00:00It has been a hard blow for the family.
00:02Your cousin's dealings know no bounds.
00:04The worst part is that Broussard continues to trust him despite having led the company to the
00:08ruin.
00:10I understand why you're so worried, Marta.
00:13The family business is in the hands of Floral.
00:17It's a disgrace.
00:19Don't worry, if I could get through this, you can too. You'll see.
00:25I suppose everything will pass.
00:27That people will recover.
00:30My father, my father is what distresses me.
00:34I don't want them to go under. She has expressed her great enthusiasm for re-establishing the Queen's Perfumeries.
00:38Your father hasn't given up, because he is very strong and he will recover just like you.
00:43You'll see.
00:46You have no idea how much confidence I gain from listening to you.
00:49Having you here with me changes everything.
00:53It's the most important thing for me.
00:56Me too.
01:00I just want to be with my wife.
01:02Being able to be together.
01:05By the way, that apartment you were looking at, have you closed the deal yet?
01:09Almost.
01:10It's a perfect apartment, really.
01:13Why do you ask?
01:15Because I wanted to propose something to you.
01:17That?
01:19I know someone who has a small, discreet house.
01:22Oh, to rent?
01:25Yeah.
01:25And where is it?
01:26Well, on the outskirts of Toledo.
01:31Look, I called yesterday and if you liked it I would rent it to us.
01:36But you called without consulting me first.
01:39Because I wanted to know if it was still available.
01:41The final decision is yours, obviously.
01:43I'm not going to do anything without consulting you.
01:45And what's the house like?
01:46Because I had already made up my mind to rent something small and centrally located.
01:49The house is cute.
01:51It's on the outskirts, somewhat smaller than ours in the mountains.
01:55With a patio, easy-to-maintain planters, and a covered carport.
01:59And Marta, but I don't have a car.
02:01But I do.
02:02When I come to visit you, I can drive in and it will all be more discreet.
02:07I haven't told you the best part.
02:09It has a basement.
02:11That's where you could put the darkroom.
02:13It's great.
02:16No, Marta.
02:17From what you're telling me, it's a much more expensive house than the one I found.
02:20And I need something I can afford.
02:23Stop worrying about it.
02:25You know I could pay for it.
02:27I know it's not what you had planned.
02:29But hey, take a look before you decide.
02:34No, I'll look into it.
02:36Good.
02:37I'll give you the address.
02:40Perhaps you can go this afternoon.
02:55Does he really want to compete with the floral offerings?
02:59Yes, I don't know why everyone finds it so surprising.
03:03I know what it means to you to lose the perfume bottle.
03:06But I seriously doubt we're in a position to improve on the offer they've made.
03:10Of course, if you give up at the first hurdle, you're not going to succeed.
03:13That's clear, but...
03:14Well, don't be upset with me.
03:16I'm just trying to be reasonable.
03:19Okay.
03:22Sorry for the interruption.
03:24It's okay, son.
03:25What's happening?
03:26Father, I just ran into Chloe at the factory and she told me I was dignified.
03:30He has asked her to find out what the floral offer is.
03:33Isn't it possible that you intend to outbid that offer?
03:35Another one who's just as bad.
03:37Yes, that's the intention.
03:39What would you do, huh?
03:40Hey?
03:40What would you do?
03:43Losing a family business that has taken a lifetime to build?
03:46Leave a bunch of workers out on the street?
03:49Because if that's the case, then I'm the one who knows you.
03:52Father, let's see.
03:53We are all concerned about the future of workers.
03:55And we are also worried about losing the factory.
03:57But we'll have to coldly calculate how far we can go, I say.
04:00He knows we're right about that.
04:02No, you don't have it because we still have some assets available.
04:06Ah, well, I don't know what you mean, Father.
04:08We could sell the house in the mountains, for example.
04:14It cannot be sold because it is mine and because it is a gift.
04:17Yes, I gave it to you and you enjoyed it at the time, but now you don't use it.
04:22You see, even if that house were sold, it wouldn't be enough to make a decent counteroffer.
04:29And what would I do next, sell this house.
04:32It's ridiculous, father.
04:33Don't be so dramatic, daughter.
04:35I don't know why you don't want to get rid of that house.
04:37If it's closed, it's almost abandoned.
04:42I have killed a man, Marta.
04:45And I'll end up paying for it sooner or later.
04:47It's inevitable.
04:51Go away.
04:53Go away.
04:53That?
04:53Go away.
04:55You haven't been here.
04:56In fact, I was home alone.
04:58When he was waiting for me and...
05:01And we struggled, I killed him.
05:02So go away.
05:02No, Marta, I'm not going anywhere, and I'm certainly not going to let you pay.
05:05That's why.
05:09If you'll excuse me, I have to go back to the factory and check some shipments.
05:12We'll talk when we know the floral offer.
05:14Okay, son.
05:17Okay, can you explain to me once and for all why you don't want to sell that damn house?
05:22If it were a nice house, I would understand.
05:25It has significant sentimental value for me.
05:27No...
05:29I don't plan to sell it.
05:30Daughter, now is not the time for sentimentality.
05:33Do you realize what's at stake?
05:35Perfectly.
05:37The house is mine and I don't want to sell it.
05:39It's not going to be sold.
05:41I can't believe it.
05:42You're behaving like a selfish and capricious little girl.
05:50I expected more from you, daughter.
05:53A lot more.
05:56Keep the house.
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