- hace 1 día
Reparto: Alfredo Landa, Jean Sorel, Ira von Fürstenberg, Isabel Garcés, Margot Cottens, Guadalupe Muñoz Sampedro, Franco Balducci, Malisa Longo, Rubén García, Adrián Ortega, Annabella Incontrera, Licia Calderón, José Manuel Martín
Dirección: Ramón Fernández
Sinopsis: En una ciudad de provincias, un apuesto ginecólogo, el doctor Pedro Andreu (Jean Sorel), no tiene apenas clientela debido a la mentalidad de la gente y los celos de maridos y novios. En un viaje a Madrid para asistir a unas conferencias se encuentra con Antón (Alfredo Landa), su vecino del quinto, un modista cuya boutique de ropa para mujeres prospera gracias a que su fama de afeminado no preocupa a los varones de la ciudad. Su amistad y sus jornadas por Madrid darán mucho que hablar y provocarán una reacción femenina.
Dirección: Ramón Fernández
Sinopsis: En una ciudad de provincias, un apuesto ginecólogo, el doctor Pedro Andreu (Jean Sorel), no tiene apenas clientela debido a la mentalidad de la gente y los celos de maridos y novios. En un viaje a Madrid para asistir a unas conferencias se encuentra con Antón (Alfredo Landa), su vecino del quinto, un modista cuya boutique de ropa para mujeres prospera gracias a que su fama de afeminado no preocupa a los varones de la ciudad. Su amistad y sus jornadas por Madrid darán mucho que hablar y provocarán una reacción femenina.
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00:11:38But okay, that's enough.
00:11:41Do those things yourself at home.
00:11:43This is a decent house.
00:11:45Get out of here.
00:11:46Okay, I'm leaving, I'm leaving.
00:11:47But remember, one day they'll make a station of me because of this.
00:11:49Get out of here, Edith.
00:11:50But, Dad.
00:11:51Get out of here.
00:11:52No, no, no, no, no, no, no, no, no, no, no, no.
00:12:16Is this Dr. Andreu's address?
00:12:18Who did he talk to?
00:12:20Tell me.
00:12:22Jesus, is that you?
00:12:24Where, ma'am?
00:12:25I know it's not the right time.
00:12:26His son.
00:12:27I urgently need to speak with your son.
00:12:30No, no, impossible.
00:12:31My Petrito is sleeping.
00:12:33How crazy!
00:12:34No, Mom, I'm awake.
00:12:35Hush, son, hush.
00:12:36Who is she, a patient?
00:12:37No, no, it's the neighbor.
00:12:38But don't pay any attention to him.
00:12:39You are like a wise man.
00:12:40Come on, give it to me.
00:12:41Tell me.
00:12:43Ah, good night.
00:12:44I'll try, but my specialty is ladies, as you know.
00:12:48Yes, okay.
00:12:49Next below.
00:12:50Yes, right away.
00:12:59Good night.
00:13:00Good evening, Pasia.
00:13:02My teeth, doctor, my teeth.
00:13:04You don't know what night.
00:13:05Okay, let's see what can be done.
00:13:07Not much, of course, because I'm not a dentist.
00:13:10Oh, but you are a doctor, you heal, you are an eminence.
00:13:13You should have a statue here.
00:13:15Come to the tooth?
00:13:16Sit there and open your mouth.
00:13:17Should I take off my robe?
00:13:18No, it's not necessary.
00:13:20Oh, I have to leave Fifi.
00:13:22Yes of course.
00:13:24Oh, Fifi, my dear, there on the ground, while this noble gentleman swears to your master.
00:13:29Do you want to open your mouth?
00:13:30Oh, with a smile or without.
00:13:32Come on.
00:13:33Oh, whatever, but don't hurt me.
00:13:34Say it, ah, ah, louder, ah, oh, I can't, doctor, don't make me scream, I'll
00:13:41Please give a nervous laugh.
00:13:43Louder, as if he were calling a taxi.
00:13:44Ah, oh, let's see if I wake up the neighbors, ah, ah, don't forget to see a dentist tomorrow.
00:13:52And tonight?
00:13:53Yes, I'll give him some pills that will make me sleep.
00:13:56Ah, I won't have any signal left, will I?
00:13:59Don't worry, they're harmless.
00:14:00Take them with water.
00:14:02Oh, thank you so much, doctor.
00:14:04Tell me what I owe you.
00:14:05Of course, that's what neighbors are for.
00:14:07Oh, how kind, daughter.
00:14:09A whisky will accept me.
00:14:11Don't tell me no, or I'll get angry.
00:14:12Well, whatever.
00:14:15His house has a lot of personality.
00:14:18It's very original.
00:14:19As I live, they are...
00:14:21Good heavens, what could he be doing?
00:14:23It's very strange that, being neighbors, we haven't run into each other.
00:14:27That means we have different time zones.
00:14:29But my mother has spoken to me about you on many occasions.
00:14:31Oh, Doña Socorro, a saint.
00:14:35My tooth is getting much better now.
00:14:37The pill.
00:14:38And their conversation.
00:14:39But sit down.
00:14:44Chin, chin.
00:14:48How is your business doing?
00:14:50Not very well.
00:14:50They are all difficulties.
00:14:52And yours?
00:14:52Oh, divinely.
00:14:53I can't complain.
00:14:54Do you know why?
00:14:56They trust me.
00:14:57Just the opposite of what happened in my case.
00:14:59What a contrast, right?
00:15:00We both live off women.
00:15:03I know how I'm going to pay you, doctor.
00:15:05Don't bother, I've already told you.
00:15:06I'm going to recommend clients to you.
00:15:08You have talent.
00:15:10And I'm going to make sure there's a call center in your office.
00:15:13I see it as very difficult.
00:15:14Oh, you don't know me.
00:15:16I know the people here very well.
00:15:19How normal.
00:15:20The sedative is already taking effect.
00:15:21Yes a bit.
00:15:22And she can't feel the tooth anymore.
00:15:24Okay, then go to bed.
00:15:25You know, if you don't want to lose it, go to the dentist tomorrow.
00:15:27Thank you, doctor.
00:15:28And I accompany.
00:15:33Oh, little virgin.
00:15:34I hope nothing happens to him.
00:15:36He is very good.
00:15:37He's like a child.
00:15:38He knows nothing about life.
00:15:40Oh!
00:15:45My son, what happened?
00:15:47Nothing, I just fixed a tooth for him.
00:15:49He's a very nice man, you know?
00:15:51You've been here a long time, haven't you?
00:15:54We've been talking.
00:15:55He is very nice.
00:15:58Hey, he didn't do anything to you, did he?
00:16:01Mom is a very polite and kind person.
00:16:04We shouldn't interfere in people's private lives.
00:16:07I'm scared of it.
00:16:08I don't like it when you talk like that.
00:16:10See you tomorrow, Mom.
00:16:11Take a rest.
00:16:14See you tomorrow, son.
00:16:16Let's see if something has happened to him.
00:16:17Pedro is usually very punctual.
00:16:19I think it's pointless to call.
00:16:20He'll have left by now.
00:16:22He'll be working on one of his experiments.
00:16:24He won't stop until he's put in jail.
00:16:34Mom, the phone!
00:16:35Yes, yes.
00:16:36Please pick it up, I can't.
00:16:38The tape is coming down, it's late.
00:16:41Say.
00:16:43Who would have guessed?
00:16:45No, I'm saying I knew it was you.
00:16:48Yes, we'll go right away.
00:16:50Pedro is getting dressed.
00:16:52He just got up.
00:16:56Studying.
00:16:56No no.
00:16:58He went to bed very late.
00:17:00He went to bed very late.
00:17:01Hey?
00:17:01Look at what you've chosen.
00:17:02A night owl.
00:17:03He is a doctor.
00:17:03Be quiet, I can't hear well.
00:17:05Where has he been?
00:17:06As?
00:17:07At Antón's house.
00:17:08Night.
00:17:09I already thought that the idea of painless childbirth was strange.
00:17:11But what's going on?
00:17:12The boyfriend of the girl who stays up late.
00:17:14He'll have hooked up.
00:17:15The boy is actually there.
00:17:16Attention.
00:17:17The young ladies participating in the contest should take their places quickly.
00:17:22See you later.
00:17:22You need to hurry.
00:17:23He'll explain when he arrives.
00:17:24What do you want me to explain?
00:17:25What he needs to do is marry your daughter.
00:17:27Oh, shut up, shut up.
00:17:27Look, I'm leaving because I don't even want to see.
00:17:29It's because it bothers me.
00:17:30It quips me.
00:17:31Ladies and gentlemen, I kindly ask you to remain silent.
00:17:34I ask this on behalf of the kind contestants who, as you can see,
00:17:38They are nervous because of the long wait they have had to endure.
00:17:41Upon hearing the gong, our little cooks will begin preparing their cards,
00:17:46which will later be judged by the gentlemen who make up the jury.
00:17:50Ready?
00:17:51Already.
00:17:52The contest begins.
00:18:01Calm down, my daughter, calm down.
00:18:03He has my blood in his veins.
00:18:09The egg, the egg.
00:18:10The yolk of the egg, the yolk.
00:18:12Advice is worthless.
00:18:13Well.
00:18:22Hello good morning.
00:18:25Forgive me, but...
00:18:26Yes, the girl told me.
00:18:27He's out of his chair, poor thing.
00:18:31Attention.
00:18:31Time is about to run out.
00:18:33We need to hurry, ladies.
00:18:36My husband is in Madrid.
00:18:39What did you say?
00:18:40Speak more quietly to me.
00:18:42He's looking at us.
00:18:43I say that my husband is in Madrid.
00:18:45And what does that have to do with me, ma'am?
00:18:47Oh, don't look at me.
00:18:49What were you saying?
00:18:50What do you think?
00:18:50Well, I don't know what to tell you.
00:18:52I'm telling you, one of these days I'm going to get sick.
00:18:54What's happening?
00:18:54Are you not feeling well?
00:18:55We'll see each other.
00:18:56Attention.
00:18:57One two three.
00:18:58What's done is done.
00:19:00Now it is up to the jury to undertake the arduous task of issuing a verdict.
00:19:12Okay, so now you want to explain everything to me?
00:19:14Espitalo, it's all clear.
00:19:15Nothing is clear.
00:19:16She's right.
00:19:17Where have you been so late?
00:19:18I went down to Anton's house for a while.
00:19:20Oh, Mom, please, let me love.
00:19:21Yes, those are their problems.
00:19:23Don't get involved in them.
00:19:23She's my daughter.
00:19:24I have a right to know what kind of people I'm dealing with.
00:19:25What were you doing at Antón's house instead of studying?
00:19:28I went to work.
00:19:28Apparently, the idea of painless childbirth was found with the dressmaker.
00:19:32Mom, don't get involved in this.
00:19:33His teeth hurt.
00:19:34What a lame excuse!
00:19:35You won't be jealous.
00:19:35I'm just fed up.
00:19:36And I don't know how I haven't smashed this cake in your face.
00:19:38Cheer up, daughter.
00:19:39You can't be as libertine as you are.
00:19:41Take.
00:19:42But his girl.
00:19:44Did you see?
00:19:44Gemma doesn't have your daughter for this cake business.
00:19:47Let's see.
00:19:57Well, Dr. André?
00:19:58Yes, this is it.
00:19:59This?
00:20:00Yes, ma'am.
00:20:02But you come to the consultation.
00:20:04Naturally.
00:20:05What am I coming here for?
00:20:06Please, ma'am, please sit down.
00:20:09I have a magazine.
00:20:12Tomatoes, candies...
00:20:13Just a moment, I'm going to tell the doctor how happy he'll be with this news.
00:20:17That kid has quite a face.
00:20:19He tells you to undress and then...
00:20:20Well, well, I'm going to the appointment because it's like a train.
00:20:24Me too.
00:20:24But do you think we should go two by two or one by one?
00:20:27I'm definitely going alone.
00:20:29Daughter, you're such a hoarder.
00:20:31What symptoms have you noticed?
00:20:33Well, I feel like taking my clothes off.
00:20:36Yes, but how old is it?
00:20:38Don't know.
00:20:39Let's see, then...
00:20:41Do you turn off the light or not?
00:20:43For consultation.
00:20:45Doctor, I've already told you that I want to have a child.
00:20:47And also, that it resembles you.
00:20:50May he have the same eyes, the same mouth, the same teeth.
00:20:55And what's with that funny little hole you have there?
00:20:57Madam, you will understand that this is not foreseeable.
00:20:59Well, we'll have to try.
00:21:01Medicine has taken a great step forward with artificial fertilization, but the technique is modern.
00:21:06Ma'am, please, I'm just a doctor.
00:21:08I want to have a child.
00:21:09And besides you...
00:21:11My professional ethics do not allow it.
00:21:12Besides, that's not within my control.
00:21:14Oh my god.
00:21:15I want to know what has been said...
00:21:15Ma'am, forgive me for saying that you are not well at all.
00:21:18What am I not doing well?
00:21:20From the head.
00:21:21Oh ok.
00:21:22I don't care about that.
00:21:23Go on, let me grow.
00:21:26But listen, you belong in a mental institution.
00:21:27I have a fixation on ideas.
00:21:28And my idea is you, blapo.
00:21:29That's enough.
00:21:30Come here, don't run away from me.
00:21:31Come on, come here.
00:21:37It's for Dr. Andreu.
00:21:39But what is it?
00:21:40I don't know, I haven't opened it.
00:21:42He has arrived from Germany.
00:21:43Goodbye, doctor.
00:21:44You are very kind.
00:21:45And open an account for me for future visits, because I plan to come back, okay?
00:21:49Bye bye.
00:21:50They sent him this package from Germany.
00:21:52Ah, yes, yes.
00:21:53What a lady, doctor.
00:21:54What a profession he has.
00:21:56Listen, I don't find your comment funny at all.
00:21:58Come on, get out of here.
00:22:01I'd been waiting for it for months.
00:22:03Please, nobody bother me now.
00:22:05Alright.
00:22:18Perfect.
00:22:19I won't have any problems with you.
00:22:21Finally I can study in peace.
00:22:26I've seen that woman.
00:22:27Why have you come here?
00:22:28She is a patient.
00:22:29A patient with that face?
00:22:30How am I supposed to believe that?
00:22:36I've finally figured out what you're doing here.
00:22:38What are you thinking?
00:22:39I don't think anything.
00:22:40Are you going to deny that you were kissing that woman?
00:22:42To begin with, I'll tell you that I wasn't kissing her.
00:22:44I was practicing mouth-to-mouth resuscitation.
00:22:46And you even confess it?
00:22:47Yes, I confess.
00:22:48And secondly, that's not a patient, that's a mannequin.
00:22:52I need to use a doll for my experiments.
00:22:54Look.
00:22:55Forgive me, I think that...
00:22:55Don't change yourself, your family, or this city; I will leave here.
00:22:58This is going to be the end of me.
00:23:13That?
00:23:27That?
00:23:28That?
00:23:29What's wrong, son? What's wrong?
00:23:30Look, Dr. Stolt from the University of Vieja is going to give a lecture in Madrid
00:23:33about the latest advances in gynecology.
00:23:34Isn't it wonderful?
00:23:36What do you want me to say?
00:23:37And your son has been invited.
00:23:40And when?
00:23:41It says here, the 14th, that is, tomorrow.
00:23:43I have to leave tonight.
00:23:48Come on, don't cry, it's just one day.
00:23:51Yes, but you have to take the train and then Madrid.
00:23:57And what don't you know, son?
00:23:58For a man like you, it's a constant temptation.
00:24:03I go to my job and that's it.
00:24:05And you're packing me a suitcase as if I were going to the Amazon rainforest for 15 days.
00:24:09We just don't know what the weather is like in Madrid.
00:24:12Well, just like here, if we're right next to each other.
00:24:14I'm going to put you in a coat, because it gets chilly at night.
00:24:17No, no, no, it's springtime.
00:24:20Okay, write to me, Pedro.
00:24:22I'll call you to write to you, there's no time.
00:24:24The conference is tomorrow morning.
00:24:26We will receive the copies this afternoon.
00:24:28So if I can, I'll reduce my stress at night.
00:24:32I don't know, it scares me.
00:24:34You're so childish.
00:24:35And I don't like it when you leave my side.
00:24:38I'm going to accompany you.
00:24:40Come on, Mom, it's been 30 years.
00:24:42Nothing, nothing.
00:24:44To me, you're still the same kid you've always been.
00:24:51Take care, son, take good care of yourself.
00:24:53And beware of Madrid.
00:24:55Yes, Mom.
00:24:55Don't go out alone.
00:24:57Always go with your classmates.
00:24:58Yes, yes.
00:25:00Look, I'm going to talk to the inspector.
00:25:02Well.
00:25:04And don't think I'm so naive as to have believed that conference story.
00:25:07But why would he lie?
00:25:08It's the truth.
00:25:09Because all men are equal.
00:25:10You know perfectly well that my thesis is about gynecological surgery.
00:25:13And in that, Dr. Stolz is number one.
00:25:15I'm sure there will be women there, and you're very stupid.
00:25:18Come on, come on.
00:25:19For me, there is no other woman but you, I assure you.
00:25:21You know that very well.
00:25:22And what is it?
00:25:22This is my son.
00:25:23Ah, very good.
00:25:24Nice to meet you.
00:25:25Congratulations, ma'am.
00:25:26Thank you.
00:25:27He's my brother, I trust him.
00:25:28Don't leave me alone.
00:25:30And if you need to use the restroom, you call this gentleman.
00:25:32Mom, we're not going.
00:25:35Don't look out the window.
00:25:37No, Mom, no.
00:25:38And don't go out at night, you might catch a cold in your throat.
00:25:41Alright.
00:25:42Bye bye.
00:25:42Bye bye.
00:25:43Bye bye.
00:25:47Take care of yourself.
00:25:47Take care of yourself.
00:25:49And during the trip, listen to everything the conductor says.
00:25:52Yes, Mom.
00:25:52The ticket.
00:25:53See if you have it.
00:25:53Yes, I have it.
00:25:54I have it.
00:25:55Bye bye.
00:25:56Bye bye.
00:25:57Call tonight.
00:25:58We'll be waiting for you.
00:25:59Yeah.
00:26:00Bye bye.
00:26:01Bye bye.
00:26:02Bye bye.
00:26:03Bye bye.
00:26:15Bye bye.
00:26:24I'm sorry, it wasn't my fault.
00:26:25Did he hurt himself?
00:26:26Well, it doesn't matter.
00:26:27I only squashed one foot
00:26:29I'm sorry, let me
00:26:30I'm going to take a look.
00:26:31No, leave it.
00:26:31It doesn't matter
00:26:32It was just the big toe
00:26:33It hurts a little
00:26:34I am a doctor
00:26:36Well, I hope I don't have to cut off my foot.
00:26:39No, it's nothing.
00:26:47Please
00:26:59He's annoyed when I look at him.
00:27:02What did you say?
00:27:03The glasses
00:27:04Sorry, I don't understand.
00:27:06Would you mind taking off your glasses?
00:27:08Ah, it's just that I get tired of reading
00:27:10Without them
00:27:11We have about an hour
00:27:12What's the point?
00:27:14There are other things you can do, right?
00:27:18Well, my name is Pepita
00:27:20And I'm a photo model
00:27:22A very attractive profession, almost
00:27:24It has a bad reputation in my town.
00:27:26Earn money by getting naked
00:27:27But I think it's a very honest profession.
00:27:29Of course, it's a profession like any other.
00:27:31Hey, would you work for me?
00:27:34Depends
00:27:35What should I do?
00:27:36Well, you see
00:27:37The thing is, I have a theory.
00:27:39About a new pain-free childbirth system and...
00:27:41And in the suitcase he carries a dismembered woman
00:27:43And naked
00:27:44What's the worst part?
00:27:44Are you sure, ma'am?
00:27:45Major, I never make a mistake about this.
00:27:46Something similar is discussed here in the novel.
00:27:48The victim is dismembered and placed in the suitcase
00:27:50And the killer carries her like this.
00:27:51Just for a laugh
00:27:53Okay, now position yourself like this
00:27:56In the fetal position
00:27:57And pretend you have pains.
00:28:00No, no, no
00:28:01It needs to be more realistic
00:28:02Imagine it's real
00:28:03Look, look
00:28:09What are you doing?
00:28:10She must be a new victim
00:28:12Come on, there's no time to lose
00:28:13Now I understand why her mother
00:28:15He told me to be very careful with him
00:28:17The police need to be notified.
00:28:19Return me to the freed man
00:28:20He must be a sex maniac
00:28:21During mating season
00:28:22And now we go to the second position
00:28:25Aaah!
00:28:26Aaah!
00:28:27Go ahead, do it!
00:28:28Aaah!
00:28:32Aaah!
00:28:33Aaah!
00:28:33Aaah!
00:28:33Aaah!
00:28:35Aaah!
00:28:35Well, I'm getting tired of this nonsense.
00:28:37I have a better method.
00:28:40Carefully
00:28:41That poor girl has probably already been killed.
00:28:42Be quiet, you're getting on my nerves.
00:28:44It can be dangerous.
00:28:46Love, don't be like that
00:28:47Please, miss, let me
00:28:49Hey, you
00:28:50Turn it down there
00:28:51Man
00:28:52I'm glad they arrived on time
00:28:54With jokes about me, huh?
00:28:55You can explain it to me when we get to Madrid.
00:28:57But listen, I'm a doctor.
00:28:58Yes of course
00:28:59I'm going to Madrid for a conference
00:29:00Yes, yes
00:29:01That?
00:29:01Yes, I am a gentleman
00:29:02Oh really?
00:29:03Clear
00:29:04Calm down, daughter
00:29:04We were able to save her
00:29:06Well yes
00:29:07Not even on a train anymore
00:29:12And why have they sinned against you, man?
00:29:15How should I know?
00:29:15A stupid old woman was to blame
00:29:17Women are to blame for everything
00:29:20They say it so much.
00:29:22Listen
00:29:24Is this the Hotel Prague?
00:29:26Don Pedro Andréu
00:29:27What did you say?
00:29:29That it hasn't arrived yet
00:29:30No, nothing, thank you.
00:29:32Oh my God
00:29:33Something must have happened to him
00:29:35I should already be at the hotel
00:29:37The police should be notified
00:29:38What if he's been kidnapped?
00:29:40Don't scare me
00:29:41You think?
00:29:42I don't know, we'll wait.
00:29:44If he doesn't show any signs of life
00:29:45We will notify the police
00:29:47Where are you going?
00:29:48I'm going home
00:29:49I'll try to call later.
00:29:51Well, if you talk to him, let me know.
00:29:53I'm uneasy
00:29:54Don't worry
00:29:55Thank you
00:29:58Relax, boss
00:29:59Now he's selling the knife.
00:30:00So that the pothole
00:30:01But how could he even think of killing her?
00:30:03Isn't it delicious?
00:30:05It's a mistake
00:30:06I am a doctor
00:30:07I'm already tired
00:30:08I think this is going to be a disaster.
00:30:09Take
00:30:09And I was from Castro.
00:30:10But since I've shaved my beard
00:30:12Until they relocate me
00:30:13They'll have me in their pocket.
00:30:14Please, doctor
00:30:16Everything is sorted now
00:30:18Sorry for the inconvenience
00:30:19Come this way
00:30:21Goodbye, Fidel
00:30:23What it's like to be the godfather
00:30:24What a disgusting country
00:30:26Unless you're friends with the commissioner, you'll get in here.
00:30:35Patch
00:30:44To the hotel
00:30:45To the Prague Hotel
00:30:48If you want to have a good time
00:30:50I know completely trustworthy addresses.
00:30:52And one clean thing
00:30:53No, no, sir
00:30:53Thank you so much
00:30:54I have a room reserved
00:30:55At the Prague Hotel
00:30:56And some chops with wine
00:30:58And a guitarist
00:30:59And some good flamenco.
00:31:00In a sale
00:31:00Don't they suit you?
00:31:01No, thanks
00:31:02I'm tired
00:31:03Because it has suited me well
00:31:04He has done it
00:31:05You were saying
00:31:05Nothing, nothing
00:31:06We're arriving at the hotel
00:31:09Good morning
00:31:10Good morning
00:31:11Good morning
00:31:18Miss, I would like a conference with Madrid
00:31:20Hurry
00:31:21It's urgent.
00:31:22Hotel Prague
00:31:46Dr. Andreu
00:32:17They call the phone
00:32:18On the 12:30 train
00:32:19Keep in mind that the whole family
00:32:21We'll come and wait for you at the station
00:32:33See you later
00:32:34Do you see it?
00:32:35He was alone in the room
00:32:37This guy is really strange.
00:32:38Very strange
00:32:39Oh, how I am
00:32:40If he'd been out partying, you'd say he was a scoundrel.
00:32:42But the poor boy is a saint.
00:32:43You say he's a weirdo
00:32:45Very strange
00:32:46Very strange
00:32:48I don't know what that kid is going to do next.
00:32:49Well, you've told me.
00:32:51Who has the girl spoken to?
00:32:52With the boyfriend, grandma
00:32:53Much joy
00:32:54But who is the groom?
00:32:55Yeah
00:32:56For the past 12 years
00:32:57Oh
00:32:58I don't know what that kid is going to do next.
00:33:26And a minute in two thanks for your deep attention
00:33:45Shall we dance tonight?
00:33:46Great
00:33:47I know a club with some amazing girls
00:33:49Conferences serve this purpose
00:33:50I don't miss a single one
00:33:51Alberto, Alberto
00:33:53But it's André
00:33:54Hello, what's up? How are you?
00:33:56What? Is the conference over already?
00:33:57Fortunately
00:33:58If he had continued talking any longer, we would have drowned him.
00:34:00Were you invited too?
00:34:01Yes, but he's smart
00:34:02The only smart one
00:34:03Come on, come with us
00:34:04Let's have fun, Madrid is ours
00:34:06Thank you, but I would like to speak with the professor.
00:34:07He has already left
00:34:08Also, what do you want to tell him?
00:34:10Professor, explain that.
00:34:11I wouldn't understand any of that.
00:34:12Come on, let's go and stop being a pain.
00:34:13Okay, I'll go.
00:34:14But you have to inform me about the conference
00:34:16You must have taken notes, I suppose.
00:34:17Why not?
00:34:17To tartar
00:34:18Come on, let's go
00:34:19We'll keep you updated
00:34:20We'll give you the whole package, if that's what you want.
00:34:22No joke
00:34:23I'm very interested.
00:34:24And I must return home tonight.
00:34:25I promised my girlfriend
00:34:26Andreu, listen to experience
00:34:29Come with us
00:34:30And you'll prove it to your girlfriend
00:34:31Who's in charge at home?
00:34:53Leave me alone, please.
00:34:54Alberto, give me the notes
00:34:56I have to leave, man.
00:34:57Don't be so thoughtful
00:34:58He said the same old things.
00:34:59On the scientific mysteries of the female body
00:35:01There's one.
00:35:02Study it well
00:35:03You can learn more from that body than from the blind.
00:35:05Don't bother me
00:35:07Come on, stop taking notes
00:35:09If you want, you can study with me.
00:35:10Here, give me some
00:35:14I don't understand
00:35:15This is the last train
00:35:16That means something has happened to him.
00:35:18My poor son
00:35:19Come on, what the hell are you, mother?
00:35:20My day is so long
00:35:22And my son is so young
00:35:23Okay, let's not start.
00:35:24I don't like this at all.
00:35:26I've never liked that boy
00:35:28If he comes, you'll say he's stupid.
00:35:30And if he doesn't come, you say you don't like him
00:35:31The point is to say something.
00:35:32An engineer
00:35:33Look, I've told you that a million times.
00:35:34Yes, what do you want me to do, Dad?
00:35:35For now, go home
00:35:36We'll decide there.
00:35:43Well, you're happier than a spring, you handsome devil!
00:35:46Forgive me, but I just don't feel like talking
00:35:47You don't dance to this either?
00:35:49I don't know how to dance, do I?
00:35:51What do you mean I'm going to love him?
00:35:52Come on, I love you
00:35:53Leave me alone, woman, will you?
00:35:54Alright
00:35:55May they fry you a rich umbrella
00:35:56Wherever there's an ugly person
00:35:58The most annoying uncle is a mourner
00:36:15It is not possible
00:36:16He must be a twin brother
00:36:17Hey, waiter
00:36:18Tell me, sir
00:36:19Do you know that little man named Marco who is kissing the blonde?
00:36:25Are you requiring Mr. Anton?
00:36:27Exactly, that's what I wanted to know
00:36:29Thank you
00:36:32Hi, Anton
00:36:51Hello
00:36:52How are you?
00:36:53As?
00:36:53Your name is Anton, right?
00:36:57Yes, my name is Anton
00:36:57But he doesn't remember me, I'm his neighbor, the doctor
00:37:00Well no
00:37:01Come on, man, the tooth, he doesn't remember
00:37:04Lower, lower
00:37:06Who are you with?
00:37:07With some classmates
00:37:08Anyone from the village?
00:37:09No
00:37:09Ah, nothing more
00:37:11Okay, sit down
00:37:12Here's a neighbor and these two beauties are my girlfriends
00:37:15Ah, normal girlfriends
00:37:18That's why I'm getting married.
00:37:19Not the good one
00:37:21Waiter, peace, bell
00:37:22This is really good.
00:37:23And the blond hair, and the little dog
00:37:25Nothing, all that is for work
00:37:26And here I am on vacation.
00:37:28Here, this is for you.
00:37:30Oh, sir
00:37:34Mister
00:37:45Okay, that's enough.
00:37:46It's two o'clock
00:37:47And I'm not willing to wait for your boyfriend to come back from the garden.
00:37:50Let's go home
00:37:51No, I'm not leaving
00:37:51I need to know where he is.
00:37:53Goodbye, help
00:37:54Okay, goodbye
00:38:00Hey, Anton
00:38:01Oh
00:38:02Her friend has a lot of class.
00:38:04Oh, sailor's cloth
00:38:05You don't know what this is like
00:38:06Hey, they're going to close
00:38:07Where are we going?
00:38:08Man, don't come at me with this.
00:38:09As usual
00:38:10Let's go to a sale
00:38:11No, to my house
00:38:12Now we're going
00:38:19Goodbye, Pepe
00:38:19See you tomorrow
00:38:20And save me a table
00:38:21Oh, oh, oh, oh
00:38:29I'm taking the curve
00:38:30Yeah, yeah, yeah
00:38:32Yeah, yeah
00:38:33Well, we've arrived.
00:38:34This is my Madrid refuge
00:38:36What do you think, Pedro?
00:38:37Perfect, perfect
00:38:38Hey?
00:38:38Weren't you surprised?
00:38:40Of course
00:38:41I wasn't expecting this.
00:38:42No, me too.
00:38:43I want a shelter like this
00:38:44No, no, no, no
00:38:45Come on in.
00:38:47Good night
00:38:48Good evening, Antonio
00:38:49Good night
00:39:07I see four keyholes
00:39:08Which one will be the good one?
00:39:09Leave it to me
00:39:10That's what being a university student is for.
00:39:11Yes, yes
00:39:15Okay, that's it.
00:39:15Come in, come in
00:39:16Come on
00:39:17Come on
00:39:18There, there
00:39:29Oh
00:39:29Every night the same story
00:39:31Relax
00:39:32Relax
00:39:32Where is?
00:39:34Where is?
00:39:35Idiot
00:39:36They could kill me and you're asleep
00:39:37You don't hear that mess
00:39:38You're deaf
00:39:38It's no big deal
00:39:40They are the neighbors downstairs
00:39:40They're having fun
00:39:41But I don't want to sleep.
00:39:43If you want, I can call the police.
00:39:45Idiot, the police
00:39:46The one who is looking for us
00:39:47What do you want?
00:39:48Should we go back to Shinseng again?
00:39:50Okay, then
00:39:50What I do?
00:39:52Tell them to shut up
00:39:53Tell them I'm feeling unwell.
00:39:54I'm dying
00:39:55Make up a story
00:39:56But make them shut up
00:39:57Otherwise I'll go crazy
00:40:12Hey?
00:40:13Peter
00:40:13Peter
00:40:14Calmly
00:40:15Man, take it easy.
00:40:16Hey you
00:40:17What a great invention!
00:40:22The strength, you
00:40:23Hey?
00:40:25Ah, there will be more creatures
00:40:27Well, am I or am I not oriented?
00:40:29In the world of frenzy
00:40:30Hey?
00:40:31Go ahead, wonderful ones
00:40:31Salvation is on the rope
00:40:34Good night
00:40:35For me, for my boss
00:40:35They're not good.
00:40:36Too much noise
00:40:37That's what's called
00:40:38Disorderly behavior
00:40:39I don't find it funny at all.
00:40:40I don't like you guys at all
00:40:42Who is Anton?
00:40:42More creatures?
00:40:43No no
00:40:44He is a gentleman
00:40:44He says he doesn't like us at all.
00:40:46He doesn't like them at all
00:40:47Neither me nor my boss
00:40:47Well, there's no need to get so worked up, man.
00:40:49Wouldn't you like a little drink?
00:40:50Go on!
00:40:50I'm having a few drinks!
00:40:51The liver, huh
00:40:51We don't want any more noise.
00:40:53Understood?
00:40:53It's a cousin of this
00:40:54That they have hallucinations
00:40:56Arriving at this time
00:40:57Poor thing
00:40:58She starts seeing a boyfriend she had
00:41:01And that he became a legionnaire
00:41:03Then he hallucinates
00:41:04And she screams
00:41:06It's the same
00:41:06If I hear a magic noise
00:41:07I can blow both their heads off
00:41:09Have you heard?
00:41:10Well, come get me!
00:41:10Wow!
00:41:14Go, go, go!
00:41:15In my case
00:41:16Now make my case
00:41:19What happened?
00:41:22Relax, boss
00:41:23They are two intautos
00:41:23You will never hear any noise again.
00:41:25I told them to take it easy
00:41:26They don't remember
00:41:29God
00:41:30I'll never be able to sleep.
00:41:32I'll kill them, boss.
00:41:34You are completely useless
00:41:36You're useless
00:41:38What are you laughing at?
00:41:40You're welcome, boss.
00:41:41You are welcome
00:41:42What joke had he made?
00:41:44As?
00:41:46What hasn't slept there?
00:41:48Are you sure?
00:41:49Your room is free
00:41:50For the past two nights
00:41:51Yes, wine
00:41:52But he only left his suitcase.
00:41:53Yeah
00:41:54As?
00:41:56Just the suitcase?
00:41:58My God
00:41:58Who are you talking to?
00:41:59What's that about the suitcase?
00:42:00Thank you
00:42:02Nothing, Dad
00:42:03She was a friend
00:42:04That she has lost her suitcase
00:42:07Daughter
00:42:07There's no reason to cry about it.
00:42:09Have your friend buy another suitcase
00:42:11No
00:42:11It's because it's about Pedro
00:42:13Did he steal your friend's suitcase?
00:42:15I knew it!
00:42:16That wasn't exactly pure gold.
00:42:17Dad
00:42:30Dad
00:42:50Antonio!
00:42:56Antonio!
00:43:04My head hurts a lot. Do you have an aspirin?
00:43:07No, I'm used to it by now.
00:43:10Hey, there were some girls here, right?
00:43:13Yes, but I gave them doors.
00:43:16So, what do you plan to do?
00:43:18Pick up my suitcases at the hotel and leave on tonight's train.
00:43:22Why don't you stay here all week?
00:43:23You're crazy, you don't know my mother or my girlfriend's family.
00:43:27You should make up an excuse, like I do.
00:43:28I say I'm going to Paris or London to buy models,
00:43:31And yet, huh?
00:43:33What you're saying is believable.
00:43:34But I can't say that I'm going to buy medicine.
00:43:37It's one week every month, but you wouldn't believe what a week it is.
00:43:39You should see your customers' faces if they knew.
00:43:42You are the only person who knows the game.
00:43:44I hope it'll be a secret between us, okay?
00:43:46Man, I have no doubt.
00:43:47But it's funny that you have to do all that to keep your business going.
00:43:50Oh, don't blame me.
00:43:52That's the kind of society we live in.
00:43:54And because of that society, you don't want to stay these last four days of the week.
00:43:59Don't think I don't feel like it.
00:44:00You know how I spend my afternoons, playing Parcheesi at my girlfriend's house.
00:44:03What do you think?
00:44:04Oh, serious, serious, serious.
00:44:05If I were you, I wouldn't think about it anymore.
00:44:07Let's see how all those people who say they love you so much react.
00:44:10No, it's impossible, I can't.
00:44:12I lack character.
00:44:13Okay, it's up to you, I won't insist.
00:44:16Come here.
00:44:17I'm going to teach you something.
00:44:23Ah, there, there, there, there.
00:44:25What do you see?
00:44:26Take a look.
00:44:31What normality?
00:44:32This time they are Swedish.
00:44:34And how do you know they're Swedish?
00:44:35They are different every day.
00:44:37That apartment is only rented to cheapskates.
00:44:39They spend a day and then leave.
00:44:40Today it's the aces' turn.
00:44:42Not bad, right?
00:44:43It's so extraordinary.
00:44:44And how do they like the sun?
00:44:46The sun, the orange, and the Spanish man like you.
00:44:49This is what I needed.
00:44:51We're bursting with pride with you.
00:44:52You think?
00:44:53Anton tells you so.
00:44:54Well, it doesn't matter if I take the night train.
00:44:56That's what I like to hear.
00:44:56There is no time to lose.
00:44:57Let's go on time!
00:45:03Someone is at the door.
00:45:04Does he go and answer?
00:45:05Yeah.
00:45:11Good afternoon.
00:45:19Okay, if you want, we can come in and eat them together.
00:45:22Pedro!
00:45:24Do you realize?
00:45:25You see, there's nothing to be done.
00:45:26You have no idea what you're talking about.
00:45:27Take the oranges.
00:45:29So what do I do?
00:45:30Nothing, you do nothing.
00:45:31Then you'll see.
00:45:33You puff out your chest.
00:45:36Spanish orange.
00:45:37Here it is.
00:45:38My friend.
00:45:39He's my friend.
00:45:40And my brother too.
00:45:41Come on in, come in, son.
00:45:42Hey, what do we do now?
00:45:43What are we going to do, man?
00:45:43Take off your shirt!
00:45:44And the orange, should I appeal it?
00:45:46Look at the orange, man!
00:45:47Come on, take off your shirt.
00:45:48Socks and shoes.
00:45:50We were passing by and came in to say hello.
00:45:52Don't bother.
00:45:53You don't understand my word.
00:45:54Okay, here's my friend, who's a first-timer.
00:45:56As?
00:45:57First time.
00:45:57He has not had contact with a woman.
00:46:00Come, touch.
00:46:00No, what if you give me a cake?
00:46:01No, it was touched, nothing's wrong.
00:46:04He's scared.
00:46:05In his village, they have told him that this is bad.
00:46:08It's bad, isn't it?
00:46:09Well.
00:46:09Well, very good.
00:46:11Which one do you like?
00:46:12This.
00:46:12Very good.
00:46:13Nothing, then each one a quarter.
00:46:14And you already know, first-timer, it's your first time.
00:46:17So what do I do?
00:46:18Well, I'm not going to explain it to you now, am I?
00:46:20See you later.
00:46:21Is this your first time too?
00:46:23Yes, with you, beautiful.
00:46:27Losso!
00:46:27That's worse, moms are bad!
00:46:29Even worse!
00:46:36Tell me.
00:46:38Ah, yes, tell me, Mr. Andreu.
00:46:40You see, I don't need the room anymore.
00:46:42Okay, you'll have to send me the suitcase, and then I'll pay you the bill.
00:46:46Okay, fine.
00:46:48Anton!
00:46:48What is this address?
00:46:50Calle del Bosco, number 20, penultimate floor.
00:46:52To bring my luggage.
00:46:53Freak!
00:46:53This way you'll stop paying for the hotel unnecessarily.
00:46:55Hello.
00:46:57Did you also receive the telegram?
00:46:58Yes, of course, this afternoon.
00:47:00And it says roughly the same thing as yours.
00:47:02The conference is very enjoyable and will last at least a week.
00:47:05So what are you going to do?
00:47:06What am I going to do?
00:47:07Well, let's check if what he tells us is true.
00:47:09How can you verify it?
00:47:11For that, it is necessary that I can count on you.
00:47:14Get the hell out of here!
00:47:16Tell me.
00:47:17As?
00:47:19Ah, yes, I'll call you right away.
00:47:21Dog!
00:47:22It's for you.
00:47:23Who is it?
00:47:24A girl from Italy.
00:47:26Today it's their turn.
00:47:27Tell me.
00:47:29Yes, it's me.
00:47:30Clear.
00:47:31With a spyglass?
00:47:33Oh!
00:47:34Yes, yes.
00:47:35Oh yes, oh.
00:47:36Oh, mother.
00:47:40Oh, oh, oh, oh.
00:47:41Ah!
00:47:42How wonderful!
00:47:44Lines like these can only be Italian.
00:47:47OK.
00:47:48Yes, we'll come and pick it up.
00:47:50Bye, baby.
00:47:52You!
00:47:52They're expecting us at nine!
00:47:56Hey, you have terrible dark circles under your eyes.
00:47:58We're going to get rid of these soon.
00:47:59Let's see if we can get some sleep before taking the train.
00:48:01Goes.
00:48:02From tomorrow we will have all the time we want to rest.
00:48:11Saint Lucia!
00:48:15Saint Lucia!
00:48:16Saint Lucia!
00:48:17Saint Lucia!
00:48:18Saint Lucia!
00:48:19Saint Lucia!
00:48:19Make dinner a little bit of ham, Uncle Peque!
00:48:22Feel it, feel it, feel it!
00:48:23My loves!
00:48:24Sun, my loves!
00:48:25There it is!
00:48:26There it is!
00:48:27My loves!
00:48:29Sun, my loves!
00:48:29No, ma'am.
00:48:30Dr. Andreu has even left the room.
00:48:32Furthermore, he has ordered his suitcase to be removed.
00:48:34Jesus, my poor son.
00:48:35Since we're here, should we find him alive or dead?
00:48:37No, not dead.
00:48:38Excuse me, but if you're looking for Dr. Andreu, I can help you.
00:48:40So what are you waiting for?
00:48:41Open.
00:48:41Let's see, he asked us to send the bill and the suitcase to this address.
00:48:44Maybe it's there.
00:48:45Calle del Bosco, number 20.
00:48:49Saint Lucia!
00:48:52Saint Lucia!
00:48:54Well!
00:48:54We've arrived!
00:48:56Yes, listen, Bosch is coming.
00:48:57I know, I know.
00:48:58Put me down first and show him the way, Pedro.
00:49:00OK.
00:49:00I'm going to give you a job, Antonio.
00:49:02Go on, get down.
00:49:03Low.
00:49:03Go down, go down.
00:49:04Go down, go down.
00:49:04Come on, go down, go up, you have a sound that will make you cry.
00:49:10Let's go, let's go!
00:49:12Antonio.
00:49:13Good evening, miss.
00:49:14Good evening, Antonio.
00:49:15Come on, bring us six packs of blond hair.
00:49:16And with the rest he'll do what he did before, okay?
00:49:17I continued.
00:49:18See you later.
00:49:19I continued.
00:49:19Bye bye!
00:49:20I moved this well, miss!
00:49:39Attention!
00:49:48Attention!
00:49:49Before you, my home, 1970!
00:49:53Dinner is served!
00:49:55But, most venerable one!
00:49:56Attention!
00:50:00Attention!
00:50:01Attention!
00:50:01Doesn't he have a little bit of a painter's touch?
00:50:03Attention!
00:50:04Peter, Peter!
00:50:05Pedro!
00:50:25Pedro!
00:50:26No, thank goodness.
00:50:27Well, he did it for me!
00:50:28Attention!
00:50:28Oh, how late, my loves!
00:50:30I'll be right back and fix you!
00:50:34Oh, Mary, most pure!
00:50:36But it's you, isn't it?
00:50:40Cici, my love.
00:50:42Where has the most beautiful thing in the world gone?
00:50:44But please come in.
00:50:46Don't stand there.
00:50:48Come in, come in.
00:50:49Oh, Doña Socorro, my dear.
00:50:51What a surprise.
00:50:52This world is a real handkerchief.
00:50:55That's the last thing I could have imagined.
00:50:56And who gave you my home address?
00:50:58We didn't know this was their address.
00:51:00I've been going there my whole life.
00:51:01Business is one thing, rest is another.
00:51:03Oh, what do you think, Cici?
00:51:05And who has come?
00:51:06Aren't you happy?
00:51:07We came looking for my son.
00:51:09Oh, well I don't know anything, not even if I register.
00:51:12Well, the hotel didn't give out this address.
00:51:13At the hotel?
00:51:15How harmful.
00:51:16My God, how awful people are.
00:51:18So my son hasn't been here.
00:51:21Is your son here?
00:51:22Come on, come on.
00:51:23What thing?
00:51:23Never.
00:51:24I haven't seen his son in Madrid.
00:51:25And anyone who says otherwise is lying.
00:51:29Help, let's go.
00:51:29But why?
00:51:30That's what we wanted to find out.
00:51:31We've already figured it out.
00:51:32What are you saying?
00:51:33We know nothing.
00:51:35I'm telling you yes.
00:51:36Let's go.
00:51:37Whatever.
00:51:37You are leaving now.
00:51:38Wouldn't you like to have a small glass of anise liqueur?
00:51:40Yes, we're leaving.
00:51:40And if you see Pedro, tell him not to bother looking for me.
00:51:43Will I see, Pedro?
00:51:44What nonsense.
00:51:45Good night.
00:51:46You look very elegant.
00:51:47Oh, how kind.
00:51:49Say goodbye to Mrs. Pizzi.
00:51:56What has he taken, treasure?
00:51:59Ah, if I tell anyone, someone might have a heart attack.
00:52:03Here's the wine.
00:52:04Come here, it's the guitar.
00:52:05Don't let the party fall on my wine.
00:52:11Let's see if they let me rest or not.
00:52:14Calm down, Fer.
00:52:15You're right, but you have to control yourself.
00:52:17And if they find out who you are...
00:52:18Catch me, idiot!
00:52:19I know what I have to do.
00:52:21If you were working properly, I wouldn't have to go.
00:52:23Let's go!
00:52:25Let's go!
00:52:27This is unbearable!
00:52:30Sail away, Sailor!
00:52:31Oh!
00:52:32Oh, the tub full of clothes!
00:52:34Let's go!
00:52:35What do you want now?
00:52:36Via jamásillo, my cousin says that if we don't let her...
00:52:39That is!
00:52:40...the return to life.
00:52:41Hey, your cousin is a real character, huh!
00:52:43Let's see the meaning of corruption!
00:52:49It's a bathtub that moves your eyes!
00:52:51Oh, what's happening!
00:52:52We're ready!
00:52:54Let's see!
00:52:55Oh, love! What's Costa Gans's name?
00:52:57Is it called La Jota?
00:52:58Oh, oh, oh! Yes, sir! The Jota!
00:53:00Don't let this fall on him!
00:53:01And now without clothes, got it?
00:53:03The Jota is danced without clothes and with a handkerchief on the forehead.
00:53:05But what are you doing?
00:53:07This is a joke! They're calling me from Chile!
00:53:09Damn it! Take that!
00:53:16Good night.
00:53:17I see that it's useless because despite my warnings here at night there's no way that
00:53:20Be silent.
00:53:21Come on, boss! Don't get carried away, you're a big shot!
00:53:23Of course, of course! I understand that you are right, but take responsibility.
00:53:25My friend and I are strong, not bad-looking young men, and our blood boils.
00:53:29What's wrong with them?
00:53:29Does it make their blood boil?
00:53:30Well, they should get an analysis done.
00:53:31Ah, ah, ah! An analysis!
00:53:33Spain, Spain, which is a very big thing.
00:53:34Love, bullfighting, huh?
00:53:36Don't you want to come in?
00:53:37Since they can't sleep because of us, come and have a drink.
00:53:39I can't take any more than they're miserable, but I'll fix this myself immediately, Chicago style.
00:53:43Hold it, boss! Don't get carried away, you're a big shot!
00:53:46That's it, my dear! My cousin has fainted!
00:53:48Hey, handsome!
00:53:50And this woman?
00:53:50This is my cousin. These very elegant gentlemen are our neighbors.
00:53:54Oh, come see the world! We're all here now!
00:53:55Why don't you come and have a drink with me, my friend?
00:53:58Ah, there! That's it, that's it, that's it! Yes, yes, yes!
00:54:00Come in and have a drink! Yes!
00:54:01I'll cut the ham!
00:54:04No help, this is over.
00:54:06That's your problem, she's your mother, but there's no reason why I should have to put up with a normal one.
00:54:09Maybe it's all a coincidence.
00:54:12Appearances often deceive...
00:54:14I was living at Antón's house, you know that as well as I do.
00:54:17And don't tell me now that it's also a coincidence.
00:54:20Will they be friends?
00:54:21Please, help.
00:54:22You'll see, when he comes he'll give us an explanation.
00:54:25I don't even want to hear it.
00:54:27So Pedro was in Madrid having a fling, but understand that this is already too much.
00:54:30Oh, daughter, I don't know.
00:54:32You will see fear.
00:54:33And the coldness of his son.
00:54:34I know that very well.
00:54:36To tell you the truth, in 12 years he hasn't gone beyond giving me a kiss on the cheek.
00:54:38Well, he's very good and that shows his innocence.
00:54:43Yes, yes, of course.
00:54:45A woman who is more like you than you are.
00:54:47He's not going to blame me, is he?
00:54:49God bless you.
00:54:51And to think that as a child he wanted to be a legionnaire.
00:54:56Okay, go ahead and do it, gorgeous!
00:54:59Let's go!
00:55:01Okay, okay!
00:55:05Okay!
00:55:06Okay, okay!
00:55:11It's a disgrace.
00:55:12My family was Italian and neither my mom nor my grandma danced or moved like that.
00:55:17Mine was from Apolitana and they never took off their headscarves.
00:55:22These erotic rituals are typical of underdeveloped countries.
00:55:27Hey, how long is this going to last?
00:55:29We need to make sure they have fun, and then they won't bother us anymore.
00:55:32Okay, thanks, what a shame!
00:55:34A little drink for these very serious gentlemen who have a class that is unbearable.
00:55:40It seems to me that there's nothing to be done.
00:55:41They're having fun at a wake.
00:55:44Okay!
00:55:45Let's see, let's see, let's see!
00:55:48I gave myself this little cup for the messengers!
00:55:51Hey?
00:55:51What should I do with the little glass, boss?
00:55:53Okay, bye!
00:55:55Drink it, it has no effect.
00:56:05Okay, so what?
00:56:06Shall we go?
00:56:07Look, see.
00:56:08What's dawning, man?
00:56:09Young night!
00:56:11There's no rush, the blood isn't boiling.
00:56:14Vagador!
00:56:15If there's no more ham, my cousin and I are going to part ways, but seriously...
00:56:18Look, this is over.
00:56:19What's going to end?
00:56:20It never ends.
00:56:22What's the name of the dance we performed?
00:56:24This, sardana.
00:56:25Olé, olé!
00:56:26This is life.
00:56:26Come on, the guitar!
00:56:27Come on, don't do the sardana!
00:56:28Come on, come on!
00:56:29Go for it!
00:56:31And I think what he wanted was to encourage.
00:56:32This is the life, Anton!
00:56:34Come on, keep going, follow me, keep going!
00:56:36Damn my luck!
00:56:37The complaint, huh?
00:56:38It's better to file a complaint and get evicted than to do this.
00:56:47But hey, you weren't going back to your homeland today.
00:56:49Let's see, let the plane leave, there's plenty of time.
00:56:52What time does it leave?
00:56:53At eight o'clock at night.
00:56:55Oh my God!
00:56:56Apparently they had been friends for six years.
00:56:59Good heavens, what a doctor!
00:57:00No wonder he wasn't looking at my cleavage.
00:57:01That's understandable.
00:57:02You know what I'm saying?
00:57:03I like it more now.
00:57:04I find it more perverse.
00:57:06Daughter, you're so morbid!
00:57:07So that we can criticize our husbands.
00:57:10Because they'll be uglier and balder, but...
00:57:12There's a big difference, isn't there?
00:57:14Clear.
00:57:15Well, I don't know what to tell you.
00:57:17We need to be more European.
00:57:20It didn't scare me.
00:57:21I already suspected something.
00:57:22It's that the youth are lost.
00:57:24How does he have it so easy?
00:57:25As soon as I found out, I beat my son.
00:57:27She wanted to grow her hair long.
00:57:28For now, you're not leaving the house.
00:57:31Everyone knows it.
00:57:32But how did you come up with the idea of discussing it with your friends?
00:57:34No, you're stupid.
00:57:35And what's that got to do with me?
00:57:36Look, don't make me talk.
00:57:38After twelve years in a relationship, your boyfriend comes out with that?
00:57:41Whose fault is it going to be?
00:57:42But daughter, you didn't notice anything.
00:57:43I already told you and you all said he was a very classy guy.
00:57:46So much Parcheesi, so much Parcheesi.
00:57:48I've told you that before.
00:57:50An engineer would never have played Parcheesi.
00:57:53Okay, but what's going on?
00:57:55Oh, grandpa, we never find out about anything.
00:57:56Which gentleman came to play Parcheesi?
00:57:58Will he never come back here again?
00:57:59I'm glad, you poor thing.
00:58:01Every afternoon playing that boring game.
00:58:04I'm sure he won't dare come back, right?
00:58:07Because I know myself and I'm capable of something outrageous.
00:58:21There they are, and so fresh.
00:58:23It's a disgrace, they have no shame.
00:58:38Oh, hello, son.
00:58:40Your son is here, he has finally returned.
00:58:44How are you?
00:58:45Very well, but how come you spent so much time in Madrid?
00:58:48I'll tell you later.
00:58:48Or rather, I can't tell you anything because it's a secret.
00:58:51A secret.
00:58:51It's no secret to a mother.
00:58:53This time it's true, because I've given my word, but I'll tell you someday.
00:58:56It's the last thing you can imagine.
00:58:58Oh, my God.
00:58:59So, do you like how I'm doing?
00:59:01I've changed, I'm a different person.
00:59:02And why, children?
00:59:04I liked you the way you were before.
00:59:06There is a new man in me.
00:59:08I was wrong, Mom.
00:59:09Life isn't just this and going for walks with Jacinta.
00:59:11There is something more, much more.
00:59:12Look what I bought you.
00:59:13Look.
00:59:14Its lace, its embroidery, is made of fine thread.
00:59:17You like it, don't you?
00:59:18Yes, I like it, but...
00:59:20What's wrong, Mom?
00:59:22No, nothing.
00:59:24Because of Madrid for a day, you've been there for a week.
00:59:26What happened to you?
00:59:29Well, the... the conferences, you know?
00:59:32They were very long.
00:59:34Ah, yes, the conferences.
00:59:36And I haven't moved you from the hotel, have I?
00:59:39No, Mom, I didn't leave the hotel.
00:59:41Which, by the way, was extremely expensive.
00:59:43But since we were invited by the congress...
00:59:45What are you going to do?
00:59:46I'm going to call Jacinta, who still doesn't know I've arrived.
00:59:48No, leave it.
00:59:49Go to the doctor's office.
00:59:51I'll call her and tell her you're here.
00:59:54Okay, then I'll go to the appointment.
00:59:56Goodbye, Mom, see you tonight.
00:59:57And cheer up, because now your son is a happy man.
01:00:00Yes, José.
01:00:04My God, my God.
01:00:08Welcome.
01:00:08Thank you, Clara.
01:00:09How are you?
01:00:10Why didn't you tell me before, doctor?
01:00:12The fact that?
01:00:12I know everything, about Madrid.
01:00:14If only I had known you were like this.
01:00:16Well, you understand me, right?
01:00:17Well, he wouldn't have had so many scruples.
01:00:19Spits of what?
01:00:20To undress in front of you to help you with your experiments.
01:00:23But, Clara, I would never have dared to ask him.
01:00:25Besides, do you think your boyfriend would have agreed to it?
01:00:27Why not?
01:00:28He knows it too, and he's said he doesn't care.
01:00:30Well, it matters to me.
01:00:31And if you want to stay here, limit your work and nothing else.
01:00:34Whatever.
01:00:35But was it just to do him a favor?
01:00:37Well, that's it, woman.
01:00:38What's going to happen?
01:00:39I've found some beautiful things in Madrid.
01:00:41Tell us, Anton, because he knows everything here.
01:00:43And what can I tell you?
01:00:44I've brought the most pop stuff.
01:00:46Look at this jumpsuit.
01:00:47Fantastic, isn't it?
01:00:48What we want is for you to tell us things.
01:00:50Why did you keep quiet about the house in Madrid?
01:00:53Well, it's a modest apartment.
01:00:54It's not worth it.
01:00:56Tell us what happened there.
01:00:58Patience, patience.
01:00:59One day you'll find out what Anton is capable of.
01:01:03Okay, and now I'm going to show you the rest of what I've brought.
01:01:13Good afternoon.
01:01:14Yes, but, well, get out and don't come back here in a bad mood.
01:01:17Wait, at least let me talk to Jacinta.
01:01:19Deep down, what young man has never done what I did, not even you.
01:01:22That?
01:01:23No?
01:01:23Why have you taken me?
01:01:25Leave.
01:01:25If you don't want it, you'll be strangled.
01:01:27Go away!
01:01:28Out!
01:01:29He'll have no shame.
01:01:35Good morning, Anton speaking.
01:01:36Hey Anton, it's Pedro.
01:01:39Hey, listen, I don't know how they found out, but I'm sure they know something about us.
01:01:43Nothing will seem impossible to you.
01:01:45It's because you're a first-timer and you feel guilty.
01:01:48I am sure that Jacinta's father knows everything we have done in Madrid.
01:01:52Man, no, don't think that's going to scare me.
01:01:54But you know how these people are.
01:01:57Yes, and with how jealous she is.
01:01:59Don't lose your temper.
01:02:00You're starting to have a history, oh, and never tell the truth.
01:02:04You were always with friends.
01:02:06So, she's not a woman at all, right?
01:02:07Don't even think about it.
01:02:08You have been to Madrid seeing the Escorial and the initials of Philip II.
01:02:12Take my advice and it will make you rich.
01:02:13By the way, haven't you noticed anything at the doctor's office?
01:02:16I'll tell you later, because I can't talk right now.
01:02:19But I think you're right.
01:02:21Sure, man.
01:02:23I am willing to listen to you in everything.
01:02:24See you later.
01:02:25Bye bye.
01:02:26Bye bye.
01:02:27This is the safe way.
01:02:29You'll never thank me for what I do for you.
01:02:47But hey, you dressed like that too.
01:02:49I only found this one.
01:02:50Nobody liked him.
01:02:51The same thing happened to me.
01:02:52Have you seen Jecita?
01:02:52Yeah.
01:02:53It's down there.
01:02:54To the.
01:02:54Good luck.
01:02:57Good luck.
01:03:27Good night.
01:03:28Can I ask you to dance?
01:03:29Can't you see I'm not alone?
01:03:30But I need to talk to you.
01:03:31Let's dance, Elborio.
01:03:33Yes, from Elborio.
01:03:38Hello.
01:03:40Hello.
01:03:55But well, that's fine too.
01:03:58Out!
01:03:59Calm down, Luis.
01:03:59Your hernia stitches are going to pop out.
01:04:01What hernia?
01:04:01It's a public place and you can't kick me out.
01:04:03If I can.
01:04:04Out of my sight.
01:04:05Get out of here, they'll probably stamp you.
01:04:06Let's see, let's see, let's see.
01:04:07Leave me.
01:04:08Leave me.
01:04:08But...
01:04:15Now it's been seen.
01:04:16That has degenerated.
01:04:17Pálmate, Luis.
01:04:18Come on.
01:04:18Have a little drink, it will do you good.
01:04:19That's it, that's it.
01:04:20And you'll feel more like a man.
01:04:25Listen to me, Jacinta.
01:04:26I could invent a lot of excuses to get you to forgive me, just like Anton advised me.
01:04:30But I prefer to tell you the truth.
01:04:32Jacinta, if this guy bothers you, I...
01:04:34No, leave him alone.
01:04:35You even have the nerve to mention Anton in front of...
01:04:37Well, I won't name him, whatever you want.
01:04:38But if one day he had to betray you, it's better that it was before rather than after the marriage.
01:04:42I will never marry a degenerate.
01:04:44Woman, don't exaggerate.
01:04:45If I'm a degenerate, then everyone is.
01:04:46You too, right, Liborio?
01:04:47Me, a degenerate?
01:04:48Hold it for me.
01:04:50Hold it for me.
01:04:51Hold it for me.
01:05:00Hello.
01:05:02But what are you doing?
01:05:03You're crazy?
01:05:04Did you see the punch that animal gave me?
01:05:07Oh, pretend they're watching us.
01:05:10And what do I care?
01:05:11I'm fed up to the back teeth.
01:05:12As if he hadn't committed any crime.
01:05:15I'm fed up with that corny girl and her nonsense.
01:05:17And you know what I say?
01:05:18Let her father and the strong man deal with her.
01:05:19I can't stand her.
01:05:21Calm down.
01:05:21We are calling attention to this.
01:05:22Aren't you going to sit with me?
01:05:23Whether we're calling him or not?
01:05:24Okay, so what?
01:05:25When are we going to Madrid?
01:05:26I'm leaving tomorrow, but pretend you don't notice.
01:05:28And I'm coming with you, because I don't know how I've been able to put up with this for so many years.
01:05:33Okay, I'm leaving.
01:05:34Let's go home, Fifi.
01:05:35See you tomorrow.
01:05:37Come on, poor thing, nobody loves her.
01:05:39Come on, let's go home, Fifi.
01:05:44That's enough, Mom.
01:05:45Enough with the crying.
01:05:46I'm not a child.
01:05:47Why do you have to leave, son?
01:05:51Now the consultation is going very well for you.
01:05:53It's only a week.
01:05:54And I have many things to do in Madrid.
01:06:00And you're going alone?
01:06:02Yes, Mom.
01:06:03I'm going alone.
01:06:06Do you want me to accompany you?
01:06:08No, Mom.
01:06:08Don't worry about me.
01:06:09This is over.
01:06:11Suddenly I feel free.
01:06:12Oh, are you free, son?
01:06:16About what?
01:06:17Of all this.
01:06:18That's why I'm going to Madrid for a week.
01:06:20To breathe different air.
01:06:35No, ma'am.
01:06:36In my house they can't even imagine it.
01:06:37But I haven't been able to forget Pedro.
01:06:39I understand, daughter.
01:06:41It's a disgrace.
01:06:42And maybe we still have time.
01:06:44You don't understand.
01:06:45No, I don't understand.
01:06:47I've thought about all this a lot.
01:06:49And I don't want to shirk any of my responsibility.
01:06:51Who knows if your son is like that?
01:06:53Why hasn't he met any women?
01:06:55Well, but you...
01:06:56You are very cute.
01:06:58Yes, but while walking, playing Parcheesi,
01:07:01at home or attending evenings at the casino,
01:07:03That's not getting to know any woman.
01:07:05And what have you thought?
01:07:07Doña Socorro.
01:07:10I am willing to do anything if you help me.
01:07:12Of course!
01:07:13For my son.
01:07:14I am capable of doing whatever it takes.
01:07:16Well then, let's get to work.
01:07:17The rescue plan begins.
01:07:36Of course!
01:07:38Of course!
01:07:41Of course!
01:07:42Of course!
01:07:42Of course!
01:07:43Of course!
01:07:45Of course!
01:07:47Of course!
01:07:48Oh well,
01:07:50Is that why you came to Madrid?
01:07:52Nothing, kid.
01:07:52That kind of roguishness isn't for me.
01:07:54No, don't talk nonsense.
01:07:55Now that that annoying guy upstairs has left,
01:07:57We could make a nice red one.
01:07:58I don't feel like it.
01:07:59I'd rather fry a couple of eggs
01:08:00and then go to bed.
01:08:01Oh, well, I'm leaving.
01:08:02If you don't want to come,
01:08:02I'll find company.
01:08:03I feel like having fun
01:08:04And I'm not in love.
01:08:05And the night is long.
01:08:07See you later!
01:08:08Of course!
01:08:41Are you alone?
01:08:42Wow, woman.
01:08:43What a surprise!
01:08:44If I'm in the way, I'll leave.
01:08:46No, a nuisance.
01:08:47Does it pass more to the side?
01:08:48Yes, a moment ago.
01:08:50Well, not me, as you can see.
01:08:51I was frying a couple of eggs.
01:08:53I didn't know you liked to cook.
01:08:55No, I've never done it.
01:08:56but because of not going out on the street.
01:08:57And your friend Anton?
01:08:58You know everything, right?
01:08:59I don't know, but I'm sure of it.
01:09:00And you're very angry.
01:09:02If you'd like,
01:09:02I can play the castanets.
01:09:04Okay, where's Anton?
01:09:05You've gone out there to get there.
01:09:06Already.
01:09:06But I am not like him.
01:09:08You're the only one who matters to me.
01:09:11Let's see if that's true.
01:09:12because you and I know each other
01:09:13just talking
01:09:13And now it's time to move on to the other thing.
01:09:14What are you doing?
01:09:15Come on!
01:09:18I suppose it won't occur to you.
01:09:19Do not shout or call the police.
01:09:20I don't understand you.
01:09:21Could it be that you've been in the sun too much?
01:09:22For now, you're going to lie down there.
01:09:24And you're going to stay put.
01:09:25Do you know what this is?
01:09:26Woman, what things do you have?
01:09:27Say it.
01:09:27A bed.
01:09:29What is this?
01:09:30One leg.
01:09:31A phenomenal leg.
01:09:32Because I'm very rich, right?
01:09:34Yeah.
01:09:34Everything provincial you could want,
01:09:36and you're very nice
01:09:38And you do the plants very well.
01:09:41But leave me alone.
01:09:42You've gone crazy.
01:09:43Jacinta.
01:09:44This is rape, woman.
01:09:46You're not giving me any ideas.
01:09:47Take off your clothes.
01:09:48No, Jacinta.
01:09:49With you.
01:09:49With you.
01:09:50It can't be like that.
01:09:51This cannot be an infamous adventure.
01:09:53Don't worry.
01:09:54I won't say anything.
01:09:56Come on, get up from there.
01:09:57The bed has been made for sleeping.
01:09:58Do you see it?
01:09:59You are not cured.
01:09:59I knew it.
01:10:00Well, go fry some asparagus.
01:10:01Because I'm fed up with you.
01:10:02I had come with the best intentions.
01:10:03Full of love for yourself,
01:10:05willing to do anything.
01:10:05And I encounter this barrier.
01:10:07Well, that's where you stay.
01:10:08Keep going with your little friend
01:10:08and may you be very happy.
01:10:11Damn my luck!
01:10:16Tell me once and for all
01:10:16if Antón Gutiérrez lives here.
01:10:18Will you see?
01:10:18Is he alive or not?
01:10:19Come on, speak.
01:10:20Tell me.
01:10:21Yes, on the seventh.
01:10:23Come on, kids.
01:10:23Come on.
01:10:27Just a moment, ma'am.
01:10:29What's wrong with you?
01:10:29Are you looking for Anton?
01:10:31Do you know that scoundrel too?
01:10:33Yes, quite a lot.
01:10:34But now he's not at home.
01:10:35And how do you know that?
01:10:36He was just at his apartment.
01:10:38Well, I'm going upstairs and waiting for him.
01:10:39until I return
01:10:40because I am willing
01:10:41to insert the entire magazine
01:10:42in the head.
01:10:42Why's that?
01:10:43Why?
01:10:44If that seems like too little,
01:10:45I am his wife
01:10:46and these five little creatures
01:10:47They are his children.
01:10:48What do you make of this, huh?
01:10:49So Anton...
01:10:51Come with me
01:10:52that you and I
01:10:52We have a lot to talk about.
01:10:55And you believed
01:10:56What about her boyfriend and my husband?
01:10:59From my Anton
01:10:59I'd stake my life on it.
01:11:01But where do we live?
01:11:02I compromised
01:11:02Because that was the deal.
01:11:04He believed
01:11:05And with very good reason.
01:11:06that there are certain professions
01:11:07in which, pretending to be
01:11:08so I don't know.
01:11:09if they obtain more benefits.
01:11:10And were you able to endure that?
01:11:11During the last three years
01:11:12Everything went well.
01:11:13because we saw each other
01:11:14one week of each month.
01:11:15But now it does it six times.
01:11:16I don't see him
01:11:17And I found out
01:11:17that he has an apartment here
01:11:18and lives the high life
01:11:19to go golfing.
01:11:20Ah, of course.
01:11:21Now I understand everything.
01:11:22I found out
01:11:23purely by chance.
01:11:24The mother of a flight attendant
01:11:25that friend of mine
01:11:26he told me
01:11:26that my Anton
01:11:27and a buddy of his
01:11:28the one they all call
01:11:29the Sailor's Cloth...
01:11:30The Sailor's Cloth
01:11:31It will be Peter.
01:11:31They make a living by picking up flight attendants
01:11:33of an apartment
01:11:34that they control
01:11:34with a spyglass.
01:11:35Oh, with what, a spyglass?
01:11:37I've had an idea.
01:11:39We're going to teach them a lesson.
01:11:40that they will never forget.
01:11:42And when do I kill him?
01:11:43Because I have come to kill him.
01:11:45Later,
01:11:45Now come with me.
01:11:46Come on, kids.
01:11:47Jacinta has been here.
01:11:48Well, we're ready.
01:11:50If I'm discovered,
01:11:50The trick is ruin.
01:11:51Of course we'll come up with something.
01:11:53There's no need to worry.
01:11:54We still have five days left
01:11:55and we must take advantage of them.
01:11:57Well,
01:11:58And here I am
01:11:59because I have come to find you.
01:12:00In the tied cabaret
01:12:01with two wonderful girls
01:12:02that await us.
01:12:03So let's go.
01:12:05The girls do nothing
01:12:07if you don't come.
01:12:08I'm not moving from here.
01:12:09If you come back, Jacinta, what then?
01:12:10Of course he'll be back,
01:12:11But not tonight.
01:12:12I'll get to know the women soon.
01:12:14Ah, ah,
01:12:15This is Pedro.
01:12:16Look,
01:12:17in the apartment
01:12:18of the flight attendants
01:12:19The light has turned on.
01:12:20Oh, miracle.
01:12:22The miracle has occurred
01:12:23And then my help arrives.
01:12:24Come on.
01:12:29No one is in sight yet.
01:12:30Wait.
01:12:32Now.
01:12:32A brunette
01:12:33and another blonde.
01:12:35Fair.
01:12:35They haven't come out yet.
01:12:36to the terrace.
01:12:37Take,
01:12:37Take a look.
01:12:42The little one isn't bad.
01:12:43Let's see,
01:12:44Leave it to me.
01:12:46Oh,
01:12:47mother.
01:12:47How are you?
01:12:49They're creaking.
01:12:50Come,
01:12:50to bring the cape
01:12:51that they have to see us.
01:12:53But...
01:12:53Hey,
01:12:54Delicious!
01:12:55Here we are.
01:12:57Spaniards.
01:12:57This me,
01:12:58Spaniards.
01:12:59Come on,
01:12:59smile and say something to them.
01:13:01They're just abnormal.
01:13:02Hey?
01:13:02I already figured as much.
01:13:03that Pedro was a scoundrel
01:13:04and a womanizer.
01:13:05But I'll kill Anton.
01:13:07Nobody laughs at me.
01:13:08Four years of sacrifice,
01:13:09educating their children
01:13:09and him training flight attendants.
01:13:11I don't know if I would prefer
01:13:12that it were so
01:13:13or the other way around.
01:13:14Well,
01:13:14So what do we do?
01:13:15I've been preparing everything
01:13:15because in a moment
01:13:16I'm sure they're here.
01:13:18What walls!
01:13:18And shameful things have been done.
01:13:19Hey,
01:13:20Do you think we should go?
01:13:21I've never seen
01:13:22no one more enthusiastic
01:13:23that to those.
01:13:24For me, the brunette.
01:13:25I don't know why,
01:13:25But I prefer it.
01:13:26Yeah, man,
01:13:26For you, the brunette,
01:13:27me, the other one.
01:13:27Take,
01:13:28Pick these oranges.
01:13:29We don't know what nationality they are,
01:13:30But I'm sure they'll appreciate the gesture.
01:13:32Well,
01:13:33But for me, the brunette.
01:13:34Hey?
01:13:34Yeah,
01:13:34The brunette is for you.
01:13:35Oh, what a night!
01:13:36Ah,
01:13:36Take the killing deals!
01:13:45The door is open.
01:13:46So.
01:13:47This will work perfectly.
01:13:49We're going to teach them a lesson.
01:13:50that they will not forget.
01:13:51Just let me do it.
01:13:53We will not switch to Tilde.
01:13:54This is just the beginning.
01:13:56I don't know.
01:13:57If my father found out,
01:13:58Do you love Pedro?
01:13:59yes or no?
01:14:00Well, take my word for it.
01:14:00and take off your clothes.
01:14:02Start to amuse me.
01:14:03This reminds me
01:14:04to the story of Tom Thumb.
01:14:05Tale?
01:14:06That they will have
01:14:06those scoundrels invented
01:14:07because if they don't shoot.
01:14:08Not my Pedro,
01:14:09who has no will.
01:14:10Well,
01:14:11Now that they are about to arrive,
01:14:12Let's set the stage.
01:14:14But those things
01:14:15They need to be prepared.
01:14:15What are you going to do?
01:14:17We have to touch the world
01:14:18of the frenzy.
01:14:18We need to put them
01:14:19at one hundred miles per hour.
01:14:20Or is it in your town?
01:14:21You don't do it that way.
01:14:22In my town
01:14:22All of that is prohibited.
01:14:24Ale, you kill that bed
01:14:25And dress as sexy as possible.
01:14:27I have to teach them
01:14:27a leg.
01:14:29It will be better
01:14:29that you show them both.
01:14:31It is indispensable.
01:14:34Cuckoo!
01:14:35Oh, Cucu!
01:14:38Okay, I don't like this at all.
01:14:39Let's go here!
01:14:40What nonsense!
01:14:41Happens!
01:14:42If they are not there.
01:14:43They are there, but hidden.
01:14:45I smell like perfume.
01:14:47Ah!
01:14:47Look, look, look.
01:14:49Look!
01:14:49What a mess!
01:14:51Look.
01:14:52Look!
01:14:53Oh my goodness, what's here!
01:14:55Look,
01:14:55What does this tell you?
01:14:56They are not women of the house.
01:14:57They have things on the floor.
01:14:59Girls!
01:15:00Cuckoo!
01:15:00Are you there?
01:15:02Monamú!
01:15:03Mailó!
01:15:04You're going that way!
01:15:05Do you realize?
01:15:06There is a French woman
01:15:07and another English one.
01:15:08Oh my goodness!
01:15:09Spaniards!
01:15:09Typical of Paris!
01:15:10You say something
01:15:10But patriotic, huh?
01:15:11Let's get started.
01:15:12I hear, homeland,
01:15:13your hobby
01:15:13And I listen to the sad concert
01:15:14that form by playing a death knell.
01:15:16Okay, you're going there.
01:15:16that they learn.
01:15:17If I'm missing the cannon thing.
01:15:18Go to hell
01:15:18with the cannon.
01:15:20There's no time to waste
01:15:21to the fight.
01:15:21But yes, without clothes.
01:15:23Naturally.
01:15:23Fast
01:15:24that we caught them in the act.
01:15:25We're going to get cold, aren't we?
01:15:26Cold?
01:15:27But soon
01:15:27We warmed up.
01:15:28Those clothes there
01:15:29They are the sign.
01:15:30So fearless!
01:15:31Smile!
01:15:31Show your cheerful side!
01:15:32They think they do.
01:15:33that this country is sad.
01:15:34Okay, okay,
01:15:35As you say.
01:15:36But for me, the brunette.
01:15:37Oh, what a bitch she is with that brunette!
01:15:39Cuckoo!
01:15:41Cuckoo!
01:15:42If they have said
01:15:42that we pass
01:15:43Cheer up, good luck, and all the best.
01:15:45That?
01:15:45Come on, both of us at the same time.
01:15:46One o'clock, two o'clock
01:15:47and at three o'clock.
01:15:48We caught him!
01:15:50Sing along with her, Pedro!
01:15:51The woman is yours!
01:15:56Yeah!
01:15:56But he gives it to me!
01:15:57There is no love!
01:15:59Let's go, hurry!
01:16:00It blows our minds!
01:16:01But is the bed made?
01:16:02Do you know her?
01:16:02Yes a bit?
01:16:03Is she my wife?
01:16:04Your wife?
01:16:05Come on, it doesn't throw anything!
01:16:06Passion is with you!
01:16:07It gets the job done!
01:16:08Not now, stay strong, they won't catch you!
01:16:09Isn't there any charity, sisters?
01:16:13I understand now.
01:16:14So you're the one who did it
01:16:16that her boyfriend should come here
01:16:17in that state.
01:16:17I?
01:16:18No, sir.
01:16:19I have nothing to do with it.
01:16:20It would be the last person
01:16:21to whomever it might harm.
01:16:22So, what happened?
01:16:24Precisely that night
01:16:25Everything went back to how it was at the beginning.
01:16:27That is to say,
01:16:28not exactly like at the beginning.
01:16:29Anton's wife,
01:16:30Since she didn't trust her husband at all,
01:16:32She moved into the fashion house
01:16:33as secretary,
01:16:35head of public relations,
01:16:36model presenter.
01:16:38This is the model
01:16:39that the fashion house
01:16:40Shanton
01:16:41It is presented with the number 35.
01:16:43It doesn't suit me at all.
01:16:45How could you not succeed?
01:16:46How could you not succeed?
01:16:53And she took it with her
01:16:54to their children
01:16:55without telling them naturally
01:16:56that his father was...
01:16:57Well, no, it wasn't.
01:16:59But for the sake of their business
01:17:00He had to pretend
01:17:01so it wasn't.
01:17:02Excuse me,
01:17:02But I'm not interested.
01:17:03Anton.
01:17:03What do you have to explain?
01:17:05Yes, yes, I know.
01:17:06But please be patient.
01:17:07because Pedro is no longer my boyfriend.
01:17:09Did he leave you?
01:17:09Much worse.
01:17:10We got married.
01:17:12Naturally, our wedding
01:17:13It did not have anyone's approval.
01:17:15Not only because it had happened
01:17:16what had happened,
01:17:17but especially
01:17:18through the transformation of Peter.
01:17:21Yes, because in order to be able to
01:17:22to practice their career
01:17:23He and I thought
01:17:24which was better
01:17:24employ Anton's tactic.
01:17:26You have no idea what a success it is.
01:17:28No husband,
01:17:28father or brother
01:17:29He was afraid
01:17:30to let recognize
01:17:31to their wives,
01:17:32daughters or sisters
01:17:32by Pedro.
01:17:34Everything was going very well.
01:17:35until one day
01:17:36A letter arrived.
01:17:37Peter,
01:17:38look,
01:17:38You're known even abroad.
01:17:42Who will this Fred Corleone be?
01:17:43An American
01:17:44or an Italian-American.
01:17:46What does it matter?
01:17:47He must be a millionaire.
01:17:48Look,
01:17:48send a check as an advance.
01:17:50One thousand dollars.
01:17:50If this continues,
01:17:51we will become rich.
01:17:53Who was this Fred Corleone?
01:17:55It was the one from the apartment in Madrid,
01:17:56You know.
01:17:57The one who wanted to kill
01:17:58to Pedro and Anton.
01:17:59I understand now.
01:18:00So...
01:18:01We didn't know it then.
01:18:02and obviously
01:18:03Neither did Fred Corleone
01:18:04I knew who Pedro was.
01:18:05He had written
01:18:06because he knew
01:18:06the peculiar characteristics
01:18:08from Dr. André
01:18:08and because of those qualities
01:18:10I wanted him to recognize
01:18:11to his wife
01:18:11and to her sisters.
01:18:12And Peter,
01:18:12She naturally recognized them
01:18:14without knowing that the such
01:18:15Fred Corleone
01:18:16He was a gangster
01:18:17of Sicilian origin
01:18:18more jealous
01:18:19that none
01:18:20of the husbands,
01:18:21parents or siblings
01:18:22throughout the province.
01:18:33Good morning.
01:18:35You can remain seated.
01:18:38I am Fred Corleone.
01:18:39Nice to meet you.
01:18:40The doctor is...
01:18:41Yeah,
01:18:41recognizing my women.
01:18:42I see it now.
01:18:43Are you satisfied?
01:18:44Yeah.
01:18:44Silence!
01:18:46I've come to say hello
01:18:48personally
01:18:48to Dr. Andreu
01:18:49and to reward him
01:18:51appropriately.
01:18:53I'll call you right away.
01:18:57Peter,
01:18:58is here
01:18:58Mr. Fred Corleone.
01:19:00Sorry.
01:19:08It's you?
01:19:08No,
01:19:09It's not possible.
01:19:09But if you are
01:19:10that scoundrel Marie.
01:19:11Wait,
01:19:12please,
01:19:12Let's try to reason.
01:19:13No no.
01:19:13Yofu?
01:19:14Have you seen naked women?
01:19:14to my women,
01:19:15my wife,
01:19:16My sisters?
01:19:17My women
01:19:17They have been dishonored.
01:19:19Nobody has given you
01:19:19to give their eyes
01:19:20about women
01:19:20by Fred Corleone
01:19:21And you've seen them naked.
01:19:23You've touched them,
01:19:24damned!
01:19:24But I'm a gynecologist.
01:19:25You should also be rich
01:19:26And you're not.
01:19:28Silence!
01:19:29Do you want me to let her live?
01:19:30to the one who has dishonored you?
01:19:31No,
01:19:31what are you doing?
01:19:32It's time to stick it on!
01:19:33Let me go!
01:19:35Leave me alone!
01:19:36Jacinta!
01:19:36Enough is enough!
01:19:37Ah!
01:19:40No, no, no, no, no, no!
01:19:50I regained consciousness
01:19:51when the ambulance arrived.
01:19:52The rest is already known.
01:19:54Yeah,
01:19:54Now it's clear.
01:19:56Well,
01:19:56I must tell him
01:19:56that everything could have been worse.
01:19:58Now come with me,
01:20:00Let's go see him.
01:20:02Calm down,
01:20:03I beg you.
01:20:22Peter,
01:20:23dear,
01:20:23What have they done to you?
01:20:24Please,
01:20:25Tell me,
01:20:25my life.
01:20:26What job,
01:20:27Jacinta?
01:20:27What job have you been doing?
01:20:29Are you about to lose your husband?
01:20:31Don't say that.
01:20:33At least
01:20:33you would have in me
01:20:34to a colleague.
01:20:35Thank you,
01:20:36Jacinta.
01:20:37Have you lost anything?
01:20:38doctor?
01:20:39And,
01:20:40Tell him.
01:20:41The truth is,
01:20:42whatever it may be.
01:20:44Stay calm.
01:20:45He has been saved
01:20:46because fortunately
01:20:47We caught it in time.
01:20:48But a little later
01:20:49and we would have had
01:20:50to give him a transplant.
01:20:52Let us give thanks to science.
01:21:00Children,
01:21:00That's not something you say.
01:21:02And even less so to a father.
01:21:06Ladybug,
01:21:08ladybug,
01:21:09ladybug,
01:21:11ladybug.
01:21:22Ladybug,
01:21:22ladybug,
01:21:23ladybug,
01:21:24ladybug,
01:21:24ladybug,
01:21:25ladybug,
01:21:25ladybug,
01:21:26ladybug,
01:21:26ladybug,
01:21:27ladybug,
01:21:27ladybug,
01:21:28ladybug,
01:21:28ladybug,
01:21:28ladybug,
01:21:28ladybug,
01:21:30ladybug,
01:21:30ladybug,
01:21:31ladybug,
01:21:31ladybug,
01:21:31ladybug,
01:21:31ladybug,
01:21:32ladybug,
01:21:33ladybug,
01:21:33ladybug,
01:21:34ladybug,
01:21:35ladybug,
01:21:36ladybug,
01:21:38ladybug,
01:21:41ladybug,
01:21:49Thanks for watching the video.
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