8
2
- 1 day ago
Waiting for Bianca to arrive like a ticking time bomb
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TVTranscript
00:30But don't worry, take it one step at a time, really.
00:32If I want to do it the way I like it, I'll do it calmly.
00:35In fact, I'm going to look at paintings this afternoon.
00:37And I want to go to the Santa Águeda market to see a lamp that I liked.
00:41Will you come with me?
00:43You know I can't this afternoon.
00:45Oh, nothing, the arrival of Broussard, forgive me.
00:48I would love not to have to receive Messi at Broussard.
00:51But I can't afford to take the afternoon off.
00:53I know, don't worry.
00:56It's hard not to worry.
00:58And not only for that reason.
01:00What happened?
01:03My father has decided to sell the industrial business in order to make an offer that can compete with Floral's.
01:10Well.
01:12But hey, that's not a bad thing, is it?
01:14No, if Tassion had raised a huge fuss because my father hadn't consulted him before taking the medication...
01:20the decision.
01:21But seriously, what's wrong with this man?
01:23Isn't what he did to Carmen enough for him?
01:25I don't understand their position either.
01:27The worst part is that it puts Andrés and me in a very compromising situation.
01:31But committed to what? What is her aim?
01:34Because he wants us to pressure our father to change his mind.
01:37And the reality is that Andrés and I, well, selling the industrial company to save the perfumery didn't suit us
01:45It seems like such a bad idea.
01:46So, where's the problem?
01:49What's so sad about being at odds with a sibling?
01:52And even more so when I refused to sell the House of the Mountains in front of him.
01:57If only he knew.
02:01Good afternoon.
02:02Hi Claudia. What are you doing here?
02:04Can?
02:05Sure. Well, it's possible.
02:06Clear.
02:07How wonderful to see you here.
02:09Yeah.
02:10I've come to see my aunt Manuel for a little while.
02:13Well, I think I was in the dining room.
02:15I had some work to do.
02:17Well, since I've been busy, I'd like to ask you a question if you don't mind, Mrs. Marta.
02:23Clear.
02:25I don't know if you know whether Itasio has hired Paula here at the factory, the girl who used to work here.
02:30in the Big House.
02:32Paula, why would I do that? What a silly thing to do.
02:35Well, I don't know, I ran into them today in the courtyard of the neighborhood, on my way to the offices.
02:41Well, I don't know, maybe...
02:44Claudia, you might have made a mistake. It probably wouldn't be Paula.
02:47No no.
02:49I'm telling you, it was Paula.
02:50Manuela, whom I know very well. I've run into her here when I've come to visit my aunt Manuela.
02:54And why do you think he hired her?
02:58Well...
02:58Why else would they be in the courtyard of the colony?
03:01I say that if Itasio wanted to continue messing around with Paula, he wouldn't do it here in front of all of us.
03:07I don't understand how he can be so shameless.
03:10If that's the case, then he's certainly going to hear from me.
03:13I'd better pack my things and head to the factory.
03:26So that's it, right?
03:28Good afternoon, Mrs. Marta.
03:29Good afternoon.
03:31Can you explain what Paula is doing working here?
03:38Paula, can you eat your sandwich outside in the courtyard, please?
03:42Yes of course.
03:48I demand that you reverse course and fire her today.
03:53Well, I'm not going to do it, Marta.
03:55We need operators and we need temporary staff.
03:57Paula is free.
03:58So, regarding hiring, I don't need to consult with anyone.
04:01But do you realize how crazy that is?
04:04For God's sake, your wife left you because...
04:06because you hooked up with that girl.
04:08And now you're hiring her here?
04:10Paula is here to work, Marta.
04:13What do you think Carmen will say when she finds out?
04:15Because you know he's going to find out.
04:17Well, I don't know, maybe with a little luck he'll deign to speak to my wife again.
04:20Okay, listen to me.
04:22If you can't keep your instincts under control, at least be discreet.
04:27Don't force the rest of us to be uncomfortable witnesses to your conquest.
04:31Marta, I'm going to tell you something without bitterness, but from the heart.
04:35Fuck off.
04:38What's happening to you, Tassio?
04:40Look, Marta, why don't we stop deceiving ourselves?
04:42This mistrust that you and your family have towards me is not something that started today or yesterday.
04:45This has been going on for a while now, huh?
04:47Yeah, and how do you expect to gain the family's trust by sleeping with the family maid?
04:52Where did you live with your wife and then hire her here?
04:56And that's why you're going to judge me.
04:59Obviously, what on earth do you expect me to do?
05:00But because in this family, Marta, nobody has made any mistakes, right?
05:03I, who am the fruit of adultery, for the love of God, Marta.
05:06Look, my father hired me at this factory when I was very young, I worked there for many years
05:09And none of you knew a damn thing.
05:11Something I learned very well from my father, don't worry.
05:14You have forgiven him everything, everything.
05:15Or you continue to insist with the same spite and arrogance as you did with me.
05:19Asked.
05:19Marta, I made a mistake and I regret that mistake every day.
05:22But I don't intend to make another mistake and have Paula lose her job again because of me.
05:25Do you understand?
05:25Oh no. Absolutely not.
05:28Don't disguise your lack of tact as false generosity.
05:32Because hiring Paula here is disrespectful.
05:35Not only to Carmen, not only to all her colleagues.
05:38To all the people who know what has happened.
05:41But to Paula herself.
06:03Marta, are you okay?
06:05Well no.
06:06Impossible with my brother Tasio adding fuel to the fire, if that's even possible.
06:10But is it a personal or professional problem?
06:14Because if it's a family matter, the truth is I wouldn't like my queerness.
06:18Well, you see, Chloe, the thing is that my brother Tasio doesn't seem to distinguish between professional and personal matters.
06:26She hired a girl as an operator who used to be a...
06:31Well, a maid at home.
06:34Don't let him leave here.
06:37She was a maid with whom he had more than just a friendship.
06:40That's why, Carmen...
06:44Quite a statement of intent.
06:47It's shameful, to say the least.
06:49Thank you, it's good that someone else thinks it's shameful too.
06:53My father kicked her out of the house.
06:55And he hires her here.
06:59Let's see, Tasio certainly seems to me to be one of those men who doesn't hesitate to stumble twice.
07:03the same stone.
07:04Of course not.
07:05It is putting the family in a compromising situation.
07:09And I don't want to talk to you if Carmen comes.
07:11I certainly couldn't look her in the face.
07:14No, it certainly won't be easy.
07:16No, it won't be.
07:18I refuse to allow hiring based on these kinds of personal criteria.
07:23He will have to leave.
07:25Have you spoken to him?
07:27Yes, a moment ago.
07:28I admit that it has left me so bewildered that I haven't known how to stop it.
07:31But if he hasn't done it, I certainly will.
07:33Well, the truth is I don't know what to tell you.
07:35I'm certainly surprised that Tasio is so clumsy.
07:38Oh, well, it's Tasio.
07:43Thank you for letting me vent.
07:46I needed it, yes.
07:49Thank you.
07:51What a disaster.
07:54Chloe, what would you do if it were the factory?
07:59Well, the truth is I don't know.
08:02And it doesn't look good at all, to be honest.
08:06Why do you say that?
08:09Tell me about it.
08:10We have enough confidence, whether it's personal or professional.
08:18Gabriel didn't hesitate for a minute to inform Paris that I had jumped ship.
08:22to get on yours.
08:24And I'm afraid that this afternoon, as soon as I arrive, I'll sit down to pack; I'm going to be on my feet.
08:29in the street, Marta.
08:30Well, I'm very sorry, I know how much you've risked everything for our family.
08:35I only did what I thought was right.
08:40Well, Floral hasn't bought the factory yet.
08:44It's a matter of hours, Marta.
08:46Well, but in the time that remains, things might happen.
08:50And what? A miracle?
08:52Why not?
08:54Sometimes the unexpected happens.
08:57Well, I'm more of an accept-as-they-come kind of person.
09:03Like that song we used to listen to when we were together.
09:05La Ritpia, do you remember?
09:07I don't reject...
09:09I think it's the word I find most difficult to say in French.
09:12I don't regret anything, Marta.
09:16A great title.
09:19I'm going to take these reports to accounting.
09:22We may have ordered them.
09:40Have you spoken to your brother Tassio today?
09:42Uh, no.
09:43Since this morning.
09:44By?
09:44Ought.
09:46Just to see if you were aware of his latest stunt.
09:50What happened?
09:52That he has hired Paula.
09:54To Paula.
09:55As an operator here in the factory.
09:58Oh.
10:00What do you mean, go?
10:01He has his lover working here with us.
10:03I have told him of course that it is inappropriate.
10:05And he has flatly refused to fire her.
10:08Marten...
10:09No, what does he think?
10:10Why does Father now want to sell the factory without consulting him?
10:13Can he behave like a child in all other matters?
10:16I don't think it was for that reason.
10:18Do you think what he did was right?
10:21Of course not.
10:23The thing is, I was aware that he wanted to hire her.
10:26You're not serious.
10:29Listen to me.
10:30Tassio asked me for support to take that step, but I...
10:33I didn't expect Lucía to do it on her own without giving explanations to anyone.
10:36Are you telling me that you just gave him your support like that?
10:40He explained the reasons to me, Marta.
10:42No, I don't want to hear the details.
10:44Marta, it's not what you're thinking.
10:45Unsure.
10:46Definitely not.
10:47Martha, for God's sake.
10:48I completely forgive the stupidity of sleeping with that girl.
10:52But not even Tassio forgives her.
10:55Apparently, that woman was having a hard time.
10:58He was asleep in the street, suffering hardships.
11:00And all because we kicked her out of the house.
11:02What were we going to do?
11:03Give him a raise for his good work?
11:05Oh my God.
11:06I know, but don't you think we bear a little responsibility in all this?
11:09The family?
11:11Yeah.
11:14The young master uses the maid.
11:16And we kicked her out of the house and that was that.
11:21And we continued with our lives as if nothing had happened.
11:24It's ugly, yes.
11:26But that doesn't mean we couldn't have dealt with the problem with a little more benevolence.
11:29And especially with the weakest link, which is Paula.
11:34I don't think there's anything between them, Marta.
11:37I think Tassio wants to make amends for the mistake he made with Paula.
11:40That is to ruin his life.
11:44Marta, please.
11:45If there was still something between them, I wouldn't have shared it with anyone.
11:48I don't know what to think.
11:51Tassio certainly hasn't done things right.
11:54No.
11:56But we gave that girl a chance and...
11:58And while we're at it, a vote of confidence in our brother.
12:01I don't know if he deserves it.
12:04But Paula isn't fair either.
12:06She shouldn't have to pay for the duck in the street.
12:08No.
12:10All this industrial stuff...
12:12It's been very hard for him.
12:15He needs to feel supported and backed up.
12:18And we trust him.
12:19Okay, let him stay.
12:21Let the girl stay.
12:23Only until I find a job.
12:25A job outside the factory.