We Are All Trying Here Episode 11

GothicCinema

9 hours ago

Transcript

00:00:00I put it in the bag and put it in the bag.

00:00:02Then I came to the bag and came to the bag.

00:00:04It's a thousand dollars.

00:00:07It's a thousand dollars.

00:00:08A thousand dollars.

00:00:09When you think about the biggest problem?

00:00:14I don't know what money is there.

00:00:17I don't know what money is there.

00:00:18How could I die?

00:00:20But one day...

00:00:23The dog came out.

00:00:27The dog came out.

00:00:30The dog came like that.

00:00:33It's a hundred dollars.

00:00:36It's just a thousand.

00:00:37I think it's about 3千 million.

00:00:38I don't think if...

00:00:47There's was no food.

00:00:47There's no food.

00:00:52I don't want to drink.

00:00:54I'm so excited.

00:00:56I'm going to be a new person who's a great person.

00:01:04But...

00:01:06...5,000,000...

00:01:08.

00:01:12.

00:01:23갑자기 모든 게 씌워진 것 같아요.

00:01:28인생에 아무 난관이 없는 것 같은 느낌.

00:01:37동반아, 역사의 한 폭판으로.

00:01:42들어가보자.

00:01:52황교장, 너도 찍어볼래?

00:01:59참으로 아름다운 청년이었군요.

00:02:03명심하겠습니다.

00:02:04선배님의 얼굴에는 우주가 들어가 있어요.

00:02:07어느 각도에서 어떻게 잡아야 선배님의 저 깊은 우주를 표현할 수 있을까?

00:02:12매일 그런 고민하면서 선배님의 모든 영화를 보고 있답니다.

00:02:17미친놈이였네.

00:02:18매일 보다 보니 저 얼굴이 내 얼굴인지 선배님 얼굴인지 헷갈릴 지경입니다.

00:02:27아, iy아.

00:02:28이 자식이 정말.

00:02:32너 또 그만해.

00:02:36어디 다 되어.

00:02:38겁도 없이 왔다가 주저리 주저리.

00:02:40Yes, my phone is on my phone.

00:02:44There is no contact with my wife.

00:02:46Yes, I'll do it.

00:02:50Let's go.

00:03:20What's wrong with you?

00:03:22What's wrong with you?

00:03:221억 모은다며.

00:03:240시 만나면 준다고.

00:03:27나도 못 하려고.

00:03:30계약금 들어왔어.

00:03:31나 영화 진짜 들어가.

00:03:44왜?

00:03:45돈 생기면 집어넣어서 나갈 생각이네.

00:03:49네 인생 살아.

00:03:50네 인생 신경쓰지 말고.

00:03:52나는 좀 웅장하면 안 되냐?

00:03:55보탠다는 생각에 밤새 웅장함이 터졌는데

00:04:00나의 웅장함에 재뿌리지 마라.

00:04:03보내지 말라고.

00:04:06언제 찾을 줄 알고!

00:04:07찾지 왜 못 찾어?

00:04:10우리가 못 찾으면 걔가 아빠 찾겠지.

00:04:13걔라고 아빠 안 보고 싶겠어?

00:04:38나의 웅장함이 터졌어.

00:04:48누구 맞나?

00:04:53갈게.

00:04:55내일 올게.

00:04:55얼른 가.

00:05:11추운데 들어가 있지.

00:05:14저도 금방 왔어요.

00:05:17맨날 금방 왔대.

00:05:20코는 빨개가지고.

00:05:23진짜 금방 왔는데.

00:05:30노광씨까지 합류하고 너무 대박 날까봐 걱정이에요.

00:05:34애들의 그 시기, 질투 다 어떻게 감당하지?

00:05:38지금쯤 박경세.

00:05:40속이 쓰려 돼지고 있을 건데.

00:05:42그 얼굴을 어떻게 보지?

00:05:44또.

00:05:45너무 잘 나가서 쩌리 황동만의 매력 툭 떨어지면 어떡하나.

00:05:51정신없고 산만한데 아무튼 불행하지 않아.

00:05:55이게 제 정체성이자 매력인데.

00:05:57너무 잘 나가면 내 매력 훅 떨어질까 고민이에요.

00:06:02왜 그런 거 있잖아요.

00:06:04드라마 초반에 사고뭉치의 매력적인 캐릭터였는데.

00:06:08뒤로 가면서 갑자기 진지해지면서 재미가 없어지는.

00:06:11저도 그런 재미없는 인간 될까봐.

00:06:14성공한 사람들은 이상하게 다 재미없지 않아요.

00:06:17내가 지금까지 들었던 별 걱정 중에 진짜 최고 별 걱정이다.

00:06:21그죠?

00:06:22전 성공해도 여전히 정신없고 산만한 미시놈일 거예요.

00:06:34저도 잘 나갈 건데.

00:06:36그럼 제 매력도 떨어져요?

00:06:41뭐야?

00:06:43떨어져요?

00:06:45떨어진다기보다는 좀.

00:06:47좀.

00:06:49어려워지겠죠.

00:06:50지금도 충분히 어렵거든요.

00:06:53아, 그 불편하다는 의미는 아니고.

00:06:56왜 그런 거 있잖아요.

00:06:57저랑 차원이 다른 사람 같은.

00:07:01은하씨 처음 봤을 때 그 충격을 아직도 잊을 수 없어요.

00:07:05하늘에서 내려준 얼굴의 이데아를 본 느낌이랄까.

00:07:09이것을 얼굴이라고 하여라.

00:07:12이것이 얼굴이니 모두 이 얼굴을 닮도록 하여라.

00:07:18닮을 수는 있는데 똑같아질 순 없어.

00:07:22똑같아지는 순간 이데아가 아냐.

00:07:25이데아는 잃을 수 없는 이상.

00:07:27그런 걸 이데아라고 하잖아요.

00:07:30그런 얼굴이었어요.

00:07:32그 어려웠던 은하씨랑 마주 앉아서 이렇게 대화를 나누는 것 자체가 기적인데.

00:07:37근데 글까지 잘 써.

00:07:39그만 잘라지면 안 될까요?

00:07:41인간계가 아닌 것 같아요.

00:07:46추앙하는 건가요?

00:07:49신께서 내려준 이데아인데 추앙이 마땅하죠.

00:07:58하하하하.

00:07:59저 받은 돈 은하씨 지분도 있는 거 아시죠?

00:08:05갖고 싶은 거 말씀만 하세요.

00:08:08없다는 말 금지.

00:08:09아무거나 금지.

00:08:11제 마음대로 샀다간 어떤 기이한 물건을 받으실지 모릅니다.

00:08:16갖고 싶은데요?

00:08:17기이한 선물?

00:08:18오.

00:08:18노노노노노.

00:08:20둘이 그만 알콩달콩하고 빨리 와라 좀.

00:08:24아 진짜.

00:08:24안녕.

00:08:25안녕하세요.

00:08:27추워 죽겠다 야.

00:08:29우리 뭐 먹으러 가?

00:08:30하얀 접시에 이파리 같은 거 부러진 거 뭐 그런 거.

00:08:32그런 거 먹으러 가요.

00:08:33나 그런 거 싫은데.

00:08:34여자들은 그런 거 좋아한다고 했어.

00:08:36오늘 얼마 쓸 건데?

00:08:38얼마 써야 되는데요?

00:08:40내가 안 데려 가요.

00:08:41어?

00:08:42걱정 마 안 비싸.

00:08:44근데 혹시 오늘 경찰서 출동해요?

00:08:47네.

00:08:48뭐 조만간 미리 한번 입어봤어요.

00:08:51출동코.

00:08:53출동.

00:08:53더 비싼데요?

00:08:54나는 이름데.

00:08:56비싸.

00:08:56안녕하세요.

00:08:58뭐?

00:08:59나초.

00:09:03어.

00:09:08어, 엄마.

00:09:10어.

00:09:11할머니 다음 주에 태어나셔.

00:09:15괜찮아.

00:09:17이제 조금 걸어 다니셔.

00:09:19엄마 나 지금 밖이라서 나중에 집에 가서 전화할게요.

00:09:22네.

00:09:25너 엄마랑 사이 안 좋다 하지 않았어?

00:09:28새 엄마예요.

00:09:31너도 새 엄마구나?

00:09:34할머니?

00:09:35새 엄마예요.

00:09:37그럼 아빠?

00:09:40돌아가셨어요.

00:09:42언제 돌아가셨는데?

00:09:44중학교 2였는데요.

00:09:47그러면 그 뒤로 셋이 쭉 같이 사는 거야?

00:09:51네.

00:09:52새 엄마는 거의 일 때문에 일본에 계시고.

00:09:58좋은 분들이네.

00:10:00너도 좋은 애고.

00:10:02이게 한쪽만 좋아서는 그렇게 오래 못 가.

00:10:05어, 얘.

00:10:06새로 꾸린 가정이라도 연결고리 끊어졌다고?

00:10:10바로 남남 되진 않아.

00:10:11살아온 날들이라는 게 있어.

00:10:14모정이랑 나도 연결고리 끊어진 지 오래야.

00:10:16우리 아빠.

00:10:17우리 아빠.

00:10:19문제 많아.

00:10:23근데 그 모녀 관계도 조만간 쫑날 수 있다는 거.

00:10:32내가 조만간 포털을 도매할 수도 있거든.

00:10:37아, 저기서 나왔으면 좋겠다.

00:10:43자, 세상 모든 불행은 내가 싹 다 가져갈 테니까 꼭 대박나.

00:10:49다들 대박나.

00:10:50황동만!

00:10:52변원아!

00:10:52이준환!

00:10:54다 대박!

00:10:56대박!

00:10:57대박!

00:10:58대박!

00:10:59대박!

00:11:04아, 진짜 더럽게 웃었어요.

00:11:07우리 돈 지울 수 없지!

00:11:09하나, 둘, 셋!

00:11:21철이 이해드는 타겟이 떴는대 not this year.

00:11:31You're a citizen of a citizen of a citizen.

00:11:34If you're a citizen of a citizen, you're going to take care of it.

00:11:40But you're a wife.

00:11:50You're a wife, wife.

00:11:52You're a wife, but you're a wife.

00:11:55And then...

00:12:00What you doing...

00:12:02But I'm going to take it down.

00:12:05And I'm going to start to the endgame.

00:12:09What is that?

00:12:14What is that?

00:12:19What is that?

00:12:22You don't know who that is.

00:12:22When did you say that?

00:12:23When did you say that?

00:12:32When did you say that?

00:12:40You read it when you say that you were going to try.

00:12:40You're going to put it on your own,

00:12:42and you're going to get it on your own way too.

00:12:43Oh, it's a lot of time.

00:12:48It's a lot of time.

00:12:49It's a lot of time.

00:12:50It's a lot of time.

00:12:52What are you doing?

00:12:55A friend and a target.

00:12:58The memories of the past,

00:13:01the history of the past,

00:13:02the history of the past.

00:13:05It's crazy.

00:13:07I'm going to kill you.

00:13:11No, it's hard to see you today.

00:13:14You know what?

00:13:15You think?

00:13:15You, you say no.

00:13:16You don't say no, you say no.

00:13:17You say no, you say no.

00:13:18I don't say no.

00:13:19You say no, you're hanging out of time,

00:13:21and you're a guy.

00:13:21You say no, I'm in a man.

00:13:23You say no.

00:13:23You're a man.

00:13:24You say no, you say no.

00:13:24You say no, he's alive.

00:13:25You say no.

00:13:36You say no, just go away,

00:13:38I can't do it.

00:13:41I can't do it.

00:13:49There are many times.

00:13:52I can't do it.

00:13:56I can't do it.

00:13:57There is a place to go.

00:13:58The first person's button.

00:14:02Column 200?

00:14:08Okay.

00:14:12Column 200?

00:14:14역시 박작가 천재!

00:14:17감독님이 푸신 거예요.

00:14:18우리 감독님 천재!

00:14:19됐다.

00:14:20Column 200.

00:14:23Column 200.

00:14:25Column 200.

00:14:26Column 200.

00:14:27Column 200.

00:14:28Column 200.

00:14:30Column 200.

00:14:33Column 200.

00:14:36Column 200.

00:14:44I'm going to go.

00:14:47I'm going to go.

00:14:51I'm going to go.

00:14:53I'm going to go.

00:15:00Go.

00:15:02What are you doing?

00:15:05Where are you going?

00:15:06Where are you going?

00:15:12Miriam! Miriam!

00:15:14Miriam!

00:15:15Miriam!

00:15:16girl, girl, girl, girl!ди

00:15:16마, whey! 지마!

00:15:18나,別

00:15:18اization! 나 죽여놔

00:15:19uncertain! 알았어!

00:15:20All right, all right, all right.

00:15:28Shhh, shhh, shhh.

00:16:08I'm going to have a drink.

00:16:11I'm going to drink a little bit.

00:16:16I'm going to drink a little bit.

00:16:21I'm going to get a little wrong.

00:16:37I want to hear you.

00:16:38I want to hear you.

00:17:06I don't know.

00:17:08I don't know.

00:17:12Look at me!

00:17:15Look at me!

00:17:16I'm sure it's better.

00:17:26I'm sure it's better.

00:17:27I'll give you a first time.

00:17:31I'll give you a second time.

00:17:33I'll give you a second time.

00:17:35I'll give you a second time.

00:17:39I will give you a second time.

00:17:40I'll give you a second time.

00:17:41I'll give you a second time.

00:17:42It's not all right.

00:17:45It's not all right.

00:17:47Why don't youace here?

00:17:49He just ended up fighting a crime calledstage.

00:17:50No one else.

00:17:50He'll get the right hand.

00:17:52You've got to try it.

00:17:56He doesn't care.

00:17:57Oh, my God...

00:18:00You're not wrong.

00:18:02Now we're here to get a relationship.

00:18:10I don't want to go there anymore.

00:18:12I can't have anything else.

00:18:17If he doesn't want to get married either?

00:18:24I can't do anything?

00:18:28I'm not going to play.

00:18:32Why are you doing anything?

00:18:34I should do it, but...

00:18:40Just after that.

00:18:42I'm going to take a picture on the show,

00:18:43I'll do it again next week.

00:18:44Why should I go to why?

00:18:51How can I get my rock?

00:18:56Why should I go to the stage?

00:18:59I don't care why.

00:19:01It's okay to go on my mind.

00:19:05You're going to love me.

00:19:08Why are you going to hour and a half since I watched it?

00:19:12I don't want to be surprised, but I'm still worried about you.

00:19:14I'm just gonna have to wait for a second.

00:19:16I have to wait for the next few years.

00:19:19I'll just wait for something.

00:19:21I'll just wait for something.

00:19:22I won't do it all.

00:19:28I won't do it anymore.

00:19:31I won't do it anymore.

00:19:31So I want to put it in the world.

00:19:38If you want to stay here,

00:19:42So, you're a fool.

00:19:44No.

00:19:45Missed, Missed, Missed.

00:19:47Missed, Missed.

00:19:48Missed, Missed.

00:20:08Missed, Missed.

00:20:15Come on, come on.

00:20:16Come on, come on.

00:20:18Come on, come on.

00:20:22Sit down, sit down.

00:20:25Let's go.

00:20:26Come on, come on.

00:20:32그렇게 구박을 해도 굴하지 않고 뭘 믿고 그렇게 뻗대나 했더니 믿는 구석이 있었네.

00:20:42글은 언제부터 썼어? 써놓은 거 많아?

00:20:48아니요.

00:20:50몇 편 있는데?

00:20:52별로 없어요.

00:20:55역시 내 눈이 귀신이야.

00:20:59내가 너 도끼라고 했잖아.

00:21:02금도끼.

00:21:03보통 피디랑은 뭔가 다른 소리를 한다 했더니 써본 사람만이 할 수 있는 말이 있거든.

00:21:09안 써보면 몰라.

00:21:15네가 용실인 건 나랑 너만 알자.

00:21:21알지?

00:21:22마재영이 너 숨기려고 무지했은 거.

00:21:25왜 숨기려고 했는지 내가 모르지 않고.

00:21:28가뜩이나 예민한데.

00:21:30괜히 감독 신경 건드려서 좋을 거 없잖아.

00:21:34낙낙낙은 마재영 이름으로 계약해서 마재영한테 받고.

00:21:38나랑 따로 작가 계약하자.

00:21:44최고가로.

00:21:47알잖아.

00:21:50나 돈 되는 거 안 놓치는 거.

00:21:54쓸 얘기 있으면 쓸 거예요.

00:21:58돈 받고 쓰는 거 안 해요.

00:22:01멋있다.

00:22:05근데 원래 글은 빚감은 심정으로 쓰는 거야.

00:22:10그 모지리들 쓴 박 작가 알지?

00:22:13도박으로 계약금 홀라당 날리고 토해놓을 돈 없어가지고 정신없이 써내려간 게 그거야.

00:22:19결국 대박 쳤잖아.

00:22:21돈 먹어야 글 나온다.

00:22:23안 먹으면 안 나와.

00:22:25그럼.

00:22:27편당 1억.

00:22:32두 편만 계약하자.

00:22:38회사는 뭐 안 다녀도 되고 계속 다니고 싶으면 다녀도 되고 너 편할 대로.

00:22:47박 작가가 그래가지고 해외에서도 난리가 난 거야.

00:22:50나중에 그걸 홀라당하고 시즌 2, 시즌 3, 시즌 4까지 막 써놓은 거야.

00:22:58어.

00:23:12박 대리 먹고 오는 거야?

00:23:14네, 식사하시고 오시나 봐요.

00:23:17어.

00:23:18아키 스텝은 다 꾸려진 거지?

00:23:22네, 오늘 미술 감독만 확정하면 돼요.

00:23:32뭐야?

00:23:33뭐 숨기는 거 있는 것처럼?

00:23:35아까 당황한 거 맞지?

00:23:39글쎄요.

00:23:40잘 모르겠는데.

00:23:44웬일로 둘이 같이 밥을 먹는데?

00:23:46누구?

00:23:48대표님하고 변은아.

00:23:49냄새가 둘이 고기 먹고 왔던데?

00:23:52그래?

00:24:16맛있게 드세요.

00:24:18네.

00:24:26세트 잘 만들고 와.

00:24:38세트 잘 만들고 와.

00:24:41상대 배우가 연기 잘했다 싶으면 글씨를 못 쓰게 만들라고.

00:24:45어떻게 해서든지 엔진이도 수술하는 거.

00:24:47정민 배우 연기 잘한다.

00:24:50야, 연기 아니야.

00:24:54야.

00:24:56야.

00:24:56그럼 넌.

00:24:58연기 잘하냐?

00:25:02네.

00:25:04상대 배우의 호흡 감정 다 끊어먹고 네 꼴리는 대로라는 게 연기 잘하는 거야?

00:25:10야, 인마.

00:25:11연기야 확신이 없으니까 그냥 이랬다 저랬다 널뛰는 거 아니야, 인마.

00:25:15저의 다양한 연기 스페트럼을 선배의 그 올드한 연기 감성이 못 따라오는 건 아니고요.

00:25:22아, 인나.

00:25:25제발.

00:25:26연기만 합시다, 예?

00:25:28연기만.

00:25:29똥군기 그만 잡고.

00:25:32야, 눈에 표현이 귀엽나.

00:25:34야.

00:25:36야.

00:25:40아, 씨.

00:25:44더러워서 안 해.

00:25:45내가 나이가 몇 살인데, 스발 처맞으면서 여기 촬영을 해야 되겠냐, 어?

00:25:49내가 위약금 물고 때려칠 거야, 어?

00:25:52저딴 인간 무서워가지고 쉬쉬거리는 이 바닥도 내가 더러워서 안 해.

00:25:56내가 친한 기자들 싹 다 불러 모아가지고 당신이 지금까지 했던 짓거리 전부 다 까발리고 이 바닥 뜰 거야.

00:26:02당신 같은 인간은 진지하게 이 바닥에서 매장 당했어야 돼.

00:26:06알어?

00:26:06어?

00:26:06야, 불러.

00:26:09어?

00:26:10기자 부르라고, 이 새끼야.

00:26:11지금 불러, 이 새끼야.

00:26:13나와봐.

00:26:13야, 나와봐.

00:26:14나와봐.

00:26:15나와봐.

00:26:16나와봐, 이 새끼야.

00:26:16쳐.

00:26:17야, 쳐.

00:26:18야, 쳐.

00:26:19야, 쳐.

00:26:22진정하시고요.

00:26:24아니.

00:26:29이게, 이게 어떻게 맞은 거예요?

00:26:32뭐야, 너는?

00:26:34어?

00:26:35죄송.

00:26:36기분 나쁜 건 인정.

00:26:38그럼 그냥 배우님도 똑같이 기분 나쁘게 하면 되잖아요.

00:26:43똑같이 기분 나쁘게 하면 되잖아요, 이렇게.

00:26:46어?

00:26:46이게 어려워, 이게 이게?

00:26:48이게 어려워?

00:26:49이 자식도 이거 똑같이 붙였나, 이 새끼가 이게.

00:26:51봐봐.

00:26:52벌써 기분 나쁜 얼굴이잖아요.

00:26:55죄송합니다.

00:26:56아니.

00:26:56죄송합니다.

00:26:57아니.

00:26:58왜 기분 나쁘게 했다고 열받고 그래요?

00:27:02똑같이 기분 나쁘게 하면 되는 거를.

00:27:05이딴 걸로 뭘 때려치네, 마네.

00:27:08터트리네, 마네.

00:27:10뭐냐고, 너는.

00:27:12어?

00:27:12죄송합니다.

00:27:13가자.

00:27:14가자고.

00:27:16터트릴 때 터트리더라도 나까지 하고.

00:27:19나까지 하고 터트리라고.

00:27:22아니, 그렇잖아.

00:27:23내가 여기까지 얼마나 인턱이 올라왔는데.

00:27:27그만하라고, 이 새끼야.

00:27:28이 새끼야, 나가.

00:27:33나는 기분 안 나빠요.

00:27:35이게 뭐가 나빠, 어?

00:27:56이번 영화에 감독이 황동만이고 배우가 노강식이라고 하면 사람들이 전부 그래.

00:28:05아이고, 대표님.

00:28:07수명을 얼마나 깎아 드실라고요.

00:28:11내가 일하다가 암 걸리진 말자 죽이거든.

00:28:15내가 말했지?

00:28:18나 100세까지 살 거라고.

00:28:21암 걸리겠다 싶으면 바로 아플 거야.

00:28:26그러니까 입 다물고 가만히 있으라고!

00:28:29아무것도 하지 말고!

00:28:30아무 말도!

00:28:31나서지도 마.

00:28:32네가 나서서 되는 일 하나도 없어!

00:28:35레디!

00:28:36액션!

00:28:36컷!

00:28:36이것만 해!

00:28:37오케이?

00:28:39오케이.

00:28:50왜 대표님이랑 단둘이 식사를 하셨을까, 갑자기?

00:28:56그만둔다고 했니?

00:28:58우리 대표님 구박하다가도 그만둔다고 하면 맘약해져서 달래고 어르시잖아.

00:29:04무슨 얘기 했는데?

00:29:08왜 궁금한데요?

00:29:10다시 해품받는 것 같아서 불안하세요?

00:29:13말하는 싸가지.

00:29:15야!

00:29:16나 너 선배야.

00:29:17선배면.

00:29:18말 함부로 해도 되는 거예요?

00:29:20여차저차해서 먹었어요.

00:29:22대답해도 되는 거잖아.

00:29:23여차저차해서 먹었다고 아무렇지 않게 대답하게끔 그렇게 묻지 않았어요.

00:29:27비아냥 냈지.

00:29:34저기 집에 가만 안 둬.

00:29:37대표님은 저기 집에 말을 왜 듣는 거야?

00:29:40낭낭낭 주인공 여자로 바꾸는 거 반대라고.

00:29:44지가 뭔데.

00:29:45감독도 오케이 한 일에 지가 뭔데 오버하고 지랄이야.

00:29:49아이씨.

00:30:03풀이 진도를 많이 나갔네.

00:30:08그죠?

00:30:09네.

00:30:10장미랑 계약 보류하자.

00:30:13갑자기 왜요?

00:30:15드라마 때문에 쉬쉬하고 있는데 조만간 뭐 터질 것 같아.

00:30:20뭔데요?

00:30:21형사 고소건이야.

00:30:23폭행.

00:30:24이거 오정희까지 같이 힘들어질 것 같아.

00:30:28아...

00:30:30노광식도 날라갖고 낭낭낭이 오정희 아니면 답이 없는데.

00:30:35일단 계약은 보류해.

00:30:40난리 났네.

00:30:42네 선배님.

00:30:44예예.

00:30:46아유 미적 되긴요.

00:30:49저희야 당연히 선배님이죠.

00:30:50그럼요.

00:30:52별건 아니고요.

00:30:55주인공을 여자로 바꾸는 거 얘기가 좀 있어서 분위기를 확 바꾸는 거니까.

00:31:01작가가요?

00:31:03예 영실이요.

00:31:05작가 말을 아예 무시하고 갈 수는 없어서.

00:31:17유진 선배가 입을 떼는 순간 그냥 숨 넘어가기 지겨워요.

00:31:25한마디 한마디 다 지겨워.

00:31:28평생을 만나도 속을 안 보일 것 같은 인간.

00:31:32속을 일부러 안 보이는 게 아니라.

00:31:37속으로 대화하는 법을 모르는 인간.

00:31:42그런 인간이 무슨 영화를 한다고.

00:31:46제가 걔랑 같은 파리네지만.

00:31:49걔랑 대화해 본 게 평생 한 10분 안 될걸요.

00:31:54걔랑 단둘 있으면 그렇게 어색해.

00:31:56그렇죠.

00:31:57효진 선배가 말하기 시작하면 그 목소리가 내 몸에 닿는 것도 싫어서 그냥 몸이 빳빳하게 굳어요.

00:32:07귀도 막혀.

00:32:08고막이 자동 차단되는 것처럼.

00:32:11그런데 감독님이랑 말하면 대화라는 걸 하는 것 같거든요.

00:32:19감개무량입니다.

00:32:21맨날 혼자 떠든다고 대화 안 된다고.

00:32:24물론 혼자 떠들어요.

00:32:26네.

00:32:28어때요?

00:32:28우리가 만나면 80%는 감독님 혼자 말할걸요.

00:32:32응.

00:32:32공개야.

00:32:33근데 하나도 안 지겨워.

00:32:36다 마음에 들어와요.

00:32:38고막도 확 열려요.

00:32:40어쩔 땐 막 받아 적고 싶을 정도로.

00:32:43아.

00:32:45저 당분간 입 닥치고 있으려고 했는데.

00:32:48오늘 너무 개욕 먹어서.

00:32:50닥치지 마요.

00:32:51닥치지 마요.

00:32:52넵.

00:32:53닥치지 않도록 하겠습니다.

00:32:55은하 씨 앞에서만큼은.

00:32:59그래.

00:33:02감독님이랑 말하면 숨통이 트여요.

00:33:05감독님이 하는 말 다 내가 하는 말 같고.

00:33:08내가 하는 말 무슨 말인지 감독님이 다 알아듣는 것 같고.

00:33:17사람들이랑 말할 때.

00:33:20늘 긴장했어요.

00:33:25내 말이 어떻게 들릴까.

00:33:35근데 감독님이랑 있으면.

00:33:38마음의 미창이 터진 것처럼 그냥 술술술 나와요.

00:33:43어디에도 걸림없이.

00:33:46저도 은하 씨가 하는 말.

00:33:49다 내가 하는 말 같은데.

00:33:53한 사람으로 태어났어도 되는 인간이.

00:33:57둘로 나뉘어져 새 사양에 나온 건가요?

00:33:59전 은하 씨가 남자였어도 좋아했을 거고.

00:34:04나무여서도 좋아했을 거고요.

00:34:06바람이었으면.

00:34:07더 환장했을걸요.

00:34:10은하 씨는.

00:34:13요만한 작은 몸집으로.

00:34:15이 한 공간에 한정돼 있기엔.

00:34:17너무 아까워요.

00:34:18온 세상이 다 변은아 변은아였으면 좋겠어요.

00:34:25변은아다.

00:34:28변은아다.

00:34:30변은아다.

00:34:34은하 씨.

00:34:36왜 이렇게 작아지셨어요.

00:34:40은하 씨 부탁드립니다.

00:34:44은하 씨.

00:34:45은하 씨 어떡해.

00:34:49은하 씨.

00:34:59감독님한테선 10대 소년의 냄새가 나요.

00:35:06칭찬일까요?

00:35:08엄청난.

00:35:11은하 씨.

00:35:13은하 씨.

00:35:18어서 오세요.

00:35:27잠깐만요.

00:35:28술 더 갖고 올게요.

00:35:32어, 안녕하세요.

00:35:34오랜만이에요?

00:35:34아, 네.

00:35:35이번에 데뷔한다면서요?

00:35:38아, 그렇잖아도 선배님께 꼭 알려드리고 싶었습니다.

00:35:44지금의 제가 이렇게 해주신 글은 어떻게 쓰는지 알려주신 선배님께 제가 데뷔한다고 꼭 인사 말씀드리고 싶었습니다.

00:35:52감사합니다.

00:35:56예전에 제가 선배님이랑 잠깐 일한 적이 있었거든요.

00:36:01그때 너무 부끄러운 기억이라 제가 잘 말을 안 하는데 개화 고양이 때 연출부 막내였거든요.

00:36:07아, 이쪽은 최필님의 변은하 피디.

00:36:11인사...

00:36:12앉아요.

00:36:13괜찮아요.

00:36:14앉아요.

00:36:16선생님 혹시 저기 술은...

00:36:17아니에요.

00:36:21낙낙낙에 내가 들어오는 거 작가가 반대한다던데 왜 반대하는지 들어볼 수 있을까?

00:36:27영실씨?

00:36:33여자로 바꾸는 걸 반대하는 거예요?

00:36:36내가 들어오는 걸 반대하는 거예요?

00:36:41그냥 말해요.

00:36:43그거 들으려고 왔어요.

00:36:50반대...

00:36:51안 할 텐데.

00:36:53그죠?

00:36:59미친년이 무서울까요?

00:37:01미친놈이 무서울까요?

00:37:03미친놈이 무서울까요?

00:37:03길거리를 미친년이 활보하는 거랑 미친놈이 활보하는 거랑...

00:37:07어떤 게 더 무서울까요?

00:37:10나한테 위해를 가할 수 있는 힘이 있는 남자...

00:37:15가 더 무섭지 않을까요?

00:37:17처녀귀신이 무서울까?

00:37:19총각귀신이 무서울까?

00:37:20공포는 정서적인 거예요.

00:37:26물리적인 게 아니고.

00:37:28힘센 남자가 무서우면 모든 공포 영화의 주인공은 남자여야 되겠?

00:37:33선수인 줄 알았는데 의외로 편협한 데가 있네.

00:37:37여자로 바꾸는 거 반대하는 이유는 이유가 안 되고.

00:37:43혹시 날 반대하는 이유라도 있나?

00:37:47뭐...

00:37:52징그러워서요.

00:37:57여기까지 찾아와서 들이대는.

00:38:01적당히가 없는.

00:38:04그 징글징글한 욕망.

00:38:08안 되는 것도 있다는 걸 아셨으면 해요.

00:38:11아무리 연기여도 어쩔 수 없이 그 배우가 가지고 있는 정서 배워놔요.

00:38:18늘 전쟁이잖아요.

00:38:21쟤보다 돋보여야 하고 항상 더 더 더 더.

00:38:26누구 받쳐주는 연기 해본 적 있어요?

00:38:29일하면서.

00:38:31한 번이라도 즐거웠던 적 있어요?

00:38:34아마추어야?

00:38:35일하면서 즐겁게?

00:38:40다니엘 데이 루이스가 구두공으로 산다지?

00:38:44이 끝을 가봐야 이 끝에 별거 없다는 거 알고 저 끝을 가는 거지.

00:38:48아직 이 끝도 못 가봤는데 벌써부터 구두공으로 살라고 하지 마.

00:38:52니들은 돈 별거 아니다 그러면 아 별거 아니구나 하면서 접니?

00:38:57별거인지 아닌지 벌어보고 판단해도 늦지 않잖아.

00:39:01같은 거야.

00:39:02지옥의 끝은 가봐야지.

00:39:20지옥이 뭔지는 아세요?

00:39:31지옥이 뭔지는 아세요?

00:39:36지옥이 뭔지는 아세요?

00:39:37몰라.

00:39:37금기와야 딸 얘기.

00:39:39아 이름은 안다.

00:39:41변시온.

00:39:42변시온이 나와요 변은아가 나와요?

00:39:54아니 아니죠 원하 씨.

00:40:07아니 아니죠 원하 씨.

00:40:11그땐 무슨 원동력으로 살래?

00:40:15할머니는 잘 지내시지?

00:40:21끔찍하게 증오하는 게 있는 사람은 끔찍하게 사랑하는 것도 만들어.

00:40:26그래야 사니까.

00:40:39태어나자마자 매일매일 버려졌어요.

00:40:42당신 한숨에.

00:40:45당신 시선에.

00:40:48내가 죽어서라도.

00:40:52당신이 얼마나 잘못했는지 알려주고 싶어.

00:40:55그냥 쭉 써.

00:40:57써서 줘.

00:40:58내가 얼마나 못된 년인지 기억나는 대로 쭉 써.

00:41:02백장이든 천장이든 써.

00:41:03볼게.

00:41:05매일 아침마다 오늘의 성경 말씀 있듯이 읽고 또 읽을게.

00:41:09읽으면서 매일 가슴을 칠게.

00:41:12네가 그렇게 애지중지하고 놓지 못하는 그 상처는 내가 평생 곱씹어줄 테니까.

00:41:17넌.

00:41:19쓰고 끝내.

00:41:23자기 상처 평생 반복하는 작가 있어.

00:41:26너 나에 대한 증오 낭낭낭에 다 썼어.

00:41:29그걸로 더 이상 쓸 거 없다고.

00:41:31그러니까 놓고 치고 나가라고.

00:41:34똑같은 감정 울고 먹다가 글빨 녹슬게 하지 말고.

00:41:43다음반에서 결정 나.

00:41:45마자영은 어떤 글을 쓰고 영실이는 어떤 글을 쓰는지.

00:41:50낭낭낭이 원래 누구 몫이었는지 판가름 난다고.

00:42:36좀 다 불러요.

00:42:40You don't have to use it anymore.

00:42:42You don't have to use it anymore.

00:42:44If you don't have to worry about the pain,

00:42:47you can't do it anymore?

00:42:52No.

00:42:57If you don't have pain,

00:42:58it's just a sin.

00:43:15It's just a sin.

00:43:17You don't have a pain in me.

00:43:19You don't have to worry about it anymore.

00:43:24I don't know what to do when I have lost my heart.

00:43:34I'm sorry.

00:43:37I'm sorry, I'm sorry.

00:43:38You're right.

00:43:38I'm sorry, I'm sorry.

00:43:46I'm sorry, I'm sorry.

00:43:50This is a time to read the girl.

00:43:57I was like, I'm sorry.

00:44:07I'm miserable.

00:44:11I'm tired of being ill, but

00:44:14you have been incapable of being ill.

00:44:20I've never been killed in her apartment.

00:44:21She is near that door.

00:44:23I want to walk the door.

00:44:24I'm sorry.

00:44:28I want to go to the building in her house with any Rumo.

00:44:37I want to walk the door open.

00:44:39I want to walk the door open.

00:44:40I want to walk the door open.

00:44:43I want to walk the door open.

00:44:45I can't believe it.

00:44:51I can't believe it.

00:45:01Oh.

00:45:09Oh.

00:45:10Oh.

00:45:10I've been looking for him?

00:45:12Oh.

00:45:14How do you?

00:45:15It's a fun game.

00:45:17Is it good?

00:45:19Well, it's good.

00:45:20Really?

00:45:22It's good.

00:45:23It's good.

00:45:23But you're the only one to say, why?

00:45:24Where are you?

00:45:25It's okay.

00:45:28It's neat about it.

00:45:31I'll go in.

00:45:32Go on.

00:45:34It's hard to see you.

00:45:36It's hard for me to go.

00:45:47I'll make sure you are off.

00:45:54And I'll go get it.

00:46:05Hi.

00:46:07Hello.

00:46:08Hello.

00:46:09How are you?

00:46:10I'm going home now.

00:46:12I'm going to sleep.

00:46:13I'm going to sleep.

00:46:14I'm going to sleep.

00:46:14Yes.

00:46:15Yes.

00:46:19You're going to sleep.

00:46:20Alright, go ahead.

00:46:27Hey!

00:46:30How'd it feel?

00:46:32How'd it feel?

00:46:33I didn't get any news cuz remember this thing.

00:46:37Why?

00:46:37I was so sorry.

00:46:37It was just a moment.

00:46:39What?

00:46:41Oh, they felt it.

00:46:45By the way, hey.

00:46:46I love it.

00:46:51She's so good.

00:46:53She's so good.

00:47:04Okay.

00:47:06Okay, there you go.

00:47:07Oh, definitely, there you go.

00:47:09Oh, definitely.

00:47:25When did you come?

00:47:27Who is it?

00:47:31Who is it?

00:47:32Who is it?

00:47:33Why is it?

00:47:34I'm so tired.

00:47:35I know you.

00:47:38I'm going to meet you.

00:47:41I'm going to meet you.

00:47:42Why are you?

00:47:43I don't know.

00:47:45I don't know.

00:47:48I'm going to meet you.

00:47:50I'm going to meet you.

00:47:50Let's meet you.

00:47:54She won't be, she won't go for it.

00:47:57If she wants to go, she wants to come.

00:47:59She'll be right back.

00:48:011, 2-5보다 더 재밌어요.

00:48:03다행이네요.

00:48:04Today it's been a statement.

00:48:07We have a series of calls.

00:48:10We'll see you now.

00:48:11We'll see you next little more.

00:48:15Can you imagine?

00:48:16So just go ahead and think about it.

00:48:17Yeah.

00:48:18Oh!

00:48:22There...

00:48:22...the staff member is known as Mr. J.

00:48:25...and...

00:48:27...and that person?

00:48:29Yes.

00:48:29...and I had to meet with you.

00:48:30I had to meet with you.

00:48:33Why?

00:48:34Really, really?

00:48:36I was really well-known.

00:48:39I saw that.

00:48:40I was all good at that.

00:48:42I saw the last thing.

00:48:42I think it's the best thing I've ever seen.

00:48:46I'll be fine.

00:48:55You're like...

00:48:57I'm so excited.

00:48:58I'm so excited.

00:49:02You're so excited about it.

00:49:20I'm so excited to see you.

00:49:42I'm so excited to be here.

00:49:46I hope that I have a lot of fun.

00:49:51I hope you will be here.

00:49:56I hope you will be here.

00:49:58I hope you will be here.

00:50:01You don't have to be viu, you don't have a chance to just get a Ônice.

00:50:03파이팅.

00:50:11Yôrbo.

00:50:15Hêjin아.

00:50:17Hêjin.

00:50:20Hêjin.

00:50:20Oh, my God, I can't believe it.

00:50:25I can't believe it.

00:50:37But I'm...

00:50:39I'm the director of the company.

00:50:40Yeah.

00:50:46So, I'm so excited.

00:50:50I'm so excited.

00:50:55I'm so excited.

00:50:57I'm so excited.

00:50:58네가 어느 지옥에 빠지든 어느 꿀단지에 빠지든.

00:51:06글만 건져나온다면 내가 지옥을 못 보낼까 꿀단지를 못 버드릴까.

00:51:18그러니까 계속 신나.

00:51:29그래도 좀 신났다.

00:51:32옛날에 고유진이 박경실 보도 타는 여자 만나서 간만에 신났다.

00:51:42이제 당신은 나 안 이뻐하잖아.

00:51:46근데 무슨 글이야.

00:51:47나 안 이뻐.

00:51:48나 안 이뻐.

00:52:10I don't know what to do, but I didn't know what to do.

00:52:14I woke up, but it was dark.

00:52:22It's a sad thing.

00:52:23It's a sad thing.

00:52:37I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry.

00:52:53I'm so excited to record it.

00:52:59You're so excited.

00:53:02Not being a child, you're a young man.

00:53:06You're a child.

00:53:17No, I don't know what to do with you.

00:53:22I don't know what to do with you.

00:53:42Don't go.

00:53:42You think it's okay?

00:53:42I'm not.

00:53:43I'm pretty hungry.

00:53:46Stay up.

00:53:48I'm not going to die.

00:53:50Not at all.

00:53:52I'll be good at all.

00:53:55TV shows up.

00:53:56I'll be right back later.

00:54:00I'll be right back.

00:54:01I'm not going to die.

00:54:27You're not going to be a little too late, but you're not going to be a little too late.

00:54:31No, no, no, no.

00:54:33I can't.

00:54:35I can't.

00:54:38I can't have a face.

00:54:41Can't you do it?

00:54:42But it didn't look so hard at all.

00:54:44Let's just say,

00:54:46he must be scared.

00:54:48He must be scared.

00:54:52He must be scared.

00:54:55He must be scared.

00:54:56I'm afraid you just got so much collect on it when you leave.

00:55:01Don't let me in my hand.

00:55:05Who is that?

00:55:12Who?

00:55:14Who?

00:55:15But you don't care about it, it's so bad.

00:55:17You're not even afraid to kiss me.

00:55:20I'm innocent, and I'll go to my eyes again.

00:55:27That's what I believe to you.

00:55:31You're worried about you.

00:55:33It's better that you want to get out of the way, you know.

00:55:37It's so bad.

00:55:38You look hard at me.

00:55:41We'll have to do this.

00:56:20We'll have to do this again.

00:56:21No, no, no, no, no, no, no, no.

00:56:57No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:57:06no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:57:10no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

00:57:10no, no, no, no, no, no, no, no, no, no, no, no

00:57:13You can't be able to die!

00:57:15How can you die?

00:57:17How can you die?

00:57:18How can you die?

00:57:31Just be a bitch!

00:57:33You're a bitch!

00:57:34You're a bitch!

00:57:35You're a bitch!

00:57:36You're gonna be by people!

00:57:36I don't have any choice!

00:57:54Stop!

00:57:58I'm sorry!

00:58:12I'm sorry!

00:58:14But... I'm really sorry.

00:58:18변은아 당신이 그렇게 괴로워하는 오정의 숨겨진 딸이라는 그 정체성이 나한테는 왜 그렇게 빛나게 느껴지는 걸까요?

00:58:34당신을 절대 따라갈 수 없는 나의 평범성.

00:58:40변은아님, 당신은 기어이 하늘로 올라가시려 하는군요.

00:58:48당신은 다시 제 자리를 맴돌아

00:58:57익숙한 침묵 위로

00:59:00하나님.

00:59:08나를 예뻐해 주세요.

00:59:44익숙하게 기운 이 밤

00:59:49내려놓은 맘과 나란히 있어

00:59:59어느새 지나온 이 길

01:00:02길어진 그림자 그 위에 있어

01:00:13손에 잡을 듯한 꿈과

01:00:19내려놓은 맘과 나란히 있어

01:00:31손에 잡을 듯한 꿈과 나란히 있어

01:00:39손에 잡을 듯한 꿈과 나란히 있어

01:00:49손에 잡을 듯한 꿈과 나란히 있어

01:00:54손에 잡을 듯한 꿈인가

01:01:11손에 잡을 듯한 꿈

01:01:16직접과 나란히 있어

01:01:18kardeş

01:01:19Suzuka war 죽이 1998년 산이에요.

01:01:29E 차 세계대전 때 러시아 병사가 있던 거라는 거 뻥이었어요, 뻥.

01:01:43I think the end of the day, I think about the bad news of Russia.

01:01:47I think about the death of Russia.

01:01:49I think about the bad news of Russia.

01:01:53I think about the bad news.

01:01:59And the bad news is that I'm going to lie to you.

01:02:06I'm so sorry about it.

01:02:07But...

01:02:08...

01:02:09...

01:02:10...

01:02:11...

01:02:12...

01:02:13...

01:02:14...

01:02:16...

01:02:18...

01:02:19...

01:02:20...

01:02:20I was so nervous.

01:02:25The main character of the superhero of the movie is the reality of the crime in the movie.

01:02:29It was the reality of the comedy of it in a moment.

01:02:32I started to come on...

01:02:34I hope...

01:02:37...it's good.

01:02:42The life is a comedy.

01:02:43Can I just save you all of this?

01:02:48Just going to be a comedy-rooted one?

01:02:56What?

01:03:01This lady...

01:03:02We're going to always have to do this.

01:03:05I don't know what to do.

01:03:36Give me the money to my hand

01:03:37Give me the hand me

01:03:40Give me the place to my hand

01:03:53It's not a girl

01:03:55Give me the hand if I can't

01:03:56When the girl was a woman

01:03:57Give me the hand if I can't

01:03:58Give me the hand if I can't

01:03:58All of the women

01:03:59Come on

01:03:59Welcome to my life

We Are All Trying Here Episode 11

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