- hace 6 meses
Titulo: The Spider Strikes (Temporada 1).
Año: 1937.
País: Estados Unidos.
Dirección: Alan James, Tay Taylor.
Guión: Morgan Cox, George Morgan, Barry Shipman, Winston Miller.
Cómic Original: Chester Gould.
Dirección de Fotografía: Edgar Lyons, William Nobles.
Montaje: Edward Todd, Helene Turner, William Witney.
Dirección de Arte: John Victor Mackay.
Banda Sonora: Alberto Colombo.
Sonido: Daniel J. Bloomberg, Charles L. Lootens.
Maquillaje: Bob Mark.
Producción: Nat Levine.
Productora: Republic Pictures.
Intérpretes: Ralph Byrd, Kay Hughes, Smiley Burnette, Lee Van Atta, John Picorri, Carleton Young, Fred Hamilton.
Sinopsis: Un maestro criminal llamado La Araña pone al hermano del famoso detective bajo un hechizo hipnótico y lo pone en contra de Dick.
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Año: 1937.
País: Estados Unidos.
Dirección: Alan James, Tay Taylor.
Guión: Morgan Cox, George Morgan, Barry Shipman, Winston Miller.
Cómic Original: Chester Gould.
Dirección de Fotografía: Edgar Lyons, William Nobles.
Montaje: Edward Todd, Helene Turner, William Witney.
Dirección de Arte: John Victor Mackay.
Banda Sonora: Alberto Colombo.
Sonido: Daniel J. Bloomberg, Charles L. Lootens.
Maquillaje: Bob Mark.
Producción: Nat Levine.
Productora: Republic Pictures.
Intérpretes: Ralph Byrd, Kay Hughes, Smiley Burnette, Lee Van Atta, John Picorri, Carleton Young, Fred Hamilton.
Sinopsis: Un maestro criminal llamado La Araña pone al hermano del famoso detective bajo un hechizo hipnótico y lo pone en contra de Dick.
SÍGUEME EN:
Web: https://www.clubcinema7.com/
Twitter: https://twitter.com/clubcinema07
Instagram: https://www.instagram.com/clubcinema07/?hl=es-la
Facebook: https://www.facebook.com/clubcinema07/
Cursos y Talleres : https://espacionuevoapolo.com/
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02:00Cleveland, Sacramento, Redding, and all points north.
02:07I... I was just sending a wire.
02:14There's Paterno and Brewster.
02:17Looks like he sent for all of us, Ruff.
02:20I don't like it.
02:24Well, take it from me the fellow's poisoned. Why don't you stay here?
02:27And admit that I'm afraid of him.
02:30Listen, my friend.
02:32I'm not going because he sent for me.
02:35I'm going because of something I wish to do.
02:39Paterno and Brewster are against him, too.
02:42Well, let me go with you.
02:44Not this time.
02:52What's your step, Chief?
02:54Don't worry about me. I'll take care of myself, all right.
03:00You've got a plan.
03:01All right.
03:02Start your way.
03:03Do you see him when you rub off?
03:06Did any of you see him when you rub on?
03:15Perhaps the rest of you know why you're here.
03:20Perhaps you're afraid of him.
03:22Well, I'm not, nor do I consider him useful to me.
03:26We understand each other.
03:28We're organized.
03:31What good is he to us?
03:33Maybe he will have something to say about that when he comes.
03:35Suppose he does.
03:36He's not.
03:37He's not.
03:38He's not.
03:39He's not.
03:40He's not.
03:41He's not.
03:42He's not.
03:43He's not.
03:44He's not.
03:45He's not.
03:46He's not.
03:47He's not.
03:48He's not.
03:49He's not.
03:50He's not.
03:51He's not.
03:52He's not.
03:53He� not.
03:54And.
03:55What if he were?
03:56Are we sheep that we follow him blindly?
04:00The Man isn't human.
04:01There!
04:02I don't think he's on the train.
04:19Let's go.
04:40Well, gentlemen.
04:42You. What is your report?
04:50Fine. Yeah, everything fine.
04:55Atono.
04:58Fine, Chief. Fine. Everything's okay.
05:02My affairs are in excellent shape.
05:05You wish to hear what I have to say? Then listen.
05:08I'm through with you.
05:13The rest might be yellow and lick your boots, but not me. Not me.
05:18I'm not afraid of you nor of anything you can do.
05:30Get me out of here. Get me out of here.
05:32Get me out of here. Get me out of here.
05:37Get me out of here.
06:02Get me out of here.
06:09No.
06:11No, no, no, no!
06:41Oh
06:46Hello Dick Tracy speaking. Oh, yeah
06:50Well, I think you better take that up with Anderson's office. Yes. He has my report on it. All right. Goodbye
07:03Hello
07:04Biggie, oh
07:06Yes, well, I know all about that send Steve Lockwood in with you
07:13Now Gordon what's on your mind? Well, I'm thinking you're about the busiest man I ever saw
07:20Hello, Gwen. Hello, Steve. Stern reports another spider-mark case
07:26Strange how every single person branded with the spider-mark and then murdered turns out to be some well-known criminal
07:32Tornow
07:36Benson
07:38Corbett
07:39We're all those men victims of the spiders mark seven of them here now Stern reports another
07:46Cease to be a job for the local authorities the murders have taken place all over the United States before I can expect to receive any notice
07:52My G man brother. I guess I'll have to become an arch criminal
07:54What was it you had on your mind Gordon think it was something to do with the fact that that's your birthday?
08:00Well, I we had sort of plan to celebrate that is if the nation can spare you for half a day
08:06What are you talking about? Why the circus circus?
08:10Just a circus
08:11Ellery Brewster has hired performers to give a show for the little orphans at his country estate and we promised him that we drag you along with us
08:17All right, I can't make it when oh hey, hey, can I go chief I guess so Mike
08:26To do all this for the orphans. Oh, it's one of them. Hey, come on. Let's sit down Joe
08:33Hi, Steve, and miss Gwen. I'm glad to see you
08:39Where's that brother of yours all working hard as easily can't take time off
08:43Hey, let me have that ball. You kids don't know how to hold that ball. Did you play football, sir? Did I play football?
08:50Say, I was a shortstop on all-american team. I was shortstop. You mean quarterback, don't you? Oh, well
08:57It's all the same thing. You know what I did I made three touchdowns in the first inning and I made a home run in the last quarter
09:03And how did I do it just like this with a drop
09:13Music
09:14Curtain
09:15Bobo, come out
09:17Bobo, come out and make your bow
09:25And now, grand people, I must leave you with Bobo because without me the puppets they have no voice and cannot talk
09:32Isn't that right, Bobo?
09:35Hey, you big lug, take your hat off. The kids can't see
09:39How about taking your own off?
09:41I told a lie today and Jekyll Ned got spank for it
09:57Yes? A long-distance call is waiting for you in your study, Mr. Brewster
10:01A long-distance call?
10:02Yes, sir
10:04All right, I'll take it. Will you excuse me for just a moment, please?
10:08Why was your little sister Jekyll Ned spanked, Coco?
10:13Because I told a lie!
10:31Honest, Mr. Ghost, I'll never tell lies again. Honest, I won't.
10:32You've learned your lesson, Coco. Go home and be a good boy. But if you ever tell lies again,
10:38Ooh, I will haunt you.
10:45Help!
10:56Help! Mr. Brewster's been murdered! Hey, love!
11:01I will haunt you.
11:10Help! Help!
11:12Mr. Burst has been maddened.
11:31Say, McGurk, bring everybody in from outside, will you?
11:39Federal 4,000.
11:44Hello?
11:45Hello, Dick. Ellery Brewster has just been murdered.
11:48Murdered?
11:49I'll leave right away.
11:59There's a footprint.
12:02This is the direction from which the shot must have come.
12:05Make an examination of that.
12:31Take a look at these, Gwen.
12:42See what you think.
12:43The two specimens of sawdust are not the same. They come from different types of wood.
12:50I notice that sawdust does not cling to your clothes as it does to the others.
13:03We are puppeteers, sir. We do not perform in a sawdust rain.
13:07We can hold off to the puppeteers, Mr. Dressy. They were giving their performance at the time of the murder.
13:12I see.
13:25Can you explain this?
13:26Sawdust, no doubt. Some of my puppets are stuffed with it.
13:30No. I wasn't aware of that.
13:33Watch yourselves.
13:46Mr. Dressy!
13:48Mr. Dressy!
13:49Mr. Dressy!
13:50Mr. Dressy!
13:51Dressy!
13:52Love it!
13:53Mr. McConfer!
13:54Come on, Capis!
14:00Come on, Capis!
14:01Mr. Dressy!
14:02Come on!
14:09Let him go! I got him covered.
14:16Arches, let him go!
14:17Come on!
14:18Mr. Dressy!
14:19Mr. Dressy!
14:21All right, boys, take these two crooks back into the house.
14:26Let me take care of these fellas, Chief.
14:28Here's something they left behind them.
14:30Let me see it.
14:31That was a pretty good tackle you made there, son.
14:34Oh, gee, that was nothing.
14:36But say, you sure can use a gun.
14:38You're Dick Tracy, aren't you?
14:40Yes.
14:40I'm just an orphan, but someday I'm going to be a G-man, too.
14:44Well, now's a good time to start.
14:46Come along.
14:51It seems to me I saw three men out here.
14:56You did?
14:57One of them got away.
14:58I'd know him if I ever saw him again, though.
15:00You sure about that?
15:01Certainly.
15:02Well, take this into the house and wait there for me.
15:04Yes, Mr. Tracy.
15:21How about it, Gwen?
15:36The sawdust you found on that puppeteer is the same as we discovered in this room.
15:45Mr. Martino.
15:47Can you account for the sawdust I found in the cup of your trousers?
15:50Certainly.
15:52No doubt it fell there when I was fixing one of my little puppets.
15:56Some of them I stuffed with sawdust to make them fat.
16:02Let me have one of those records, Steve.
16:03Right, Dick.
16:11Please, please, Mr. Ghost, don't hurt me.
16:14Why was your little sister, Jacques Annette, spanked, Coco?
16:21Honest.
16:22Honest, Mr. Ghost.
16:23I'll never tell lies again.
16:25Honest, I won't.
16:27Put up your hands, everybody!
16:29I took the precaution to remove the bullets before bringing that cleverly disguised revolver in here.
16:36You came here while your assistant worked the puppets, and this record played your voice.
16:39You shot Ellery Brewster and then returned to the booth in time to take your bow.
16:43Take him away, boys.
16:44You didn't think I'd get you, did you?
16:47I knew it was you all the time.
16:50See if they're locked up.
16:51I'll be on the station shortly.
16:55You certainly cleaned up this murderer in a hurry.
16:58These men were only tools.
16:59They didn't plan the murder.
17:01Have you seen anything of Junior?
17:03Oh, there you are.
17:05Why didn't you get in the bus with the others?
17:07Everyone was terribly worried.
17:09You bad boy.
17:11Well, I'm sorry, ma'am.
17:12I'd like to keep this little rascal with me for a while, miss.
17:15You see, he can identify one of the men that got away.
17:17And his life won't be safe until this matter is cleared up.
17:20Well, I guess that'll be satisfactory, Mr. Tracy.
17:23But you'll have to make the necessary arrangements.
17:26He really is one of our very best boys.
17:31Say, Gordon, you were Brewster's attorney.
17:34Did he at any time say or do anything to arouse your suspicions?
17:37Well, about a month ago, he did give me a sealed envelope, which he asked me to keep for him.
17:41An envelope?
17:41Yes.
17:42He wouldn't tell me what was in it.
17:44As I remember now, he acted rather peculiar about it.
17:47He said he wanted me to have it in case anything happened to him.
17:51Could you get that for me right away?
17:52Yes, it's in my office.
17:53I'll go down there and then meet you at the lab.
17:55Good.
17:55Good.
17:55Good.
17:55Good.
17:56Good night.
17:57Good night.
18:21Oh, my God.
18:51He's still breathing.
18:54Let's get him up the car.
19:05Is he still alive?
19:07Bring him inside.
19:08Quick.
19:21Hmm, his condition seems critical.
19:31What if he should die?
19:34Then we will eliminate a very dangerous enemy.
19:38He won't die.
19:41But by means of this operation,
19:43a simple altering of certain glands,
19:47he will be unable to distinguish between right and wrong.
19:51In that event, he will be very useful to us, Moloch.
19:56Very useful.
19:57Oh, my brother Gordon, Brewster's attorney,
20:02goes to get a certain sealed envelope bearing on the case.
20:05His car is discovered wrecked, and Gordon can't be found.
20:09Last night his office was broken into and all records taken.
20:12Whoever is responsible for those spider marks is the man we want,
20:15and I'm asking for full assignment to the case.
20:17Go to it, Dick.
20:19You can have a free hand.
20:20Thanks.
20:37This looks like the work of some crank.
20:50Unless you can give me a more definite reason
21:12why the bridge should not open, Mr. Tracy,
21:14the plans will go through as scheduled.
21:17I have two weeks in which to work.
21:18Perhaps I may get a lead from these notes in that time.
21:21Meanwhile, if you receive any more,
21:22will you please let me know?
21:23Certainly. Gladly.
21:28I have just removed the bandages.
21:30The transformation is complete.
21:32Will his face be recognized?
21:34No.
21:35There is a slight scar,
21:37and the facial nerves have contracted.
21:39There is also a white streak on his hair.
21:42Is the operation completely successful?
21:45Can he be dominated?
21:46He is entirely incapable of recognizing evil from good.
21:52Wait.
22:01Come in, Gordon.
22:02Stop it, Gordon.
22:22We are your masters.
22:27You are my masters.
22:31You regret nothing that has happened.
22:34I regret nothing.
22:38Your brother is your enemy and a fool.
22:43He is a fool.
22:44It is well that you feel that way.
22:47You will be privileged to share in the power which is mine.
22:51It is time we startle these fools out of their smug complacency.
22:55This little machine is only a model of the big one which we have.
22:59The one we shall use to destroy the bay bridge.
23:04Watch that base.
23:06Each threatening note was sent to the governor from a different post office.
23:22Each one was written on a different typewriter.
23:24There is one note, however, which gives us a real clue.
23:26This letter was typed on a 5A underton.
23:31That model was discontinued three years ago.
23:34Each letter is imperfect.
23:36The clue is the G.
23:38The letter G is new.
23:39Was replaced from a different type model.
23:42That means it was repaired in some shop.
23:45Lights.
23:45I want you men to find out where that 5A underton was repaired.
23:50Who paid the bill and the address of that person.
23:53Time is short.
23:55This clue must lead us to the man back of the spider murders.
23:58The man who was threatening to destroy the bay bridge.
24:01Get going.
24:01Get going.
24:15I found it, Dick.
24:32You found the shop where the typewriter was repaired?
24:34No, better than that.
24:35Here's the address of where it's returned.
24:37238 Burton Place.
24:42Chief, we've located the address.
24:44238 Burton Place.
24:57Take him into the next room and drag any information out of him you can.
25:00All right, get out of here.
25:01Come on, grab him.
25:04Hurry up.
25:07They're due to make an attempt on the bridge in less than an hour.
25:09We've got to work fast.
25:11The bridge is being patrolled.
25:12No one will be anywhere near it.
25:14You know, I never saw a chart like that before.
25:1920,000 cycles, crystallization point.
25:2136,000 cycles, steel breaks.
25:23Steve, name everything that's calibrated in cycles.
25:27Well, years of cycles.
25:29Electricity, sound.
25:30Sound, that's it.
25:32Sound vibrations.
25:33Caruso's voice could break a wine glass.
25:35It's not impossible.
25:36These fiends may have just such a machine.
25:38A machine that will disintegrate matter by sound.
25:41Yes, but...
25:41There may still be time to save the bridge.
25:43Send out a police conscription for every available truck to be driven onto the Bay Bridge.
25:47The more heavily loaded, the better.
25:49Well, but Dick, I...
25:50Caruso's voice could not have broken the glass had it been filled with wine.
25:54We may be able to load the bridge with tons of extra weight.
25:56And thereby destroy all their calculations.
25:58Mobilize every truck in the city.
26:00Right.
26:01Hello.
26:02Give me the old operator.
26:03He's calling all cars.
26:05Mobilize every truck.
26:06Send them to the Bay Bridge.
26:38This great mass of steel, concrete, and wonderfully spun cables is more than just a bridge.
26:52It symbolizes a highway to a greater civilization.
27:08Everything in order?
27:24Right.
27:24Goodman, sir.
27:28I'm going to do it.
27:34Goodman!
27:44Goodman!
27:45Let's go.
28:15Fred, it's cranking up.
28:29Fisher power.
28:45It's cranking up.
29:15It's cranking up.
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