- 4 hours ago
The Artful Dodger Season 2 Episode 3 Engsub
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Short filmTranscript
00:02If you see Lady Mumby, we must make sure she got her invitations.
00:06And keep an eye out for anyone theatrical.
00:08Dare I ask why?
00:09I've hired actors for this evening's centrepiece.
00:12After speeches, two actors will perform scenes from Romeo and Juliet.
00:15How wonderful.
00:16Oh.
00:17Was they?
00:18Yes, and they were due hours ago, and the whole ball will be ruined if they don't appear.
00:22Thought it might be improved.
00:25What is this engaging post-time?
00:27It's the quad for poker.
00:28It's all the rage in Bohemia.
00:30Yes, well, I'm not sure the gentlemen port victory are across the latest Eastern European dance breakers.
00:34That's why I drew very clear instructions.
00:37Yes, almost too clear.
00:39Bill, you've been truculent all morning.
00:41I know you'd rather be doing unspeakable horrors in a morgue, but could you please try and act like a
00:45normal lady?
00:46Just for me, just for tonight.
00:50Bye.
00:52I'll try.
00:54For you.
00:55And then you can go back to being, well, you.
01:00Lovely.
01:03Tell me about your special dance.
01:05It's a square dance, but twice as fast, so you have to hang on tight to your partner.
01:10Very, very tight.
01:11And who do you hope to dance with?
01:13Oh, just Phineas.
01:15In love again.
01:16Yes, but with Phineas it's different.
01:18I actually want to eat his cheeks.
01:19That's how fond I am of him.
01:20Oh, I need this night to be perfect for him, so can you please?
01:23I understand.
01:24Good.
01:25And I just need someone for you to dance.
01:26Oh, no, I really...
01:27Ladies.
01:28Inspector.
01:29My sister was just looking for a dance party.
01:31Oh, no, I really wanted to do that.
01:32You're a very normal lady.
01:35Well, you are coming to the ball.
01:37I wouldn't miss it.
01:39But I'm afraid I don't dance.
01:41Oh.
01:42The stick.
01:44Well, that's a pity.
01:45Quite.
01:47Anyway, I must keep hunting for my lovely thespians.
01:50See you tonight, Inspector.
01:51No, wait.
01:51Fanny!
01:56Lady Bill, may I have a word?
01:58Certainly.
02:00Which one?
02:03Scalpel.
02:13I found this at the scene of a suspected criminal incident.
02:16Anne?
02:17May I ask if you recognize it?
02:19That's not mine.
02:21No, of course.
02:22You being forbidden from practicing surgery.
02:26But someone used it in your father's carriage.
02:29Someone with access to scalpels
02:30and a modus operandi that includes surgeries outside the hospital
02:34and the law.
02:37It seemed to be left in a hurry
02:38next to a bloodstain.
02:42Is the governor aware that you're trespassing on his property?
02:46I investigated his carriage.
02:48A carriage bestowed upon him by the Queen herself.
02:52I take up at your notion that my father uses sovereign gifts
02:55to engage in acts of mutilation.
02:58That is not my intention.
03:00What's that on your finger?
03:03The scalpel cut me.
03:05Quite the coincidence to find a bloodstain
03:07at the same time you cut yourself.
03:09Are you questioning my investigative skills, Lady Bill?
03:11No.
03:12I'm quite certain of them.
03:17Hmm.
03:18Keep that wound clean or it'll get infected.
03:22Oops.
03:23I gave you medical advice.
03:26Do you wish to arrest me?
03:50How often have these symptoms presented themselves, Lady Munby?
03:52It varies, but more recently, four times a week.
03:56Has anything changed circumstantially?
03:58I lost my husband recently.
04:01My condolences, Mum.
04:03Cassandra found her father when he passed.
04:05She fainted and hit her head,
04:07and since then the fits have been worse.
04:10May I, miss?
04:11And how do the fits present?
04:13Does she fall, muscles jerk?
04:16Foaming at the mouth, that sort of thing?
04:18No, no.
04:19She has visions.
04:20Visions?
04:21I can see a little sad boy.
04:23Say hello, sad boy.
04:26You see that?
04:28By the window.
04:31His tummy hurts, that's why he's always sad.
04:34What's he look like?
04:37He's small.
04:39Sailor suit.
04:41She's been so looking forward to the Governor's Ball tonight,
04:44but do you think she can still go?
04:47Pubescent hysteria.
04:49Nothing more.
04:50No, I disagree.
04:51I suspect epilepsy.
04:52Epilepsy?
04:53She isn't having anything undescribed as fits.
04:56I think her visions are fits.
04:58She's just lost her father.
04:59She wants attention, and you're playing into her hands.
05:02I suspect the blow to the head has made her underlying epilepsy worse,
05:05and her visions are a symptom.
05:06It's fanciful, Dawkins.
05:08And it's cerebral, Snead.
05:10Or perhaps it was indeed a visitation.
05:15That's Codswallop, Prof.
05:17Bell would know how to fix this.
05:19Lady Bell is neither here nor a doctor.
05:22But I am.
05:24And in my view, there's no need for further treatment.
05:27Cassandra can go to the ball.
05:29You'll probably do her and the mother good.
05:31No, you're wrong, Snead.
05:32And you're on parole.
05:34So go and disimpact Mr. Gouger.
05:37His bowels have been stopped up for a week.
05:42Are you all right, Prof?
05:44Yes, I'm all right.
05:46Thank you, Dawkins.
06:06Oh, hello.
06:08I know I did not receive my morning beetroot and pilchard sandwich today.
06:12Soldier sandwich, Frank.
06:13Oh, that's hurtful.
06:16Well, what's fish and beetroot ever done to you?
06:19Nothing.
06:20I have just evacuated a man's bow.
06:22Ah.
06:23You'll be doing that for me one day.
06:24Highly unlikely.
06:27Oi, slow down.
06:28Where you walked?
06:28I need to get a message to Bell somehow.
06:30Oh, no, you bloody don't.
06:31Why not?
06:32Because you are poking the reaper in the eye with her.
06:34I need her advice on an underlying cerebral disorder.
06:37I'll give you an underlying cerebral disorder if you don't blink and stop it.
06:40We've got more pressing matters to deal with.
06:42What?
06:43I've got a prime toff who is practically weeping at the thought of our land,
06:47but he can't get his bank to release a very sizable down payment without citing a land grant.
06:52How sizable?
06:53£500.
06:57Bloody hell.
06:58Well, how do we get a land grant?
06:59I've got flashy fencing up a forgery, but I don't think it's up to snuff.
07:03Come and have a look.
07:06All right.
07:07But quickly.
07:07Yes, yes, quickly.
07:15What's that supposed to be?
07:17A land grant.
07:18Yeah.
07:19The land has only got one L.
07:22Bloody Wales.
07:23We're not in bloody Wales, are we?
07:25What's that, Flashback?
07:28It's a carrot tree.
07:29Christ, I know.
07:30Biscuit.
07:31Well, this will never get past the toffs.
07:33I mean, look at it.
07:33It looks like a bloody child's drawn in.
07:34Well, big words for someone who can't write.
07:36I can write better than you can draw, mate.
07:38Go on, then.
07:39All right, Fleshy.
07:40Keep your kicks on.
07:41You're a man of many talents, but this clearly ain't one of them.
07:43This whole thing stinks.
07:45Not you too, Tim.
07:46No, Fagin's plan.
07:48What's wrong with it?
07:49Haven't you lot stolen enough from us?
07:51Now you're nicking fake land.
07:53We're not nicking, we're bluffing.
07:56Not yours to bluff with.
08:00Timmy!
08:01We need to get a real land grant for him to copy.
08:04Yeah.
08:05Well, unless you've got one stashed in your crammy,
08:07I don't know where we're going to get it.
08:08Government house.
08:09Oh, stop thinking with your trails or eels.
08:11I'm not.
08:11Yes, you bloody are.
08:12Well, you ain't getting in there tonight, Dodge.
08:14With the ball on.
08:15Ooh.
08:18Which means it'll be ripe with marks for our endeavours.
08:21No, there ain't no point, Fagin.
08:23I usually seek my girls in for the toffs,
08:26but this is invitation only.
08:28There'll be guards everywhere.
08:29Only silver snuffers allow.
08:31Yeah, well, sod that.
08:32We're going.
08:33No, you're not going anywhere near cheeky-bones, S.
08:36You might as well whistle for the hangman
08:37and ask him to do you a favour.
08:39Fagin, come on.
08:40Dodge!
08:40No!
08:42We're drawn thin tonight, gentlemen.
08:45As a viceregal function,
08:46no one enters the governor's ball
08:47without one of these invitations.
08:50With a killer afoot in the elbow,
08:52government house mustn't revel at the people's expense.
08:56So divide your forces.
08:58And Bramow,
09:00I do not wish to see the elbow underserved.
09:03Understood, sir.
09:04You'll be at the pool very soon.
09:07Yes.
09:08Pursued to protocol.
09:10That sounds delightful for you, Inspector.
09:13Hope you enjoy the champagne
09:14while the boys and I are out in the mud.
09:26There are two pathways for you, Sergeant.
09:29You can withdraw your previous comment,
09:32or I can demurge you
09:33and have you reassigned to Van Demen's land tonight.
09:37I hear the prisoners there eat each other
09:39when the supplies are thin.
09:42But perhaps you prefer that
09:44rather than doing your bloody duty here!
09:50Withdrawn.
09:51Withdrawn what?
09:55Withdrawn, sir.
09:57Carry on, Bramwell.
10:02Another body with a blue stitching, Inspector.
10:06Add more men to your detail.
10:10Sir.
10:37Ben Dhanis.
10:39In case she needs a place to sleep.
10:42Noble work helping the dead to rest.
10:46May I see the body?
10:58Bye-bye.
11:00Bye-bye.
11:17Thank you, sir.
11:24There we go.
11:26That all right?
11:28That should make it feel better.
11:31Here.
11:32Take this, and then put it on again tonight, all right?
11:36Here.
11:37Try to keep the dirt out if you can.
11:39Off you go.
11:43Hello again.
11:46Lady Belle, your visits to Devil's Elbow concern me greatly.
11:49I fear for your safety.
11:51Yes, well, the benefit of standing out like a peacock is that I display the protection of government house.
11:56The young woman was killed here last night.
12:01I'm very sorry to hear it.
12:05There's something else.
12:07I lost someone I cared for in a slum.
12:10And I propose to do it again.
12:16That's why you wear the mourning blacks.
12:21You remind me of her.
12:23She, too, had a heart for charity and a disregard for danger.
12:28So I hope you'll forgive me if I seek to protect you.
12:32You have my sympathy, Inspector.
12:35I don't need to be protected.
12:49What about a hot air balloon?
12:51We can fly over the walls and into the ball that way.
12:53No.
12:54I think it might be a touch noticeable if we land a giant gas bag in the governor's rose garden.
13:00Um, you could pretend to be dead, Fagin.
13:02We could carry you inside a coffin.
13:03Yes, that's a goodly notion of poody, but I think there might be enough stiffs there already.
13:07Also, no.
13:09Putting me in a box, I can't think of anything worse.
13:11So come on, how are we getting inside?
13:13We're not getting inside, you and me.
13:15We ain't going anywhere.
13:17Wentz!
13:19Victuals for two weary travelling actors.
13:24Don't call me wench again, and I'll wear your sweetmeats for earrings.
13:36Let's run the balcony scene, Miltie.
13:40This soiree is miserably parochial, but it is.
13:44It is for a governor.
13:45Yes, yes.
13:46Rabiot and Juliet.
13:49Act two, scene.
13:51Me, me, me.
13:51Two.
13:52One light, three under-window bricks.
13:56And I, and I, and I shall appear and fuzzling.
13:58A pair of pilchards.
14:01No, no.
14:03Our solution has just presented itself.
14:06Tonight, the parts of Romeo and Juliet will be played by Flashy and a poody.
14:14What?
14:15Now, listen.
14:15We nip their costumes, Flashy and a poody put them on.
14:19Get inside, let me in, and when you're snatching the land grant, I'll be flogging more turf to the boozed
14:23-up Toffs.
14:24It's simple.
14:26Where does that leave me?
14:27He'll leave you at home.
14:28But I can't talk Shakespeare.
14:30You don't need to.
14:31It's just a disguise.
14:32You'll be in and out before you can say to me or not.
14:34To.
14:36V, any questions?
14:38I thought that was the question.
14:39What?
14:40Bloody well coming.
14:41No, no, no, no chance, Prince Chalmers.
14:44No, come on.
14:44Think about it, Fagin.
14:45You can't just steal the clothes off these actors' backs, can you?
14:48They'll need sedation, and that requires doctor.
14:51Yeah.
14:52I don't want to knock them out.
14:53It doesn't seem right.
14:55All right, you drag the actors outside, then you scarper Quicksmart.
15:00You do not go anywhere near Fancy Skirt, when half the constabulary are going to be there with a noose
15:05when the twig you're lurking.
15:07All right.
15:08Fine, understood.
15:09What, really understood?
15:10Yes.
15:11I'm not a fool, Fagin.
15:12I know, it's far too dangerous for me to be there, really.
15:34This miserable whining coward sneaking about on the wind, sucking the blood of every poor Coby, just trying to do
15:39a bit of honest criminality.
15:41Makes you want to spit.
15:44I'm quite amazed mosquitoes don't just burst into flames when they first try your blood, Fagin.
15:48The amount of cork wine and vinegar you swill.
15:50It's you two, shut your winch holes.
15:52There they are.
15:56Here you go, sir.
15:58Pogey, come on.
16:00Where for our bones?
16:02We're at me, yeah.
16:03Yes, marvellous.
16:04And then I'll seize you by the busking.
16:05Oh, and then I will...
16:06Oh, well, then...
16:07You, are you the, are you the actors?
16:10Actors?
16:11We are the truth-tellers, the dream-weavers, the lyricists of legend.
16:17Yes, yes, we are the actors.
16:20Could you tell us where to find our green room?
16:23Green room?
16:24We must warm our voices, limber our loins, ere we tread the boards.
16:27Oh, the green room.
16:29Yes, yes, it's this way.
16:34Come on, come on, turn the radio on.
16:38It's Friday night, and I won't be long.
16:40Gotta do my hair, put my makeup on.
16:43It's Friday night, and I won't be long.
16:45Till I hit the guns blow, hit the guns blow.
16:48I got all I need.
16:51No, I ain't got cash, I ain't got cash.
16:53I got you, baby.
16:56Baby, I don't need dollar bills to have fun tonight.
17:01Lucky bills.
17:04Good evening.
17:10Who's to meet you?
17:11Lucky bills.
17:12Where's Belle?
17:14Fanny, you'll burst your corset stay.
17:16You're late.
17:17What?
17:18You said pasted in a row to say good evening.
17:20Good evening.
17:21For being a normal lady.
17:23Right.
17:24Sorry.
17:24I am trying.
17:27Fanny, who else have you invited?
17:29All the landed gentry of the region, and the nearly landed.
17:32How are we?
17:32And Inspector Boxer.
17:34Although I'm not sure if he's landed or not.
17:36Landed?
17:36Not.
17:37Well, he will be when he inherits his uncle's title.
17:39Where's Phineas?
17:41Do you think he's forgotten, Bill?
17:42I just want everything to be perfect for funny Uncle Dickie.
17:46It's tremendously kind of you all.
17:48Oh, nonsense.
17:49It lifts the spirits.
17:55Yeah.
17:56Just the way old Billy Wobblestick pictured him.
17:59I feel a bit bad leaving them like that.
18:01Do you think they'll be comfortable?
18:02I wouldn't have thought so, given that they're half naked and tied to each other, no.
18:07The amount of ether I've given them, they'll have the best night's sleep of their life.
18:10Yeah.
18:11I suppose.
18:12Maybe we can get them a pillow or something.
18:13Yes, yes.
18:15An old building of four-poster bin, if you like.
18:17Stop mithering about the actors and do what you came here to do, which is get me a land grant.
18:21And you scuttle off home.
18:22Go on.
18:23Right, yes.
18:24Good luck.
18:26Break a leg.
18:39Funny, that family's still in mourning.
18:41It's a terrible faux pas to invite them to a party.
18:44Oh, no, I hate faux pas.
18:46Ada.
18:46Lovely to see.
18:48Do you think my faux pas is why Phineas hasn't come?
18:50My actors are missing, too.
18:51No, dearest.
18:52They'll all be here.
18:53Meow.
18:56Meow.
18:58Phineas?
19:00Oh, Lady Fanny.
19:02You look wonderfully radiant.
19:05Shall we?
19:06Shall we?
19:07What do you think?
19:11Hello.
19:13What do you think?
19:14I love you.
19:24Whoa.
19:24Yo, all right.
19:28I love you.
19:30I love you.
19:31Bye.
19:31Bye.
19:32Bye.
19:33Bye.
19:33Bye.
19:38Yes, it took me a time.
19:41You try running in heels.
19:47Come on, Flashy.
19:48Yeah, yeah.
19:57Thanks, Flashy.
19:58I owe you one.
19:59Just don't get killed or Fagin will turn me into soup.
20:03Lovely to meet you.
20:04Good evening.
20:05Good evening.
20:06Welcome.
20:07Hello.
20:08Yes, welcome.
20:10Good evening.
20:12Yes.
20:14Good evening.
20:16Good evening.
20:16Very well.
20:17Welcome.
20:19Good evening.
20:24Lady Belle, I think.
20:26Hello, Inspector.
20:29Are you enjoying yourself?
20:31Not really.
20:31I'd rather be upstairs with a good book.
20:34Which?
20:35Aeschylus.
20:37Pyrostai.
20:37Yes.
20:38In Greek.
20:39Obviously.
20:41May I escort you inside?
20:44Yes, all right.
20:48I enjoy a party.
20:50It warms my heart to see people in the throes of shared sorority.
20:54That's why I do my job.
20:56To keep the darkness out.
20:58Your attention, please.
21:00It's time for tonight's affair.
21:02A demonstration of the quadril poker.
21:07Shall we?
21:09Yes, but you don't dance.
21:10Except your probate regulum in Casabas non-exceptors.
21:12Exception proves the rule in St. Francis' room.
21:15Well, it won't work without four couples.
21:21If it's too fast, we can stop.
21:23It's all right.
21:24Although I feel I'm out of practice.
21:29But perhaps we skipped a bit.
21:31Excellent.
21:32Oh, it's an oasis.
21:34It's lush meadows, rainforests, sparkling lakes.
21:38I wouldn't be surprised if the very trees didn't grow money.
21:41And it is arable.
21:43It is devilishly arable.
21:45I've tasted the grass meself and it's got this sweetness to it
21:47that'll keep your sheep all nice and plump
21:50and your pockets prosperous.
21:53Gentlemen, what's it to be?
21:54Well, as soon as we've seen the land grants, Mr. Ferrygan,
21:58I suspect you'll have a group of very well-connected buyers, yes?
22:02Well, chin chin.
22:03Cheers.
22:22Get to dance, governess?
22:24Absolutely not.
22:26Come now, Janey.
22:27I recall a time when you adored a Venetian ball.
23:15How did you last dance?
23:17Seven years ago.
23:18Oh, you dance very well.
23:41Hold me as tight as you like, Linnaeus.
23:44I shan't let you go, Lady Fanny.
24:00I shan't let you go.
24:34I shan't let you go.
24:54I shan't let you go.
24:55I shan't let you go.
24:56I shan't let you go.
25:24I shan't let you go.
25:28I shan't let you go.
26:06I shan't let you go.
26:23I shan't let you go.
26:46I shan't let you go.
27:10I shan't let you go.
27:46I shan't let you go.
27:55I shan't let you go.
28:12I shan't let you go.
28:23I shan't let you go.
28:33I shan't let you go.
28:53I shan't let you go.
29:05I shan't let you go.
29:19I shan't let you go.
29:53I shan't let you go.
30:14I shan't let you go.
30:19I shan't let you go.
30:22I shan't let you go.
30:37I shan't let you go.
31:06I shan't let you go.
31:12I shan't let you go.
31:15I shan't let you go.
31:17I shan't let you go.
31:18You art them thymeth, thy nameeth.
31:19Or if thou wilt not be, but sworneth, my loveth, and I'll no longer be a Capulet.
31:25Wrifts are all wrong.
31:27What edition are they using?
31:29I still think it's wonderfully romantic.
31:32I'm feeling too sorry, Phineas.
31:34I can't watch any more.
31:35Can I show you my pottery nock?
31:37You could show me the world, Lady Fanny.
31:40What is Montague?
31:42Hand, foot, arm, face. No other... part of man.
31:55Too dangerous, you see.
31:57I'm not a fool.
32:00And of course you're not, Dodger.
32:03Bloody idiot.
32:06Puppet-faced little fibber.
32:12Yes.
32:15Yes.
32:18Miss Cassandra.
32:20Miss Cassandra.
32:25Miss Cassandra, are you here?
32:31Miss Cassandra, is that you?
32:42Miss Cassandra.
32:42Miss Cassandra.
32:46Miss Cassandra.
32:53Miss Cassandra.
32:58Hey Dan.
32:59Erili, I feel a star becomes a very soul.
33:03I'm not sure it would be a very exciting place to be.
33:07I couldn't imagine a world more radiant.
33:15Come.
33:26I want to teach you about my passion.
33:32Now.
33:34Now, sit close to the wheel and plough forward.
33:39OK, I'll show you.
33:43So, gently now.
33:48So, squeeze.
33:51And pump.
33:53Gently now.
33:55Squeeze.
33:57You're very good at this, Phineas.
34:00You make everything seem so effortless, lady, Phineas.
34:15May I...
34:17be so bold...
34:19as to kiss you?
34:21You may be so bold.
34:43Phineas?
34:45Are you all right?
34:52Phineas?
35:01Phineas?
35:05Phineas.
35:07Caught.
35:08Mild-handed.
35:10No.
35:11We were just pottering.
35:13It helps me relax.
35:15Yeah.
35:16Well, you can't get more relaxed than dead.
35:20What came over you to commit such a heinous murder?
35:24What?
35:25No.
35:26His hair got caught in the wheel.
35:27Oh, yeah, of course it did.
35:29He got you angry, did he?
35:31No, quite the opposite.
35:32Oh, I understand.
35:33Lovers quarrels, they can turn violent.
35:35But I didn't hurt him.
35:37Oh, so his neck snapped all by itself.
35:39Yes!
35:41That won't stand up in a court of law.
35:44If anyone was to find out,
35:46your neck would be the nextest snap.
35:51Seems to me that you're quite the scrivener,
35:54lady, Phineas.
35:56I do have excellent penwoman-ship.
36:01Right.
36:04Here's the idea.
36:06You copy this land, Grant, all nice and toppy,
36:10and I'll get rid of this pretty lump of clay for you.
36:13Lump of clay?
36:15He's my sweet kitten paws.
36:17Not anymore.
36:22You want me to forge a government document?
36:25Um, isn't that illegal?
36:27You've got a dead man here with his head on backwards.
36:29That's illegal.
36:33Look, I promise I won't peach on you.
36:37No-one would find out about him or Phineas.
36:40Never.
36:42Oh, cross me off.
36:44What choice do I have?
36:49There we are, my prince.
36:50Marvellous.
36:51Now we can all get back to your wonderful shindig.
36:54Except for gold he looks here.
36:56Oh, shh.
37:05Search the south wing.
37:06Yes, sir.
37:10Should relieve the symptoms.
37:11Give us time to investigate more thoroughly.
37:13Oh, shh.
37:32Christ.
37:33What is it, Bill?
37:34Open this door now!
37:36It's a box of...
37:42Have you found her?
37:43Bill?
37:44Yeah, I know.
37:45Cassandra!
37:47Calamil, soda, chalk, mercury.
37:50I already count to three,
37:51and then I shall break down his door!
37:54Hurry up.
37:55One.
37:56Spoon, where's a spoon?
38:00Two.
38:01Cassandra, drink this, please.
38:02Here.
38:03Three!
38:09Whatever is the fuss, Inspector.
38:14Are you both all right?
38:15Out of my room.
38:16Don't allow men in here.
38:19I thought the...
38:20There's no killer here, Inspector.
38:22Just women's business.
38:24Please.
38:26Forgive me.
38:27I...
38:28I apologise.
38:32Lady Belle was to help me a sad boy, Mama.
38:35So was...
38:36Hey.
38:38Does your head still hurt, Cassandra?
38:40No, I feel very well.
38:42Where is the sad boy now?
38:45He's gone.
38:50Thank you, Lady Belle.
38:53Take her to the hospital for observation.
38:55Lady Mummy.
38:56Ask for nurse package.
38:57I will.
39:14You all right?
39:16And you were rash.
39:27But we were good.
39:28We were really good.
39:29I whip that you'll say goodnight, so let me morrow with.
39:31And your faithful vow cleft my heart in twain.
39:34Stop blowing smoke up each other's inexpressibles and get thee to the pottery room.
39:40A dead body needs taken care of.
39:42Come on.
39:44Come on.
40:00It's not my best.
40:01My hands are still shaking with grief.
40:04But I think it will suffice.
40:06Well, go on then.
40:06Read it, babe.
40:08This hereby warrants name to take ownership.
40:13The quantity of 200 acres of prime land in the heart of Central Australia.
40:18Given under my hand and seal, Governor Edmund Fox.
40:27Bravo, Lady Fanny.
40:30Bravo.
40:38You're a right roller, isn't you?
40:39A what?
40:41A roller.
40:42A gunnaf.
40:44A blagger, a dipper, a hornswoggler, a flimp.
40:48You're a master criminal, my lady.
40:51Am I?
40:52Yes.
40:53A dead body.
40:54A stolen land grant, a forgery, an all-whilst hostess and a splendiferous knees-up.
40:59You are a veritable scofflawing genius, ma'am.
41:02Am I?
41:06Perhaps could this be my true calling?
41:09Yes.
41:11Yes, I've got...
41:13I've got plenty of work on offer for the likes of you.
41:17My band of merry men could do with a merry lady.
41:24If you don't mind, I'll get these land grants back to their rightful owners.
41:49Don't mind that, Bunny.
41:50He's disgraced himself with champagne.
41:53Champagne.
42:10You're feeling better?
42:11I'm fine.
42:13Thank you, Professor.
42:21Cassandra.
42:25Your little sad friend.
42:27Did he ever tell you his name?
42:34You're very good with children.
42:37I had a boy once, myself.
42:40For a little while.
42:43Oh, I'm so sorry.
42:44I had no idea.
42:47You told me his tummy was sore when I was too busy with the hospital.
42:54The next morning, my wife and her son, dead in bed, said to Capinda's scientist.
43:03What was his name?
43:06Alfie.
43:09Alfie.
43:12I'll pray for his soul.
43:21I'll pray for mine, too.
43:31I'll pray for mine, too.
43:32Belle!
43:33Oh, where are you?
43:37Are you out here?
43:39There are some guests who wish to say farewell.
43:45Jack, let's go.
43:47They catch you.
43:48They'll hang you.
43:48No, no, no.
43:49Hold on.
43:49Jack.
43:53Jack, words.
43:55Use your words.
43:56Just talk to me.
43:59I can't speak Latin.
44:02What's that got to do with anything?
44:03Or Greek.
44:05And I can't ever dance like a toff.
44:07Nor do I want to.
44:08Jack, talk and see you're jealous.
44:13Yes.
44:14Of course, I'm bloody jealous.
44:20Where are you?
44:21Go.
44:27Go.
44:33Bye-bye.
44:35Bye-bye.
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