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Cicatriz - La última lección
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07:23You choose your teacher, but it will show that he will choose yourself.
08:00You choose your teacher, but it will show you my account.
08:04It would be better to pay for you.
08:09I always pay for my time.
08:12You can pay for the money.
08:17Then you can pay for the money.
08:33I'll pay for the money.
08:36I'll pay for it.
08:41Spacios!
08:42Spacios!
08:43You want to pop, you know?
09:07No!
09:13No!
09:16No!
09:17No!
09:19No!
09:28My mind...
09:30Looking at him!
10:11¿Estás bien?
10:15No me gustan estas sitias.
10:19¿Sigues pensando que nos vigilan?
10:27Ahora vengo.
10:32No tienes derecho a estar aquí.
10:33Simón, igual ahora nos voy.
10:34Sí, ya.
10:35Ahora voy.
10:39¿Cómo que no?
10:41Tomás era mi amigo.
10:43Creo que dejó de serlo cuando decidiste traicionarlo.
10:45No, no.
10:47Porque sabes que confiaba en mí.
10:49Sabes en quien no confiaba.
10:51En ella.
10:52Que desde que ella llegó, Lisa no funciona.
10:54Yo estoy fuera del proyecto y Tomás está muerto.
10:56Simón, te lo digo de verdad.
10:57Creo que tienes una cabeza excepcional.
10:59Y es una pena que ya no la utilices.
11:05Vamos a ver.
11:10Vamos a ver.
11:11Vamos a ver.
11:13Vamos a ver.
11:15Is that?
11:16I don't know.
11:18They are one and two people who are waiting for you and protect you.
11:23Don't rush.
11:34But my father...
11:36...manda you a piece of paper.
11:38What are you doing?
11:42What are you doing?
11:46How do you do it?
11:50Tomás said that crying was weird.
11:57No.
12:10No.
12:10No.
12:36It's very clear what they offer these girls.
12:40But what are they waiting for?
12:44I don't know.
12:46They want money.
12:47And their company is worth a lot of money.
12:50100 million euros.
12:51That's what if they close the purchase.
12:53Tomás wrote in his testimony
12:56that his company would be for you,
12:59in case of death.
13:00I did the same because it was obligated to the contract.
13:03Until the acquisition,
13:04the company could not change.
13:10I never would like Tomás.
13:12That's what they can ask for.
13:14And less for money.
13:16We've done it.
13:21So you were the one who put it in the head.
13:29He's with me in this place.
13:33He chose every detail.
13:43I have to go there.
13:47I have to leave the rest of my time.
13:50I don't want to leave myself in any place.
13:53Because when you stop...
13:55The head keeps turning around.
13:58All the time.
14:03I identified the blood.
14:04I didn't know.
14:11I lost the day of his birth, because I was working and Susana always reproaches me.
14:25I don't think I'll do it again.
14:31I have the image of Tomás in a sand of acero.
14:41I wish I could call him.
14:49To you.
14:53How did you call me, Simon?
14:57We are your family.
15:02I have been the police.
15:05I have talked to the police because she is Susana.
15:07She has many questions.
15:12Many questions.
15:15And you know what to answer.
15:20Like with the testament, Simon.
15:24The testament does not matter what it says.
15:26The part of Tomás is yours and I will never take advantage of it.
15:29You have years, you have taken advantage of it.
15:32Years.
15:35You know how many times you asked us money for your projects.
15:42Your projects.
15:46You two?
15:47You have to try and find themselves.
15:52You do it.
15:53You have to try.
15:54You have to fight the people.
16:01You have to fight the other side.
16:05You have to fight the other side.
16:08You have to fight the other side.
16:11to the parents who lose their children?
16:14No.
16:15Because it's something so anti-natural
16:17that no one has been able to put a name.
16:27What do you feel, Simone?
16:31Afraid,
16:32sadness,
16:33guilt?
16:36Simone,
16:38you want to call a lawyer?
16:40I don't need a lawyer because I haven't done anything.
16:43Manuela, please,
16:44give me some water, Simone.
16:47Manuela, please, give me some water.
16:58Simone,
16:59the word orphanage is in the dictionary.
17:02Do you know well?
17:05Your father was a good friend, my best friend.
17:12After those days in the Plaza Nueva,
17:14taking a beer without stopping,
17:16and you were the mocoso
17:17that you had every half of you
17:19to ask 20 for a meal.
17:22And they told me,
17:23Carlos, you're going to leave a tonelette,
17:27but your father would prefer a corpulento
17:29before a enclenque
17:30so you could defend yourself.
17:33And now,
17:33look at me now.
17:35You're half a bastion.
17:36You're half a half.
17:39You're half a half.
17:40I think you didn't kill your friend
17:41for money,
17:42because you were being rich.
17:46But there's a thing that I hit my head.
17:50Is it possible that Tomás put the spoon in the room?
17:54No, son of a bitch.
17:57You don't have to talk about food.
18:01Look, I remember your father.
18:05You suffered. You know it well.
18:10I don't have anything to do with my father.
18:13Something was this, Simon.
18:15La casita.
18:18Y la pistola.
18:54Ya sé, Simon, que llevas mucho tiempo intentando borrar todo lo que ocurrió con tu viejo.
19:00Eso ya lo hablamos hace diez años.
19:02Aquí, delante de un juez, la muerte de mi padre fue un accidente.
19:05Así quedó archivado.
19:06Bueno, yo quería mucho a tu padre, Simon, pero era un hijo de puta.
19:10Bueno, mejor dicho, se convirtió en un hijo de puta cuando murió tu madre.
19:17Y otra cosa te voy a decir.
19:21Los impulsos homicidas a veces proceden de buenas intenciones, de proteger a alguien que te importa.
19:28Quizás la muerte de Tomás fuese un impulso para proteger a Irina.
19:33O quizás la muerte de tu padre fue un impulso para proteger a tu hermano.
19:45No vamos a volver a verlo. Tomás se ha ido. Se ha ido como papá.
19:52No es lo mismo.
20:06A ver, Arturo.
20:09No es igual.
20:13Tomás era bueno.
20:17Yo le quiero mucho.
20:19Sí.
20:20La muerte no aparece cuando quieres.
20:30Me da mucha pena.
20:33Tienes que sufrir para recordarle.
20:39Sufrir, para los que ya no están, es una forma de respeto a su memoria.
20:46Pero...
20:48Tienes que controlarte.
20:51Hoy lloras.
20:52Ya está.
20:55¿Por qué?
20:58Porque tú no eres el más importante.
21:04Tú...
21:06querías, Tomás.
21:07Mucho.
21:08Pero Simón le quería aún más.
21:14Y Tomás le cuidaba.
21:17Y ahora tienes que cuidarle tú.
21:34Tengo que ir así, amor.
21:35Mm-hmm.
22:12I don't know what to do with sex.
22:20Let's go.
22:25It's nice to me.
22:28Do you know what sex is?
22:32I want to teach you everything.
22:37I will teach you everything.
22:39What do I want to do?
22:42It's your job.
22:44The owner of Stips.
22:45A lot of money.
22:47How much?
22:49How much?
22:52I would like to do that.
22:55How much do you do?
22:58I'll go somewhere in the middle.
23:01I'll open my local.
23:03I'll be there.
23:06I'll be with you.
23:13Can we go back?
23:46I'll be there.
23:46I'll be there.
23:47I'll be there.
23:48I'll be there.
23:50I'll be there.
23:51Where are you?
23:52Where are you?
23:54We need to close the club for several days.
23:58I can help you.
24:02I have a job for you.
24:05I need to meet you for a few days.
24:08I'll pay for you.
24:09Okay, I'll pay for you.
24:10Of course.
24:13You can always count on me.
24:15I'll pay for you.
24:17I'll pay for you.
24:23I'll pay for you.
24:39I'll pay for you.
24:40Okay.
24:40I'll pay for you.
24:43I'll pay for you.
24:45I'll pay for you.
24:49I'll pay for you.
24:53You can't?
24:55Yes.
24:55Mm-hmm.
25:07You know, at the beginning I thought I could not be able to do it.
25:11That it would be too much.
25:15But I'm fine.
25:18And that's why I wanted to tell you that...
25:23Thanks.
25:25We're married.
25:27Yes.
25:33And the police seems to be left in peace.
25:36No.
25:37The silence is a bad sign.
25:39Do you think they're going to join us?
25:42The crime continues to be guilty.
25:47Until they don't find it,
25:50they will stop.
26:07It's like an ant.
26:08The streets.
26:08No...
26:16But you can't get them.
26:17It's like they're not stuck,
26:17they're not still stuck.
26:18It's like, they're from the smoke,
26:19that's why they're still there.
26:20It's like the police are still alive.
26:22You know, they're not stuck.
26:25Sometimes it's hard to know if you're looking for a culpable or a uncovering.
26:32There are two types of uncovering.
26:34Those who look and call and those who don't want to see.
26:40These are the worst.
26:45That's why it's hard to believe that if you killed a Tomás,
26:51your wife doesn't know anything about this.
27:02Simon, we know that you and Irina Topalova have been united for the last few weeks.
27:13And that shows simplicity.
27:16And simplicity comes from simplicity.
27:20Irina doesn't have anything to cover because I don't have secrets.
27:23Neither with her nor with you.
27:25And she with you.
27:33Do you know who it is?
27:44It's Angelica.
27:47It's the leader of the mafia mafia.
27:49And he's also a rosa.
27:54¿Ha estado usted en el restaurante El Zar alguna vez?
27:57En mi boda.
27:59¿Y conoce a alguien que trabaje allí?
28:01Irina.
28:03Es camarera allí, desde hace un par de meses.
28:05¿Era?
28:06El restaurante está cerrado.
28:08Lo sabe, ¿verdad?
28:09¿Y sabe por qué?
28:11No.
28:12No.
28:12Y ella tampoco.
28:13No logra dar con su jefe.
28:14Pero ella está buscando otro trabajo.
28:17El cuerpo de Tomás y los de otras cinco personas fueron encontrados en el restaurante donde trabajaba su esposa.
28:23¿Qué hacía su amigo allí?
28:30¿Qué hacía Tomás en el restaurante donde trabajaba su esposa mientras usted estaba haciendo el amor con ella?
28:36No, que está bien.
28:37No, vamos a comer siempre.
28:38Vamos a comer la vida.
28:41No, vamos a comer.
28:49eliminate ya!
28:51Pero ella está ella la obstruja.
28:55La unidad océ connais la statistics que déf apreta.
28:56Tiene que tener una sola mightilla cuandoIFAS responde.
30:11¿Qué coño es eso?
30:14Policía.
30:16¿Qué cosa vías?
30:18Policía, abran la puerta.
30:23Vámonos.
30:25¿Cómo vamos a bajar así?
30:28Cuánto es todo.
30:30Vámonos.
30:33¡Simón!
30:35Nadie pregunta sobre sexo.
30:39Sentimos las molestias.
30:45Inspector, querrá ver esto.
30:47Vamos a seguir.
30:48Cuanto antes terminemos, antes podrán continuar con lo que estuviese haciendo.
30:53¿Puedo acompañaros?
30:57A lo mejor así os ayudo a encontrar lo que buscáis.
31:01Vengan.
31:02¡Vamos!
31:04¡Vamos!
31:10¡Vamos!
31:14¡Vamos!
31:35Ramos.
31:42¿Qué es?
31:50¿Inspector?
31:52¿Qué?
32:01¿Buscáis la pistola de mi padre, no?
32:05¿Sabes o no sabes dónde está el arma?
32:11Sí.
32:12En cuanto terminemos.
32:39Muy bien.
32:41Enseñenos el arma.
33:03Sí, no.
33:04Hasta aquí.
33:05Por última vez.
33:07¿Dónde estabais tú e Irina la noche que fue asesinado Tomás Obrador?
33:14Está bien.
33:16Irina y yo no estábamos haciendo el amor esa noche.
33:24Estábamos follando.
33:26¡Follando como locos!
33:28¡Un polvazo de película!
33:30Creo que no está entendido.
33:31¡Y hasta aquí mi colaboración voluntaria!
33:33Si quieren algo más tendrán que imputarme.
33:34Y en ese caso querré un abogado.
33:38Muchas gracias.
33:45¿Puedo llevarme esto?
33:47Anda, tira.
33:54Validica ha informado que está inutilizada.
34:10¿Qué ves?
34:10Si dices que estábamos mirando la tele, preguntarán qué serie, qué capítulo, preguntarán.
34:15Nadie pregunta nada sobre el sexo.
34:18No puedes ser tan confiado.
34:19¿Por qué?
34:19¿O eres una prostituta?
34:20¿Puedes creer que todo el mundo es tan bueno como tú?
34:22Que desde que ella llegó, Lisa no funciona.
34:24Si fuera del proyecto y Tomás está muerto.
34:56Simón, joder, ¿dónde te metes, tío?
34:59Te llamo 15 veces.
35:00¿Has leído el correo al menos o qué?
35:04Tío, esto es un desastre.
35:06Mira.
35:08Hemos perdido una media plantilla.
35:10Ya nadie cree en Lisa.
35:12Y sin personal de minería de datos, pues joder, me parece imposible que lo intentemos.
35:18Oye, Simón, ¿me estás oyendo, tío?
35:21¡Simón!
35:23¿Qué coño te pasa, tío?
35:25Joder, estás mandando la mierda al proyecto de tu vida.
35:28Tato, tú no te tienes que preocupar por mi vida, ¿eh?
35:31Tú no eres Tomás.
35:52Tato, tú no eres Tomás.
36:02Tato, tú no eres Tomás.
36:11AP Soo spiritual.
36:17Tato, tú no eres Tomás.
36:21Tato, tú no eres Tomás no eres Tomás.
36:27EMónimo,ふ Pere totally.
36:29¿Quién?
36:31Vida.
36:32I can't wait.
36:45I have money, passport.
37:02It's in the car.
37:06Let's go.
37:28Markov, it's yours.
37:32He has already been in a few days. He took him out of the bar.
37:39And?
37:42He has to know, how many people can use it and how much you can hit on them.
37:49He has to know, how many people can use it.
38:00Okay.
38:02I'm going to go.
38:23Now you need to leave, Bильбаум.
38:27Bильбаум.
38:59What's going on?
39:00What's going on?
39:03Take your card.
39:04Okay.
39:32Bye.
39:38Bye.
40:00I'm waiting for you.
40:02Come here.
40:06Hello.
40:09Hello.
40:11I'm going to the sofa, I'm going to go.
40:12I'm going to go.
40:17Can we talk?
40:31Where were you when Tomás died?
40:34Are you doing love with me?
40:36Where were you?
40:38I told you.
40:40I went to work, I was closed.
40:42I came back.
40:48Why did you come to Bilbao, Irina?
40:51Why did you choose me?
40:57Did you know that Tomás died in the Tsar?
41:08Simon, there are a lot of things I haven't told you.
41:11Tell me.
41:12Now I can tell you only one.
41:16I didn't kill Tomás.
41:21I didn't kill Tomás.
41:26But now they're going to kill me,
41:27the same thing they killed him.
41:30I need to escape from this house,
41:32without letting me go to the police.
41:36I'll tell you.
41:39I promise you.
41:45Help me.
41:59What do you think?
42:02I don't know.
42:04You're not a good one.
42:05You've heard of God.
42:06I'm gonna help you.
42:08The maddest is mine.
42:10The eye of you can see.
42:12I come to see you.
42:13I'll be able to see you.
42:14You don't want to see you.
42:16Let's go.
42:50Let's go.
43:16Círculen.
43:38Círculen.
43:40Simón.
43:42Buenas tardes.
43:44Mi nombre es Roman Politov.
43:47Interpol.
43:48¿Tiene identificación?
43:49Sí, claro.
43:53¿Ya sabes a quién estoy buscando?
43:57No sé de qué me habla.
44:00Irina Badía.
44:02No conozco ninguna Irina Badía.
44:05Usted la conoce como Irina Topalova.
44:09Irina colaboró con nosotros por un tiempo.
44:13Ahora está fuera de control.
44:17Ese móvil es de Tomás.
44:19Sí.
44:23Lo verá mejor en su teléfono.
44:30Sí, Juan, tío.
44:31He seguido a Irina.
44:33Híjole.
44:33Mira lo que me he encontrado.
44:36Te dije...
44:38...que no me siguieras.
44:41Irina...
44:41Irina, por favor.
45:10Te dije...
45:13That's my car!
45:18There he is.
45:40One found.
45:43Not me.
45:54You need to know,
45:57каких людей можно использовать
45:59и как сильно можно на них давить.
46:04Оценивать ущерб,
46:06который ты им наносишь.
46:10In the case of a threat, you can put the threat to the threat of everything,
46:15which has been able to achieve.
46:19More than that in the world, it can be dangerous for a person.
46:52This is now.
47:19Simon?
47:21Come on.
47:42No, sorry.
47:44See you on.
47:56Shh.
47:58Shh.
48:02Oh.
48:10Oh.
48:21Why did we leave the galaxy?
48:23Like when we were out of my dad.
48:25But now we don't get out of anyone.
48:31Why did you go 4,000 kilometers?
48:35To break my life.
48:37It was less than two days for the test.
48:39Listen.
48:40Lisa is from Sanders.
48:41Ah, y ya está.
48:42O sea, ya está la zuda, ¿no?
48:44Su mujer está en peligro.
48:45La mafia rusa está tras Irina.
48:47Yo le conté todo lo que sabía a vuestro compañero.
48:50¿Qué compañero?
48:52Nos quedan 6 horas para los 12 puntos.
48:55Puerto Mas.
48:57Eso es.
48:59Le hemos dicho que su mujer está en peligro y no va a hacer nada.
49:02La rusa es mucha rusa.
49:03Pero 100 millones.
49:05Son 100 millones.
49:10Son 100 millones.
49:12Son 100 millones.
49:13Son 100 millones.
49:16Son 100 millones.
49:16Son 100 millones.
49:1620 años por adelantado.
49:18Simón.
49:20Pasa algo.
49:20Es que aquí lo cuidáis como en ningún sitio.
49:22Que me rompes.
49:24Es que te quiero mucho, tío.
49:26Eres un moñas.
49:2812, 30 y 7.
49:30Tu jefe tiene esto.
49:32Para obrar el milagro.
49:37Sobre esta pantalla aparecerán 100 sujetos.
49:41Lisa tiene que adivinarlo solo con la expresión facial del sujeto.
49:45¿90 ciertos como mínimo?
49:47Simón, no te culpo por lo que has hecho.
49:49Te quiero.
49:51¿Qué has dicho?
49:53No, no es así.
49:55No.
49:56Te quiero.
49:59No.
50:00No.
50:00You
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