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  • 16 hours ago
Stranger Things - Season 5 Episode 4 Engsub
Transcript
00:00:16Hey. I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:25Derek, Derek. If you keep doing that, you're just gonna hurt yourself. You just calm down so we can talk,
00:00:32okay? Do you know who I am? An evil child kidnapper.
00:00:39Okay. I understand why you would think that, but I'm not evil. I'm just a mom. A regular mom. That's
00:00:48my son, Will.
00:00:50Zombie boy. You know why they call him that? Because he died and came back to life.
00:00:55But what people don't know is that when he went missing, he was taken by a terrible, scary monster. And
00:01:04now that scary monster is after you.
00:01:06Yeah, I know. Mr. What's It told me. Which is why you need to...
00:01:09No, no. Mr. What's It is not who he says he is, okay? He is lying to you. All these
00:01:15monsters, they work for him.
00:01:17Now, that's why we took you here to this barn. We thought this barn was safe, but he's found us,
00:01:22so we have to move you again somewhere he can't find you.
00:01:24So if I untie you, will you cooperate and come with us? Please? Okay, great. You're a very brave kid,
00:01:36Derek. I want you to know that. Very brave kid.
00:01:46Let me go! Get off of me! Help me! Let me go! Help me! Get away! Somebody else might be
00:01:57a kid now! Get away from me! Let me go!
00:02:01Mom, the rope! I need the rope! Let me go! Eat dirt! Come try us, dipshit! Shit!
00:02:23Dude! She's not lying to you, okay? Mr. What's It is a very bad guy. He sent the monsters after
00:02:29you.
00:02:29Suck my fat one! Jesus, what?
00:02:32You just signed your death warrant, dipshit! You're just a psycho and you're going to jail!
00:02:36Just trying to help you. There is a monster coming! I promise you!
00:02:39Eric, please! You've got to keep down!
00:02:42I'm not listening!
00:03:07Get back!
00:03:11Stay back!
00:03:12Get back!
00:03:16Help me!
00:03:18You want him! You're going to have to come through me!
00:03:47We got him!
00:03:48We got him!
00:03:54We got him!
00:04:07It flipped!
00:04:08It's headed back towards us!
00:04:09Come on!
00:04:10What are you doing, man?
00:04:11We got to turn around!
00:04:11Wait, the gates are kind of like peanut butter boppers, right?
00:04:13What?
00:04:14The outside is like crunchy and tough, but then you bite down on it, it gives way to a gooey,
00:04:18creamy core.
00:04:19Dude, what the hell are you talking about?
00:04:21I drive fast enough, I think the Beamer can punch a hole straight into the gate, and then
00:04:24we can track the demo on its home turf in the upside down and follow it straight back
00:04:27to home.
00:04:28We're losing the signal!
00:04:29We're not going to be able to follow anything if we crash!
00:04:31We're not going to crash if it's like a bopper!
00:04:32We're almost gone!
00:04:36Do it!
00:04:37We're almost gone!
00:04:43We're almost gone!
00:04:43Oh, my God!
00:04:43I got it!
00:04:44I got it!
00:04:45I got it!
00:04:46Oh, God!
00:04:47What?
00:04:48It's not going to work!
00:04:48We're not going to make it!
00:04:49It's not the word. It's not about to stop.
00:04:50Oh, Jesus Christ!
00:04:53Oh, my God!
00:04:54Come on!
00:05:02You did it!
00:05:07Signal?
00:05:09It's wrong.
00:05:10Oh, my God.
00:05:11Get, you son of a bitch! We got you!
00:05:35I got you! I got you!
00:05:39Oh, my God!
00:05:45Oh, my God!
00:06:16Oh, my God!
00:06:46Oh, my God!
00:06:49Pockety-pockety?
00:06:50Oh, yes, yes, that's right.
00:06:51Pockety-pockety-wockety-wack.
00:06:53Cards and ends and prick-a-pockety.
00:06:55We'll be with you in just a minute, son.
00:06:56It happens almost to us.
00:07:02Shush!
00:07:04Jelly!
00:07:12Alan Miller?
00:07:13Alan Miller?
00:07:13I'm sorry.
00:07:14What is this about?
00:07:16It's your daughter, sir.
00:07:17It's your daughter, Lord.
00:07:19I'm sorry.
00:07:21We're on a train.
00:07:22We're on a train.
00:07:27We're on a train.
00:07:32We're on a train.
00:07:35We're on a train.
00:07:39We're on a train.
00:07:43We're on a train.
00:07:48Looks like our boy's taking us on the shortcut
00:07:50through our own cemetery.
00:07:51That's the most of the county line.
00:07:52Doesn't this thing ever get tired?
00:07:54Uh, unfortunately, it looks like the opposite.
00:07:56I think he's speeding up.
00:07:57Wait, what?
00:07:57I'm losing the signal.
00:07:59You've got to be shitting me, man.
00:08:00Can you go faster?
00:08:01Let's see.
00:08:05Henderson, you've got to talk to me here.
00:08:07What do you got, man?
00:08:08Henderson!
00:08:09Wait, I'm picking up some interference.
00:08:10How is that important right now?
00:08:11It means I can't hear the signal.
00:08:12Well, then listen harder, Henderson.
00:08:14You want to try to put these on?
00:08:15I'm driving!
00:08:16You do the driving.
00:08:17I'm driving, man.
00:08:18What is that?
00:08:18I don't know.
00:08:20Steve, go down.
00:08:23Steve!
00:08:24Steve!
00:08:24Steve, watch out!
00:08:25Steve, watch out!
00:08:26Steve, watch out!
00:08:27Steve!
00:08:27Steve, watch out!
00:08:33Jonathan, it's Mom.
00:08:34Answer me, please.
00:08:35Over.
00:08:36Jonathan, please answer.
00:08:39Jonathan, Nancy, Dustin, it's Joyce.
00:08:42Please answer me.
00:08:46Hey, any luck?
00:08:49Well, on the plus side, I guess that means they made it through.
00:08:52You want to see where they're headed?
00:08:56I'm back.
00:08:57Stopper.
00:09:15Could it be?
00:09:16I miss him when you beg of 기.
00:09:16It goes up and into, I've got to go to over.
00:09:16There's something.
00:09:16Here's what my suit has to decide on 이중.
00:09:16I've got to And us both let it go with him by...
00:09:16Oh, my God.
00:09:22That WILL RKOAN
00:09:23You remember that.
00:09:24What is it?
00:09:26I don't know, but I could feel it's important to him.
00:09:33Mr. What's it?
00:09:36His real name is Henry.
00:09:37AKA Vecna.
00:09:38AKA one.
00:09:39That's too many names.
00:09:41Why won't you just zip it and listen, dipshit?
00:09:44I had this feeling he didn't want me there.
00:09:48I wasn't supposed to see it.
00:09:51You've never been this close to the hive mine before.
00:09:54I mean, that thing was like feet away.
00:09:58Sometimes at the squawk, when a signal comes in too strong,
00:10:02it overloads the whole system.
00:10:04I think that's what this was, an overload.
00:10:06You didn't just tap into the hive mine.
00:10:09You jacked right into the goddamn control center.
00:10:12And Holly, where was Holly?
00:10:14Holly.
00:10:16Holly, she was...
00:10:17she was attached to this...
00:10:20this spire.
00:10:22She became a part of it somehow, like it was doing something to her.
00:10:28And there were others.
00:10:30There were three others.
00:10:35I thought Vecna was just coming for dipshit.
00:10:38So did I.
00:10:38But I only knew about Derek because he walked right past me.
00:10:44Serendipitous timing.
00:10:45You hear that?
00:10:46Serendipitous.
00:10:47I don't know what that means.
00:10:48I am really not loving all of these extra spires.
00:10:51I mean, night one, Vecna kidnaps Holly.
00:10:53Night two, he takes three more.
00:10:55He's escalating.
00:10:56And he's coming for more.
00:10:57Yeah, eight more, if this is accurate,
00:10:59which brings him to a total of twelve.
00:11:01What does he want with them?
00:11:02And why kids?
00:11:03And why swell?
00:11:04I don't know.
00:11:05But we have to stop him before he takes any more,
00:11:07and buy Dustin and the others' time to find this place.
00:11:09To find Holly.
00:11:10Maybe if we can pinpoint his exact targets,
00:11:13we could get them out of Hawkins.
00:11:14And out of Vecna's reach.
00:11:15Did you forget we're quarantined?
00:11:17That's not all.
00:11:17There's another problem.
00:11:19On the way here,
00:11:20we saw soldiers load Debbie Miller
00:11:21onto a bus with a bunch more kids.
00:11:23And then we followed them for two blocks more,
00:11:25and they loaded more kids onto it.
00:11:26I don't think they were taking them to school.
00:11:30Vecna's not the only one that wants these kids.
00:11:38Eleven was at the Wheeler house the same night Holly was taken.
00:11:42Twenty-four hours later, we've got three more missing kids.
00:11:45There's seventy-three children in Hawkins between the age of nine and ten.
00:11:49If the pattern holds, our next target will be from this group.
00:11:53And you believe eleven has taken these kids?
00:11:57For what purpose?
00:11:58Killing them, protecting them, the reason doesn't matter.
00:12:02And these children? Where are they now?
00:12:04Arriving at the Max Z any moment, which is where I want you.
00:12:07I should be looking for Lieutenant Akers. I find Akers, I find...
00:12:10You'll find a dead man.
00:12:12Report to the Max Z, Colonel. That's an order.
00:12:21Major General.
00:12:24With all due respect, these kids are in danger.
00:12:28To use them as bait seems...
00:12:31Seems what, Sergeant?
00:12:36Reckless.
00:12:38It's only reckless if you fail to protect them.
00:12:43Are you telling me you can't protect them, Sergeant?
00:12:47No, ma'am.
00:12:51Good.
00:13:06I'm sorry for scaring you.
00:13:09I haven't seen anyone in a really long time, so...
00:13:14I guess I got excited.
00:13:18Good news is, it doesn't look that deep.
00:13:20Not enough for stitches.
00:13:23I bet it stings though, huh?
00:13:27You can talk to me, you know.
00:13:30I won't bite.
00:13:34You do remember me, right?
00:13:37I've been to your house.
00:13:39Like, a lot.
00:13:43You're Max.
00:13:45Max Mayfield.
00:13:46You skateboard and never take off your Walkman.
00:13:49That's me.
00:13:50But...
00:13:51How am I in here when I'm in a coma in Hawkins General?
00:13:55That's a very reasonable question.
00:14:00We should get going.
00:14:01It's not safe here.
00:14:02Come on.
00:14:03Where are we going?
00:14:05My home.
00:14:06Well, I can't go far.
00:14:07I came here to meet Henry.
00:14:08Do you know Henry?
00:14:09Yeah, you could say that.
00:14:10Well, he left me this note here, see?
00:14:12And he told me to meet him right here, at the app's right here.
00:14:14I think he's in trouble with the monsters.
00:14:15Henry is a lot of things, but in trouble with the monsters is not one of them.
00:14:18No, but look.
00:14:18Look, the note says...
00:14:20Holly, I know what the note says.
00:14:20Then how do you know he's not in trouble?
00:14:21Holly, he said hurry!
00:14:23Holly, I know what the note says because Henry didn't write it.
00:14:25I did.
00:14:27I...
00:14:28I don't...
00:14:29I don't understand.
00:14:32I'm sorry.
00:14:34I didn't want to lie.
00:14:35I...
00:14:36I just...
00:14:36I had to make sure that you came here.
00:14:39You're one of them, aren't you?
00:14:41One of what?
00:14:42The monsters.
00:14:43Do I look like a monster?
00:14:44I don't know.
00:14:45Maybe you're in disguise.
00:14:46You're dressed weird and you're in a coma.
00:14:48Okay.
00:14:49I...
00:14:50Well, would a monster know that your brother tried to get a mohawk until your sister stopped
00:14:55him, saving him from possibly the greatest social humiliation that a freshman has ever
00:14:59experienced at Hawkins High?
00:15:01What color was this mohawk?
00:15:04Hot orange.
00:15:05And personally, I think the use of the word hot is a bit ironic, but people say I'm too negative.
00:15:11I just think I'm honest.
00:15:35Come on.
00:15:45Welcome.
00:16:04Hey.
00:16:06It even comes with a view.
00:16:31Where are we?
00:16:33In a memory.
00:16:35Which exists inside a world of a thousand memories.
00:16:39I know it might look nice.
00:16:42But it's not.
00:16:43This place.
00:16:45This world.
00:16:47It's a prison.
00:16:54Henry's prison.
00:17:22It's okay, sweetie.
00:17:25These are the good guys.
00:17:26They're gonna keep everyone safe.
00:17:28Just try and think of this as a field trip.
00:17:31Mm-hmm.
00:17:33A learning expedition.
00:17:47Cargo has arrived.
00:17:49I repeat.
00:17:50Cargo has arrived.
00:17:55They're taking them into a barrack second from the library.
00:17:58What?
00:18:06Tunnels.
00:18:12Yeah.
00:18:13See, the north tunnel of the Max Z runs right underneath the barracks.
00:18:17Lucky break.
00:18:18Round to heaven one of these days.
00:18:20We're gonna need a lot more luck if we want this plan to work.
00:18:22If we're right, the military is trying to protect these kids.
00:18:24So this barracks is gonna be heavily guarded.
00:18:26I mean, we have to dig up into the barracks unnoticed, grab the kids, get them to Murray,
00:18:30smuggle them out of Hawkins.
00:18:31All before anyone notices they're gone.
00:18:33Dick.
00:18:34What?
00:18:35What?
00:18:36Oh.
00:18:37Sorry, did I say that out loud?
00:18:39I thought I was talking in my head, but you guys know Tom, Dick, and Harry, right?
00:18:45Seriously?
00:18:46None of you have seen The Great Escape?
00:18:48Well, basically, it's about these POWs, right?
00:18:51And they're stuck in a barracks just like this one, and they need to escape.
00:18:55So they dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:18:58They have to hide the tunnels from the Nazis, so they put Tom in this dark corner,
00:19:02and they put Harry under the stove, and they put Dick in the washroom.
00:19:05And personally, for us, I like Dick.
00:19:11Oh, um, sorry.
00:19:12The washroom.
00:19:13I actually don't even...
00:19:15Never mind.
00:19:15Okay.
00:19:16Say we go with Dick.
00:19:18How do we find the washroom?
00:19:20And how do we get the kids to it?
00:19:22How do we even know which kids are being targeted by Vecna?
00:19:24We used an inside man.
00:19:26Someone who could get into the barracks, measure the distance of the washroom,
00:19:29find out which kids have actually seen Mr. What's It,
00:19:31and somehow avoid the military altogether.
00:19:33Well, that's a lovely plan, but isn't it a tad...
00:19:36Missing impossibly.
00:19:37Yeah.
00:19:38I mean, Mike, who are you gonna get to do this?
00:19:40Bond?
00:19:41Magnum?
00:19:41No, no.
00:19:42We don't want a super spy.
00:19:43We want the opposite.
00:19:44We want someone no one would suspect.
00:19:47Someone that could just walk in, no questions asked.
00:19:49The one kid the military failed to wrangle.
00:19:59What?
00:20:00Sick.
00:20:18We don't want someone no one, but a damn Weird Come Disney goes!
00:20:19So we're next to it.
00:20:19I'm not even because of her.
00:20:19I'm the king of the arkadaşlar and a community.
00:20:19Now you're housing with 갖고 problemas for all of the doule children.
00:20:19Time to leave me alone as a guest.
00:20:20Okay.
00:20:24So I beat myself and your holy family here.
00:20:27Take out a date and care.
00:20:30Two grunts in the tower by the west gate.
00:20:34One more in the tower by the east gate.
00:20:37One, two, three, four on the ground.
00:20:40I hope to God you're right and Vecna is in there.
00:20:42Because we might just die trying to break in.
00:20:45I am right.
00:20:45Well, you can't be right about everything because your theories aren't exactly lining up.
00:20:49Why not?
00:20:50You heard Kryptonite.
00:20:51It means if Vecna is in there, he doesn't have his powers.
00:20:53If he doesn't have his powers, how could he have anything to do with Holly's kidnapping?
00:20:57You can ask him before I kill him.
00:20:59How high is that fence?
00:21:02Hey, you're not jumping that.
00:21:04Why not?
00:21:05Because this is not training.
00:21:07This is a real world situation.
00:21:09And that roof is metal.
00:21:12You hit that on a jump, you're going to alert the whole damn base.
00:21:15Not if I time it with the thunder.
00:21:17Yeah.
00:21:18It's seven seconds.
00:21:24One, two, three, four.
00:21:29Five, six, seven.
00:21:35Okay.
00:21:36You got lucky.
00:21:38Hopper, you copy.
00:21:40Dustin.
00:21:41Hopper, you copy.
00:21:43Dustin.
00:21:44Hey, hey.
00:21:45Uh, it's Hop.
00:21:46I copy.
00:21:47Who is it?
00:21:48Okay.
00:21:48Well, they're alive.
00:21:50El.
00:21:50Talk about El.
00:21:51Uh, El.
00:21:51El.
00:21:51Is El with you?
00:21:52Over.
00:21:52Yes.
00:21:53I'm here.
00:21:54Over.
00:21:54Okay.
00:21:55Yay.
00:21:56Terrific.
00:21:56I don't know what you're doing right now.
00:21:57Or if you caught up in something important, but...
00:21:59Dustin, come meet us.
00:22:00Meet us at Rhone Cemetery Church, please.
00:22:03Rhone Cemetery?
00:22:03How the hell are you contacting us?
00:22:05I'm there.
00:22:05Right.
00:22:06You don't know.
00:22:07We're in the Upside Down.
00:22:09What?
00:22:09Long story short, we're in here to track a Demogorgon using our telemetry tracker, only
00:22:13to then hit a wall.
00:22:14Literally.
00:22:15Now, Steve's beamer is stuck, so we need El to come and pry it loose using her power so
00:22:18we can then resume the search for said Demogorgon, which will in theory lead us to Holly.
00:22:22Does any of this make sense?
00:22:23Do you need additional details?
00:22:24Questions?
00:22:25Concerns?
00:22:26Over.
00:22:26You hit a wall.
00:22:29What kind of wall exactly?
00:22:32Uh, it's a bit hard to describe.
00:22:37Sort of.
00:22:38Huge.
00:22:40Disgusting.
00:22:41This smells like Henderson's armpit.
00:22:44Yeah, we hit the same thing, but not at the Rhone Cemetery.
00:22:46We hit it about a quarter mile southeast of the Old Hagen Bridge.
00:22:50That's the opposite side of town.
00:22:53Fascinating.
00:22:54We don't know what it is, but we think that Holly's behind it.
00:22:57Don't bother trying to break through.
00:22:58You can't.
00:23:00We're working on a solution.
00:23:02Solution?
00:23:03What kind of solution?
00:23:06Wait, what kind of solution?
00:23:08Hopper!
00:23:08Listen, we gotta keep the airwaves clear, all right?
00:23:11We'll come get you.
00:23:12Just stay put.
00:23:15You think they're safe?
00:23:17I mean, compared to us?
00:23:18Yeah.
00:23:19Okay.
00:23:22Let's go see if that training is paid off.
00:23:24You're gonna let me jump?
00:23:27Let's go before I change my mind.
00:23:37Thekna's curse.
00:23:39It never goes away.
00:23:41It never leaves you.
00:23:43With each victim that he took, he created a new gate.
00:23:46A gate to the Upside Down?
00:23:49When he took me, he opened the fourth, final gate, splitting Hawkins in two.
00:23:56Wait, but if Mr. What's It, I mean, Henry, took you, how are you here?
00:24:03You mean, shouldn't I be dead?
00:24:06It's okay.
00:24:07It's a fair question.
00:24:09I definitely should be.
00:24:11And for a moment, I was.
00:24:19I don't know how long I was gone, but then I felt something calling to me.
00:24:25I don't know how long I was.
00:25:13I don't know how long I was.
00:25:20I don't know how long I was.
00:25:22I don't know how long I was.
00:25:23I don't know how long I was.
00:25:24One night only.
00:25:26Don't miss it.
00:25:26Tickets are only 50 cents.
00:25:28That's two quarters for your point, Dexter.
00:25:30Joyce!
00:25:32Is that stupid play of yours?
00:25:33Better see you there, Harrington.
00:25:35Friday night?
00:25:36You wish.
00:25:40Nice shot, jerk.
00:25:41Good work.
00:25:44Somehow, I was in another time.
00:25:49Hawkins.
00:25:5030 years ago.
00:25:52Time travel.
00:25:55Time travel.
00:25:55Only, I wasn't actually there.
00:25:58Not really.
00:25:59I was just an observer.
00:26:05And that's when I understood.
00:26:07I was trapped inside Henry's mind.
00:26:10His memories.
00:26:12Like a nightmare prison world ruled by an evil, psychopathic piece of shit.
00:26:20Like Camazots.
00:26:21Cam...
00:26:22What?
00:26:23Camazots.
00:26:24From Wrinkle in Time.
00:26:26Never read it.
00:26:26You should.
00:26:27It's amazing.
00:26:27Camazots is like this dark planet that's under the control of It, which is this giant disembodied
00:26:32evil brain.
00:26:33Anyways, Meg's dad, Meg's the main character, he gets sick in prisoner fare.
00:26:36So, Henry's kind of like it, and you're kind of like Meg's dad.
00:26:39Okay, well, I don't know if Meg's dad would agree, but the way I see it, when you're a
00:26:46prisoner in a messed up prison world, you really only have a few doors open to you.
00:26:51Door one, you take your own life.
00:26:55Door two, accept your fate.
00:26:59Or door three.
00:27:00You escape.
00:27:01I chose door three.
00:27:03That seems like the best door.
00:27:05So, I kept moving.
00:27:07From memory to memory.
00:27:10Only this place is a maze.
00:27:14I became lost.
00:27:16Turned around.
00:27:17I got so turned around, I actually ended up right back at the beginning.
00:27:31And that's when I heard her.
00:27:37I heard Kate Bush.
00:27:38Is she one of your friends?
00:27:42You could say that.
00:27:47Music has a way of finding you, even in the darkest of places.
00:27:51Lucas had used it before, to reach me, to guide me out of Vecna's mind.
00:27:55Back to the light.
00:28:08So, this music was coming from Lucas.
00:28:11From the real world.
00:28:18Even after all this time, he hadn't given up on me.
00:28:23If you followed this music...
00:28:26Then what?
00:28:28Then it would lead me out of here?
00:28:32Back home?
00:28:35At least that's what I thought.
00:28:37At least that's what I thought.
00:28:41Then...
00:28:45Everything went wrong.
00:28:46Oh no.
00:28:46You got me wrong, David.
00:28:48What?
00:28:49Come on, come on.
00:28:51Let's exchange...
00:29:15Hey, what the hell are you doing?
00:29:17Can't you read, kid?
00:29:19No trespassing.
00:29:21Right.
00:29:21I see that, officer.
00:29:23It's just my school is missing.
00:29:31Let's go.
00:29:43Move it.
00:29:49Holy shit.
00:29:51Are those laser blasters?
00:29:52It might just be.
00:29:54And they'll blast you if you don't keep it moving.
00:30:00Boys.
00:30:01Can't get me.
00:30:02Boys.
00:30:05All right.
00:30:06Absolutely not.
00:30:08Whoa, whoa, whoa, whoa, whoa, whoa.
00:30:11This is private traffic.
00:30:13You do exactly as he says.
00:30:14Got any questions?
00:30:16Direct them to him.
00:30:16Where might I relieve myself?
00:30:22Breaking bar.
00:30:24Shovel.
00:30:26Five safety goggles.
00:30:29A surveyor's wheel and hold for applause.
00:30:38Santa sleigh is ready for his reindeer.
00:30:41We got built-in benches, seat belts, foam padding, everything a kidnapped child could desire.
00:30:48Foam padding.
00:30:49Don't want to break any eggs en route now, do we?
00:30:53I'm in.
00:30:54You copy.
00:30:55Repeat, I'm in.
00:30:56You copy.
00:30:57Yes, yes, we copy.
00:30:59We copy.
00:30:59Where are you?
00:31:00Bathroom.
00:31:01Back stall.
00:31:0145 of my patients from the front entrance.
00:31:04Good job.
00:31:04Now round up anyone who's seen Mr. Wetted.
00:31:07And we'll be there soon.
00:31:08And remember, you're not dipshit Derek.
00:31:11You're delightful Derek.
00:31:24Okay, once you get that gate open and I'm inside...
00:31:28You lead.
00:31:30That's right.
00:31:31And you?
00:31:32I will destroy your crypt tonight.
00:31:35Don't worry.
00:31:37Okay.
00:32:10I will destroy your crypt.
00:32:20All right, come on.
00:32:22Come on, you got this.
00:32:23You got this.
00:32:30You got this.
00:32:31Oh.
00:32:36Oh.
00:32:38Oh.
00:32:39Oh.
00:32:39Oh.
00:32:41Oh.
00:32:54Wait, you're too early.
00:32:56You're too early.
00:32:56Oh.
00:33:02God.
00:33:07Sorry.
00:33:12You're trying to give your old man a heart attack?
00:33:15Nice job, by the way.
00:33:23Pop.
00:33:25Yeah?
00:33:28For what?
00:33:29For teaching me.
00:33:33For teaching me.
00:33:33And trusting me.
00:33:36Always.
00:33:43The day of reckoning has arrived.
00:33:46With this in mind, I've been sent by Mr. What's It to gather the chosen ones.
00:33:50If you've been visited by Mr. What's It, speak now.
00:33:52And when night falls, follow me to the latrine, and when night falls, follow me to the latrine, and I
00:33:55will lead you to our savior, to safety.
00:34:00Derek's gone mental.
00:34:03Monsters are coming, and you're all gonna die.
00:34:06Ha, ha, ha, ha, ha, ha.
00:34:08Derek?
00:34:10Were you talking about Henry?
00:34:23Anywhere from Derek yet?
00:34:25Not yet.
00:34:27Let's give him time.
00:34:28It hasn't been that long.
00:34:29I just can't get over the fact that the fate of the world rests on Derek freaking Turnbow.
00:34:36When you look in the mirror, do you see a Navy SEAL looking back at you?
00:34:39Uh, sometimes people need someone to believe in them, and they can do amazing things.
00:34:46Your mom and Robin are getting along better.
00:34:49Well, it didn't hurt that mom scared off that demo.
00:34:53Saved Robin's life.
00:34:54Everybody's life.
00:34:59So, when your mom, when she had her axe, you could see her, like, through the demo's eyes?
00:35:05Yeah, and I was so close to the hive, it's like I could, I could feel what it was feeling,
00:35:11like, like this anger.
00:35:13But I was still in there too, and I was afraid.
00:35:16I was afraid for my mom.
00:35:18You wanted to protect her.
00:35:19Yeah, but, but I, I, I just couldn't.
00:35:22It was like this, this scary movie you just can't turn off.
00:35:29Open sesame.
00:35:32Oh, well, have fun.
00:35:36Thanks.
00:35:38Are you positive you didn't?
00:35:40Didn't what?
00:35:40Turn off the scary movie.
00:35:42Protect your mom, not the other way around.
00:35:43I mean, no offense, I know she's badass and everything, but you know.
00:35:46Yeah, she's five foot three.
00:35:47Yeah, and Vecna likes to control the hive mind like a puppet master.
00:35:51So, maybe when you tap into the hive, you can pull the strings too.
00:35:54Except I'm not Vecna.
00:35:56You sort of are.
00:35:57You're trying to say that I'm evil and hell-bent on destroying the world?
00:36:01Totally.
00:36:02No, I'm just saying that, you know, you're like a wizard, like him.
00:36:05In D&D, Mike, not in real life.
00:36:07True.
00:36:08In real life, you're more like a sorcerer, because your powers don't come from a book of spells.
00:36:12They're innate.
00:36:13Listen, as far as crazy theories go, I've had crazier.
00:36:17And with Eleven in the Upside Down, we really need some magic up here.
00:36:58Working on a solution?
00:37:00I mean, if Hopper has a solution to get through this and to get to Holly, he should share it
00:37:06with us.
00:37:06No, I just say we ignore the old man.
00:37:08We keep moving.
00:37:09Look for a door or something.
00:37:11Yeah, and, um, just curious, uh, this door of yours, why it's soft like a peanut butter bopper?
00:37:16You got something to say, Bars?
00:37:17Why don't you just come out and say it, man?
00:37:18I'm just saying that maybe you shouldn't be making the calls from now on.
00:37:21It was not just his call.
00:37:22It was mine.
00:37:23Because it's my sister.
00:37:26And I agree with Steve.
00:37:28Okay, we can't just sit here.
00:37:30I don't know about a door, but this wall can't go on forever.
00:37:34There has to be a way around it.
00:37:36There isn't.
00:37:38This wall is a circle.
00:37:40A circle completely surrounding the Upside Down.
00:37:43Oh, yeah?
00:37:43And how exactly do you figure that?
00:37:45Because unlike you, I didn't sleep through Algebra 1.
00:37:50So my telemetry tracker picked up a weird frequency coming from the wall.
00:37:53And it took me a bit to place, but I've heard it before.
00:37:57Rather, we have.
00:37:58You remember when we were out looking for Hop and you heard that sound off of Irwin Road?
00:38:01Yeah, you said it was an interference.
00:38:03It was.
00:38:04But this interference, it wasn't coming from a military broadcast or an EMI.
00:38:08It was coming from this wall, which is important because that gives us three known locations.
00:38:13So I connected the dots, measured the midpoints, drew the perpendicular,
00:38:17All right, yeah, we're not your teachers.
00:38:20We don't need to see your work.
00:38:21We get it.
00:38:21You think it's all a big circle.
00:38:23I don't think I know.
00:38:24I triple checked and my calculations are correct.
00:38:26Jesus, whatever.
00:38:27Still don't see how this gets us any closer to finding Holly.
00:38:30Because it's not about the circle.
00:38:31It's about the center.
00:38:35The DOE.
00:38:36The Department of Energy.
00:38:38That's...
00:38:38Hawkins Lab.
00:38:41What are the chances that the center of this wall just so happens to be in the very place where
00:38:45all of this started?
00:38:45Where the Upside Down was created.
00:38:47So the lab created the wall?
00:38:49No idea.
00:38:51But I think we should find out.
00:38:53Don't you?
00:39:01The music, it led me to a new memory.
00:39:04Only something was different about this memory.
00:39:08I was there.
00:39:11It was the day that Henry cursed me.
00:39:13It was his first memory of me.
00:39:16I know, as if this goddamn place wasn't heady enough, right?
00:39:20But I still had the music to guide me.
00:39:24So I followed it.
00:39:27And...
00:39:28It led me through new memories.
00:39:37Terrible memories.
00:39:38Let go!
00:39:39Fall me into death.
00:39:42Yes!
00:39:56And it felt like they would never end.
00:40:02But then eventually...
00:40:04They did.
00:40:07It was...
00:40:08The night that Bekna killed me.
00:40:12The night he took me prisoner.
00:40:20I finally found it.
00:40:26The way out.
00:40:47And I was so close.
00:40:52So close that I could feel his hand on mine.
00:40:58And it was like I was there.
00:41:01Like I was with him.
00:41:02In that hospital.
00:41:12Oh, angel.
00:41:14Come on, come, darling.
00:41:16Let's exchange this.
00:41:30No.
00:41:32No.
00:41:39Lucas.
00:41:41Lucas.
00:41:42Lucas.
00:41:44Lucas.
00:41:49Hello, Max.
00:41:54I ran.
00:41:58And I kept running.
00:42:32I'll never forget the look on his face that day.
00:42:36He was scared.
00:42:38More than scared.
00:42:40He was terrified.
00:42:42There's something about this cave.
00:42:46This memory.
00:42:49He won't come in.
00:42:52And here, I'm safe.
00:42:56So I turned it into my sanctuary.
00:43:03My home.
00:43:07I took door two.
00:43:10Shitty door two.
00:43:14Except your fate?
00:43:16That was.
00:43:18Until you showed up.
00:43:21And now door three is back.
00:43:24Escape.
00:43:26I have a plan.
00:43:27A plan to get us out of here.
00:43:29And it's gonna take time.
00:43:31More time than we have now.
00:43:33Henry will return to his house soon.
00:43:35And when he does, he cannot know that you're gone.
00:43:38You want me to go back there?
00:43:41Back to him?
00:43:42Back to Henry?
00:43:42No, I know.
00:43:43It's scary.
00:43:45But if you want to get out of here.
00:43:47If you want to escape Camazads.
00:43:50This is the only way.
00:43:53It's the only way.
00:44:00Tell me what I need to do.
00:44:20Hey.
00:44:22Hi.
00:44:26do you um by any chance remember tammy thompson yeah isn't she that terrible singer yeah but in
00:44:35the ninth grade i thought that she sounded like whitney goddamn houston i mean the first time i
00:44:40saw her oh my god like time slowed down it was like a scene from some label movie you know
00:44:48her
00:44:48hair blew in the wind and she just looked perfect so goddamn perfect and uh it was right then and
00:44:56there that i knew she was the one that with tammy i would finally be able to be myself you
00:45:02know all of
00:45:02myself because there was always this part of me that kind of scared me you know but i thought that
00:45:09if tammy loved me all of me you know i wouldn't be so scared anymore and then he showed up
00:45:18steve the hare harrington oh god you probably can't guess the rest tammy fell for him hard
00:45:26and my entire fantasy life with her along with the rest of my life pretty much imploded before my eyes
00:45:33i mean my grades plummeted i got grounded i had to stay home every weekend doing chores but then one
00:45:38day i was cleaning bat shit out of my parents garage and i found this this this eight millimeter film
00:45:43real you know and it was just from the silly movie that i made in the fourth grade but
00:45:46i got it up on the projector and all of a sudden i was looking at this little version of
00:45:53myself
00:45:53and that little me i could hardly recognize her you know she was so carefree
00:46:01and like fearless she just loved every part of herself and that's when it hit me it was never
00:46:10about don't have to help it was always just about me i was looking for answers in somebody else but
00:46:21i had all the answers i just needed to stop being so goddamn scared scared of who i really was
00:46:32once i did that
00:46:35i felt so free it's like i could fly you know like like i could finally be rock and robin
00:46:45yeah rocking around hey guys take your time will you
00:46:55did you finally hit dick hit the dick yep let's just hope it's not too hard if it is
00:47:02i'll soften it
00:47:10hey hey hey hey
00:47:16hey hey
00:47:16take me to k
00:47:46make a sound it'll be your last not if you understand
00:47:53come on let's go come on
00:47:59it's not working
00:48:01how do we get through i i don't have clearance i didn't ask if you have clearance i asked how
00:48:05do we get through you can't dr k your boss she got clearance i don't know
00:48:13i don't know thanks for your help plan b
00:48:18them
00:48:38and i don't have any questions
00:48:42come out
00:48:43tell me
00:48:45try to put them in touch
00:48:47No!
00:49:25We're through.
00:49:58Oh, shit.
00:50:05Close your eyes and focus on your breathing.
00:50:09Breathe in and out.
00:50:12As you continue breathing, I want you to picture yourself on a beach.
00:50:17The water is blue, blue as a smurf.
00:50:20You listen to it lap the sandy shore, like a dog slurping from his bowl.
00:50:32It's called visualization.
00:50:35Mom does it when she's out of Valium.
00:50:42Mom does it when she's out of Valium.
00:50:45Come on, girl.
00:50:46And come on, girl, girl...
00:50:49Go.
00:50:50No.
00:51:35Howdy.
00:51:41Feel the sand under your butt.
00:51:44It feels cool and soft.
00:51:47Time. There you go.
00:51:50Good job. Good job.
00:51:52All right.
00:51:53Hey, sweetie.
00:51:55What's your name?
00:51:57Debbie.
00:51:57Do you work for Mr. What's It?
00:52:00Mr. What's It?
00:52:01Oh, yes, of course.
00:52:03I'm one of his elves.
00:52:05You know, like a magic elf.
00:52:24Right here, a couple more steps.
00:52:27All right.
00:52:28Nice.
00:52:29Good?
00:52:29All right.
00:52:30Great job.
00:52:32Step by step.
00:52:32Shut up.
00:52:48Shit.
00:52:50Good job.
00:52:51I'm the best.
00:52:51Huh.
00:52:51What's this?
00:52:52I'm the best.
00:52:54You're doing it.
00:52:55Come on.
00:52:55I'll be his turn.
00:53:08It's going for me.
00:53:09Good job.
00:53:10You're doing it.
00:53:17It's going to be so busy.
00:53:28Eleven, I have been looking for you for a very long time.
00:53:35My name is Dr. K.
00:53:39I know who you are.
00:53:43Know who you've taken.
00:53:49And I also know that you and your men are going to die.
00:54:28What the hell?
00:54:40Oh, no.
00:54:41Oh, no.
00:54:52Oh, my God.
00:55:35It's best not to struggle.
00:55:38The greater the perceived threat, the more aggressive its response.
00:55:49Miss Robin, what about the others?
00:55:51Uh, just Robin.
00:55:52And don't worry, they're right behind us.
00:55:54Something's wrong, isn't it?
00:55:55No, no, Sari.
00:55:56Everything is going exactly according to plan.
00:55:58Here, walk up!
00:56:00Press me through the dagger right with the dagger!
00:56:02Hold it, hold it, hold it, hold it!
00:56:08Sorry, I'm gonna have a plumbing problem here.
00:56:10Are you by chance looking for Mr. What's It?
00:56:13Right through there.
00:56:25There's a little breeze in the air, telling you a secret.
00:56:29You look up at the sky, searching for clouds, but always...
00:56:50Mr. What's It?
00:56:56Shit!
00:56:57Shit!
00:56:58Officer!
00:56:58Whoa, whoa, whoa.
00:56:59Hey, calm down.
00:57:00What was going on?
00:57:01Shitballs.
00:57:01Good job, man.
00:57:02Lucas!
00:57:03We've been spotted!
00:57:04Oh, no, no!
00:57:05Just get him out of here!
00:57:06Just go!
00:57:06What about the others?
00:57:07Just go, go, go, go!
00:57:08Damn it!
00:57:09Okay, come on, guys!
00:57:18Take him out of here!
00:57:20Go!
00:57:20Ashton Clyde's A Stitch!
00:57:25Go, go, go, go, go, go, go!
00:57:27Head, head, head, head!
00:57:31Right, step on,んな!
00:57:36Ashley Clyde is a stitch!
00:57:37Aw!
00:57:37Ah!
00:57:39So you're the reason, the reason she's been so hard to track, the thorn in my side, and
00:57:51after all that effort to hide her, you bring her here, of all places, why, why risk her
00:58:02life for the other. What do you know that I don't? It's actually holding back, if you can
00:58:18believe it. That heat you feel. Weakens it. But in the cold, it thrives.
00:58:37I can stop it. But you're gonna have to start talking.
00:58:59God, Al.
00:59:16I'm afraid that won't work.
00:59:29Not the sharpest, are we?
00:59:50You're too late. Cavalry's on its way. That's all right. I'll be quick.
01:00:10Grocery delivery. Where is everyone else? Coming. Come on, sweetie. Come on down. Come on.
01:00:20You get down here right now, or a monster's gonna eat you.
01:00:26I'm gonna go.
01:00:27Coming fast. Shit. Get out of the water.
01:00:30That goddamn power.
01:00:41I got you. That's good. Good, good. Hey there. Where do you think you're going?
01:01:00What are you doing? Hey, you gotta go. Who are you gonna go? Come on. We're gonna get
01:01:10to the woods. This kryptonite shit can't get you there. We can't leave. We came for Henry.
01:01:17You take this compass. You're gonna follow it northeast. That'll take you to the graveyard.
01:01:21You're gonna find Nancy and the others. Whoa, whoa, whoa. Hey, hey. Hey.
01:01:25What is it? It's just a failsafe, okay? No. It's a failsafe. If anything happens,
01:01:30I gotta make sure that he goes down with me. No. No. It's the only way. It's the only way.
01:01:34I'm not gonna risk losing you. I will not risk it. Over. No. I want you to know something.
01:01:41From here on out, I want you to know how proud I am of you. I am so proud of
01:01:46you.
01:01:46I am so proud of what you've overcome. I'm proud of who you are. No. No. No. Hopper.
01:01:57I love you, Jane. Hopper. Hopper. Hopper.
01:02:11Hopper.
01:02:14Hopper.
01:02:18Hopper!
01:02:26Hopper.
01:02:28Hopper.
01:02:29Hopper.
01:02:35Hopper.
01:02:36Fluxia, stopпри.
01:03:04All right, kids.
01:03:05Come on, find a seat in the back.
01:03:13All right.
01:03:14Okay, let's have some fun, huh?
01:03:16This is going to be great, huh?
01:03:18Okay, let's get our seatbelts on, hmm?
01:03:20Safety first.
01:03:21Come on, time's a-wasting.
01:03:22Pretty comfy, huh?
01:03:24Not really.
01:03:25Oh, sorry.
01:03:27Robin, Lucas, do you copy?
01:03:29Over.
01:03:30Copy, it's Robin.
01:03:31Lucas, I copy.
01:03:33We've got a problem here at the Mac.
01:03:35What kind of problem?
01:03:36Let go of me, you asshole!
01:03:40You want to explain to me what in God's name is going on here?
01:03:42Get the hell off me!
01:03:43We've got five missing kids, sir.
01:03:45You've lost five kids?
01:03:46How is that possible?
01:03:47This woman...
01:03:48Joyce Byers?
01:03:49She broke into the barracks.
01:03:50She's been helping them escape through some kind of tunnel.
01:03:53I'm sorry.
01:03:54Can you repeat that?
01:03:55Listen, these kids, they are not safe, okay?
01:03:58They are in danger.
01:04:00And why exactly do you think they're here, ma'am?
01:04:02They're under our protection.
01:04:04If I may reject, officer, I've seen what's coming.
01:04:07And no disrespect meant, but you and your men can't protect shit!
01:04:11Brother!
01:04:13Hey, get off me!
01:04:14Hey, get off me!
01:04:16Come on!
01:04:17Come on!
01:04:18Come on!
01:04:19Come on!
01:04:23Come on!
01:04:24Hey, kids!
01:04:25Will!
01:04:26Will!
01:04:27Will!
01:04:28Will!
01:04:28Will!
01:04:28Are you okay?
01:04:29Baby, are you okay?
01:04:37They're here.
01:04:40Will!
01:04:57You see that?
01:04:58You see it in there?
01:04:59No!
01:05:01No!
01:05:03No!
01:05:03No!
01:05:05No!
01:05:05No!
01:05:15Take the nearest threat! Engage on sight!
01:05:17We're all gonna die! We're all gonna die!
01:05:25Get behind me! Get behind me!
01:05:50I'm gonna die! I'm gonna die! I'm gonna die! I'm gonna die!
01:06:07Get behind me! Get behind me!
01:06:10Move! Move! Move!
01:06:15Move!
01:06:25We are under attack! I repeat, we are under attack!
01:06:41We gotta go. We gotta go!
01:06:43What about the other kids? Shit!
01:06:55Go! Go! Go! Go! Go!
01:07:00Come on! Show it!
01:07:09Get behind me!
01:07:22Get behind me!
01:07:23Aight off me!
01:07:26Come on!
01:07:27Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go! Go!
01:07:35Go! You're right!
01:07:37Hey, we're getting out of here, alright? Eyes on me! Stay close!
01:07:40We'll see! Come on! Come on!
01:07:48Wait! Wait! Wait! Wait!
01:07:50I'm not running in time! I'm not running in time!
01:07:52Wait up! Wait up!
01:07:53Stay close! Stay close!
01:07:54Ah! Derek!
01:07:55Is everybody okay? Are you guys okay?
01:08:04We need to have it!
01:08:05Okay. The radio shack.
01:08:07If we move quick enough, I think we can make it.
01:08:09Get into the tunnels and get the hell out of here.
01:08:11Okay.
01:08:11Okay? Eyes on me, remember?
01:08:21Alright, go!
01:08:26Good job!
01:08:30Go, go, go!
01:08:35Let's go!
01:08:36Oh, my God!
01:08:39Go, go, go!
01:08:58Hold on, baby! Hold on!
01:09:11What the hell just happened?
01:09:13I have no idea, but I love it!
01:09:31I love it!
01:12:46Hey!
01:12:49Son of a bitch.
01:12:54Oh, shit, shit, shit!
01:13:05Hold on!
01:13:30Go, go, go, go, go!
01:13:31Go, go, go, go!
01:13:37Back up!
01:13:38Back up, guys!
01:13:38Back up!
01:13:47Back up!
01:13:48Back up!
01:13:49Back up!
01:13:57Back up!
01:14:00Back up!
01:14:08Back up!
01:14:26Stay away from him!
01:14:28You stay away!
01:14:40You stay away from me!
01:15:11Can you see them, William?
01:15:18Can you see the children?
01:15:21Do you know why?
01:15:26Why I chose them to reshape the world?
01:15:34It's because they are weak.
01:15:42Weak in body and mind.
01:15:52Please!
01:15:54Easily broken.
01:15:57Easily be shamed.
01:16:01Controlled.
01:16:05The perfect missiles.
01:16:09And you...
01:16:13Well...
01:16:14You were the first.
01:16:18And you broke so easily.
01:16:29You showed me what was possible.
01:16:35What I could achieve.
01:16:39Some minds, it turns out.
01:16:44Simply do not belong in this world.
01:16:53They belong in mine.
01:16:57I was hurt.
01:17:00I was on my own.
01:17:11I was out of town.
01:17:15I was on my own.
01:17:25I don't know.
01:17:46I was looking for the answers in somebody else, but I had all the answers.
01:18:04Do you want to be friends?
01:18:10I just need to stop being so goddamn scared.
01:18:25Scared of who I really was.
01:18:31Wow.
01:18:32It's so good.
01:18:56I did.
01:19:00I was so free.
01:19:03It's like I couldn't fly.
01:19:07It's so good.
01:19:27It's so good.
01:19:29It's so good.
01:19:59It's so good.
01:20:12It's so good.
01:20:12It's so good.
01:20:27It's so good.
01:20:29It's so good.
01:20:35It's so good.
01:20:37It's so good.
01:20:42It's so good.
01:21:03It's so good.
01:21:10It's so good.
01:21:14It's so good.
01:21:22It's so good.
01:21:34It's so good.
01:21:38It's so good.
01:21:42It's so good.
01:21:56It's so good.
01:21:59It's so good.
01:22:01It's so good.
01:22:09It's so good.
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