- hace 2 días
Reparto: Groucho Marx, Harpo Marx, Chico Marx, Sig Ruman, Lisette Verea, Charles Drake, Lois Collier, Dan Seymour, Ruth Roman
Dirección: Archie Mayo
Sinopsis: La acción se sitúa en Casablanca, poco después de la Segunda Guerra Mundial. El gerente del Gran Hotel ha muerto en extrañas circunstancias. Para ocupar la vacante que deja, es contratado Ronald Kornblow, que abandona de inmediato la posada que dirige en un oasis. Tras su llegada Ronald entra en contacto con Corbaccio, un extraño sujeto que se dedica a estafar turistas a través de su Compañía de Camellos Amarillos.
Dirección: Archie Mayo
Sinopsis: La acción se sitúa en Casablanca, poco después de la Segunda Guerra Mundial. El gerente del Gran Hotel ha muerto en extrañas circunstancias. Para ocupar la vacante que deja, es contratado Ronald Kornblow, que abandona de inmediato la posada que dirige en un oasis. Tras su llegada Ronald entra en contacto con Corbaccio, un extraño sujeto que se dedica a estafar turistas a través de su Compañía de Camellos Amarillos.
Categoría
🎥
CortometrajesTranscripción
00:00:28Subscribe to the channel!
00:00:57Subscribe to the channel!
00:01:27Subscribe to the channel!
00:01:55Subscribe to the channel!
00:01:58Captain Brissard, Prefect of Police, speaks to him.
00:02:02What? Was I shady?
00:02:04What is murky?
00:02:05What does that mean?
00:02:08Understand.
00:02:09Thank you, doctor.
00:02:11The manager died in the hotel.
00:02:13The doctor thinks he was poisoned.
00:02:14So it's the same thing, murdered.
00:02:18This situation is becoming intolerable.
00:02:20Three managers of the Hotel Casablanca in the last six months.
00:02:23Murdered.
00:02:24Murdered.
00:02:26Attention, attention.
00:02:27Crime at the Casablanca Hotel.
00:02:29The manager was found dead.
00:02:31There are many suspects.
00:02:50What is he doing?
00:02:52Holding up the building?
00:02:53Come with me.
00:03:03Come with me.
00:03:06No further questions.
00:03:07They can leave.
00:03:12Despite my experience, I have never come across a series of crimes with so few clues.
00:03:16Do you want to speak to the BART lieutenant?
00:03:18From BART?
00:03:19Who is it?
00:03:19I'm sure you're interested.
00:03:22What can I do?
00:03:31The BART lieutenant, the governor general, Mr. Galú.
00:03:34Pleased to meet you, sir.
00:03:35It's a pleasure to see you again, sir.
00:03:36Are you on active duty, Lieutenant?
00:03:38I'm on reserve, sir.
00:03:39I wear the uniform because I don't have any other clothes.
00:03:41Lieutenant, do you have anything to tell us about the hotel matter?
00:03:44Yes, captain.
00:03:45Doesn't this confirm the theory that I spoke to him the last time we saw each other?
00:03:48Which theory?
00:03:49It's not a theory, it's a tale from the Arabian Nights.
00:03:51It's the truth, sir, and I'm the only one who knows it.
00:03:53And nobody listens to him.
00:03:54Well, I'm listening to him, whatever.
00:03:56You see, it all started in Paris during the occupation.
00:03:59The Nazis ordered me to fly on a plane to South America.
00:04:02They forced me at gunpoint.
00:04:04The cargo was worth millions, a true treasure.
00:04:06Jewels, gold, valuable paintings.
00:04:09It was a complicated flight from the very beginning.
00:04:12I made a stopover here in Casablanca.
00:04:14They interrogated me, they arrested me.
00:04:16When I managed to get back to the plane, the treasure had disappeared.
00:04:18And what does that have to do with crimes?
00:04:20But he doesn't understand, sir.
00:04:21The Casablanca hotel was in the hands of the Nazis.
00:04:23But now it is in French hands.
00:04:25That is precisely the case.
00:04:27There is a group desperately trying to take control of the hotel.
00:04:30It can't be for profit.
00:04:31It is government property.
00:04:32What he's looking for is the treasure.
00:04:33What is their interest in all this?
00:04:36Well, if the treasure is found in Casablanca,
00:04:39It would be proven that he acts as a patriot.
00:04:41Oh, with what do we sustain ourselves!
00:04:43Lieutenant, we are not interested in saving your good name.
00:04:47Our sole purpose is to uncover the killers and find a new manager.
00:04:50Good afternoon.
00:05:02Who is it?
00:05:03The waiter.
00:05:04Forward.
00:05:16Okay. Call Beatriz.
00:05:43Gusty!
00:05:45Gusty!
00:05:49Gusty, you stupid pig!
00:05:52Where are you?
00:05:53Come here.
00:05:55Where on earth has he gone?
00:06:07Why don't you obey my orders?
00:06:12I'm fed up with you and your nonsense.
00:06:15I told you three hours ago to go find the tailor and be ready for the fitting.
00:06:21Where is?
00:06:23Oh, hi, Max.
00:06:24Kurt, see if I can decipher this.
00:06:25I didn't understand a word.
00:06:27Beatriz, I'm glad you came.
00:06:29That cable must be very important.
00:06:30I would have come earlier, but Grisan kept me away.
00:06:32He has been questioning everyone who works at the hotel.
00:06:34We don't need to worry about accepting the manager position in a moment during dinner.
00:06:39Ah, great!
00:06:40I could have accepted it this afternoon, but I didn't want my interest to show.
00:06:44Good.
00:06:45This is Legler, from South America.
00:06:46Yes, I know, but what does it say?
00:06:48It's difficult to decipher.
00:06:49Give me some time.
00:06:52Let's see...
00:06:53Here it is.
00:06:55Due to delay...
00:06:56Are you an idiot?
00:06:57You've put my vest on inside out!
00:07:00Due to the delay, urgent help is needed.
00:07:05The danger increases every moment.
00:07:13Yeah.
00:07:14Treasure discovered.
00:07:17Uncovered.
00:07:19Yeah.
00:07:19It could be a disaster.
00:07:23Yeah.
00:07:24Very good.
00:07:25Answer him immediately.
00:07:26Sea!
00:07:27Hey?
00:07:28Look at yourself.
00:07:29Look at what?
00:07:29How are things with you?
00:07:30What is this?
00:07:32Wait!
00:07:33Don't go!
00:07:34I'm going to teach you how to play pranks on me.
00:07:36You're already getting out of here with a cool breeze.
00:07:39You are completely useless.
00:07:42Go in there and clean the rooms!
00:07:45Idiot!
00:08:15And now, Beatriz, I'm ready to have dinner with the governor-general.
00:08:19Max.
00:08:19Did I dream about you?
00:08:20She can't go without him.
00:08:22It would be dangerous.
00:08:23They would recognize him by the scar on his head.
00:08:27Rusty!
00:08:28Where is?
00:08:29Where is my toupee?
00:08:58Thank you!
00:09:08Thank you!
00:09:10Thank you!
00:09:11Thank you!
00:09:17Thank you!
00:09:28Count Peppermann is already an hour late.
00:09:31He has no intention of accepting, and he cannot be blamed for that.
00:09:34Come on.
00:09:36One moment.
00:09:37I have an idea.
00:09:40I'm going to send a telegram to the manager of the Desert Views Hotel.
00:09:43From the Desert Views Hotel?
00:09:45Perfect!
00:09:46He is far away, in the oasis, where he must find out about the massacre.
00:09:50Who is it?
00:09:51Yes, I don't remember his name, something like Claudio.
00:09:58Miss Ned, could you please place this among the lost items?
00:10:01How strange, a toupee!
00:10:03One of the cleaning girls found it in a drain.
00:10:32How strange, a toupee!
00:10:36I'm glad to see you.
00:10:42My old friend Rusty, so talkative.
00:10:49Come on, captain, we don't have time to lose.
00:10:50The new manager's train will arrive in five minutes.
00:10:55What, Rusty, have you heard?
00:10:56They're bringing in a new manager for the hotel.
00:10:58Anyone who accepts that position is either a scoundrel or an idiot.
00:11:02Hey, anyone for the Casablanca hotel!
00:11:05Hey, anyone for the Casablanca hotel!
00:11:08Hotel Casablanca.
00:11:09Ah, he's the new manager.
00:11:10Which manager?
00:11:11Hey, anyone for the Casablanca hotel!
00:11:14Hey, anyone for the Casablanca hotel!
00:11:16I, I, I, I'm going to that hotel.
00:11:18No, they won't let him through.
00:11:20Hey, anyone!
00:11:20Will they let you in?
00:11:21Clear.
00:11:22Well, they won't let him anymore, I'm the new manager.
00:11:24So you're the new manager, that's funny, man.
00:11:26The Casablanca hotel welcomes you, believe me.
00:11:29He doesn't even believe in me.
00:11:31But you must have confidence in this server.
00:11:33Come on, come on.
00:11:34You'll like the job, you'll see.
00:11:36Ah, I am now!
00:11:37Cam!
00:11:38Cam!
00:11:39Cam, get out of here!
00:11:40You should be careful with these guys, they'll take whatever they can from you.
00:11:43And what about you?
00:11:44I'll take you to the hotel.
00:11:45What is your job?
00:11:46I have no job, I earn my living with camels.
00:11:49What do you do with camels?
00:11:50They are my taxis, I am the president of the camel taxi company.
00:11:54Are you the only one who has camels here?
00:11:56Ah, you're crazy!
00:11:57There are others who compete with me.
00:11:59Look, the trip must be very expensive, right?
00:12:01Look how beautiful.
00:12:02Is she his wife?
00:12:03No, it's my taxi.
00:12:05You must spend a fortune on chewing gum.
00:12:07Come on, I'll take you to the hotel.
00:12:20Now understand everything we expect from you.
00:12:23And don't worry.
00:12:24Stop that, guys!
00:12:25Isn't there a pool nearby where we can throw this gang in?
00:12:28Comalleros, listen to him, governor general of this province.
00:12:31And I'm Brissard, the police chief.
00:12:33And I am Ronald Kahlo, the new manager.
00:12:34The new manager!
00:12:38The new manager!
00:12:41M. Kahlo, I know you have made a long, uncomfortable and surely boring journey.
00:12:45We're not bored by fools, as you must know.
00:12:49Oh, M.!
00:12:50M., we have gathered the staff so you can tell them what you expect from them.
00:12:53You bring the clients together better, so they know what I expect from them.
00:12:56The customers?
00:12:57What do you expect from them?
00:12:58Courtesy towards employees.
00:13:00A kind word will be more effective with the bellboy or the waitress than a couple of drinks.
00:13:04Of course, a kind word and a couple of drinks will be even more effective.
00:13:07And let's not even talk about a few words and three drinks.
00:13:10Now, gentlemen, what interests me is the future of this house.
00:13:13What do you suggest, m. yes?
00:13:14We need to prosper.
00:13:16Boss, if a customer orders an egg in three minutes, we'll give it to them in two.
00:13:19If two people ask for it, we'll give it to them in one.
00:13:21Whether they ask for it or not, we'll give them a chicken and let them sort it out as best they can.
00:13:27There must be a mistake.
00:13:29This man is impossible.
00:13:30I know, I know.
00:13:32But you can't choose when things are bad.
00:13:34I hope he doesn't come up with any more ideas.
00:13:35And now, gentlemen, I have another idea.
00:13:37Yes, m. yes, another idea.
00:13:40We will change the number of all the rooms immediately.
00:13:43But what about the customers?
00:13:44They're all going to go to the wrong room.
00:13:46Think about the confusion.
00:13:47And you think about the fun.
00:13:49Please, Captain, we mustn't bother Mr. Calo with any more questions.
00:13:53M. will be tired after such a long trip.
00:13:56Perhaps he would prefer to lie down.
00:14:02It's his office, m.
00:14:03It's your table.
00:14:05Please sit down, m.
00:14:10I feel like a different man behind this table.
00:14:12That's obvious.
00:14:14But what I'd like to know is why they're burying the last manager.
00:14:17And don't tell me the reason is that he's dead.
00:14:19Oh, you're getting worried about a nanny.
00:14:22M. Rolissois died of natural causes.
00:14:25And what happened to the one who came before him?
00:14:29M. we caught him stealing.
00:14:31We were forced to fire him, m.
00:14:34Ah, I understand.
00:14:35They want a manager who doesn't take the money.
00:14:36Goodbye, gentlemen.
00:14:37Please, Mr. Calo, don't be offended.
00:14:39He's making a mountain out of a molehill.
00:14:41You're wrong, my friend.
00:14:42That takes a lot of work.
00:14:43Mr. Calo, do you realize that we haven't discussed your fees?
00:14:46He hit the nail on the head; I hadn't noticed that here.
00:14:48You will receive 500 francs per week.
00:14:50That's enough.
00:14:51And what about laundry?
00:14:52The wash?
00:14:52Yes, those clothes they never return.
00:14:55We will collect your clothes once a month.
00:14:57Well, they're going to have me looking like a pig.
00:15:07Pierre.
00:15:08Annette, what are you doing here?
00:15:09Pierre, I had to come.
00:15:10I found this at the hotel.
00:15:11It could be a clue.
00:15:14Cruz and company, Berlin.
00:15:16It was made for Heinrich Stuber.
00:15:23Do you have a guest named Stuber at the hotel?
00:15:25No, not that I know of.
00:15:27Of course, if you have it, it will have changed its name.
00:15:29He was an important Nazi.
00:15:30He was domiciled in Paris.
00:15:32Honey, this could be the opportunity you've been waiting for.
00:15:34Yes, maybe.
00:15:35Go back to the hotel and place this among the lost items.
00:15:37He wouldn't be so stupid as to claim it.
00:15:39But I don't want to miss any opportunity.
00:15:41Alright.
00:15:41Bye bye.
00:15:45I am a prisoner, helpless,
00:15:47unable to show my face,
00:15:49trapped in this room like a caged animal.
00:15:52Max, please, control yourself.
00:15:55Control me, you say?
00:15:56I, Heinrich Stuber,
00:15:57defeated by a stupid dream.
00:15:59A wig, a handful of hairs.
00:16:02Why did I have to have this scar on my head?
00:16:05Why? To mark me?
00:16:07Max, I have an idea.
00:16:10What is it?
00:16:14I'll see you later.
00:16:15Beatriz, whatever you do.
00:16:16Be careful, don't arouse suspicion.
00:16:18Don't worry.
00:16:35Go see who it is.
00:17:00Kurt, he wants to have a duel.
00:17:04Wonderful.
00:17:05And it's been so long since Heidelberg.
00:17:09Cut him up a little, Kurt.
00:17:10I shall enjoy watching.
00:17:12It will soothe me to see someone in pain.
00:17:17Oh, no, you.
00:17:19Very well.
00:17:21Without my toupé, I have nowhere to go.
00:17:24We shall wait.
00:17:27Come out, you dog!
00:17:38He thinks that will protect him from me.
00:17:40The best spatchcock in Bavaria.
00:17:43We will hold the mourning ceremony according to tradition.
00:17:45I will be the referee.
00:17:46Gentlemen, choose your weapons.
00:17:52He's not an idiot.
00:17:53Liquidate it.
00:17:58Just one.
00:18:00This will earn him another cut.
00:18:02This is going to be fun to watch.
00:18:03Now, gentlemen, back to back.
00:18:06When I count to three, advance three steps.
00:18:09Then they turn around and become dejected.
00:18:11One, two, three, go ahead.
00:18:14One, two, three, go ahead.
00:18:16Return to your chair!
00:18:18You stand there.
00:18:19You stand there!
00:18:24I think he's pulling her leg.
00:18:27You'll see.
00:18:29Very good.
00:18:30Remember Heidelberg.
00:18:36Attack, attack!
00:18:40Great, Kurt!
00:18:41Pick up your saber.
00:18:52But what are they doing?
00:18:53Shut up and attack!
00:19:20Come on!
00:19:21Kurt, let's go!
00:19:22Show off your mastery!
00:19:24Yes sir!
00:19:37You piece of shit, I'll kill you for this
00:19:41Let's go on our knees, pig on our knees
00:19:49Cur, you're wasting your time, back off
00:19:51Stand up and fight
00:19:54I'd like to see some blood.
00:20:08My God, what a pair of idiots
00:20:31Hello
00:20:51A cigarette?
00:20:52No, thanks
00:20:53A cigarette?
00:20:54No, thanks
00:20:55And the name?
00:21:02How do I look from there?
00:21:24This is like living in a chimney.
00:21:27If this can be called living
00:21:32I am Beatriz Reiner, I live in this hotel
00:21:34I am Ronald Kahlo, I don't live anywhere
00:21:37I'm looking for something
00:21:39Are we all looking for something?
00:21:40Mr. Kahlo, I have lost a diamond clip
00:21:43I think it might be in the lost and found department.
00:21:46Oh, lost and found objects
00:21:48Okay, please come with me
00:21:53We're already in the lost and found department
00:21:56I was lost and you found me
00:21:57My clip, please
00:21:58We'll take a look
00:21:59If we can't find the clip, perhaps you'd be interested in something else.
00:22:10You're looking for a clip, huh?
00:22:11Take a look at this
00:22:12A little boy
00:22:14Who could have lost this?
00:22:16Someone has blown on his head
00:22:18But I like her hair.
00:22:20So soft and silky
00:22:23It's silky now, but soon it will be nylon.
00:22:26I think you are the most beautiful woman in the world
00:22:29Really?
00:22:31No, but I don't mind lying
00:22:32If I get anything out of them
00:22:35I'll be at the superclub tonight
00:22:36At the superclub?
00:22:37Yes, he will accompany me.
00:22:39Because they believe it is necessary
00:22:41Come on, one can say no to a lady
00:22:43And why not?
00:22:44They always tell me no
00:22:46If you come to the superclub tonight, I'll sing you a song
00:22:51Goodbye now
00:22:54And remember, I will sing only for you.
00:23:01You don't need to sing to me, ma'am
00:23:03It's enough that it works for me
00:23:09Now I remember I have to set my watch.
00:23:15It's not necessary, it's useful to me
00:23:19It's not necessary, it's useful to me
00:23:29It's not necessary, it's useful to me
00:24:00Now everyone sing with me, okay?
00:24:34Subscribe to the channel!
00:25:09Subscribe to the channel!
00:25:12The tests with Carlos are over, we'll get rid of him tonight
00:25:16Tonight?
00:25:17Yes, arrange to meet him later, somewhere far from the hotel, say at the beach.
00:25:23Exactly in what way, yes
00:25:24On Ruy Lafayette
00:25:25La Ruy Lafayette, very good
00:25:29Find an excuse to leave
00:25:33Take the car, make it look like a traffic accident
00:25:36And may it be fatal.
00:25:38And then you have grapes
00:25:46Okay, what would you like?
00:25:47Not so fast, buddy.
00:25:48It costs money
00:25:50What are you talking about?
00:25:51He knows perfectly well that I'm broke
00:25:52And I also know that she's looking for a man who wears a guisoñi
00:25:57Do you know him?
00:26:02It's extremely important to me.
00:26:03If you know who it is, please tell me.
00:26:04Roulette has not been kind to me tonight
00:26:07But I'd like to try again.
00:26:08I only need a few hundred francs
00:26:10Listen to him, I'll pay, I promise.
00:26:12The croupier does not accept promises
00:26:13Tell me the name
00:26:16If you are able to come up with those hundreds of francs
00:26:18I'll be at France Monkey
00:26:21What's wrong with Pierre?
00:26:22Do you need money?
00:26:23Don't worry
00:26:24I'll get what I want from that rat.
00:26:25No money needed
00:26:27Gusti won't get anything out of that ruined rat.
00:26:30It's the same as me
00:26:33What nonsense am I talking about?
00:26:36I'm worried about Pierre.
00:26:38We need to find him money
00:26:40Can you do it?
00:26:42Uh, but not like that.
00:26:44Come on
00:26:44There's no room at the club
00:26:48But of course, monsieur
00:26:50There's always a table for a gentleman.
00:26:52A table for two
00:26:53Reven, monsieur
00:26:54Follow me
00:26:56Hey, Gusti
00:26:57Have you seen that guy?
00:26:59I've had a great idea
00:27:00Now we'll have money for Pierre.
00:27:04Hey, where are you going?
00:27:05Hey, what's up?
00:27:05Come on, let's go
00:27:06Come on
00:27:07Hey, you damn bastard
00:27:11Hey, what's up?
00:27:11Perfect, would you like a table?
00:27:13Yes of course
00:27:13Give it to me, give it to me, give it to me
00:27:16Rusti, a table for two
00:27:18I said a table
00:27:23Don't worry, everyone will have their table
00:27:24No, no, checks are not accepted
00:27:27There's always a table for a gentleman.
00:27:43Careful, I'll make a mess!
00:27:46Sorry
00:27:48Take me to Miss Wright's table
00:27:50Yes, sir
00:27:50Please follow me
00:27:55Ah, Miss Wright!
00:28:04Well, I usually put my foot in it
00:28:07Moron!
00:28:07Look what he's done to my shirt!
00:28:09You can barely notice it, maybe if you add another bowl of soup
00:28:11Ah, you fool, Ferman!
00:28:13It's terrible.
00:28:13Come with me to the kitchen
00:28:14I'll fix it
00:28:16I suppose you won't leave because of me.
00:28:18Schweigl!
00:28:19What a scam I've fallen for!
00:28:21It's not very sporting to eat and then leave, leaving you with the bill.
00:28:25Come in, come in!
00:28:26Who wants a table?
00:28:27I have the last ones left.
00:28:28I'm very thirsty
00:28:30Waiter
00:28:30What would you like to drink?
00:28:32Champagne
00:28:32Champagne, huh?
00:28:36Bring the lady a cheese sandwich
00:28:38Yes, sir
00:28:38And charge it to your account
00:28:44Do you dance the samba?
00:28:45Of course
00:28:46Well, not me, but I'll walk with you while you dance.
00:28:48Come on
00:28:59Please hold this for me until I return.
00:29:04I'm back.
00:29:07Just a moment, just a moment
00:29:09Don't get nervous
00:29:10Everyone will have their own table.
00:29:16Go ahead, you can come in now
00:29:17The first two
00:29:24What a great place to squeeze an orange
00:29:34I remember when this was a dance floor
00:29:45It's more crowded than on New Year's Eve
00:29:47The next two can now move on.
00:29:49Forward
00:29:54Follow me, follow me
00:29:59You can always find a table here.
00:30:01Even if it's just in the mind of some customer
00:30:18Why don't we go somewhere quieter?
00:30:20Where we are alone
00:30:22If I hadn't heard his voice, I would have sworn I had said it myself.
00:30:26Look for me on the corner of Larry Lafayette
00:30:29At eleven o'clock
00:30:30At eleven o'clock?
00:30:31At eleven o'clock
00:30:33Now we have enough money for Pierry to take care of that rat
00:30:37Hey, Corbacho
00:30:37Do you want to replace me again?
00:30:39I need to make a phone call.
00:30:40Yes, yes, of course.
00:30:41Go away, go away
00:30:41Hey, take this Rusty
00:30:42Find Pierry and give him this money
00:30:44Take the jacket
00:30:45I don't need it.
00:30:46Go on
00:30:49We're going to play something classic.
00:30:51For example, the second half of The Beer Polka
00:31:23The Beer Polka
00:31:52The Beer Polka
00:32:22The Beer Polka
00:32:35The Beer Polka
00:32:35The Beer Polka
00:32:39The Beer Polka
00:33:13Thank you!
00:33:37Thank you!
00:33:45Hey, baby.
00:33:46Was it on time?
00:33:47Pierre, I'm afraid tonight won't be very fun.
00:33:50Why? What's wrong?
00:33:51The toupee disappeared.
00:33:52Who caught it?
00:33:53That's the bad thing, I don't know.
00:33:55I have tried to find Mr. Kahlo, but I have not been able to.
00:33:58Abdul!
00:33:58Yes, Miss Rainer?
00:34:00Abdul, have you seen Mr. Kahlo?
00:34:02Mr. Kahlo left the hotel an hour ago.
00:34:04He asked me to tell him where Rila Payet was.
00:34:07Thank you so much.
00:34:09Good.
00:34:12One moment.
00:34:14No, that's Mr. Kahlo.
00:34:18Good heavens, Mr. Kahlo, what has happened to you?
00:34:20What happened to me?
00:34:21I was on a date with a woman and I was hit by a car.
00:34:23These White House drivers are terrible.
00:34:26I dodged him three times.
00:34:27I finally had to climb a palm tree.
00:34:29I bump into her.
00:34:30A palm tree?
00:34:31Yes, until I saw them, all the dates in the city had failed.
00:34:34Mr. Kahlo, I would like to introduce you to my fiancé, the lieutenant at the bar.
00:34:37Ah, I promise.
00:34:38Dispense the ash.
00:34:40Promised, yes, because they're not getting married, lovebirds.
00:34:43Our wedding is impossible.
00:34:44Only if they are married.
00:34:45That means it's impossible for us.
00:34:48It's a long story, Mr. Kahlo.
00:34:49Okay, okay, okay.
00:34:50Yes, here, here, here.
00:34:51Tell him, Pierre.
00:34:53OK.
00:34:53You see, sir.
00:34:54It's the story of a treasure that the Nazis hid somewhere in the White House.
00:34:58I was in Paris during the operation.
00:35:04Inventil, I should kill him.
00:35:05Millions within our reach.
00:35:07Now we can no longer get our hands on them.
00:35:09Max, please.
00:35:12Beatriz, I have an idea.
00:35:14What idea?
00:35:15If I found Kahlo with you in your room, I would be an outraged boyfriend.
00:35:20And I could, as the Americans say, give him a passport in self-defense, the simplest thing in the world.
00:35:25Yes, I could dispatch Kahlo in your room, Beatriz.
00:35:30I think it's a fantastic idea.
00:35:32He's eager to be alone with me.
00:35:42Hey, Ashley!
00:35:43What's happening?
00:35:45Are you looking at someone?
00:35:48Buffalo, Bill?
00:35:49Do you want to eat melon?
00:35:51Oh, my callus!
00:35:53Callus!
00:35:54Clear!
00:35:55Callus!
00:35:55This reminds me of Kahlo.
00:35:57What do you know about Kahlo?
00:35:58Tell me, tell me, do you know something?
00:36:00Soup?
00:36:00Uh, soup.
00:36:02A little Chinese boy.
00:36:03What eats soup?
00:36:04What eats soup?
00:36:06What is rice?
00:36:07Soup.
00:36:08Rice.
00:36:09Soup.
00:36:10Rice.
00:36:10Soup.
00:36:10Rice.
00:36:11Soup.
00:36:11Rice.
00:36:11Surprise.
00:36:12Surprise.
00:36:12You have a surprise.
00:36:14Oh!
00:36:14Surprise.
00:36:16Surprise.
00:36:17What kind of surprise?
00:36:19Take him hunting?
00:36:20Do they want to hang him?
00:36:22Assassinate him?
00:36:23Make him disappear?
00:36:25Ah!
00:36:25Do they want to make Kahlo disappear?
00:36:27Oh!
00:36:27Make Kahlo disappear!
00:36:30Who wants to suppress Kahlo?
00:36:32A guy with a cigarette?
00:36:34Scar.
00:36:35Oh!
00:36:35A guy with a scar.
00:36:36A guy with a scar.
00:36:37That's outrageous!
00:36:39And where do they want to kill him?
00:36:41On the roof?
00:36:42Further up?
00:36:45You knock on the door.
00:36:47You open the door.
00:36:48You're already in.
00:36:50You close the door.
00:36:51You are in the room.
00:36:52Ah!
00:36:53The room!
00:36:54Oh!
00:36:54How clever!
00:36:56The room!
00:36:58Wait.
00:36:59Wait.
00:37:00Who's in the room?
00:37:01A snake.
00:37:04Hairy snake.
00:37:07Many snakes.
00:37:08Round, round, no.
00:37:12No, no, no.
00:37:13I can't guess this.
00:37:15The face.
00:37:16Womanly!
00:37:17Womanly!
00:37:20Oh!
00:37:21Are you in the room?
00:37:22What's happening?
00:37:25A dog in the room?
00:37:26What kind of dog?
00:37:28Look.
00:37:30Look at the legs.
00:37:32See.
00:37:33It's barely visible.
00:37:34It's barely visible.
00:37:34Little one.
00:37:35And short legs.
00:37:36Little one.
00:37:36Pekingese.
00:37:37A Pekingese dog!
00:37:38And will the lady have a Pekingese dog?
00:37:40Which lady will she have?
00:37:41What is the lady's name?
00:37:43Pink.
00:37:44Is the lady's name Rosa?
00:37:46No, not Rosa.
00:37:51Does a wasp fly?
00:37:53A bee.
00:37:56What are you trying to tell me, man?
00:38:00An airplane.
00:38:02An airplane.
00:38:04A trimotor.
00:38:05A bomber.
00:38:06B-29.
00:38:08B-29.
00:38:09B-29.
00:38:10B-29.
00:38:11B-29.
00:38:12B-20...
00:38:13B...
00:38:14B...
00:38:15B...
00:38:15Be...
00:38:16Leave me alone, man.
00:38:17B-29.
00:38:19B...
00:38:19B...
00:38:20Go, go, go, go, go, go, go, go, go, cough, go, cough, go, cough, go, cough, go, cough, go, Beatriz,
00:38:34Beatriz, Beatriz, oh, her name is Beatriz.
00:38:43Mesecalo, would you be so kind as to arrange a ticket for me on this afternoon's flight to Tunisia?
00:38:47There are some very beautiful women in Tunisia, aren't there?
00:38:50I'm not interested in pretty women.
00:38:53In that case, give me one, I'm going to Tunisia too.
00:38:55Take care of reserving a place for me.
00:38:59A seat on the plane to Tunisia next to an open window.
00:39:03Yes sir.
00:39:04Hey, boss, boss, Rusty has something to tell you.
00:39:21He doesn't know how to do anything with his ears.
00:39:25He's stupid, he doesn't even realize what's going on.
00:39:28Hey, boss, you're in danger, your life hangs by a thread.
00:39:31Look how I'm trembling.
00:39:32I tell him they're going to kill him.
00:39:33How do you know?
00:39:34The word has spread throughout the hotel; everyone knows except you.
00:39:37I would have preferred that they had warned me.
00:39:39I don't care if they kill me, but it bothers me to hear it from a guy like you.
00:39:42A guy, huh?
00:39:43Listen, boss, maybe they want to surprise you.
00:39:45Okay, so what should I wear?
00:39:46Ah, you look very handsome.
00:39:48The suit shouldn't be the problem.
00:39:49What you need is a good bodyguard.
00:39:52What I need is a good body.
00:39:53I don't like the one I have anymore.
00:39:55How long have you been a bodyguard?
00:39:56I thought he worked as a camel taxi driver.
00:39:58By day I work with camels, and by night I'm a bodyguard.
00:40:01I understand, but what if I'm killed during the day?
00:40:03Very easy, I'll take a camel to the cemetery.
00:40:05Listen, boss, for 50 francs a week I can save your life.
00:40:09It's not worth that much.
00:40:10Well, I'll take him to his grave.
00:40:11Are their protection services effective?
00:40:13But boss, if I'm your bodyguard, I'll watch over you like a mother watches her baby.
00:40:17The mother is beautiful.
00:40:18So what?
00:40:19Of course it does.
00:40:19If the mother is pretty, I'll watch the mother and you watch the baby.
00:40:22Excuse me, what do you have there?
00:40:23The manager's lunch.
00:40:25Okay, go ahead.
00:40:29What's the matter?
00:40:30Are you hungry?
00:40:31What are you doing?
00:40:34You're crazy.
00:40:35But you're hungry, aren't you?
00:40:36Come, I'll fix it.
00:40:44Hey, boss, wait, wait, don't touch it.
00:40:47Don't touch it, don't touch it.
00:40:49That gave me such a fright.
00:40:50But he doesn't know that the last manager died from food poisoning.
00:40:53This food seems just as poisonous to me as the food in any other hotel.
00:40:56No, boss, someone has to taste the food for you.
00:40:59What we need is a guinea pig.
00:41:02You eat the rabbit, I eat the rabbit.
00:41:03I'm not talking about a real rabbit, I'm talking about a human being.
00:41:06I don't want any kind of rabbit, I want my food.
00:41:09Here's the rabbit I was telling you about.
00:41:10It does look like a rabbit, but it doesn't look like a human being.
00:41:14Here I go.
00:41:18These sausages can't be poisoned.
00:41:20Wait, wait until they reach your stomach.
00:41:24It depends on where your stomach is located.
00:41:26And what is this, the steak hunt?
00:41:28Come on, guys, give me back my food.
00:41:30Come on, sorry, the food is mine.
00:41:32This food is mine and I want it, give Rusty back.
00:41:34Rusty, Rusty, why don't you offer the gentleman something?
00:41:37No, thank you, it gives me heartburn.
00:41:51I was just going to have a small drink.
00:42:10Hey, what's this?
00:42:11The bottle is empty.
00:42:13Yes, it's dry champagne.
00:42:14No, no, he wants to die by poisoning.
00:42:16I don't think I care much anymore.
00:42:23Who do you want to talk to?
00:42:24With Salt Lake.
00:42:29Could you save me a sip?
00:42:34If the coffee doesn't keep you awake, the cup will.
00:42:40It's mine, thank you, let them eat it.
00:42:43No, no, no, no, no, no, no, no.
00:43:16But, sir.
00:43:21You look like a motorcycle, you must.
00:43:23Hello?
00:43:24What's wrong, sir?
00:43:26You've been in your room for three and a half hours and your trunks haven't arrived.
00:43:30Well, go down in a t-shirt, it's no big deal, man.
00:43:38Please get out of the way.
00:43:45Employee!
00:43:48How can I help you, sir?
00:43:50Do you have a luxury suite for my wife and me?
00:43:52His wife, huh?
00:43:53Yes, and we want something very luxurious.
00:43:55Understand.
00:43:56Are they bringing any luggage?
00:43:57Yes, he's coming from the airport.
00:44:01In all my years in the hotel business, this is the funniest story I've ever heard.
00:44:05I suppose his name will be Smith.
00:44:06No, Smith, it's spelled with a Y.
00:44:09Ah, that's the English version, gentlemen of Smith, without luggage.
00:44:12The family book.
00:44:14As?
00:44:16How dare you, sir?
00:44:18What nerve! He adds a Y to his last name and wants to sneak into the hotel with a woman who isn't...
00:44:22yours.
00:44:22That's not my...
00:44:23She's not my wife.
00:44:25I don't think so, I've never seen it.
00:44:28Sir, you may not know this, but I am the president of the laundries of Morocco.
00:44:34Seriously, take this bib and bring it on Friday.
00:44:40Mr. Smith, or Mr. Smith, this is a respectable hotel and I suggest you leave with your...
00:44:45Sir, this lady is my wife, you should be ashamed.
00:44:50If she's your wife, then you're the one who should be ashamed.
00:44:52You will hear from me.
00:44:54Send me a postcard.
00:44:55Sir, my lawyers will come to see you tomorrow.
00:44:58Yes, but if you don't bring your family book, you won't have a room.
00:45:02Dirty old man.
00:45:09Hello, this is reception.
00:45:12Mr. Calo.
00:45:14Which Beatriz Reiner is speaking?
00:45:17Ah, Miss Beatriz.
00:45:19Do you have a lot of work this afternoon?
00:45:22Listen, after your disappearance the other night, we no longer have anything in common.
00:45:26Perhaps I shouldn't say anything in common, but rather very little in common.
00:45:29So I don't want to talk to you.
00:45:31Mr. Calo, please come up.
00:45:35Okay, I'll come up, but don't expect me to talk to you.
00:45:49To the sixth floor, and quickly, please.
00:45:51But he didn't hear me on the sixth floor, upstairs.
00:45:55No, don't get in if you don't want to, just start it and I'll get in by myself.
00:46:18What happens now?
00:46:19It stopped between the fifth and sixth.
00:46:21This only happens to me, because he doesn't live in the basement.
00:46:25Climb onto the roof of the elevator, go outside, and ask for help.
00:46:28If you can't find it, get me life insurance.
00:46:30Come on.
00:46:31What happens now?
00:47:03Thank you!
00:47:40Thank you!
00:48:15Thank you!
00:48:45Thank you!
00:49:14Thank you!
00:49:45Thank you!
00:50:15Thank you!
00:50:44Thank you!
00:51:03Thank you!
00:51:27Thank you!
00:51:27Thank you!
00:51:29Thank you!
00:51:29Where have you been?
00:51:31Thank you!
00:51:32Thank you!
00:51:32Thank you!
00:51:32Wandering around for five hours!
00:51:33You've ruined my love life!
00:51:35No, I don't want to go up, I want to go down, go down right away.
00:51:38Do you think we can?
00:51:41Thank you!
00:51:41Ah, the axe!
00:51:43From the fallen tree, everyone is azure, reño!
00:52:15Thank you!
00:52:18The count left the city
00:52:20We usually go to my room after my song
00:52:22And uncork a bottle
00:52:25Champagne
00:52:27Well, I can replace the count
00:52:28At least provide for Susaru
00:52:30Hey, boss!
00:52:31I heard it
00:52:34Come here
00:52:35This has never happened to Casanova before.
00:52:37Come here
00:52:38Listen
00:52:38Am I your bodyguard?
00:52:40Yes, we've made a deal.
00:52:41But I can't wait for it to expire
00:52:42No, expire
00:52:43What I don't want is for it to expire before then.
00:52:45You're playing with dynamite.
00:52:47I know what I'm doing, and so does she.
00:52:51But, boss, I'm here to save your life.
00:52:54If I am to die
00:52:55I want to die like this.
00:52:56It's over
00:52:59Good
00:52:59Could it be in half an hour?
00:53:02In half an hour
00:53:04And this time I'll go up
00:53:12Hello?
00:53:14Max
00:53:14Where are you?
00:53:16I'm taking a Turkish bath
00:53:18Calo will be here in a few minutes
00:53:20Let's say you show up in a quarter of an hour
00:53:22Is it possible?
00:53:23I'll arrive on time
00:53:24We have to suppress him tonight
00:53:30Forward
00:53:35Oh, how kind.
00:53:41Thank you so much
00:53:43They are beautiful
00:53:45A marvel
00:53:48These roses
00:53:49I will always keep them
00:53:51Who do you think you are?
00:53:52I rented them for an hour
00:53:53Oh, Mr. Calo
00:53:54Call me Montgomery
00:53:56That is his name
00:53:58No, a friend lent it to me.
00:54:01Should we let the dog go?
00:54:03Oh, Pru Pru is my guard dog
00:54:05Then he should keep someone else safe.
00:54:06Pru Pru won't bother us
00:54:08He has good manners
00:54:09If he's so polite, he should move out of there.
00:54:11And I left the place
00:54:12He can stand better than I can.
00:54:13It has two more legs
00:54:15Still
00:54:19I was fearing something similar.
00:54:21I'll be right back
00:54:24Who is it?
00:54:25Hey, boss
00:54:26Is there a woman there?
00:54:27Live here
00:54:27Yes, but you don't
00:54:29And that is very dangerous.
00:54:31Remember that I am your guardian
00:54:32I'm too old to have guardians
00:54:34And too old to be there
00:54:36Yes, that's true.
00:54:39I went down to my room through the back
00:54:41I'll be there in five minutes
00:54:42No no
00:54:42What will become of Pru Pru?
00:54:44He won't expect me to separate from my Puchi
00:54:46Gucci
00:54:47I will wait for her impatiently
00:54:48Go down to Puchi
00:54:49Leave the Gucci here
00:54:50OK
00:55:00I wanted to drink tonight.
00:55:01But not like this.
00:55:04One moment
00:55:05What do you think of Strauss?
00:55:07Leave Strauss to his brass band
00:55:08No no
00:55:09I need music
00:55:10She needs music
00:55:25Maybe it's better
00:55:26To abandon everything
00:55:27You're sure
00:55:28That he doesn't forget anything?
00:55:29We have enough
00:55:30To begin with, right?
00:55:34Disgusting dog
00:55:35I'm going to teach
00:55:47Boo, faces and rubbish!
00:55:53Boo, faces and rubbish!
00:56:07It's not very proper for me to come into your room
00:56:10Do you think he is sensible?
00:56:11It's the smartest thing I've ever done in my life
00:56:14He seems very self-confident.
00:56:16Because I don't have to be in love with one of the two.
00:56:18After all, I am a man and I am a woman
00:56:20And I don't know of a better solution.
00:56:23I believe all men are equal
00:56:25Yes, don't let anyone say otherwise.
00:56:27Let's continue what started in your room
00:56:28He saw, come on, this moment life
00:56:32Life is very short
00:56:33Hey boss, do you have a woman there?
00:56:36She's my aunt
00:56:37Oh yes, well I'm her uncle, bring her out
00:56:39I'll never leave her, I'm crazy about her, completely crazy
00:56:42He's completely lost his mind
00:56:43Well, don't lose your hat too, and get out of here.
00:56:48These interruptions are killing me.
00:56:50They're bothering me too.
00:56:52I go back to my room
00:56:53Well, back at it again, this is never going to end
00:57:10If these trips are going to continue, I'll need a small trunk.
00:57:14Hurry
00:57:25I've gone back to my room, can you come in?
00:57:43Who is it?
00:57:44The Hunchback of Notre Dame
00:57:46Hey boss, do you have a woman there?
00:57:49No
00:57:49Well, I do, long.
00:57:53Save me the cork, I go fishing, right?
00:58:04Creek?
00:58:05The Count of Feferman returned unexpectedly, huh?
00:58:08I lost the link
00:58:09Uh, the connection in Casablanca isn't easy.
00:58:11I've lost several tonight.
00:58:19Place a game, gentlemen
00:58:23Place a game, gentlemen
00:58:26Make a game
00:58:27Make a game
00:58:30That's it.
00:58:32Rien va plus
00:58:58That's it.
00:59:23The red 5 wins again
00:59:31My assistant will take it to the till, sir.
00:59:35He intends to bet everything again.
00:59:36To number 5
00:59:37Oh no, Rusty, no
00:59:38You've gone mad
00:59:39Do you want to lose that fortune?
00:59:40You have to save something for bad days.
00:59:44It's impossible, sir, impossible.
00:59:49Giving in to vice, huh?
00:59:50Mr. Calo, this gentleman has won twice on number 5
00:59:53And he wants to bet it all again.
00:59:54What luck!
00:59:55But, Monsieur Calo, you have crossed the line
00:59:57If he wins again, he'll break the bank.
00:59:59Why should I care about banking?
01:00:00I manage the hotel
01:00:01Idiot, banking is the hotel
01:00:03Don't talk nonsense, fatty
01:00:05Why can't you play the same number multiple times?
01:00:08Rules are rules
01:00:09I've seen it on more than one occasion
01:00:10And if it happens, it will break the bank.
01:00:12If I throw the ball, no
01:00:14Do you want to keep playing 5?
01:00:16You remember the stock market crash of '29, right?
01:00:18That's your problem.
01:00:21Stop the roulette wheel
01:00:22I'm sorry, Mr. Galú
01:00:23The game is on
01:00:24Three times the 5
01:00:25What luck, what a guy!
01:00:28Number 5!
01:00:29Oh, the number 5 again!
01:00:30The richest scoundrel in Casablanca!
01:00:32Goodbye, Mr. Ships!
01:00:34We're rich, Rusty!
01:00:35We're rich!
01:00:36Bye bye!
01:00:37Don't touch me!
01:00:39The 5 has come out again
01:00:40Believe it or not, Rusty
01:00:41We're rich, we're rich!
01:00:43A fortune!
01:00:44We've won a fortune, Rusty!
01:00:49There is no doubt that this has been a conspiracy.
01:00:52The hotel manager and those two crooks are always together.
01:00:55They've been waiting for this opportunity.
01:00:56Can't they see it?
01:00:58I've found out that he was never the manager of the hotel with the desert views
01:01:01That?
01:01:02He runs a small hotel in the desert
01:01:04He's an imposter!
01:01:05Did you see how he broke the rules and threw the ball himself?
01:01:08And how did his companion immediately receive a share of the profits?
01:01:12You are right, Count
01:01:13They have not been shamelessly swindled
01:01:14Worse
01:01:15He may be the one who murdered the previous managers.
01:01:19It hadn't occurred to me.
01:01:21Count, if it's not too late
01:01:23I am offering you the position of hotel manager
01:01:25I accept it
01:01:26But on one condition
01:01:27Give immediate orders for the arrest of that gang of thieves
01:01:30And so that the money can be recovered
01:01:32Arrest them immediately for conspiracy
01:01:33For organizing the robbery or for intimidating us
01:01:38Calm down, Annette
01:01:39Don't cry
01:01:39Don't be sad
01:01:41We'll get you out of here
01:01:43As?
01:01:44As?
01:01:45And you ask me how
01:01:46It's your fault.
01:01:47Which allowed Rusty to break the bank
01:01:49Didn't I warn you that it was crazy to bet on 5 again?
01:01:51That's right, it's your fault.
01:01:57Hey! It's Pierre!
01:01:58Pierre!
01:01:58Pierre!
01:01:59Hey guys
01:02:00How are you feeling?
01:02:01Where are you going?
01:02:02Come on, let's go
01:02:05Pierre!
01:02:08Annette, you loved it
01:02:09I didn't say he's coming.
01:02:10Let me, let me talk to it for a moment
01:02:11Where are they taking you?
01:02:12To Paris by plane
01:02:13We will be tried by the military authorities
01:02:15No no
01:02:16Don't suffer, my love
01:02:17We will get out of this predicament
01:02:18Perhaps a miracle will happen
01:02:19I believe in miracles
01:02:21Let's go!
01:02:27Look where
01:02:27Let's see if everything gets cleared up once and for all.
01:02:34Hey, you!
01:02:35Don't ruin my photos
01:02:35Hey, why are you doing that?
01:02:37Can't you see it's his harem?
01:02:38I've had plenty of girls like that.
01:02:40But I have always despised them
01:02:42Hey, what have you done to my favorite?
01:02:46Not bad
01:02:47Who is this girl?
01:02:48I don't know, but his name is Rembrandt
01:02:50Rembrandt?
01:02:52If it is signed by Rembrandt
01:02:53It should be part of the treasure
01:02:54The treasure?
01:02:55Where did he get that from?
01:02:57You know where the treasure is.
01:02:58Do you know?
01:02:59Hey, this guy knows where the treasure is
01:03:01We need to get out of here immediately.
01:03:02As?
01:03:03As?
01:03:04What a silly question
01:03:07Hey!
01:03:07Hey, jailer
01:03:08Jailer
01:03:09Captain, come on
01:03:10Come on, come here
01:03:11The one with the ears
01:03:11Yes, you come.
01:03:12Open the door
01:03:13This man is having a heart attack
01:03:15He's dying
01:03:15Open the door
01:03:16That's a serious case
01:03:17Open the door
01:03:17But anyway, what happens now?
01:03:19What's happening with standing ilophobia?
01:03:20What is foot ilophobia?
01:03:22What's the big deal about keeping quiet?
01:03:22You open the door
01:03:23Come on, don't say a word
01:03:24You open the keys
01:03:25Come on, just once
01:03:26Open
01:03:26All you know how to do is shut down, man.
01:03:29Come on
01:03:31Añez
01:03:31Añez
01:03:32Come on, come on, girl
01:03:34Well, the girl is free now.
01:03:35Forward
01:03:36Good
01:03:37The jewels are all accounted for.
01:03:39Let's pack everything up
01:03:40Have you told her yet, Beatriz?
01:03:41I don't have to say it.
01:03:42She'll find out when we leave her here.
01:03:44And if he speaks
01:03:45Let him speak
01:03:45It won't do him any good.
01:03:46We will be in South America
01:03:49Careful
01:03:49Carefully
01:03:53Hello?
01:03:54Hello?
01:03:55Central?
01:03:56Hello?
01:03:57Hello?
01:03:57Can you put me through to the police precept?
01:03:59Fast
01:04:00I need to speak with Captain Brissard
01:04:01Yeah
01:04:15I don't want to hear a single word from him.
01:04:23It must be for Captain Brissard
01:04:25He should be in his office working.
01:04:26It's no wonder this is almost empty.
01:04:28The way it's organized is a crime.
01:04:30Come on, answer before someone else does.
01:04:35Hello?
01:04:36Can I speak to Captain Brissard?
01:04:38Here's Beatriz Rainer
01:04:39Of course, Mademoiselle Rainer
01:04:41For you, your eyes, your mouth, your hair
01:04:44My entire prison is at your disposal
01:04:47You are at home
01:04:49As?
01:04:50The Count?
01:04:51The Treasure?
01:04:52I'm coming right away
01:04:52The Count intends to escape with the Treasure
01:04:54We have to prevent it
01:04:55Yes, but how?
01:04:58Ah, good idea.
01:04:59Attention, attention
01:05:01All guards and staff immediately go to the courtyard
01:05:04In case of emergency, let's go
01:05:06Go to the airport and catch Pierre
01:05:08We're going to the hotel.
01:05:09And you go find the Count while I bring Pierre.
01:05:11He'll do what he can.
01:05:46They are packing their bags
01:05:47But they won't be able to; we will intervene.
01:05:56You?
01:05:57Emil?
01:05:58Is that you?
01:06:19No
01:07:04Forward
01:07:06Curt?
01:07:08Emil?
01:07:09Forward
01:07:13How strange!
01:07:42What's wrong, Max?
01:07:43The trunk lid caught my hand
01:07:47Come on, have a drink
01:07:50Emil
01:07:51Emil, come here
01:07:54Tell me one thing
01:07:55Did I fill this trunk or not?
01:07:57Don't know
01:08:01It must have been overfilled and it spilled
01:08:04Clear
01:08:05Sure, sure
01:08:06Pick it all up
01:08:09Put it there
01:08:10We'll save it later
01:08:11I have more things there.
01:08:12Hurry
01:08:13Keep filling the trunk
01:08:14Yes, Max
01:08:18I have there
01:08:40Thank you!
01:09:05Thank you!
01:09:49Thank you!
01:09:55Max, all the boxes are in the trunk
01:09:57Curl, please look at me
01:09:59Am I crazy?
01:10:01I don't think so
01:10:03Max, what's wrong with you?
01:10:05Curl, I put some shirts there two minutes ago, next to the mirror.
01:10:08They've disappeared! All my clothes are gone!
01:10:11I've looked in the closet, there isn't a single suit left.
01:10:15Not a single one!
01:10:18Max, look
01:10:30Let's get out of here, soon
01:10:47Thank you!
01:10:48Thank you!
01:11:04Here are some very important documents; be very careful where you put them.
01:11:13Let me have the pen, Curl
01:11:14Which pen?
01:11:14The one I just gave her
01:11:15She hasn't given me any.
01:11:16Is he crazy?
01:11:17I'm perfect.
01:11:18I don't want you to contradict me!
01:11:21Forgive me, Your Excellency
01:11:22Forgive me, I kept all of this
01:11:24Yes sir
01:11:28What are you waiting for, Pierre?
01:11:29We can't stay here any longer.
01:11:32Calm down
01:11:32It's not the first time I've hidden in a closet
01:11:42Help me
01:11:48Curl, put this basket in the trunk
01:11:50I have more things to store.
01:11:57Sorry, we're full.
01:12:03Curl, be very careful with that.
01:12:05Remember, that's where the jewelry goes.
01:12:33What are we waiting for?
01:12:34The balls are ready
01:12:35Don't know
01:12:36But this trunk needs fixing first.
01:12:38All the clothes are on the floor
01:12:40If you want to get out of here, come on, help me
01:12:41Give me a hand
01:13:34Clothes on clothes on clothes on the floor
01:13:53But what are you doing here?
01:13:54I have respect for the continuum
01:13:55He definitely knows how to pack
01:13:57We need to get out of this trunk
01:13:58Ah, that presents a very interesting problem.
01:14:17Don't you know you can't open a trunk without knocking first?
01:14:20Oh my God!
01:14:36Now yes!
01:14:38Now yes!
01:14:42Now yes!
01:14:44Now yes!
01:14:49They take the treasure.
01:14:51It is forbidden to speak to this man
01:14:52Please, you have to let go of him
01:14:54It is important
01:14:54It's an opportunity to do something for the country.
01:15:07That's Pierre and Anet!
01:15:09Hey, Pierre!
01:15:10It's them!
01:15:11High!
01:15:13Hey, Pierre
01:15:14Have you seen any trunks go by?
01:15:16Yes, there goes the treasure.
01:15:17They are heading to the airport
01:15:18To the airport?
01:15:18Yeah
01:15:19It must be to the secret field
01:15:20I saw it on the map when I searched Fefferman's room
01:15:22Come on, get in!
01:15:37Pierre, there they are
01:15:38Don't let them escape!
01:15:46Take the car and look for a breeze
01:15:47We have to stop that plane
01:15:48It won't be by grabbing him by the tail, will it?
01:15:50Let's go get them!
01:15:52Come on!
01:16:03Come on!
01:16:20Hey, guys, look.
01:16:21Let's get on that truck.
01:16:28Why isn't it taking off?
01:16:29Can't.
01:16:30I have to head into the wind.
01:16:32Okay, but hurry up.
01:17:01Okay, okay, come closer.
01:17:03Very well, agreed.
01:17:06Wow, there's a ladder here.
01:19:36Rusty!
01:19:37Rusty!
01:19:37For!
01:19:38For!
01:19:38For!
01:19:39Stop for what you love most!
01:19:41You have to keep going until the gas runs out!
01:19:43And it only holds two thousand liters!
01:19:45Awesome!
01:19:46We're going to get dizzy!
01:19:48Fix something down there!
01:19:49Hurry!
01:19:50Emil!
01:19:51Entchtierte!
01:19:52Relief!
01:19:54Emil!
01:19:55We need to revive him!
01:19:56He's the only one who knows how to operate this device!
01:19:58Wake up!
01:19:59Come and sleep!
01:20:33There goes the water.
01:20:36Up you go, man, up you go.
01:20:37Get up, get up, we're going to crash.
01:20:41Stand there.
01:20:55Go to your sublimation site!
01:20:59She's fainted again!
01:21:08Watch out! Watch out for the car!
01:21:12Today is Thursday and we have a Sunday driver.
01:21:20I knew I would achieve it.
01:21:22And I wasn't so sure.
01:21:26You're a great chaufe.
01:21:28Hey! Look what's coming!
01:21:38The hands!
01:21:43Turn around!
01:22:03What a stupid observation!
01:22:06Hey, you just skipped a red disc.
01:22:11Look! No hands!
01:22:28So you're without hands, huh?
01:22:34We're back in jail!
01:22:36We're home now.
01:22:40What a shame about the pilot.
01:22:46Come on, come on.
01:22:50Come on.
01:22:51Come on.
01:22:57Come on.
01:22:58Hello, Count.
01:23:00Come in, we'll make room for you.
01:23:01I'm going to kill like a man.
01:23:03Come on.
01:23:06Come on.
01:23:35Subscribe to the channel!
01:23:39Subscribe to the channel!
01:24:33Subscribe to the channel!
01:24:40Subscribe to the channel!
Comentarios