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Reparto: Groucho Marx, Harpo Marx, Chico Marx, Douglass Dumbrille, Margaret Dumont, Virginia O'Brien, Anna Demetrio, Henry Armetta, William Tannen, Virginia Grey, Tony Martin, Paul Stanton, Russell Hicks, Marion Martin, Bradley Page

Dirección: Charles Reisner

Sinopsis: Groucho Marx, con la inestimable ayuda de Harpo y Chico, organiza un caos monumental en todas las plantas de unos grandes almacenes. En su intento por cortejar a su eterna Dulcinea, la encantadora viuda Margaret Dumont, Groucho acaba enmarañando la terrible intriga urdida por unos altos ejecutivos.
Transcripción
00:00:19Thank you!
00:00:58Thank you!
00:01:23Conservatory of Music
00:01:34That's how you have to play
00:01:35Someday you will become great musicians like me, for example.
00:01:39But you have to rehearse a lot
00:01:40But not on this piano
00:01:44Hey! You can't take it, it belongs to the teacher
00:01:47He's upstairs in his room, sick.
00:01:49Seriously, don't tell me, it breaks my heart.
00:01:52Come on, apart from being...
00:01:53Wait a moment, please
00:01:54My friend Tommy Rogers will arrive any minute now.
00:01:57And he will settle everything
00:01:59Who is Tommy Rogers?
00:02:00Don't you know Tommy Rogers, the singer?
00:02:02No, I don't know who that is.
00:02:03So you don't know, huh?
00:02:04Now I'll show you who Tommy Rogers is.
00:02:06Look, listen to what he says
00:02:08The late Hiram Phelps names his protégé Tommy Rogers as heir to half of Phelps department stores
00:02:14Are you sure a man like this frequents this pigsty?
00:02:17This is not a pigsty
00:02:18Tommy started his career here
00:02:20Hello, Ravelli
00:02:21Hey Tommy, what's up?
00:02:21How is the teacher? I've brought the money
00:02:23Ah, you see?
00:02:25May I ask what you're doing here?
00:02:26I was about to take the piano, Mr. Rogers
00:02:28I thought this place was going to close.
00:02:30Close? Why?
00:02:31I'm going to demolish it to build a real conservatory
00:02:34What do you think of a real conservatory?
00:02:37Excuse me, Mr. Rogers
00:02:38Let's go
00:02:39Have you heard it?
00:02:40A true conservatory
00:02:42Great!
00:02:44Great!
00:02:44Great!
00:02:44Great!
00:02:45Great!
00:02:45Great!
00:02:45Great!
00:02:46Great!
00:02:47We will build a wonderful conservatory
00:02:49With colored glass in the windows
00:02:51A good auditorium
00:02:52And a large rehearsal room
00:02:53That sounds great to me.
00:02:54When will we start?
00:02:55As soon as I sell my share of Phelps department store
00:02:58As?
00:02:58Are you going to sell your share?
00:03:00Clear
00:03:00What do I know about warehouses?
00:03:01I am a musician
00:03:02Music is my thing
00:03:03Yes, that's true.
00:03:04I want other boys to have the same opportunities I had.
00:03:07Okay, let's go upstairs and tell our
00:03:09Want?
00:03:09OK
00:03:09Yes, let's go
00:03:11See you later, guys
00:03:12Bye
00:03:23Bye
00:03:39Phelps Department Store
00:03:43You need to fix those books, Uto
00:03:44We won't see each other at both.
00:03:45Do you think Tommy Rogers understands any of that?
00:03:47He perhaps did not
00:03:48But if it sells and an expert reviews the books
00:03:50We are lost
00:03:51Fix those books without wasting any more time
00:03:54Right away, Mr. Grover
00:03:58Can you trust him?
00:04:00Hey?
00:04:00Her sister works here and is dating Tommy Rogers
00:04:03Don't worry, I have a plan
00:04:05Which?
00:04:05Imagine Rogers disappears
00:04:07Marta, Phelps' sister
00:04:08She will become the sole owner
00:04:10And?
00:04:12She gets married immediately afterwards
00:04:14You can imagine
00:04:15Who will be the groom?
00:04:16Me, of course
00:04:18And you will be the sole owner
00:04:20Exactly
00:04:21Can you take care of Rogers's situation?
00:04:24Why do you think I called Butch?
00:04:26I know what I have to do
00:04:27Don't forget
00:04:28Make it look like a boss act
00:04:30Trust me
00:04:31Take care
00:04:31You already know me
00:04:32And don't mess things up.
00:04:42Do you think you can keep a secret?
00:04:44Clear
00:04:44I keep anything
00:04:45I already have some buyers for the warehouses.
00:04:47Who are they?
00:04:48And how much are they going to pay?
00:04:49I don't know the exact figure yet.
00:04:50They are the Hastings brothers
00:04:51The owners of the chain of stores
00:04:53Go on, go right away and give the teacher the good news.
00:04:56It's best if we don't separate.
00:04:57From now on, you and I have to be inseparable.
00:05:04Tommy!
00:05:07Tommy!
00:05:12Tommy!
00:05:13What happened?
00:05:14Don't know
00:05:15Something happened behind my back
00:05:16I haven't seen anything
00:05:17I don't know what might have happened, miss.
00:05:19Tommy!
00:05:21Tommy!
00:05:24Are you alright, Tommy?
00:05:26I mean, Mr. Rogers
00:05:32Excuse me, please allow me
00:05:33Mr. Rogers, what happened to you?
00:05:35It was just a minor accident
00:05:37The lights went out and someone hit him.
00:05:39Let me help you
00:05:40Thank you, I'm fine.
00:05:41I'd better go up to my office
00:05:43Yeah
00:05:44See you later, Joan
00:05:45OK
00:05:52Below!
00:06:07I am absolutely certain that it was not an accident
00:06:09I stand with all the employees
00:06:11I'm going to call the police
00:06:12Please call her
00:06:13Please wait a moment
00:06:14He's not making a big deal out of it.
00:06:16No
00:06:17If anything happens to him, I'll be blamed.
00:06:20Miss Marta, you read too many detective novels.
00:06:22You're wrong, Marta
00:06:23You're making too much of it.
00:06:27What's up, Ravelli?
00:06:28I went after a man who seemed suspicious to me.
00:06:31May I ask who you are?
00:06:32I'm Ravelli, Tommy's best friend.
00:06:34His best friends are the police officers, and I'm going to call them.
00:06:37Excuse me, but don't you think calling the police would be a good idea?
00:06:40Would that be bad publicity for the stores, Phelps?
00:06:43Oh, you're right.
00:06:44You're always right.
00:06:46Mr. Grover
00:06:47Pass it to my office
00:06:50Would you like to give me the phone book?
00:06:52Yes, ma'am
00:06:53Thank you
00:06:59Wolf Lightning
00:07:01Private detective and bodyguard
00:07:06Fifth exercise
00:07:08Let's begin
00:07:09one two three
00:07:11Above
00:07:12one two three
00:07:15Above
00:07:16And now, friends
00:07:17Stay above your heads
00:07:19With your back against the wall
00:07:35Guaqui
00:07:37Take this newspaper and sell it.
00:07:39Forget it
00:07:41What happened to my breakfast?
00:07:47What happened to my breakfast?
00:07:52Qunings un vicle
00:07:56Tame it
00:07:56I'll tell you
00:07:57Bye
00:07:58I'll tell you
00:08:04I'll tell you
00:08:11Cu cents
00:08:13You
00:08:24A crack here, hurry!
00:08:46Winthrop! Put me through to the president!
00:08:49Hello, President!
00:08:50The offer they made me is absolutely ridiculous.
00:09:01Winthrop! Put me through to the White House!
00:09:04Hello, dear! I won't be having dinner at home tonight!
00:09:08Excuse me, I meant to...
00:09:09Wait a minute! Winthrop! With the Chief Commissioner!
00:09:12Hey buddy! Who locked up the criminal I'll hand over?
00:09:15The police chief? Thank you!
00:09:17Winthrop! With the Chief of Police!
00:09:20Ha, boss! Congratulations!
00:09:23Tell me, ma'am. Take note.
00:09:26Go ahead, please.
00:09:27I read her name in the phone book.
00:09:30I thought you would be the right man,
00:09:33because I would like to solve a rather complicated case.
00:09:36That's why I've decided to come and see him so he can help me.
00:09:40In other words, what I need is protection.
00:09:44That is the reason for my visit.
00:09:46Listen, that's a case that's not at all clear.
00:09:49Repeat it to me again.
00:09:50I was telling him that I have to solve a case that I consider quite complicated.
00:09:55That's why I decided to visit him so he could help me.
00:09:58I am alone.
00:09:59And the truth is, I have no one to turn to.
00:10:01And I'm sure we'll reach an agreement so that you can take charge of this case as soon as possible.
00:10:07For me, it's a matter of life or death.
00:10:10In other words, what I need is protection.
00:10:13That is the reason for my visit.
00:10:15Fascinating. Now tell me about it in detail.
00:10:19I was telling you that I had a rather complicated protection case.
00:10:23and that I would like...
00:10:27Be careful!
00:10:28It is a model of flying machine that is not yet on the market.
00:10:32Okay. What were you saying?
00:10:34Have you heard of Tommy Rogers, the one who inherited Phelps department stores?
00:10:38Of course.
00:10:39Okay. I want you to take charge of that case.
00:10:44Look, I'd love to, but I'm swamped with work.
00:10:52I don't even answer the phone.
00:11:00Will you excuse me for a moment?
00:11:02Of course.
00:11:06Ten thousand dollars. That's ridiculous. It's not like I'm starving.
00:11:10Phew! It's so hot in here!
00:11:12I haven't looked at the thermometer.
00:11:13Well, he does, I assure you.
00:11:14Winthrop.
00:11:16Tell the janitor to go up and open the window.
00:11:19Things are getting heated.
00:11:21Ah, that's what I was telling him.
00:11:23Miss Phelps, I will decline all offers so that I can take care of your case.
00:11:26After all, you are a woman. You are a woman, aren't you?
00:11:30Tell me, how much will your fees be?
00:11:33Twenty thousand dollars.
00:11:34Don't you think that's excessive?
00:11:35Of course. Only cheap things aren't expensive.
00:11:37I came prepared to pay him five hundred dollars.
00:11:41And I am willing to accept them.
00:11:43We seal the deal with a kiss or with five dollars in cash.
00:11:46It's a house custom.
00:11:48Here they are.
00:11:49Thank you.
00:11:51Okay, now explain everything to me.
00:11:53Sit down and get comfortable.
00:11:55What do you want from me?
00:11:57Don't be embarrassing.
00:11:59Hey, what's this?
00:12:02Camouflage. That's saved my life many times.
00:12:04It's a precaution to protect myself from expenses.
00:12:07We will outsmart them by taking advantage of this smokescreen.
00:12:13Goodbye, my breakfast.
00:12:14There is something else very important.
00:12:16It's best if nobody knows you're a detective.
00:12:20Don't raise your voice too much, the walls can hear.
00:12:23You'll see, nobody will notice.
00:12:25You're sure?
00:12:26I am discretion personified.
00:12:33How odd.
00:12:34I could swear I shaved this morning.
00:12:40My car will arrive shortly.
00:12:42Don't worry, we'll go in mine.
00:12:43Speed ​​is extremely important.
00:12:48Oh, very original.
00:12:50It is a hesitant model.
00:12:51I've been wondering for years whether I should buy this car or not.
00:13:00It brings together all the inconveniences.
00:13:02My God!
00:13:03Holy Virgin!
00:13:04What is this?
00:13:04I had this lower seat built for myself to protect me from bullets.
00:13:08I think it's very ingenious.
00:13:09I think it would be better if we changed seats.
00:13:11Yes, thanks.
00:13:17To Phelps warehouses as quickly as possible.
00:13:45I'm definitely not going to buy this car.
00:13:47Go to that door and return it.
00:13:49My veil!
00:13:50My veil!
00:13:51Oh, what a disgusting car!
00:13:53Oh, what a man!
00:14:14Hey, wait.
00:14:15This cannot be left here.
00:14:17Take all this crap away.
00:14:23What's going on here?
00:14:31Yes, it's possible that these numbers are deceiving Tommy.
00:14:34But I'm sure the Hastings brothers didn't.
00:14:38That sale must be stopped.
00:14:40I suppose his sister didn't tell Tommy anything.
00:14:42John, she knows absolutely nothing, Mr. Grover.
00:14:45That's better.
00:14:47If this matter fails because of him or her,
00:14:51It's best if it doesn't fail.
00:14:55Hey!
00:14:56You'd better not get caught here by the owner.
00:14:58The owner and I are that close.
00:15:00Tommy, I'm busy right now.
00:15:02All I want to know is how my record sales are going.
00:15:05Well, to be exact, we sold the last one yesterday.
00:15:08Gorgeous!
00:15:09How many have been sold in total?
00:15:10Two.
00:15:11Yours and mine, right?
00:15:14Excuse me, do you have the Tommy Rogers album? If that's you.
00:15:18I'm so sorry, ma'am.
00:15:19They've all been sold.
00:15:21But we have the score.
00:15:27Oh, you're Mr. Rogers.
00:15:29Yes, today is the day the celebrities visit us.
00:15:33Oh, Mr. Rogers!
00:15:35I would like one of their albums.
00:15:38Ma'am, I would be delighted to make one for you.
00:15:40If you want to go behind the counter.
00:15:42Oh, thank you!
00:15:44Oh, thank you!
00:15:44Oh, thank you!
00:16:10Thank you!
00:16:43Thank you!
00:17:13Thank you!
00:17:43Thank you!
00:17:45There's a rainbow in my room
00:17:49And when someone kneels with someone
00:17:53Making vows for two
00:17:59If it's me, I'll be in heaven
00:18:06If it's you
00:18:23Gift from the house
00:18:25Thank you!
00:18:28Thank you!
00:18:31You've been magnificent.
00:18:33I can't quite believe that my schoolmate
00:18:36He became the famous Tommy Rogers
00:18:39The truth is that I haven't done anything to achieve it.
00:18:41I like to sing, that's all.
00:18:43I've been lucky
00:18:44And a lot of willpower
00:18:46It is possible
00:18:47You don't know how much I love being able to be by your side
00:18:50Tommy, I'm very worried about what happened to you in the elevator
00:18:56Is Mr. Grover in his office?
00:18:58Yes, just a moment.
00:18:58Miss Marta wants to see him
00:19:01He'll come out right away
00:19:02Thank you
00:19:04It's coming
00:19:07Mr. Grover, I present to you Mr. Wolf Flywheel
00:19:10How are you?
00:19:12That question is irrelevant, my friend.
00:19:14This good or this bad is my business
00:19:16And if she marries me, her affairs will also be mine.
00:19:18I've hired Mr. Flywheel as a security guard.
00:19:21But Marta, we don't need any security guards.
00:19:24What experience do you have in department stores?
00:19:27I've been stealing from them for three years.
00:19:28Mr. Flywheel is a big joker.
00:19:34Go ahead, tell Mr. Grover about your experience.
00:19:37Do you mind if I ask you a few questions?
00:19:38No, not at all
00:19:39Go ahead, ask him anything you like.
00:19:40I will ask you the questions
00:19:41I just heard him asking if I could ask him some questions
00:19:44Do you think I'm deaf?
00:19:46Imagine for a moment that I am a customer
00:19:48And I've come to return a crib.
00:19:50Are you married?
00:19:51Of course not
00:19:52So, what does she want the crib for?
00:19:54This man is a scoundrel, a shameless crook.
00:19:57Everything he says is ridiculous
00:19:59Answer a simple question
00:20:01The warehouse is full and a woman faints.
00:20:03What would you do?
00:20:04How old is he/she?
00:20:06So what?
00:20:07You heard it, right?
00:20:08A woman's life is in danger and she asks me
00:20:10So what?
00:20:12And this man runs his own warehouse?
00:20:13I would fire him immediately.
00:20:15If Miss Phelps weren't my girlfriend
00:20:18I would submit my irrevocable resignation right now.
00:20:20Oh no, no, no
00:20:21Is he her boyfriend?
00:20:22Yeah
00:20:23With your money, culture; with money, beauty; with money, charm.
00:20:26Are you going to marry that guy?
00:20:30One moment!
00:20:31What are you doing here?
00:20:33Oh, it's Tommy Rogers
00:20:35Hi, Tommy
00:20:36I am Tommy Rogers
00:20:38Hi how are you?
00:20:38Well and you?
00:20:39I am Ravelli, Tommy's bodyguard
00:20:42You, I am your bodyguard
00:20:44I just got hired
00:20:47Excuse me
00:20:49So they've hired you?
00:20:51Sure, and here's the five dollars to prove it.
00:20:53You can keep your five dollars.
00:20:54I protect Tommy for free
00:20:57Scab
00:20:57I heard him
00:21:00So he's not a security guard, but a bodyguard.
00:21:03What does that mean, Marta?
00:21:04Well, I thought Tommy needed a good detective to protect him.
00:21:08So that...
00:21:09He hired me, the best detective after Sherlock Holmes
00:21:12Oh, I love Sherlock Holmes.
00:21:15Forget it, he has a wife and three children
00:21:16So that man is a detective?
00:21:18Yeah
00:21:21Mr. Flywheel
00:21:22Call me Wolf
00:21:24He realizes that by talking too much he has ruined everything
00:21:28How could she remain silent when her beauty was so captivating?
00:21:31I have to tell you what inspires me about you.
00:21:33She walks, showing off her beauty.
00:21:35Like a clear and serene night, studded with stars
00:21:38That's from Lord Byron.
00:21:40Did he write it thinking of you?
00:21:43Listen, remember this
00:21:45The presence of that friend in my frozen heart
00:21:49It was like the radiant spring in the arid prairies
00:21:54Shelley?
00:21:56Shelley?
00:21:57He never wrote anything like it again.
00:22:00I've written him a verse too
00:22:02Her blue eyes, her warm heart
00:22:05It would be wonderful if everything were mine
00:22:09Where did he get the inspiration to write such a beautiful verse?
00:22:14Beauty makes me very romantic
00:22:16May I ask who this man is?
00:22:18Detective, bodyguard or poet?
00:22:20The three things
00:22:21And I'm also very tender.
00:22:22Right, Martha?
00:22:24I can't stand this man for another minute.
00:22:26Make him leave!
00:22:26Just a moment, Mr. Grover
00:22:27If Miss Martha wants me to be her bodyguard
00:22:30I want it too.
00:22:31Mr. Flywheel, my life is in your hands
00:22:35I...
00:22:36I wouldn't be happy here.
00:22:38No...
00:22:38I am not appreciated
00:22:40Is he not appreciated?
00:22:41I think you are wonderful
00:22:43What do you think?
00:22:44What do you really think of me?
00:22:46Well, it's fantastic.
00:22:49Do you think...
00:22:49Do you think I'm good enough?
00:22:51Of course, it's wonderful
00:22:54Really?
00:22:55Am I all of that?
00:22:56Of course
00:22:57You are sensational
00:22:59I could spend my whole life listening to him
00:23:02And now...
00:23:04Martha and I...
00:23:05We would like to be alone
00:23:07Evaporate!
00:23:15Hey!
00:23:16Hey!
00:23:16Hey!
00:23:17Move the car from here!
00:23:18Parking in front of a fire hydrant is prohibited.
00:23:22I don't allow anyone to make fun of me
00:23:24Thanks my friend
00:23:51Give me that wallet
00:23:53He stole it
00:23:54Where did he get it from?
00:23:59He found it, huh?
00:24:00Take it to the lost and found department.
00:24:06Lost and Found?
00:24:09A suspicious-looking guy walks up there with a wallet.
00:24:11He says he found it
00:24:16Give me that.
00:24:17Give it to him
00:24:18He's the warehouse detective
00:24:20Where did you find it?
00:24:25Miss Phelps
00:24:28With Mr. Grover's office
00:24:30Oh!
00:24:32No!
00:24:34Hello?
00:24:35Excuse me
00:24:36Excuse me
00:24:37One moment
00:24:38I've already found the scoundrel who stole your wallet.
00:24:42Bring it here
00:24:45It's all yours
00:24:48Come on, friend
00:24:49Let's not waste time
00:24:50The boss wants to talk to you
00:25:02Stand up
00:25:02So she wanted to escape, huh?
00:25:05Now I know you're a thief.
00:25:06Ah, so you didn't think I was a detective, huh?
00:25:09If you're a detective, then I'm the uncle of a monkey.
00:25:11Don't involve your family in this matter
00:25:12Please
00:25:12This is a man's thing.
00:25:13Forget about this fragile creature
00:25:16Oh, how sad!
00:25:18Ah!
00:25:18He knows one thing
00:25:19Mr. Flywheel is wonderful
00:25:21She found the purse that had been stolen from me.
00:25:23I had already told him that he was a sensational man
00:25:25Oh!
00:25:26It's wonderful
00:25:29Hmm!
00:25:29We have the same tailor
00:25:30How much do you owe him?
00:25:32Come on, let's walk!
00:25:33You are a scoundrel.
00:25:35Here's the wallet
00:25:39This is a mistake
00:25:41I will sue them all
00:25:42Is this man your driver?
00:25:43He's not a driver
00:25:45He's my brother
00:25:46Wacky!
00:25:48Ah, Wacky!
00:25:49You like it, huh?
00:25:51A detective, huh?
00:25:56Hey, Tommy!
00:25:57Do you remember my brother Wacky?
00:25:59Of course
00:25:59Hello, Wacky
00:26:00I hadn't seen you in years.
00:26:02This man is not a thief
00:26:03Look at his face
00:26:06Horrible, right?
00:26:07This is turning into a madhouse.
00:26:10You're right.
00:26:10The detectives in these warehouses are crazy.
00:26:13Hired by their manager
00:26:14You lost your wallet in my car
00:26:16This poor wretch finds it and returns it.
00:26:18And on top of that, he's accused of being a thief.
00:26:24He solved this case incredibly well.
00:26:27He's incredibly intelligent
00:26:28We don't need detectives anymore when we have Mr. Flywheel
00:26:32Very well, Mr. Flywheel
00:26:33You have carte blanche
00:26:35Okay, I'll take advantage of it.
00:26:38You make me feel like I was young again.
00:26:40Really?
00:26:40What a good memory he has!
00:26:44Come on, guys
00:26:47Grover
00:26:47Fire this man right now.
00:26:49I'll come back later
00:26:53He doesn't find Mr. Flywheel wonderful.
00:26:56Yes, it's very nice.
00:26:58You take care of the first floor
00:27:00You from the second one
00:27:00And I'll take care of Marta
00:27:02You will not be in charge of anything
00:27:03I'm fed up with the three of them.
00:27:05How do they expect me to run a department store?
00:27:07I'm surrounded by crazy people everywhere.
00:27:10No one can resist this
00:27:11I don't want to see them anymore.
00:27:13Mr. Grover
00:27:14You are nothing but a stupid fraud.
00:27:16Though I may insult you
00:27:18Don't talk back to me
00:27:19We should have more harmony
00:27:21Where discord now prevails
00:27:23Luckily I'm in command
00:27:25Just watch me boost our sails
00:27:27Bring on the girls
00:27:28Strike up the band
00:27:31Flywheel
00:27:32In command
00:27:33Mr. Flywheel
00:27:36You say you're the man
00:27:38Who will improve things
00:27:40Won't you tell us
00:27:42Mr. Wolf J
00:27:44How then can we move things
00:27:46Oh, tell us pretty flywheel
00:27:49Tell us now
00:27:50Tell us how
00:27:52Tell us now
00:27:53You gotta sing
00:27:55While you sell
00:27:58Sing
00:27:59While you sell
00:28:02Get that money in the till
00:28:04Give the customers a thrill
00:28:06There's a way
00:28:07If you owe the will to sing
00:28:09While you sell
00:28:10They'll find no bread
00:28:12Without Chopin
00:28:16Sell ​​this weenie
00:28:17With Rossini
00:28:21And this beardie
00:28:23Goes with beardie
00:28:25Yes, you'll make a lot of friends
00:28:27If you'll sing a sweet cadence
00:28:29Sing
00:28:30While you sell
00:28:32Say
00:28:33While you sell
00:28:35Give, give, give
00:28:36Sails will mount up to the skies
00:28:38You'll dispose of merchandise
00:28:40If you like to vocalize
00:28:42And sing
00:28:43While you sell
00:28:48Up and down
00:28:49The old plantation
00:28:51Oh, the cotton
00:28:52Was rotten away
00:28:54Then I come to
00:28:56The South Sailvation
00:28:58By putting on a hot sail
00:29:24Subscribe to the channel!
00:29:30And without it being a fix, I put this caressing collar, this hooded one, on her.
00:29:35This beautiful young woman is in high demand both at night and in the morning.
00:29:40We find this second model delightful.
00:29:43Hair color doesn't matter.
00:29:45It will awaken a great love and, besides being fashionable, will lead her to a grand wedding.
00:29:50This dress is called California and you can't deny it has a lot of style.
00:29:55This model will disrupt the city.
00:29:58His colossal lamés.
00:29:59And our special offer includes a cape that protects your little back.
00:30:04Irreplaceable bright red, but technicolor is inaccessible.
00:30:09The dress and hairstyle were a set and coordinated.
00:30:14And so, in this way, the world is filled with wonder.
00:30:40Irreplaceable bright red, subscribe to the channel!
00:31:35Subscribe to the channel!
00:31:48Mammy's gonna rock you to sleep.
00:31:51Lullaby, bye, bye, baby.
00:31:55Rock, rock, rock, cradle.
00:31:57Sleep, sleep, sleep, Jackson.
00:32:00Shoot the talcum to me, Malcolm.
00:32:10We've cut the price of rugs in half.
00:32:12We've cut our rugs today.
00:32:14There's a rug sale on in a rug room.
00:32:16We're cutting rugs in a solid way.
00:32:20And, and of our meat in half.
00:32:30We've cut the price of rugs in half.
00:32:31Do we not continue to miss Bird City?
00:32:31See you tomorrow.
00:32:32Due me to the DJ?
00:32:47Oh, let's just sit.
00:33:08Thank you!
00:33:31Thank you!
00:34:16Thank you!
00:34:19Peggy, the Hastings are going to keep these warehouses tomorrow.
00:34:22Oh! In that case, I need to meet Tommy as soon as possible and get him to come over to my house tonight.
00:34:27And the boys will make sure she can't go back to hers.
00:34:30Ah! Don't worry, everything will be alright.
00:34:33I'm sure of it, he's waiting for you. I told him you were a music critic.
00:34:38Peggy, soon we'll be the sole owners of this business and swimming in money
00:34:43And what about Marta?
00:34:45Well, after I marry her, she might have an accident
00:34:50Don't worry
00:35:03Let's have a drink and then we'll go to the conservatory
00:35:06I want to tell the teacher about our plans.
00:35:08But I can't go out until lunchtime
00:35:11I authorize you to do so.
00:35:12You can leave, I'll keep an eye on the department
00:35:14Yes, you can go, I'll keep an eye on Raveli
00:35:16And who will watch over you?
00:35:19Okay, guys, take charge.
00:35:21Didn't you have an interview scheduled with the music critic?
00:35:23Conservatory is first and foremost
00:35:24And I don't want any more interviews than yours.
00:35:30And what are we giving a contract for?
00:35:37Hey! Look!
00:35:39She's nothing more than a woman
00:35:41I arrived first.
00:35:48Flywheel to serve it
00:35:49I am here representing the magazine Música
00:35:51Ah! He wants me to subscribe!
00:35:53Sorry, I'm already subscribed to
00:35:54Cliff, Nick, Tick, Pick, Chick, Laff, Laff and Chaff
00:35:58Excuse me
00:36:02Miss, Mr. Rogers will be a long time coming.
00:36:04I've come to interview you
00:36:05But these idiots are bothering me.
00:36:08He won't soften me up with his flattery.
00:36:09Mr. Rogers must be in his office
00:36:11No, she's gone to eat with the girl who works here.
00:36:15Furthermore, Tommy has no interest in seeing you.
00:36:17Really?
00:36:18Did he take one of the employees out to lunch?
00:36:20Yes, why not?
00:36:21Oh, I didn't know that was allowed.
00:36:26I'll wait for you in the hat department
00:36:28Let me know when you arrive
00:36:29Take a seat in the middle, stupid.
00:36:40Good afternoon, one moment please
00:36:45Here, try it on.
00:36:49No, I want it wrapped as soon as possible.
00:36:51Made from the same fabric as this dress
00:36:53It will take us a little while to do it, ma'am.
00:36:55I want it right away
00:36:56I'm so sorry, ma'am.
00:36:57But this fabric is anything but ordinary.
00:36:59We'll need a week to be able to please her.
00:37:01Do it right away or I'll talk to Mr. Grover
00:37:05I'm going to call the manager
00:37:07Hurry up, I can't waste the whole day here
00:37:11Mr. Williams, please
00:37:13I'm sure we don't have that fabric
00:37:16Hurry, please
00:37:17Just a moment, ma'am
00:37:21She saw it, she had it, and she was saving it for another customer.
00:37:33I've changed my mind, I'm no longer interested
00:37:38Bye
00:37:39Joan
00:37:41Fred
00:37:43Something must have happened to Tommy
00:37:44I've called him three times and he's not answering.
00:37:46He and his bodyguards were here all night
00:37:49He was going through the accounting books
00:37:51Please, Fred
00:37:52Let me know as soon as you arrive
00:37:54Calm down, nothing has happened to him
00:37:56Thanks, Fred
00:37:57Immediately remove those bodyguards from the dormitory department
00:38:01Those bodyguards need to be fired as soon as possible.
00:38:04That's not a problem
00:38:05What do you mean it's not a problem?
00:38:06If I don't fire them right away, Grover will fire me.
00:38:08And if I fire them, Rogers will fire me.
00:38:11I don't know what I'm going to do
00:38:12He follows Grover's orders
00:38:13The warehouses are going to change ownership
00:38:17Why don't we start a special bedroom sale?
00:38:20You've had a great idea
00:38:22They're selling the warehouses and the sales start today.
00:38:24I don't understand
00:38:26I'm very interested in you seeing that bed
00:38:28I was watching it yesterday and I loved it
00:38:30It's beautiful.
00:38:31Look, it's there.
00:38:33Hang on a minute
00:38:42But...
00:38:44Mister
00:38:45Mister
00:38:47Can you tell me the price of this bed?
00:38:49$8,000
00:38:50That's outrageous!
00:38:51I can buy one like this anywhere for $25
00:38:54But I'm not in the others.
00:38:56Excuse me, how dare you speak to my wife like that?
00:38:58So, why did I speak to his wife like that?
00:39:02Have we been introduced?
00:39:03No
00:39:03Why does he allow his wife to wake up unknown men?
00:39:07Come on, I don't want to raise your attention
00:39:10She wears the pants
00:39:11This way, Dad, let's go
00:39:12It's here, it's here
00:39:14What do you want me to do?
00:39:15Don't make me nervous!
00:39:16I know nothing more than children
00:39:17Anyone who misbehaves will get a scolding.
00:39:22This bed is occupied
00:39:23Go ahead, ask him already.
00:39:25Come on, kids, don't laugh
00:39:28Do you have time to get dressed?
00:39:31We are looking for a different, unique, special bed.
00:39:35Really?
00:39:36Press the button next to the sofa
00:39:39But where's the sofa?
00:39:40Where will it be?
00:39:41Go straight ahead and where you see a sofa
00:39:42There's the sofa
00:39:43Come on, don't you realize it's there?
00:39:46Écola!
00:40:03Oh, how lovely and beautiful she is!
00:40:06Children, be quiet!
00:40:08Well, what do you want?
00:40:10You see, my family and I live in a very small apartment
00:40:14And all you see are beds, beds, beds
00:40:17And we don't have just one place to meet.
00:40:20That's why I'm looking for something that doesn't look like a bed.
00:40:24Well, you don't have to worry anymore.
00:40:26I have something tailor-made for foreigners
00:40:29Foreigners are just like everyone else.
00:40:31There's no reason to get angry
00:40:33I am of the same nationality as you.
00:40:35Are you from Naples?
00:40:38Of course, do you too?
00:40:39Of course
00:40:40I'm from the same city
00:40:42Ah!
00:40:43I remember you
00:40:44Giuseppe
00:40:45The best grape treader in all of Italy
00:40:47Ah!
00:40:48Hey, Guaqui!
00:40:50Look who's here
00:40:51Giuseppe
00:40:52No, I don't remember.
00:40:54We really know each other.
00:40:55Don't you remember me?
00:40:57I used to stomp grapes with you.
00:41:00Ah!
00:41:01Rabelli!
00:41:01Hey, little chusete!
00:41:03Hey!
00:41:05One thing is pizarubas and another is hugging my wife
00:41:07No, come on, don't get angry
00:41:09Don't you remember my brother, Guaqui?
00:41:11Ah!
00:41:12Clear!
00:41:14Excuse me, uh, I'd like to see a bed
00:41:16Okay, follow me
00:41:21Look, this is a great bed
00:41:23Is that a bed?
00:41:24Yes, I'll show it to you.
00:41:25To which base?
00:41:26Garuso!
00:41:29Giuseppe
00:41:30By day it's a bookstore
00:41:32And at night a bed
00:41:33No, I don't like the bed.
00:41:36Okay, okay
00:41:36If you don't like this bed
00:41:38I'll show you another one
00:41:38Come this way
00:41:39This one wasn't bad.
00:41:41No, I don't like them
00:41:42I don't like
00:41:43No, I don't like them.
00:41:47No, I don't like them
00:41:50I don't like
00:42:11Antonio, Giuseppe, the children have disappeared. Where are they?
00:42:14Hey! Don't get nervous!
00:42:16Hey, friend, where are the children?
00:42:18Which children?
00:42:19My children!
00:42:20Yes, yes, their children.
00:42:21They've disappeared and we have to find them.
00:42:24Come on!
00:42:25I'll fix them!
00:42:27Listen, sir, I don't get nervous like my wife,
00:42:30But I came here with twelve children and now I only have six left.
00:42:34Where is the rest?
00:42:36Do you have twelve children and are you still looking for a bed?
00:42:39There are only six of them here now.
00:42:41And I know I have twelve children.
00:42:43Twelve children, huh? How much does he earn weekly?
00:42:45Uh, twenty-five dollars.
00:42:47He cannot afford the expense of twelve children.
00:42:48I know what I can handle!
00:42:50What I'm telling you is that I came here with my twelve children and now there are only six of them.
00:42:54Dear friend, statistics show that the weekly cost per child is five dollars.
00:42:58If you only earn twenty-five dollars, you can't have that many children.
00:43:02It is absolutely impossible that you have twelve children.
00:43:09At five dollars each, that's sixty dollars.
00:43:13And I don't earn that much.
00:43:14It's impossible for us to have twelve.
00:43:16It's impossible, isn't it?
00:43:20I have twelve children!
00:43:23Come on, we have to find the children.
00:43:25Let's go find them.
00:43:26Silence, please!
00:43:28Silence!
00:43:29Listen, friend, I arrived here with six children.
00:43:33Not six, twelve.
00:43:34Twelve plus six equals eighteen.
00:43:36How many of them are real?
00:43:37Where are the eighteen?
00:43:38Listen, if you don't give me back my children, I'm calling the police.
00:43:41Hey ma'am.
00:43:41Don't let him call the police.
00:43:43No.
00:43:43Remember the grapes.
00:43:44The grapes.
00:43:45That's right, grapes.
00:43:46The grapes.
00:43:47But I want to know where my children are.
00:43:50Silence!
00:43:51Let's get to the point.
00:43:52He arrived here with twelve grapes and now he only has six grapes.
00:43:55No, not grapes.
00:43:56Six children!
00:43:57You said twelve children and she said eighteen.
00:43:59They can't agree.
00:44:00Can I know how many grapes they have?
00:44:02But I don't have any grapes.
00:44:04I'll get you a few, really.
00:44:05We don't know if he likes grapes.
00:44:06My children!
00:44:07I should have gone to the supermarket.
00:44:09We only put beds here.
00:44:10I don't understand.
00:44:11Take it easy, listen to this...
00:44:12All I want is for them to give me back my children.
00:44:14I'm in!
00:44:19Where have you been?
00:44:21Your father is looking for you.
00:44:23He came here with twelve children and twelve are the ones he is taking with him.
00:44:25Oh, where have the children gone?
00:44:28Come on, guys.
00:44:29You can't...
00:44:30That's not mine!
00:44:30Come on, you're all listening to these gentlemen!
00:44:32Please.
00:44:33I just want them to give me back the satisfaction I need.
00:44:35My children understand.
00:44:37Now that they've been found, they can leave.
00:44:40Hey!
00:44:41You were hiding, huh?
00:44:43Come on.
00:44:43Your father is looking for you.
00:44:46Hey!
00:44:47Giuseppe, here are your children.
00:44:49Mark yourselves up already and let me sleep.
00:44:50These two are my children!
00:44:52I'm going to have a heart attack!
00:44:54Ah!
00:44:55It's my poor hand!
00:44:57Hey!
00:44:57Suddenly!
00:44:58Suddenly!
00:44:58Suddenly!
00:44:59Suddenly!
00:45:00Suddenly!
00:45:03Suddenly!
00:45:04Suddenly!
00:45:05Over there?
00:45:08Over there?
00:45:27Here are your children.
00:45:29Those are not my children!
00:45:31Come here.
00:45:32Come.
00:45:35Come on, come here.
00:45:43Aid!
00:45:46Choco!
00:45:53John?
00:45:56Is Tommy okay?
00:45:57Yes, I've already spoken to him.
00:45:59You seem very happy this morning.
00:46:00I have reasons to be.
00:46:02Tommy has asked me to marry him.
00:46:03AND?
00:46:04I have accepted.
00:46:07What is that?
00:46:09What's happening?
00:46:10Don't you think that's okay?
00:46:11Of course.
00:46:12He's a great guy.
00:46:13You will be very happy.
00:46:21Well, I feel much better now.
00:46:22Magnificent.
00:46:22We'll have sold the business within an hour.
00:46:28Good morning, boss.
00:46:29Hello, hello, guys.
00:46:29I'll call again later.
00:46:32Gentlemen?
00:46:34Hey, wait a minute.
00:46:35Go down.
00:46:36Go down.
00:46:39Tommy is in the music department.
00:46:40So what are we waiting for?
00:46:41One moment.
00:46:44Remember.
00:46:46He has to be dead within an hour.
00:46:48OK.
00:46:49Coffin prepared.
00:46:57That's the music department.
00:46:59I don't know Tommy Rogers.
00:47:00Don't worry.
00:47:01We'll liquidate it.
00:47:07Flywheel, wake up.
00:47:08Load up.
00:47:09Keep looking for the children.
00:47:11Gangsters try to kill Tommy.
00:47:13They should leave it for later.
00:47:14I'm sleeping now.
00:47:15Come on, locate Tommy while I alert the police.
00:47:18Stand up.
00:47:19The killers are here.
00:47:20And nobody is helping them?
00:47:22You'll recognize them because they wear gray coats.
00:47:24Gray coats?
00:47:25Yeah.
00:47:26Gray coats?
00:47:27Yeah.
00:47:28So they wear coats.
00:47:32Ravelli.
00:47:33Ravelli.
00:47:34Wake up.
00:47:34Let me.
00:47:35I have insomnia.
00:47:36Wake up.
00:47:36The killers dressed in gray coats are looking for Tommy.
00:47:45Hey, Wacky.
00:47:46Wake up.
00:47:46We have to find the killers.
00:47:48Come on.
00:47:51Turn off the light.
00:47:56Do not disturb.
00:47:59Hey, Wacky.
00:48:00I don't see any gray coats.
00:48:02Wait, I have an idea.
00:48:04I'm going to play the piano and that way everyone will come here.
00:48:11Do you remember that I used to teach you?
00:48:13Come on, play something.
00:48:15Go on.
00:48:23A, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a,
00:48:26a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a,
00:48:29a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a,
00:48:30a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a,
00:48:33a, a, a, a, a, a, a, a, a, a, a, a, a, a, a, a,
00:48:37a, a, a, a, a, a, a, a, a, a
00:49:11Thanks for watching the video.
00:49:26Thanks for watching the video.
00:50:02Thanks for watching the video.
00:50:41Thanks for watching the video.
00:50:44Thanks for watching the video.
00:51:14The killers must be on the second floor.
00:51:16We'll look for them separately so they don't get suspicious.
00:51:32Where has he gone?
00:51:40Just think, my friend, that in one hour this store will be all ours.
00:51:44And we got them at a good price.
00:51:46At a very good price, I would say.
00:51:47Don't forget that the Hastings' reputation makes everything possible.
00:51:50Sometimes it's hard for me to eat so many cheeses.
00:52:21Yeah.
00:52:26With Grover's office.
00:52:27As?
00:52:28As?
00:52:29Did he catch the killers?
00:52:30Mr. Flywheel is extraordinary.
00:52:32He single-handedly caught the killers.
00:52:34There is no doubt that he is an extraordinary man.
00:52:36We went down right away.
00:52:37Oh, my hero!
00:52:39Where are they?
00:52:40On the first floor.
00:52:41Come on.
00:52:43It's a very bad joke and I swear he'll pay for it.
00:52:46Here they are.
00:52:47These are the killers.
00:52:48These are the Hastings brothers, the ones who are going to buy the store.
00:52:52Gentlemen, I'm very sorry, please excuse me,
00:52:54But the truth is, you all look like criminals.
00:52:56Gentlemen, I'll let it slide this time, but please be more careful.
00:53:01Give me the keys to unlock these handcuffs.
00:53:03Hurry!
00:53:06Has he gone mad?
00:53:07I'm sorry, gentlemen.
00:53:15Above!
00:53:17The gray coats, these are them.
00:53:19Walk!
00:53:28Look who's here.
00:53:30The thug and the murderer.
00:53:32We've been looking for these guys for a long time.
00:53:34Be careful.
00:53:34I don't want to expose myself to a lawsuit based on false charges.
00:53:36Demand?
00:53:37What they will receive is a reward.
00:53:39Come on, let's not waste any time.
00:53:41Forward!
00:53:43Well, we're ready, Mr. Rogers.
00:53:45I brought the check, so...
00:53:47We can sign the contract whenever you want.
00:53:48Hey, gentlemen, I have an idea.
00:53:51It won't be long before the warehouses close.
00:53:53If we postpone the signing until then,
00:53:55Employees could attend the ceremony
00:53:58And that's how they would get to know them.
00:53:59Yes, that's a great idea.
00:54:01We could invite the press
00:54:02And we'd get free advertising.
00:54:04I'd be delighted.
00:54:05Great.
00:54:05And we could organize a party.
00:54:07Magnificent!
00:54:08And let there be wine.
00:54:09And women.
00:54:10And salmon.
00:54:10And women.
00:54:11And caviar.
00:54:12And women.
00:54:13And more women.
00:54:16Hey, Waki, I have a great idea.
00:54:19Why don't you and I go to the party?
00:54:22Oh, but look how you're dressed.
00:54:24You look awful.
00:54:24Everyone will look very elegant
00:54:27And you can't go like that.
00:54:29Oh, sorry, but dressed like that
00:54:30They won't let you in.
00:54:32Forget it.
00:54:40Come on!
00:54:53Come on!
00:55:22Thanks for watching the video.
00:55:41Thanks for watching the video.
00:56:23Thanks for watching the video.
00:56:53Thanks for watching the video.
00:57:22Thank you.
00:59:23Thanks for watching the video.
00:59:54Well, gentlemen, are you ready?
00:59:57Yes sir.
00:59:57As soon as you say, Mr. Glover, we can start taking the photographs.
01:00:00Mr. Rogers and the Hastings brothers will be here in a moment.
01:00:03We will take a picture of Mr. Rogers and the Hastings brothers signing the contract.
01:00:07I'll let you know right away.
01:00:08Have a little patience, gentlemen.
01:00:36Listen to me carefully.
01:00:38You have to take Sutton away from here.
01:00:40I'll wait until it gets dark.
01:00:41As soon as Tommy is killed, this place will be swarming with cops.
01:00:44Hurry up.
01:00:45OK.
01:00:48Enter here.
01:00:49I want to talk to you for a moment.
01:00:59My dear Marta, many ties will keep us together for eternity.
01:01:03Really?
01:01:04What kind?
01:01:05Civil ties, love ties, ties of interest.
01:01:08And perhaps soon after they are married.
01:01:11That?
01:01:11Who knows?
01:01:12Perhaps a tiny bond can unite us.
01:01:15Oh, that sounds wonderful.
01:01:19Tell me, my dear.
01:01:20Will we have a very nice house?
01:01:22Of course, you're not thinking of moving, are you?
01:01:24No, but imagine that after they get married, a very attractive young woman appears.
01:01:32You'll leave me for her.
01:01:34Nonsense, I'll write to you every week.
01:01:46Are you ready?
01:01:48Yeah.
01:01:52Dear friends, you all know that Tommy Rogers was able to continue his musical career thanks to the generous help he received from
01:01:59Mr. Phelps.
01:02:01This made it possible for Tommy to compose the music you are about to hear.
01:02:05Friends, listen now to Tommy Rogers' tenth symphony.
01:02:10Thank you!
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01:07:56Sorry to have kept you waiting, guys, but all good things take time.
01:08:00Forget about the rest of the news.
01:08:01This exclusive is just for you.
01:08:03Today, the front page is for me.
01:08:08How ungrateful!
01:08:09Don't worry.
01:08:10I'll take the picture.
01:08:11OK.
01:08:11Put that camera down immediately!
01:08:13I'll let her go.
01:08:14I'm going to...
01:08:15Which newspaper do you work for?
01:08:16For the news.
01:08:17Write the news and cancel my subscription.
01:08:19And you can sign up as a disgusted reader.
01:08:25Would you mind lending me the camera?
01:08:27Thanks my friend!
01:08:28You are an understanding man.
01:08:30Take my picture.
01:08:31And even though it might upset them, we'll send it to the museum of...
01:08:36What are you doing?
01:08:37Ah...
01:08:38Sutton escaped.
01:08:39Did he escape?
01:08:39He was talking to his sister Joan.
01:08:41Did you hear what he was saying to her?
01:08:42I think he's told her everything.
01:08:44We need to see Joan before she speaks.
01:08:46Come on!
01:08:48Come on!
01:08:48Look at me and laugh!
01:08:50I haven't done anything else since I met you.
01:08:54I need to talk to you.
01:08:55You are lucky.
01:08:56She'll be in the photograph with me.
01:09:00Freeze now!
01:09:01Don't move!
01:09:02Shoot now!
01:09:03Turn on the lights!
01:09:04Come on!
01:09:05I don't like these jokes!
01:09:06Don't worry!
01:09:07No problem.
01:09:08You were much prettier just now.
01:09:12Who shouted?
01:09:14Where is Joan?
01:09:15Come on, don't get nervous.
01:09:16Flywheel will solve the case in no time.
01:09:18Where is Joan?
01:09:19Hey!
01:09:20Tommy, I have the photograph.
01:09:21Sir, the case is resolved.
01:09:22We will develop the photograph and thus find out what happened in the dark.
01:09:26OK.
01:09:26While you reveal it, I will look for Joan.
01:09:28Good.
01:09:28Do you know how it's revealed?
01:09:29There are two systems.
01:09:30Develop it with potassium or silver nitrate.
01:09:32Don't deal with money.
01:09:33It's very expensive.
01:09:37Are you alright, Tommy?
01:09:39Yeah.
01:09:47He looks like Grover, he styles his hair like Grover, and he dresses like Grover.
01:09:50Who do you think it is?
01:09:51Santa Claus.
01:09:53You've never been able to get rid of that childish complex.
01:09:55Hurry up with the photo.
01:09:56I'm going to the police.
01:09:57Grover will get 99 years or maybe life imprisonment.
01:10:02Give me that proof.
01:10:04Don't worry.
01:10:06Give me that proof.
01:10:14And now photography?
01:10:15Can't we discuss it amicably?
01:10:17Give me the photograph.
01:10:17Do they cost a dollar a dozen?
01:10:18Give me the photograph.
01:10:20I think it would be best if we gave it to her.
01:10:36Come on!
01:10:46Go ahead, Joaquín.
01:10:48Ah, he seems unconscious.
01:10:55She believes, what does it matter?
01:10:56He has the photograph.
01:10:57Hands up.
01:11:02I've got him, I've got Grover.
01:11:04Ah! Ah! Ah!
01:11:06Ah! Ah!
01:11:07Give me the photograph!
01:11:27Goodbye, friend!
01:11:28Have a good trip!
01:11:34Bye bye!
01:11:45Robert, sir.
01:11:47There are a few killers on the loose.
01:11:48That?
01:11:49They are Tommy's bodyguards.
01:11:50Turn on the lights, close the doors, and fire to kill.
01:11:52Good!
01:12:16We can't go that way.
01:12:17It's faster this way.
01:12:26Hey!
01:12:27Let's make use of these skates.
01:12:29There is an exit at the end of that corridor, within walking distance.
01:12:31No, on skates.
01:12:33Come on!
01:12:34Come on!
01:12:35Come on!
01:12:40You this way.
01:12:41I'll go for that one.
01:13:07Come on!
01:13:08Come on!
01:13:08Come on!
01:13:09Come on!
01:13:16Come on!
01:13:17Come on!
01:13:20Come on!
01:13:26Come on!
01:13:33Come on!
01:13:52Come on!
01:13:52Come on!
01:14:21Come on!
01:14:23Come on!
01:14:26Come on!
01:14:36Come on!
01:14:38Come on!
01:14:46Come on!
01:14:48Come on!
01:14:50Come on!
01:14:52Come on!
01:14:52Let's show him the photograph, Tommy.
01:14:54Come on!
01:14:55There you are.
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