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Short filmTranscript
00:00:01Oh, that's not true.
00:00:04Vincent, slow down!
00:00:08Gently, stop pulling on your leash.
00:00:12Excuse me, I'm so sorry.
00:00:13No, it's nothing.
00:00:15Hey kid, how's it going?
00:00:16Oh, sorry.
00:00:17I'm doing well ?
00:00:17He always gets very agitated when I walk him.
00:00:19No, it's nothing.
00:00:20I'm so sorry.
00:00:23May I ask for your name?
00:00:26Dr. Harper Higgins.
00:00:28Pleased to meet you, Tom Baker.
00:00:30What are you treating?
00:00:32I'm not a doctor.
00:00:33I have a doctorate, I am a professor of art history.
00:00:37Stop.
00:00:38Excuse me.
00:00:39Well, thank you for being so understanding.
00:00:42No, that's normal.
00:00:43Stop.
00:00:44You have my flowers, you do.
00:00:45Sorry.
00:00:46Doctor, goodbye.
00:01:00Please, Vincent, you could pretend to obey.
00:01:21Cézanne inspired Cubism and later Modernism.
00:01:25Pay close attention to the geometric plans.
00:01:27Yes ?
00:01:28Will that be on the exam, Cézanne?
00:01:30Yes, with the abstract painters we saw.
00:01:31That's all for today.
00:01:33See you next Wednesday.
00:01:36You can be proud of yourselves.
00:01:38I congratulate you on having succeeded in bringing such a renowned artist to the Institute.
00:01:41Thank you, Doctor Martin.
00:01:42How did you convince Armand to exhibit here?
00:01:45It took a lot of time and compliments, but it finally worked.
00:01:48That's great, the exhibition will solidify our reputation.
00:01:50Management is impressed.
00:01:52And I think I can safely say that you will gain a permanent position at the Institute.
00:01:56Fine Arts.
00:01:56That would be wonderful news.
00:01:59I hope I'm not bothering you.
00:02:01Not at all, Dr. Bonning.
00:02:03Armand's work is so incredible.
00:02:06I wanted to congratulate you on organizing his visit.
00:02:08This exhibition promises to be a great success.
00:02:10If I can be of any help to you, please do not hesitate to let me know.
00:02:13Thank you, Dr. Bonning.
00:02:14If you'll excuse me, I have a meeting with management.
00:02:17It's very stimulating to exhibit Armand.
00:02:19Quite.
00:02:21Well done, Dr. Higgins.
00:02:25Under the tweed, there is only wind.
00:02:27He's just trying not to lose face.
00:02:29He wanted this position, but now a younger colleague has stolen it from under his feet.
00:02:33I feel sorry for him, but I can't stand having a job anymore.
00:02:35I have to teach at the cultural center to make ends meet.
00:02:37Doesn't that leave you much time to paint?
00:02:39When was your last exhibition? More than a year ago?
00:02:41The first and the last. It's all over.
00:02:43But you're so talented.
00:02:44No, not enough.
00:02:45I go to my workshop and I feel empty.
00:02:47Nothing comes to mind.
00:02:48Fortunately, there is still the art of others.
00:02:50Look, am I passing this on to the students?
00:02:52Teaching suits me much better.
00:02:54If it suits you so well, why do you seem to doubt it?
00:02:58If the exhibition goes well, I can become a full-time teacher.
00:03:01That would allow me to settle down with a stable income.
00:03:04Are you sure that's the most important thing?
00:03:07The most important thing is that I redefine myself.
00:03:12Painting is in the past. I need to move on.
00:03:54What is it, my dear?
00:03:58Yes, I'm here.
00:04:01Do you want to go for a walk?
00:04:02Okay, let's go.
00:04:14Vincent, what are you looking for?
00:04:33Sorry to disappoint you, but I don't paint anymore.
00:04:45I understand, don't insist.
00:04:59I understand, don't insist.
00:05:06I'm here, my dear.
00:05:33Hey Tom!
00:05:35Ah, hello Franck!
00:05:46Every time I come to see you, I find you with a paintbrush in your hand!
00:05:51Can I take a look at the arid one?
00:05:54Yes, yes, go ahead!
00:05:58Wow!
00:05:58Would you like to have a beer or something else?
00:06:00Yes, a beer with pleasure!
00:06:05Where did you learn to paint like that?
00:06:07I did art therapy at the military hospital, and afterwards it never left me!
00:06:11I'm far from an expert, but...
00:06:13Everything you paint looks amazing!
00:06:16That's kind of you, thank you Franck!
00:06:18But...
00:06:19It's just a hobby!
00:06:20It helps me relax, I'm still having trouble adapting to civilian life!
00:06:27We all go through that!
00:06:28But...
00:06:29It took me a while to discover who I was without the uniform!
00:06:34Ooh!
00:06:35That's quite dangerous!
00:06:36Would it be expensive to repair?
00:06:39Yeah, definitely!
00:06:40I'm going upstairs to see what's going on!
00:06:42Honestly, I've been living here for six months and I've had nothing but trouble!
00:06:44Every time I fix one thing, something else breaks!
00:06:46A cheap floating house! Don't expect too much!
00:06:49Thank you so much !
00:06:52Hey Marshall, do you know the dog walker who put up an ad over there?
00:06:56And what about walking my dog, Sandy? And my neighbor's poodle?
00:06:58Nice, not too expensive, nothing to complain about!
00:07:00THANKS !
00:07:01Great !
00:07:02With my two jobs, I don't have much time for Vincent, so this would help me a lot!
00:07:05It will be perfect!
00:07:06THANKS !
00:07:08The water has badly damaged the pipes, and anyway, you need to change your meter and that
00:07:12Get yourself a more powerful one!
00:07:13Awesome !
00:07:14Yes! But don't panic! Well, not right away!
00:07:16Very funny! Thank you, Franck!
00:07:17You've got nothing!
00:07:21Hello! I'm Dr. Harper Higgins!
00:07:23I was having a coffee in Gracia and I saw your ad!
00:07:26I need to walk my dog, so I'd love to meet you!
00:07:30Today or tomorrow!
00:07:32Thank you! Goodbye!
00:07:53Finally, some good news!
00:08:17Hi !
00:08:18Have you already ordered?
00:08:20Good morning !
00:08:21Oh! Hello!
00:08:23How are you? How is Vincent?
00:08:25He's unmanageable!
00:08:26But adorable!
00:08:28Can I join you?
00:08:30Actually, I have a date!
00:08:31Actually, it turns out that I do too!
00:08:33With a dog walker, he'll arrive!
00:08:36You know, good dog walkers are hard to find!
00:08:39Yes, I don't even know if he'll actually come! We've never met, so...
00:08:43Yes! You met him! One rainy afternoon, not far away!
00:08:46What, you're the walker?
00:08:48Yes !
00:08:48No !
00:08:49It looks like Vincent has brought us together again!
00:08:51I think that for a guy of his size, he manages his little world rather well!
00:08:55It's not entirely my fault that he behaves like this!
00:08:58He followed me home; I didn't have the heart to take him to the shelter, so ever since,
00:09:01I have a dog!
00:09:03I don't know which one of us found the other!
00:09:05A mutual feeling!
00:09:08Tell me, how does one become a dog walker?
00:09:11Well, I... I spent some time at the military hospital, I walked the dogs there and...
00:09:16That was my favorite moment!
00:09:19Will you be able to cope with Vincent?
00:09:21Yes, I think I could stand up to him!
00:09:24Okay then, I have to run to work...
00:09:29Send me your rates and contact details, I think it could work!
00:09:32Perfect, see you soon doctor!
00:09:33All right !
00:09:33Harper?
00:09:35Hi !
00:09:36Glad to see you again, do you have time for a coffee?
00:09:38Uh, no, I'm late, but...
00:09:41I wish we could have talked!
00:09:42That's bad timing, Rick, I have to go!
00:09:47Hi !
00:09:52Marshall, who is that guy? No idea!
00:09:57But...
00:09:58That's not true...
00:10:05Guess who I just ran into at the cafe?
00:10:07Rick wants to talk!
00:10:10Oh...
00:10:10As an art critic or as your ex?
00:10:12I don't want to know, which critic is tearing apart his girlfriend's exhibition?
00:10:14He has to go there!
00:10:16Devoid of emotion...
00:10:18We dream of reading this written by our boyfriend in the newspaper!
00:10:21Oh, wait! It goes in the back, I made a mistake!
00:10:23I just received some bad news!
00:10:27I'm listening to you?
00:10:29I'm listening, is everything alright?
00:10:30Is there always something worse?
00:10:31Generally, when we try to put things into perspective, it means that it's something serious!
00:10:34Armand is nothing but a greedy traitor who did not hesitate to accept a more prestigious exhibition in Paris.
00:10:39instead of the ring!
00:10:40No, no, no, no, he can't! We're opening in three weeks!
00:10:42Yes, he has the right!
00:10:43But what am I going to tell Dr. Martin and the management?
00:10:46I don't know, but...
00:10:47Admit it at least made you forget about Rick for a minute or two!
00:10:49This is not the time for humor!
00:10:51No, it's time for the department meeting which starts in ten minutes!
00:10:53Stop, this is a nightmare!
00:10:56External funding is essential to our operation!
00:10:59And to attract them, we need to get the school talked about in the media!
00:11:03The highly anticipated Armand exhibition organized by Dr. Higgins is exactly what we need.
00:11:07!
00:11:07I just learned that the artist has a scheduling problem!
00:11:11You mean we won't expose it?
00:11:14Unfortunately, yes!
00:11:15Perhaps I could organize something! I have a remarkable artist now!
00:11:19That won't be necessary! I've come up with an even more interesting plan B!
00:11:22I'm sure you'll like it!
00:11:24Well, okay then!
00:11:25Your three-and-a-half-hour appointment is just upon arrival!
00:11:27Come see me tomorrow morning! And tell me what's on your mind!
00:11:31Very well doctor, see you tomorrow!
00:11:35What exactly are you planning to do?
00:11:36Find another artist!
00:11:38Yes, but who? And where?
00:11:39And when?
00:11:39I'm teaching at the cultural center tonight! I have to go and I have lots of students who
00:11:42They're waiting for me to paint!
00:11:43Okay, do you want me to call some galleries?
00:11:44Oh yes, please! And I'll call my contacts!
00:11:46We'll find it!
00:11:47That's it!
00:11:54Good morning !
00:11:55Peonies are on sale!
00:11:59The happiest flowers on Earth!
00:12:01Wow! They're magnificent!
00:12:02What was I saying?
00:12:03You were right!
00:12:08The colors are so bright and so bold!
00:12:12Great! I'll take about ten!
00:12:16Your girlfriend is so lucky to receive flowers all the time!
00:12:20My husband is just like you! He writes tons of songs for me!
00:12:24He's a musician!
00:12:25Some people find love songs corny, but...
00:12:28As a newlywed, I'm beyond help!
00:12:31Well, I don't find love songs corny!
00:12:33In that case, you win some free peonies!
00:12:36Ah, that's kind!
00:12:40Hi Lindsay, it's me!
00:12:42All the artists I can think of are either not good enough or already taken!
00:12:47Yes, I know, yes! I have to give my lesson now! I'll call you back later!
00:12:51Get down!
00:12:52Yeah, leave me a message if there's anything, okay?
00:12:55Let's go!
00:13:01Vincent!
00:13:02But what are you waiting for?
00:13:05See how Turner creates an atmosphere through his choice of colors!
00:13:08What color is it? Everything is so dark!
00:13:10Perhaps we could add some pink to make it more cheerful?
00:13:14I don't think you understand yet!
00:13:16We promise, we won't tell Turner!
00:13:18Perhaps you could paint a picture that the students could copy?
00:13:22Oh please, you know very well that I've stopped painting!
00:13:25A little improvisation, rather in cheerful tones!
00:13:28The boss is a real stickler! We have to do what she tells us!
00:13:32Come on, let's paint the cheese and wine while there's still some left!
00:13:35Look, he approves!
00:13:38Okay, you won, it will be joyful!
00:13:42Awesome!
00:13:43Give me your opinion!
00:13:45So, what do we have?
00:13:48Shall I take the lemons? Okay, I'll take the bananas!
00:13:53Oh, and cupcakes too!
00:13:58Oh yes!
00:13:59Don't eat everything!
00:14:01This composition is a real success, it's very pretty and original!
00:14:09Alright !
00:14:10Perfect, can we begin?
00:14:11Get your paintbrushes ready!
00:14:12Alright, let's go!
00:14:13Alright, let's go!
00:14:44Oh !
00:14:45I believed it!
00:14:45I believed it!
00:14:54Um...
00:15:02So, you're actually swimming?
00:15:04Oh !
00:15:06No, not really!
00:15:07I...
00:15:09I'm more of an art teacher who pays his bills by teaching technique, nothing more!
00:15:15Anyway, Vincent really wants to go for a walk, so have fun!
00:15:18THANKS !
00:15:18It was nothing !
00:15:19See you later !
00:15:19Bye !
00:15:26Who is it?
00:15:27He's walking my dog!
00:15:29Does that make you want to adopt one?
00:15:38Hey man, who's walking whom around here?
00:15:42That's crazy!
00:15:43Where are you running to like that?
00:15:44Eh ?
00:15:46I didn't think it would be that sporty!
00:15:48Come on, stop!
00:15:49Look at me!
00:15:51Come on, let's go!
00:15:52Let's see if you have any hidden talents!
00:15:54Vincent!
00:15:55At the foot!
00:15:57All right !
00:15:58Um...
00:15:59Sat ?
00:16:01Neither ?
00:16:03Um...
00:16:04Lying down, right?
00:16:07Something ?
00:16:09I imagine that "attack" doesn't ring a bell either?
00:16:13Yeah, I can doubt that!
00:16:15No, don't worry!
00:16:16It's nothing, it's not a big deal!
00:16:17It's coming!
00:16:18We'll manage to get you to sit down!
00:16:20Alright, let's go again!
00:16:23It's good !
00:16:24You should start planning your color distribution for next time!
00:16:26Alright !
00:16:26THANKS !
00:16:41How does it work?
00:16:42Ah, that's tough!
00:16:43Yeah !
00:16:44You need to add some light to the background, you see?
00:16:46That would add depth to the whole thing!
00:16:52All right ?
00:16:53Yes !
00:16:53And don't forget, you have to shift your gaze!
00:16:56If it's too centered, you'll lose dynamism!
00:17:01Careful, not too many feet there!
00:17:04THANKS !
00:17:08Not bad !
00:17:09Does the color contrast work?
00:17:10I really like what you've done here!
00:17:12But perhaps you're lacking light in that corner, you see?
00:17:15I see !
00:17:16So !
00:17:24Look at how the light falls on the model, that's what you should try to reproduce!
00:17:27That works !
00:17:52It's time! That's all for today!
00:17:55Don't forget to clean your brushes and leave them in the sink!
00:17:57Very successful!
00:17:57I think I'll get it framed!
00:17:59Hey, there aren't only amateurs here?
00:18:04Wow! Who did this?
00:18:07That dog walker!
00:18:08If you ask me, he's not working in the right field!
00:18:10But where did he go?
00:18:11It's just been released!
00:18:20Tom!
00:18:21Tom!
00:18:21Wait !
00:18:23Why didn't you tell me about it?
00:18:24What are you talking about?
00:18:25Your talent as a painter!
00:18:27Did you go to school? What training did you receive?
00:18:30Only art therapy sessions at the military hospital!
00:18:32My teacher was at Marine and I thought, why not after all!
00:18:36Well, I don't want to sound like I'm exaggerating, but you're really talented!
00:18:39I think you're exaggerating, but it's nice!
00:18:41If you agree, I would love to see what you do!
00:18:44I only paint for myself, it's for my well-being, that's all!
00:18:48Please say yes!
00:18:52Okay!
00:18:53Thank you !
00:18:56Go well, Vincent!
00:19:09Is this your house?
00:19:11Yes !
00:19:11Wow! You're certainly surprising!
00:19:15If you want to know the whole story, I bought it on a whim!
00:19:19It seemed like a good idea, but I spend all my time fixing it!
00:19:23Hi Tom!
00:19:24Hey, hi Franck!
00:19:26I'm going to introduce you!
00:19:28Franck, Harper, a friend!
00:19:30Re-singer, Harper!
00:19:31Thank you, same to you!
00:19:32And you, aren't you going to introduce yourself?
00:19:34It's Vincent!
00:19:34Ah, Vincent, hi!
00:19:37Very cute!
00:19:38THANKS !
00:19:39So, did he show you these paintings?
00:19:41Ah, we were just going there!
00:19:43You absolutely must go and see what he paints!
00:19:45Franck, okay, we understand!
00:19:47He's a great painter!
00:19:48I can't wait to see it!
00:19:51Your use of color is amazing!
00:19:55And these landscapes are wonderful!
00:20:01Actually, right now I'm painting a lot of flowers!
00:20:05I follow my instinct!
00:20:07Your works remind me of Van Gogh, who has always been my favorite artist!
00:20:11Oh yes ?
00:20:11Hence the name of my dog!
00:20:13Ah, I understand!
00:20:14You know, my grandmother was Dutch!
00:20:16Ah!
00:20:17She adored Van Gogh!
00:20:18She even saw that we had common ancestors!
00:20:20It's true ?
00:20:21Yeah !
00:20:21At what level?
00:20:22Well, his family came from Zundert, a small town!
00:20:25The birthplace of Van Gogh!
00:20:27Exactly !
00:20:28And if family legend is to be believed, my great-great-grandmother knew Van Gogh.
00:20:33and even suggested in one of his letters that they had flirted!
00:20:36Well...
00:20:38Perhaps you are actually related?
00:20:40Could that explain your gift?
00:20:42My donation?
00:20:42No !
00:20:43I don't want what I see!
00:20:47I'm organizing an exhibition for the institute and the artist has just let us down!
00:20:50This might sound a bit crazy and completely impromptu, but would you be interested in replacing him?
00:20:55Yes ?
00:20:55I'm flattered, but you know, when I paint, I do it just for myself and...
00:21:02Is this a staging effect?
00:21:04No, it's the wiring. My electricity won't last much longer.
00:21:07I told you the paintings would be put up for sale. We take a commission, but the bulk of
00:21:10The money goes into your pocket.
00:21:12It's true that it could help me.
00:21:13I can't predict how many you'll sell, but at least enough to rewire the electricity.
00:21:20I need to think about it for a bit.
00:21:21Give me an answer tomorrow morning.
00:21:33What exactly is a cookie?
00:21:34Yes of course.
00:21:38Yes, that's him.
00:21:40All right.
00:21:47Hey Marshall. Did you see Tom Baker this morning?
00:21:50No, I don't think so.
00:21:52Okay, so if he comes, can you give him this? With a coffee.
00:21:57Is that all?
00:21:58He will understand.
00:22:07It happened, it was found!
00:22:11It happened in the spurt.
00:22:29Hello, Dr. Higgins.
00:22:31It's regrettable that Armand let us down.
00:22:33But some think his work is overrated.
00:22:35We are here to discuss your second choice.
00:22:38Absolutely. I was just about to tell you about it.
00:22:40He is a great artist.
00:22:42Oh, excuse me, it might be him.
00:22:49His name is Tom Baker.
00:22:51I don't know him.
00:22:52No, but he deserves to be known.
00:22:53and the Institute will have the immense honor of having identified him.
00:22:55Dr. Browning knows someone reputable who would do the job.
00:22:57I can't risk taking on a stranger.
00:22:59But he's not just any painter.
00:23:01His work demonstrates great maturity
00:23:02and his knowledge is encyclopedic.
00:23:04He will not generate the same interest as a painter with a famous name.
00:23:09Famous? Very well.
00:23:10In that case, I need to tell you
00:23:13that Tom is Van Gogh's great-great-grandson.
00:23:16Why didn't you tell me?
00:23:17I just did it.
00:23:18But what is most important is his work.
00:23:20I'm eager for management to make the decision.
00:23:22Yes.
00:23:29You know, when someone pays me to walk their dog,
00:23:32She usually doesn't come with us.
00:23:33I know, but I needed to talk to you.
00:23:35This is about the exhibition.
00:23:36Ah yes, I'm sorry I didn't reply sooner.
00:23:38I had another problem with my house.
00:23:40I wanted to talk to you about a complication.
00:23:42In the end, it's not that complicated.
00:23:43It's just that I embellished things a little.
00:23:46I said you were Van Gogh's great-great-grandson.
00:23:50What ?
00:23:50It just came out on its own.
00:23:52Why did you do that?
00:23:52That's my superior, Dr. Martin.
00:23:54who asked me for an artist whose name resonates with the public.
00:23:56So, listen, the most important thing is your talent.
00:23:58You deserve to exhibit your work.
00:24:00And you might actually be related to Van Gogh.
00:24:02No, no, no, I did not agree to that.
00:24:04I prefer to withdraw, it will be...
00:24:05It happens a lot.
00:24:06All artists enhance their CVs so that their work gets noticed.
00:24:08I don't care if people look at my work.
00:24:09I just want to fix my house.
00:24:11Why is this so important to you?
00:24:13I am only an assistant professor.
00:24:15If the exhibition goes well, I'll get my promotion.
00:24:18Well, I need money.
00:24:20But this story is going too far.
00:24:22But no one will care about your ancestors anymore.
00:24:24when we have shown your work.
00:24:25Well, that's supposed to reassure me.
00:24:27Harper, you're giving me a choice between the plague
00:24:30and a house that's leaking.
00:24:32That's not what I wanted.
00:24:38Ah, perhaps that's a sign.
00:24:40A bad omen.
00:24:49Dr. Higgins,
00:24:50I heard that your artist
00:24:52was a descendant of Van Gogh.
00:24:53Are you already aware of this?
00:24:55Great-great-grandson of Van Gogh,
00:24:57It's... it's remarkable.
00:24:58Quite.
00:24:59How lucky to have discovered it so quickly
00:25:01And at just the right time.
00:25:03You haven't seen his work yet.
00:25:04Van Gogh immediately comes to mind.
00:25:06How surprising.
00:25:07If you'll excuse me,
00:25:08I have a lecture to give.
00:25:11Would you mind explaining what's going on?
00:25:12I didn't want to say anything in case it didn't work.
00:25:14However, I almost died of curiosity.
00:25:16I discovered an excellent painter.
00:25:18Is he really a descendant of Van Gogh?
00:25:19Perhaps, it's possible.
00:25:21He's walking my dog
00:25:22And he paints divinely well.
00:25:24He is self-taught.
00:25:25He has a gift.
00:25:25He knows how to observe.
00:25:26And his paintings are reminiscent of Van Gogh's.
00:25:28Who do you want to convince?
00:25:30You, Lars, Doctor Martin,
00:25:32Tom Baker, the painter in question,
00:25:34who also has serious doubts.
00:25:35Oh, what have I done?
00:25:37Do you need a hand?
00:25:39What are you doing tonight?
00:25:42There's a lot of talk about you at the Institute.
00:25:44You might be asked questions about Van Gogh,
00:25:45So I thought it would be a good idea
00:25:47to familiarize yourself with his work.
00:25:50All right.
00:25:51Do you think we can bluff them?
00:25:52You have a house that needs repairing,
00:25:54So let's try it, we'll see.
00:25:57Let's start with his beginnings.
00:25:59Van Gogh did not begin to paint
00:26:00than in his late twenties.
00:26:02Ah, a late vocation.
00:26:03like mine.
00:26:04It's true.
00:26:04His first major work,
00:26:06It's The Potato Eaters.
00:26:07But he had not yet developed
00:26:09the technique that would make him famous.
00:26:10Quick question,
00:26:11Does Tom really need to know all the details?
00:26:14I told Doctor Martin
00:26:15that his knowledge was encyclopedic.
00:26:19It's going to be a long evening.
00:26:21Oh, but where are you going?
00:26:22I have someone to see.
00:26:24But I will make sure that you have
00:26:25Your reproductions tomorrow.
00:26:26Don't worry.
00:26:26But we have so much to see.
00:26:28Oh, you don't need me for that.
00:26:30Go ahead, have fun.
00:26:35Van Gogh invented the technique of the impasto.
00:26:41Does it stress you out to be alone with me?
00:26:42What? No, it's fine.
00:26:44He spent some time in Arles.
00:26:46And that's where he painted
00:26:47the famous sunflowers.
00:26:49Nothing but masterpieces.
00:26:50And he was completely ignored during his lifetime.
00:26:52I feel sorry for that poor guy.
00:26:54My great-great-grandpa.
00:26:56I understand you.
00:26:58There is so much to learn.
00:27:00We barely started last night.
00:27:01At least he made the effort.
00:27:02to come and listen to you.
00:27:04Oh, and by the way,
00:27:06If he comes, it's because he likes you.
00:27:07What makes you say that?
00:27:09Oh, the way he's looking at you
00:27:10when you try not to look at it.
00:27:12It's because I don't want to encourage him.
00:27:14Hi Marshall, as usual.
00:27:15And a caramel latte, thank you.
00:27:17Here we go.
00:27:18I'm inviting you.
00:27:20THANKS.
00:27:21That's normal.
00:27:21You know,
00:27:22He seems like a good guy.
00:27:24Yes, but I don't want to mix things up.
00:27:25Work and pleasure once again.
00:27:27That's what happened with Rick
00:27:28And it ended with a bad review.
00:27:32He called me.
00:27:33Rick?
00:27:33I didn't call her back.
00:27:35I don't want to dredge up the past.
00:27:38I'm afraid he'll start talking to me
00:27:39of my painting
00:27:39And it's too sensitive a subject for me.
00:27:41Listen to it once and for all.
00:27:43I don't paint anymore anyway.
00:27:44So what does it matter?
00:27:47Hey, would you be willing to come with me?
00:27:50teach Tom at the cultural center tonight?
00:27:52Oh, no, no, no, no, no.
00:27:53Third wheels are only good on tricycles.
00:27:55Stop with your ready-made formulas
00:27:56And say yes.
00:27:57No, you'll be Tom's teacher.
00:28:00You'll get through this.
00:28:02You'll see.
00:28:03Thank you for the coffee.
00:28:08So, tell me what you know about Theo,
00:28:10Vincent's brother.
00:28:12Well, he was an art dealer in Paris.
00:28:15He bore the first name of their father.
00:28:17who wasn't a big fan of art.
00:28:19A bit like my father, actually.
00:28:21Art wasn't really on his radar.
00:28:23What was he doing?
00:28:24He was in the military.
00:28:27And your mother?
00:28:29She died when I was a child.
00:28:31Oh, sorry.
00:28:33It's nothing.
00:28:34My father isn't a fan of art either.
00:28:36He's an engineer, so everything has to be very precise.
00:28:40When my parents separated,
00:28:42I used to send him paintings.
00:28:44And then I stopped.
00:28:46He hadn't just abandoned my mother.
00:28:53You know,
00:28:54That might be why we're talking.
00:28:58To express what could not be said at the time.
00:29:01Memories of art therapy?
00:29:03Yes.
00:29:05Samarine was a good teacher.
00:29:08Downright.
00:29:12Come on,
00:29:13We resume our study.
00:29:15This one
00:29:16is an excellent example
00:29:18of controlled perspective.
00:29:20And also in color.
00:29:22intensity.
00:29:25He doesn't have what he was feeling.
00:29:40Is this your private lesson?
00:29:42No.
00:29:43Finally, yes.
00:29:44But it's quite complicated.
00:29:45Listen,
00:29:47I'll leave you now.
00:29:49I'm taking Vincent for a ride.
00:29:50Like that,
00:29:51You'll be able to talk about me freely.
00:29:52See you later.
00:29:54Good morning.
00:30:00He is an artist
00:30:01painted there
00:30:02and I'm going to expose it
00:30:03in two weeks at the institute.
00:30:04I am horribly embarrassed.
00:30:05Oh, come on,
00:30:06Don't worry about it.
00:30:07It was just a kiss.
00:30:09No, but I don't want to mix anymore.
00:30:10my private life
00:30:10and my professional life.
00:30:12That makes...
00:30:13That's too much.
00:30:14The heart cannot be stopped.
00:30:17And that applies to art too, right?
00:30:25This must never happen again.
00:30:28What ?
00:30:28No more classes?
00:30:29You know what I'm talking about.
00:30:30But frankly,
00:30:30I hope we get back.
00:30:32The kissing is over.
00:30:33All right ?
00:30:34We already have enough to do
00:30:35with the exhibition
00:30:36and this Van Gogh story.
00:30:37No need to complicate things.
00:30:38even more so the situation.
00:30:39Okay.
00:30:41No, but I'm serious.
00:30:42What ?
00:30:42Okay, I understand.
00:30:43No more kisses.
00:30:49Have you considered the fact
00:30:50that it might not take
00:30:51This story about an ancestor?
00:30:53Don't even think about it.
00:30:54Not to think about it?
00:30:55You're asking the impossible of me.
00:30:56That's all I can think about.
00:30:56from morning to night.
00:30:57I understand you, me too.
00:30:59Why this promotion?
00:31:00Does it matter that much to you?
00:31:01For some crazy reason,
00:31:03to have a stable income.
00:31:04I gave up painting.
00:31:05as you may have noticed.
00:31:06I want to change direction.
00:31:08I decided to teach.
00:31:10But you can teach
00:31:10at the cultural center.
00:31:11These students don't care.
00:31:13of art and its history.
00:31:14They want to paint cupcakes
00:31:15and have fun.
00:31:16Where is the problem?
00:31:18Okay, what do you think?
00:31:19What is the purpose of art, doctor?
00:31:21It's paying homage to the past
00:31:22or it's celebrating
00:31:24The beauty of the present?
00:31:27I am here.
00:31:30Why didn't you take
00:31:31A true artist for this feat?
00:31:33You are a true artist.
00:31:35I'm not so sure.
00:31:38You have to be one of them
00:31:39to paint like you.
00:31:40Come on, get in, Vincent.
00:31:50You know, the blue one,
00:31:51That's really your color.
00:31:53I didn't know
00:31:53that I had one.
00:31:54Hi.
00:31:55Hi Marshall,
00:31:55as per usual.
00:31:56It's going well.
00:31:56Likewise.
00:31:56Right away.
00:31:57THANKS.
00:31:58My colleagues want
00:31:59to know everything about you.
00:32:01Right now,
00:32:01I have an interest in avoiding
00:32:02the teachers' room.
00:32:04There might be a way
00:32:04To come back to that?
00:32:05But there is still
00:32:06lucky you have
00:32:07a family relationship
00:32:08with Van Gogh.
00:32:09Here.
00:32:10THANKS.
00:32:10Awesome.
00:32:11What are the odds in how many millions?
00:32:12I find it hard to believe.
00:32:13Let's see if there isn't
00:32:14holes in your genealogy.
00:32:16Gaps in my genealogy?
00:32:18Oh, Harper.
00:32:20Can you hear us?
00:32:21What are we doing
00:32:21What to do there?
00:32:25Okay, let's go.
00:32:26I think we need to start
00:32:27by my grandmother.
00:32:28All right.
00:32:29What was her name?
00:32:30Elise.
00:32:32So, his father is your great-grandfather
00:32:34and possibly Van Gogh's son.
00:32:38Yes, that would be it.
00:32:39What do you know about this man?
00:32:41He was somewhere else
00:32:42And he immigrated here.
00:32:44So, he came from Holland,
00:32:45He arrived at Ellis Island and...
00:32:47And since he hardly spoke
00:32:48our language,
00:32:49the immigration officer
00:32:50He changed his name.
00:32:51That's all I know.
00:32:53Oh, you're mistaken,
00:32:53We didn't order anything.
00:32:54It's a gift.
00:32:55With my colleague,
00:32:56We made a bet.
00:32:58What is there between you?
00:33:00Oh, Tom is walking my dog.
00:33:01Thanks to your recommendation.
00:33:03Thank you, by the way.
00:33:05And I don't see any dogs.
00:33:08I'm seeing strange messages.
00:33:10on paper napkins,
00:33:11Please.
00:33:12Yes.
00:33:13I asked myself some questions
00:33:14when you paid for his coffee.
00:33:15I see a lot of couples here,
00:33:16But you two,
00:33:16That's mean.
00:33:17Oh no, no, no
00:33:18We're not in a relationship.
00:33:19We work together
00:33:19on an art project.
00:33:21I had built up a whole story in my head,
00:33:23You would have responded to the ad,
00:33:25he would have walked your dog
00:33:26And you would have fallen in love.
00:33:27We're friends, that's all.
00:33:29Yes.
00:33:31I'll leave you the scones.
00:33:33Perhaps you will fall in love later.
00:33:36Where were we?
00:33:40Good day.
00:33:41Thank you, you too.
00:33:46Oh, I have something to show you,
00:33:48It just happened.
00:33:49Ah.
00:33:55Wow.
00:33:57They are magnificent.
00:33:58They are not ordinary.
00:33:59Multicolored tulips,
00:34:00I find them very rarely.
00:34:02I feel very Dutch
00:34:04these days,
00:34:04So I'll take about ten of them.
00:34:06Your girlfriend will love them.
00:34:11In reality,
00:34:12They are for me.
00:34:13I paint
00:34:14all the flowers
00:34:15that I buy from you.
00:34:16Why didn't you tell me before?
00:34:18No,
00:34:18It's quite intimate.
00:34:21No artist
00:34:21should not hide his work.
00:34:22It's part of you.
00:34:25Let's say that, generally speaking,
00:34:26I don't like it
00:34:27to be in the light.
00:34:28And that applies too
00:34:29to my paintings.
00:34:30To be an artist,
00:34:31that's having courage
00:34:32to showcase his work.
00:34:33That's what my husband says
00:34:34when he talks about music.
00:34:37Before,
00:34:37he was too shy
00:34:38to play in public
00:34:39And today,
00:34:39he is all the time
00:34:40stuffed on stage.
00:34:40What happened?
00:34:42He married me.
00:34:44Ah.
00:34:45I told him
00:34:45that he had talent.
00:34:48Encouragements
00:34:48They work miracles.
00:34:50THANKS.
00:34:51It was nothing.
00:34:54I'd like to see
00:34:55your paintings
00:34:55When you are ready.
00:34:59I promise you
00:35:00that I will show you
00:35:01That one.
00:35:28SO,
00:35:29How does it work?
00:35:31It's stress.
00:35:32There are so many things
00:35:33Things to do before the exhibition.
00:35:33I need to prepare the gallery.
00:35:35choose the paintings,
00:35:36to create a catalogue.
00:35:37And how does it work?
00:35:38With Tom?
00:35:39Oh, well,
00:35:40These paintings are extraordinary.
00:35:41That, at least,
00:35:42That's positive.
00:35:43I was talking about your relationship.
00:35:45We're having a good time
00:35:47And I want it to stay that way.
00:35:49I have the impression
00:35:51to be facing a heated chai
00:35:52who cries in the cold.
00:35:54Everyone is afraid
00:35:54to suffer
00:35:55That's normal.
00:35:56And me even more so.
00:35:58Is anyone there?
00:35:59Hi.
00:36:01I was in the neighborhood,
00:36:02I felt like passing by.
00:36:04No, actually,
00:36:05I came specifically for this.
00:36:06Shall we have lunch together?
00:36:08I'm late
00:36:09at a meeting.
00:36:10Rick,
00:36:11That made me happy
00:36:11to see you again.
00:36:13See you soon.
00:36:14Pardon,
00:36:15But you're taking me
00:36:16unprepared.
00:36:16I called you several times?
00:36:17Yes,
00:36:18But I was busy.
00:36:19Are you saying you're avoiding me?
00:36:19No,
00:36:20No, Rick.
00:36:21That's not it.
00:36:22Actually, yes.
00:36:23I'm avoiding you a little.
00:36:24I was hoping we could
00:36:24talk about your work.
00:36:27Listen,
00:36:27It's useless
00:36:28Let's talk about it,
00:36:29I'm giving up painting.
00:36:30You shouldn't.
00:36:30That's not what you wrote
00:36:31in the newspaper?
00:36:33Let me explain,
00:36:34please.
00:36:34I have to give a lecture.
00:36:36If you change your mind,
00:36:37You know how to reach me.
00:36:38All right ?
00:36:39All right.
00:36:47THANKS.
00:36:51THANKS.
00:36:57Come.
00:36:58THANKS.
00:37:11Hello, this is Rick.
00:37:12Leave a message and I'll call you back.
00:37:15Hi, it's me.
00:37:17Perhaps we should meet.
00:37:50I'll have the grilled chicken salad or the salmon steak.
00:37:57Harper.
00:38:00I didn't mean to hurt you by writing this review.
00:38:03I wanted to help you fully realize your potential.
00:38:05And you had to do it in writing?
00:38:06It was my first exhibition, it was obvious that I was going to surprise you.
00:38:09You could be good, even excellent, but you tend to be too cautious.
00:38:13As an artist or in life?
00:38:15Both, if you don't mind me saying.
00:38:22You weren't the only one who held that opinion.
00:38:24All the critics found my work too technical.
00:38:26I never thought you should stop painting.
00:38:28I am dedicated to teaching, so let's not talk about it anymore.
00:38:30I'm organizing an exhibition to impress the faculty management and get tenure.
00:38:34Yeah, I heard.
00:38:36Heard what?
00:38:37What worries me are the dubious links between your painter and Van Gogh.
00:38:40The most important thing is his talent.
00:38:42I just hope you don't get scammed.
00:38:43I thought we were here to talk about my work, or its absence.
00:38:47You're right.
00:38:48I don't recognize you in your paintings, your feelings, your point of view.
00:38:53Without that, you're just spreading paint on a canvas.
00:38:56If you are not moved, the viewer will not be either.
00:38:59I see.
00:39:01However, I don't want to take any more risks.
00:39:03I tried and I failed.
00:39:05You will only fail if you give up.
00:39:06And I will only suffer if I try again.
00:39:09All the artists you admire took that risk.
00:39:27So, which painting would you like us to put on the invitation?
00:39:33Peonies.
00:39:35He painted them the day we met.
00:39:38These flowers are so vibrant.
00:39:44Well, we have two weeks left before the exhibition.
00:39:46That's it, two weeks.
00:39:46We need to send out the invitations as soon as possible.
00:39:48So, I need to make a guest list.
00:39:49Yes, I will invite Victoria Bainbridge.
00:39:51Oh, the gallery owner.
00:39:52Oh, she could make Tom famous.
00:39:54Perhaps the peonies will pique her curiosity.
00:39:55Yes, they are famous for being so.
00:39:57Sends an invitation to his gallery on Newbury Street.
00:39:59That works.
00:40:00Perfect.
00:40:01Harper, the invitations have been sent.
00:40:03Oh, not yet.
00:40:04Send his own invitation to the dean's wife.
00:40:06And don't forget the museum lecturer.
00:40:08Alright.
00:40:10What a tangled web, we say.
00:40:12Entangled is an understatement.
00:40:14Oh, and it's Samy who takes the lead in the pack.
00:40:18Oh, Browser is trying to move up on the left.
00:40:20Browser will snatch victory.
00:40:22And it's Samy, Samy who crosses the finish line.
00:40:27So, it's our turn now.
00:40:31Let's see if we can set a good example for Vincent.
00:40:34So, what do we learn first?
00:40:36Samy, it's your turn.
00:40:38Give me your paw.
00:40:39Well done, my cat.
00:40:40Alright.
00:40:41Now, Browser.
00:40:43Okay, Browser, what can you do?
00:40:45I'm going to make you bark.
00:40:47Look closely, Vincent.
00:40:47Look at.
00:40:48Barking.
00:40:49Barking.
00:40:51Barking.
00:40:52Yeah, that's good, you're a beautiful dog.
00:40:54You see, Vincent?
00:40:55That's how it's done.
00:40:57Come on, again.
00:40:58You.
00:40:58Yes, yes, you.
00:40:59Prince, you're going to show us what you prefer.
00:41:01To sleep.
00:41:04So.
00:41:06Not bad, eh, Vincent?
00:41:07It works every time.
00:41:09Vincent.
00:41:11Sat.
00:41:15Your boyfriend is hopeless.
00:41:17Vincent.
00:41:17Sat.
00:41:19Sat.
00:41:21You see.
00:41:23All right.
00:41:24Maybe next week.
00:41:25What do you think?
00:41:26Shall we keep it with us?
00:41:27Is there always a dunce in every class?
00:41:45Oh no, my body.
00:41:50You know, the entire electrical system in the house needs to be redone.
00:41:53You have no heating, no electricity.
00:41:56And your roof, it's leaking more and more.
00:41:59I'd say it's going to cost you around...
00:42:0210, maybe even 12,000 dollars.
00:42:04Oh dear, that's a lot of dogs to walk!
00:42:06You surprise me.
00:42:07I will do as much of the DIY work myself as possible to reduce the bill.
00:42:10Thank you, Franck.
00:42:10Nothing.
00:42:13How are your paintings coming along?
00:42:15I will soon be on display.
00:42:18But there's no guarantee that I'll sell any.
00:42:19I'd be surprised if you didn't sell a single one.
00:42:22Ah, don't worry about that.
00:42:24I'm going to start the repairs.
00:42:26And then we'll see what happens.
00:42:28That's nice, thank you, Franck.
00:42:30I'm already under so much pressure to get those hours out.
00:42:33Above all, don't put pressure on her.
00:42:34This departure, for me, painting was a form of therapy.
00:42:37But that's changing now.
00:42:38I don't want to get my hopes up, you know.
00:42:41How can I know if it will ever pay off for me?
00:42:43I'll tell you.
00:42:44I've lived long enough to know that how you spend your days matters more than
00:42:49What you get out of it.
00:42:52You are full of common sense.
00:42:53Yeah, apparently.
00:42:55It seems so.
00:43:01Dr. Higgins, I am pleased to meet you.
00:43:03I'm preparing a reception for next Friday and I really want to see you there.
00:43:07Oh, thank you, with pleasure.
00:43:09You must bring Tom Baker.
00:43:11I have a colleague who is a great connoisseur of Van Gogh and is eager to meet him.
00:43:14I'm sure they'll have a lot to talk about.
00:43:16This artist is creating anticipation in the art world.
00:43:18I would be delighted to be there.
00:43:20Perfect.
00:43:20See you Friday.
00:43:30Every day, a new source of stress.
00:43:32Today, the reception.
00:43:33Harper.
00:43:34Oh, perfect.
00:43:35I need to see you.
00:43:36I have to redo everything in my house.
00:43:37Lars is hosting a reception.
00:43:38I need to walk more dogs to pay for everything.
00:43:40He invited a specialist to speak in front of Gogh.
00:43:41I have an exhibition to prepare and no electricity.
00:43:43How can I not return it?
00:43:44I might have a solution.
00:43:46Harper does not use his workshop.
00:43:47You could stay there until everything is fixed at your place.
00:43:50Could I finish my paintings?
00:43:51That might help you.
00:43:52Yes, you could prepare it for the evening and the specialist in front of Gogh.
00:43:56That requires some thought.
00:43:57Yes, that's for sure.
00:44:00Well, think quickly, you know time is running out.
00:44:02Yes.
00:44:10Hi, Lindsay.
00:44:10Hi.
00:44:11So, did Tom accept your offer?
00:44:15Wait, I think you want to talk about your offer.
00:44:17What possessed you to say that?
00:44:18I don't see what the problem is.
00:44:20The problem is that things are already complicated enough.
00:44:25It's going to be very strange to see her in my garden.
00:44:28Why would that be so strange?
00:44:29Wait, I think there's a car in front of my house.
00:44:31Maybe you should go and see who it is.
00:44:33Yes, okay, I'll call you back.
00:44:35All right.
00:44:40But what do I do?
00:45:01Hi, Vincent.
00:45:02How are you, you scoundrel?
00:45:04I've been told that you've welcomed the cursed artists.
00:45:09THANKS.
00:45:10Please.
00:45:11You know I'm trying to train him?
00:45:13It's true ?
00:45:14Look at.
00:45:16Vincent, seated.
00:45:20He does not obey orders.
00:45:21Are you sure?
00:45:22Yes.
00:45:22So, look at this.
00:45:23Vincent, stay standing.
00:45:27You're a magician, I mean what I said.
00:45:29Well done.
00:45:30Actually, he's the one training me.
00:45:32Let's get you settled.
00:45:33Here, take this.
00:45:41So, you have a workshop, you have the skill.
00:45:45Why don't you paint?
00:45:46I had an exhibition last year.
00:45:48As a result, there were no sales and no positive reviews.
00:45:50That's normal.
00:45:51Art is subjective.
00:45:52Van Gogh sold only one painting during his lifetime
00:45:54And today, his work is worth billions.
00:45:56It's a shame he left me out of his will, but...
00:45:59I've learned to recognize my limits, that's all.
00:46:01Rembrandt, Picasso, all the greats,
00:46:03And they were themselves, against all odds.
00:46:06Whereas I color without going over the lines.
00:46:08But why don't you try to break the frame?
00:46:12I don't think I'm cut out for this.
00:46:14And I finally accepted it.
00:46:16And there are extra blankets in case you get cold.
00:46:18I hope you don't mind sleeping in a cot.
00:46:20No, no, no, I'm used to it.
00:46:22I slept a lot, I have friends and...
00:46:25in the family that my father went on missions.
00:46:27Life isn't easy.
00:46:29I was the son of a military man.
00:46:31As soon as I was old enough, I enlisted in the army.
00:46:32It was the only life I knew.
00:46:35Until this one?
00:46:36Exact.
00:46:38Well, I have exams to take notes on, then.
00:46:40I'll leave you now.
00:46:41All right.
00:46:41See you later.
00:46:43Oh !
00:46:44I forgot about Vincent.
00:46:47He loves being here.
00:46:48Go on, you scoundrel, go home.
00:46:50THANKS.
00:46:52The kissing is over.
00:46:54The idea hadn't even crossed my mind.
00:46:56That's very reassuring.
00:46:58It looks like it's going through a third of the way.
00:47:00Yes, like something to avoid.
00:47:03Good evening, doctor.
00:47:05See you tomorrow.
00:47:40If we survive the reception, we can focus on the exhibition.
00:47:43But don't you know who the great expert is?
00:47:44No idea.
00:47:45I am a guest like any other.
00:47:47Please tell me I'll be allowed to have a drink before the exam.
00:47:49It's going to be alright.
00:47:51There is so much to remember, so much information.
00:47:54Who was that other painter in Arles again?
00:47:56It was Paul Gauguin.
00:47:57Gauguin.
00:47:58I can't remember who painted what, when, where, or why.
00:48:02But that's fine with me too.
00:48:05What I wanted was to paint.
00:48:06On the water.
00:48:07All alone.
00:48:08Listen to me, forget everything I just told you.
00:48:10We're talking late.
00:48:12There is no true or false.
00:48:13Matisse had one of his paintings displayed upside down in a museum.
00:48:16And nobody noticed.
00:48:17Yeah.
00:48:18The curator said, in art as in love, everything is interpretation.
00:48:21Maybe this is your life?
00:48:23Ah, yeah.
00:48:23In relation to love as well?
00:48:26Love is very mysterious.
00:48:28It depends on who you ask.
00:48:29When I know something, I know it.
00:48:31You know ?
00:48:35There's one who's eagerly awaiting his walk.
00:48:38And there's one who's trying to change the subject.
00:48:41What do you think of that, Vincent?
00:48:45You know, the other dogs are twice his size, but he's always the one leading the pack.
00:48:49It's true ?
00:48:50Poor.
00:48:51Yes, yes, poor Vincent.
00:48:52Where do you find cuties?
00:48:54How many times do I have to repeat it to you?
00:48:56The kissing is over, Vincent.
00:48:58He does not obey orders.
00:49:01Like me, then.
00:49:05I gave two classes and I wasn't engaged at all.
00:49:08Is Dr. Harper-Higgins' mind elsewhere?
00:49:11I have to go.
00:49:13I teach at the cultural center.
00:49:14Oh, you're on a roll.
00:49:15Since I can't produce a string of masterpieces, I'm taking a string of classes.
00:49:17Lindsay, we need to look at the programs.
00:49:19Ah yes, yes, of course.
00:49:19I'll be waiting for you in my office.
00:49:20Yes, to all kinds.
00:49:23Is everything alright?
00:49:25Yes, I'm preparing the exhibition while also teaching my classes.
00:49:28The classes are very important.
00:49:30Have you already established your roadmap for the next six months?
00:49:33I've thought about it, but I haven't decided anything yet.
00:49:36All right.
00:49:42Hello, I'm Nancy.
00:49:43Tom, pleased to meet you.
00:49:44It's not difficult.
00:49:45Alright.
00:49:46But he has a voice.
00:49:49He expresses himself a lot.
00:49:50No problem, I'll bring it back to you in one piece.
00:49:52I'm getting ready.
00:49:53Ready, guys?
00:49:54Let's go.
00:49:55Here we go.
00:49:56And so the race begins.
00:49:57And as usual, Vincent takes the lead.
00:50:00But then there's Samy, who doesn't want to give in.
00:50:02And the new kid on the block coming up the right side.
00:50:04Wow, what a team!
00:50:25I can help you ?
00:50:26Yes hello.
00:50:27I am Dr. Higgins.
00:50:28We have a meeting at 10 o'clock.
00:50:30I come from the Cambridge Institute of Fine Arts.
00:50:34Um...
00:50:34Remind me, what is this about?
00:50:36Well, there you have it.
00:50:37I'm putting together an exhibition at the Institute and I was hoping to see you at the opening.
00:50:41I only travel when I know the artist.
00:50:44Tom Baker.
00:50:45I don't know him.
00:50:46But you know about talent.
00:50:49I can ?
00:50:50Yes, go ahead.
00:50:56Well, it's obvious that he has strong potential.
00:51:00And I think that potential has been confirmed.
00:51:06Impressive.
00:51:09Continue.
00:51:18Where was it exhibited?
00:51:19Nowhere.
00:51:20The Bainbridge gallery would be the first to represent him.
00:51:27Well, thank you for attending.
00:51:30Do you think you will be able to attend the opening?
00:51:33I'll think about it.
00:51:35Perfect.
00:51:39Finally, some good news.
00:51:42Bye.
00:51:43And thank you for your attention.
00:52:00Have you had time to read my homework?
00:52:02It was very short, which is telling.
00:52:04Write about something that speaks to you.
00:52:06One painting, one artist.
00:52:07I'll be waiting for you tomorrow, my evening.
00:52:08Yes, Dr. Browning.
00:52:09And of course, you will come along
00:52:11of Van Gogh's great-great-grandson.
00:52:13What's this all about?
00:52:13You've probably heard about
00:52:15of this extraordinary discovery.
00:52:16The opening reception was reserved for former students.
00:52:18and to the donors
00:52:19I didn't mention it to the students.
00:52:20I'm sure he would be interested in this story.
00:52:22Yes, I would love to know more.
00:52:23Me too.
00:52:24Perhaps it's time to spread the word.
00:52:26Maybe.
00:52:29That's weird.
00:52:34Shall we get a sandwich?
00:52:35No.
00:52:37What is it?
00:52:38I imagine you didn't see that?
00:52:39Seen what?
00:52:40The Institute's website?
00:52:41No, why?
00:52:42Lars wanted to advertise the exhibition
00:52:44by posting a short article about Tom
00:52:46and his connection with Van Gogh.
00:52:47Oh no.
00:52:48What if.
00:52:48The news must have spread all over the campus.
00:52:51This lie has gone too far.
00:52:57Listen, Vincent.
00:52:59Since we have a moment,
00:53:00I would like to talk to you about something
00:53:01which is very important to me.
00:53:03And maybe you could help me.
00:53:07I think that's clear.
00:53:09that I appreciate your mistress.
00:53:11But I wanted to know...
00:53:14This Rick,
00:53:15It is relevant today.
00:53:19Say.
00:53:20I was sure of it.
00:53:21You would have nodded otherwise.
00:53:23So the answer is no.
00:53:23I take that as a no.
00:53:25So much the better.
00:53:27And for...
00:53:28Her favorite color?
00:53:30Is it blue?
00:53:33Don't bark if it's yes.
00:53:36All right.
00:53:37Thanks, mate.
00:53:38I appreciate your trust.
00:53:40From man to man,
00:53:41We can tell each other anything.
00:53:42Come on, let's go.
00:53:43A hug.
00:53:44A big hug.
00:53:48You stand here.
00:53:50You and I, it's going well.
00:53:52We're friends.
00:53:54Klimt was one of the founders
00:53:56of the Viennese Secession,
00:53:57a very influential movement.
00:53:58The group brought together
00:54:00naturalist artists,
00:54:01realistic and also symbolic.
00:54:03As you know,
00:54:04Klimt was a symbolist.
00:54:06Yes ?
00:54:07How do you know?
00:54:07that Tom Baker
00:54:08is he a relative of Van Gogh?
00:54:09The course focuses on Klimt.
00:54:11That would mean
00:54:12Is talent hereditary?
00:54:14Even if it's good,
00:54:15that doesn't mean
00:54:15that it's genetic.
00:54:16These questions will not be included.
00:54:17during the examination,
00:54:18whereas Klimt, yes.
00:54:25My students had
00:54:26so many questions
00:54:27to install
00:54:27which I eventually managed to dry.
00:54:29Exactly what he risks
00:54:30to arrive at reception.
00:54:31I don't understand
00:54:32how I got myself into this mess
00:54:33in this mess.
00:54:37Okay, I have an idea.
00:54:41Let's stop the lessons.
00:54:43We stop
00:54:44to worry.
00:54:46And we stop painting.
00:54:47Let's take a break.
00:54:48But the reception is tomorrow.
00:54:49It is still necessary
00:54:50that we feed ourselves.
00:54:51Come on, let's go.
00:54:51We're going to eat a pizza.
00:54:52That will relax us.
00:54:53Do you remember?
00:54:54What's it like to be relaxed?
00:54:55It's nice, you know.
00:54:58Thank you, enjoy your meal.
00:55:02Hmm, I find it delicious.
00:55:06Oh, that might be due to
00:55:08to the company.
00:55:10Or perhaps it's
00:55:11A bit of both.
00:55:15You have beautiful eyes
00:55:16and so rare.
00:55:18They are speckled
00:55:19golden sparkles.
00:55:23A true artist.
00:55:24There's only one painter
00:55:25who notices these kinds of details.
00:55:26That's not all, you know.
00:55:27There's the way
00:55:28that your mouth should stretch
00:55:29when you smile.
00:55:30The pale pink of your cheeks
00:55:32is right there.
00:55:32Who are currently
00:55:33to turn pink
00:55:34to scarlet.
00:55:34Thank you.
00:55:34It's always
00:55:35A very pretty color.
00:55:37Come on, stop flirting.
00:55:39and eat that pizza.
00:55:41Anything you want.
00:55:44They are very good
00:55:45That being said.
00:55:46And I know something about that.
00:55:47With a single father
00:55:48on leave
00:55:48I had the opportunity
00:55:49to taste it.
00:55:50Yeah, I know it well.
00:55:51All delivery drivers
00:55:52knew the address
00:55:53of my family.
00:55:55He's in a coma.
00:55:56Yeah, that's true.
00:55:59I'm not just talking about
00:56:00rushed meals
00:56:01but loneliness.
00:56:04I have an image of myself
00:56:05which is quite accurate.
00:56:07And that's a bad thing.
00:56:10No.
00:56:11No.
00:56:14Except
00:56:14for red days.
00:56:20I would love it so much
00:56:21that we find a way
00:56:22to tell the truth
00:56:23and then that we can
00:56:23to breathe again.
00:56:24What there is,
00:56:25that's what I know
00:56:26neither where, nor when
00:56:27nor how to say it.
00:56:28I'm already getting ready
00:56:28so much pressure
00:56:29just by putting
00:56:30My paintings in front.
00:56:34What ?
00:56:35Why does that impress you?
00:56:37as much ?
00:56:40It's like you
00:56:41when you blush.
00:56:42It's embarrassing
00:56:43to be looked at.
00:56:44It's the same thing
00:56:45for my paintings.
00:56:46They are a part of me.
00:56:49A game worth playing
00:56:50to be known.
00:56:52Finally, the good side
00:56:53of history
00:56:53It makes up for everything.
00:56:55Which ?
00:56:56You and me.
00:56:58You might be right.
00:57:11The arabesthetic style is no longer in vogue.
00:57:12All my students
00:57:13want to talk
00:57:13from the rear-rear
00:57:14Van Gogh's grandson.
00:57:15The management
00:57:16and Doctor Martin
00:57:17have only his words
00:57:17to the mouth.
00:57:18I need to find
00:57:18a solution.
00:57:19I don't want to
00:57:19that Tom's career
00:57:20in the pastry.
00:57:21I would feel extremely guilty.
00:57:23Hello, Dr. Browning.
00:57:24We were in the process
00:57:26to mention Tom Baker
00:57:27and the works
00:57:27that he has already produced.
00:57:28I am an exciting
00:57:29to meet this man.
00:57:30The reception begins
00:57:31in a few hours.
00:57:31Don't be late.
00:57:33I'm going home to get my things.
00:57:34By the way,
00:57:34the dean of the faculty
00:57:35and his wife
00:57:36will be present.
00:57:37Ah, the more the merrier.
00:57:39This promises
00:57:39to be a memorable evening.
00:57:42That's for sure.
00:57:56Sorry for the delay,
00:57:57I was with the dogs.
00:57:58No, it's fine.
00:57:58It only starts at this time.
00:57:59We need to relax
00:58:00There's a bit of pressure here.
00:58:01All right.
00:58:02Perhaps we can
00:58:02Take you, Vincent.
00:58:03Vincent.
00:58:05But,
00:58:06He comes when you call him.
00:58:07Hey, it happens to him.
00:58:09Wow.
00:58:10Vincent.
00:58:10Hey, Vincent.
00:58:12Ah, that's extraordinary.
00:58:14We need to celebrate this.
00:58:15I even taught him
00:58:16to sit down.
00:58:16You're kidding.
00:58:17Okay.
00:58:18So, Vincent.
00:58:20Sat.
00:58:22I admit, I had to ask him
00:58:23ten times to make him do it
00:58:24And then, I think he wanted
00:58:25imitate other dogs
00:58:26who are always sitting,
00:58:27But he did it.
00:58:30I must admit
00:58:30that he won me over.
00:58:32I think it's mutual.
00:58:33I hope so.
00:58:36Good,
00:58:37I need to change my clothes.
00:58:38Yes, okay.
00:58:39Me too.
00:58:42Come on, let's go.
00:58:47What do you think?
00:58:52All right.
00:58:56Artists don't wear ties.
00:59:00That's better.
00:59:17You are dazzling.
00:59:19This is my stylist, Vincent.
00:59:21who did everything.
00:59:26THANKS.
00:59:28Listen,
00:59:28We're going to a reception.
00:59:29We put on our best clothes.
00:59:31We just have to do
00:59:31as if we were going out
00:59:32both.
00:59:33That would really
00:59:34very complicated
00:59:35as a first outing.
00:59:50I would like it to be
00:59:51Already finished.
00:59:52And I hope
00:59:53that it lasts forever.
00:59:55You look so beautiful tonight.
00:59:58Kisses,
00:59:59It's over.
01:00:00Welcome,
01:00:01I am your host.
01:00:02Dr. Lars Browning.
01:00:03Tom Baker.
01:00:05I see that you have
01:00:06again, your two ears
01:00:07That's a good thing.
01:00:11everyone
01:00:11is very impatient
01:00:12looking forward to meeting you.
01:00:14This is Dr. Martin.
01:00:15He directs
01:00:16our department.
01:00:19We are very happy
01:00:20to present your work.
01:00:21THANKS.
01:00:21Your famous ancestor
01:00:23sparks curiosity.
01:00:24That's an understatement.
01:00:25I hope my work
01:00:26You will like it even more than that.
01:00:29Look, here's the dean.
01:00:30and his wife Lisa.
01:00:31Let me introduce you
01:00:32the one we were all waiting for,
01:00:33Tom Baker.
01:00:34Good evening.
01:00:34Delighted.
01:00:36Good evening.
01:00:36This is a great moment.
01:00:38And now,
01:00:39I would like to introduce you
01:00:40to a recognized specialist
01:00:41by Van Gogh
01:00:42Rick Abbott.
01:00:43You told me
01:00:43that it was a colleague.
01:00:45I didn't think it was a good idea.
01:00:45to present it
01:00:46like your ex-boyfriend.
01:00:47Rick Abbott.
01:00:48I feel a bit protective
01:00:49vis-à-vis Harper,
01:00:50so when I learned
01:00:51your connection with Van Gogh,
01:00:52I had my doubts.
01:00:53It is true that seeing
01:00:54These paintings make me very humble.
01:00:56And which one of them
01:00:57Does it make you more humble?
01:01:00Probably the starry night
01:01:01and all those who speak it.
01:01:03And do you see that?
01:01:04like the beginnings
01:01:05of post-impressionism?
01:01:06You could say that, yes.
01:01:09Van Gogh began
01:01:10to use emotion
01:01:11to get closer
01:01:12of the viewer.
01:01:13His work was so personal
01:01:14that it has become universal.
01:01:16I've never heard of her.
01:01:17Well said.
01:01:18Quite.
01:01:20What are your family relationships?
01:01:22My grandmother came from the Netherlands.
01:01:24She was from Zendert.
01:01:25And like his father
01:01:26He didn't speak our language.
01:01:27the immigration officer
01:01:28Elys Island
01:01:28gave it a new name.
01:01:30The same thing happened
01:01:30to my grandfather.
01:01:31That's common.
01:01:32My grandmother was babysitting
01:01:33all my drawings.
01:01:34She hoped I would come back
01:01:35the torch.
01:01:36And she was right.
01:01:37You became a painter.
01:01:39I would love it very much
01:01:40see your exhibition.
01:01:41You have not received
01:01:41Your invitation?
01:01:42No.
01:01:43Harper.
01:01:44I'm sorry.
01:01:45Here, Mrs. Whitney.
01:01:48Peonies.
01:01:49Absolute beauty.
01:01:51A very beautiful painting.
01:01:53And very close
01:01:54in the style of Van Gogh.
01:01:55Discovering
01:01:57by Dr. Higgins.
01:01:58And at the exhibition
01:01:59by Tom Baker.
01:02:00Health.
01:02:06I should feel
01:02:07relieved,
01:02:08But I feel really bad.
01:02:09Yes, me too.
01:02:11Dr. Martin was proud of me.
01:02:14The dean's wife
01:02:14he encouraged us.
01:02:16And I have admiration
01:02:17and respect
01:02:18for these people.
01:02:21That's not like me.
01:02:22to disguise the truth
01:02:24like that.
01:02:25Yes.
01:02:26We need no more
01:02:27Let's experience this.
01:02:28It's not worth it.
01:02:30So what do we do?
01:02:31We confess our lie.
01:02:34Yes, the sooner the better.
01:02:34will be best.
01:02:35NOW,
01:02:36We need to find out how.
01:02:39I already feel better.
01:02:41In the genre
01:02:42completely devastated.
01:02:47Me too.
01:02:49Let's go home.
01:03:03Are you leaving?
01:03:04That's great.
01:03:06No, no.
01:03:07I don't want to interrupt you.
01:03:07No.
01:03:09I'm recovering so much
01:03:10in question
01:03:10that each time,
01:03:11I'm covering up what I do.
01:03:12It will come.
01:03:13Don't worry.
01:03:15Peyton wants me to do
01:03:16a model
01:03:16that the students copy.
01:03:17Only,
01:03:18find a theme,
01:03:18That's not my strong point.
01:03:19They've had enough.
01:03:20still lifes.
01:03:22Pardon.
01:03:27Listen,
01:03:28tell yourself that you're not talking
01:03:29for them.
01:03:30Find out what you want to do
01:03:33And...
01:03:34talks about emotions
01:03:35that you can't
01:03:35to express.
01:03:37We are different.
01:03:38You know.
01:03:38SO,
01:03:39That's a good thing
01:03:39that opposites attract.
01:03:42Good,
01:03:43I'm going to work.
01:03:48I tell myself that
01:03:49Maybe I'm not cut out for this.
01:03:50to teach.
01:03:51To be honest,
01:03:52I don't know anymore
01:03:52not at all where my place is.
01:03:55This is no small admission.
01:03:59If only I could
01:04:00to be so frank
01:04:01by painting.
01:04:07Dr. Higgins,
01:04:08I rewrote my assignment
01:04:10and this time,
01:04:10I talked about Van Gogh
01:04:11because of your exhibition.
01:04:12I would be happy
01:04:12to read this.
01:04:13THANKS.
01:04:14I would like to see
01:04:15Tom Baker's exhibition.
01:04:15You could put me
01:04:16on the list?
01:04:16The invitations all
01:04:17were distributed.
01:04:18Sorry,
01:04:19I have to go,
01:04:19I'm late.
01:04:23with Tom,
01:04:24we decided
01:04:24to tell the truth.
01:04:26Well done.
01:04:28But I believe
01:04:29that you should do this
01:04:29after the opening.
01:04:32It's more than in
01:04:32a few days.
01:04:34Yes,
01:04:34It's true.
01:04:37But,
01:04:40What am I saying?
01:04:41And who am I telling?
01:04:43Me,
01:04:44I will begin
01:04:44by Doctor Martin.
01:04:50Lindsay thinks
01:04:51that we should leave
01:04:51attend the opening.
01:04:53We already have
01:04:53many answers
01:04:54positive feedback from guests.
01:04:55She's probably right.
01:04:58Victoria Blainbridge
01:04:59will come.
01:05:00Wait,
01:05:00You're kidding.
01:05:00From the gallery owner?
01:05:01This is excellent news.
01:05:04All right.
01:05:06SO,
01:05:06after the opening,
01:05:07we go straight
01:05:08wherever it wants.
01:05:09I'll go and see
01:05:09Doctor Martin.
01:05:10I'll take it
01:05:11except discreetly.
01:05:12I don't want to
01:05:12put it
01:05:13in an awkward position.
01:05:14All right.
01:05:15Yes.
01:05:18Good,
01:05:18waiting for,
01:05:19I have a pack
01:05:19dog to walk.
01:05:28No kissing,
01:05:29I know,
01:05:29but you looked
01:05:30to need it.
01:05:32Yes,
01:05:33You're right.
01:05:35GOOD.
01:05:37Come on,
01:05:37On the way.
01:05:48I don't know what to say.
01:05:50So much the better,
01:05:50Please.
01:05:51It's superb.
01:05:53How can one be
01:05:54so good at something
01:05:55and not recognize it?
01:05:57You hid me for a long time
01:05:58that you paint
01:05:58all the flowers
01:05:59that you buy from me
01:05:59as if it were a secret.
01:06:01Me,
01:06:02if I were that talented
01:06:03for something,
01:06:03I would share it
01:06:04everyone.
01:06:05GOOD.
01:06:06That's nice
01:06:06to tell me that.
01:06:08You have a seat
01:06:09to take.
01:06:12Good morning.
01:06:16Advance.
01:06:17No, come forward, Prince.
01:06:18What are you doing ?
01:06:20Mr. Baker,
01:06:21What a pleasant surprise.
01:06:22But what are you doing?
01:06:23With all those dogs?
01:06:26Actually,
01:06:26they belong
01:06:27to my neighbors.
01:06:28Well,
01:06:28you really must
01:06:28to love animals.
01:06:30You shouldn't be
01:06:31preparing
01:06:32the exhibition.
01:06:35Tell me,
01:06:35Wouldn't that be it?
01:06:36of Dr. Higgins?
01:06:37Ah,
01:06:38if,
01:06:38if that happens to me
01:06:39to walk him
01:06:39to do him a favor.
01:06:41I have to go.
01:06:42I have to go home.
01:06:43for painting.
01:06:44Come on guys,
01:06:44here we go.
01:06:45But where is your home?
01:06:46Mr. Baker.
01:06:47Mr. Baker.
01:06:54Oh,
01:06:55you added
01:06:55carrots
01:06:56and corn.
01:06:57Hmm.
01:06:58Hmm.
01:06:58And red bell pepper
01:06:59for the color.
01:07:00Bacon in the salad.
01:07:01Well,
01:07:02In my opinion,
01:07:02appearance matters
01:07:02as much as taste.
01:07:06I fell
01:07:07on the ars today.
01:07:08What ?
01:07:08Where?
01:07:09I was taking the dogs
01:07:10at the park
01:07:10And we crossed paths.
01:07:11You mean
01:07:11that he knows
01:07:12that you walk
01:07:12Dogs?
01:07:14I don't see it
01:07:14Where would the harm be?
01:07:15He sees you
01:07:15like an artist,
01:07:16SO.
01:07:16I am an artist
01:07:17who earns his living
01:07:18by walking dogs.
01:07:20Excuse me,
01:07:21there,
01:07:21I don't know anymore.
01:07:23Actually,
01:07:24That's the problem
01:07:24with the lies.
01:07:26It spoils it
01:07:26the good times.
01:07:27Yes,
01:07:27It's good,
01:07:28I am aware of this.
01:07:28I'm not blaming you.
01:07:29Well, me,
01:07:30I blame myself for it.
01:07:31And it's even worse.
01:07:33Excuse me,
01:07:34I ask for your forgiveness.
01:07:35I'm really very stressed.
01:07:37That would be a shame
01:07:38that it prevents us
01:07:39to enjoy this dinner.
01:07:39This dinner,
01:07:40That's the least of our worries.
01:07:44All right,
01:07:44So I'm going out
01:07:45to get some fresh air,
01:07:46That will do me good.
01:07:47If you want.
01:07:58Tom!
01:08:02Tom!
01:08:20Why are we in this situation?
01:08:22I don't know.
01:08:24But,
01:08:25We're there.
01:08:39Good morning.
01:08:40Good morning.
01:08:40My dog loves it
01:08:41to walk with you.
01:08:42So much the better.
01:08:42The blind is very good
01:08:43integrated into the troupe.
01:08:44Just now.
01:08:46Enjoy your walk.
01:08:46THANKS.
01:08:47Come on guys,
01:08:48Here we go.
01:08:48Get up quickly.
01:08:49Oh dear,
01:08:49Samy is the one who takes
01:08:50the head of the peloton
01:08:51That way, Vincent.
01:08:52Come on,
01:08:52scoundrel.
01:08:53Here we go.
01:08:54Oh,
01:08:54and Vincent who comes back
01:08:55from the left.
01:08:55Oh,
01:08:56The race is close.
01:08:57It's impossible to guess the winner.
01:08:59Good morning.
01:09:00Excuse me for bothering you,
01:09:01but I saw
01:09:01that you had a dog.
01:09:03Buster, yes.
01:09:03Actually,
01:09:04I'm looking for someone
01:09:05to walk mine.
01:09:06Oh,
01:09:07Tom takes Buster for a walk
01:09:08every day.
01:09:08He's a good person.
01:09:09punctual.
01:09:10It is very reliable.
01:09:11Perfect.
01:09:11That's good to know.
01:09:13THANKS.
01:09:13You are welcome.
01:09:14Good day.
01:09:23I hope to earn more
01:09:24thanks to the exhibition.
01:09:26Ah, listen,
01:09:27How's it going.
01:09:28Don't worry about it,
01:09:29I'm not in a hurry.
01:09:31So,
01:09:31That's something, at least.
01:09:32It's going well.
01:09:34SO,
01:09:34How are you ?
01:09:35I have the impression
01:09:36that you paint a lot
01:09:36Right now.
01:09:37I'm not stopping.
01:09:38I can't help it.
01:09:40As a result,
01:09:40you have to imagine
01:09:41a little better
01:09:41what you want to do
01:09:42of your life.
01:09:44Yeah,
01:09:45That's crazy.
01:09:46I am getting to know
01:09:47of a woman
01:09:47and all my life
01:09:48is in turmoil.
01:09:50Whose is that?
01:09:51Harper?
01:09:51The one who came
01:09:52with his dog?
01:09:53Yeah.
01:09:53She made me
01:09:54a good impression.
01:09:56I believe I am
01:09:56falling in love.
01:09:58Oh yeah?
01:09:59Well,
01:10:00There's nothing wrong with that.
01:10:02And she,
01:10:03What does she think about it?
01:10:05I'm not really sure.
01:10:06The situation is strange.
01:10:07It's hard to say.
01:10:08It's rather complicated
01:10:08as a story.
01:10:10Ah,
01:10:11love.
01:10:12That would be common knowledge.
01:10:12If only it were that simple.
01:11:07Hi,
01:11:08I can help you ?
01:11:09I'm coming to visit
01:11:10to Tom Baker.
01:11:11He just left.
01:11:12it's a shame.
01:11:13Oh,
01:11:13I wanted to take my time
01:11:14to talk with him
01:11:15of his paintings.
01:11:16It's good, isn't it?
01:11:17What do you think?
01:11:18I really like what he does.
01:11:19Me too.
01:11:20It just happened to him.
01:11:21like that,
01:11:22without warning.
01:11:22He discovered this talent within himself.
01:11:24I see.
01:11:26He has no training.
01:11:28No,
01:11:28he just took a course
01:11:29art therapy
01:11:30when he was
01:11:30at the military hospital.
01:11:31That's all.
01:11:33Well,
01:11:35It's an amazing journey.
01:11:39Good,
01:11:40Let's start with the peonies
01:11:40given that they are
01:11:41on the invitations.
01:11:47Ah,
01:11:47That's perfect.
01:11:50SO,
01:11:51What do you think?
01:11:53I find it
01:11:54outstanding.
01:11:56Are you talking about this?
01:11:57From the painting,
01:11:58not by the artist.
01:12:00We kissed
01:12:03in the rain.
01:12:05It was magical.
01:12:09I didn't think so
01:12:10that it would put me
01:12:11in this state.
01:12:12Me,
01:12:12that's what I say about it,
01:12:13that's what love is,
01:12:13it's always
01:12:14a bet.
01:12:24But you're right.
01:12:26He's confident.
01:12:30He inspires me.
01:12:33I started again
01:12:34to paint.
01:12:35And every day,
01:12:36I'll take a little
01:12:37more risks.
01:12:38SO,
01:12:39why is this
01:12:39that you're whispering?
01:12:42I started again
01:12:43to paint!
01:12:44Yes !
01:12:45That,
01:12:45That's news!
01:12:51I'm like you.
01:12:52Vincent.
01:12:53I'm quite stressed too.
01:12:55I'm fine.
01:12:57I'm fine.
01:14:05I can't sleep.
01:14:06The same.
01:14:08I really want everything to go well tonight.
01:14:10I want things to go well for you, I want to tell the truth.
01:14:13I keep rehearsing what I'm going to say in my head.
01:14:15I feel exactly the same as you.
01:14:19Whatever happens...
01:14:20Hey, it'll be alright.
01:14:26We know that in any case, by this time tomorrow, it will all be over.
01:14:31Except that we'll be able to kiss, right?
01:14:34That already cheers me up.
01:14:54Please, we can come earlier tomorrow.
01:14:57The artist is generally expected to be present at their opening.
01:15:00Yes, when it wasn't his ancestors who pulled strings for him.
01:15:03You have talent.
01:15:04That's the most important thing and whatever happens, he will survive this evening.
01:15:09And what's going to happen to the two of us?
01:15:12I see many walks in the rain, in the clear blue of the island.
01:15:17I had the opportunity to see.
01:15:21Very beautiful, yes.
01:15:22Yes, I love the colors.
01:15:25The influx of Van Gogh is clearly evident.
01:15:27It's true that he has an extraordinary gaze.
01:15:30This painting is sublime.
01:15:33Oh, I love violets.
01:15:36And the dog.
01:15:37Oh, I want them both.
01:15:38I understand that I'm going to need my checkbook.
01:15:41The exhibition exceeded my expectations.
01:15:44Thank you, Dr. Martin.
01:15:45Thank you so much.
01:15:46Good evening, I am Victoria Benbridge.
01:15:48Oh, I'm very glad you came.
01:15:50And I am very impressed by your work.
01:15:52I almost never deal with unknown artists, but you are exceptional in every way.
01:15:58I don't know what to say.
01:16:00You've made a major impact.
01:16:02So, a small smile.
01:16:03And a signature at the bottom of the page.
01:16:05When I first heard about your connection to Van Gogh, I didn't believe it.
01:16:08But today, I must admit that you have convinced me.
01:16:10I especially hope that you will judge my paintings for themselves.
01:16:13Of course, but your ancestry will open many doors for you.
01:16:19I have things to tell you.
01:16:21Yes, I'm listening.
01:16:22I know that Sergeant Tom Baker is an imposter.
01:16:26You invented this link with Van Gogh so that he would be exhibited and you would get a promotion.
01:16:33I will do whatever you ask, but don't spoil Tom's message.
01:16:34Your attention, ladies and gentlemen.
01:16:37THANKS.
01:16:38I would like to make an announcement.
01:16:40It would seem that we were misinformed.
01:16:43There is no evidence that Tom Baker is a descendant of Vincent Van Gogh.
01:16:49What ?
01:16:50How ?
01:16:51Dr. Higgins.
01:16:53Is that true?
01:16:55I apologize.
01:16:57It's all my fault.
01:16:57No.
01:16:58That's wrong.
01:17:00We both apologize.
01:17:02We made a terrible mistake.
01:17:05I am sincerely sorry.
01:17:16Dr. Martin's gaze was awful.
01:17:19Yes, I tried to explain myself to Victoria Benbridge, but what could I say?
01:17:23They plan to take off tomorrow.
01:17:24Lindsay wants us to come and collect the paintings as soon as possible.
01:17:27We only get what we deserve.
01:17:29Not you.
01:17:30That was my idea.
01:17:32I think there's enough remorse for two.
01:17:34I found myself betraying my principles.
01:17:36Why? In order to become Dr. Higgins full-time?
01:17:39That's not like me.
01:17:41What do you want to do?
01:17:43I have a great many apologies to offer.
01:17:46Yes, I'll start there too.
01:17:50Do you promise me that you will continue to paint?
01:17:53I promise you.
01:17:54I wouldn't even know how to stop.
01:17:58Hey, we'll get through this.
01:18:00Trust me.
01:18:04This is the worst day of my life.
01:18:08But strangely enough, I believe you.
01:18:10She's the worst person.
01:18:16Oh, that's the worst.
01:18:17No, it's the worst.
01:18:18Hello, this is the worst.
01:18:19Run, it's the worst.
01:18:22This is the worst.
01:18:23How ?
01:18:25No, I don't know about that.
01:18:26I promise you.
01:18:28Thank you very much.
01:18:29We're leaving.
01:18:30Okay, okay, I'll go get it.
01:18:32No, no, it was a natural thing.
01:18:34This is the worst.
01:18:35Yes, I came very well, okay.
01:18:36I came from here very much.
01:19:03I understand that my contract with the Institute has been terminated, but I didn't come here for that.
01:19:09I came to offer a personal apology.
01:19:12I am truly ashamed of what I did.
01:19:14And what I regret most of all are the consequences for you and the department.
01:19:19How long did you repeat these sentences?
01:19:21Too long.
01:19:23I should have been honest from the start.
01:19:25Time will pass.
01:19:26This will become an anecdote that the students will enjoy telling.
01:19:29This will have no impact on the Institute.
01:19:32Regarding your career, I can't say the same.
01:19:35Yes, that's normal.
01:19:38I'm not sure I'm cut out for teaching.
01:19:40Since this is the moment of truth, I agree.
01:19:44It's not right for you.
01:19:45That's not really you.
01:19:46Yes.
01:19:48I wanted to be a painter.
01:19:51The thing is, I got discouraged and I wanted to become someone else.
01:19:55'other.
01:19:55Are you familiar with this quote?
01:19:56When you know how to do something, you do it.
01:19:57When you don't know, you teach.
01:19:59Well, that's completely false.
01:20:00Those who teach, and who teach well, are made for it.
01:20:04Find what you're made for.
01:20:06And let nothing distract you from it.
01:20:09In any case, you have it in your blood.
01:20:12Best of luck, Harper.
01:20:14That's kind.
01:20:25I don't have much time.
01:20:27It is important for me to apologize to you again.
01:20:31In private, I feel I owe you that much.
01:20:34I have a reputation to protect.
01:20:36I must keep it intact for the good of my clients.
01:20:38Just knowing that you considered representing me means so much to me.
01:20:41You can't imagine.
01:20:43You didn't need to invent a past for yourself.
01:20:46Your paintings are good enough to stand on their own.
01:20:49You have a real gift.
01:20:50It is up to you to honor him and trust him.
01:20:57THANKS.
01:21:00My entire teaching career fits in a cardboard box.
01:21:03In any case, I have good news today.
01:21:05Tell me.
01:21:06The dean's wife wants to buy two of Tom's paintings.
01:21:09No, are you serious?
01:21:10Yes, I heard him say that.
01:21:12Warning, quote.
01:21:13I don't care who he is or who his ancestors are.
01:21:16I want to see his paintings on my wall every day.
01:21:18Now I know why I appreciate it.
01:21:22Wow, that'll allow Tom to repair his boat.
01:21:24That's great.
01:21:26And what are you going to come up with?
01:21:28Above all, don't worry about me.
01:21:30I will be teaching at the cultural center.
01:21:32I took a somewhat convoluted path to get here, but I have more than one desire, c
01:21:35'It's painting.
01:21:36You've found the right path again.
01:21:38I even found the right boy.
01:21:39And that's no small thing.
01:21:44Every time I look at the painting, it gives me energy for several hours.
01:21:48What do I owe you?
01:21:50Just a small commission.
01:21:53My clients love it too.
01:21:55There was even one person who wanted to buy it.
01:21:57Perhaps you could exhibit here.
01:21:59It would be like a small gallery.
01:22:03Yeah, yeah, thanks, yeah.
01:22:06That would be great.
01:22:25What do you think?
01:22:35It's so romantic.
01:22:38Harper, well done.
01:22:43Okay, let's move forward.
01:22:46Another perfect day for a walk.
01:22:48Seriously, Vincent?
01:22:50Are you still on a reconnaissance mission?
01:22:55Okay, okay.
01:22:56Wait a little while.
01:22:57Wait.
01:22:58Vincent, come on, come this way.
01:23:00I'm going to hate myself, but I never give up.
01:23:02Come here.
01:23:03Vincent, seated.
01:23:07Oh, okay, wait a bit.
01:23:08Perhaps it was just a stroke of luck.
01:23:10We'll start again.
01:23:11Stand up, soldier.
01:23:12Come on, Vincent, sit down.
01:23:16It's a miracle.
01:23:19Good dog, good dog.
01:23:20Come on, let's show Harper what you can do.
01:23:22Come on, let's go.
01:23:22Here we go, you scoundrel.
01:23:25Well, today Vincent has become a dog.
01:23:29Hello everyone.
01:23:30I have a surprise for you.
01:23:32Are you ready?
01:23:32Will you show them?
01:23:34Come on.
01:23:36Vincent, seated.
01:23:40Good dog.
01:23:41That's incredible.
01:23:43I have a surprise too.
01:23:52Do you remember that night?
01:23:54I'll remember this one.
01:23:58Art that imitates life, that imitates art.
01:24:03I am very happy I chose this course.
01:24:09If I hadn't bumped into you and if I hadn't had to walk my dog, where is it
01:24:12that I would be today?
01:24:14I believe Vincent would have made sure we got to know each other.
01:24:16It's fate.
01:24:18In any case, I'm very lucky.
01:24:21You're coming, Vincent.
01:24:27I would like to paint you as you are, now.
01:24:30We're going to need another easel.