- 2 days ago
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00:12To be continued...
00:56To be continued...
01:10To be continued...
01:42To be continued...
01:43I already had mine.
01:56You know, I was thinking maybe I'd go out to the desert for a couple of days, do some camping.
02:01Give you some space.
02:03I didn't ask for any space.
02:05Well, I could use some.
02:08Your statins are ready to be picked up this afternoon.
02:11But the Norvast...
02:12Yeah, yeah.
02:13I get the pharmacy's texts, too.
02:15Right.
02:19Yeah, good.
02:34Oh, Wally.
02:35Hey.
02:36Hello, darling.
02:37Let me help you with that.
02:38No, I got it.
02:39No need.
02:39I'm just some relics I dug out of the storage space.
02:42Oh, doing the experiment.
02:44Oh, no.
02:45Sam is helping me put together a Fundamentals of Science class I'm doing at the community center.
02:51I thought they would ban them with me when you sent them.
02:53Well, you know.
02:54Gotta get back in their good graces.
02:55You have been spending a lot of time with Sam the last few days.
02:58Oh, well, you know.
02:59I like a fixer-upper.
03:01Now, if you'll excuse me, science, like myself, waits for no man.
03:12Honey!
03:14I'm home!
03:16I just added two dedicated 20-amp circuits to the main panel, so we shouldn't have any more blowouts.
03:22Wonderful.
03:23Now, how about fixing the fucking lights?
03:24Yeah, yeah.
03:25It's on the list.
03:27What's this?
03:28Oh, these are the last parts for our brand-new, slightly-used HPLC machine.
03:32What exactly does an HPLC machine do?
03:35Well, it should finally tell us what kind of creature your star-spangled guru came from.
03:39How much did it cost?
03:41Oh, seven, give or take.
03:43A thousand?
03:45You can't take it with you, Sam.
03:46The pharaohs tried.
03:47All it got them was looted.
03:49Oh, who the hell is that?
03:50Oh, it's probably Judy.
03:51Chatty Nancy Drew knows we're up to something.
03:53Oh, get rid of her.
03:55Hey, uh, Neil.
03:58What are you doing here?
03:59Whoa, looks like a bomb went off in there.
04:02You're Neil.
04:03Oh, hey.
04:03I've heard so much about...
04:05Doing a little remodeling.
04:07Well, that's a big step.
04:09I'm proud of you, Pop.
04:09Yeah, what can I do for you, Neil?
04:10Um, I need to get Claire's mom's album.
04:13Album?
04:14Uh, yeah.
04:15Bruce Springsteen, Born to Run.
04:17Oh, right, right.
04:17Yeah, yeah, I'm still looking for it.
04:19You promised Claire.
04:20Yeah, yeah, yeah, I know.
04:22I haven't found it yet.
04:22I've been busy.
04:24Remodeling.
04:25Appreciate you coming around, Neil.
04:27Hey, I've been doing some reading on loss, and I found this book that I think would be really good
04:32for you.
04:32It's an exciting new gloss on Elizabeth Kubler-Ross, and it recontextualizes the healing process into one of these really
04:40interesting new concepts.
04:41See, Kubler-Ross saw grief as a linear progression through the stages, right?
04:44So it's denial, anger, sadness, et cetera.
04:48But this posits grief as a pyramid.
04:52A pyramid?
04:53Yeah, with acceptance at the bottom.
04:54You should get going, Neil.
04:55You don't want to get caught up in all that rush-out traffic.
04:59Right.
05:03You know, I get it.
05:07You're not that fond of me.
05:08Okay.
05:10But I came here for Claire.
05:13She's hurting.
05:14Just as much as you are.
05:17So I get that you can't see through your own pain right now.
05:20I get it.
05:22But you're a dad, so you have to.
05:40Hi, this is me.
05:42Hey, it's Erica.
05:43I ran that name you gave me through NCIC, NDEX, and a buddy at Chicago PD.
05:47What you got?
05:48A couple of speeding tickets I saw.
05:51Sam Cooper is a Boy Scout.
05:53Hmm.
05:55Okay.
05:56All right.
05:59Thanks, Erica.
06:01So, does this mean you're back on the beat?
06:03You working for a paper?
06:05No.
06:05No.
06:06I'm still retired.
06:08I'm just trying to help out a friend.
06:10Uh-huh.
06:12Hey, we got to catch up.
06:13We should do that.
06:15Okay.
06:15All right.
06:15Bye.
06:16Bye-bye.
06:19That is bullshit.
06:21You agreed that I would have the royalties.
06:25It's all I had.
06:26Here you go.
06:35Hey, kiddo.
06:36Hey, Art.
06:40You all right?
06:40My ex is suing me.
06:42Again?
06:44Again.
06:45I'm sorry.
06:48Yeah.
06:49It's better than being married to him, though, right?
06:51Big time.
06:54The whys are wise only because they love.
06:59Fools are fools only because they think they can understand love.
07:04Palo Cuelo?
07:05Or Wizz Khalifa.
07:06It's not Wizz Khalifa.
07:08Palo Cuelo it is.
07:10All right.
07:13Yeah.
07:17How you doing, Art?
07:18Me?
07:20Well, I'm on my quest.
07:22And I better get back to it.
07:25You keep your chin up, kiddo.
07:26All right.
07:27You too.
07:27All right.
07:31right-handed chirality
07:33shit
07:33right-handed chirality
07:35what?
07:35what is?
07:36listen
07:36every living creature on earth
07:38is made up of amino acids
07:39that have left-handed chirality
07:41that's how they can interact
07:42it's like a
07:42it's like a handshake
07:43you can't shake hands
07:44with a left and a right
07:45you have to have two left hands
07:46it's the same thing with ourselves
07:47but the results
07:48from the HDLC
07:49show that
07:50blood from our hammer
07:51has right-handed chirality
07:53so what killed Jack?
07:54what's the point?
07:55this is something that nobody
07:56has ever seen a clown
07:58which means you don't have shit
07:59oh god
08:00science isn't magic, Sam
08:01oh, you spent $7,000
08:03and you still don't know
08:04what the hell this thing is
08:05no, I spent $7,000
08:06and now I know what it's not
08:08it is not a coyote with manes
08:11it is not a shaved chimpanzee
08:13it is not a figment
08:16of your imagination
08:20alright
08:21it's all we do now
08:22so now we figure out what it is
08:24oh, more tests
08:24yeah, that might be a problem
08:26I may have used up all the goo
08:27on the tests I already did
08:29you know, like the one
08:29that told us it wasn't
08:30a shaved chimpanzee
08:31or a coyote with manes
08:33that's hopeless
08:34oh
08:34oh
08:36maybe not
08:37you said the thing
08:39was doing something
08:39inside Jack's mouth
08:41yeah, but I couldn't see what
08:42so we find out what
08:43how?
08:44I do an autopsy on Jack
08:46you're allowed to do that?
08:47absolutely not
08:48so we have to do it fast
08:49before they cremate Jack's body
08:50we'll go to the funeral home
08:51tonight
08:52have you lost your mind?
08:54it's not as crazy as it sounds
08:55I know that place
08:56like the back of my hand
08:56they've got no security
08:57they have no video cameras
08:58we'll be in and out
08:59before anybody even notices
09:00what we're doing
09:01or we could end up in jail
09:05look
09:06you got two choices
09:08we can give up
09:10or we can go all the way
09:12we both know where the first one ends
09:14nobody knows where the second one needs
09:17what do you want to do?
09:20who's golf cart
09:22are we going to take?
09:33ever since the kids
09:34moved out
09:35and Judy moved on
09:37I've been searching for proof
09:39that there's more to life
09:41than just knocking about
09:45and hanging out
09:50I looked in books
09:52in religion
09:54spent a good time
09:56with the psychedelics
09:58and I didn't find shit
10:04until the day you died
10:11for the first time
10:13I saw something
10:13I could not explain
10:18something more
10:22I'm sorry you had to pay the price
10:30the path is calling
10:36I'll get to the end
10:39I'm going to look God
10:40right in the eye
10:41even if it burns me
10:52flights of angels
10:54lines of bruising
10:57lights of the angels
11:13nights of angels
11:14aper Canken
11:16deadlines of angels
11:16£20
11:16£20
11:16£20
11:16£20
11:17£t
11:19£
11:31Oh, just get him.
12:02Rene, hey, what's up?
12:03Pass. Sorry to call so late.
12:06I just got an alert from your camera, so I'm going to head over there and check it out.
12:12My shift is almost done. I'll meet you there. Don't go in without me.
12:16No promises.
12:30You're taking too long.
12:32I've never done this before.
12:35Can I try?
12:36I've almost got it.
12:38You're never going to...
12:46This way.
12:58Sam.
13:00Hey, what's wrong?
13:04Sam.
13:08What was that?
13:09Shh.
13:12Let's go.
13:29Ah!
13:30Ah!
13:31Ah!
13:32Ah!
13:33Ah!
13:34Ah!
13:34Ah!
13:34Be back! Do not move!
13:39How old is that pepper spray, Judy?
13:43It's expired 2002.
13:46Shit.
13:46Have you been following us?
13:47I dead well have.
13:49I saw you, the both of you, with that hammer.
13:52And then all of the crazy lights.
13:54Shh.
13:54Take it easy, Judy.
13:55Don't tell me to take it easy.
13:57Jack is dead.
13:58He's dead, and I think you two know something about it.
14:00We can explain.
14:01What?
14:02Talk fast.
14:04It's complicated.
14:05Well, simplify it, or I will pull this fire alarm.
14:08No, you don't want to do that.
14:09What I want is for you to tell me the truth right now.
14:12Did you kill Jack?
14:14Of course not.
14:15Why should I believe you?
14:16How long have we been friends, Judy?
14:18Huh?
14:19You know me.
14:20Get back.
14:21I may be many things, but I'm not a liar.
14:23You lied to me this morning.
14:25That doesn't count.
14:26Jack was murdered.
14:29Not by us.
14:31By who?
14:33The answer lies behind that door.
14:35Now, if you pull that alarm, we'll never know the truth.
14:39I'm hoping you won't.
14:40Because we all want the same thing.
14:44Justice.
14:46For Jack.
14:57Okay.
14:58Okay.
15:00Show me.
15:24Okay.
15:30Okay.
15:31Okay.
15:34Here we are.
15:37Okay.
15:40Here we go.
15:50Who's there? Come out!
15:53Hey! Stop!
15:55Stop!
15:57Are you okay?
15:59No. Just get the shit out of me.
16:21Uh, you two may want to clear out.
16:25I'll stay.
16:27Okay.
16:58Um, you may want to follow her lead.
17:03This next part isn't very palatable.
17:06I can handle it.
17:07Well, they'll be packing in every cavity. Lots of it.
17:11And, uh, when I unseal his mouth, he may release fluids and odors.
17:20I'll go check on Judy.
17:22Good thinking.
17:35I thought we could use this. I know I could.
17:39This doesn't make sense.
17:40The camera is designed to activate when it senses motion.
17:43But it's like it can't see whatever knocked the bin over, which doesn't make sense.
17:49Drink this. It'll help.
17:52Thanks.
17:57Screw it. I'll swap out the camera tomorrow. It must be busted.
18:00I'll leave the live feed on in case our thief decides to come back.
18:03You know, it sounded more like an animal.
18:05Like a raccoon?
18:06No, not at all.
18:08Maybe somebody's messing with you.
18:10Do you have any enemies?
18:11No, I killed them all.
18:12No, I respect that.
18:17Hmm.
18:19Although it could be my ex-husband.
18:21He's what the French call a fucking asshole.
18:24Tell me more.
18:25No, no, that would take all night.
18:28I got all night?
18:30All right.
18:49How long have you known about me and Jack?
18:53I saw that look he gave Wally.
19:01Since the night of the barbecue.
19:04How gave us away?
19:07Tiger bomb.
19:08Uh-huh.
19:09Hey, no judgment here.
19:12No judgment's accepted.
19:18Art and I have been married 44 years.
19:22We met at Berkeley in the 70s.
19:24You dig?
19:26Everything's everything.
19:29Sure.
19:29I was a bouncy-titty groundbreaker.
19:34Art was a counterculture shit-stirer.
19:38We both had big-ass hair.
19:41Big ideas.
19:43Right.
19:45We did shit how we did it.
19:48We decided to marry.
19:50We decided to have kids.
19:53And when?
19:56We decided together.
20:00We're family, Sam.
20:02Every step of the way.
20:04That's nice.
20:05And we fuck who we want to fuck.
20:08Only rule was don't fall in love.
20:16But you fell in love with Jack.
20:21I did.
20:25I'm not deluded.
20:26I see the ears etched across my face.
20:30I feel the weight of my body.
20:34But Jack...
20:37Jack saw the girl in me.
20:40He could see it.
20:43And he respected the woman.
20:47Jack could...
20:48He could...
20:49Jack saw us.
20:52The way we wish we were.
20:55He was good.
20:58Now he's gone.
21:03Everybody loved Jack.
21:07And Jack certainly did love everybody.
21:11I was just one in the line.
21:17That's not the way Jack described you.
21:21What did he say?
21:23He was seeing someone special.
21:37They say that grief is less like a line
21:43and more like...
21:46like a pyramid
21:51with, um...
21:52acceptance
21:53at the bottom.
21:56Who said that?
21:58My son-in-law.
21:59Is he simple?
22:02No.
22:03No.
22:05He's a college professor.
22:07That pyramid.
22:09Bless his heart.
22:21There's something you need to see.
22:24Okay.
22:25I didn't find anything unusual
22:26on Jack's body.
22:28Except
22:29for these marks
22:31in the back of his throat.
22:32See for yourself.
22:34What are those?
22:36Puncture wounds.
22:37Mostly scarred over.
22:39Although some fresh.
22:41All leading right
22:42into the base of Jack's brain.
22:46This could be what that thing
22:47was doing to Jack's mouth.
22:48What thing?
22:49It was convulsing.
22:51Like it was...
22:52Like it was feeding on him.
22:53Hey,
22:54that's about goddamn time
22:55you guys tell me
22:55exactly what is going on.
23:00So the business took off.
23:02I handled the artists.
23:03He handled the books.
23:04But when I left him,
23:05he knew where the money was.
23:07Right.
23:07I mean,
23:08what he didn't outright steal,
23:09he sued me for.
23:10And the legal fees
23:11and all that,
23:12so I ended up
23:13having to move in here.
23:15That was my mother.
23:16Humbling.
23:17Oh,
23:17it was a nightmare.
23:19But,
23:20you know,
23:20she died.
23:21And then
23:21I just kept on living here.
23:24What about you?
23:25I grew up local.
23:27Joined up with the first band
23:28headed out of town
23:29and never looked back.
23:30Yet here you are.
23:32Yeah,
23:33well,
23:33my big sister got in a car accident.
23:35I came back to help
23:36with my nephews.
23:37This was the only place
23:38willing to hire a drummer
23:39with no resume.
23:41It's your sister now.
23:42They fused her spine
23:43with steel rods.
23:45Yeah,
23:45she's indestructible.
23:46It's a terrifying prospect
23:47of a little brother.
23:50Is that,
23:51is that Glastonbury?
23:53Oh,
23:53this?
23:54Yeah.
23:56It is.
23:57Uh,
23:572010,
23:58I think.
23:59I was there.
24:01No,
24:01you were.
24:01Oh,
24:02hand to God.
24:02No,
24:03you were not.
24:04Over here.
24:06Oh,
24:06so you really
24:07splurged on the tickets.
24:09Yeah,
24:09well,
24:09some of us
24:10don't have suit money.
24:11Oh.
24:19Would it be okay
24:20if I kissed you?
24:23Yes.
24:56Take this off.
24:59You didn't ask.
25:00Right.
25:06No big players
25:09but what could I feel?
25:11Just pick this down
25:13and I'll give you
25:14can't pretend
25:15but if they don't know
25:19they will get
25:20our glory
25:21on the side
25:22of the hole.
25:24Yeah.
25:26Yeah.
25:29Oh.
25:51What are you up to, Scar?
25:56Go for Hank.
25:56Hank, a lady out walking her dog said she saw some people moving around inside the funeral home.
26:01What? Like zombies?
26:03She didn't say.
26:05Alright. Send some guys down. I'll meet you over there.
26:08Copy that.
26:13Sweet memory.
26:18I can't send rain.
26:43Let's go.
27:44Oh, I see.
27:45Could it have fed on me, too?
27:48Maybe.
27:48Wally, I need to know.
27:50Okay, all right, here, have a seat.
27:52You better check me, too.
27:54You? What?
27:54Edward said the monster was behind his walls.
27:57Well, they're my walls now.
27:59Good point.
28:03Okay, open white.
28:13Okay, you're not the joke.
28:20Well?
28:22You both have the marks.
28:25So the things that's been feeding on me,
28:27it's been feeding on Sam,
28:29it could be feeding on anyone.
28:31Or everyone.
28:33Cops!
28:34Shit.
28:34Is there another way out?
28:35No, there's just the one door.
28:36We are dead meat.
28:39Exactly.
28:45You're in here.
28:47Come out.
28:48Before things get gnarly.
28:51Hands up.
28:52Hands in the air.
28:54Go.
28:58What are you doing here, Mr. Cooper?
29:00Just came to say goodbye to Jack.
29:01Yeah?
29:02Did you come alone?
29:03Yeah.
29:04Yeah, just me.
29:06Let's go.
29:06Come out.
29:17Let's go.
29:48Oh, you're going to lose your soul tonight.
29:53You're going to lose your soul.
29:56You're going to lose your soul tonight.
30:00Tonight.
30:01Oh, you're going to lose control.
30:07Tonight.
30:08You're going to lose control.
30:10You're going to lose control tonight.
30:14Tonight.
30:14I get up.
30:15In the morning to the beat of the drum.
30:18I get up.
30:19To this feeling, we see all the blood.
30:21I get up.
30:22In the morning, we're not.
30:23We're no way.
30:24I get up.
30:25Yeah.
30:47I get up.
30:49I get up.
30:55To this feeling, we see all the blood.
30:59I get up.
31:01In the morning, we're not.
31:03We're not.
31:04We're not.
31:04We're not.
31:04I get up.
31:08I get up.
31:09Again.