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00:19Hello everybody and welcome to Glenn and Mick's Celebrity Intervention.
00:25This is a show where we take a run of this country's leading celebrities
00:27and perform a much-needed and long-overdue intervention.
00:32It's hard, but it's for their own good.
00:34They've got it coming.
00:35Let's introduce our co-host, Lawrence Mooney, ladies and gentlemen.
00:40It's good to be here, Mick.
00:42Great to have you.
00:43Out this late, not violating your curfew.
00:45No, I'm not breaking a curfew.
00:46They've let me out, but they have put an anklet on me,
00:48so if it starts buzzing, you'll know what's going on.
00:51Yes, it's not a reversing truck, it's just Lawrence.
00:56So a much-loved celebrity is going to come through that door tonight
00:59and get what they deserve, and it's done with a lot of love.
01:02Before we get to tonight's inductee, though,
01:05I think there are a lot of other people, places and things
01:08that need a good intervention.
01:09Shall we do it?
01:10Absolutely. Let's kick off, Mick.
01:11Let's get into it.
01:11Let's start with Jeff Bezos.
01:13Oh.
01:14Yes, Jeff.
01:16Was the richest man in the world.
01:18Now the second richest.
01:19What a loser.
01:20Oh.
01:21You can do better, girls.
01:22Seriously.
01:24And he's selling tickets on his Origin Blue or Blue Origin.
01:28Blue Origin, why don't I?
01:29For $28 million a seat.
01:32Well...
01:32And that's economy.
01:33That's it.
01:35I'll keep going, poo joggers.
01:39Guys, how hard is it to plan ahead?
01:42You know what I'm saying?
01:44You know how to pick them out, too.
01:45If you see a jogger with reading material under one arm,
01:48give them a wide version.
01:49That's all I'm saying.
01:50Hip replacements need an intervention.
01:52Yes!
01:53They've done more harm than good, okay?
01:55Once upon a time, a decrepit oldie,
01:57you just put a blanket over their knees and they were gone.
01:59Now old blokes are slipping into bike shorts
02:01and you see their sweaty junk all weekend.
02:04No, thank you.
02:06That's a community service announcement you just made.
02:09I've got one.
02:10What about sliders?
02:11Oh.
02:13Who ever?
02:15You're angry about this.
02:16I like hamburgers.
02:17I just wish they were smaller.
02:18What the hell is that?
02:21Nobody ever.
02:23And you've just got to order more.
02:25I've seen Matt Preston pop those things like Maltesers.
02:28No.
02:29And what about sushi?
02:31I mean...
02:31Boom.
02:32Sushi.
02:33They market it as a delicacy.
02:34You've just got a lazy chef in the kitchen.
02:37Hey, Nirohito,
02:38get my fish into the deep fryer tootsuite.
02:41And while we're there, chopsticks.
02:43I think it's a step backwards.
02:44Whoa.
02:45Yeah.
02:45What do you mean?
02:46It's all in the name.
02:48They're sticks.
02:49They don't chop and they don't shovel either.
02:52You can't shovel delicious fried rice into your pie hole with a stick.
02:59All right.
03:00Calm down.
03:00Get into my belly.
03:02You get the idea.
03:03There's a lot of things that need some help,
03:05including our very next guest,
03:06who's our celebrity intervention for tonight.
03:08Now, Glenn, right now, is out there finding that celebrity
03:13and he's going to bring them back.
03:14But to do that, he has to get them back here under false pretenses.
03:18He has to come up with a canny roos.
03:19I love the way you say canny roos.
03:21Thank you very much.
03:25It's my safe word.
03:27But what we have to do is...
03:30Canny roos!
03:31Canny roos!
03:31Canny roos!
03:33What we have to do is get that celebrity back here now.
03:37Glenn is out in the field.
03:38Let's see who he's got tonight.
03:47That is Guy Sebastian.
03:49Let's see how we go.
03:55Boom!
03:55Nice shot!
03:56Oh, Glenn.
03:57G'day, mate.
03:58Guy Sebastian.
03:59How are you?
03:59Turning your hand to the great game of golf.
04:02Oh, I love it.
04:02I didn't pick you as a golfer.
04:04Do you play?
04:04To be honest, when I was younger,
04:06I actually thought about turning pro.
04:07Really?
04:07Yeah, absolutely.
04:09Bit of Tiger Robbins, eh?
04:10Oh, well, similar problems with the relationships.
04:13But anyway, do you want a couple of tips?
04:14Happy to help you.
04:15Oh, always.
04:16Mate, I'm working on a few things at the moment.
04:18No worries.
04:19Can you...
04:19I'll give you some singing tips in return if you want.
04:22That'd be great.
04:23I'm actually a pretty good singer, but okay.
04:24Hey, just take a swing for me.
04:26Let me see what you've got.
04:28Yeah, that's good.
04:29Okay, just want you to keep it a bit more quiet.
04:31I want you to drop it in.
04:33Okay, put a ball down.
04:34Yeah.
04:35And we're going to drop it into the line.
04:37And I want you to see if you can hit that flag on the right-hand side there.
04:41The yellow one?
04:42No, the red one, a bit further over.
04:43Oh, yeah?
04:44Yeah, yeah.
04:44That one, yeah.
04:45Oh!
04:47Ben, I'm so sorry.
04:48Take it out.
04:49Oh, I feel terrible.
04:50You got me.
04:50I'm going to need some ice on that.
04:51Can you drive me home?
04:53Absolutely.
04:53Do you want me to rub it?
04:54No, I don't want you to rub it.
04:55You're hitting me in the groin.
04:56Let's just drive home and get some ice on it.
04:58Seriously.
04:59You can probably sing higher than me now.
05:01Battle scars!
05:02Battle scars.
05:02Yeah, good time to start singing when you're just hitting me in the groin.
05:05Seriously.
05:06Why'd you stand so close?
05:07I wasn't standing close.
05:08I was trying to help you.
05:09Go, Sebastian.
05:10Go, Sebastian.
05:12What a huge intervention it's going to be.
05:14It's going to be a big one.
05:16We might need more than we allot it our.
05:18And what a candy reason it was.
05:20Hitting the balls.
05:23Now, obviously, it's going to take a while for them to get back here.
05:26They're probably traveling in a golf cart, I imagine.
05:29Oh, what's that?
05:30They're here right now.
05:31Make your welcome.
05:31It's Guy Sebastian and Dean Wilkins.
05:38Hello.
05:39Hi, Guy.
05:40Welcome to you.
05:41Guy, how's it going to be here?
05:47That's a good swing by row, eh?
05:49Oh, mate, after a bit of coaching from Glenn, it got even better.
05:53How are your Jats crackers, Glennie?
05:54Yeah, no worries.
05:55He gave him a rub backstage, so everything's fine.
05:59Thank you for joining us here tonight.
06:00It wasn't what you expected.
06:01No, this is not Glenn's home.
06:04No, it's not.
06:05No, but we're here for a good reason, aren't we, Mick?
06:08Because we're worried about it.
06:09We need to say this, Guy.
06:10This all comes from a good place.
06:11And we love you.
06:12Your family loves you.
06:13And your friends love you.
06:14But there's a lot to be worried about at the moment.
06:18You have a lot of big problems.
06:21Massive problems.
06:22All right.
06:23You don't know half of it.
06:25No, I do.
06:26But you do.
06:27I do.
06:27It plays around my head.
06:28I just didn't know everyone else knew.
06:30No, we're onto it.
06:30So can I just take a minute?
06:32Let's get the big one out of the way.
06:33And this is something not many people here would know about.
06:35But I think it's better out than in.
06:37And we want to hear it from you.
06:39I'm scared.
06:40There's no easy way to say this.
06:42But you started COVID-19.
06:44Yeah.
06:47You and you alone are responsible for the pandemic.
06:55We got locked up for two and a half years thanks to you.
06:58You ruined the economy.
07:00Let's have a look.
07:00What's the date?
07:01You posted this.
07:02What's the date?
07:02I did.
07:03What's the date?
07:03Towards the end of 2019.
07:06November 2nd, 2019.
07:09Bad timing.
07:10Yeah.
07:10Bad timing.
07:11And where are you there?
07:13I'm in Wuhan.
07:15And where is it?
07:16I hadn't even heard of Wuhan, by the way, up until that moment.
07:19I was playing a festival with a DJ called Alan Walker.
07:23Because when you really want to crack a pig, that's where you go.
07:26It's a Wuhan.
07:27That is true.
07:28It's the spot.
07:29So you're there in Wuhan.
07:32Yes.
07:32And then how long later?
07:34Not long.
07:35Yeah.
07:35That's about a week.
07:36So, yeah.
07:37You travel back to Australia.
07:38Next thing, I'm locked down for two and a half years.
07:40Yes.
07:41And in that post as well, I say in the caption that I ate some very interesting things.
07:46So, which didn't go well either.
07:50Didn't age very well.
07:51Did that man sell you a bat?
07:54Look, I ate a lot of things.
07:56As you do, as you...
07:58Oh.
07:59All right, mate.
08:00Go ahead.
08:01You can never be too safe whether you...
08:05Well, we'll tell you what you ate.
08:06We've got it here.
08:07Oh, no.
08:07We've got a receipt from you.
08:09There it is.
08:10Look.
08:12Bat soup.
08:13Yeah.
08:14The pangolin pavlova.
08:15What wine pairs well with pangolin?
08:19Shiraz.
08:19Heavy.
08:20You go heavy.
08:21So then you came back into Australia and then I think the first gig you played was a retirement
08:25village.
08:28That's true.
08:28And from there...
08:29It was all downhill.
08:30The rest is history.
08:32Now, the big question is, Guy, was it a lab leak or wet market?
08:37You were there.
08:38You were at ground zero.
08:39I was at...
08:39You know, it's funny because I was in Wuhan.
08:42I'm playing this festival.
08:43There's probably 100,000 people at this festival.
08:47But ironically, I was going for runs.
08:49True story.
08:50Like, every evening I'd get back to the hotel and go for a run.
08:52It's only like 6, 7 o'clock or whatever.
08:54Oh, God, all the kids at home are going to go 6, 7.
08:59That's another intervention.
09:02But about 7 o'clock and everything was eerily quiet.
09:06Every single night.
09:07It was like there was a lockdown or something.
09:09So they knew what was coming on.
09:11Everyone's just playing mahjong on their front porches and stuff.
09:14It was like there was no shops open.
09:16It was weird.
09:16Highly populated area and no one around.
09:19So you're suggesting Chinese government involvement.
09:22Wow.
09:23That's all right.
09:24Them's your words, mate.
09:29No, I'm...
09:30He said it.
09:31Not me.
09:33I love our Chinese friends.
09:35No, but seriously, the Chinese government need to answer.
09:38Was it a leak or was it the wet night?
09:41Whoa, whoa, whoa.
09:43Huawei's my favourite telephone company, OK?
09:46What about you, Glenn?
09:47Nothing for you?
09:48Oh, no problem here.
09:49Catherine Kim, very big in China.
09:53Yeah.
09:54Good.
09:56Don't kill a market unnecessarily.
09:58I'd kill a big market like China where Catherine Kim's big.
10:01Apparently in North Korea, it's very popular too as Catherine Kim Jong-un.
10:07Oh, no.
10:08Oh, no, no.
10:09Apologies to the North Korean government.
10:11Apologies to the North Korean government.
10:13Just leave the laser on him the whole night.
10:15So, anyway, there you are.
10:17You're responsible for inflicting COVID on the world.
10:19I guess it was a pretty big deal, wasn't it?
10:21It was a big deal.
10:23Well, I've heard some of your earlier albums
10:25and it's not the worst thing you've inflicted on the world.
10:28So...
10:28Good.
10:29Good.
10:30Very good.
10:31He said with love.
10:33We're going to take a break and come back with Guy Sebastian
10:35because there's a lot more we need to sort through, mate.
10:37Are you OK?
10:37I'm good.
10:38See you after this.
10:56Welcome back to Glenn and Mick's Celebrity Intervention
11:00tonight with Lawrence Moody in the co-hosting chair.
11:02Thank you, Michael.
11:03And Glenn has brought in Guy Sebastian
11:05who needs to learn a few cold, hard truths about his behaviour.
11:10Since the journey began, and let's go back to the start of the journey,
11:12for many of us, it was when you first burst onto the scene.
11:15Auditioning for Australian Idol.
11:16Head and shoulders, the best voice we've heard today.
11:20Wow.
11:21Wow.
11:22The best voice.
11:23I tell you what, the best voice in Adelaide,
11:25it's like being the best-dressed person in Launceston, isn't it?
11:28Fake face.
11:29Yeah.
11:30And a wonderful choice of song.
11:32You chose a song by Stevie Wonder.
11:34Yes.
11:35And you also got dressed by Stevie Wonder.
11:39Because...
11:41That's fair.
11:42That is...
11:43That's a fair question.
11:43That's a fair comment.
11:44That's an op-shot jacket.
11:45It is an op-shot jacket.
11:46From Nashville.
11:47Is it true that you just stumbled into the audition
11:49thinking it was a soup kitchen?
11:51Because...
11:53Look, it wasn't great.
11:54I was so nervous.
11:55So nervous.
11:56I think I looked down the whole time.
11:58They said your voice was beautiful, and it was.
12:00And you moved Marsha Hines.
12:02Oh, wow.
12:02To tears.
12:03Yeah.
12:04What a beautiful gift.
12:10What?
12:11That's emotional stuff.
12:12Oh, no.
12:13I picked you for more than...
12:15Dick-o-type.
12:16No.
12:16Come on.
12:18Oh.
12:18Hey.
12:19Look at...
12:20No, I...
12:20I...
12:23Glenn, you look emotional, too.
12:25Oh, yeah.
12:26It's just his nut still hurting.
12:27Yeah.
12:28It's...
12:32You're very emotional, Glenn.
12:33I think you're almost too emotional.
12:35Just get on.
12:41Sorry about that.
12:43Sorry.
12:43He's brought props.
12:44So there it is.
12:45We saw your audition, and then, of course, you went on to win the whole kit and caboodle.
12:49The winner of Australian Idol, Guy Sebastian.
12:55Woo!
12:56And there's Nolsey pretending to enjoy it.
12:59He was filthy.
13:01Filthy.
13:01He was filthy.
13:02Oh, we all know it.
13:03He was filthy.
13:04And can I just say, I'm not saying there was anything wrong with the voting, but I presume
13:09there may have been Russian involvement.
13:11He's all...
13:14I apologize to the Russians.
13:16We love Borscht.
13:17We love you, Putin.
13:20So it's gone from the highs and then to the lows.
13:23Probably the lowest of the lows, when you went on to...
13:25Was it World Idol?
13:27Yes.
13:27You lowered your colours there, didn't you?
13:29I just won, and they forced us all to go on this.
13:31It went to your head?
13:32You thought you could beat the world?
13:34And...
13:34Quickly came back down to work.
13:35Yeah.
13:36Simon Cowell didn't enjoy your performance.
13:38He had a bit of a crack.
13:39If I hadn't seen the competition, and then I read in the...
13:42Or saw in the newspapers the following day, a picture of you, which said World Idol, I'd be a bit
13:48puzzled.
13:49Sure.
13:50Because you do look odd.
13:55That is brutal, coming from that bloke.
13:58He's got a point.
13:59Coming from Simon Cowell.
14:00I reckon I've aged better than him, though.
14:03Well, you be the judge.
14:05Um...
14:07Oh, yeah.
14:08That is...
14:09What a head.
14:10Nothing wrong with that photo.
14:12Um...
14:13Could I claim you?
14:15There you are.
14:18Simon.
14:20He looks like he's been standing behind a jet engine.
14:24Looks like he's walked into a ceiling fan.
14:26I'm surprised you don't have a little red target on you now.
14:29He's a very connected man, Simon Cowell.
14:31Can I just say this?
14:32Uh, you've met him.
14:34I have him.
14:35But would I be right in saying he comes across as a massive dickhead?
14:39What is that?
14:41You're very intuitive.
14:42You're very intuitive.
14:43Look at him.
14:45You know what?
14:45He's actually very nice.
14:47As you know, people play roles on certain shows.
14:49Even Dicko, he's the kindest bloke ever.
14:53You've gone too far now.
14:54I've had to go with Simon Cowell.
14:56Dicko's an idiot.
14:57All right, now, the journey started there, Australian Idol.
15:01But you weren't alone on that journey.
15:03There's...
15:04People have been with you the entire way.
15:06One of them is with us tonight
15:08because he's worried about the direction that journey's taking.
15:10Very worried.
15:11He's agreed to come out and address his concerns.
15:14Please welcome Rob Millsy Mills, everybody.
15:30He has definitely aged better than Simon Cowell.
15:33Well, and we'll keep this short
15:36because Millsy has to go and strip for a hen's night.
15:41Immediately after the program.
15:43Millsy, not the only one joining us either tonight.
15:46One of your other compatriots is joining us.
15:49On her way right now to the studio is Pauline.
15:51She's on her way.
15:52And here she comes.
15:59Pauline, she's...
16:00What's happening?
16:02You're not getting a laugh out of us, don't we?
16:05We love you, we love you.
16:06I love Pauline too, but I just worry about it.
16:09But tight safe.
16:10You're doing a show at the moment, aren't you?
16:12What are you...
16:12Just about that, Waitress the Musical.
16:14Yeah, so...
16:14The Cera Borales musical with the very talented Nat Bass,
16:18John Waters.
16:18Of course.
16:19So, Waitress the Musical, is there a twist?
16:20Like, I've been waiting an hour for my steak, like...
16:25There's a bun in the oven.
16:26There's a bun in the oven.
16:26There's a bun in the oven.
16:27Is it great?
16:28Is that in the opening number?
16:29Yeah.
16:29All right, well, you just behave around those waitresses.
16:33What's your memories of this bike?
16:34What is it that you need to say?
16:37It's probably been a while,
16:38but we all remember Guy, Sebastian,
16:40from back in Australian Idol days, right?
16:41I'm still here, mate.
16:42Yeah.
16:45You've got dead.
16:46You've got dead.
16:47I'd like to talk around him while we're here.
16:48Yeah.
16:48And, you know, the fro, my bro.
16:51Well, the fro, the bro, the fro's gone.
16:53He survived.
16:53He wasn't my bro.
16:54We all lived in a house together.
16:55He certainly wasn't my bro.
16:56What was it like living with him?
16:58Walking around, doing those fancy runs, very arrogant.
17:02Wow!
17:03All I can say is,
17:04the fro wasn't the only thing that was a bit...
17:06Wow!
17:07So...
17:08From the sound of it,
17:09you would rather have lived with Joseph Fritzl.
17:12Exactly.
17:13Was he down in the basement,
17:15making a suit out of human skin?
17:16You know, I mean, when you say bad,
17:18what, like, he didn't chip in?
17:20Wasn't a good mate?
17:21No, just an arrogant, like,
17:23I'm going to win the show,
17:24it's always going to be me.
17:25He was?
17:26Yeah.
17:26He was clearly better than all of you.
17:29I mean, look,
17:31when I think of the commentary...
17:32You make a good point there, Lonnie.
17:34How did you notice my big head
17:36when you were just walking around nude
17:37through the house all the time?
17:40Would you like to see Millsy nude?
17:42Oh, hold on.
17:43Oh, sorry.
17:44You know, in our year,
17:46it was like Big Brother.
17:47We all lived in the same house,
17:48and it was the last year they did it
17:50because of that man.
17:52Millsy, you've got a big job here.
17:53There's something you wanted to get off your chest
17:54and you think it's overdue
17:55and you want to give it to him directly.
17:57Remember, this comes with love.
17:58Yeah, I suppose, you know,
17:59there's the billions of streams,
18:01which I'm envious, proud of,
18:02of you for that.
18:04But I'm here to speak truth to power today.
18:06And there's one thing you're terrible at,
18:08and it's...
18:10It's your lyrics, guy.
18:11They're terrible.
18:12Oh, boy!
18:13And I've got proof.
18:14I've got proof.
18:15You're saying what?
18:15The lyrics?
18:16The lyrics.
18:17The lyrics are terrible.
18:18I've had some moments.
18:20I have.
18:21Millsy?
18:21May I?
18:21Yeah.
18:22From the song,
18:23Don't Worry, Be Happy?
18:24Oh, yeah.
18:25That's it.
18:26Screw the low carbs.
18:27Where's my KFC?
18:30Ain't Gonna Think About The Bills
18:32or the GFC.
18:35That's beautiful lyrics.
18:38It rhymes.
18:39It rhymes.
18:39Check your end.
18:40So it's like geopolitical.
18:42It's like a Bob Dylan.
18:44It's the songbook of our lives.
18:48I think, you know,
18:49you do look at Dylan lyrics
18:50and they reference all sorts of things
18:52that happened in history
18:53that were monumental.
18:54For me,
18:55the global financial crisis
18:57in my head
18:58was going to be remembered
18:59for a long time.
19:00Yeah, so all I'm thinking about
19:01is the bucket of Kentucky.
19:03Is that just me
19:04or is that just me?
19:06Have you got some...
19:07I've got some other lyrics that...
19:09Oh, no.
19:09We found some lost lyrics
19:10that were in the attic.
19:12May I go first?
19:13Yes.
19:14This is very political.
19:15The Fed printing too many greenbacks
19:18driving up the prices
19:20at Hungry Jacks.
19:23He likes to get in a fast food reference.
19:27It works.
19:27It works.
19:28It does.
19:28And this is no exception either.
19:30People say I need a COVID booster.
19:33I just want to chill at Red Rooster.
19:36What is that?
19:37It stands.
19:38It stands.
19:38It works.
19:39You can have that.
19:40Yeah, it works.
19:40I think I've got one.
19:43Can I hang out with all my homies
19:45later tonight
19:46down at Guzman and Gomies?
19:53You can't change
19:54the actual name of the restaurant
19:56to Soria Raha.
19:57Artistic interpretation.
19:58Okay.
19:58I'll let it slide.
19:59So there it is.
20:00The lyrics,
20:01which is such a hard part.
20:02I'll cop that.
20:03I'll cop that.
20:04You've got another one.
20:05Reload.
20:05Off you go.
20:06Okay.
20:07You're a plagiarist.
20:08Oh, shit.
20:10Now that.
20:11I'm getting legal now.
20:13That is the harshest thing
20:15you can say to an artist.
20:16You've got to have
20:17some evidence.
20:18It's from a very good place.
20:19You brought in a clip
20:20you wanted us to play.
20:21We'll have a look at it
20:22and then we'll discuss.
20:24Can we roll a sec?
20:28Your head is full
20:30and yet it's hard.
20:31Wow, there it is.
20:32Now you're singing
20:33in the rain.
20:35Yeah.
20:37Inside.
20:37I feel like
20:38have we seen this before?
20:39This one hurts me
20:40personally
20:41because it's plagiarism
20:43and we're here
20:44to prove it
20:44right now.
20:53Points out.
20:57When there's nothing
20:58left to do.
21:03Oh, you're getting emotional.
21:04You're getting emotional.
21:09All I'll say is
21:10yes, the grading is similar.
21:11Yes, there's rain.
21:13But if you guys start
21:14to just sue people
21:15left, right and centre
21:16who have been influenced
21:17by the great boy town,
21:19you'll be in litigation
21:20up to your neck
21:21for a long time.
21:22Let it go.
21:23Let it go.
21:23Very kind.
21:24Let it go.
21:24We'll let this one go first.
21:27Nicely negotiated.
21:29Sounds like you might have
21:30done that before.
21:30I'm a mediator.
21:32Millsy's come in packing
21:33and this one affects
21:34everyone in this room.
21:36I just feel like
21:37you guys might have
21:38already mentioned it
21:38but I just,
21:40Eurovision guy,
21:41you know?
21:42Take it from a guy
21:43who knows what it's like
21:44to come fifth.
21:45Yes.
21:45Yeah.
21:47Yes.
21:47You've just got to
21:49quit while you're ahead, mate.
21:50So Eurovision,
21:51the biggest stage
21:52in the world,
21:53you let yourself down,
21:53you let your country down.
21:54I did.
21:56I really did.
21:57Let's have a look.
21:58Yeah.
21:58I don't want tomorrow
22:01Oh baby,
22:02tonight's so good
22:05Tonight's so good
22:07Not only
22:08Not only did you
22:12let your country down,
22:14you let your pants down
22:15as well.
22:19You were packing
22:20something in there
22:21I can tell you.
22:22You know what?
22:23Those pants would have
22:24helped you at the
22:24driving range before.
22:29Well said.
22:31Well,
22:31so you came fifth
22:32and you would have
22:33got there except
22:34there was a few
22:35countries on record
22:36who gave you zero.
22:38Montenegro,
22:39Portugal,
22:40Azerbaijan
22:40and Spain.
22:43Azerbaijan.
22:43Don't tour Spain.
22:44Right,
22:45no.
22:47Listen,
22:49we love
22:49We love the Spanish.
22:50We love
22:52Stab a bull in the head
22:53if you want.
23:01Again,
23:01you finished fifth
23:02but you finished
23:04behind a couple
23:05of big acts
23:05including this one.
23:06Say that you're
23:07all right
23:09The signs
23:09are there to see
23:13You're crying
23:14for a reason
23:15And you're really
23:17pissed at me
23:19Shoot me now.
23:20Shoot me now.
23:21We're going to take
23:22a break.
23:22Millsy,
23:23thank you very much
23:24for coming in.
23:26Millsy's off
23:27to Waitress.
23:28Yes,
23:28Waitress the Musical
23:29on Her Majesty's Theatre
23:30and then soon to be
23:31in Sydney soon.
23:31Fantastic.
23:32Millsy, everybody.
23:33Thanks, man.
23:34We've got it.
23:35We've got it.
23:40We've got it.
23:47You're doing great, mate.
23:48You've got it.
23:50We've got it.
23:51Welcome back to
23:52Green and Big Celebrity
23:53Intervention.
23:54Lawrence Mooney
23:55helping us out
23:55and the co-host chair
23:56and, of course,
23:57Guy Sebastian
23:58facing some big truths
24:00coming your way.
24:01We've heard from
24:01friends and colleagues.
24:03Time to hear from family.
24:04Do you recognise
24:04this voice?
24:06Hey, babe,
24:07where are you?
24:08Are you still at golf?
24:09We've got people
24:09coming for dinner.
24:10Call me that.
24:11That sounds
24:12passive-aggressive.
24:15Doesn't it?
24:15It's your wife,
24:16Jules.
24:17Give it up, Jules.
24:30What a hottie.
24:32Absolutely.
24:33When you first saw him,
24:34did you think
24:35like Simon Cowell?
24:37I like that odd guy.
24:39Yeah.
24:40Well, he's all yours now.
24:42He's my little odd guy.
24:43Yeah, little odd guy
24:44and he's super odd,
24:46especially in the
24:46fashion department.
24:47Now, Jules,
24:48you're a fashion
24:50consultant, designer.
24:51How would you
24:51describe yourself?
24:52Well, I used to be
24:53a fashion stylist.
24:54Stylist?
24:54We got there in the end.
24:56And then he broke you,
24:57didn't he?
24:58Because you were
24:59very good at your job
25:00and then this turned up.
25:01No one hired her
25:02anymore because they
25:03thought she was
25:04dressing me.
25:06So, Jules,
25:07we would like to
25:07take advantage
25:08of your expertise
25:09tonight and you can
25:10walk us through
25:10and describe with Guy
25:12some of his
25:13fashion choices.
25:14Feel free to
25:15comment as you go.
25:17There you are.
25:19He looks to me
25:20like he's in the
25:21opening ceremony
25:22of the Australian
25:23Olympic team.
25:23Is that?
25:24I call that
25:25the lime spider.
25:28Because you look
25:29beautiful.
25:31That's a questionable
25:31choice for me as well.
25:32Let me get this
25:33straight.
25:34You get that out
25:34of the cupboard,
25:35you put it on,
25:36you look in the mirror
25:37and then decide to
25:38leave home.
25:40Pretty much.
25:41Oh, let's have a
25:42look at that one
25:42there.
25:43What are those
25:44shoes?
25:45He's obviously just
25:46arrived by train.
25:49Do you remember
25:50where that is when
25:51we see these guys?
25:52No, but that,
25:53I mean, that's a
25:54red carpet.
25:55Obviously like an
25:56Arias or something
25:57and so it doesn't
25:58matter how you're
25:59dressed.
26:00That is true.
26:01You can do what
26:01you want.
26:02But all I see
26:03is courage.
26:05That's what I see.
26:06Well, you'll see
26:07a lot of courage
26:08in this one here.
26:11Now, you look
26:13like a bloke
26:13who's had a stroke
26:14in an op shop.
26:16Do you understand
26:17what we're seeing?
26:20Jules, what's going
26:20on?
26:20I don't know.
26:21What's the reason?
26:22Jeans in every shot,
26:24so, you know,
26:25party up top,
26:26casual down bottom
26:26phase.
26:27That's what I was
26:28going for.
26:28Is that what it was?
26:29Sure, sure, sure.
26:30It's party down
26:31the bottom.
26:31A bit of an MJ vibe.
26:32Party down the
26:32bottom, straight
26:33jacket up top.
26:34It kind of looks
26:35like under there.
26:37Let's have a look
26:38at the next one.
26:39Oh, let's keep
26:39rolling.
26:40Now, finally,
26:42someone has had
26:43the courage to be
26:44innovative with a
26:44cardi.
26:47I've never seen
26:47a double-breasted
26:48cardigan before.
26:49Neither had I.
26:50That's why I got it.
26:51It looks like you're
26:51working at a chocolate
26:52shop, too.
26:56He's waiting for
26:57his Mr Whippy van
26:58to turn around.
26:59Well, this is nice.
27:00Jules, what do you
27:01think again?
27:01Listen, again,
27:02coming from the
27:03train station, I
27:04think, but that
27:04happens.
27:05But I'm surprised
27:06that the teenage
27:07slumber party look
27:08didn't catch on.
27:11There's a lot of
27:12patterns going on.
27:13I've been in a boy
27:13band with those
27:14pants, I think.
27:14There is a bit of
27:15boy band.
27:15There's a bit of
27:16boy band in this
27:16one, too, I think.
27:17Well, that's a bad
27:20boy.
27:20Yeah.
27:21That's a bad boy.
27:22Yeah.
27:24What happened?
27:26What happened?
27:27Rug of the purple,
27:28you've got to keep all
27:29this stuff.
27:30No, no.
27:34That one I did
27:35cull out of the
27:36wardrobe.
27:41Don't mess with
27:42him.
27:42This one is
27:44definitely derivative.
27:46I think you'll
27:46realise why.
27:47Have a look at
27:47this.
27:50It's happened
27:51again.
27:51Makes sense.
27:52It's happened
27:52again, Glenn.
27:53Inspired.
27:53You can join our
27:54band.
27:56So, Jules, you
27:57brought along
27:58tonight a little
27:59snapshot of what
27:59goes on inside the
28:01Sebastian household.
28:02Yes.
28:02And it's not good.
28:03I counted up, can I
28:04tell you how many
28:05pairs of shoes?
28:06How many?
28:07127.
28:09Look at their
28:10fate, they are
28:11shocked.
28:14You can't even see
28:15them because of the
28:15piles of clothes.
28:16You look like one
28:17of those hoarders
28:17they have on a
28:18current affair.
28:20I had a bit of a
28:21deep dive into this
28:22photo and there's at
28:23least two pairs of
28:24crocs there.
28:24The good crocs,
28:25the going out
28:26crocs.
28:27Exactly.
28:28And your work
28:29crocs.
28:30Now, we've seen
28:30some odd looks from
28:31you, but in your
28:32film clip as well,
28:34did we see you,
28:36did you fashion
28:37this?
28:38In this
28:38brockdown palace
28:40we got stars
28:41on my own.
28:48I don't mind
28:49that.
28:49Go on.
28:52I'm happy with
28:53that look, you
28:53know.
28:54I thought you
28:55were doing the
28:55trick again.
29:04What is going
29:06on?
29:08But I don't know.
29:09I'm not sure you
29:10should be dressing
29:11up as a, I mean
29:12I think there's
29:12gender problems
29:13when you assume
29:14the role of them.
29:15Hold on Mick,
29:15I think the old
29:17people in glass
29:17houses.
29:18I do remember a
29:19vague memory of
29:20you dressing up as
29:22former Victorian
29:23Premier Joan
29:24Kerner.
29:25This is Kerner.
29:27Welcome to the
29:27live show.
29:28You have a phone?
29:28Oh yeah, love
29:29it, love it.
29:31There's some good
29:31cats, there's some
29:32good cats, it's a good
29:33undergraduate, but it's
29:34all right.
29:35Glenn, are you
29:36okay with that
29:37and that?
29:37What is that?
29:41The bar is large.
29:42I am actually seeing
29:43you in a very
29:44different light, Mick.
29:45Yes.
29:46What are you up to
29:48after the show?
29:49It looks like you're
29:50mentally undressing
29:50me as you're speaking.
29:52And by the way, if you
29:53are, you want to get
29:53cracking, it takes a
29:54while.
29:57A big part, you
29:58mentioned the shoes,
30:00hats.
30:00Yeah.
30:01He said in all his
30:02clips, the hats seem
30:03to be front and
30:04centre.
30:05Is there a reason
30:05behind that?
30:06I don't know if
30:07there's a reason, just
30:07loves a hat, every
30:09kind.
30:09Let's have a look at
30:10some of the hats
30:10you've used in your
30:11film, Chris.
30:12Are you going through
30:13your bowler stage?
30:14That one I was
30:15responsible for.
30:17What about his
30:17fedora period?
30:19And then a larger
30:20hat?
30:20A larger hat.
30:21What comes next, a
30:22sombrero?
30:23No, he's got on
30:24the beanie, and you
30:25can get away with the
30:26beanie too.
30:26You're so versatile.
30:27I am.
30:28I have a decent
30:29shaped head for a
30:31hat.
30:31You do have a great
30:32head for hats, because
30:33not everyone does, and
30:35I think that's why you
30:36get away with it.
30:38It's harder than
30:39you think, because
30:40seriously...
30:41To wear a hat.
30:42Yeah, to wear a
30:42hat.
30:43I'm going to do
30:43something now, this
30:44is like an experiment.
30:46I'm going to show
30:46you something.
30:46I'm bringing out a
30:48hat, normal hat, okay?
30:50Now watch what
30:50happens when I put it
30:51on someone.
30:52with a good hat
30:53head.
30:54Watch what happens.
30:55Put that on.
30:55Yeah, put it on.
30:58Well, you look
30:59cool.
30:59You look good.
31:01That does look
31:02good.
31:02Wow.
31:03Now, watch.
31:04No sleight of hand,
31:05no sleight of hand,
31:08and...
31:08LAUGHTER
31:11LAUGHTER
31:14That's not a good
31:15look.
31:15It's not.
31:17You just need to turn
31:18it to the side a bit.
31:19You've got to wear
31:20it, right?
31:21You look like a
31:22garden, though.
31:23OK, I've got others.
31:24I've got others.
31:24Look, now that, that.
31:26You would look good
31:26in that, guy.
31:27You would look good
31:27in that.
31:28You want to have a go?
31:28I love a crochet
31:29beanie, so...
31:31So does a kettle.
31:34No, this will look good.
31:36I don't even think...
31:36You've done it.
31:37You've done it.
31:37That looks good.
31:39It's very...
31:39It's very...
31:40It's very usher.
31:42Yeah.
31:42You're telling it.
31:43You look like a baby...
31:50LAUGHTER
31:53I like that.
31:55He looks like a bloke
31:56on public transport
31:57who talks to himself.
31:58LAUGHTER
32:00Greek garden gnome.
32:01No, Greek garden gnome.
32:02Greek garden gnome.
32:03OK.
32:03You've got one more
32:04for us?
32:05Would you like
32:06another one?
32:07CHEERING
32:09You don't have
32:10to wear this one.
32:11You don't have to wear
32:11this one.
32:12How about that?
32:13There we go.
32:14LAUGHTER
32:15Look, everyone,
32:16it's the guy
32:16from the Monopoly board.
32:18LAUGHTER
32:20What sort of gnome
32:21do I look like now?
32:22You don't look like a gnome,
32:23you look like a fuckweed.
32:25LAUGHTER
32:27We're going to take a break,
32:28Jules.
32:28Will you stick around?
32:29There's more to unpack
32:29and we want to get into
32:31more with Guy Sebastian
32:32in just a moment.
32:33CHEERING
32:36CHEERING
32:48Welcome back to
32:49Nick and Glenn's
32:49Celebrity Intervention.
32:51Lawrence Mooney
32:52is stepping in.
32:53Jules,
32:53the better half
32:54to the Sebastian marriage.
32:56How long have you guys
32:57known each other
32:57and been together?
32:58Oh, I've known her
32:59since I was 12,
33:01I think.
33:02Oh...
33:02We've been together,
33:03we got together
33:04when I was 18.
33:05Got together?
33:06And then we were together
33:07for a couple of years,
33:08she dumped me,
33:08I won Idol,
33:09she wanted me back
33:11and...
33:11LAUGHTER
33:13And, um...
33:14You know how it goes.
33:15And, um...
33:16Well, I've just got a feeling
33:18she could do a lot better.
33:20And that's for you, Jules.
33:21Jules, it's a marriage,
33:22it's a strong marriage,
33:23it's been through everything.
33:25You brought in a list
33:25of things you wanted us
33:26to raise with Guy,
33:28so we'll do that
33:29and you can comment.
33:29Yeah, I've got the...
33:30Jules's list of grievances...
33:32Oh, you're doing
33:33the dirty work.
33:34All right.
33:34Yeah.
33:35We culled it
33:35and we've narrowed it
33:37down to about four.
33:38Yeah, it was a long,
33:40long list.
33:40Very long.
33:41Always too optimistic
33:42about time.
33:43What does that mean?
33:44A time optimist, yes.
33:46I don't know if anybody
33:47knows anyone like this,
33:48but the event starts
33:49at this time.
33:50That doesn't mean
33:51start getting ready
33:52at that time.
33:53Yeah, yeah.
33:54That's why he's always
33:54dressed so badly.
33:56LAUGHTER
33:57He's just throwing
33:58on everything.
33:59Jesus.
34:00Getting ready
34:00is part of the event
34:01for me, so, you know...
34:03All right, calm down.
34:05Don't lash out.
34:06This is coming
34:07for a place of...
34:08All right, no,
34:08I'll receive...
34:09That was very aggressive.
34:10No, listen,
34:10time optimism is a thing
34:12because, you know,
34:13he thinks there's
34:14more time than there
34:15actually is,
34:15which means he doesn't
34:17really ever know
34:17what time it is,
34:19what day it is,
34:21what year it is.
34:22Like, he is shocked
34:23when he wakes up
34:25and he says,
34:25what day is it?
34:26It's Sunday.
34:26He's like...
34:27Like, it...
34:27He genuinely...
34:28He's like,
34:29what do you mean?
34:30So there's no...
34:31There's no Monday...
34:32OK, so you call it
34:34time optimism.
34:35I think we call it
34:36early-onset dementia.
34:37It could be that.
34:38It could be that.
34:40Well, answer me this.
34:41Have you ever been late
34:42for a tee-off time?
34:43No.
34:44Never not once.
34:45So he can do it
34:46when he wants to.
34:48Always over-caters,
34:49Jules.
34:50Always over-caters,
34:51which, like,
34:51I don't think that's...
34:52It's not a bad thing.
34:53But picture this.
34:55These sound like compliments
34:56at the moment.
34:58I'm at home.
34:59We've got people
34:59coming for dinner.
35:00We like to entertain
35:01our friends,
35:02people coming over.
35:03I've done...
35:04You've done all
35:05the heavy lifting.
35:05I've done...
35:05I've gone to the grocery store.
35:07I've gotten all the things.
35:08I've cooked the meal.
35:09It's ready.
35:09We're ready.
35:10I have enough.
35:11We're ready.
35:11I am also quite an over-caterer,
35:13so it's not anything
35:14to worry about.
35:15People are going to
35:16get fed at our house.
35:17Guy.
35:18Guy.
35:19Panicking.
35:20That there's not enough food.
35:21So he will legitimately
35:23leave the house.
35:24The people are arriving.
35:25He's like,
35:26I'm just going to go
35:26and get some more steak.
35:28I've got a solution.
35:30Sliders.
35:31I think if you've got
35:33a lot of sliders,
35:35what are you doing?
35:36The job's been done.
35:38Jules has catered for it.
35:39You've done nothing.
35:40You panic late
35:41and off you go.
35:42My nightmare
35:43is for people to go hungry
35:44and to not have...
35:46Well, join World Vision, mate.
35:56My mates in the eastern suburbs
35:57are fine.
35:58Looking after them.
36:00But on the way back,
36:01being the time optimist
36:02that he is,
36:03so he's gone to get
36:04the extra food,
36:04but on the way back
36:05he's like,
36:05I'll just squeeze in a haircut
36:07or I reckon I can fit in
36:09a workout.
36:10You know,
36:11like it's like
36:11that dramatic sometimes.
36:13Well, it is amazing
36:13how many beers
36:14you can fit in
36:15on the way to marriage counselling.
36:18All right,
36:18what else have we got
36:19on the way?
36:19Terrible Mother's Day gifts.
36:21Okay,
36:22so there was this one
36:23Mother's Day...
36:23That you're not his mum.
36:24That's a good point.
36:25That's a great point.
36:26That's what I said.
36:28No, it'll never clock.
36:32You can't just insert yourself
36:33into every bloody...
36:34Oh, it's the Queen's birthday.
36:36Where's my gift
36:37for it's the Queen's birthday?
36:38Guy.
36:40See?
36:41Who's giving who
36:42the intervention here?
36:44This show's going to end
36:45and you're going to have
36:45to go home together,
36:46so...
36:47This is going to be
36:48a very quiet trip
36:49home in the car tonight.
36:50I don't think we can say that.
36:52Finally,
36:53obsessed,
36:53and I think we know
36:54this as a nation,
36:55obsessed with getting
36:56his hair cut.
36:57Well,
36:57it's less about
36:58the obsession
36:59of getting the hair cut
37:00because we all know
37:00the fro's gone,
37:01so, you know,
37:01he's got to maintain
37:02the shorter kind of curls now,
37:04but it's more about
37:05inserting a haircut
37:06into the most
37:08inconvenient time
37:09of life.
37:10It's true.
37:11We'll just be ready
37:12to roll and he'll just be like,
37:12I've just got to go
37:13and get a haircut.
37:15Well, I'm like,
37:16what?
37:16We're having a baby.
37:17Yeah, we're having a baby.
37:20How long since the fro?
37:22Where's the fro been?
37:23Oh, it's been a long time.
37:25Do you miss it?
37:25I'd grow it if I could.
37:27It's just,
37:28it's not as thick
37:29as it was 23 years ago,
37:31you know,
37:31so I've let it go.
37:32It was a beautiful fro.
37:33I think the fro.
37:34Would you like to?
37:35Would you?
37:36To get together
37:37with the fro again?
37:37Get together again.
37:39Would you like to?
37:40To fro?
37:43Wow.
37:45No,
37:45don't stop.
37:46Stop.
37:47Oh,
37:47that is like a celestial fro.
37:49Really?
37:49Because,
37:50as we know,
37:51it was a huge campaign.
37:52It was part of your identity.
37:54It was who you were.
37:56I reckon that was the moment
37:57where I went.
37:58I think it clicked for me.
38:00I can't be serious
38:00with this thing now.
38:03No joke,
38:03I remember being,
38:04I think I was at Macca's,
38:06right,
38:06in Adelaide,
38:06and there I am.
38:08I'd just been on idle
38:09and there was a few weeks left.
38:10I think Millsy got
38:11knocked out that week.
38:14And on the placemat,
38:16it said,
38:16go the fro,
38:18vote for God.
38:19And that's when I think
38:21I was like,
38:21this is actually
38:22a really big deal.
38:23All right,
38:24we're enough with the fro.
38:25Get the fro out of here.
38:26But it was a great view.
38:27It was a good job.
38:31Guys,
38:31obviously,
38:32you live together,
38:33you've lived your lives together,
38:34but you've collaborated
38:35on some projects together too,
38:37which I'd like to draw
38:38attention to right now.
38:39What's next?
38:40Tell me this.
38:40This is a collab.
38:41The two of you did together,
38:42you've released
38:42your own fragrance.
38:44Yes.
38:44Talk me through it.
38:45What is it?
38:45It's available
38:46at Chemist Warehouse.
38:47I think it was my dad
38:48that made me love fragrances.
38:50Everywhere I've gone
38:51throughout the last
38:5220-something years,
38:53radio interviews,
38:54TV,
38:55things like this,
38:55people always talk
38:56about how I smell.
38:57And that,
38:57to me,
38:58is such a big compliment
38:59because it was always
39:01my dad that smelled well.
39:02A male fragrance.
39:03We've come a long way.
39:04In my day,
39:04it was Brute 33
39:05or Old Spice.
39:08Still great.
39:09Still great.
39:10I've got my own
39:12fragrance too.
39:14It's Chanel
39:15number two.
39:18I can smell it
39:20from here.
39:21My catchphrase is
39:22silent but deadly.
39:28I like it.
39:29I often wear
39:30a male fragrance.
39:31It's called
39:31Capsicum Spray.
39:33What I do now
39:34is I just spray
39:35some on before
39:36I leave the house
39:37in my
39:37Eau de Capsicum Spray
39:40just to save
39:41the cops
39:41the hassle.
39:43I put a little
39:44on here.
39:45Oh, that's lovely.
39:46Bang!
39:47I was way
39:49ahead of the curve.
39:50I brought
39:50my perfume out
39:51many years ago.
39:53Oh, my God.
39:57Oh, my God.
39:58Get me up.
39:59Come on.
40:00He wants to...
40:03He wants to...
40:05All right.
40:06We're going to go
40:06to a break
40:07while we try
40:08the glim
40:08between the air.
40:09Is he better?
40:10Wait a minute.
40:11Wait a minute.
40:12It's going to...
40:13I want his taco.
40:14It's going to...
40:23It's nearly over.
40:25I feel like
40:26we're making
40:26some progress.
40:28Welcome back
40:29to Mick and Glenn's
40:30celebrity intervention.
40:31Lawrence Mooney
40:32sitting in his co-host.
40:33Jules,
40:34the wonderful Jules.
40:35I think we're making
40:36some progress
40:36with Guy tonight.
40:37That's what I feel.
40:38I feel that he's
40:39really coming on.
40:40There's, you know,
40:40he's been blocking
40:42but he's now
40:42becoming vulnerable.
40:44So that's not...
40:44And the whole
40:45You're peeling
40:46the layers back.
40:47Like an onion.
40:48Both just got
40:49a little bit weird
40:50from the Glenn 20.
40:52I can see it.
40:53I'm high on feuds.
40:55As we speak,
40:56now we've done
40:57family, loved ones,
40:58work associates
40:59but there's friends
41:00out there too
41:01outside of your
41:03showbiz circle
41:04who love you deeply
41:05and are concerned
41:06by some of your behaviour.
41:07One of them
41:08is joining us
41:09in the studio
41:09audience tonight.
41:11His name is
41:12Tim Freeburn.
41:12How are you, Tim?
41:13How did you
41:14come Tim into
41:14being here?
41:16Tim, stand up
41:17and I know
41:18you were nervous
41:18tonight.
41:19He's standing up.
41:22About doing this
41:23and it gives you
41:24no great joy
41:25to have to do it
41:25so you've put it
41:26down in a letter
41:27because you wanted
41:28to express it.
41:29I did.
41:29It's very emotional.
41:30We've never had a blue.
41:32Ever.
41:32Well, you're about
41:33to have one.
41:35Guy,
41:36there is a line
41:37true friends
41:38never cross.
41:39Recently you
41:40crossed that line
41:40and what's worse
41:42you did it
41:43while on that
41:44most sacred
41:45of journeys
41:45a boys trip.
41:46In a single moment
41:48you destroyed
41:49the friendship
41:50and trust
41:50that we had
41:51built up
41:51over decades.
41:53Wow.
41:53I stand here
41:54a broken man
41:55due to your behaviour.
41:57I can't even
41:58bring myself
41:58to say what you did.
42:00Oh my world.
42:03Calm down, Tim.
42:04Hang on,
42:05a boys trip?
42:05A boys trip.
42:07Is it,
42:08you recall this?
42:09Be careful
42:09what you admit to.
42:13I'll give you a hint.
42:14A fishing trip.
42:17Oh.
42:18You know, mate.
42:20Yes.
42:20You know.
42:23Mate.
42:24What happens
42:24on the trip
42:25stays on the trip.
42:26That was between us.
42:28You put it
42:29on social media.
42:31Okay,
42:31what did you do?
42:33I lied.
42:34You lied?
42:35I lied.
42:35A big lie.
42:36It was big.
42:37The greatest
42:37fisherman lie
42:38of all time.
42:39Yes.
42:39What did you do?
42:40I took a picture
42:42with a fish
42:43that I didn't catch.
42:44Oh my God.
42:47Get out!
42:48Yeah.
42:50And you also
42:51got Larry Emger
42:51in there.
42:52Yes.
42:53As well.
42:54Yes.
42:55Was he on the trip
42:57or he just saw
42:57the cameras
42:57and thought he'd
42:58swing by?
42:59He had Carrie-Anne
43:00on the line as well
43:01but let me go.
43:03Who's at Larry's house?
43:05Larry Emger
43:06has said
43:06that that is
43:07the most humiliating
43:09experience of his life
43:10and he was on
43:11Celebrity Dog Watch
43:14or whatever.
43:15You can't even bring
43:17yourself to say it.
43:18So whose fish
43:19was that?
43:20So that's at Larry's house.
43:21It was Larry's neighbour.
43:22Let's be honest.
43:23Yeah,
43:23it was his neighbour
43:24and the problem
43:26is, right,
43:28to catch a mull away
43:29takes hard work
43:30and patience
43:30and you're there
43:31pretty much
43:32through the night.
43:33Sure.
43:33This was at
43:34Larry Emger's house
43:36which isn't like
43:37in a suburb somewhere.
43:38You drive all the way
43:39out to Wiseman's Ferry
43:40you've got to get
43:40a boat to get
43:41to his house.
43:41It's a lot.
43:42It'll be a palatial
43:43mansion with all that
43:45price is right money.
43:46Yes.
43:47We just gave
43:48Larry's address away.
43:51And here I am
43:54I've told Jules
43:55we're going on
43:55a fishing trip
43:56we caught one fish
43:58that was like that.
43:59If that.
44:00And then the neighbour
44:00was there
44:02and he had caught that
44:02and I said
44:03I'll hold it for you.
44:04You muscled it
44:04on his fish.
44:06I'll hold it for you
44:07and then I said
44:08oh, can you get
44:10a photo
44:11of me with it
44:12and then posted it.
44:14So you
44:15Wow.
44:15Well, there's a couple
44:16of things that I want
44:17to look at in this photo.
44:19First of all
44:20where's your left hand?
44:24Because
44:24there's no wonder
44:25that Mulloway's eyes
44:26are boggling.
44:26That's another
44:27little trick.
44:28Show me on the fish
44:29where the celebrity
44:30touched you.
44:32Show me on the fish.
44:34I'm sorry.
44:35I'm sorry.
44:36Well it is.
44:37It's a heartfelt
44:38apology from you
44:39and that's a start.
44:40You said it's a Mulloway
44:41what if it was
44:41an orange roughy?
44:42Yeah, have you ever
44:43done it with a flathead?
44:44No.
44:45Have you ever?
44:45Where did it begin?
44:47No, no, no.
44:47And I need to
44:48put on the record
44:49that was the only
44:50time I've done that.
44:52Did you
44:53throw that fish back?
44:55No.
44:56It wasn't mine
44:57to throw back, Glenn.
44:58It was
44:58the name of it.
45:00We tracked
45:00that fish down.
45:04No.
45:05No.
45:07Why?
45:08That is the worst
45:10of all.
45:10That poor fish.
45:12Hang about.
45:12Hey, see how good
45:13things can happen
45:14from bad things.
45:15You talked earlier
45:15about me feeding kids.
45:18Yeah.
45:19There you go.
45:21Jules, you can use that
45:22to cater your next party.
45:25The worst part of this story
45:27is that I'm finding this out
45:28for the first time
45:29right here this very minute
45:30that he lied about that.
45:31I didn't not know that.
45:32Tim, I'm with you.
45:35Jules, if that's the worst
45:36thing that happens
45:36on a boys trip,
45:37you're out in front.
45:40Jules, thank you tonight.
45:42Jules has been one of the first.
45:44Hang about.
45:45Please don't go.
45:46We're going to come back
45:47and work out what we've learned
45:49on the other side of this.
45:50You ready?
45:50Thank you for it.
46:00Welcome back.
46:02A big part of this.
46:06Welcome back to the conclusion
46:08of Mick and Glenn's
46:09celebrity intervention.
46:10We've invited everyone
46:11back to the couch.
46:11Look at this end of the couch.
46:13Look at this, girls.
46:16Hello, girls.
46:17Dinner's on.
46:20It's all you can eat.
46:23There's some himbo action
46:24down the Paris end.
46:26Thanks for joining us, Tim.
46:28Thanks for joining us, Millsy.
46:29Thanks for joining us, everyone.
46:30Before we get to our conclusions,
46:31congratulations on the tour.
46:33It's still underway.
46:34Yes.
46:34Fantastic.
46:35You just keep coming.
46:36It's going well.
46:36You don't need to plug the tour.
46:37I got told I have to.
46:38Margaret Court here.
46:40ICC and see all the arenas
46:42all over the country.
46:42Margaret Court, ICC.
46:45It's great.
46:46We've had so much fun tonight.
46:47Just waiting on...
46:48Yep, I think she's arriving now.
46:50Pauline has just arrived.
46:53The studio.
46:56Oh, no.
46:57Oh, no.
46:58She'll be back.
47:02Poor Pauline.
47:03Poor Pauline.
47:04Poor Pauline.
47:05We've had a great fun tonight.
47:07Do you think we've made any headway?
47:09What do you think you've learnt tonight?
47:11Nothing.
47:14No.
47:14Yeah, be on time.
47:15Be nice to Jules.
47:16My head's too big to...
47:18You cannot penetrate this.
47:23No, I've learnt a lot.
47:24You've learnt a lot.
47:25A bit of humility.
47:25And I'll take...
47:26Well, what I do need to now do is give back.
47:31Because I, from the back...
47:32Off the back of that picture,
47:34became the president of the Maroobra Fishing Club.
47:36So...
47:37LAUGHTER
47:38I will renounce that role.
47:41They'll be having their intervention down at the Fishing Club
47:44very soon.
47:44What have you learnt, Glenn, tonight?
47:46Anything?
47:46Well, I don't...
47:47Look, I don't want to be too out of the top here,
47:51but I've got to say, singing isn't that hard.
47:55LAUGHTER
47:56OK.
47:57Two of the finest singers in the country.
47:58I know, I know.
47:59It's a very big statement.
48:01And, look, this is totally unrehearsed.
48:03Do you mind if I do this?
48:04Sure.
48:04Can I just show you how easy singing is?
48:08Go for it.
48:09I will...
48:10I will...
48:10I'm just going to...
48:11Settle in.
48:12Settle in.
48:14I'm just going to hit a note.
48:16Any note?
48:17Just watch how it comes out.
48:18Watch this.
48:25Oh, yeah, good.
48:27Do you like that?
48:28It's beautiful.
48:28Now, look, we haven't rehearsed this.
48:32Guys...
48:32It looks pretty easy.
48:33Can you harmonise with me?
48:34Sure.
48:35OK.
48:35Me too, or just...
48:36I love it.
48:36Yeah, two of it, two of it.
48:37Oh, wow.
48:38And here we go.
48:39And...
48:45Whoa...
48:46Whoa...
48:46Whoa...
48:49Sorry, guys, I...
48:51I cut you off a bit earlier there.
48:52No, you didn't.
48:53You didn't.
48:54What we were thinking...
48:54Why don't you jump in?
48:55Is this a boy town reunion?
48:57Is this?
48:58Do you want to be in?
48:59Yes.
48:59Here we go.
49:00Here we go.
49:00Unlike you, and...
49:08Whoa...
49:11Whoa...
49:12Whoa...
49:13Whoa...
49:13Whoa...
49:16Yeah, yeah, yeah.
49:19Whoa...
49:20Boy, town's back.
49:22All right.
49:25That's good.
49:26Well done.
49:27Wow.
49:28Wow.
49:30The only bit of business, we need to get your photo done with your own fish.
49:33Come on, let's finish this show.
49:34Get up here.
49:35Bring it at the fish.
49:37Oh, my gosh.
49:38We've got a physical.
49:39Come up here.
49:40Okay.
49:40Where's the camera?
49:41We're going to hold this out.
49:42The further you hold it out.
49:43There's a trick to make it look better.
49:45Get the afro in shot.
49:47And good night, everybody.
49:50Whoa...
49:51It's exciting.
49:52It's exciting.
49:52It's exciting.
50:02I thought that went well.
50:03Yeah.
50:04Hey, listen, with your next album, would you like me to do some backing vocals?
50:09All right.
50:09Give us a note.
50:15I'll get back to you.
50:17Hey, listen, before you go, I've got my perfume for you.
50:20Glen 20 signed for you.
50:22Oh, you signed it?
50:22Yeah, yeah.
50:23Like that, I will cherish.
50:25That's brilliant.
50:27Glen 20, I get it.
50:28Yeah, Glen 20.
50:29Oh, God, that's so good.
50:31Guy.
50:33Kenny Roos.
50:34Kenny Roos.
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