- 18 hours ago
First broadcast 2nd May 1987.
Visiting Amsterdam for a few days break, Fred recognised Sara, an old school chum.
Leslie Ash - Fred
Jeffrey Chiswick - Jeff
Shaun Scott - Colin
Claire Toeman - Sara
Earl Tobias - Transvestite
Dave Lynn - Drag Act (as David Lynn)
Richard Walker - Customs Official
David Barrass - Customs Official
Jill Gascoine - Maggie
Don Warrington - Nigel
David Gooderson - Evans
Leon Eagles - Rawlings
Roland Curram - Jeffries
Christopher Timothy - Voice on Commercial
Gavin Richards - Maitland
Tracy-Louise Ward - Tessa
Allan Corduner - Morrish
Don McKillop - Chief Inspector
Richenda Carey - Mrs. Granger
Geoffrey Bateman - Scott
Visiting Amsterdam for a few days break, Fred recognised Sara, an old school chum.
Leslie Ash - Fred
Jeffrey Chiswick - Jeff
Shaun Scott - Colin
Claire Toeman - Sara
Earl Tobias - Transvestite
Dave Lynn - Drag Act (as David Lynn)
Richard Walker - Customs Official
David Barrass - Customs Official
Jill Gascoine - Maggie
Don Warrington - Nigel
David Gooderson - Evans
Leon Eagles - Rawlings
Roland Curram - Jeffries
Christopher Timothy - Voice on Commercial
Gavin Richards - Maitland
Tracy-Louise Ward - Tessa
Allan Corduner - Morrish
Don McKillop - Chief Inspector
Richenda Carey - Mrs. Granger
Geoffrey Bateman - Scott
Category
📺
TVTranscript
00:00To be continued...
00:39To be continued...
01:23Yes, get her to hold the cheese up a bit.
01:25That's lovely.
01:25Keep the smile, love.
01:26Yes.
01:27That's lovely.
01:28Okay.
01:28Right.
01:29Turnover.
01:29Running.
01:30Mark it.
01:31And action.
01:37Sarah!
01:39Sarah Fields!
01:40Fred!
01:41Oh, this is amazing!
01:43What are you doing in Amsterdam?
01:44I'm keeping fit and a couple of days off.
01:47So you got into the film business then?
01:49What, with this lot?
01:49You've got to be joking!
01:51What are you doing?
01:52Cheese commercials!
01:54Well, even Steven's film will get to start somewhere.
01:56Right, Sarah, is there any chance of us getting back to work?
01:59Okay.
02:05Where can I find you?
02:06It's a club called Madame Trevor's.
02:08Nine o'clock.
02:09See you later.
02:10Dad!
02:12Bye.
02:14Bye!
02:14Bye!
02:17Bye!
02:25Bye!
02:41I don't know what you're going to do, but that's a wonderful place.
02:45He's on a high-notated list.
02:47And now the next one is a bit slower.
02:58It's the big time, is it?
02:59It's what the big time?
03:01Well, make your movies. Hollywood, next star.
03:03Yeah, job set, the more like.
03:04It's good you know you're very photogenic.
03:06Is that good or bad?
03:08Ever considered a career in the movies?
03:09Oh, gee willaker, Mr Hitchfuck. You mean you want to make me a star?
03:13He wants to make you. Forget the rest.
03:16Well, look, don't decide now. We'll talk later.
03:20So what do you do with this lot?
03:22I'm called a PA.
03:23Amongst other things.
03:24A PA stands for Production Assistant.
03:27She doesn't produce, she doesn't assist, but she has got a gorgeous bum.
03:32Real drama, this one.
03:34Don't mind Colin.
03:35He just thinks all women should be pregnant barefoot and in the kitchen.
03:38No, no, no. Listen, listen.
03:39I don't care if you wear shoes. Excuse me.
03:42Just a minute.
03:43I wonder if she knows you in the movies.
03:48It's a riot.
03:50It could have been a qualified megalomania.
03:52I only failed the written test.
03:53Sounds fun.
03:55Megalomania?
03:55They're being a PA with a film crew.
03:57It's funny, ain't? I'm just a gopher.
03:59Well, if you're a gopher, then I'm a bitter.
04:02These conversations get a bit too intellectual for me.
04:04Excuse me.
04:09So, tell us what you love love.
04:10Oh, off and on to call in a frame.
04:12Did I have someone?
04:15Did?
04:17He was great.
04:18Except for nothing.
04:20He had a terrible memory.
04:22Has he?
04:23It took him three months to remember he had a wife.
04:27It's really great to see you again, Frank.
04:29Same here.
04:30When are you leaving?
04:31Tomorrow afternoon.
04:33So are we.
04:34We can go back together.
04:34Oh, great.
04:35Are you working tomorrow morning?
04:36Yeah, but we can meet up at the check-in.
04:38But definitely, right?
04:39We can't wait until you're open.
04:42What's the joke?
04:44Forget it.
04:45Oh, come on.
04:45Tell me.
04:46What is it?
04:48Says it'll be Demil there.
04:50What about him?
04:51Don't wait up for me, girls.
04:55I hope he doesn't take her home tonight.
04:57Or if he does, I hope he's got a sense of humour.
05:00It's a fella.
05:02What?
05:11I really have missed you.
05:35Hey, I asked him if he had a good time last night.
05:39Did you?
05:40Been in a funny mood all day.
05:42Can't think why.
05:43I mean, he always said he wanted a girl who had everything.
05:47Flight's been cold.
05:56Look, I've got your address and phone number, and you've got mine, so you'd better phone
06:00me, all right?
06:01Yeah, I'm not going to do all the work.
06:02You've got to phone me as well.
06:03I'm going to phone you.
06:04I'm going to phone you.
06:04I'll do it.
06:06Excuse me, miss.
06:07Let's see your bag.
06:11My turn for the spot check.
06:13You better go on.
06:14I won't be a sec.
06:14No, I'm in no hurry.
06:19Oh, it's nice.
06:21Just my luck for Mr. Wonderful to pass by right now and see all this lot.
06:28Hey, what are you doing?
06:33Explain what this is.
06:34I've never seen it before in my life.
06:47What is unreasonable about trying to help her?
06:50Firstly, the matter is one for the police and not for us.
06:54I don't know what we could do anyway.
06:56Well, we could try and find out who planted the stuff on her.
06:59Secondly.
07:00What?
07:01Well, you said firstly.
07:03What's second?
07:03Secondly, how do you know she didn't do it?
07:07I've known Sarah since I was 11.
07:10The very idea of her peddling drugs.
07:13Well, I mean, it's ridiculous.
07:14Fred, how long is it since you've seen her?
07:16What?
07:18I don't know.
07:19A few years, maybe.
07:21People change.
07:22What's that?
07:23The thought for today.
07:25People change.
07:26I think we've said all we can on this.
07:28Well, I haven't.
07:29Then say it elsewhere.
07:40I want to take two weeks' leave, starting now.
07:44Does that mean what I think it means?
07:45I've got it coming to me.
07:46It's overdue, sir.
07:48I have no objections if Mrs. Forbes doesn't.
07:53No, but...
07:53Thank you, ma'am.
07:59I've got it coming to you.
08:03Fred!
08:06What the hell do you think you're doing?
08:08It's called trying to help a friend.
08:12Don't you dare behave like that again in front of Nigel or in front of me!
08:20I'm sorry.
08:30People who deal in heroin are heavy stuff.
08:34This job isn't exactly danger-free.
08:37Fred, this job won't cover you.
08:39If anything goes wrong, you're on your own.
08:41No weapons, no badge, no backup.
08:44Okay!
08:44That is not okay!
08:46You haven't calculated the risks involved.
08:49That is rule number one in our job.
08:51It's the first thing we're taught.
08:53You're going into God knows what, swinging both arms.
08:56You're angry.
08:57You're emotional.
08:58If I tried, I couldn't think of a worse way to begin.
09:02Tessa said something that made sense.
09:04People change.
09:06Think about it!
09:33I brought you some things.
09:42Fred, what's happening to me?
09:45It's all right.
09:46I'm going to help you.
09:49Sarah, there's something I've got to know.
09:53Have you any idea who set you up?
09:58No.
10:00Your bag.
10:02I bet it ages.
10:03It had a false bottom in it.
10:05Yeah, well, I didn't know that.
10:07I swear I didn't.
10:08Where did you buy it?
10:10I don't know.
10:11I can't remember.
10:12Oh, God, it's no use.
10:15I'm never going to prove I didn't know the stuff was there.
10:20Shh.
10:22So close, Sarah.
10:25We'll find out who's behind this.
10:47I'm sorry, sir, but she can't come in.
10:50Oh?
10:51Why not?
10:52Well, sir, I mean, she's a lady.
10:54Every inch.
10:56What I meant was, ladies aren't permitted to enter the club at this time of day.
11:00Oh, I see.
11:01I'm just waiting to see the commissioner.
11:02Nigel.
11:03Good morning, Arthur.
11:05This is Mrs. Forbes.
11:07I have heard of you, Mrs. Forbes.
11:09How do you do, Commissioner?
11:10I'm afraid we'll have to have our meeting on the pavement.
11:14Why?
11:14Apparently, these elegant pillars will crumble around our ears if ladies are allowed in.
11:20It's in the rules.
11:22I'm sorry, sir.
11:25Meet Evans.
11:26Known to everyone as Jobsworth.
11:28Jobsworth?
11:31Erm.
11:34Couldn't you let Mrs. Forbes come in for just a few minutes, Evans?
11:37No, sir.
11:38And why not, Evans?
11:39It's more than my Jobsworth, sir.
11:42Thank you, Evans.
11:42You never let me down.
11:44The pavement it is, Nigel.
11:57Nigel tells me, Mrs. Forbes, that one of your operatives has gone unofficial.
12:01Yes, Commissioner.
12:03Is she good?
12:04Very.
12:05It's my patch, you know.
12:06Not yours.
12:08Drugs.
12:09She knows she has no cover.
12:12I've spoken to a couple of people.
12:14Scotland Yard has no objection to your continuing this line of inquiry, as long as we're kept
12:19informed.
12:20Thank you, Arthur.
12:21Does that imply that you think the girl Sarah Fields didn't know she was carrying heroin?
12:27Pursue the inquiry, Mrs. Forbes.
12:29And keep us informed.
12:31Thank you, Commissioner.
12:33I, erm, was turned down by this place once.
12:36A lucky escape.
12:37Half the members have been trying to resign for years.
12:40But you can't.
12:41It's not allowed.
12:51What name?
12:52Smith.
12:53Miss Smith?
12:53Yeah.
12:54There's reception.
12:55Just around the corner.
12:56Cheers.
12:56Mate.
13:32right turn over
13:38hi how's it going hi all right
13:42still can't believe it about sarah you know no nor can i said on the phone you've seen her yeah
13:47how is she well how would you feel why do you want a job well it's a job sarah's loss
13:54is your
13:54gain right don't you sound like a vulture well something's got to do it why are you though
14:00many girls here who kill to get a job with her crew well i'm not about to kill anyone but
14:05i
14:05thought we got on well when we met the other day or did i read it wrong oh no you
14:10didn't read
14:10anything wrong you got the job great thanks wait till you see what you've got to do take that barns
14:15lift that bale when do i start
14:19three white two black
14:24one with sugar
14:32all this
14:33only
14:35this week
14:36and every week
14:47how many angels can dance on the head of a pit
14:49what color pajamas does gary's little way
14:51there are prizes to be won every day in the planet
14:53your favorite newspaper win two weeks on the cost of bravo with your nearest and dearest
14:57lapping up the sand the sand and the sangria
15:00win tickets for shirley bass's big big concert at the album
15:03come on girls you've got to speed it up
15:05drag it out like this to be overlapped in the next sequence
15:08now listen please
15:10and count how many seconds you have to be beach bugs
15:15two weeks on the cost of bravo lapping up the sand the sea and sangria
15:19with your nearest and dearest
15:21right that's four seconds for that ball to go back and forth at least three times
15:28all right let's do it again from the top
15:32how did amsterdam go
15:33haven't you heard
15:35heard what
15:35about Sarah
15:36i just got back from new york last night
15:38she was arrested at customs
15:39what
15:40i found a pound of heroin in the bag
15:43are you serious
15:44oh fred meet richard make them this is our box
15:51just found out about Sarah
15:53used to share pajamas for a bit
15:56right girls
15:57put us in the air
16:05ah richard
16:09good of you to see me
16:10you're looking good charles
16:11yes i know
16:13do you have anything to tell me
16:15yes
16:16i'm not on the bad news mode at present richard
16:19bad news plunges me into black despair
16:21our problem has been taken care of
16:27trust me charles
16:30i've always trusted you richard
16:33the secret of your considerable success is that you inspire trust
16:38like old talented confidence tricksters
16:42richard
16:43no more Sarah's
16:57have i got a spanner up yet
17:01what are you doing here
17:03who do you have to kiss to get into movies
17:05well well the whole gang's here
17:07how's it going
17:08i'm not kidding
17:08i've really had to work
17:10lugging around wardrobe skips
17:12hanging up smelly costumes
17:13i've made about 50 cups of coffee
17:15lost count of the teas
17:16we tried the two week holiday routine on nigel
17:19it worked
17:19you've got backup if you need it
17:20thanks
17:21and uh
17:23be careful
17:23no john waynes
17:24she must have been a really good friend Sarah
17:27she still is
17:42she still has been a really good friend
17:45she still has been a really good friend
17:48she still has been a really good friend
17:48she still has been a really good friend
17:49she still has been a really good friend
17:49she still has been a really good friend
17:49she still has been a really good friend
17:50she still has been a really good friend
17:54and she still has been a really good friend
18:11What are you doing in my office?
18:13I've got this.
18:14Wait a sec.
18:15You're the new PA, aren't you?
18:17Yes.
18:18Colin asked me if you could sign for some hire equipment.
18:21You don't come into my office when I'm not here.
18:24Okay.
18:25Sorry.
18:56The capital a boy wonder had made from one to the other until it became impossible to trace.
19:01Unless, of course, one knew of his liking for banks set in warmer climes, like the Seychelles and Cayman Islands.
19:09Hugh, you're not telling me he's dishonest.
19:11Dishonesty is a relative term, Maggie.
19:13We financial hacks use more precise words.
19:17Such as?
19:17Flexible, financially creative, imaginative.
19:23Until he gets caught with his hand in the till.
19:26Then we say his power base was insecure.
19:34Maitland's never been charged with anything, has he?
19:36Nope.
19:37Is he clever or lucky?
19:38Oh, a bit of both.
19:40If he's guilty of anything, it's fraud.
19:41And the police hate fraud.
19:44So do the courts.
19:45The juries don't understand the evidence.
19:47The judge doesn't want to sit three months on a case.
19:50Well, any frauds, the worth is salt.
19:51Make sure that there are sacks of documents ready when the law pounces.
19:55And most of them in Arabic or Czech.
19:57Has he ever been involved in drugs, then?
20:00Taking or selling.
20:01Neither.
20:04I don't move in his circle, but I've never heard of anything.
20:11Hugh, you're eating the bird food.
20:13Come on.
20:15I owe you a bit concerned.
20:27Let's see.
20:27Get to the briser?
20:29My God, women are bold these days.
20:31Whatever happened at the time when men did the chasing?
20:33Well, swift half-pint is hardly a proposal of marriage.
20:36All right.
20:37Don't get him home too late.
20:38He's got to wash his hair on a Thursday.
20:40Ignore this man, my love.
20:48Cheers.
20:51So what do you think about this business for Sarah?
20:53Terrible.
20:54I think it was planted on her.
20:55What, carrying through customs?
20:57Yeah.
20:57So there's only one thing wrong with that.
20:59The stuff wasn't stuffed in her pocket, was it?
21:01It was found hidden in the lining of her own bag.
21:03You said something about her and Maitland.
21:06Richard called me Dick Maitland.
21:08Well, he's out to lay anything that's female and moves.
21:11Do you think Sarah was in love with Maitland?
21:13She was ambitious.
21:15See, with some women, it's difficult to tell whether they're in love
21:18or whether they're faking it to get further up the ladder.
21:22Have you been in love, Lainey?
21:23What's it to you?
21:25I'm sensitive.
21:26I have sensitive questions.
21:27I like you.
21:28Women who buy their rounds turn me up.
21:30Oh, I see.
21:31So it's my money you're after and not me.
21:33It is possible to like more than one thing to die.
21:36Haven't you got to get home and wash your hair or something?
21:38You haven't answered my sensitive question.
21:40No.
21:41I haven't, ever.
21:50I say.
21:51Yes.
21:51Can I help?
21:52No.
21:53Sarah Fields, perhaps.
21:55The cat is on the first floor.
21:56Oh, yes.
21:56Only she's away just now.
21:58Yes, I know.
21:59Are you a friend of hers?
22:00Um, a friend of a friend.
22:02Oh, you don't know when she'll be back, do you?
22:05Only, you see, I'm looking after her cat.
22:07And I've got to go to the country this weekend.
22:09She said she'd only be away three days.
22:12She's been detained.
22:13Detained?
22:15Delayed.
22:15Look, I'll be getting in touch with her.
22:17Um, I'll ask her about the cat.
22:20I suppose I could take it in the basket, but it hates being shut in.
22:24Yes.
22:24Yes, they do.
23:24That's all just come back from Amsterdam and their truck around the corner.
23:27You'll find them on the second sheet.
23:28Let's check it in.
23:41Okay.
23:47Yep.
24:08You ever been to Sarah's flat before?
24:10No.
24:17Well, it could be all on HP.
24:20She's either got a rich uncle or has PAs earned more than I thought they did.
24:24Well, there's not many rich uncles in Bermondsey, and I can tell you they're going right for a gopher.
24:33Hi.
24:40How's it going?
24:42How's it going?
24:46There's something you're not telling me, Sarah.
24:47What?
24:51I know you were involved with Richard Maitland.
25:01The stuff in your flat.
25:04Did he buy it for you?
25:06Yeah.
25:09Why?
25:15Um...
25:16Because he was, uh...
25:20Because he was generous?
25:21Yeah.
25:23Is that so hard to believe?
25:26How long did it last?
25:28Look, Fred.
25:29Just forget the whole thing, okay?
25:31I don't want you snooping around.
25:32I am trying to help you, sir.
25:33Yeah, well, you're not.
25:35So just get off my back, okay?
25:36I don't want you to come here again.
25:40Looks like the girl is involved.
25:41But who's she working for?
25:43Maggie.
25:46You found out a thing or two about Maitland?
25:48Nothing to say that he's first division in drugs.
25:50I mean, he's more likely to be into pyramid selling,
25:54cowboy development, city fraud.
25:56The only other candidate, then, is Charles Jeffries.
26:00The owner of Selwood Studios.
26:02Stacks of money from solid sources.
26:04Insurance, oil, property, all very legit.
26:08But he has some eccentricities.
26:11One is, he likes to patronise ambitious and, uh...
26:15Incidentally, attractive young men
26:18in the enterprise of their choice
26:20then apply for his reward.
26:23Look.
26:24I'm getting very nervous about Fred.
26:28She's getting in too deep.
26:30Stick close to her.
26:32At the first sign of trouble, pull her out.
26:46The two turn.
26:58Let me pin the pot over.
26:59Ah, I'm getting married.
27:11Hello my mother.
27:12Ok.
27:14markets
27:23I don't know.
27:53I don't know.
28:22I don't know.
28:23I don't know.
28:56Okay, you take over, Tessa.
28:58I'm going to head back.
29:23Maggie, I think he's heading back to the studio.
29:26Did he make a stop?
29:27No.
29:28What do you think?
29:29I think he knows I'm here.
29:31I think he knew Fred was, too.
29:32She must be slipping.
29:36Unless she wanted him to see her.
29:38Fred deliberately blew her cover.
29:39Well, it's one way to get them to show their hand.
29:42Right, now, you sit on Steve's knee.
29:44Right.
29:44That's it.
29:45Yes, put your hand underneath Steve's knee.
29:47That's it.
29:48That's nice.
29:48Now, I want to see you now.
29:52Excuse me.
29:54There he is.
29:57There he is.
30:01Well, go, I see.
30:03Yeah.
30:04Maitland just rushed in and colored von Strahan.
30:06It's got him over there.
30:10You hired her, for God's sake.
30:11She was a friend of Sarah's.
30:12She's wonderful.
30:13What's wrong with that?
30:14You tell me.
30:15Well, why should there be anything wrong?
30:16She's bright.
30:17She's a good worker.
30:17Do you know where she is at this moment?
30:19She's on a lunch break.
30:20She left the studio in her car.
30:22Sir?
30:22She was following somebody.
30:24Who?
30:25Never mind.
30:25She was seen.
30:26Hold on, Richard.
30:27Hold on.
30:28Just calm down.
30:29What do you mean she was following someone if she was?
30:31Why are you getting so worked up about it?
30:33Colin, you've done all right in this outfit.
30:36You're getting exposure.
30:37People like your work.
30:38They ask for you.
30:38Play your cards right.
30:39You could go top league.
30:40Four, five grand a day, maybe.
30:42But this kind of business, it's high risk.
30:44High risk means shaving off a few corners.
30:46You know what I mean?
30:47Some creative accounting here and there.
30:49Cross-collateralization, offshore tax shelters.
30:52Buzzwords, Colin.
30:53They mean funny money.
30:54You know it goes on, and so do I.
30:57Run filmmaking like selling jam.
30:58We'd all be on welfare.
30:59And bring Fred into this fascinating story.
31:02Sure.
31:03Your new PA is a snooper.
31:05I've already caught her sneaking around in my office.
31:07Now somebody's spotted her following one of my staff.
31:09She could be in an rev, Colin.
31:11That fraud squad could be.
31:13If she isn't, she scores.
31:14It's bye-bye five grand a day, Colin.
31:17Get rid of her.
31:24If the Amsterdam drug route is involved,
31:26then get her out of there.
31:28She may refuse.
31:31Refuse?
31:32She's working them up into making a move.
31:34She isn't going to quit now.
31:36Mrs. Forbes, you are her immediate superior.
31:39You have had 20 years of exercising authority.
31:42Are you now telling me that you are incapable of controlling your operatives?
31:45I have no control over my operatives when they're on leave.
31:48Maggie!
31:49The girl is blown.
31:51She is in great peril.
31:56Do something.
32:00I'm asking you to come in.
32:02Not yet.
32:04Fred, your cover's blown.
32:06Sarah didn't know she was bringing in the heroine.
32:08They bring it in through the equipment.
32:11Someone set her up because she knew something.
32:14Maggie, please.
32:16Not yet.
32:17I'm almost there.
32:19I know I can prove she's innocent.
32:21I know I can.
32:22I just can't quite yet.
32:24How do you think I would feel knowing that she didn't do it?
32:28Fred, for God's sake, be very careful.
32:32I will.
32:45How did she get on to Scotland?
32:47I don't know.
32:48What are you going to do about it?
32:50Do you mind if I'm Frank?
32:51Who?
32:52Charles, I'm tired of being a carrier pigeon.
32:55Dear.
32:56I'm going to have to find another way to bring the stuff in.
32:58The present system is so perfect.
33:00You take all the risk and I take all the profit.
33:04Joke.
33:11I've never understood why you want to risk your neck dealing.
33:15You've made your pile in kosher ways.
33:18No funny business.
33:19Why bother with drugs?
33:21A rich man must have a tax-free enterprise to keep him steady.
33:25Besides, it's always pleasant to have more.
33:29More.
33:31All this palaver is merely so you can get a bit more.
33:36What does money mean to you, Richard?
33:39Bigger house, bigger car, nicer holidays.
33:44When you've got the biggest of everything,
33:46the only thing that's left is to make more money.
33:50I have my lawyer disband the company
33:52and arrange for you to pay back the initial investment.
33:54Without interest.
33:56Of course.
33:57We are still friends.
33:58I wouldn't want to make it hard for you.
34:00Just pay back the seed money and we'll call it quits.
34:19Fred, wonderful news.
34:20You mean I passed my screen test?
34:21Tonight, I'm not washing my hair.
34:23What do you mean?
34:24I'm available.
34:25Well, I might have a date.
34:26Break it.
34:27You're a bit confident, aren't you?
34:28Yes.
34:29Women like it in a man.
34:31Bold gaze, firm handshake, that sort of stuff.
34:33The world does seem full of single wimps these days.
34:36Get in the car, kid.
34:38I'm going to put diamonds on your teeth.
34:45Yes, that's lovely.
34:48Relax.
34:49What?
34:49What happened to Clint Eastwood?
34:51I'm always nervous with beautiful women.
34:53I like your style.
34:54Carry on.
34:55No, no, that's enough.
34:56Flattery makes for conceit.
34:57No chance.
34:58I don't believe a word.
34:59Better believe what's coming next, kid.
35:01What?
35:02You're fired.
35:05What?
35:06Sorry.
35:06Well, I like a man who's full of surprises, but that's a bit over the top.
35:10You've not been straight with me, love.
35:12In what way?
35:13Why you wanted Sarah's job.
35:15Because it was a job, you said.
35:17Wrong.
35:18Look.
35:20Sarah was set up.
35:21I thought it might be someone at the studio.
35:24And is it?
35:24I don't know yet.
35:25Is that why you've been following people about?
35:27You want Sarah back.
35:28Yes, I do.
35:29But not if it interferes with you earning five grand a day.
35:33You have been busy.
35:37Listen.
35:38There's something going down at the studios.
35:40Something heavy.
35:41I don't know what it is.
35:42Are you sure you don't?
35:43No, I don't.
35:44But Sarah got mixed up in it.
35:46And someone shopped her.
35:48It's bad news back there, love.
35:50And I don't want you going the same way.
35:51And you could easy.
35:52So you get your cards.
35:56I'm only doing this because I like you a lot.
36:01I mean, I could get very fond of you.
36:05Yeah.
36:08Well, it's a pity that I never got the chance to feel the same way about you.
36:12Don't go back to the studios, Fred.
36:13I've left my car there.
36:21That's cold.
36:22That's it.
36:22Can we get the positions?
36:24That's it.
36:25Down a bit.
36:26Lovely.
36:27Wake up.
36:28It needs to be something like it.
36:30On the side.
36:30That's all right, Jeff.
36:31Another HMI, Dick.
36:33Feed it on the spider.
36:40All right.
36:40What's more?
36:40That's it.
36:44Hi.
36:45Give me a Charlie bar and a 2K.
36:47I thought I told you to stay away from here.
36:48Just working my time.
36:50Fred.
37:00Hello.
37:02Hi.
37:02How are you going on?
37:04Good.
37:05Good.
37:06You like it here?
37:07Yeah.
37:08Come into the office.
37:10Let's have a chat.
37:11All right.
37:12All right.
37:13All right.
37:18All right.
37:22All right.
37:24All right.
37:29My name is Mrs. Forbes.
37:33Your friend, Fred, works for me.
37:36Right now, she's out trying to prove your innocence.
37:40It is possible that her life is in danger.
37:47Right, young woman.
37:49I want some answers.
37:53Now.
37:58Makes a change.
38:00From what?
38:01It's normally me that makes the coffee.
38:02Oh, yeah.
38:03Oh, yeah.
38:03That's how they all started out, right?
38:05Alfred Hitchcock started out sweeping floors.
38:08Did he?
38:08Yeah.
38:10At the old, uh, Gaumont Studios.
38:12Excuse me.
38:14Hello?
38:15Ah, hello.
38:16Franz.
38:16How are you, my dear?
38:18Yes, I'm well.
38:19Yes?
38:20By tonight?
38:21No, no.
38:22I couldn't possibly make it.
38:25Just a thought.
38:26Hold on, Franz.
38:27Fancy a quick trip to Amsterdam?
38:29Yeah, fine.
38:30When?
38:30I need a courier, like an hour ago.
38:32Pick up a briefcase.
38:34Contracts.
38:34Confidential stuff.
38:35I need to get my passport.
38:37Well, I'll run you to the airport.
38:39Pick it up on the way.
38:40I've got my car outside.
38:41It's a hassle.
38:42I'll take you.
38:43It's all settled.
38:44I'm sending you a courier.
38:45Don't delay her.
38:47Yes, she is.
38:49Very.
38:50Danke.
38:54Make a good job of this.
38:55I'll take you off the coffee round.
38:57Thank you very much.
38:59Departure of client 265 to Amsterdam.
39:03Passenger ship proceeds to gate 21 immediately.
39:26Have you seen Fred?
39:27No, not for a bit.
39:32What's up?
39:34Nothing.
39:34No.
39:44Where's my PA?
39:45How should I know?
39:46Gone home?
39:47Her car's still in the car park.
39:49She hasn't been seen since lunch.
39:50Well, I haven't got her.
39:52Anything happens to her, Richard,
39:54and the crap will hit the fan.
39:58Oh, my God.
40:03Oh, my God.
40:13Oh, my God.
40:49A Miss F. Smith, Amsterdam, this morning.
40:52No, I don't know which airline.
40:53I want every manifest checked for all flights from all airports in southern England to Holland.
40:58No signing.
40:59God knows what possessed me to get involved in this.
41:02She would have done it anyway.
41:03She sent some redoubted her friends.
41:05You were wrong to?
41:06I believe her when she said she didn't know the stuff was in her bank.
41:08They must have been planted.
41:10Don't tell me it's going to take a long time.
41:11There is a life at risk.
41:41Let's go.
41:58The entry of the Gluganser Club number 391 in Düsseldorf, my name is Peter.
42:34Call Sandwood Studios.
42:36Somebody must have bought her flight ticket.
42:40Yes.
42:42Oh, it is, is it?
42:43Yeah, yeah, yeah, listen to it.
42:44I haven't got much time.
42:46I know how they're going to set me up.
42:54Right.
43:13Right.
43:13Now, now, now.
43:15Now, now, now.
43:17Now, now.
43:19Now, now, now.
43:22Oh, my God.
43:56Excuse me, madam.
43:58Yes?
44:00Would you mind opening your case, please?
44:02Sure.
44:12That's not my case.
44:13Come with us, please, madam.
44:15I can assure you that's not my case.
44:17I had some papers, business papers.
44:18That's not my case.
44:19I'm telling you, will you listen to me?
44:20It's not my case.
44:21Are you coming?
44:27Big bloke, same case.
44:29Beige mag.
44:33Thank you, boys.
44:35The British Airport Authority
44:37might have concluded
44:38the passengers of this club
44:40that can't be strictly prohibited
44:42except for sitting down the passengers.
44:45Any unattended sickness
44:47will be taken away.
45:02Excuse me, do you have any idea
45:03where I can get a taxi?
45:04I have no idea.
45:04I'm sorry to bother you.
45:06You're going to be right.
45:15I'm sorry, you're okay?
45:18I'm sorry, you're okay?
45:18I'm sorry.
45:18Yeah, you're okay?
45:19I'm sorry.
45:20You all right?
45:21You sure you're all right?
45:23You got it?
45:23Okay, okay, all right.
45:25Have a good day.
45:28Have a good day.
45:56Well...
46:00thank you John I'm glad to see that someone is competent it won't happen again Charles
46:05good boy since you intended to stand our partnership I don't suppose it will
46:09actually Charles I've been giving it some thought if it's all right with you I'd like
46:13to continue as we are
46:28can I help you search warrant open it help yourself oh please
46:55Harold no it's ridiculous
47:01that case isn't mine you know I've never seen it before in my life
47:06no it's his you see it has nothing to do with me
47:08no I'm not taking take them away
47:23can I tell your friend the good news
47:27why'd he give you the money Sarah why so much
47:31I found out that they were bringing in stuff hidden inside the equipment
47:36Maitland and Jeffries
47:37Colin didn't know anything about it
47:39no
47:40well why didn't you tell him why didn't you tell the police
47:44I've always wanted nice things
47:46yeah and blackmailing Maitland got them
47:50when he went back to his wife I wanted to kill him
47:55instead I thought what the hell why not make as much as you can out of that bastard
48:01maybe I got a bit too greedy for him
48:05whatever
48:10I'll never forget what you did Fred
48:14are we still friends
48:17I got into this because I persuaded my people you were straight
48:22Sarah pedal heroin I said don't be daft not my old mate Sarah
48:26she was set up I've known her for years
48:28that's what happened
48:30you let heroin get onto the streets
48:33because some bloke dumped you
48:35because you were greedy
48:38there are a few more teenage corpses laying in that mortuary
48:41because you wanted nice things
48:44oh Sarah
48:46still friends
48:48I don't think so
48:51Fred
48:53don't go please
49:02don't say it
49:05people change
49:34I don't think so
49:37I don't think so
50:34I don't think so
50:41I don't think so
50:42I don't think so
50:42I don't think so
50:42I don't think so
50:42I don't think so
50:43I don't think so
50:43I don't think so
50:44I don't think so
50:44I don't think so
50:45I don't think so
50:46I don't think so
50:47I don't think so
50:47I don't think so
50:47I don't think so
50:47I don't think so
50:49I don't think so
50:50You