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Watch PONIES () free Season 1 Episode 7 online in HD on Dailymotion (2026).
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00:06You
00:06Previously on ponies
00:08Tom was the mole the one that got Chris killed you tell me now when I'm dealing with Andre
00:13I have to seduce him which of course for you isn't a big deal because sex doesn't matter
00:16But I still have feelings with all the foreigners in town for the Elton John concert
00:21They must be doing an operation at that hotel tonight our objective is replacing one of the KGB tapes with
00:25a tape of our own
00:26Our tape has a tracking device hidden in it
00:28This is how we figure out the location of the Compromat facility
00:58Bumat facility
01:01Bumat facility
01:06Dumb
01:06Dumb
01:07Dumb
01:07Dumb
01:08Dumb
01:08Dumb
01:08Dumb
01:08It's a good day, I have, and you have, and you have me.
01:15Everything that is in life is for me, everything in which happiness is for every day.
01:25Everything in which dreams and dreams, this is everything, this is everything you have.
01:34It's connected only with you, only with you, only with you, only with you, only with you.
02:17It's five in the morning, I nearly shot you.
02:19Whoa!
02:20Why would you have shot us?
02:22Didn't you look through the peephole?
02:23Yes, what do you need?
02:24No, we shouldn't talk here, we should talk elsewhere.
02:26I'll see you in the bubble in five.
02:29Yeah, it was a much bigger operation than we thought.
02:32I mean, they must have recorded, what, dozens of these blackmail tapes, and that's just at this one hotel.
02:37They're gonna have to move them somewhere today.
02:38Good analysis.
02:40What about you?
02:42Did Vasilyev give you anything last night?
02:43You better believe he gave her something last night.
02:46Twyla.
02:47What?
02:47Are we not supposed to talk about what he gave to be?
02:50I might have some usable intelligence, yes.
02:52He implied that he had his own blackmail operation going.
02:55I think he's targeting powerful Soviets and manipulating them with what he has on them,
03:00which is how he's been able to move up so fast in the KGB.
03:02If there's a connection here, this could be why some of the prostitutes are being murdered while others aren't.
03:06That's because he's the one killing them.
03:08Just keep doing what you've been doing, Bea. Maintain your connection.
03:12Her connection with a fucking psycho killer?
03:14He's a valuable asset, and he remains a valuable asset. Keep him close.
03:19Ray, did you get your tracker into any of those cameras?
03:21Uh, yes, sir. I'm gonna follow it this morning.
03:23You can't. You can't go back to that hotel. You'll catch a tail.
03:26You're gonna have to do it.
03:29We need you to find the Compromat facility today.
03:58You can handle it.
04:21You're going back to New Aires to 2.
04:21We need you to find the mall options that you've been blurry.
04:21You're trapped in a fashion.
04:32so this thing beeps when when the tracker gets close i mean the tapes are probably probably in
04:38the hotel and then just going into one of those two tracks so you know tom and chris died looking
04:45for this place this uh this facility i'm just saying we could yeah i know yeah
04:57hey i'm sorry go on no no no absolutely not you first you had sex with who a woman the
05:06mean lady
05:07at the market she's not that mean i mean she is she's yeah she's mean okay yeah
05:15i mean did you like i mean you know you were gonna say something what were you gonna say
05:20yeah uh okay right sure so i mean i i should have said this earlier i i just i'm i'm
05:27i'm sorry
05:30as you may have noticed i have some issues with control
05:37if i agree with you it'll ruin the moment just continue okay i was just finding out i was being
05:44lied to after so long it just made me feel so powerless and it and it and fucked me up
05:49and
05:49and i took it out on you and i and i never should have and i am just so sorry
05:53okay i am too
05:57i mean i'm i'm sorry too yeah you know i should have told you about tom the second i found
06:04out
06:04no no no not at all no no you just you didn't want me to blame you for what he
06:10did which knowing
06:10me i might have done that thanks for saying that i know you think that i judge you oh that
06:17i think
06:17that i'm like superior to you but i really i don't twilight you have to know that i don't think
06:22that
06:22no no it's okay if you do think that because you are you know a little bit superior to me
06:27in certain aspects so if i agree with you i'll ruin the moment
06:34so you had sex with a woman yeah i did yeah okay you you want to hear about it oh
06:42oh yeah in detail
06:43i mean yeah i can you can handle that oh my god of course i can handle it yes i
06:47went to wellesley
06:48you know come on okay hit me okay so uh you know i've never eaten pussy before but uh not
06:57to toot
06:58my own horn but i think i was pretty good at it for my first time i mean ivana seemed
07:02to enjoy it
07:04yeah i get whoa uh okay which truck maybe maybe it's maybe it's both of them okay oh shit wait
07:15oh it's not on the tracks it's the ambulance oh shit okay okay okay yeah there it is yeah
07:26drive drive drive drive okay shit
07:29my daughter and my son will be like a few other than my daughter
07:33говорит что ему нужны леви снуджи это американские штаны для фермера
07:40если он хочет быть фермером пусть идет работать на ферму
07:51ондрей ходите
08:00It looks like he's not going to give me a higher degree in my opinion.
08:04What could be worse than a nethery?
08:07That's exactly what he experienced in you.
08:11You're listening to me.
08:13What do I tell you?
08:15You're going to go to Andreea Vasileva.
08:18You're going to be a fool.
08:21What do you tell me?
08:23Tell me, you're going to buy Cadillac.
08:26Tell me, you're going to give him your house.
08:29Tell me, you're going to die.
08:31Tell me, you're going to die.
08:32Tell me everything you need to do.
08:36Otherwise, I'm going to be your wife.
08:40And also your daughter.
08:42And also your mother.
08:44Tell me what there is written?
08:45I'm going to get started.
08:47First of all, I'll get you.
08:51You're going to get it.
08:53You're going to get it.
08:53Then you're going to get the bullshit.
08:57You're wrong.
08:58You're wrong.
09:00You're wrong.
09:03You're wrong.
09:05I know what you think.
09:09How do you think it's going to be?
09:11It's not matter, alive or dead.
09:13These tapes are still going to be a good result.
09:19You're going to be too fast.
09:22So, only if you're not white and white,
09:28you'll be right at my place.
09:32Oh, my dad.
09:35You're right.
09:37You're right.
09:46Mom?
09:48Mom?
09:49Mom, I told you, I'm not hungry.
09:53You're right.
10:01We took the things of Gali.
10:03There's a few of your clothes,
10:06which she was in you.
10:08Like, you know, you have to remember?
10:12You remember?
10:12I thought, where she was going to be.
10:21I don't know how to do this stuff all out of the world.
10:25You're right.
10:27I don't even know how to do this all out of the world.
10:29This is your life.
10:35Go to the street.
10:36Breathe with fresh air.
10:38See your friends.
10:40And the sun.
10:41If you're happy.
10:59You can get in and around everyone without even caring who you're pissing off.
11:04Who cares if you piss people off?
11:06I mean, they're strangers.
11:07You gotta be pushy in life or you're not gonna get anywhere, you know?
11:10Whoa!
11:13Come on, you might, Zuka!
11:15Quiet, but you learned how to say go fuck yourself in Russian.
11:17Where are you from?
11:18Today we met, remember?
11:26Goodbye, my love.
11:28Can we say bye-bye to Mama?
11:30Bye-bye, bye-bye.
11:31Bye, baby.
11:35Wow, you look nice to be serving a child cornflakes.
11:40I know it is a bit much, but I have spent half my compensation on this,
11:45and I have never had a chance to wear it.
11:49What better reason as him?
11:51Okay.
11:53Elton John?
11:55Mr. Ray offered me your ticket to the concert tonight.
12:00I hope that is still okay.
12:04Of course.
12:06It was my idea.
12:10Thank you, Mrs. Szymanski.
12:14Mr. Szymanski.
12:25Mr. Szymanski.
12:31I'll be right back.
12:32Mr. Szymanski.
12:34Mr. Szymanski.
12:34Welcome to West Germany.
12:46Jesus Christ, that's him.
12:47You think he saw us?
12:49No, I don't think so.
12:51What's he doing?
12:52Wait, that's Andre's wife.
12:55Damn.
12:56She's a fox.
12:58She makes Russian clothes look decent.
13:00That package looks important.
13:01We should find out what it is.
13:02Yeah, but how?
13:03We have to follow the ambulance.
13:04Well, we should do both.
13:05That is probably how Andre is fumbling out his blackmail on the Russians.
13:08Through his wife.
13:10Okay, she knows what I look like, so you follow her and I'll follow the ambulance.
13:14I'll get to the compromise facility.
13:15No, no, no.
13:15B, I mean, if Andre sees you even for a second, I mean, we know how dangerous this guy is
13:19now.
13:20He could kill me.
13:21Yeah.
13:21I know, I know, but this is what I came back for.
13:26Answers.
13:27Okay?
13:27Okay.
13:28You need to follow her.
13:29Okay.
13:30And I need to follow him.
13:31Okay.
13:32Okay.
13:32Okay.
13:35So, I'll see you tonight?
13:37Yeah.
13:38Yeah, they'll be at the John concert.
13:39Shep will be such an asshole, you know, if we're not all theirs.
13:41Such an asshole.
13:42Yeah.
13:43So I'll be there.
13:44Me too.
13:48Good luck.
13:49Okay.
13:49Okay.
13:50Be careful.
13:50Yeah.
13:59You
14:17Sasha
14:20You
14:36Shit
14:40Shit
14:51Sasha
14:53Sasha
14:59Sasha
14:59Sasha
15:02She
15:02She
15:02She
15:02She
15:02I don't know.
15:34I don't know.
16:02I don't know.
16:14I don't know.
16:33I don't know.
16:34I don't know.
16:34I don't know.
16:35I don't know.
16:37I don't know.
16:39I don't know.
17:08I don't know.
17:12I don't know.
17:36Ray, where the hell did you get real ketchup in Moscow?
17:39No, you just have to fill out the requisition form for the supply train from Stockholm and
17:42then wait about two months.
17:43It's actually not that difficult.
17:44Well, can we have some?
17:48Yes.
17:49Here you go.
17:51Of course.
17:53Ray, may I speak with you for a minute?
17:56Yes, of course.
17:57Yes.
18:00Not...
18:00Okay.
18:01That's...
18:02Yeah.
18:03Yeah.
18:04What's up?
18:04I hear you're taking our nanny on a date tonight.
18:08No.
18:09No.
18:10No.
18:10It's not a date.
18:11It is the definition of man, woman, theater.
18:14It talks about love.
18:16Sure.
18:16Yes.
18:17But you...
18:18I mean, you said you didn't want to go.
18:21You said, and I quote, I don't like music.
18:24Doesn't mean taking our teenage employees is appropriate.
18:25She's 20.
18:27Sure knew that pretty fast.
18:29You are her employer, not her friend.
18:33People are going to start looking at me like they look at Gretchen.
18:35With pity.
18:37Honey.
18:39Honey.
18:40I would never, ever cheat on you.
18:43People already think you do.
18:48I'm sorry.
18:49I'm so sorry.
18:50I goofed.
18:51All right?
18:51It's my fault.
18:53I'll talk to her tonight.
18:55I'll give her my ticket.
18:56She can take a friend.
18:58No.
18:59No.
19:01You're going to take that ticket and give it to me.
19:03I want to go to the concert tonight.
19:05I deserve a night out.
19:07What am I going to tell her?
19:08Oh.
19:09Whatever you want.
19:10I don't care.
19:11This is your mess.
19:12You can clean it up.
19:15Okay.
19:17I'm glad we had this talk.
19:21How is the work at the Yugoslavian Automobile Factory, Herr Teller?
19:28Trying.
19:29Maybe you should quit.
19:33You told me last time you didn't believe I managed a car factory.
19:36I've never believed any of your story.
19:38I've never believed any of your stories, but it's your money, your hour.
19:41It doesn't matter to me what you do.
19:43But we should talk about why you lie.
19:46I'm not lying about everything.
19:47Yes.
19:48You're honest about some things.
19:49You were married.
19:50You are a homosexual.
19:51See?
19:52Not all lies.
19:54That's not why you get the treatment, though.
19:57No.
19:58I get the treatment because if I don't, I think about putting a gun in my mouth.
20:06Not lying about that either.
20:08Maybe there are just too many lies and you don't know who is the man under the lies anymore.
20:14I know who I am.
20:16And I know why I lie.
20:21Why do you think I lie?
20:23I think you lie to me because you are a spy.
20:25Is that what you think?
20:27I don't think.
20:28I know you are a spy, Herr Teller.
20:31Your friend.
20:32The one who sent you to me.
20:35He was a spy.
20:36Really?
20:38He told you that?
20:39He wanted help.
20:41Real help.
20:43So he was honest.
20:46My friend.
20:48The spy.
20:51He's dead.
20:53Did you know that?
20:56I didn't.
20:58And you blame yourself.
21:01He's dead because of my mistakes.
21:04So...
21:05It's my fault.
21:07What was your mistake that you believe you killed your friend?
21:16I'd like to go upstairs for the treatment now.
21:18Please.
21:20This is why you want to put a gun in your mouth.
21:26I'd like the treatment.
21:28Now.
21:31You need to be a friend of mine.
21:32You come to me.
21:35What?
21:35To us?
21:36What?
21:38You're a party.
21:39You're a party, you said.
21:42You're a party.
21:43I'm a party.
21:44My sister was in the party.
21:45Therefore, I went there.
21:48But just to get a good job.
21:50By the way, I wouldn't tell you that you are party.
21:53You have so much oil and eyes that you don't want it.
21:59That's what I'll give you.
22:05Do you like your work?
22:07I think so.
22:09My job is to explore people.
22:12It's good that I can help someone to get rid of this bad life
22:15from three hours.
22:17Three hours?
22:17Your books go for three hours?
22:19Yes, but there's a lot to say.
22:24For example, something beautiful,
22:27that I like to play with you in sports.
22:33It's hard to find life around and around.
22:48Listen to my mother, I'll go.
22:52Come on.
22:53Come on.
22:56Come on.
22:57Come on.
22:58Come on.
23:10Come on.
23:14Come on.
23:15Come on.
23:15Come on.
23:16Come on.
23:17Go.
23:18Go.
23:32Go.
23:35Go.
23:36Come on.
23:37Go.
23:42You're trapped in the house.
23:56Where are you?
23:58I'm going to go to the house.
24:01Where are you?
24:04I'm going to go to the house.
24:05No, your documents are closed.
24:07We can't forget you.
24:08Turn around.
24:12Your name?
24:14Peter.
24:15Peter.
24:16I remember your name.
24:17I will tell her to my husband,
24:20when he asks, why I didn't come.
24:22Your husband?
24:24Who is your husband?
24:25Andrei Васильев.
24:28On me!
24:30Look not on him, but on Peter.
24:32How do you think,
24:33what will Andrei Васильев,
24:35if you send his wife back to Moscow?
24:39What?
24:40Go, go, go!
24:53Come on!
24:54Baby!
24:56Come here!
24:58Come on!
24:59Yeah!
25:00That's a good baby!
25:01Yeah!
25:02Come on!
25:03Yeah!
25:05Yeah!
25:06Okay!
25:07Okay!
25:08Yeah.
25:19Open.
25:2810, 9, 8, 7, 6, 5,
25:404, 3,
25:49Can you try to enjoy the song, Dane?
25:52You're our audience.
25:53You weren't supposed to die.
25:55In our jobs, we're all supposed to die.
25:59They were only killed because the Soviets knew they were coming.
26:02We knew there was a mole.
26:03You weren't sure.
26:05Now you're sure.
26:05Are you the mole?
26:08Did you tell the Soviets?
26:10Was it you, Dane?
26:21I don't speak Russian.
26:23Why do you have my daughter?
26:24I was driving home from the university and it was the scariest thing.
26:28She was just crawling right in the middle of the street.
26:32Don't worry, I slammed on my brakes.
26:33I jumped out of the car.
26:34I scooped her up.
26:35What the fuck?
26:36She must have been inside.
26:38You know, your neighbors must have recognized little Dasha here because they just pointed me right to your apartment.
26:44So, yeah.
26:45Thank you for bringing her back home.
26:47Of course.
26:48She never does this before.
26:50Oh, consider yourself lucky.
26:52My son is a mad man.
26:54You know, I turned my back for two seconds and he's, you know, he's governed in peanut butter.
27:00It's just, you know, and is there anything worse than trying to get peanut butter out of a kid's hair?
27:05No, there isn't.
27:07I do not have peanut butter, so thank you.
27:10Oh, oh.
27:12There's no way you found this in the Soviet department stores, right?
27:14I mean, it's just too beautiful.
27:15What is this?
27:16I have to get Western clothing through other means.
27:19All right.
27:20Can I tell you a little secret?
27:22When my son was born, I, I just, I wanted a girl.
27:25I wanted a baby girl.
27:26You know, I just really did.
27:27And I, and I had found all of these darling dresses and skirts and the first arrondissement in Paris, you
27:33know.
27:33And they're just rotten away in my closet in this trunk.
27:37It's really a shame.
27:38You, you wouldn't be interested, would you?
27:40I mean, I would so much rather share them with a mother like me who appreciates these fine things.
27:50Let me make her a cup of tea.
27:51Oh, thank you.
27:54Yes.
28:49Just a quick video.
28:50Yes.
28:51Oh, please.
28:53Yes.
28:53I, I love Soviet milk.
28:56You know, it's so convenient.
28:57It's always just out on the counter, sitting there.
29:00Maybe some sugar too, please, if you don't mind.
29:11Oh, I was just admiring your bag.
29:14I mean, it seems like everyone in this city's got one.
29:17It's, uh, must be popular.
29:19This ugly bag?
29:21It's a vodka.
29:22Perhaps bag.
29:23Oh.
29:24In Moscow, you never know when the line will form
29:26for something desirable, so you must be ready to carry it.
29:29Right.
29:29Well, I should get one.
29:30Maybe then people will think I'm a local.
29:32No, I do not think anyone will mistake you for a local.
29:37So, where would you like to meet?
29:39To give me the closing?
29:41For the close, yes.
29:42Um, how about the university?
29:45You can swing by.
29:46Right now?
29:47How about tomorrow?
29:48I will come with my husband.
29:51I'm sure he would like to thank the American woman
29:53who saved our daughter.
29:55That sounds like a wonderful plan.
29:57Yeah, I can't wait to meet him.
29:59And which university did you say?
30:02Um, just the, the one down the road, the, the big one.
30:05You can't miss it.
30:06Tell anyone there to find me.
30:07My name's, uh, Cheryl Szymanski.
30:09How do I spell that, Szymanski?
30:15Oh, oh, I'm so sorry.
30:17I'm always making a mess like this.
30:19Let me get you out close.
30:19Oh, thank you.
30:20Yes, it's a, oh, fuck, shit.
30:24Oh, my God.
30:28Oh, my God.
30:28Oh, my God.
30:28Oh, my God.
30:28Oh, my God.
30:29Oh, my God.
30:30Oh, my God.
30:31Oh, my God.
30:31Oh, my God.
30:46Oh, my God.
30:54I need to keep it in the back.
30:55I need to keep it here.
30:57Okay.
31:41Shampoo.
31:47Shampoo.
31:56Shampoo.
32:05Давай, давай.
32:07Давай, давай.
32:11Давай.
32:12Давай, давай.
32:15Давай, давай.
32:16Давай, давай.
32:17Давай, давай.
32:33ДИНАМИЧНАЯ МУЗЫКА
32:48Васильев!
32:51Товарищ начальник, я вас как раз искал.
32:55Новиков сказал, что я должен одобрить твое повышение.
32:59Какая потрясающая новость. Я согласен.
33:02Молодец. А вот скажи мне, почему такой человек, как Олег, сказал, что у меня нет выбора?
33:08Он не видит, что вы упорно хотите не видеть.
33:12Но я, конечно, надеюсь, что еще могу показать вам, чего я стою.
33:15Я же понимаю, как устроить твое масло. Ты потом из меня захочешь делать инструмент давления.
33:21Ты захочешь убрать меня с дороги.
33:23Я даже не помышляю о ту комнату.
33:26Это чушь собачья.
33:28Андрюш, я дам власть, которая тебе нужна.
33:33Просто потому что у меня нет выбора.
33:36Но помни, у тебя есть свои записи, а у меня свои.
33:44Покажи то, что я тебе давал.
33:45Есть товарищ начальник.
33:46Посмотри.
33:55Есть невозможности.
34:07Есть же tests техники.
34:10Есть невозможности.
34:11Есть невозможности.
34:14Видео.
34:14Нет невозможности.
34:15Это невозможности.
34:16У тебя есть.
34:16Он идет.
34:16Прdatair на playlist.
34:16Это некий точек.
34:30Let's get him.
34:45I really did try to explain to her.
34:49I didn't realize how sensitive Cheryl was going to be about this.
34:53It's okay.
34:55You should not cry.
34:58It's only a concert.
34:59No, no.
35:00I completely understand.
35:02I mean, it's Elton, but you know what?
35:05I'll try and get you an autograph.
35:07That would be pretty cool, right?
35:09Oh, Evie, I am so sorry, too.
35:12I didn't know they'd want me there.
35:13I'm going to see business and all.
35:14Of course.
35:16Ready, Ray?
35:16Yes.
35:17Okay.
35:19Oh, Evie, make sure Trent's in bed by eight.
35:25Okay.
35:28Ray, do you think it's going to be one of those concerts
35:30where everyone stands?
35:31I hope not.
35:32I'm going to say it.
35:37A beer, please.
35:39Yes, sure.
35:39I'm going to say it.
36:06which you asked.
36:08There's nothing in the new show.
36:11In your house there was a woman.
36:16I don't know her.
36:20You know?
36:23I don't know.
36:30Go!
36:32Go, I told you!
36:50It's late!
36:51Yeah.
37:00She's here.
37:02It's late.
37:04Yeah.
37:05She's here.
37:10I do not care what happened to your aunt.
37:13I'm sure you don't.
37:14I'm just trying to give you this.
37:16If you want it.
37:18Elton John tonight.
37:20I'll be there.
37:21You know, they gave me an extra ticket because they forgot my husband's dead.
37:26So...
37:27In exchange for what is this?
37:29Nothing.
37:30I'm just... I told you I don't need anything.
37:33I'm just...
37:36Yeah.
37:39I could get a good price for this.
37:42Really?
37:44Good for you.
37:45Yeah.
37:46Get top ruble.
37:47Yeah.
37:47Sounds great.
37:48Guess I'll see you around then.
38:12Hi. I wasn't expecting you.
38:15I know...
38:16You're yelling at me at me!
38:19I...
38:19I'm not yelling at you.
38:21Why do I not yelling at you?
38:25I can see you.
38:26I think Nadia found a new way to hurt yourself.
38:31I'm not holding you.
38:44I don't think so.
38:46I don't think so.
38:48I don't think so.
38:49I don't think so.
38:50Actually, I don't think so.
38:51I'm very angry.
38:52Sasha, I think I should admit, that it's not going to continue.
38:57And that I live with you just because I don't want to go.
39:01I don't want to go.
39:02What?
39:03What did you say?
39:06It's impossible.
39:08It's impossible.
39:09It's impossible.
39:09It's impossible for me to serve my own happiness.
39:11So you want to finish all this?
39:13Yeah?
39:19You want to finish all this?
39:25You know, I don't know who I met today.
39:28Who I met?
39:29Yeah?
39:31In the park.
39:32When I was walking with my friends.
39:36And she reminded me about how it was before.
39:39Before the meeting with you.
39:41Everything was so difficult.
39:44But now I understand, that on the other hand,
39:47everything was easier.
39:51Everything was easier.
39:52Sure.
40:19Hi.
40:20Hi.
40:23Did you really meet someone today?
40:27Uh-huh.
40:27And she felt easier?
40:30No one would try to kill me if I was with her.
40:33Except maybe some theater critics.
40:39You know how neither of us were sure if what we were risking our lives for was worth it?
40:44I found something out today.
40:46Something important.
40:49Something that has to do with why my husband was killed.
40:51And I wouldn't have been able to do it without your help.
40:56So, if you want to walk away, you can, knowing that you've done something to hurt the people who killed
41:02Garena.
41:12The other bosses, they will let me go?
41:16I don't know, but they can't stop you.
41:19You're only safe talking to me. There's no one else who can.
41:22And you? You will let me go?
41:29I-I want you to live your life.
41:32Whatever that looks like.
41:36So the question is, what do you want?
41:53I'm sorry, I'm...
41:54No, I-I-I just-I thought-I thought you met someone today and she felt easier.
41:59Yeah. Easier.
42:02But I don't want easier.
42:14I have to go.
42:16Yeah.
42:18But...
42:20Maybe I...
42:22I can come back.
42:27Yeah.
43:00Maybe.
43:01We've got to find a place, Dr.
43:03No, no, thank you, Gator.
43:04So, I'll close the door.
43:06I'll have a nice door.
43:10It hurts me, I was a little nervous.
43:30You have to be me.
43:36Oh, higher and higher, baby.
43:41It's a living thing.
43:45It's a living thing.
43:47It's a terrible thing to lose.
43:50It's a giving thing.
43:53What a terrible thing to lose.
43:59I'm thinking of saying.
44:04Everybody die.
44:10I can believe this is what you conceive from your worst day.
44:17I'll take it, I'll die
44:19I'm moving in line
44:20Then you look back in time
44:22To the first place
44:24I'll take it, I'll take it
44:27Hey
44:29Thought you were, uh, selling the ticket
44:33Nobody wanted the shitty seat
44:35Yeah, it's a really shitty seat
44:37Next to me
44:38I like your tights
44:43I like your jacket
44:47It's a terrible thing to lose
44:51Honey, the door, the latch is a little finicky
44:55But you're still mad
44:57Yes, because you call me sensitive in front of Evie
44:59And now I seem like some shell-less wife
45:02You couldn't have just lied like everybody else in the city
45:03Blame it on your boss
45:04I try not to lie to anyone, especially you
45:06Well, I'm glad it felt good telling Evie the truth
45:08Oh, my gosh
45:11Cheryl, what does it matter what I told her?
45:13She's not here, you are, you're getting what you want
45:15Like you always do
45:18Do you think that this is what I want?
45:20Being in Moscow for your job
45:24You think I want to color my own hair?
45:26You think I want to boil some potatoes and a geriatric goose for Thanksgiving?
45:31All of this is for you
45:33All of it
45:34Everything I do
45:36Cheryl
45:36Cheryl, honey
45:38Cheryl
45:39Cheryl
45:39Cheryl
45:39Cheryl
45:39Cheryl
45:40Come on, come on.
46:10Come on.
46:11Come on.
46:32One time, when I was little, like five or six or something, my mom shoved a whole slab
46:36of bacon down the back of my pants so she wouldn't have to pay for it.
46:38And the whole time, the store owner's dog was just lunging for my ass.
46:42So...
46:43One week, my family of six children lived off of one roasted squirrel.
46:48Yeah.
46:49I'm not going to win this game with a Russian, am I?
46:53Why does everyone just assume I'm American?
46:57Your hair, teeth, the way you walk.
47:00Do you wear a shirt that says bounce, bounce, bounce?
47:04How do I walk?
47:06Like someone who has grown up being free?
47:10Yeah, well, I didn't.
47:13Are you free now?
47:16You want your friend?
47:18Um, uh, yeah, um, my friend.
47:22Uh, sorry, I just haven't seen her since, um, well, since this morning.
47:27But I gotta, I gotta go talk to her and do stuff.
47:30So, I'll be back though, okay?
47:31Try not to miss me too much.
47:34You're alive.
47:35So are you.
47:36What the fuck happened?
47:37Uh, she's here by coincidence, or what's going on?
47:39Okay, we'll talk about her later.
47:41But first, we should talk about what we've been, we've been doing.
47:43So, we'll talk to Deanna.
47:44I, I followed her.
47:45What?
47:45And then, uh, yeah, I kinda, I kinda took her baby.
47:48You kidnapped her?
47:49Well, more kind of borrowed her, I guess.
47:50Yes, the gals I was looking for.
47:52Ellen!
47:52I need you both to come backstage with the other ladies.
47:54Oh, well, no.
47:55No, we can't wait.
47:55Sweetie, this is official embassy business.
47:58I know you girls are excited to see the show, but you are here on the US government's dime
48:02to be looky-loos.
48:04Oh.
48:04You both look presentable, thankfully.
48:07Come on.
48:07Let's go.
48:08Elton's gonna love you.
48:09Come on.
48:10Well, I know he's not alone.
48:12Okay, okay.
48:13And I'm told, and I'm told he's a merchant.
48:19He made me sheep, but I'm told, is that I never said it.
48:28Right on time.
48:30I saw your doctor.
48:36So it's done.
48:37There are still loose ends.
48:39But this one is tied.
49:02Oh.
49:18Is there anything else?
49:20Yes.
49:21We need to go to the airport.
49:23I received a message from our friend in the village.
49:27He asked us to visit.
49:32What are you doing?
49:33I...
49:34What is that?
49:34Put that back.
49:35I was...
49:36Put it back.
49:39Please.
49:40I was only...
49:41Let me explain.
49:42I knew we couldn't trust you.
49:43You're working for them.
49:45And nobody believed me.
49:46You don't understand.
49:47Don't!
49:48Don't!
49:50Everyone, meet the beautiful American ladies of the U.S. Embassy.
49:55So I followed him and I asked to get to this checkpoint and then I...
49:58I got there.
49:59I found...
49:59You found it?
50:00I found the facility.
50:02Yeah, I know.
50:03I'm pretty sure that I know how to get us back there.
50:05But, Twyla, it's vast.
50:06I don't even know how we're gonna get through all of the material.
50:08It's...
50:09It's this huge facility.
50:10And there was...
50:12Okay, but...
50:13Okay, but...
50:14And we need...
50:15We need...
50:15We need...
50:17We need...
50:17We need...
50:17We need...
50:18We need...
50:22Hello, American.
50:47We need...
50:49We need...
50:52We need...
50:52We need...
50:54We need...
50:54We need...
50:57We need...
51:07We need...
51:09We need...
51:09We need...
51:09We need...
51:09We need...
51:10We need...
51:10We need...
51:11We need...
51:12We need...
51:12We need...
51:12We need...
51:13We need...
51:13We need...
51:13We need...
51:14We need...
51:14We need...
51:14We need...
51:15We need...
51:15We need...
51:30Transcription by CastingWords
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