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Short filmTranscript
00:01I read somewhere that the original meaning of the verb depart was in fact to divide.
00:08When we depart, we do it to get away from someone, or even from ourselves.
00:13As the poet Hikmet says, a writer I discovered too late in life.
00:17The most beautiful of seas is the one we didn't sail over.
00:22The most beautiful voyage is that of self-discovery.
00:25But it's also the most difficult.
00:40I made myself an herbal tea. I thought you might want some too.
00:58What are you doing? Are you crazy?
01:01As a child, you would always come and get into bed with your mommy. I think now it's my turn.
01:05This way we're even.
01:11What's the matter?
01:12You have no idea what tomorrow night means to me.
01:17But it's just a party. You're not being put on trial.
01:21In all these years, this will be the first time that I am going into his world.
01:26And what are you afraid of?
01:29Of judgment from others? You?
01:34So you're definitely coming?
01:36No, absolutely not.
01:37Come on.
01:39There will be so many unfamiliar faces. I need at least one person there who loves me.
01:44There's no guarantee that I'll love you tomorrow.
01:46Hmm.
01:49It's going to be a huge event with plenty of people who are rich and decadent.
01:55Really, is there no one who'd like to go with you?
02:01There might be someone who would probably like that.
02:05Hmm.
02:06What did you tell the others?
02:07That I was going for a fuck.
02:10It doesn't mean that it really has to happen.
02:12It's just that with us, sex is the only accepted pass.
02:15If you want to avoid an interrogation, you can use that as an excuse.
02:18And no one will ask anything.
02:20You know, when it comes to sex, you answer to no one.
02:24What's up with you?
02:27I need to find a toilet.
02:28But, sweetheart, we haven't even hit the buffet.
02:31Wait for me here.
02:32Sure. Where would I go?
02:33I imagine it's also very trĂšs chic.
02:37Who's going anywhere?
02:38Excuse me, where's the bathroom?
02:47Oh, thanks.
03:10You seem fond of this painting.
03:13Yes.
03:15It's so real.
03:18Almost looks like a photograph.
03:21But she's gorgeous, huh? That look she has.
03:25Yeah.
03:26Sadly, though, it's not a look I still have, so...
03:29Among several other things.
03:32Oh, my God. That's you?
03:34I can't believe it.
03:36Ah, you're kind.
03:37No, no, I'm sorry. No.
03:39Sorry, no. I wasn't talking about you.
03:41It's just strange to have the two there.
03:47I mean, one on the wall and the other in person.
03:53May I?
03:54Certainly.
03:55Excuse me, but...
03:58This room must be 2,000 square feet.
04:01It's hell in these heels.
04:02But we deal with it.
04:04You're having problems with yours, yeah?
04:06Well, uh, no. Not really.
04:10Oh, my God. I'm sorry.
04:11Oh, my God. I didn't realize.
04:13Damn it. I don't know how I could've...
04:14Look, you're all in black.
04:15Your dress is black. Your fan is black.
04:17You're all in black. Damn it.
04:18Is that your glass? Want a drink?
04:19Uh, yes. Oh, thanks.
04:20Sorry. Yes, that's my glass. Thanks.
04:21Sorry. Lovely dress, by the way.
04:23Thank you. Cheers.
04:28Hmm.
04:30Let me grab a chair.
04:31Although your neck is still gorgeous.
04:33It's still the same neck.
04:35Yes, yes, it stayed the same.
04:36What, what is it that they say? Like a pelican?
04:38Like a swan.
04:39Yes, like a swan. Yes, yes.
04:41Congratulations.
05:16My name's Myrtilla.
05:18For real?
05:19Yes, I know. It's a little old-fashioned.
05:22Huh?
05:22It's old-fashioned.
05:23But what an incredible coincidence, huh?
05:25Why?
05:26Because, because you're named after a berry.
05:28Hmm?
05:29And I happen to sell berries.
05:32I don't understand. Sorry.
05:35I own a fruit store.
05:37Ah.
05:37We sell lots of fruit and vegetables.
05:40A variety.
05:41Mm-hmm.
05:42I don't know if you've ever done your own shopping.
05:45Yeah?
05:45Yes, of course.
05:46It's all mine. It's my shop that I own.
05:48Ah.
05:48Yes, yes. I have an employee, too.
05:50How very interesting.
05:52Mm-hmm.
05:53Ah, listen, I'm sorry for asking what might seem like a rude question,
05:56but I don't think I've ever seen you here at these parties.
05:59Um, no.
06:00Ah, well, it's always the same crowd here.
06:03Mm-hmm.
06:03Yeah.
06:05No, well, I mean, it's a long story.
06:08Listen, I'm sure it will help ease this boredom.
06:12All right, I'll tell you.
06:13Mm-hmm.
06:13But you have to promise not to tell anyone.
06:15Promise.
06:15Yes.
06:18So I drove here with a friend of mine
06:21who was invited by her mother
06:22because the mother, uh...
06:26She is the mistress of a general
06:29who's about to retire or something like that.
06:33Only I haven't been introduced to this general yet
06:35because we just got here.
06:37Then my friend went to the bathroom
06:38because I think she might have an upset stomach.
06:40Mm-hmm.
06:42Actually, I should probably go check up on her.
06:45I'll come right back.
06:47No, excuse me.
06:47I feel bad about leaving you like this when you're already...
06:51Well, it's not exactly a walk in the park.
06:54No, it's not.
06:55Well, you know what I mean.
06:56I'll be right back.
06:58Oh, don't run off.
06:59Whoops!
06:59My stupid mouth.
07:00Sorry.
07:01Okay.
07:18Excuse me.
07:20Where were you?
07:21I was around.
07:22I was looking out for handsome soldiers,
07:24but I could only find those who fought in World War I.
07:27Your mom is the only one having fun.
07:29Look at her go.
07:31You're not bored, are you?
07:33No.
07:34No, I'm not the kind that gets bored, huh?
07:36Oh, and I was also talking to a lady who was in a wheelchair.
07:40Antonia, please come over.
07:40She was even in a painting on a wall.
07:42Looks like we're up.
07:43Oh, right.
07:45Antonia, darling,
07:46you remember General Ettore Spirelli de Velorosa,
07:49the friend of Colonel Martelli,
07:51the one who was always with your dad.
07:53Ah, yes.
07:53Good evening.
07:55My condolences.
07:59May I join this wonderful group?
08:01Darling.
08:02My wife, Countess Mertilla.
08:04Pleasure to meet you, Antonia.
08:06Hello, Antonia. Pleasure.
08:07This is my friend, Luisella.
08:09Ah, yes.
08:10We met before, your friend and I,
08:11and I thought we had a very pleasant conversation.
08:16Veronica?
08:17Darling.
08:18We haven't had the pleasure of your presence
08:20since your husband passed on.
08:21Well, but I didn't want to disturb,
08:23and I knew you weren't in the best of health.
08:25But I'm all better, thanks.
08:27Thank God.
08:28Ah, yes.
08:28And thanks to my husband,
08:29who really knows how to take care of me.
08:32Of course.
08:36First, your husband a general, right?
08:37Then, if I'm not mistaken, the Colonel.
08:40Then you went higher again, rank to rank.
08:41I congratulate you on your escalation.
08:44Oh, believe me,
08:45it's not a question of ranks, Mertilla.
08:47Don't be catty.
08:48Oh, you're right.
08:49Forgive me.
08:53I've hated you for years.
08:55Although I didn't know it was you.
08:58And now that you're here in front of me,
08:59I have no desire to insult you.
09:02Mertilla, I...
09:03Oh, I've taken so many psychotropic drugs
09:05that I've learned about how to...
09:06how to fall in love with my husband again.
09:09I couldn't stand him when we married.
09:12I am Ettore Spirelli di Villarosa.
09:15Always standing at attention.
09:17Much more rigid than your husband, bless his soul, but...
09:20And even more than the Colonel.
09:21That was your second attempt.
09:23Well, you're talking to me as if...
09:25I was some kind of social climber.
09:27Actually, as if you were something else.
09:31But you should know that I am very happy with my husband now.
09:34And not just because he looks after me
09:36better than any immigrant caretaker.
09:38You see, thanks to you, I can avoid certain...
09:42practices that, let's be honest, after a while...
09:46cease to be pleasant.
09:48So there's nothing left to say except thanks.
09:51You're welcome.
09:52Oh no, um...
09:54Sorry.
09:55No, uh...
09:56Thanks to you, Mertilla.
09:58No, but thanks to you.
10:00I mean it.
10:01Because, see, my husband continues to be at my side.
10:03It's because you've given the...
10:05outlet he needs.
10:06Uh, no.
10:07No.
10:08It's not an outlet.
10:10Rather, uh...
10:11mutual entertainment.
10:12You're right.
10:13Do excuse me.
10:14I just spoke the wrong word again.
10:17Old age, hmm?
10:18There are times when I mean to say, um...
10:21Umbrella.
10:22Then I forget and say furnace.
10:25Does it ever happen to you?
10:26No, not yet.
10:28But, um, yes.
10:28Oh, yeah.
10:28I'm almost there.
10:31Listen.
10:32Want one?
10:35What's that?
10:36Spogelfix.
10:37It lifts you, but also gives you a sense of peace.
10:41It's a good high.
10:42I have another idea.
10:44What if I got us a couple of nice caipirinhas?
10:48Each of us.
10:52Good idea.
10:53Hmm.
11:00Can I tell you something in confidence?
11:02The general is a pervert.
11:04An old pervert.
11:05If he was young, at least...
11:07Come on.
11:08Finish that and we'll go.
11:09It's late.
11:09Mm-hmm.
11:09Let's go.
11:11Oh, God.
11:12What?
11:12One hottie.
11:13Two hotties.
11:15Three hotties.
11:15Four hotties.
11:16Five hotties.
11:18The fresh meat just landed.
11:19Who knows how many more?
11:20Well, God, where are you going?
11:21They're at least 20 years younger than you.
11:23So what?
11:24I'm not prejudiced, huh?
11:25Give me a break.
11:26Come on. Let's go. It's late.
11:28Madam?
11:28Two hotties coming towards me.
11:31Do we know each other?
11:34I think this might be yours.
11:36Hmm.
11:40Just like the glass slipper in Cinderella.
11:42Hmm.
11:44Thanks.
11:45He had eyes like a hawk, huh?
11:47You see that?
11:48That bastard.
11:50Good night.
11:51Mm-hmm.
11:52There was a general with stripes and all, you know?
11:55A pervert.
11:55You don't even want to know what came out of his mouth.
11:57So I went up to Antonia and told her,
12:00I'm begging you.
12:01Let's go, please.
12:02I can't handle being the center of attention any longer.
12:04It's exhausting.
12:05And at that very moment, five cadets walked in.
12:07They were all so handsome.
12:09I didn't pay any attention to them.
12:10Just a little side look.
12:12And Antonia goes, are we really leaving now?
12:14Just as the hot brigade arrives?
12:15And I go, no, please.
12:16I'm tired.
12:17I want to go.
12:18But just as we were leaving, one of those guys,
12:20an angel sent from heaven, chases after me to say,
12:26Oh, please don't leave yet.
12:27What?
12:28I'd really like to know you.
12:30And I went, honey, I don't have time for that now.
12:34Poor guy.
12:36Hey, the next time you go to a party full of men in uniform,
12:39take me with you, please.
12:40I'm still in the army.
12:41It's more likely you'd be under it.
12:42I can do top and bottom.
12:43It's all the same to me.
12:44I'm the last of a generation that's picked people up,
12:47and you'd only find out later who did what when you were in bed.
12:50Not like you guys who chat and text and have zero surprises in real life.
12:55You don't make love anymore.
12:57You guys do homework.
12:58That's so true.
12:59We've been waiting for an hour.
13:01Apologies, it's my fault I had to grab something.
13:03Yeah, but what exactly?
13:05Vera's not here?
13:05No.
13:06Antonia?
13:07Why are you looking at me?
13:09Okay, sorry, I'll get to the point.
13:12Stand up.
13:14It's something serious.
13:16Get up, come on.
13:17Okay.
13:28Let me be clear, I'm not asking him to marry me.
13:34But, Luciano, my love, will you civilly unite with me?
13:40Yes.
13:40Be civil to one another.
13:42It's a great way of not getting married.
13:43A real coup de théùtre.
13:45It's still a marriage though, right?
13:46You know, I'm against marriage, but I say, let's party!
13:50We should have an engagement party, right?
13:52Yeah, but we'd have to check if the astral conjunction is favorable first, right?
13:55What's the matter with that?
13:55Alright, are we gonna do it here?
13:56Of course!
13:57Along with a party with Asif, right?
13:59Oh, I still haven't given you an answer though.
14:01Yes!
14:03But I mean if you insist.
14:09Kiss him!
14:10Bravo!
14:13Okay, there you go!
14:14Okay, okay!
14:24Looks like a panda.
14:26Looks like a panda.
14:41It's crazy, you know?
14:43I've imagined this moment so many times that I thought it wouldn't have any effect on me.
14:48But actually...
14:49I know.
14:51Is it regular?
14:53A hundred eighty beats a minute.
14:54And is that normal?
14:55Yeah, absolutely normal.
14:59The embryo is well implanted.
15:01You're in perfect health for a stress-free pregnancy.
15:21Kind of cute, huh?
15:48What's the matter?
15:49We specifically chose a comedy.
15:52No, no, it's not the movie.
15:57I'm thinking about all the years I've wasted with the general.
16:02Why do you say that?
16:06Because.
16:08Turns out he was a mistake.
16:11After meeting Murtilla, I realized that it was all a mistake.
16:17So, what are you trying to say?
16:21Uh, Murtilla is actually a wonderful woman.
16:27She's educated and cultured and, um, she's even amusing.
16:33I should have gone out with Murtilla, not the general.
16:37It's kind of a shame women don't do it for me.
16:39I just can't feel any attraction.
16:42But one thing I'll tell you is this.
16:45The general is now dead to me.
16:48I don't want to see him ever again, not even in a picture.
16:51So now what do you want to do?
16:53Uh, I don't know.
16:55Maybe I should take a trip somewhere.
16:58Best to get some perspective on these things.
17:06I should take a trip somewhere too, then.
17:08What if you went with me?
17:10What if you went with me?
17:15No.
17:18No.
17:18No, it's best, I feel, for a change of scenery.
17:21But more...
17:23To restore one's clarity.
17:26Mm.
17:28Yes, I agree with you.
17:35I love you so much, my dear.
17:39Mm.
17:48Why are you laughing?
17:49Well?
17:50Well, you're like a Filipino movie, right?
17:52So everyone shouts and argues with each other.
17:55But at the end, they always find love again.
17:58Even more.
18:11Excuse me, ma'am.
18:12I love you, ma'am.
18:15I love you, ma'am.
18:17I love you, ma'am.
18:19I love you, ma'am.
18:20I love you, ma'am.
18:20I love you, ma'am.
18:20I love you, ma'am.
18:22I love you, ma'am.
18:28I love you, ma'am.
18:59What did that chair ever do to you?
19:01You've been torturing it for half an hour.
19:03I'm fixing it.
19:05It's squeaky.
19:06Hey, maybe if you give me a squeeze, I can be fixed too, huh?
19:11Oh, now who's at the door?
19:13I wouldn't get up from this sofa if my life depended on it.
19:18Hi.
19:19Hey.
19:21Why did you do the shopping?
19:23For the engagement party, of course.
19:27I'm so happy for Luciano.
19:31Oh, it's so hot.
19:33Why did you get so much stuff?
19:36Is that awesome?
19:58Good morning, Walter.
19:59Oh, hi, Antonia.
20:00Antonia.
20:01Lovely to see you.
20:03So now it's my turn.
20:04I found a lovely place and I want to show you tomorrow.
20:06And I'm sure you don't know about this one.
20:08After all, we are in my hometown.
20:11I can't wait to go there.
20:12You'll love it.
20:14You'll see.
20:14It's absolutely breathtaking.
20:32Sing to me of that odorous green eave when crouching by the marge you heard from Hadrian's gilded barge the
20:38laughter of Intinuous, and lapped at the stream, and fed your droth, and watched with hot and hungry stare the
20:44ivory body of that rare young star.
20:46He was a slave at his pomegranate mouth.
20:50Hadrian's lover was a very handsome young man.
20:54He was cultured and elegant.
20:58But in fact, Hadrian also had a wife.
21:00Her name was Vivia Sabina.
21:05Now and then, I wonder what she must have thought of Intinuous.
21:14Well, we will never know.
21:17Hmm.
21:20We aren't really like the ancient Romans.
21:24Even in the way we love.
21:28You're right.
21:31Well, Hadrian and his wife were married for 40 years, till the end of her life.
21:36But Hadrian went mad upon the death of his lover, drowned in the Nile.
21:42So then, the emperor decided to make him a god.
21:45Hmm.
21:46And founded a religion and even a city in his name.
21:50Isn't that romantic?
21:51Oh, yeah.
21:52Yeah.
21:53Yes.
22:00What do you find romantic?
22:06I don't know.
22:07You caught me off guard with that.
22:19Could I, I wonder, who I'd be in Hadrian's time?
22:26Hmm?
22:29I don't know.
22:30But it's true.
22:32This isn't the same as ancient Rome.
22:34Hmm.
22:44I'm leaving in two days, to Istanbul.
22:49Hmm.
22:53Come with me.
22:59But...
23:01I don't...
23:02I don't know.
23:05Although a trip would be really lovely.
23:09But...
23:10What do we say to the others?
23:12They'd give us the third degree.
23:18Even the fourth.
23:22But, uh, Luis...
23:24Luisella told me, she explained that...
23:28The group won't look for explanations or ask questions in one case.
23:32Sex, that's all.
23:33Hmm.
23:33Or about love.
23:37Well, but...
23:38Neither of those applies to us, so what then?
23:44We go undercover.
24:00Let's pretend.
24:14Let me show you something amazing.
24:17Ha, ha, ha, ha, ha, ha, ha, ha.
24:34Ricardo and Luciano are taking care of everything for tomorrow.
24:38Why did Antonia do the shopping?
24:40She insisted she do it.
24:42She really wanted to contribute this time.
24:45Of course, we'll definitely have to get some more stuff anyway.
24:48She could not possibly imagine how hungry this group of ours can get.
24:53They would all probably devour the tables if they could.
24:57Is something wrong?
24:58No.
25:00Why?
25:01Well, no more than usual.
25:04Well, I'm sorry that Asif is leaving.
25:06I had hoped he would have stayed for longer, too.
25:09Oh, well, he's always coming or going.
25:11You know, he never stays still.
25:12True.
25:14I expect most anything, except him leaving with Antonia.
25:34I have done everything, between the nights and the winter.
26:11I have done everything, except him leaving.
26:12An air fresco che mi riprende.
26:21Sono un vera vera.
26:26La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
26:31la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
26:31la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
26:31la, la, la, la.
26:55Mikel? What's wrong?
26:56Where is Asif?
26:58What are you doing? Tell me, what are you doing?
27:00What is it, Mikel? What's happened?
27:04You always come and go as you please.
27:06You come here whenever the fuck it suits you.
27:09You don't give a damn about what we feel, what's going on with us.
27:12You're just passing through. You grab it.
27:15Whatever you want, you just take it and leave without so much as a thank you.
27:18Sorry. You want to take away a piece of me? No.
27:22You leave Antonia alone.
27:27Antonia decided to leave all on her own.
27:35It was her choice.
27:40Sorry, man.
27:45I don't know what I want.
27:49Me neither.
27:51Me neither.
27:53Come over here.
27:55I got you.
27:59Calm down.
28:03No one's against you, okay?
28:08No one is against you.
28:20No one is against you.
28:23Hello, guys.
28:24Hey there.
28:25Well, what do we have here?
28:28Well, hello.
28:29Where are you going?
28:31Stop it with that thing.
28:32Isn't that awesome cell phone?
28:34He lent it to me.
28:35What's up, guys?
28:40Good evening.
28:42Good evening.
28:44There they are.
28:48Guests of honor.
28:49Okay, guys, tell us how hard it was for you to apply for a civil union.
28:53No, very easy.
28:54It was really easy.
28:55We just went to City Hall with the paperwork.
28:57And then they'll contact them in about a month to decide date and place.
29:00We can do it right there in the office.
29:02Two signatures, done.
29:03All but the engagement parties all we need.
29:04No, but what's that?
29:05No, no, no.
29:06Don't be like that.
29:07Help me out and tell them an engagement party's not a matter.
29:09No, I totally agree with what your mother's saying, right?
29:11It's fine.
29:11They can do what they want just like they owe it to.
29:13Thank you, man.
29:14What a progressive father you got.
29:16Bravo!
29:17But there's always the campedilio option with the mayor and the red square or whoever acts.
29:21That's true.
29:21That would be much nicer.
29:22Or option two by the imperial forums, that cute little church over there.
29:25Not bad.
29:26It doesn't get more imperial than you.
29:27Come again, come again, come again.
29:28No, I said more imperial than those two.
29:30Oh, right.
29:31But that's classic, isn't it?
29:33It's classic.
29:34Fathers always prefer to do it the simple way.
29:36Sign papers and move on.
29:37Except the mothers are always melodramatic megalomaniacs by nature who just want long dresses and lavish cotillions.
29:43But when are you getting married?
29:45Just by your tongue.
29:46I don't know.
29:48Actually, it's the opposite.
29:50I'd prefer something low-key.
29:52But my husband, no.
29:53He pretends he doesn't, but he does.
29:55Husbands.
29:55Husbands.
29:56Right.
29:57You know what?
29:58You should get the church with the photographers and all that stuff.
30:02And that would indeed be a real outing for us all.
30:05But is it because you don't approve of this beautiful union?
30:08Oh, totally.
30:09How come?
30:09But why?
30:10I am always opposed.
30:11No, where are you going?
30:12Tell us why.
30:13Sarah, tell us something.
30:14We want to know why.
30:15Tell us the truth, blue-haired ladies.
30:17Asaf!
30:18Give it back.
30:19No, no, no, no.
30:19Please.
30:20I don't want to be filmed.
30:21Give that to me.
30:21He's the lord of the castle.
30:23He threw a party for me, too.
30:25Out of friendship, right?
30:26Yes, out of friendship.
30:28Don't get any crazy ideas, Asaf.
30:29Nothing's crazy to me.
30:30No.
30:30Asaf, I'm not falling for it.
30:32I'm not.
30:32Later.
30:33Later.
30:37Is that right?
30:39That's cool.
30:54Who's going to be the best man?
30:56It's going to be Anna Maria and Roberta that'll do it.
30:58They're the most experienced in weddings, right?
30:59I don't mean to stir up trouble, but I'm a little disappointed with you.
31:03They should have asked me.
31:04I'm Luciano's aunt on his father's side.
31:06I already said to them that I would take care of planning the wedding reception.
31:10And for this, we're very grateful.
31:12Do you want to know what I got them as a gift?
31:14I don't know.
31:14I don't remember.
31:15A pretty nice apartment in Naples.
31:17Yes, because we often travel to Naples.
31:18Hey, now.
31:19Well, that's your own fucking problem, guys.
31:22Well said, Angie.
31:23Maybe you rented in debt.
31:24Relax.
31:24You know what Luciano's like, right?
31:26Man, oh man.
31:27Their generation has everything.
31:29And they're just spoiled rotten.
31:31I don't think.
31:32I'm just the cameraman.
31:35Mr. DeMille?
31:36Mr. DeMille?
31:37I'm ready for my close-up, baby.
31:40Do you have any idea who they are?
31:42They are ancient Roman gods.
31:45Archaeological traces of a bygone civilization.
31:48Really, leftovers.
31:49Spoken by the Sphinx.
31:51Knock it off.
31:51How can you eat that?
31:52Absolutely gorgeous.
31:53You're wonderful.
31:55You're very fine.
31:56Fabulous.
31:58Yummy.
32:05But it really is quite something to see.
32:09I don't know.
32:09I've been traveling with the family.
32:12I've been traveling with the family.
32:14But where have you been?
32:16I'm just here.
32:17I'm just never open.
32:18What are you doing?
32:20Antonia!
32:21Antonia!
32:22Someone's here to see you.
32:23I just forgot.
32:25Mom.
32:25Hi!
32:26I didn't think you'd come.
32:28Yes!
32:28What are you doing here?
32:30Well, I was invited by Luisela.
32:31Because we exchanged phone numbers at the general's party, and...
32:35Plus, you're leaving tomorrow, so I wanted to see who you're going with.
32:39Nice to meet you.
32:40I'm Roberta.
32:40Very nice to meet you.
32:41This is my wife, Anna Maria, and that's Vera.
32:43Very nice to meet you.
32:44The pleasure is all mine.
32:45I'm Veronica, Antonia's mother.
32:47What a beautiful spot this is.
32:49It's just all so lovely.
32:51Picturesque.
32:51Who's this charming lady?
32:58Here we are, Massimo's meatballs.
33:01Fine.
33:03The meatballs.
33:04Meatballs!
33:05Try them.
33:05They're really delicious.
33:07And they've become the house special.
33:09Massimo invented them, too.
33:11Yes.
33:12Massimo's meatballs?
33:14Mmm.
33:15Mmm.
33:17You didn't invent them at all.
33:18This is my recipe.
33:20Oh.
33:21Well, of course.
33:22Massimo once called me up to ask me what I put in with the meatballs to give them a slightly
33:28sweet aftertaste, right?
33:29And I told him.
33:31Sorry, my mouth is full.
33:32Mmm.
33:34I said, put in a grated, an apple.
33:39Meatballs and poetry.
33:40This, this really is my recipe.
33:42Mmm.
33:43Try them, Antonia.
33:44You'll recognize the taste.
33:45I cooked them for you so often when you were a little girl.
33:47No, thanks, Mom.
33:48I don't want any.
33:48I'm good.
33:51That's why he needed to get the recipe.
33:55Who did he want to impress?
33:57Enough, Mom.
33:58Don't beat around the bush.
33:59Ask it.
34:00Ask the damn question.
34:02She's as curious as a cat.
34:04She wants to know who Massimo's lover was.
34:06You mean you haven't told her yet?
34:08Why not?
34:09Because.
34:10Because.
34:10Do you see what she's like?
34:13Uh, sociable.
34:14Confident.
34:14Progressive.
34:15But, uh, how do you say it?
34:17Reactionary.
34:17Bigoted.
34:19No.
34:20No?
34:20No.
34:21Well, I've always been around the military, generals.
34:25And, well, a little stiffness is to be expected.
34:28But a bigot?
34:29No.
34:29But why is that even a thing?
34:31Seriously.
34:35Anyways, we're all here now.
34:37Take a guess.
34:37Go on.
34:38Guess.
34:38Who is it?
34:39No, no, no.
34:40This doesn't need to be made into a quiz.
34:47I was Massimo's lover.
35:02Oh, my God.
35:07Oh, my God.
35:18Oh, my God.
35:23Oh, my God.
35:35Oh my God!
35:41You're so sorry!
35:41I'm so sorry!
35:45I'm so sorry!
35:48I'm so sorry!
35:48I'm so sorry!
35:49Nora even spoke differently!
35:50Oh my God!
35:52I love that!
35:53Oh my God!
35:54I'm so sorry!
36:01I love that!
36:07Good evening.
36:08Good evening.
36:10Is Luisella here?
36:11Yes, of course. Come in, come in.
36:13Okay, come on.
36:14Luisella! There's a family here for you.
36:17What are you two doing here?
36:20I kept trying to call you, but you never answered.
36:23I was busy with the party. My phone was on mute.
36:27Of course. Don't worry about it. Vera invited me.
36:30I told her, don't say anything to Luisella. I wanted it to be a surprise.
36:32Well, Vera's always looking out for her friends.
36:36Oh, uh, these are for you.
36:42Thanks. You shouldn't have.
36:44Yes.
36:46What do you want from me?
36:48Well, Luisella, the truth is, I'm kind of obsessed with you.
36:55Tony? How long are you going to be in there? What is it? Number one or two?
36:58I'm peeing.
37:00You're an idiot. You shouldn't have come. I'm telling you.
37:04Uh, you're making this embarrassing.
37:08Okay, well, if you don't want me, I understand.
37:14But I figured you out.
37:16I can see it written all over your face.
37:19You're just a really nice guy.
37:21The kind who always tells the truth.
37:23That follows their convictions.
37:25You're clearly clean cut.
37:27You like me, that's obvious.
37:29Just by looking into your eyes, I understand you.
37:31Know what I mean?
37:32And what's the problem?
37:34You don't like me?
37:35Of course I like you. We match.
37:37A lot.
37:40Physically speaking, you're handsome.
37:44Uh, uh.
37:45But you're too nice of a person.
37:47I can already see it, you know?
37:48I can see us together.
37:49I wake up in the morning in a grumpy mood and treating you badly,
37:52while you, instead of telling me to fuck off,
37:55go and cook for me in the kitchen.
37:56To make me some breakfast.
37:58Right?
37:59Huh?
38:00Or maybe I'll leave the house without saying goodbye,
38:02and you, you'll even text me a message to say
38:06that you miss me.
38:07No, no.
38:08I just can't do that.
38:10No.
38:12Not used to a habit like that.
38:14You see us already married.
38:16Are you crazy?
38:17What are you saying?
38:20Tony.
38:20What are you saying?
38:21She sees us already married.
38:23No, what are you saying?
38:26I'm done.
38:27You're done?
38:30Wait, let me help you button up.
38:32Hey, you've got problems with the button?
38:35Hmm?
38:36It's easier with a zipper.
38:37That's true.
38:37Good job.
38:38Can I go get some dessert?
38:39Of course, go get some.
38:40It's very delicious.
38:45Listen to me.
38:47Vera got me a room in a B&B nearby.
38:49Only for a couple of days.
38:52But I'd really love to get to know you better.
38:57Huh?
38:58After all, you already know me so well.
39:01No, I wear my hairbrush forward.
39:11Need some help?
39:14They've already gone through the wine.
39:16They drink so much.
39:29What's going on between you and Mikkel?
39:34Why?
39:36You keep exchanging silent glances.
39:40Oh.
39:42Sharp observer.
39:44I used to be a photojournalist.
39:49Sarah told me you won the prestigious award a few years ago.
39:52Ah, yes.
39:55But now I only do fashion, mostly.
39:58Why did you stop?
40:07We're about to go on a trip together.
40:12Aileen.
40:15I was deeply in love with her.
40:21But once you think you have someone who's locked in,
40:26you forget that they're even there.
40:30So what changed?
40:35I was always away for work.
40:38Between Syrian refugees and covering other news stories.
40:44She left you.
40:50Yep.
40:52Yep.
40:56I'm very sorry.
40:59She got married.
41:05And I got caught up in the void that she left behind.
41:21So...
41:23No more relationships.
41:26No more relationships, no.
41:28Yeah.
41:30Yes.
41:37Ooh, now this is my type of music.
41:39Hey, come on, let's dance, yeah?
41:41No, no, no.
41:42Oh, you want to dance?
41:43Fine.
41:46No, no, no.
41:47No, no, no.
41:47No, no, no, no.
41:47No, no, no, no.
41:51No, no, no, no.
41:52No, no, no, no.
41:52No, no, no, no.
42:21No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
42:26no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
42:26no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
42:26no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
42:26no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
42:26no, no, no, no, no, no, no, no, no, no, no
42:30Hey mom, mom, you must be tired, you're not 20 anymore, let's go home, okay?
42:36Yes, I am, I am 20, no, 30, 40, 50, and even, even 60, even 10 at times, I am
42:47all the ages
42:48I've already been because I've never forgotten how to be like that, no, how could I forget?
42:56The thrill of the dance, love, of discoveries, and emotions, and more so now that I'm an adult, I want
43:07to enjoy them all, absolutely all, truly
43:11I can do everything I've done already, I can be all the ages I've already been, and no one can
43:18stop me from doing that, not even you
43:20Divine
43:22This house is a real blessing for you, Antonia, take advantage
43:28Mom, I love you
43:32Me too
43:33When do you return?
43:36When do you return?
44:01Tres passos, cuatro passos, cinco passos, mil passos.
44:31No, you go. Sarah and I'll take care of this. Thank you.
44:42What's wrong? Something's off.
44:45I'm tired. You're not.
44:57It's a secret.
45:10But... It's Massimo's.
45:15That's a wonderful thing.
45:23This would massively put a definitive end to the war.
45:30With you and Mikael.
45:33There is no war between me and Mikael.
45:37Love is a war, Antonia.
45:58Listen, I wanted to tell you something.
46:02Tell me.
46:05Nothing. So I'm leaving tomorrow.
46:11I know.
46:13I've always known.
46:16You know secrets still last long in this house.
46:20True.
46:24But it's not always true, right?
46:29Some people here know very well how to keep a secret.
46:33Others don't.
46:39Sometimes I feel like I know them better than I know who you are.
46:47Don't worry.
46:47Don't worry. I'm not sure I know myself that well.
46:57I'm sorry.
46:58About what?
47:02All of it.
47:10Good night.
47:14Antonia.
47:25You made the right choice.
47:30Thanks.
47:33I really hope so.
48:00You made it.
48:01You made it a nice day.
48:11I'm sorry, but you have to be not.
48:12You are 23.
48:12You are my favorite.
48:13Number one.
48:13There is no one.
48:14This is my favorite one.
48:17It's your favorite one.
48:22It's my favorite one.
48:37Now I know what I'm looking for, but I'm not I.
48:48Now I know what I'm looking for, but I know what I'm looking for, but I know what I'm looking
48:59for.
49:34Now I know what I'm looking for, but I know what I'm looking for, but I know what I'm looking
49:44for.
50:10Now I know what I'm looking for, but I know what I'm looking for, but I know what I'm looking
50:14for.
50:24Now I know what I'm looking for, but I know what I'm looking for.
50:41Now I know what I'm looking for, but I know what I'm looking for.
51:02Now I know what I'm looking for, but I know what I'm looking for.
51:05Now I know what I'm looking for, but I know what I'm looking for.
51:05Now I know what I'm looking for, but I know what I'm looking for, but I know what I'm looking
51:05for.
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