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00:25Good morning, dear viewers.
00:27In the sea, we bring the sun to view you.
00:32And that's not only because we woke up in such a strange city on the obama of two rocks at
00:3720 degrees.
00:38I've been waiting for the sun to view you for years, but it looks like I'm not happy.
00:42This is obviously happening only by choice.
00:45And it's just like that?
00:47Just like that?
00:50What does that mean, Mako Bujeva?
00:52Do you think that Marko is our Marko?
00:56I don't know.
00:58Let's go to the small screen.
01:01Now, when you're on television, you'll forget the death of us.
01:07What are you talking about?
01:08Why do you think I like it?
01:10When I didn't like it, I wouldn't have to do it.
01:12What are you talking about?
01:15I'm pleased because Angelica was looking for me.
01:18They have a security camera from that night.
01:23They were invited to me to shoot.
01:25I'm sure I'll ask you something.
01:27Is it?
01:28The man who hit him.
01:32Who knew who he was.
01:35I'm sure I'll tell you.
01:36I don't know George's name to ask him.
01:38I don't know him.
01:41I don't know him.
01:43I don't know how he was.
01:45I don't know how he was.
01:47What do you say?
01:48Something else is more important than everyone knew?
01:51Yes.
02:09I think someone has a whole situation in view.
02:13Now he's going to be 100%.
02:15Listen.
02:16That with Dejan and Serna.
02:18It's a big boy.
02:19Because it's his idea.
02:21I don't know what to do.
02:22You understand?
02:27Aleksandra.
02:28What with Aleksandra?
02:29The Serna caught us on the gaybe.
02:31As I love him.
02:32You're the two mentally ill.
02:34What do you mean?
02:35What do you mean?
02:36What do you do now?
02:37What if you put it in Felton?
02:38Barbara and the boy.
02:39They're going to kill you.
02:40Barbara will kill you again.
02:41A boy.
02:42They're going to put it in Mengele.
02:44How much did Barbara and the boy hurt me?
02:46What do you want?
02:47I'm sorry, brother.
02:47Now I'm just going to kill the dog.
02:49Brother, you killed me on all fronts.
02:51No, no.
02:54Excuse me, why are you laughing?
02:57He hit him in the middle of my house and in the middle of my couch.
03:02Okay, sorry for me, but I'm laughing for you.
03:05Me?
03:06Why not?
03:07Why are you laughing?
03:08Let Barbara take care of this.
03:10Excuse me, Daniela, but that's my house.
03:11No, it's your house in which you bring Dejane.
03:15I don't know why you're laughing.
03:17Or maybe you're a little lovey?
03:20I'm a little lovey.
03:21I'm a little lovey.
03:22I'm not a little lovey.
03:23Maki?
03:23I don't know, Maki.
03:25I have a idea to tell you about the old village.
03:27I'm like a devil.
03:28I went there.
03:29Nobody was alive.
03:30I didn't hear about Damjana Andrejević.
03:31Neither for anyone in school.
03:32Marina.
03:33Listen.
03:34I know that everyone is the best.
03:36But I don't have time to deal with your and Damjanov.
03:39Because I have a job.
03:41You understand?
03:41Srđene!
03:42Srđene!
03:45Srđene!
03:46Do you want me to make a fool of you?
03:48And to hurt you.
03:51Tvoj pijačni barometar
03:53je rapsodija urbanosti.
03:56I ono svemu tome.
03:58U toj rapsodi urbanosti.
04:01Meni uvala onog matorca.
04:03Onog puđavca.
04:05Onog srb... srbnutog penzusa.
04:09Razumeš?
04:09Koji govori da sve što je domaćinje
04:11je automatski zdravij.
04:13A nije tako.
04:14Nemoj ti da se brineš ništa.
04:16Ti si naš prozor u sve.
04:25Džubre jedno!
04:27Ma de kompresovat ću ja jedno i drugo
04:30kad vam uzmem 20% od plate.
04:32Jeste me čuli dobro?
04:33Pa da vidim kako ćete
04:34posle toga da vi se privatavate po VCA-ima.
04:37Gamad!
04:37Milanka!
04:39A sastanak?
04:42Sastanak je upravo otkaz.
04:50Ide život.
04:52Neko misli da je gore.
04:55Ide život.
04:57Neko zna da živi bolje.
04:59U kavezu živote čine.
05:02Ko preživi pričat će.
05:07Neko dani prolaze.
05:09Neko stvara pobede.
05:12Neko sebi vraća se.
05:14Radi to drugačije.
05:16Neko ljudi semna na sve.
05:18Misli tu će bolje je.
05:20A svima nama jedino.
05:22Ljubav i nadostaje.
05:24Od jutra do sutra.
05:27Radosti i tuge.
05:29Uvijek nešto mogu da ti nude.
05:32Voli ne voli.
05:35Igramo srci.
05:37A sakrijem tri se.
05:39Da duža ne voli.
05:42Od jutra do sutra.
05:44Radosti i tuge.
05:46Kako misliš.
05:48Tako će da bude.
05:50Jednom povrediš.
05:52Drugom oprostiš.
05:55Dobro umatiš.
05:56Kad voli da voli.
06:02U nekom dani prolaze.
06:05Neko stvara pobede.
06:07Neko sebi vraća se.
06:09Radi to drugačije.
06:12Neko ljudi semna na sve.
06:14Misli tu će bolje je.
06:16A svima nama jedino.
06:18Ljubav i nadostaje.
06:20Od jutra do sutra.
06:22Radosti i tuge.
06:25Uvijek nešto mogu da ti nude.
06:28Voli ne voli.
06:31Igramo srci.
06:33A sakrijem tri se.
06:35Da duža ne voli.
06:37Od jutra do sutra.
06:40Radosti i tuge.
06:42Tako misliš.
06:44Tako će da bude.
06:46Jednom povrediš.
06:48Drugom oprostiš.
06:50Dobro umatiš.
06:52Kad voli da voli.
06:58Od jutra.
07:00Od jutra.
07:12Od jutra.
07:28Od jutra.
07:29Od jutra.
07:29Od jutra.
07:30Od jutra.
07:30Od jutra.
07:30Od jutra.
07:30Od jutra.
07:30Od jutra.
07:30Od jutra.
07:30Od jutra.
07:31Od jutra.
07:31Od jutra.
07:31Od jutra.
07:32What is this?
07:36What is this?
07:46What is this?
07:47What is this?
07:47Nikola, son, do you have a phone?
07:53Hello, son.
07:54See you.
07:57Sorry.
07:57Excuse me.
07:59Do you understand me that I'm always here for you?
08:03You can't take the phone and see yourself as a normal person.
08:08Thank you for that.
08:10See, after Sopota, I called and called and called and called and didn't call you.
08:15What else do I do?
08:16I don't want to talk about Sopota.
08:19I don't want to talk about why you came to the show.
08:24I don't want to.
08:25Okay?
08:26I don't want to.
08:28Okay.
08:30I'm going to pour the water in the water for the flowers.
08:35I don't want to talk about you.
08:35It's very important how the day starts.
08:37Tell me.
08:38Do you want to drink something?
08:40I don't want to drink.
08:45I don't want to drink anything.
08:49I don't want to drink anything.
09:07Do you want to drink anything?
09:08Do you want to drink anything?
09:16Yes, I don't want to drink anything.
09:20Come on, do you want to drink anything?
09:28Yes, but did you think about what to do with the house when the conversation is going on?
09:36No, I don't know. We will sell it. We will share the money.
09:42I don't know, everyone will come to the side.
09:48No, I don't know.
09:52I don't know.
09:53I don't know.
09:53I don't know if you want to take a couple of house.
09:55I don't know how to do it because I don't know how to do it.
09:59No, I don't know.
10:03I want to do it.
10:04I want to be happy.
10:07I want to have a family.
10:09I want to be a new life.
10:16You need to be more than you want.
10:19You want to be more than you want.
10:22You want to be more than you want.
10:24You want to be more happy.
10:30Yes.
10:33You're right.
10:36Sorry.
10:42Sorry.
10:47Sorry.
10:53You want to be more than you want.
10:56You're right.
10:58You're right.
10:59You're right.
11:03You're right.
11:07You're right.
11:11I'll be right.
11:12I'm waiting for a moment to get out of here.
11:14Yes, I'm sorry that you didn't have a son of a living room.
11:17How are you?
11:18Did you hear that?
11:19That's the star of our TV show.
11:21Really?
11:22Yes, Chikadula is a crazy hit.
11:26I'm a man.
11:28I mean, honestly, I'm waiting for everything to finish.
11:31I'm going to break it up with the TV and the public life.
11:34Love, do you think that Chikadula will give you a gift to you?
11:39Barbara Aydinelo, who is the guy who appeared in a bar.
11:43Yes, but they're again known.
11:45He was fantastic.
11:47It's really important to me.
11:48I don't know what he's waiting for.
11:50What, Marco?
11:52He has a mask.
11:54What about a mask?
11:55What is it, Peter Pan?
11:57No, no, no, no, no.
12:00I'm a newspaper who has been reading, where is he?
12:02What a newspaper.
12:04What?
12:04What?
12:05It has to be related to the magazine.
12:08No, I don't know.
12:10A woman?
12:11A woman or a woman?
12:12A woman.
12:14A woman?
12:15A woman?
12:15A woman?
12:16A woman?
12:17Alexander.
12:21I don't even know how she calls me.
12:23I know something.
12:28I know.
12:29I know that you deserve a better father than me.
12:32I know that you have done something like that.
12:36Nikola, ask me.
12:38I'm asking you.
12:38I don't understand that you don't understand me.
12:44But you are my blood.
12:46You are my blood.
12:48You are my blood.
12:49You are the only thing to me.
12:51You are the only one who loves me.
12:56And you are my blood.
12:59You are the only person who loves me.
13:02That's not right.
13:04I am salute myself and hurting myself.
13:07Your actions are different.
13:10What actions are the more than miracles.
13:14I mean, you know, that endless line of lies and nonsense that I've done,
13:19and the pain that I've had, and the nights that I've had, and the nights that I've had,
13:22and the situations that I've led you to.
13:25No, father. No.
13:29But thousands of days and nights
13:33that I've lived in fear and pain,
13:35I don't know whether I'll find you.
13:38If I find you, whether I'll be alive.
13:40You didn't miss me.
13:43That I've been driven,
13:44because I thought that it was less harmful.
13:48Less harmful?
13:50Did you say that it was less harmful?
13:53Excuse me,
13:55how much is it worth you to pay a couple of friends to your daughter?
14:00At the same time, I was a man of that man.
14:05How much is it worth you to help from Vojslava Filipović?
14:08Hey!
14:09To become his lover!
14:12To become his lover!
14:12To be his lover!
14:13To be his lover!
14:15To be his lover!
14:15How much is that worth it?
14:20I've been hurt because of you.
14:26I've been hurt my mother.
14:37You've been my hero.
14:38You've been my hero.
14:40You've been my prince on white hair.
14:42You've been my best father in the world.
14:47You've been my best father in the world.
14:47And then I went to therapy for years.
14:51I've been reconstructing my childhood.
14:53And the doctor told me that it's hard to love her father only when she is there.
15:03My mother was always there.
15:08My mother was there when the rain falls,
15:13when the snow falls,
15:17when the cashier is empty,
15:19and when the same cylinder comes to us to the door,
15:23to return your debts.
15:27You are aware that I have all the rage that I feel for you
15:32to return to her.
15:37I have been living for 22 years,
15:40I have been convinced that my mother came out of me
15:45because of me, not because of you.
15:53I don't know.
15:58I don't know.
16:02I don't know.
16:17I don't know.
16:21I don't know.
16:22You love Mark?
16:23I love you,
16:24I love you.
16:24You're a classic girl.
16:25You're lying on Mark.
16:28Okay, that's not the only thing.
16:31I think women who are lying on their own personality.
16:38Okay, let me just leave.
16:40I'm not my own.
16:41Yes, yes.
16:42That's why I like you.
16:43Hey, see, you can lie as much as you want.
16:45I don't understand why the idea of women
16:47that the men are lying when they are shooting.
16:50It's really not clear.
16:51Who would like that?
16:52Yes, why?
16:53Really?
16:54Because you put it in your head.
16:56Why, Persia?
16:57There's no reason.
16:58You see, Felton is a war,
17:00not my idea.
17:01I'm not a fool for that.
17:02I'm going to drive someone with a truck.
17:04Until now, it was great.
17:07You're normal.
17:08You're normal.
17:09What's your name?
17:10What, this is a madman and a fool?
17:11Your lady!
17:13Yes, I'm not a fool.
17:15What?
17:15Look at how you're doing it.
17:17You can see how everything is done without a fool.
17:20But I'm not a fool.
17:26I'm not a fool.
17:28I don't have eyes, but you're not a fool.
17:29What?
17:30What do you think, Petra?
17:32What do you think?
17:33I'm a little old man.
17:34I'm a little old man.
17:36Yes, that's right.
17:38That's right.
17:38That's great.
17:39Totally old man.
17:41I'm a little old man.
17:42I don't really like that.
17:43I've read what she writes.
17:44It's a good idea.
17:46What?
17:46What's wrong?
17:47I left a few years ago,
17:49where she was with Johnny Depp,
17:51where she was in the mountains.
17:53Only if Johnny Depp drank so much water,
17:55she didn't know where she was found.
17:57Now, think about who is ready for Felton.
17:59Oh, people.
18:00Who is really like that?
18:01It's a shame.
18:02It's a shame.
18:02It's a shame.
18:03I'm.
18:04And my own Kjeva.
18:06It's a shame.
18:07I've never seen it.
18:09I've never seen it.
18:10I've never seen it.
18:11They're interesting.
18:13They have a good form.
18:14It's a shame.
18:17Excuse me. Excuse me, please.
18:25You can help me to...
18:29...to return trust in me.
18:31How, man? How?
18:34I don't know.
18:36I don't know what you're going to let me let you do.
18:39Let me let you do.
18:42I'm going to let you go now. You're not able to...
18:46You're not able to hold this care here.
18:50I'm not.
18:51What am I, man?
18:53If I give him, you'd be lost somewhere.
18:55You wouldn't save him.
18:57You'd be left in the house and back in two months.
19:03Give me a chance.
19:06Don't give me a chance.
19:07You've only given yourself a chance.
19:12Let me allow you to prove.
19:15Nicola, I don't need...
19:17I don't need my husband.
19:20I don't need anyone to change me.
19:22I don't need anyone to meet me.
19:27I don't need anyone to meet me.
19:29I don't need anyone to love me.
19:32I don't need anyone to leave you.
19:35You lose.
19:38You lose.
19:41You lose.
19:53You lose.
19:55You lose.
19:55I don't know if we are living, healthy and ok.
19:59It's not enough.
20:01It's not enough for a man.
20:07Is it you because of the money?
20:09I don't know.
20:11You can't pay rent?
20:14It's not enough.
20:15Okay.
20:16I will not give you money,
20:21but I will give you the opportunity to make it.
20:26Can you?
20:27You know, Marko and I are working a lot.
20:30We are almost never in this house.
20:33We are traveling.
20:36And we gave a lot of money for dogs.
20:40I give you the opportunity to make money for rent.
20:45And show and prove to me
20:49that you are in order to carry out someone's account.
20:53Can you?
20:54Can you?
20:57Can you?
21:08Can you?
21:10Can you?
21:12Can you?
21:14I have to.
21:15I have to.
21:16I really have to.
21:17Yes, yes, I have to.
21:18I have to.
21:18I have to buy some guests before the show.
21:21You know when the show starts at 7 am?
21:23I don't know when I have to leave.
21:25That guy is a villain of fun.
21:27That guy is a villain.
21:30All we love,
21:32but we are looking for him.
21:33We have to have to have cash.
21:36I know.
21:38Good.
21:40Good.
21:43I'll tell you,
21:44I'll give you a chance.
21:46Do you know?
21:47Same.
21:49Do you want me to drive or do you want me to drive a taxi?
21:52Yes.
21:53Bye.
21:54Bye.
21:55Bye.
21:57Bye.
21:57Bye, Marko.
21:58Bye.
21:58Bye.
21:59Bye.
21:59Bye.
22:05Bye.
22:29Bye.
22:30Bye.
22:42No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
22:43How do you think this man is lying on him and just into his argument,
22:47No, why?
22:49You told me I didn't give this,
22:52I Yours.
22:53What do you see in this video?
22:56And women.
22:57I don't understand that women always see only one thing.
23:01God, don't be young, please.
23:03You understand me as women.
23:05Maybe I don't understand women, but you are a woman.
23:09I don't understand you.
23:11Just a little bit.
23:13It's not a shame you sit your head.
23:15Why not a shame me?
23:18Why not a shame me?
23:19I've never been like this.
23:21Do you remember that?
23:22Come on, please.
23:25Wait, I ask you.
23:27Because I was a good friend.
23:28And women are crazy with me.
23:31God, that last thing that is crazy for you.
23:33My soul is my daughter from now.
23:37You are crazy.
23:39Let me tell you.
23:40I look good today.
23:43Is that right, Uroše?
23:44You go home.
23:45You go home.
23:46Come home.
23:46You, child.
23:48It's hard to eat.
23:51You, child.
23:51Yeah, you�.
23:53Maybe a half years ago.
23:56But I haven't lost charm.
23:59You are no charm.
24:01You are not.
24:01It's something else it is.
24:02I tell him, he is in the right hand.
24:06He is just a man of pain.
24:08He feels a little hard to sing another song.
24:11Yes.
24:12You can sing when you feel a hard time.
24:15Let's go.
24:16Let's go.
24:18He found a guy in the sax.
24:21He explained to us that there is a rado daike.
24:24Yes.
24:24You know my voice.
24:26Yes.
24:26All right.
24:29Why are you sorry?
24:30You don't want a girl to be married.
24:32Just a little fun.
24:33Yes.
24:35I think he loves you.
24:37He wrote a letter.
24:38He's a message.
24:39No.
24:40No.
24:40No.
24:41No.
24:42No.
24:43No.
24:43No.
24:43No.
24:43No.
24:44No.
24:45No.
24:45No.
24:47No.
24:52No.
25:01No.
25:17No.
25:18I think I'd have to leave this.
25:21Now I'll call this woman...
25:24Stop the phone, Dušane.
25:26Don't look at me.
25:27Do you understand why I bought a new bag?
25:30See how beautiful.
25:32Beautiful.
25:33Really stupid.
25:35What?
25:36What did you say to me?
25:38It's like some of them.
25:42Dušane, because...
25:43You were born to be your face.
25:46I think.
25:47Really?
25:49Yeah, this is how the mother went out...
25:51...from the trees...
25:52...and look like this...
25:55...and look like this.
25:56Tata, no one can't expect you to be like that.
25:59You go out and boom!
26:01What?
26:02What?
26:03What?
26:04What did you say, Petra?
26:06I don't believe it.
26:07You said that the mother went out...
26:12...and look like this...
26:14...and look like this.
26:15...and look like this...
26:17...and look like this...
26:18...and look like this...
26:20...and look like this...
26:22...and look like this...
26:22...you have to be seen...
26:22...in the drink barometer...
26:25...and the God.
26:25...and look like this...
26:43...and look like this...
26:48...and look like this...
27:34...and look like this...
28:05...and look like this...
28:05I don't know what to do. I don't know what to do. But I don't know, maybe Nemanja can come
28:11in with her desires.
28:13Wait, wait, wait. What do you think exactly?
28:16You don't know? She's a coward.
28:20He's a coward.
28:21He's a coward?
28:23Yeah, he likes to experiment, he likes to...
28:26I don't know what to do.
28:28I don't know.
28:31If you like things, you'll enjoy it.
28:33He likes it.
28:35He likes it, he's a coward.
28:37He's a coward.
28:40Come on, guys, stop.
28:42Now I'm going to go to the top.
28:43Where is the top, my idol?
28:46Don't be stupid because of me.
28:48Go to the action.
28:50What, hold my hand?
28:51We'll hold your hand.
28:53And hold your hand high enough.
28:55Don't be afraid, coward.
29:02Stevka, can you help me to get into the WC one hour?
29:06What?
29:07Because our love Nemanja will now teach a lesson.
29:11You have a plan.
29:14Do you know how I don't like TV?
29:17I know.
29:17But you said what everyone thinks.
29:20Who knows when will you say the opportunity to be the people of the world?
29:24Maybe with Cveto Petro.
29:26Do you like to get a little bit of anger as Cveto Petro?
29:29You're still young, young man.
29:31Yes, like a little of the rain.
29:33See him.
29:34I won't listen to these stupidities.
29:36I'm clear.
29:37You're right.
29:37You're right.
29:38You're right.
29:38You're right in the pool.
29:39You're right.
29:41You're right.
29:42You're right.
29:47You're right.
29:56I'm gonna have a lot of strength,
29:59and that kind of thing I like.
30:02Oh, that's the thing, Mirce.
30:07I'm going to think about it.
30:10There's nothing to think about it.
30:12I've thought about it.
30:15You don't have to think about it.
30:15You've thought about it all.
30:18It's not going to be able to do it.
30:22So I'm going to do my life and career I'm gonna do it.
30:27I pray for you.
30:29Now I'm going to pray for you.
30:31No, I don't know.
30:32Dušane!
30:34Dušane, look at me.
30:37You go to the barometer.
30:39And the spot.
30:46Just a little paždivo to tell you that I'm a bit of a set.
30:49Yes. I'm a little bit of a set.
30:52Let's go, father, we'll do it again.
30:54What do you do?
31:05Om.
31:09What do you see?
31:13You see, you see, you see,
31:16the chakra pulsing.
31:18I don't see it yet.
31:19Do you see anything?
31:22Here, here, it's clear.
31:25Now it's clear.
31:27Who?
31:29Muškarac.
31:30Who?
31:32Skotan.
31:34What color is?
31:39Black.
31:41No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
31:43no, no, no, no, no, no, no, no, no, no, no, no, no, no.
31:47Nazire se, nazire se, nazire se. Polako, polako. Crn. Crna kosa. Skoten.
31:57To je on.
31:59On?
32:00Do.
32:00On, on, on, on.
32:02Sad ćemo da vidimo na koje slovo počinje ime.
32:11O, i, m, m, m, m, m, m, m, m.
32:36Yes, what are you thinking?
32:38No, no, no, I'm confused because I see his name all the time,
32:42but I thought that's because I'm watching this morning program.
32:46Is it morning, man?
32:47Yes, every morning.
32:49Tell me, isn't a divan?
32:50Yes, it's the best.
32:53It's the love of my life.
32:55But wait, Cherole, you know she was a wife,
32:58and she couldn't find any other one.
32:59Yes, she was anorexical finger, she was a wife,
33:03and she was a wife.
33:03Okay, you're right.
33:05She's right, she needs to be three more than her.
33:08And tell me, are you still alive?
33:11Yes, we are.
33:12But it's so weird when she's back to that point.
33:16Okay.
33:17If I see him,
33:19then it's still alive.
33:22But, Boso, I feel that he doesn't like it like that before.
33:26Now, Boso, I feel that he doesn't like it all,
33:28and we can see that he doesn't like it all.
33:32I feel that he doesn't like it all.
33:34I feel that he doesn't like it all.
33:36But it's only 50 euros.
33:36No, it's not a problem.
33:37I'm ready for that.
33:38Okay, let's go.
33:39Now, Boso, we'll clean you up and see what's going on with your own.
33:45Let's go.
33:46Let's go.
33:48Let's go.
34:11Let's go.
34:21Hello.
34:22Hello.
34:23Hello, good morning.
34:24Is that the agency?
34:25Yes, it is.
34:27The agency, please.
34:28Sorry, I wrote the agency name by myself,
34:31but I didn't write the name of which nor why.
34:33This is the detective agency.
34:36How can I help you?
34:38Ah, detective.
34:39Tell me, what are you talking about?
34:41With Slavoljub Petrović.
34:44Dear Mr. Petrović, tell me, do you know something about Jelica Andrejević?
34:51Wait, don't forget me, please.
34:54The lady who invited you to meet her son, Jelica Andrejević.
35:01The son? Wait, when was that?
35:05I don't know how many years ago, but you certainly remember,
35:10the neighbors were asking, someone was missing.
35:14Mrs. Jela.
35:15That's right.
35:17I haven't seen it for a long time.
35:20It's wrong to understand me, but I don't know if she's alive.
35:25She's alive, she's in the house for Stare Lica.
35:28And how is Mrs. Jela?
35:30I don't know what to say.
35:32She has dementia.
35:37She's dementia.
35:38She started to lose her when her son died and Snaja died.
35:43Yes, it was scary.
35:45And her son?
35:47Damjan, a little in America, a little here and so on.
35:51She loved her.
35:53Tell me, how can I help you?
35:59I have some time.
36:03I don't know, I have to know.
36:09I don't know.
36:09I know, you must know her.
36:11Yes, she's done.
36:12I knew her.
36:13She's done the documentation.
36:14Yes, I have the documentation.
36:17I can only find her.
36:19I just found her.
36:20If you don't have a problem, I will call you for a few days,
36:24and we can hear you. We can hear you, we can hear you, we can meet you.
36:28Of course, please.
36:30Thank you very much.
36:31We'll hear you. And welcome, Mrs. Jel.
36:35Yes, thank you.
36:44I didn't say my name.
36:45Ne, a i nesjecam se da je gospođa Jela imala rođake.
37:05WC, treća kabina, ponesi ružu, imam iznenađenje za tebe, Una.
37:11Pa šta sam ti rekao?
37:12Ove luđe nego što sam mislim.
37:15Pa kde se da neđem ružu?
37:24Hvala, vidim.
37:43Šta kaže?
38:05Dobro jeste, ona nju sahranila, to nije ništa sporna, vidiš da si glupača loži na njega.
38:09Nemam pojma šta, ko, kako, gdje i kad samo znam da ovo podriva naš koncept porodične televizije.
38:17Ispada da smo mi ložovi.
38:20Bosle, mi i ja smo ložovi, samo nas je ona raskrinkala.
38:39Ja nisam stigla da se najevi, nisam.
38:41Ja nisam stigla da se najevi, nisam.
38:41Dobro, gde je gori?
38:44Hoću da čujem malo preciznije neke stvari.
38:48Misliš nešto što sam videla, nisi razumela.
38:50Hoću da znam sve što se dešava na VTV-u.
39:02Ja ne mogu da vrlo, mora.
39:04Pa je li to normalno?
39:05Ja sam to ja.
39:06Jer ako sam to ja, tako je.
39:08Ja ću lepo sad iz ovih stopa da odam kod nekog psihoterapeuta na seanš.
39:11Pa da ti je bre, naložila se na Marka i majku bi svoju prodala, samo da bi obezbedila svoju poziciju.
39:17Na poziciju na ovom kaoču.
39:18Upravo tako.
39:37Ne može scenarista da smisli to što život možete izgledati.
39:40Ne može.
39:41Opa, Todoroviću!
39:44Pa tebi će da padne krunak z glave čim si ti ovde dobro.
39:53Pa tebi će da padne krunak.
40:23Ta i padne krunak usk Moja kod nekog psihoterapeuta.

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