- 6 hours ago
- #euphoria
- #season3
- #characteranalysis
- #tvdrama
Today, we embark on a deep dive into the intricate narrative arcs and character developments presented in the latest installment of Euphoria. We will explore the evolving relationships between key characters, examining the complex emotional landscapes they navigate. A significant portion of this episode focuses on Rue's ongoing journey with sobriety and the impact of her choices on those closest to her. Furthermore, we will analyze the thematic exploration of societal pressures and the search for identity among the teenage protagonists. The artistic direction and directorial choices that enhance the storytelling will also be a point of discussion, highlighting how visual elements contribute to the overall impact of the series. Finally, we will touch upon the cliffhangers and unresolved plot points that leave viewers anticipating future episodes."{length}: Medium{tone}: professional{language}: en
"Euphoria Season 3 Episode 6" offers a sophisticated exploration of the deeply interwoven lives and evolving challenges faced by its characters. This installment masterfully examines the complexities of relationships, delving into the emotional turmoil and personal growth experienced by each individual.
The narrative closely follows Rue's continuous struggle with her path toward sobriety, scrutinizing the profound consequences her decisions have on her support system. The episode further dissects prevalent themes of societal expectations and the universal quest for self-discovery as experienced by the young adults at the heart of the series.
Beyond the character-driven drama, the directorial vision and aesthetic composition are highlighted for their crucial role in amplifying the narrative's emotional resonance. These artistic elements effectively underscore the thematic depth and contribute significantly to the viewer's immersive experience.
As the episode concludes, strategic plot developments and lingering questions forge a compelling anticipation for what lies ahead, leaving audiences eager for the subsequent chapters of this critically acclaimed drama.
#Euphoria #Season3 #CharacterAnalysis #TVDrama
"Euphoria Season 3 Episode 6" offers a sophisticated exploration of the deeply interwoven lives and evolving challenges faced by its characters. This installment masterfully examines the complexities of relationships, delving into the emotional turmoil and personal growth experienced by each individual.
The narrative closely follows Rue's continuous struggle with her path toward sobriety, scrutinizing the profound consequences her decisions have on her support system. The episode further dissects prevalent themes of societal expectations and the universal quest for self-discovery as experienced by the young adults at the heart of the series.
Beyond the character-driven drama, the directorial vision and aesthetic composition are highlighted for their crucial role in amplifying the narrative's emotional resonance. These artistic elements effectively underscore the thematic depth and contribute significantly to the viewer's immersive experience.
As the episode concludes, strategic plot developments and lingering questions forge a compelling anticipation for what lies ahead, leaving audiences eager for the subsequent chapters of this critically acclaimed drama.
#Euphoria #Season3 #CharacterAnalysis #TVDrama
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Short filmTranscript
00:00Fills, clothes, shoes that fit.
00:04Don't that sound nice?
00:06He ain't the prettiest man.
00:08But don't you say nothing about that, you hear?
00:11You shake his hand and you look him in the eyes.
00:15Because he could love me.
00:17But that don't mean nothing if he don't love you too.
00:20Because you're the most important thing in the world of me.
00:24I sold him on this whole idea.
00:27I made some big promises.
00:31How are you doing, beautiful?
00:35Come on.
00:41Oh?
00:42This is my friend I was telling you about.
00:50I'm Preston.
00:51Nice to finally meet you.
00:53Alamo.
00:54Nice to meet you too.
00:56Nice firm handshake you got there.
00:58Thanks.
01:02He seemed nice.
01:04But his scars scared Alamo.
01:07Hey, Mr. Tess, how's it going?
01:13Hmm.
01:13You like it.
01:15That one would have to kill you too.
01:23That don't get me in no trouble.
01:31He may have been ugly on the outside.
01:33But on the inside, he was a good man.
01:36Heavenly Father, thank you for the food we are about to receive.
01:39Bless the hand that prepared you.
01:42And may it strengthen us so we can continue to do your work.
01:45In Jesus' name, amen.
01:47Amen.
01:48Amen.
01:54And he loved his mama.
01:56Yes, I'm sure.
02:00Hey!
02:02I called you.
02:05Hey.
02:07Let's not get you.
02:09Let's my people go.
02:10Well, I'm good.
02:11Brother.
02:12I appreciate that.
02:14Good morning.
02:15I love you, brother.
02:17Now is what you want.
02:20This is a lot.
02:22Let's not get you.
02:45Alamo, thank God for bringing Preston into their lives.
02:52I want you to look to God and I want you to say, Lord, come on, look up and say,
02:57Lord, you got my attention.
03:01Hey, what's going on, brother?
03:02Solid, brother.
03:04How nice when you want?
03:05Strawberry shirt, man.
03:06We need two of those strawberries.
03:10When you getting that settlement?
03:12Soon.
03:14You said soon a year ago.
03:15Yeah, you know how I beat, eh?
03:18Don't die my eyes, cost any tees.
03:20After what they'd done to your face, they had to make you rich as cream.
03:28Everyone said Preston used to be handsome.
03:32Alamo didn't know him back then.
03:33He worked at a chemical factory until that blew up in his face.
03:37You know when I get this money, we're going to see you in one of those white schools.
03:42But you might have to wear a uniform.
03:52Don't tell your mama I bought you no ice cream, right?
03:54One day, Preston came home with some news.
04:01Here's a poor shirt.
04:13I got you something.
04:15Preston knew that he was lucky to have Alamo's mama.
04:19So he treated her like a princess.
04:22You love me, Daddy.
04:24There's barely a day that went by where he didn't come home with a gift.
04:27You know I do.
04:28You put it right there.
04:39Make sure you don't scratch me.
04:41And you'll be extra careful with me.
04:45Careful with me.
04:46Close it.
04:47Daddy.
04:50Ain't this just the most beautiful thing you ever seen in Alamo?
04:54Yeah, yeah.
04:55Mom enrolled you in school today?
04:57Ain't that right?
04:57Mm-hmm.
05:00Alamo, they excited to meet you.
05:05They mentioned a uniform?
05:08No.
05:09But I'll laugh.
05:11They don't start to.
05:12So generally.
05:18I'm kidding.
05:21Mo.
05:23Homework.
05:24Not power, boy.
05:26Pay.
05:28Yeah.
05:31Soon enough.
05:34We'll see.
05:35Red box.
05:37And that'll draw.
05:41To this day, that was the best summer of Alamo's life.
05:45They even went to the beach on vacation for Labor Day.
05:47Tell you a secret?
05:49Yes, sir.
05:50Promise not to say anything?
05:52Yes, sir.
05:53When we get back home, I'm going to ask your mama to marry me.
06:00And look, I know you had a tough time with your daddy.
06:04But I want to try to make up for that.
06:06You know, give your mama a good life.
06:08So what do you say?
06:10You got your blessing, young man?
06:12Yes, sir.
06:13My bad.
06:16They were returning home to a new life.
06:31Oh, my God.
06:39Oh, my God.
06:41Oh, my God.
06:42Oh, my God.
06:45No, no, no.
06:48Oh, my door.
06:50Oh, my God.
06:51Oh, my God.
06:52Oh, my God.
06:53Why don't you take a call for it?
06:55What's this idea?
06:55They had been robbed of everything they were worth.
07:00Alamo?
07:01His mama wanted to take him and leave.
07:03Okay, Alamo.
07:04Time to go.
07:09Baby, please, just don't.
07:11Don't do this.
07:11I'm going to fix this.
07:12I promise you.
07:13There's nothing for you to fix.
07:15There's nothing here to fix.
07:17This is a man of shit, and I can't take it.
07:21No, no, no.
07:23Come on.
07:24I can fix this.
07:28I can fix this.
07:39Alamo didn't understand why they couldn't just go back to the way things were.
07:43Shit.
07:46Well, they had to help him go to a whole new city.
07:48Okay.
07:49The best choice is for you.
07:50And let me tell you, that man was bad luck.
07:53Hold on.
07:53There's nothing.
08:21I don't know.
08:27Come in, Alamo, and close the door.
08:37It's been a day.
08:40You want to make me drink that?
08:41Mm-hmm.
08:43It's beautiful.
08:45Just like you should.
08:46Yeah.
08:49I wish one of them jokers you hired
08:51to mow with my cat.
08:53The cat looked fond of me.
08:58I'm talking about it.
09:01I can't tell you'd be broken,
09:02but I'll be able to fix it.
09:06I'm kidding.
09:07It's just calm.
09:09And you said you won't put your stuff up on the wall.
09:15Alamo realized it was all an act.
09:17None of it was real.
09:22Go down the hall.
09:24Which room is it?
09:25It's all the way in the back.
09:26I'll be down there later, honey.
09:27It's the one at the end.
09:29Don't look at me like that, Alamo.
09:33You're the one that had to kiss it like Lefebvre.
09:38It was just one long con.
09:40No, no, no.
09:41The real Mark wasn't even Preston.
09:44It was Alamo.
09:46He believed her.
10:01That night he made a promise to himself.
10:04For as long as he lived.
10:05Never again.
10:07Would a bitch outsmart him.
10:31Hey, man.
10:33What are you doing?
10:34Devin up to the plate.
10:35It's the great Bambi.
10:37Come on, man.
10:38Don't do that.
10:38What are you doing?
10:40No, no, no, no.
10:41No, no, no.
10:41Hey, come on.
10:42Come on.
10:42Don't do that.
10:42Jack Dunn's baby.
10:43I can't.
10:44No, no, no.
10:45Hey, hey, hey.
10:46No, no, no.
10:47No, no.
10:48Hey, hey, hey.
10:48No, no.
10:49I can help you.
10:50The girl.
10:50No, no, girl.
10:50The girl.
10:51The girl.
10:51The girl.
10:51The guy's a wait driver.
10:52I know her.
10:52I know her.
10:52Her name is.
10:53Her name is Faye.
10:54We go with.
10:54No, no, no, no.
10:55I can call her.
10:56I can call her.
11:08Apparently, Faye sampled the drugs they stole from the silver slipper.
11:14And instead of getting high.
11:16I've been on the toilet for two hours.
11:19I can't stop shitting.
11:21Oh, man.
11:22That sucks.
11:23I hate when I have diarrhea.
11:26Yeah.
11:28Listen, Faye, I kind of need you to do me a little favor.
11:33Can you just find Wayne's key, the one in the safe, and just take a picture of it next
11:39to a quarter?
11:40Why a quarter?
11:41Just for scale.
11:42This sounds complicated.
11:44It's not really that complicated.
11:46It's pretty easy.
11:47And, uh, if you do this for me, I could, uh, let you, let you keep some money.
11:53Like, rob them?
11:55I'm not gonna rob them.
11:56The only problem was...
12:06They had fallen madly in love.
12:08You are the most beautiful girl I've ever laid my eyes on.
12:30Look, um...
12:31I'm gonna talk to Lorian.
12:33She shouldn't be in my way.
12:35Mm-hmm.
12:36Okay?
12:37Mm-hmm.
12:43Only thing you ought to be kind enough, Bella, is some fair-skinned babies.
12:48It's my dream.
12:50And, you know, one thing lights you another, and you gave me a tattoo.
12:56Is it a butterfly?
12:59Sexier.
13:05Wait, so, uh, are you a Nazi now?
13:08Not really.
13:11So, sort of.
13:12Just forget I told you.
13:14Okay.
13:17Look, I just need you to get the picture.
13:19Okay?
13:20Can you do that?
13:21The plan was simple.
13:22Get a picture of the key to Wayne's safe, and have Alamo's guy 3D print a duplicate.
13:26I just can't.
13:28Wayne is the love of my life.
13:30Oh, all right.
13:31Well, I'm gonna be fucking killed, and, uh, all you need to do is take a picture.
13:36So, I hope you're happy about that.
13:40Why don't you just lie to them and say I'll help you?
13:43Aw, you know who...
13:44You know who would fucking help me right now is Fez.
13:47Fez would help me, but you know where he is?
13:48He's in fucking jail.
13:49Why?
13:49Because of your last fucking junkie boyfriend!
13:54Faye.
13:56He helped you, and I need you to help me.
13:58Can you do that?
14:00Please.
14:02He was a true friend, all right?
14:03He had your back, he had my back, and I need you to have my back right now, man.
14:07Can you do that?
14:08Can you help me right now?
14:10Please.
14:20Fez.
14:21Fez.
14:24Fez.
14:24You promise I can keep the money?
14:33I need you to go.
14:35Yes, okay, I have to go.
14:40Hey, puppy.
14:42Who are you talking to?
14:43A friend.
14:58Who's your friend?
15:00The one in prison.
15:04Your ex-boyfriend?
15:06Just a friend.
15:10Uh-huh.
15:15You're doing coke?
15:19I'm trying to put a fucking baby in you.
15:21You're doing coke?
15:21This isn't actually coke.
15:23I got two eyeballs.
15:24That's fucking coke.
15:25You're not listening to me.
15:26It's not actually.
15:30Don't you try to fucking wiggle out of this.
15:34Last thing, I need you to be giving birth so creepy, Crowley.
15:37Okay?
15:39Okay.
15:48Baby, you said you're going to take care of yourself.
15:50I come in here, what do I find?
15:51Cocaine.
15:51I'm sorry.
15:55Sorry.
16:06You've been taking your prenatal?
16:07Every day.
16:13But sooner ain't going to be no drugs.
16:16Okay?
16:16It's just going to be money.
16:17Stacks of it.
16:20Baby.
16:22Bougie.
16:23Bougie.
16:24Hey.
16:25You don't like money?
16:27I like money.
16:28Yeah, you like money?
16:29You like it?
16:33I designed her clothes?
16:34Yeah.
16:36Manny Petties?
16:37Yeah.
16:38Look, whatever my baby needs, she gets.
16:40Okay?
16:42You like that?
16:43You like the sound of that?
16:45I love it.
16:46Yeah?
16:47Well, good, because it's coming.
16:49Okay?
16:50Only one don't see it coming is that fucking silverback gorilla Alamo Brown.
16:54Hmm.
16:56Oh, shit.
16:58Alamo agreed to meet Lori at his house.
17:22It's your turn.
17:23I don't know.
18:01I don't know.
18:27I don't know.
18:53I don't know.
19:23I don't know.
19:45Alamo Brown, thanks for having us.
19:49I really love your house.
19:53I hate that things have gotten so contentious between us.
19:57Well, if you'd apologize, we wouldn't be here.
20:03I like it, man.
20:04Yeah, I think we're in a pretty good position.
20:26I don't know.
20:31So what you want?
20:34For my big black ass to get down on his hands and knees and beg for mercy, please, Master Laurie,
20:40spare me. I don't know no better.
20:41I fucking love to see that.
20:46Oh, I bet you would, Cracker.
20:48I've got something about her in mind.
20:51You own a company called Gold Rush Medical Services?
20:54I own me a lot of businesses.
20:57Why the fuck you asking?
20:58You mind explaining this one in particular?
21:02I take me some girls down to Mexico for plastic surgery, down to work, that sort of shit.
21:10Well, you're a good mug, in need of a makeover.
21:16You use ambulances?
21:18Something like that.
21:20You get their medical passes, too?
21:22The ones that let you sail across the border?
21:26I see where this is going.
21:29So if you were to go down to bolt some boobs onto one of your whores, it wouldn't be that
21:35difficult to bring something back?
21:37You talking fentanyl?
21:38Something like that.
21:40There's something I don't understand about your business.
21:43Why y'all dumb motherfuckers want to kill the customer?
21:46The real question is why does the customer want to buy something that can kill them?
21:51It's supply and demand.
21:53Don't blame me.
21:54Then if I say no, we'll take everything we stole.
21:58Wrap it up in a big box with a beautiful bow, and we'll mail it to the FBI.
22:03Well, I guess that's a yes, then.
22:06Atty boy.
22:08Hey, y'all watch your motherfucking mouth play, boy.
22:12If I do this, I'll get my stuff back, right?
22:17Yes.
22:18Yeah.
22:19Now do I know that your pasty ass ain't gonna string me along.
22:23Don't you read the news?
22:25Bitch, I don't give a fuck about the news.
22:28They're shutting the border down.
22:30Put hard-working Americans like us out of business.
22:34It's one and done, and we all live happily ever after.
22:40How much am I carrying?
22:4280 kilos.
22:45God damn.
22:49Mama's got a brand-new mule.
22:58Jackpot.
23:02Good job, Rue.
23:05You know, I think I would like Mitch and Rue to drive down.
23:09Rue ain't going nowhere.
23:11She's good at this.
23:13I got people I trust more.
23:15You don't trust Rue?
23:17You pick your people, and I pick mine.
23:24Deal?
23:28Deal.
23:37If you as much as try to fuck me in the slightest,
23:41even put a pinky up my ass,
23:44I will come down on you like Hiroshima Nakasaki,
23:47not a motherfucker left standing.
23:50Yeah?
23:56I'll get your pasty ass out of my fucking house.
24:06I'll get you a pasty ass out of my fucking house.
24:25If everything goes according to plan,
24:28these people will spend the rest of their lives behind bars.
24:30Okay, so what about me?
24:32You did your job, you kept your work.
24:34The U.S. attorney will look at your case favorably.
24:38So that's it?
24:39For the time being.
24:40Okay.
24:41You did good, kid.
24:43Never thought I'd hear that.
24:45We're almost there.
24:47Stay sharp.
24:48Okay.
24:59Thank you, God.
25:00I tried to warn Maddie about Alamo.
25:03I'm a big girl, Rue.
25:04I'm a little scared of him.
25:08Okay, well, if he's such a monster,
25:09why do you work for him?
25:11Our goal was to milk these girls for every penny
25:14and get Alamo to back her business,
25:16one where she didn't have to answer to anyone.
25:20Yeah.
25:23Maddie, are you feeling safe?
25:25Yeah, okay.
25:26Like, it hurts.
25:30Turn around.
25:31Let me see a little bit of that ass.
25:37And this last week...
25:45I laid the groundwork.
25:52There she is.
25:53Maddie.
25:54The club is so photogenic.
25:57You gotta see these.
25:58I designed it myself.
25:59Right down to the last piece of fabric.
26:03You got good taste.
26:05Tell me something I don't know.
26:07Hey, I'm Maddie.
26:12I know.
26:14Take no offense.
26:15This nigga got no social skills.
26:17Hmm.
26:19Hey, this is a good one right there.
26:20That's funny.
26:21Yeah, I really like this one.
26:22Hey, I was thinking...
26:23It would be good if you gave the girls some time off
26:26so I could take them out,
26:27introduce them to people,
26:28start building their profiles.
26:30You talking about time off?
26:32Well, they work like six days a week.
26:34Hey?
26:35That's my money.
26:36It would just be nice to have some time with them
26:38so I can...
26:39Look here.
26:40When we made this agreement,
26:41you didn't say nothing about taking my business.
26:43If you did, we wouldn't have this agreement.
26:45I'm not trying to take your girls.
26:47Bishop,
26:48do I look like a wet pussy?
26:50No.
26:52Why do I feel like everybody's trying to fuck me?
26:55How one feels is irrelevant.
26:57Irrelevant?
26:58Motherfucker, you got eyes in his, don't you?
27:00Yes, I do.
27:01And what they've seen and heard.
27:04There are people trying to fuck you.
27:08I don't know if Maddie Perez is one of them.
27:29Against all odds,
27:31life was looking okay.
27:33Maybe every mistake I've made
27:35led me to the right place after all.
27:37Mm-hmm.
27:58You know what I think my problem is?
28:01There's only one.
28:05I have no responsibilities to anyone except myself.
28:09I think that's why I have so much anxiety and depression.
28:14If I had kids, I think it'd be different.
28:19You want to have kids?
28:21Yeah.
28:23I want to start a life.
28:25Get married, have a family.
28:29I don't know if you're ready for kids, Ru.
28:31I mean, nobody's ready for kids, right?
28:33But they just do it.
28:36And your problems aren't about yourself anymore.
28:43How long have you been sober this time?
28:46A bit.
28:47I mean, like a while.
28:49I'm not really counting the days this time.
28:53I just want good old-fashioned American problems.
28:58What you're talking about is fantasy.
29:04No.
29:05What you're doing is kind of a fantasy.
29:07You're in a relationship with a married guy
29:09who's never going to be there.
29:13Proposed to you.
29:14I mean, I want to wake up to someone I love.
29:20Someone who depends on me.
29:22Someone who expects me to be the best version of myself.
29:27I think that's the solution.
29:32Because I have to live for something greater than myself.
29:40Do you think we're going to be that?
29:54Why not?
29:58How romantic.
30:02I want to be with you.
30:06I don't get it.
30:09Well, last time we were together, I just thought that it was...
30:13A mistake.
30:14A mistake?
30:18You show up, you disappear, you make plans, you don't follow through, and now you're here, like, professing your love.
30:25Where's our relationship?
30:27In your head?
30:29I mean, I'm sorry.
30:30Did we not just have an amazing time together?
30:33Am I crazy?
30:35I just, I'm sorry, I thought it was...
30:37A big fucking mistake.
30:39It almost cost me my relationship.
30:42This place, literally everything I'm working for.
30:45So this is your future now?
30:47Should I be hidden in this place here?
30:51His wife knows about me.
30:52What does that mean, Jules?
30:54He's not going to leave his wife for you, Jules.
30:56Come on.
30:58You're just the little toy that he keeps lost in a little room.
31:02Don't go anywhere, don't see anyone.
31:04Just, just stay there and paint until I come back to fuck you.
31:17Ellis is going to be here in 45 minutes, so I suggest you get the fuck out of my painting.
32:06I'll be right back.
32:16So you walk in, get Mark's attention, say the lines, and that's the scene.
32:22Pictures up!
32:23Pictures up!
32:24Pictures up!
32:25It's your first time on camera?
32:28Um, kinda.
32:31Just take a deep breath, you're gonna be great.
32:33Cassie only had a few lines.
32:34Roll sound.
32:37Sound speeds!
32:39She studied them religiously.
32:40Mark.
32:41And action!
32:47Oh my God.
32:49She's got an interesting figure.
32:51Yeah, she's very, uh, womanly.
32:53Mm.
32:54Hi.
32:55Are you hiring?
32:57Are you good?
33:00Well, I worked at Tableau for over a year.
33:03I see.
33:04So Jagger was your boss.
33:06What are you implying?
33:09Jagger and I go way back.
33:11Let's just say, uh, you're not the first girl to come running once the honeymoon's over.
33:25Like, the honeymoon?
33:29The honeymoon?
33:29Let's just say you're not the first girl to come running once the honeymoon is over.
33:36I'm just trying to survive.
33:38What?
33:39It's very important.
33:40Is that the line?
33:43So what's she talking about?
33:44This isn't it.
33:44You think you would know someone after five years, but you don't.
33:47Did you give her the wrong screen?
33:49I don't know what's happening.
33:50Well, you must have, because I didn't write those lines.
33:52No, what's she talking about?
33:54Uh, Spencer, that line's not in the screen.
33:56Does anybody have a...
33:56She just lied and lied and lied.
34:00I did everything for him.
34:02What do I get in return?
34:04A bloody nose on my wedding night.
34:08Did Jagger hit you?
34:10What's he doing?
34:11I don't know.
34:12He's rolling with it, though.
34:13Should we just cut?
34:14You know, I find it rather compelling.
34:16Let's...
34:17Let's just let it roll.
34:20Maybe I deserved it.
34:22Hey.
34:24No woman deserves to get hit.
34:26No, but I do.
34:27I stole him from my best friend.
34:28I mean...
34:31I think this is the price I pay.
34:33It's very compelling, but how does this fit into the script?
34:36I don't know.
34:37It feels fresh, and it's giving me the feels.
34:40I think she's got something.
34:41Well, she might, but she seems a little unhinged.
34:43Excuse me, is someone gonna cue me?
34:45Enter!
34:50Hello, Mark.
34:54So, you gonna introduce me to your little friend?
34:57Oceana.
34:59This isn't what it looks like.
35:06I have all the dirt to shut Jagger bars down.
35:10And...
35:11Cut!
35:11What's that?
35:12What were you doing?
35:12It's okay.
35:15I want to see that girl.
35:22How long have you been acting?
35:24Um...
35:25Basically, my whole life.
35:27Have you?
35:28Mm-hmm.
35:29Yes, Lexi, I have.
35:32Um...
35:32It's been my dream to do it full-time, though.
35:35Mm-hmm.
35:36Especially on a show like L.A. Nights.
35:38Well, I hope you learned from this experience, and you continue to grow.
35:54Mm-hmm.
35:56I mean, it is so tasteful, so it doesn't even look like it's nude.
35:59What about, like, your special requests?
36:02Oh.
36:03Fetish stuff and JOIs.
36:05J-O-I's?
36:07What's that?
36:09Um...
36:10It's just when, uh...
36:12When guys pay me extra money to kind of...
36:15It's jerk-off instructions.
36:17What?
36:18That's what it stands for.
36:18That's insane.
36:20So you're a sex worker?
36:22No, I am not.
36:24I am not a sex worker.
36:26They need instructions?
36:27I'm a performer that uses my body to tell stories.
36:32Huh.
36:34So, how does that affect you?
36:37Emotionally?
36:38The hardest part is how people treat me.
36:41Oh.
36:41Yeah.
36:42Even my own family.
36:43But it's also very empowering.
36:45Like a new sort of feminism.
36:48Exactly.
36:49That's debatable.
36:50I see.
36:51So, as I understand it, there's a lot of young women who do this today.
36:56Oh, my God.
36:57There's a whole wave of girls like me.
36:59Yeah.
36:59Which is a problem.
37:00This is why you brought her here.
37:02To get her out of that world and into a better one.
37:05Mm-hmm.
37:06Hmm.
37:06That's a very interesting character, Archie.
37:09And Fonda.
37:10Clute.
37:10Young hustler.
37:11Has a secret other life.
37:13Tabitha's sister.
37:14Good girl.
37:14Bad girl.
37:15Black.
37:15Brilliant.
37:16Well, unfortunately, a job applicant only has one scene.
37:19Does she?
37:21Yeah.
37:22And then we never see her again.
37:25Maybe we do.
37:27Oh, my God.
37:29Are you saying you're going to write me into the show?
37:32It depends.
37:34You ready to leave that world behind?
37:36Not just for us, but for your sister?
37:39The answer you're searching for?
37:43Yes, ma'am.
37:46Yes, ma'am.
37:50Yes.
37:50Look at us.
37:51Bringing families together.
37:53Oh.
37:55I can't believe I'm going to be a main character.
37:59Okay, she didn't specify main or supporting.
38:01It's just a storyline.
38:02And this is my dream.
38:03This is what I've always dreamed of.
38:04I'm going to be on TV.
38:05People are going to know my name.
38:06You've got to tone it down.
38:10Thank you, God.
38:11I'm going to be free.
38:13Shh.
38:15Not if we don't delete your OnlyFans.
38:17Oh.
38:56I'm going to be free.
39:19Nate, answer the fucking phone.
39:22I need your advice.
39:25Where the fuck are you?
39:56When I recommended her to casting, I just knew you guys would fall in love with her.
40:01I like the storyline.
40:03I like how risque it is.
40:06Totally.
40:08You seem to have a pretty good inside track on it.
40:12Why don't you take a stab at it?
40:18What do you mean?
40:20Write it.
40:21Why don't you write it?
40:23Me?
40:24Don't look so surprised.
40:26Act like you deserve it.
40:40The DEA told me to go about business as usual.
40:43So I brought the photos of the key to Alexander.
40:46Ah.
40:47This is going to take me a minute.
40:49You want to come back in an hour?
40:51Uh, okay.
40:53Okay.
40:58Okay.
41:06Okay.
41:08Okay.
41:12Okay.
41:12Okay.
41:12Okay.
41:43Hey, what's up?
41:46Mom?
41:49Sorry, I thought you were someone else.
41:55It's good to hear your voice, too.
42:00Yeah, I'm good.
42:02I mean, I've been better, but yeah, I'm good.
42:08I'm actually in a church.
42:12No, that's not a meeting.
42:14I just kind of decided to walk in.
42:21I mean, I believe in God.
42:30I guess we just figured if he exists, and so does redemption.
42:41If there's redemption, then there's salvation.
42:50And I kind of need that.
42:59I just, um, I don't really want to be stuck with all the mistakes I've made.
43:12It's hard to change.
43:13All I can think about is all the bad things you've done.
43:22I just want to be free to start over.
43:31I just want to start over.
43:38I don't want to be forgiven.
43:45It takes me.
43:54I miss you.
43:59I miss you a lot.
44:00I miss being home.
44:07Yeah, I'm going to come by soon.
44:19I love you.
44:22I love you so much, and I'm sorry if I made it harder.
44:29I didn't really realize how tough it is to be out here by yourself.
44:38I know I'm not a lot.
44:42Yeah, I know that.
44:46But yeah, I'll, um...
44:48But I'm coming home soon.
44:55I love you, Mom.
44:57I love you, Mom.
45:09I love you, Mom.
45:11I love you, Mom.
45:15I love you, Mom.
45:58Why don't you just kill her character?
46:00Because I'm supposed to build her up.
46:04Okay, so build her up to kill her.
46:09If someone doesn't die periodically, people get bored.
46:16Otherwise it's just, you know, talking and talking.
46:23How should I kill her?
46:26There's so many ways.
46:37Hello?
46:42You're going to sleep at the door.
46:44I need a signature.
46:49One second.
46:54Hi.
47:47You want to fuck with my life?
47:52You want to fuck with me?
47:54You want to fuck with me?
47:55Well, fuck you, faggot cocksucker!
47:59You fucking fucks!
48:02You want to ruin my life?
48:04You want to ruin my fucking life?
48:06I'll ruin your fucking life, you fucking faggot!
48:11Fuck you!
48:13Fuck you!
48:15Fuck you!
48:18Stop!
48:19Fuck you!
48:23Uh, damn!
48:28Oh, who's got his music!
48:30Uh, stop!
48:34Stop!
48:38Fuck you!
48:38You need to cry!
48:40Hold on!
48:42You have a beautiful reassurance!
48:43No!
48:44No!
48:45No!
48:45No!
48:46No!
48:47No!
48:47Oh!
48:48Oh!
49:04You don't need it?
49:05You need it more than I do.
49:10It's your plan.
49:12Don't you want to see it through?
49:15You want me to go to Lori's?
49:18I want you to do whatever the fuck it takes.
49:29Yo, what the fuck?
49:30What the fuck is that?
49:34It's suppertime.
49:46You know the story behind this snake?
49:50It used to belong to Sweet Dancer.
49:53She had a whole freak act with it.
49:56At night, she'd take it home, let it curl up in bed with her, fall asleep.
50:03She loved this snake.
50:06But one day, it just stopped eating.
50:10She switched from frozen rats to live ones.
50:14It'd choke them out, but still wouldn't eat.
50:20Finally, she took it to the vet.
50:23Said, gotta be sick or something.
50:28The vet shakes his head and says,
50:30Miss, this is a perfectly healthy python.
50:35Sweet shook her head.
50:37There's gotta be something wrong.
50:40That's when the vet looked her dead in her eye and said,
50:43The reason it wraps itself around you at night
50:46is because it's sizing you up.
50:50And the reason it ain't eating
50:52is because it's preparing for a much larger meal.
50:57Sweet came back to work,
50:59told Alamo that story,
51:01and I never heard him laugh harder.
51:05He gave her ten bands for a snake
51:07she'd have given him for free.
51:11Why?
51:13Because it's a reminder.
51:15You'll never really know
51:17a motherfucker's true intentions.
51:24Totally.
51:27You gonna get inside that safe?
51:29Yeah.
51:32Good.
51:34It'd be real awkward if I lied to your mother.
51:40My mother?
51:44Leslie.
51:46Nice lady.
51:48Showed her how well you're doing.
52:01One at a time.
52:03Don't let me.
52:08Don't let me.
52:29The Lord saw that the wickedness of man
52:32thought was great in the earth,
52:34that every intent of the thought
52:36the story was only evil continuing.
52:40What do you mean?
52:42Evil evil evil.
52:43What do you say to now?
52:45Green, green, green.
52:47Why?
52:48Because green is the end of this.
52:59Don't let me.
53:01The boys, man, who are...
53:02Man, the face of the...
53:04How are you?
53:08I'm out of here, so we're not from the matter to the...
53:14Alright, yeah.
53:16I'm scared.
53:18I'm scared.
53:26Oh shit!
53:28Fuck!
53:39Fuck!
53:41Fuck!
53:42Fuck!
53:49Fuck!
53:54Fuck!
54:05Fuck!
54:07Fuck!
54:13Fuck!
54:15Fuck!
54:18Fuck!
54:20Fuck!
54:20Fuck!
54:21Fuck!
54:22Fuck!
54:37Fuck!
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