who is it?
00:16What do we do?
00:22My! Claudio!
00:25Dad!
00:30Mom!
00:34But did it happen?
00:43Mom!
00:45I am sorry!
00:47The macerine is unloaded!
00:50I didn't bring it anymore!
00:52It's important that he's home now!
00:57Now go home, Santa has brought you a present!
01:00Come on!
01:06Dad!
01:06A puppy!
01:09It's beautiful!
01:11His name is Argo!
01:12She's your baby!
01:13Here!
01:17I took it to keep watch but I'm not there!
01:20This is beautiful, Dad! Thank you!
01:27I was shot, but I'm still breathing!
01:29They've already called us, the operating room is ready!
01:53What happens?
01:55They're operating on him!
01:56So he's still alive?
01:58For now!
01:59But even if he makes it, a bullet hit him right in the head!
02:01He risks remaining in a coma alive!
02:05The boy's relatives?
02:06I'm in the waiting room!
02:09What's happening to me?
02:11It happens that the news has spread!
02:14And what do journalists know?
02:15For now it's nothing, as she asked!
02:47Attorney of Monica!
02:48Are you relatives of Paolo Mainardi?
02:50I'm the sister!
02:51Greetings!
02:52They're the brothers-in-law!
02:54How is Paolo? Why don't they let us see him?
02:56Well, the medical staff will let you know that!
03:00I'm here to ask for your cooperation!
03:03I need your consent!
03:06How does it make sense to do that?
03:09To spread false news!
03:11Madam, I want to tell the journalists that...
03:13that Paul revealed the name of his attacker!
03:15Is it possible that this way it will come out into the open?
03:19Attacker?
03:20But they told us it had been a car accident!
03:27No ma'am!
03:30It was the Monster of Florence!
03:41The pot pushes, catches the stars for its wishes!
03:48A furtive shadow detaches itself from the wall!
03:53In a child's game, a woman is lost!
04:08A cry in the morning in the middle of the street
04:15A rag man calls out to his tailor
04:20With a voice forever lost he repeats
04:26I didn't mean to wake her up like that.
04:31I didn't mean to wake her up like that.
04:36And zero, let it be so
04:50I didn't mean to wake her up like that.
04:50With a voice lost forever!
04:50God, I didn't mean to wake you up.
04:50It was, I didn't want to wake him up!
04:51And wake up to a lure!
04:51And waking up a woman I speak- Ruin!
04:52I know what a victory grade I'm going to achieve!
04:52Waking up a woman for the ...
04:57Catch me, I didn't mean to wake you up!
05:00One minute!
05:17I'm sorry, we did everything we could, but nothing happened.
05:55Ready?
05:56Here at the prosecutor's office, can you give us again the name the boy gave?
05:59As?
06:00The name Maynardi gave her.
06:03Run, find the prosecutor, tell her I have the monster on the phone.
06:07The monster?
06:08Monster of Florence, run!
06:12I didn't understand, sorry.
06:14Ready?
06:19We have nothing.
06:21Neither registration nor the area from which the call originated.
06:25The phones still had to be tapped.
06:30We ask permission from the relatives of a victim.
06:32Let's spread fake news and not tap phones.
06:36I am sorry.
06:38But what am I sorry about, Rinaldi?
06:39I'll go tell Maynardi's relatives if I can.
06:56Prosecutor, excuse me, there is a carabiniere in your office, a certain Marshal Fiore.
07:01He says he wants to talk about it.
07:02Oh, thanks.
07:03Please.
07:08I wanted to show you this.
07:10It's a case I dealt with in August '68.
07:15She's dead.
07:17Mom died.
07:18The child was right.
07:21Not far away, near the cemetery,
07:23The police found a car with two bodies inside.
07:29Barbara Locci, the child's mother, and her lover, Antonio Lobianco.
07:36They were killed by eight gunshots fired while the two were making love.
07:43Stefano Mele, Barbara Locci's husband, took the blame for the crime.
07:50and father of the child.
07:51He confessed that he killed her because she had too many lovers.
07:56A couple killed while making love.
08:00He's trying to tell me that the case is related to the Monster of Florence.
08:03The monster uses .22 Winchester H-series bullets, right?
08:09Why?
08:10Open that envelope.
08:19They are .22 Winchester H-series bullets, like the ones in the monster.
08:26Yes, but I said that too.
08:28Here is a guilty man who has confessed.
08:31Except the murder weapon was never found, Mr. Prosecutor. Never.
08:42The results of the ballistics test have arrived.
08:44The bullets used in 1968 were fired from the same gun used by the monster.
08:49Yes, we have already been informed, doctor.
08:53Doctor, let me introduce you to examining magistrate Rotella,
08:56who will take over the investigation into the Monster of Florence.
09:01There is already a prosecutor's office that is dealing with the matter.
09:04I can?
09:06You don't have to deal with it, you have to solve it.
09:09This tells us which direction we need to go.
09:11I want to review all the investigations carried out in '68.
09:15That crime already has a culprit, judge.
09:17And he's been in prison ever since.
09:19Maybe it's time to ask where the gun went.
09:21But whether or not to do so, if you will, is up to me to decide.
09:26And I say that it's time to hear from Natalino Mele again,
09:28who to this day is the only witness to that crime.
09:33Should I summon the boy?
09:35Don't worry about it.
09:36The investigation is in good hands.
09:37I'll take care of it personally.
09:40I will keep you informed, Attorney Vigna.
09:43Miss.
09:54Good.
09:58But has he finished his exercises yet?
10:01Almost.
10:03Okay, that's enough, go on.
10:04But no, why?
10:05Pia, you're growing up, you know that, right?
10:09I wouldn't want to spend my whole life with that stick in my hand.
10:12I like it.
10:13Eh, I know you like it, but it has a future ahead of it.
10:17Have you ever thought about it?
10:20But to what?
10:22The university.
10:24And which one, dad?
10:25But how which one?
10:27A faculty you like.
10:30So, for example, I wouldn't see you doing well in engineering, that's all.
10:34But I, dad, am more into practical things,
10:36not to study.
10:37The practical things?
10:38And what practical thing would you like to do?
10:41For example, cooking.
10:44Cooked?
10:45Oh, but you're a Rontini, eh.
10:47You deserve so much more.
10:48And off we go.
10:50Whose is it?
10:52Ah.
10:54Here, eh.
10:56Already.
10:56And is there anything to this fact?
10:58No, no, everything's fine.
11:01Hello, dad.
11:02HI.
11:12Your Honor, what's this story?
11:14Almost twenty years have passed.
11:16The boy wants to forget, but he has to feel it.
11:19Excuse me, who are you?
11:21The uncles, Giovanni apples are.
11:22And me and Piero Mucciarini.
11:23Yes, please.
11:25Are you Natalino?
11:27At twenty you're still supporting your uncles.
11:30If you really want to wait, make yourself comfortable.
11:34This is going to be a long chat.
11:36Please take a seat.
11:36Please, this way.
11:39Please.
11:46Natalino, let's not beat around the bush.
11:49You are here because I want the story of that night.
11:51But I already told the judges years ago what I saw.
11:55Why do you want to know again?
11:57Because I want to hear it from your voice.
12:05So, we had been to the cinema.
12:07Me, my mother and that man, Antonio.
12:11Then I was in the back of the car.
12:14I was sleeping while they were in front...
12:41They killed us.
13:00And then I don't remember anything else.
13:02Only I found myself in front of a farmhouse.
13:06Happy?
13:10And who carried you on his shoulders?
13:13And I said, I don't remember.
13:19I mean, do you remember the gunshots?
13:21Your mother dead?
13:23That other one, that guy, Antonio, who tells you that thing?
13:26And don't you remember that he carried you on his shoulders?
13:29Look, my dad is in jail.
13:30He said he killed him.
13:32He must have taken me there.
13:39What did the white man say before he died?
13:41Tell me again.
13:43They killed us.
13:44They killed us.
13:46This is what the dying white man said.
13:48They killed us.
13:50If he had been alone, he would have said he killed us.
13:54Yes, but the boy may be wrong.
13:55Then, a man who is dying can say incoherent things.
13:58And then this, this is interesting.
14:01Something found about the murder of Antonella Migliorini and Paolo Mainardi.
14:06They found an abandoned Renault 4 near the crime scene.
14:11Read who the owner is.
14:15Francesco Vinci.
14:16But who is he?
14:20One of Barbara Locci's lovers.
14:23And above all, a friend of Stefano Mele.
14:26The time has come to go and visit this Mele in prison.
14:33Alone, I gather.
14:35I get more results myself.
14:38It's always been my flaw.
15:02My wife, that big slut,
15:06she cheated on me with a lot of men.
15:11He offended my honor, do you understand?
15:38Dad!
15:41That's when I saw my son in the car.
15:45I ran away.
15:48Escaped?
15:49Did I hear correctly?
15:51No, I think so.
15:54Ah, do you think so?
15:55Mr. Mele, if you ran away,
15:57who brought your son to the farmhouse?
15:59Listen, Judge.
16:01It was me.
16:03Now I'm in jail.
16:05What else do you want from me?
16:08Know who was with her that night?
16:10Nobody.
16:11Nobody.
16:13Someone who helped her instead.
16:16Tell me your name.
16:20Francesco Vinci.
16:23That's the name, right?
16:24This is it, right?
16:27Yes.
16:29Francesco Vinci was with me.
16:34Francesco Vinci.
16:37Who then kept the gun.
16:41View?
16:44Mr. Vinci,
16:46Do the names Barbara Locci and Antonio Lobianco mean nothing?
16:50Listen.
16:51I have nothing to do with the Monster of Florence.
16:54And I had nothing to do with the murder of my wife.
16:57That's not what Stefano Mele says.
16:59Ah, but he lies as he breathes.
17:02He says the gun that killed his wife
17:04she has it.
17:06who then has the same gun used by the Monster of Florence.
17:11I've never owned a gun.
17:32I see you've already done everything, huh?
17:34Arrests and interrogations.
17:35Well, while I'm at it,
17:36why doesn't he also issue the sentence of condemnation?
17:38Are you trying to make fun of me, doctor?
17:40I'd like that, you know?
17:42Yes, but it's not long now.
17:43It is evident that it was Vinci who helped Mele in the crime.
17:46He kept the gun,
17:48then he started killing again.
17:50And where is the gun?
17:51No, because as far as I know,
17:53Vinci didn't have it at home or even with himself.
17:56It'll come out, Doctor.
17:58I have a sixth sense for certain things.
18:01It will come out.
18:06Guys, a little patience and we'll be at the table, eh?
18:13Oh, Juventus fan, you make mine rare, huh?
18:15What do you want, Renzo?
18:17For me it's the same.
18:18But how is it the same as her?
18:19Blood is a whole different story.
18:20What are you saying?
18:21But where did you grow up?
18:22I don't know.
18:23But all alone?
18:24And Pia?
18:25It's inside, in the kitchen.
18:28Go over there and help, right?
18:30No, she says she wants to be alone.
18:34Understood.
18:41So, what is it?
18:43Nothing, I'm making the salad.
18:45I wasn't talking about the salad.
18:46Why is Claudio alone in the garden?
18:49It was annoying me here.
18:51Pia.
18:55Mom, I want to go on a cooking class in Denmark this summer.
18:59And what do you need it for?
19:00But what use is it to me?
19:02Mom, I want to be a cook.
19:04And then grandma told me that the IRI is a certificate that is also valid for Italy.
19:08Then who knows, maybe I'll take a job in some hotel here in Florence.
19:12And there is no good cooking class here.
19:14You have to get all the way to Denmark.
19:16Mom, I want to see if I can handle it on my own.
19:18I want to learn a trade.
19:20Then maybe I get there and I feel bad.
19:22But at least I want to try.
19:24But you're staying with grandma.
19:26Yes, certainly.
19:26He's already prepared my room.
19:28And if you don't like it, you come back.
19:30Yes, in a hurry.
19:33Oh, now comes the hardest part.
19:36Eh, I know.
19:37I have to tell Claudio.
19:38No, you have to tell your dad.
19:55He hid me and nothing helped me.
20:02He hid me and nothing helped me.
20:05He hid me and nothing helped me.
20:17He hid me and nothing helped me.
20:20He hid me and nothing helped me.
20:25He hid me and nothing helped me.
20:37He hid me and nothing helped me.
20:41He hid me and nothing helped me.
20:48He hid me and nothing helped me.
21:06He hid me and nothing helped me.
21:36Same killer?
21:37Yes, the victims are two men though.
21:41Osmeier, Rasch, Uwe, Jens, German, 24 years old.
21:44Can someone turn off this radio, please.
21:46There are some dead people here, huh?
21:49So, doctor, come here, tell me.
21:51Are there any cuts or splits on the girl's body?
21:55There really isn't any girl.
21:57They are two men.
21:59As?
22:03Wasn't his monster in prison?
22:05Or Francesco Vinci escaped during the night.
22:29Okay, I'll let you know. Okay.
22:34It was the Farnesina.
22:35They need a report to represent the German embassy.
22:38For now, their police are just waiting.
22:40We need results, fast.
22:43First of all, let's free Francesco Vinci.
22:45No.
22:47He was in jail the day they killed the Germans.
22:49Whoever killed this time was wrong.
22:51A strange mistake, don't you think?
22:52It was dark.
22:53He mistook a long-haired boy for a girl.
22:56Yes, a murderer who has been killing since '68 doesn't make such a mistake.
22:59Please, let's not talk nonsense.
23:01Excuse me, but in my opinion whoever killed made a mistake because he was in a hurry.
23:06Perhaps they're in a hurry to make us believe that Francesco Vinci has nothing to do with it.
23:08Maybe Francesco Vinci really had nothing to do with it.
23:11Or maybe on the night of '68 Stefano Mello and Francesco Vinci were not alone.
23:15Another accomplice.
23:16Judge, how many accomplices do you need?
23:17One for each new crime of the monster.
23:19Huh?
23:20Good day.
23:21What do I tell the people at the Farnesina?
23:25I would suggest you take your time.
23:46HI.
23:48HI.
23:49HI.
23:59Look, I don't want you to go away.
24:02Come on, a month and a half passes quickly.
24:05Then I will write to you every day.
24:06Yes, but it's not like having you here.
24:10I know.
24:12But I want to try.
24:13I want to see what I can do.
24:15You have already chosen your own path.
24:18You go to university.
24:19Do you want to get away from me?
24:20I don't want to leave Claudio.
24:23I just want to choose, like you did.
24:27Come on.
24:27Come on.
25:03Come on.
25:37Mr. Muccerini, can you read?
25:43Read here.
25:45No?
25:46Then I'll read it to him.
25:49When I woke up, I saw Uncle Piero in front of me.
25:53He had a gun in his hand.
25:55My uncle picked me up on his shoulders and walked me to a farmhouse.
25:59Before leaving me he made me swear that I would not tell anyone what I had seen, etc., etc.
26:05Sincerely, Natalino Mele.
26:09This statement was made by Natalino in 1968, after the crime.
26:14But then incomprehensibly he took it all back.
26:18Here she had said that it was she who had killed her mother, her lover.
26:23Why did he take it all back? Do you know?
26:25Of course, he wanted to protect his dad, right?
26:28That night I was working at the bakery and the police would have been able to confirm my alibi.
26:34This is not entirely accurate.
26:35The Carabinieri only confirmed that she worked in a bakery.
26:39Because then later...
26:41You're welcome, you're welcome.
26:43Her employer, as you can read, remembered that she hadn't gone to work that night.
26:49Because that night he had asked for permission.
26:51Permission for what, Mr. Mucciarini? Do you remember?
26:55What does this have to do with anything?
26:56He doesn't remember.
26:58And then perhaps he will remember where he was on the night of September 9th.
27:03I don't know, Judge, I don't remember what I ate yesterday.
27:06Where was it, tell me.
27:08On.
27:12Francesco Vinci, do you know him?
27:14But what does this have to do with it now?
27:15Do you know him or not?
27:20He doesn't even remember this.
27:22He doesn't remember anything.
27:24Let him go.
27:39This is Piero Mucciarini, Uncle Piero, speaking.
27:46This is Giovanni Mele, Stefano's brother.
27:49He's convinced he's going to kill Maiana and it was me.
27:52That story is closed and it must remain so.
27:55What else did he tell you about Francesco Vinci?
27:59It's better if we see each other.
28:01Are there any other wiretaps?
28:03No, no, no.
28:05For now just this.
28:06But in my opinion we've made some waves.
28:09Yes, it is clear that they are afraid of the truth coming out.
28:11Sooner or later they will make some mistakes.
28:13Attorney, let's stay on the sidelines and see what happens.
28:22Listen, the other day your wife told me
28:24that you intend to divorce.
28:26Hand.
28:29The judge.
28:31A sheep was placed in a basin to be raised.
28:34He asks to change everything.
28:35Fuck it.
28:39We have to stay quiet, I know.
28:41Including to know.
28:42It's already after I took, already after I took.
28:44I don't even know.
28:48It's Natalino.
28:49You're at home.
28:52Fizzo me.
28:54Or Sanzonetto.
28:57And you're with your mom and dad.
29:02How are you?
29:04Until he embarks in my domo.
29:07He's already fine.
29:14And you're with mommy and with mommy and with mommy.
29:39Guard!
29:42Guard!
29:44I want to speak to Judge Rotella!
29:47With Judge Rotella!
29:51That night.
29:54The night Barbara was killed.
29:57I was alone.
30:00There was no one else.
30:06Do you think you're making fun of me?
30:09Do you realize?
30:12She can't take everything back.
30:15His son said that Uncle Piero, Piero Mucciarini, was also there that evening.
30:20And then it was she who brought Francesco Vinci into the mix.
30:23Oh no, oh.
30:24Francesco Vinci put it in my mouth.
30:26I didn't put it in anyone's mouth!
30:29Mr. Mele, are you thinking about it carefully?
30:34That's all she had to say to him.
30:38Vinci, Mucciarini, they have nothing to do with it.
30:43I was alone.
30:46I was alone.
30:47I was alone!
30:50How did I not understand this?
30:54She's just wasting my time.
30:59Can you take it away?
31:02Your Honor?
31:11Your Honor?
31:13Yes?
31:14This morning I was on duty in the interview room
31:16and I saw Stefano Mele with his brother Giovanni.
31:20So what?
31:31And what happened to him?
31:33I do not know.
31:39What's up?
31:40Are you waiting for me to thank you?
31:41Ninth.
31:43Well done, keep it up.
31:45HI.
31:47HI.
32:07You have to tell the prosecutor
32:08that you killed her
32:09that whore of a wife of yours
32:11or your child comes to a bad end.
32:41how come you steal it?
32:45Love.
32:46Love.
32:46Oh, how much you've grown, huh?
32:49Did you put on some fat for me?
32:51But that's not true, he's doing very well.
32:53I have all the butter.
32:54Did you put on that wig or am I wrong?
32:57No, I'm always the same.
32:59What's this? Did they change the cook on the ship?
33:05Claudio?
33:06He didn't want to come.
33:08He said he's waiting for you at his house.
33:10Come on, let's go home, go on. I'll make you a nice Florentine steak.
33:13Your father made another confession to me.
33:16He took it all back and said that he killed your mother alone that night.
33:22But that's another lie.
33:24Do you know why he told me that?
33:26To keep his brother Giovanni and uncle Piero out of this story.
33:32And they ordered it.
33:34It's written there, on that piece of paper.
33:40Were you there that night?
33:42Do you know who it was?
33:44You know it
33:47who killed your mother?
33:53Look at me.
33:57Tell me.
33:59That you loved your mother?
34:12Natalino, Natalino.
34:14Come on little one, come out.
34:17Good, that's it.
34:19Now your uncle is taking you away.
34:21Come out.
34:25Come out.
34:42Come out.
34:48Bravo
34:53enough now
35:03Enough
35:04I understand
35:08you can go
35:13there was no way in this house
35:16listen, but he has to go back in September to graduate
35:19so he said
35:23let's hope he changes his mind
35:24another month and a half is long
35:26you're speaking, you who are always travelling around the world
35:29look, your daughter looks just like you in every way
35:31two months out and two old
35:36Here I am
35:37here it is
35:38and what is this smile on your face?
35:41have you seen Claudio?
35:43no, I'll go and say hello to him later
35:44and where were you then?
35:46I found a nice little boat for the summer
35:48come on
35:48What?
35:50yes, she will be the new bartender at the station bar
35:52it is
35:53and you should do, what are your hours?
35:55Dad, what do you think a barista does?
35:57come and see this place and what kind of people frequent it
35:59accompany tomorrow
36:08Barbara Locci, with her behavior, besmirched the good name of the Mele family.
36:14her husband, Stefano Mele, was weak, too weak to punish her
36:19His brother Giovanni Mele and his brother-in-law Piero Mucciarini took care of it
36:25They made him witness the execution and then ordered him to take the blame himself.
36:31It was a clan crime, gentlemen.
36:35then Piero Mucciarini and Giovanni Mele got a taste for it
36:39and this is beyond doubt
36:41they started the chain of crimes attributed to the Monster of Florence
36:45and Francesco Vinci?
36:49There is no evidence that Vinci is connected to the crimes
36:54I have ordered his release from prison
36:56and the gun?
36:58They told us that you didn't find it at Mucciarini's house or at Mele's house
37:01Apparently they made it disappear but that's just a detail
37:06any other questions?
37:10what do you think?
37:13a clan crime that turns into a sequence of serial crimes
37:18and is she the first to think of more than one murderer?
37:21It seems like a lifetime ago
37:23I just hope Rosella is right
37:25and that the monster is really in prison
37:36did you see?
37:37It seems the monster's story is over
37:39But do you realize that he's been killing people for ten years?
37:43were they killing?
37:44were there two of them?
37:45Well yes
37:46Mauro, I've already finished though
37:48ah good go don't worry I'll give it to you here eh
37:50same shift tomorrow eh
37:51All right
37:52Hi Lorenzo
37:56but what have I finished talking about yet?
37:58and run from go
38:01thanks dad
38:02you have to do something quick, huh?
38:04we will see each other later
38:05it's dark
38:07HI
38:08HI
38:21but what did you do?
38:24I cut myself with a razor while shaving
38:30you know
38:30the rush
38:33but does it hurt?
38:35hand
38:35the nonsense
38:44you didn't come to say hello to me
38:49but you didn't come to pick me up at the station
38:53I had
38:55I was scared
38:58but soon of what?
39:01that things had changed between us Pia
39:04and that you don't care about me anymore
39:20were you in a hurry?
39:53dad, how come you're leaving again?
39:56I'm going to Livorno to your aunt
39:57he says I have to do some jobs around the house for him
39:59and what do you do?
40:00are you already going to work?
40:01no first I'm going to get an ice cream with Claudio
40:03and then I go to work instead
40:04everything's fine with him
40:06yes yes everything is fine with him
40:07and he comes to pick you up from work?
40:09he accompanies me and comes to pick me up
40:11he's a good boy
40:12I know
40:13this goes
40:13he doesn't make him wait
40:15you instead drive slowly and we'll call Livio's mom
40:20Hi dad
40:21Hi love
40:21ah the rose my aunt
40:23I will do it
40:36Bravo
40:36now you're ready to get to work
40:39let's go
40:59let's go
41:00away
41:28pia
41:34ready?
41:36ready?
41:37Renzo
41:37have you arrived?
41:39Everything OK?
41:42no, I'm still at work
41:46yes, calm down
41:50okay come on we'll talk tomorrow
41:53Hi love
41:56that it would have gone strong
41:57that it would go strong, that he had also seen it very well in the battery
42:00so at this point
42:02oh my god, I'm really tired today
42:04I put on my pajamas and go to bed
42:06no it's here you've been working all day
42:08why don't you go for a walk with Claudia?
42:11does your tiredness go away?
42:14okay, maybe I'll go for a walk
42:16but I'll be back at 10
42:17All right
42:18HI
42:20have fun
42:36we'll do something afterwards
42:37All right
43:11Pia?
43:17Pia?
43:22Pia?
43:29Yes.
43:31Oh yes you.
43:33Isn't Pia at home either?
43:37And maybe friends know something.
43:40Okay, see you in five minutes in the square.
43:44Okay, bye.
44:02Police?
44:04My daughter and her boyfriend didn't come home.
44:10How many hours does he have to wait?
44:14Look, two boys can't find each other.
44:16And they're not two people who stay out late at night.
44:18Isn't that enough for you?
44:23What assholes.
44:39At that time?
44:40Did something happen?
44:42Am I sure?
44:44Claudio is always on time.
44:46They don't know anything?
44:47No, they didn't see them at all.
44:49They didn't actually pass through here.
44:52Maybe it's weird, go for a walk somewhere else.
44:54And where?
44:55Do you know?
44:56I don't dislike it.
45:02Maybe they just messed up the car.
45:05They've hit the jackpot.
45:06I'd say we go looking for them with the cars.
45:08We split up and search for the defeated surroundings.
45:10There's no point in staying here anyway.
45:13Thank you.
45:15Calm down, calm down.
45:17I called the parabinieri.
45:18They said to wait a bit.
45:20It's still early.
45:21Luigi, something happened.
45:23Hate.
45:25Hate.
45:26Hate.
45:31Hate.
46:02Hate.
46:46Hate.
46:48Hate.
46:49Hate.
46:57Go!
47:50Go!
47:51Ready!
47:52I think!
47:53So, what's going on?
47:55The Pia.
47:57She didn't come home, she went out with Claudio.
48:00But it's 5 o'clock.
48:01Why didn't you call me before?
48:03I didn't mean to worry you.
48:06Did you call the Stefanaccis?
48:07Yes.
48:08The police?
48:09Yes.
48:11Wait.
48:13I feel like a machine.
48:14Wait.
48:16Yes.
48:24Windy!
48:30Mrs. Rontini?
48:32Yes.
48:35His daughter.
48:37What happened?
48:45No.
48:47No.
48:49No.
48:52No!
48:54No!
48:55My!
48:56Yes.
49:00My!
49:06No!
49:09No!
49:11No!
49:12No!
49:13No!
49:14No!
49:14No!
49:15No!
49:15No.
49:17No!
49:18Oh, no!
49:31Thank you all.
49:57Thank you all.
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