- 2 days ago
Euphoria Season 3 Episode 4
Category
🎥
Short filmTranscript
00:00Some say it's just the facts.
00:06Others say it's what's right.
00:11Some even claim there's no real truth at all.
00:14Just opinions.
00:18The funny thing is,
00:22while we may disagree about what the truth is,
00:33we all know when we're telling a lie.
00:55This is all the K9 unit found.
01:01You seem surprised.
01:03Nope, not at all. I told you guys I wasn't lying.
01:06Where are you coming from and where are you going?
01:08You know, it's funny. I was actually headed to a wedding.
01:11At 10 p.m.?
01:12Yeah, well, I was headed back.
01:14What do you mean, back?
01:16Yeah, I was at the wedding earlier.
01:17Why did you leave?
01:19I had a friend. It was like an emergency thing.
01:21What kind of emergency?
01:23She wasn't invited to the wedding, you know?
01:25So it was like the whole thing,
01:26and I don't really want to get into the details, but yeah.
01:30What is your relationship with Lori?
01:37Um...
01:38Is that the monotone lady?
01:40The monotone lady?
01:41Yeah, she like talks like that.
01:43So you do know her?
01:44I mean, like, not like that.
01:47I know her, kind of.
01:48So you and Lori don't call each other?
01:50No. Oh, God, no.
01:51Have you ever been to Mexico?
01:57Um...
01:57Nope.
01:58Nope.
02:00Never been.
02:03Is it nice?
02:05Some parts.
02:07So if I had a photo of you in Mexico,
02:09would you say it wasn't you?
02:12Me?
02:13In Mexico?
02:14In Mexico.
02:15But you say I've never been.
02:16You have a photo of me?
02:17So it's not you.
02:17In Mexico?
02:19Yes.
02:19I'd have to see the photo then.
02:20I don't have it.
02:22So it's a hypothetical scenario?
02:23Well, I can tell you with absolute certainty
02:24that I have never been to the moon.
02:26Have you been to the moon?
02:27I've never been to the moon.
02:28Are you sure?
02:29Positive.
02:29If somebody comes and says they have a photo of you in the moon...
02:31It wasn't me.
02:32Why not?
02:33Because I've never been to the fucking moon.
02:35Make sense?
02:36So far.
02:37So if I had a photo of you in Mexico,
02:39what would you say?
02:42Like, where in Mexico?
02:44So you've been to Mexico?
02:46I mean, I've been to the border.
02:48I drive for Uber and Lyft.
02:50Oh, but you've never driven into Mexico.
02:51I mean, I may have gotten lost or turned around or some shit.
02:54You know, like, I used to be an addict.
02:56It gets fuzzy sometimes.
02:58But you won't remember if you drove 20 or 30 minutes into Mexico.
03:01Absolutely.
03:07So you said you didn't have a photo?
03:09I lie.
03:11Do you remember meeting this guy?
03:14I mean, I don't...
03:16He's a cartel member.
03:17His name is Uno.
03:18He operates a club 20 minutes from the border.
03:20I don't know what this is, but I...
03:21Whole statement to a federal agent.
03:2318 U.S.C. 1001.
03:25Five years in federal prison.
03:28So you guys can lie to me, but I can't lie to you.
03:30Correct.
03:31That seems fucked up.
03:32Apparently we have different definitions of what constitutes fucked up.
03:57We also lie to you when we say we didn't find any drugs in your car.
04:02Recognize this?
04:04Yes.
04:05No.
04:05No.
04:09Yeah.
04:10This is 20 years in federal prison.
04:12And federal inmates don't get parole.
04:14We know who you work for and what you've been doing.
04:16We know the fentanyl you've trafficked has killed people.
04:18For each death we can link to you, it's an additional 20 years.
04:21You may never see the light of day again.
04:25Look at me.
04:27I can see it deep down that you're a good kid in a bad situation.
04:30Our job is to take the drugs off the streets.
04:33Because too many lives have been destroyed.
04:36Wouldn't you agree?
04:39Yeah.
04:40So this can go two ways.
04:42We can either take you into federal custody,
04:44or you become a confidential source and help us take these people down.
04:49Oh, fuck.
04:51The fuck is accurate.
04:53If you want to turn her cursing into a blessing,
04:57I will say this is your opportunity.
05:05And that is how I became a snitch.
05:12They swapped out the drugs for sugar pills and laxatives.
05:18Told me to stay cool and they'd be in touch.
05:30Little twirl.
05:31Kiddy, kiddy, kiddy.
05:34What do you think of that booty?
05:36It's all right.
05:37Could be a bit juicier.
05:39We don't want to scare off the whites, though.
05:41In my mind, I'm picturing a tasteful tush.
05:44You know?
05:45Commercial.
05:46Classy ass.
05:47Bitch, you look like shit.
05:52Me?
05:53Ain't nobody else in here looking like shit.
05:55Oh.
05:56Sorry, I was just a little hungover, that's all.
06:00Well, I'm gonna need you to smile.
06:03Not you.
06:04You.
06:05Oh, me.
06:06Again.
06:06Sorry.
06:07Are you hungover or fucking retarded?
06:09I'm just confused.
06:10Bow, bitch.
06:11Oh, yeah.
06:14Never seen those fucking pearly whites.
06:16Ah!
06:17Ah!
06:17That's what I'm talking about.
06:19Now, that's a fucking smile.
06:22For all the Sammy Davis crew.
06:27You know why you're fucking smiling?
06:30No, sir.
06:31Because I gave that bitch Lori a taste of her own medicine.
06:36What?
06:39What?
06:40No, I got a feeling that's the last fucking pickup you'll ever do.
06:44What?
06:45Then who are we buying from them?
06:47You think there's a fucking shortage of dealers in L.A.?
06:49Not in this L.A., partner.
06:53Right.
06:54What?
06:55What?
06:56What?
06:56What?
06:56What?
06:57What?
06:57I'm in the mood to celebrate.
06:59Yeah.
07:01Luckily, I got me a newfound friend Kitty.
07:04Come on over here, baby.
07:06Look at that.
07:08Mwah.
07:12And Kitty likes to dance.
07:16He won't do a lot of money when he started me.
07:21The beach can dance?
07:22If you're in Kansas, cut us some slack.
07:27What is Kansas?
07:41You look like death warmed up.
07:45Yeah, I think it's just like a tummy thing.
07:52I'm planning on taking that off.
08:01Okay, so what happens when they find out the drugs are fake?
08:03I assume they will call Lori and ask her to correct their mistake.
08:07Okay, but aren't they just going to blame me?
08:09Why would you swap out the drugs?
08:11It's not like you're a snitch.
08:20They also installed an app on my phone.
08:26We added a new number under your mom's contact.
08:29Tap it and the bug goes hot.
08:32Can I just keep it in my pocket?
08:34It can get muffled.
08:36It's better in the open.
08:38Isn't that suspicious?
08:39Sometimes.
08:40Sometimes not.
08:47You guys are going to give me a fucking heart attack.
09:02If I can pack it.
09:05No need.
09:05It's doctor.
09:39No need.
09:41It's a metaphor.
09:42What?
09:44The toe.
09:46It's a metaphor.
09:48You know, I thought that I'd lost it forever.
09:51But we were smart.
09:53We put it on ice.
09:54We took it to the hospital.
09:56And they were able to put it back on.
09:58What's the metaphor?
09:59When you break something, you gotta pick up the pieces.
10:02You gotta be real careful with it.
10:04And you gotta glue it back together.
10:11So the toe is us?
10:15In a way.
10:16The toe's never gonna be the same.
10:19How do you know?
10:22Because the doctor said so.
10:24You said the toe will never feel the same.
10:26I think you're misinterpreting the metaphor.
10:28No, the metaphor doesn't mean what you want it to mean.
10:32You can look at a scar as a sign of weakness,
10:34or you can look at it as a strength.
10:36Okay, so now you're changing the metaphor.
10:38No, I'm not.
10:39First you said that we're the toe,
10:41and now you're saying we're the scar.
10:42Are you an English teacher?
10:44I'm talking about our relationship.
10:46When I look at my toe,
10:48it motivates me to build back better.
10:51Everything you've built is based on a lie.
10:53Not everything.
10:55Some things, yeah.
10:57Well, just our relationship,
10:59this house,
11:00our finances,
11:01your business.
11:06You didn't say our love.
11:13How much do you owe this guy?
11:15Somewhere between a little and a lot.
11:18What's the number?
11:19You know, it depends on the interest,
11:22you know, how quickly we can pay this guy.
11:23What's the number, Nate?
11:23You know,
11:25a million
11:32I feel sick.
11:34I am going to fix this.
11:37You have to keep faith.
11:38In what?
11:39Me.
11:40Us.
11:41Our life.
11:46The fairy tale's over.
11:57What's that even mean?
12:01Cassie called the one person
12:02who could actually help her.
12:22Where are you going?
12:28To work.
12:49Thanks.
12:50This is something about your look.
12:53Okay.
12:55Okay.
13:09She just made my man fine.
13:11It's not my fault.
13:13I get along well.
13:15Hi.
13:16Hey, what are you doing?
13:18Uh, just working.
13:21Nice.
13:21Okay.
13:22Well, I have a really cool opportunity
13:24that I think you might be good for.
13:26You interested?
13:28Really?
13:29At an art show,
13:30maybe two to three hundred people
13:31will see your work,
13:32but Ellie and I's average
13:33is seven million a week.
13:35What?
13:35That would be life-changing.
13:38I mean,
13:38thanks for getting it done today,
13:39by the way.
13:40Thank you so much
13:40for thinking of me.
13:42It's just right up here.
13:43The character Oceana
13:45is inspired by George Seurat,
13:46so we were thinking
13:47sort of a Sunday in the park
13:49picnic kind of feel.
13:51Okay.
13:51Yeah,
13:52like the woman with umbrellas
13:53thing?
13:54Well,
13:55you don't need to copy anything.
13:56Like,
13:56it should feel distinct.
13:58Okay.
13:59Yeah.
14:00Sure.
14:00Basically,
14:01do whatever you feel.
14:02It'll be great.
14:03I have to go.
14:04Bye.
14:15This is Cassie.
14:17Hi.
14:19The goal is
14:20to take her
14:21from the suburbs
14:21to the city.
14:23Cool.
14:24Cool.
14:26Cool.
14:27Cool.
14:34Cool.
14:46Cool.
14:48Cool.
14:49Cool.
14:49Cool.
14:49Cool.
14:53THE END
15:39Yeah, we have an emergency
15:42What kind?
15:43It's hard to explain
15:56Has your friend lost their mind?
15:58I don't know
15:58It's insane
15:59It's not like there's one penis
16:01There's 14
16:02What were you thinking?
16:03I told her to paint a picnic
16:05Does this look like a picnic?
16:07I don't know what happened
16:08I don't think my character would paint something like this
16:10I agree completely
16:12Did you say George Soros?
16:13Yes
16:14Women with umbrellas?
16:15Yes
16:15Children sailing boats?
16:16Yes
16:17Is she trying to sabotage the show?
16:18No, of course not
16:19Who in their right mind would paint something like this?
16:21It's insane
16:22Well, she's...
16:23What?
16:24Trance
16:25Jesus Christ, Lexi
16:26We're gonna have to handle this
16:29Delicately
16:31Hey, I think I'm outside
16:32Yeah, we're on set
16:34Just come in
16:48Okay
16:50So nice to meet you
16:52Nice to meet you too
16:53Yes, thank you so much
16:54Thanks for having me
16:55Very talented
16:56Thank you
16:58So, I don't know if Lexi told you
17:01But this is a network show
17:03Which means that we have to answer to standards and practices
17:06Ugh, and they are like the censors
17:09Okay
17:09Uh-huh
17:11The penises are too much
17:15How many peni do you want me to get rid of?
17:17Let's say all of them
17:19Like paint clothes over them?
17:21That could work
17:21Or you could make them into bread loaves
17:24Bread loaves
17:25To stay in theme with the picnic
17:29And, uh, I'm just, like, struggling with how many limitations there are
17:33The only limitation is we have to get rid of the penises
17:36Okay
17:37But the breasts are okay
17:40Let's just get rid of the nudity in general
17:42Put some clothes on them
17:44Blankets
17:45You know
17:46I'll leave that to the interpretation of the artist
17:49How long do you think that'll take you?
17:52A couple hours
17:53Just punt the scene
17:54We'll move it till next week
17:56Thanks
17:57Thanks
18:24I'm so sorry
18:27I feel horrible
18:29Well, that makes sense
18:31Mistakes happen
18:33Some are just more expensive than others
18:37I know
18:39Do you?
18:40Because I'm not sure that you do
18:42We lost an hour and a half of shooting
18:45Fifty-six thousand dollars
18:48I have to hold stage nine for another week
18:51That's Grips Electric Rentals
18:54Your failure to communicate
18:58What do you think that costs us?
19:01Fifty-six thousand dollars?
19:04No
19:04It's a hundred and ninety-one thousand dollars
19:15Don't be a net negative, Lexi
19:18I won't
19:20Okay
19:23No, thank you
19:27Close the door
19:34Holy moans
19:35Jennifer
19:35You're a realination
19:35Oh
19:35no Oh
19:37no You're
19:43a little Oh no
19:43Oh no
19:45Oh no
19:50Oh no
19:52Oh no
19:55Oh no
19:56Oh no
20:28I'm so sorry.
20:30Am I a perfect little guy?
20:38How you wanna deal with this?
20:41I wanna kill them all.
20:44But I don't know if that's painful enough.
20:56The reason you're walking free is so you can set up a buy.
21:00What the fuck do you want me to do?
21:01He killed her bird.
21:02They're never gonna do business together again.
21:04Hey, we got no use for you.
21:06We might as well put you ass in prison.
21:08Listen, what if I can set up a buy with a different dealer?
21:12What dealer?
21:18Lexi had agreed to let Cassie stay at her place for a while.
21:21Yeah, put your chin up.
21:23Toke the ass up.
21:24I need a smile.
21:25Come on.
21:26You're happy to be here.
21:28Gorgeous.
21:29Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
21:32Can you turn that back on?
21:33I don't know why it went off.
21:35We'll just turn it back on.
21:36What a great idea.
21:37Wait, hold that pose.
21:39When she gets the boy working, I'll pose.
21:41I just feel like you're worth more than your body.
21:44My body's worth a lot.
21:45Yeah, and these girls are out here making millions.
21:48Who?
21:49Well, like Bad Baby.
21:51Bad Baby?
21:52Yeah.
21:52She was on Dr. Phil.
21:54She cussed him out and got super famous.
21:55And when she turned 18, she made an OnlyFans and made like 53 million in a year.
22:0153 million?
22:02We're not making this up, Lexi.
22:04This is the business world of today.
22:05I mean, if I do this...
22:19I need to get some drugs.
22:21You relapse?
22:22No, no, it's not for me.
22:23Don't worry.
22:24Is this blower ever going to fucking work?
22:26I don't know.
22:26I'm not a gardener.
22:28Wait, I thought you were clean.
22:29I am.
22:30It's not for me.
22:30It's for my boss.
22:31Okay, well, what kind of drugs do you need?
22:33Uh, Coke, Molly, heroin.
22:34And heroin?
22:36For your boss?
22:37Or for you?
22:38No, not for me.
22:39And I don't have time to explain this shit.
22:40Is this machine really important?
22:41Yes.
22:42I need hair movement.
22:43It brings energy to the shot.
22:45Listen, Maddie, you can just give me the contact and I'll do rest.
22:47Well, I don't feel comfortable helping you get drugs.
22:49Okay, but it's not for me.
22:50My hair is not what sells, okay?
22:52It's my body.
22:53And my body doesn't need wind.
22:54It needs a photographer.
22:55Do you guys hear yourselves right now?
22:58Like, what's wrong with you people?
23:01You're looking for drugs.
23:03You're selling your body on your porn site.
23:05And you're like some internet pimp.
23:11It's sad.
23:12And it's pathetic.
23:14And it's really disturbing, honestly.
23:16Oh, Jesus.
23:17Who would have thought we would have come there?
23:18Did you shut that fucking drink up?
23:21Oh, wow.
23:21So annoying.
23:22Yeah.
23:23Yeah, yeah, yeah, yeah, yeah.
23:26Yeah, yeah, yeah, yeah.
23:51Nathaniel Jacobs' son, Suttler's Corp.
23:55Nate knew this was definitely his last chance.
24:06I believe everything happens for a reason.
24:10The discovery of these endangered flowers on my land happened for a reason.
24:18It was a sign.
24:20And in all my excitement and passion for the elderly, I had overlooked the greater meaning
24:28of the Sun Settler mission.
24:30God said to Adam, for dust you are, and to dust you shall return.
24:38This is a fundamental human truth known all too well by our senior citizens.
24:42So I'd like to propose a new design for Sun Settlers.
24:47Imagine our hospice wing, where families can gather in the final days of their loved ones' lives
24:52and look out at a beautiful garden of white fritillaries.
24:55These flowers should not be dug up and moved.
24:58No, we should move around them with an elegant curve design done by our A-plus architecture team.
25:09Motion denied.
25:10Motion denied.
25:10When the environmental studies come back, we can discuss.
25:14Motion denied for now.
25:19I have put my entire life on the line for this.
25:22Motion's denied.
25:23Every penny I have.
25:26My marriage is in shambles because of you.
25:31Sorry, is this a personal thing, Bill?
25:33Do you have a personal problem with me, Bill?
25:36Is that what this is?
25:37I don't.
25:38Are you trying to ruin my life?
25:40What do you want from me, Bill?
25:42Don't tell me, what do you want from me?
25:45You want me on my hands and knees begging you to give me my life?
25:49Is that what you want?
25:51Sir, your time is out.
25:53I'll do it.
25:55We have other people waiting.
26:07There it is.
26:11I'm begging you, Bill.
26:13I want my hands and knees.
26:15I'm begging you.
26:16I'm trying to do a good thing.
26:19This is a good thing, Bill.
26:20This is a good thing.
26:21This is good.
26:22Okay, that's enough.
26:23This is good for the world.
26:24Mr. Jacobs.
26:27Please just let me see this through.
26:28I can't be back.
26:29Mr. Jacobs.
26:30This is a good thing.
26:31I'm trying to do a good thing, Bill.
26:35For the last time, motion denied.
26:41Sir, just get your things together and pack them up.
26:45You can go.
26:48Let's take a five-minute recess.
27:00Cassie had pawned her wedding ring, took the cash, and invested it in herself.
27:12As Nate would always say, it takes money to make money.
27:19Do you have some cash?
27:23Just so happened, her new place was across the pool from Lexi.
27:36A dollar, and that's a hundred dollars.
27:39You didn't hear from Laurie yet, did you?
27:40Not a little bull, Pete.
27:42Hey, on a scale to one to ten, how sad you think that bitch Laurie is?
27:47Like an eleven?
27:48Like a hundred and eleven.
27:49He was a beautiful bird.
27:52You said that like he didn't kill his ass.
27:54I didn't want to, but I was told to.
27:57This nigga looking at me like he looked at a damn pair.
28:01Call.
28:02Call.
28:03Oh, shit, we got a three-hander.
28:08So, when we run low at the club, where am I supposed to pick up from?
28:12Goodbye with you, little lady.
28:14I'm focused on this hand right here.
28:17Yeah.
28:24I was just, uh, I was just thinking, because, you know, I still have my connects in, in Mexico.
28:29And, uh, I could always, like, do a pick up and then sell at the club.
28:34At 175.
28:36I mean, we could make a lot of money.
28:38You, you could make a lot of money.
28:39Y'all just a little too fucking rich for my blood.
28:48Call.
28:50Don't you say you wanted to get out of that world?
28:52Now you ass want to get back in?
28:56Let's see the time.
28:57I was just thinking that, that's all.
29:06You know, something don't add up.
29:10I bet two hundred.
29:11Why in the fuck would you ask me something so catastrophically dumb?
29:17I don't know, I don't know.
29:18Nah, see.
29:20You didn't just think it.
29:21You had thought to say it.
29:23And then you said it.
29:25So I'm gonna need a much better explanation than a motherfucker and I don't know.
29:30I'm sorry, I shouldn't have overstepped.
29:34Nah, that don't cut it.
29:40I just figured, like, at the club, the more people that do drugs, the more money they spend, you know?
29:45Well, are you gonna call or not?
29:49Nah.
29:50See, you had something.
29:53No.
29:55Why the fuck are you sweating?
29:58I just know I have a good hand, that's all.
30:02Call.
30:04I've seen that look before.
30:06See, you've got that look in your eye.
30:09Like a motherfucking rat.
30:12Trying to figure out where it's gonna go next.
30:16Man.
30:19Where you gonna go next?
30:27Let's see the river.
30:28Shut the fuck up, Nick.
30:34You've been using it again, ain't you?
30:46Amen.
30:51Yeah, I had a slip-up.
31:08Check.
31:12All in.
31:14Oh, shit got real.
31:16Call.
31:17Call.
31:22Oh, my fuck.
31:24You been setting that shit up the whole time.
31:26Let me make one fucking thing clear to you.
31:30You fuck with hard drugs.
31:34They likely could wind up killing your black ass.
31:39Got it.
31:41What'll happen again?
31:44Damn, Bishop.
31:45Well, you got BTA.
31:47Belt to motherfucking ass.
32:04Andrel's not coming back?
32:06Not at all.
32:08She ran away from rehab.
32:11Disappear.
32:13It's sad.
32:16The life goes on.
32:25Last night I was dreaming.
32:27It's yours.
32:28I dreamed about the H-bomb.
32:30Where the bomb went off and I was caught.
32:34I was the only girl on the ground.
32:42There were thirteen men and me, the only girl in town.
32:54And as funny as it may be, the one and only girl in town was me.
33:01A thirteen men and me, the only girl in town.
33:20It's almost like Angel knew she was never coming back.
33:28And just like Tish, everyone would soon forget.
33:50Maddie told Cassie to put on her best outfit.
34:00Maddie told Cassie to put on her best outfit.
34:00The stash was running low, and I was running out of time.
34:13You look good, bitch.
34:19Sir, let's go.
34:42This is Brandon Fontaine's house. He's got 20 million followers.
34:46The goal is simple. Get him to post a video of you looking hot tonight.
35:00Get out of here!
35:11And who knows if the DEA would even protect me.
35:36All he cares about is pussy.
35:38You're gonna tempt him with pussy, you're not gonna give him pussy.
35:41Because the moment you do, he'll never speak to you again.
35:45Don't trust these girls. These bitches are dogs. Stray dogs.
35:49And they're looking at you like a fucking Pomeranian. The cute new bitch.
35:53So stay sharp, stay focused, and it's fucking wind.
35:58It feels like we're going to war.
36:02Come on.
36:35Come on.
36:43So what would you like?
36:57And when I was in high in the Megalundi, I worked in high school,
37:10And when I was in high school, I worked in Gertrudean for a 2017 and
38:34What do you think I'm doing?
38:36What do you think I'm doing?
39:06How do you know Brennan Fontaine?
39:08Oh, my best friend's like best friends with me.
39:11Oh, who's your best friend?
39:12Maddie Perez?
39:13She's like a manager to all these super famous actors.
39:17Yeah, I know Maddie. I love Maddie.
39:18Is she here?
39:21Oh, she's somewhere around here.
39:27What's up?
39:28What's up?
39:29Hi.
39:31You guys want to have some more fun?
39:34I have some Coke.
39:35Oh, my God. I love Coke.
39:37She loves Coke.
39:39Look, come on.
39:40Come on.
40:40Yeah.
40:50Make yourself at home.
40:53Casa, su casa.
40:54I can't believe you actually live here.
40:57It's dope, right?
40:58How long have you guys known each other?
41:01Forever.
41:03Does Maddie rep you?
41:07Yep.
41:09That's weird.
41:09I can't believe you're here, dude.
41:26Cap?
41:30Cap?
41:31Come and get it.
41:36Did you test this?
41:37It's my usual plug. It's fine.
41:40Are you sure?
41:41Yeah.
41:41Okay, no, sorry.
41:42I don't want to die or anything.
41:44I love my life too much, you know?
41:48Um, you're not going to offer it to me first?
41:52I thought you were a gentleman.
41:59Ladies first.
42:02You're welcome.
42:24Oh, my God.
42:27Oh, my God.
42:31Do me, do me, do me, do me.
42:33Woo!
42:37Right here, right here.
42:39Right there?
42:39Right there.
42:40I think it's my turn.
42:41His turn.
42:42My turn, baby.
42:43My turn.
42:44Your turn.
42:46Mm-hmm.
42:48Yo, smile.
42:50Get the fuck off here.
42:54Oh, I like it too.
42:56Oh, I like it too.
42:57He really likes it.
43:03I can't open the door.
43:04I need to get in there.
43:08I think it's my turn.
43:10Oh, no, I got it.
43:14Woo!
43:15You're a fucking crazy bitch, aren't you?
43:17Fucking wild.
43:18You're no good.
43:20I'm no good.
43:21I'm no good.
43:24I'm dealing with a locked door here.
43:39I have to go viral.
43:47I need to get some water.
43:50Okay.
43:50Good?
43:53Oh, no.
43:57She's sick.
43:59She's fuking.
44:00She's fuking.
44:06I want to fucking raise up.
44:08Really?
44:09Really.
44:10Really.
44:11Right now?
44:11Right now.
44:17Hey, Brandon, who's your new friend?
44:19Yo, yo, yo, yo, yo.
44:21It's just me, Cassie, and that's my handle.
44:36Hey.
44:38Hey.
44:45Can I help you?
44:51Do you have any more ketamine?
44:54Are you doing okay?
44:58Okay.
45:00Those guys, did they hurt you?
45:20Um, you know, I saw what happened.
45:25Are you sure you want to be doing this?
45:29I'm just like, are you being forced?
45:37I like to dance.
45:38I'm just kidding.
45:42I have to.
45:45Oh.
45:48Oh.
45:50Oh.
46:00Oh, oh.
46:05I don't know.
46:42You good?
46:45Yeah.
46:46Just making a phone call.
46:53Fuck.
47:05Hermano, we have to talk.
47:09This girl, I don't care about her.
47:12Speak English.
47:14She asked if someone was forcing her to work here.
47:20I don't trust this bitch.
47:59I don't trust this bitch.
48:08Hey.
48:14I, um...
48:16I just forgot my phone.
48:23I let you break one of my rules.
48:31Nobody enters my office alone.
48:46I don't know why she's calling.
48:48Must be important.
48:53Do you mind if I...
49:04Mom?
49:05Listen very carefully.
49:06Pretend I'm your mom.
49:08Ask me about grandma.
49:11Wait, what did you say about grandma?
49:13You're compromised.
49:14The girl in there just told your boss that she thinks that you're a snitch.
49:17You gotta find out what to discredit her.
49:24Okay.
49:33Oh, I'm glad she's okay.
49:36Love you too.
49:40Close the door.
49:41We need to talk.
49:43We need to talk.
49:56You got their attention.
49:57Now you gotta keep it.
50:04Now I think it's very clear what the fuck is happening here.
50:07Because this Spanish hood rat is just a dude.
50:09Hood rat.
50:10What a bitch.
50:11The hood rat.
50:12Hood rat.
50:13That's what you are.
50:13That's what you are.
50:14That's what you are.
50:14That's what you are.
50:14That's what you are.
50:15That's what you are.
50:15That's what you are.
50:16That's what you are.
50:16That's what you are.
50:17You are a liar.
50:18I don't know what you're saying.
50:20I don't know what you're saying.
50:32IDs?
50:33Yeah, I got it right here.
50:34Pull out the red carpet, motherfucker.
50:37Oh, oh, oh, oh.
50:38I can't understand.
50:40Okay, okay, okay.
50:40Hey, so you're saying you never spoke to Kim?
50:43No, I fucking...
50:45I spoke to her, but I just said, like, you know, are you okay?
50:48Which is my job.
50:49Is it not?
50:50Look after the girls, right?
50:52Bullshit.
50:52Look, if you want to believe this fucking drug addict, that's up to you.
50:55Yo, we got to fight this, please.
50:57Yeah, I'm going to fight right now for you and your friends, you know?
51:03I didn't steal a fucking drug.
51:04Okay, okay, let's open up the fucking locker, then, because I know what the fuck I saw.
51:08Yeah, go check it.
51:09Yeah, go check it.
51:10Well, I know one of you bitches is lying.
51:12She's lying.
51:13She's a liar.
51:14She's probably the bitch that's lying.
51:15What?
51:15She's the one that fucking fake ass now, Brayson.
51:17I'm the one who's lying.
51:17That's hilarious.
51:18What?
51:18I don't...
51:19You are a coward!
51:20Whoa, whoa, whoa, whoa, I wouldn't do that, motherfuckers!
51:23I can see you.
51:24Hands, hands!
51:25Hands where I can see them!
51:28Now, I imagine you got a safe in here.
51:31You have any fucking idea who you robbing?
51:33Well, that's the exciting part.
51:36I open that safe, I'm dead.
51:37You die here or you die later don't seem like a fucking tough decision to me, boy.
51:41You kill me, you'll never get that shit open.
51:46You kill me, you'll never get that shit open.
51:48And shoot the girls.
51:51All right.
51:53Come here.
52:00Oh, look.
52:01Two birds, one stone.
52:04You got five seconds, boy.
52:06Five.
52:06Four.
52:08Three.
52:09Keep praying, baby.
52:11Two.
52:12You're a cold, motherfucker.
52:15One.
52:17Move!
52:39Did you hear that?
52:40What?
52:44A big bang?
52:46No.
52:58All we gotta do to convince you to open the safe.
53:04How about we blow off that donkey dick?
53:09How about we blow that thing off?
53:14It's either your balls or the motherfucking safe, man.
53:18What's it gonna be, Doc?
53:21Uh-uh.
53:22Behind the painting.
53:24What's that?
53:27It's behind the painting.
53:29That wasn't so hard, now what?
53:31Open it.
53:33Oh, yeah.
53:40It's gone.
53:52It's gone.
53:59Proceed.
54:01Looks like you shit your drawers today.
54:23How we looking?
54:26Jackpot.
54:30Door.
54:30Door, door, door.
54:33Oh, shit.
54:35Fuck it, I'm done.
54:36Get my wide ass, motherfucker.
54:41Fuck it.
54:42Get him!
54:44Oh!
54:46Yo, Bishop, I think we need to get him to the hospital, man.
54:48He can wait.
54:49Rewind the footage.
54:51Hey.
54:55They in a pickup truck.
54:57There's a woman on the plates.
55:01Hey, yo, man, come on.
55:03Come on.
55:03Stay up, bro.
55:06There are no plates.
55:08Can you see anyone's face?
55:11They're masked up.
55:13Even the driver?
55:20I think I got it.
55:23What do you see?
55:25It's a woman.
55:28She has gigantic lips.
55:37You know her?
55:40It's a girl named Faye.
55:43She works for Laurie.
55:49You know that you are.
55:55You're cold as nice to me.
55:58Yeah.
56:01Oh, shit!
56:03You're as cold as nice.
56:04Yeah!
56:06You're willing to say anything.
56:07Yeah!
56:08You're as cold as nice.
56:11You're willing to say anything.
56:13You're as cold as ice
56:16You're willing to sacrifice
56:19You're as cold as ice
56:21You're willing to sacrifice
56:23I like to welcome motherfuckers to the back of the mine of beer
56:26See, I'm for real
56:28We're delivering these M.O.P. tactics
56:30I'll bury you bastards
56:32I custom make casters
56:34The B.G.
56:35The Y.G.
56:37Even the O.G.
56:39I may come with my gun in my hand
56:42To make sure you motherfuckers understand
56:44Pardon me
56:45How the fuck you gonna stall with me?
56:47I'm a heavyweight in this game
56:49You just ball with me
56:50You get laced down from your face down
56:52Drop your shit
56:53Niggas throw them on peace
56:54Stand for mopping shit
56:55Dump, dump, dump
56:56Get it twisted
56:57I told you that we top of the line
56:59Design realistic
57:00For instance
57:01Mash out by say
57:03We come through and clear your ass out
57:05Jump and hear your ass out
57:06Jump, we cold
57:07You're as cold as ice
57:09You're burnt
57:09You're willing to sacrifice
57:12You're as cold as ice
57:14You're willing to sacrifice
57:16You're as cold as ice
57:19You're willing to sacrifice
57:23You're as cold as ice
57:25You're willing to sacrifice
57:27A predicate gun buster
57:28I passed all classes
57:30One of the fastest
57:31That blasted flashes
57:33You seen my work
57:34You know my steez
57:36It's a slip chance
57:37That I'ma hesitate
57:37To squeeze please
57:38Money never made me
57:39Money never played me
57:41And money better not make me
57:43And whack his ass
57:44Subtract his ass
57:45When I step through his hood
57:46Fuck dropping you
57:47I'm into stopping you for good
57:49Stop him if you could
57:50You're as cold as ice
57:51And you'll be stiff as a log
57:53In the suit
57:53B atauhmm
57:55I'm not
57:56Mak applications
57:56I'm not
57:56I'm a
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