- 1 day ago
- #adventure
- #comedy
- #crime
#adventure #comedy #crime
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Short filmTranscript
00:03The
00:57Young man! Young man!
01:05You ever know anything about these contraptions? I'm afraid not very much. What seems to be the trouble? Well, if
01:10I knew to, it just won't go. Oh, well, I suppose it says we right for going out without my
01:15chauffeur. Is there a garage in this neighborhood? The nearest one's about three blocks. Oh, oh! Here you are. Have
01:24to send a mechanic. Oh, that's all right. I'll have them send one over.
01:30My, what a nice young man you are. And do hurry. My son will be so worried. Yes, ma'am.
01:46Okay, Charlie. Hop to it.
01:48Come on.
01:51Come on.
01:52Come on.
01:52Come on.
02:01Come on.
02:04Come on.
02:09Come on.
02:10Come on.
02:10Come on.
02:15Come on.
02:16Come on.
02:34Come on.
02:36Come on.
02:38Come on.
02:41alarm cable and a hole at 3rd and Lester and pops off
02:43every bell in the district. Then when
02:45the cops are running around in circles, he blows the Phelps
02:47jewelry safe and grabs a famous diamond necklace called
02:49the Zyrena's Tears.
03:03We've got to recover that necklace, Ridgway.
03:05I want you to put your best men on this case.
03:07Well, it's hardly my case.
03:09Of course, if I can do anything,
03:11it's your company's case to the extent of
03:13$100,000. That's the amount
03:15you'll have to pay us if we don't recover.
03:18Mr. Phelps, you were notified
03:19a month ago that your policy
03:21would not be renewed.
03:23Why, there must be some misunderstanding.
03:25My check for this year's premium was
03:27accepted, endorsed by your firm, and
03:29paid.
03:31When was this policy renewed?
03:34I think it was about a month
03:35ago when you were in Boston. Yes, I'm
03:37sure it was. I took the liberty of... You took
03:39the liberty. Why, yes. The policy had been
03:42enforced a number of years and I received a renewal check,
03:44so automatically I... That will be all,
03:46Miss Harrison.
03:49Very well, Mr. Phelps.
03:50In the event recovery of this necklace is not
03:52affected, your claims will be promptly
03:54paid. Well, of course.
04:03Mr. Ridgway, may I suggest
04:05that you leave this case entirely in the
04:07hands of the police? Well, Lieutenant Eckhart,
04:09I'm glad to see that you're cooperating with
04:11us in your usual efficient manner.
04:13However, I'm reserving the right to engage
04:15my own investigator.
04:17Listen, Ridgway, you've paid
04:19Barry Drake thousands of dollars for the
04:21return of stolen property that the
04:23department could have recovered at no cost to you.
04:25Well, I admit he's been very successful, but he's
04:27just as much a crook as the crooks he does
04:29business with. And one of these days
04:31we'll prove it.
04:36Of course, I've been trying to find you all day.
04:38I wanted to tell you... I know, I know.
04:40The Tsarina's tears have been stolen.
04:41How did you know?
04:43Maybe I was around when it happened.
04:44Was it?
04:45Oh, maybe I read it in the morning paper.
04:48You know who done it?
04:49I'm not quite sure, but I have a pretty good
04:52idea.
04:53Well, you're sure tough to find.
04:55There's a girl who's been trying to get you on the phone
04:56all day.
04:57A girl?
04:58Yeah.
04:59A Miss, uh, Harrison.
05:01Dale Harrison.
05:02Harrison.
05:03Harrison.
05:04I don't know any Dale Harrison.
05:06Was she, uh, good looking?
05:08Well, uh, oh, how do I know?
05:10I only talked to her on the phone.
05:11But she had a good looking voice.
05:13Yeah?
05:18All right.
05:19Get her on the phone for me.
05:46Boss, could you let me have another nickel?
05:49Apparently, I can't trust you with money, Whitehouse.
05:52I'm afraid I'll have to make that call myself.
05:55Yes, sir.
06:16I'll take it.
06:17I'll take it.
06:19Hello.
06:20Hello, Barry.
06:21Hello.
06:21I've been trying to locate you.
06:23Yes, did you read the papers about the robbery?
06:25Yeah, well, I'm in a spot.
06:29Somebody pulled a boner.
06:31Mr. Ridgway, I never talk business when I...
06:33Now, we want that necklace back and no questions asked.
06:36There's $5,000 in it for you.
06:39Did you say $10,000?
06:41What?
06:42Just a minute while I entertain your proposition.
06:45Well, $10,000 is all right.
06:47But get it back.
06:49I accept.
06:51As a matter of fact, I am already working on the case.
06:54You have nothing to worry about, Mr. Ridgway.
06:56The Tsarina's tears will be on your hands before you know it.
06:59Okay.
07:01Are you a dreamer in love with love?
07:08Have you the idea of your dream?
07:12Hey, uh, fella.
07:14You're supposed to be looking at me, not that singer out there.
07:18That won't be interesting.
07:19Strictly professional, darling.
07:21Oh.
07:21Oh, she's old enough to be your mother.
07:23Let's dream together One dream for two
07:39Are you a dreamer the same as I?
07:45Would you excuse me for a minute?
07:46What, again?
07:48Are you a dreamer the same as I?
07:53Is there a moment for you?
07:55Hello, Charlie.
07:56Hello, Drake.
07:57How are you?
07:58Do you mind?
07:59No, not at all.
08:01A drink?
08:03Thanks.
08:04Hey, Gus.
08:05Are you a dreamer in love with love?
08:13Have you the idea you're dreaming of?
08:20Then there's but one thing we both should do
08:27Let's dream together One dream for two
08:47Lily, how are you?
08:49Why, hello, Mr. Drake.
08:52Do you know, uh, Mr. Cooper?
08:55No, I don't believe I've had the pleasure
08:58How do you do, Miss, uh
08:59Uh, Lamont, Lily Lamont
09:01Sit down, Lily, sit down
09:02Thank you
09:03I, uh, enjoyed your number very much, Miss Lamont
09:06Oh, that's very sweet of you
09:08Oh, Lily's a great girl
09:10Oh, uh, by the way, I saw you flirting with that bald-headed chap out there
09:15Remember what you promised me last time?
09:18No more two-timing
09:22Well, I think I'll leave you
09:24You two to get acquainted
09:25Uh, now remember, Lily
09:27No more trifling
09:35Hey, what is this?
09:36Why, I don't even know what he was talking about
09:39Oh, you don't even know what he was talking about, huh?
09:41Listen, if you're running around with that Drake guy
09:43Charlie, please
09:44I've never been out with Drake in my life
09:46The last time I saw him was two years ago
09:49He was on a case I was mixed up in
09:52Yeah?
10:01Listen, you take care of the check and I'll see you later
10:32I'll see you later
11:42Have you looked under the wallpaper yet?
11:45I was coming to that.
11:47Come on, Charlie, I give up.
11:49Where is it?
11:50You're hardly in a position to be asking questions, are you?
11:53Technically, no.
11:54But you can't use that thing.
11:56It makes too much noise.
11:59Besides, murder is a much tougher rap than safe-blowing.
12:02Safe-blowing?
12:03Come on, now.
12:04I know you've got the necklace, and you know that you can't get more than four or five grand for
12:07it.
12:07I'm getting ten for returning it.
12:09I'll split with you, and no questions asked.
12:12Very interesting.
12:13But even if I knew what you were talking about, I'm not doing business with coppers.
12:17Now listen, Charlie.
12:23Keep that up, and Lily's going to collect your insurance.
12:26Come on, now.
12:27Where is it?
12:29Well, you seem to be running the show now.
12:33Supposing you tell me.
12:36Well, let's review the case.
12:39Famous necklace stolen.
12:41Chief suspects Lily Lamont and Charlie Cooper.
12:43Railroad tickets found on premises indicate plans for sudden flight.
12:48Train leaves Union Station at 10.40 p.m.
12:51Was somebody planning a little trip?
12:54Sherlock, you amaze me.
12:56The case is practically solved.
12:58Except for the recovery of the next...
13:02I wonder where it could be.
13:18Well, your sense of the artistic surprises me, Charlie.
13:23Or was that Lily's idea?
13:34Married treasure, eh?
13:36The case is solved.
13:38Someday you're not going to be so lucky.
13:40Now, you shouldn't go around frightening people like that, Charlie.
13:43I'm afraid I'll have to put you where you can't do any harm.
13:47Will you step into my office, Mr. Cooper?
13:52Good luck.
13:53And don't miss the 10.40 train.
14:11What are you doing here?
14:12I thought I fired you.
14:14Yes, sir.
14:17I'll do.
14:21Well, Ridgway, you won't need Drake on the false case.
14:24We got a lead and expect to...
14:26Make an arrest within the next 24 hours, but you're a little late.
14:29Barry Drake has recovered the necklace and is on his way here with it.
14:32No.
14:34Yes.
14:35How are you, Mr. Ridgway?
14:37Hello, Barry.
14:38Have you got it?
14:39Did I ever let you down?
14:40Where did you find the necklace?
14:42Salvaged it.
14:43It was raised from a sunken chest.
14:45Guarded by a beautiful mermaid.
14:47Pretty smart, aren't you?
14:49Maybe you can tell us how you always manage to find stolen property so quickly.
14:54Sure.
14:55I just stop and figure, now where would Lieutenant Eckert look for him?
15:00Then I look somewhere else.
15:03Okay, funny man.
15:04But one of these days, you'll forget the cover-up and we're going to hang it on you.
15:07Now, if you don't mind, I've got to catch a train.
15:10And now, may I have the necklace?
15:12May I have my feet?
15:14Oh, the feet?
15:15Oh, yes, yes, to be sure.
15:18Pretty little thing, isn't it?
15:20I'll take charge of it.
15:29That's right.
15:30And now, if you'll excuse me, I have guests waiting and all that sort of thing.
15:33You understand?
15:34Thank you, and good night.
15:37Good night.
15:40Well, that's that.
15:41Ten grand.
15:42For what?
15:43I tell you, Ridgway, someday I'm going to hang it.
15:45David, Lieutenant, if you don't mind, I've got to catch a train.
15:51What's this?
15:52It's my resignation.
15:54Resignation, indeed.
15:55Well, you know I'm leaving for New York.
15:57Who do you expect is going to look after things?
15:59You stay right here and see that nothing happens.
16:01And don't sign any more policies.
16:08I'll get that great guy if it's the last thing I do.
16:11He's an out-and-out crook.
16:12I agree with you, Lieutenant.
16:15Ten.
16:15Thousand dollars.
16:17Oh, Mr. Phelps.
16:18So, you recovered the necklace?
16:20Of course we recovered it.
16:23That is, it was recovered.
16:27What is this, a joke?
16:30Why, it's the Tsarina's tears, ain't it?
16:33It's a lot of paste, a rank imitation.
16:36What?
16:37Where did you get that thing?
16:38Why, Barry Drake brought it.
16:40Yeah, Barry Drake.
16:42I told you he'd pull something like this.
16:44He keeps the real thing and rings in a phony.
16:48$10,000.
16:51I've been waiting for this.
16:53Where's Ridgeway?
16:54He just left for New York.
16:55He's on his way to the station.
16:56I've got to catch him.
16:57He, he's...
16:58Wait.
17:02Evening, lady.
17:03Remember me?
17:04I, uh, can't place your face, but your manner is very tremendous.
17:09Well, I'm the fellow who brought you here for a good time.
17:11And now I've got the rest of the evening to prove.
17:14A telephone call for you, Mr. Drake.
17:16Oh, uh, thank you.
17:18Just a moment.
17:22You see?
17:23I think of everything.
17:27Hello?
17:28That copper, Eckhart, he just left, boss.
17:30He's looking to pick you up.
17:31That necklace you were towing, disperious.
17:33What are you talking about?
17:36It's a phony and they think you've done it.
17:38What'll I do, boss?
17:38The heat's on.
17:40Wait a second, buddy.
17:43Meet me at the Union Station as soon as you can.
17:46Step on.
17:46What now, little man?
17:48A sleeper jump this time?
17:49I'll be right back.
17:50Wait for me, will you?
17:51Oh, sure.
17:52I won't budge from the spot.
17:54Except to eat and sleep.
17:55Sorry.
18:07Pardon me.
18:09May I have a stand?
18:17Here I am, boss.
18:18Where are we lambing?
18:19We're not lambing.
18:20We're looking for someone.
18:22You love the overnight limited, madam.
18:24Air condition throughout.
18:25No dirt, no noise.
18:26It's like being wafted on a zephyr.
18:28Never mind the sales talk.
18:29I don't want to buy the train.
18:31Very well.
18:34There she is.
18:35At the last window.
18:42Excuse me.
18:44But that lady who just left here, we're going to the same place.
18:47Does she know it?
18:48Not yet, but she will.
18:51I have two tickets to Cincinnati.
18:53That's right.
18:56Upper or lower?
18:58Two lowers.
18:59My keeper can't stand the altitude.
19:04Just a minute, lady.
19:06I've got to catch the New Yorker.
19:07I'm sorry.
19:08She just left.
19:09Three minutes ago.
19:18Treat yourself to another murder.
19:19Hey, want to know who hit the body in the trunk?
19:21The phony French detective.
19:23You old meanie.
19:31Strike forward.
19:34Oh, why don't...
19:35Oh, I beg your pardon.
19:38What do you want, lady?
19:39I've got to stop that man.
19:40What man?
19:40Barry Drake.
19:41Who's Barry Drake?
19:42He's a crook.
19:43He's wanted by the police.
19:43I don't know anything about that, lady.
19:45Oh, I've got to stop.
19:46Well, you can't go in there without a ticket.
19:54Those two men, the one with the tuxedo.
19:56I want a ticket to the same place.
19:57Where are they going?
19:58What do you think I am?
19:59A tattletail?
19:59Oh, please, please.
20:00It's very important.
20:01He, uh...
20:02He's my husband.
20:03He's running away from me.
20:04Oh, your husband?
20:05Oh, dear.
20:06Well, that's different.
20:07Oh, the brute.
20:09He's going Cincinnati.
20:11I'll put you in the same berth.
20:13Oh, no, no.
20:14Just the same car.
20:21Get me out another suit, Marty.
20:23Oh, another suit?
20:25I'm sorry, sir.
20:25I haven't another suit.
20:27I just packed some shirts and some ties and, uh...
20:31You're a great help.
20:33We're liable to end up in Florida or even Alaska.
20:36What color would you like, boss?
20:38Oh, or blue, or gray, or...
20:42I'll put these things in your voice.
20:45One melted cheese sandwich on toast.
20:49One double old-fashioned.
20:51I ain't got that right, is I?
20:53You is, and don't fall down while you're running.
20:56Yes, sir.
20:57I mean, no, ma'am.
21:04Is she alone?
21:05Yes, sir.
21:06Fine.
21:07Here's the other half of that bill I gave you.
21:08There's more where that came from.
21:10Keep me posted.
21:11Yes, sir.
21:11I'm the post man.
21:36Well?
21:36He's in the smoking room now.
21:38His birth is lower sixth.
21:39Thanks.
21:40I haven't any change, but wait a minute.
21:51Take this.
22:29Yeah, boss, pick one out.
22:33Where did you get those?
22:35Oh, I just borrowed them.
22:37The train is full of them.
22:40Put them back, White House.
22:45This is pretty, ain't it?
22:47Put them back.
23:01Yeah.
23:02Put them back.
23:22Hello, what's this a special feature of the overnight limited I beg your pardon oh that's
23:27quite all right that's quite all right do you want me to ring for the porter I should say not
23:31two's company will you please get out of my birth your birth this is lower nine isn't it
23:38it is if you stand on your head oh well I'm sorry I I don't know how it could have
23:49happened I understand
23:50it's the nesting urge the old homesteading instinct I I come from pioneer stock myself
23:55but it's so stupid of me Mr. Dalton Mr. Dalton I uh now if you go and I'll get myself
24:05together
24:05oh no not at all I'll take birth number nine after all anything to please the lady you
24:11are a lady hey mister will you and your wife please pipe down we want to go to sleep the
24:19neighbors are complaining good night Mrs. Dalton and pleasant dreams night I'm sorry oh that's
24:34perfectly all right don't apologize I I represent the Fletcher form fit hosiering corporation
24:40could I interest you in our latest creation Miss America's stag proof run proof absolutely
24:47impervious to the dangers of modern age no thanks I'm knitting a pair ah competition huh
24:55good night good night good night I'll wear myself
25:12oh Mrs. Dalton may I come in no no not now I understand I hear something you were overlooked
25:21I'm
25:22there
25:22I'm the
25:40I'm the
25:43I'm the
25:47I'm the
25:48I'm the
25:50Will we be here long enough for me to send a telegram?
25:52Yes, ma'am. We start here five minutes.
25:56I'm going into her compartment.
25:57You follow her and find out who she's sending that telegram to.
26:24Did you find it, boss?
26:25No. How did you make out?
26:28Well, I didn't get what was in the telegram, but it was addressed to a Charles Cooper at the Windsor
26:32Hotel, Cincinnati.
26:34Good work, Whitey.
27:00Winter Hotel, please.
27:06I'm so glad you got here.
27:08Where are they?
27:09Here they come.
27:11But don't arrest them now. They've got to lead us to that necklace.
27:18White House, I see a friend of yours.
27:21Here?
27:22Over there.
27:25That man again.
27:41Windsor Hotel.
27:43I'll stick with them somehow, and you follow.
27:45Right.
27:47Yoo-hoo, here I am.
27:49Yoo-hoo, here it is.
27:55Driver, take us to the Baltimore Hotel.
28:04I don't blame you for not waiting for me.
28:06After this, I'll stay right close to you.
28:08Please, Miss Houston, I don't feel that way.
28:10Oh, well, if I'm annoying you, I'll follow her myself.
28:14It's the young lady who's come up with you search last night, isn't it?
28:18Now, wait a minute.
28:20How are you at stopping bullets?
28:22Boss.
28:23How about it?
28:24They say it's just like going into a deep sleep.
28:27No.
28:28Not now, Whitey.
28:29Wait till bedtime.
28:34Too bad, too.
28:35She's rather pretty.
28:37Eyes gray.
28:38Lovely eyes.
28:45Well, here we are.
28:48Keep the change.
28:51Windsor Hotel.
28:56Hey, hey, wait a minute!
29:01Taxi!
29:06Windsor Hotel.
29:07Step on it.
29:11Never mind, never mind.
29:18Get a cigar.
29:30Charlie, what happened?
29:31You weren't on the train.
29:33Don't you get my wire?
29:34I was delayed.
29:35I flew in this morning.
29:39You got it?
29:40Yeah.
29:50Don't, darling.
29:52That thing's a jinx.
29:53What's the matter, kid?
29:54Something wrong?
29:54Plenty.
29:55Barry Drake followed me all the way from Chicago, went through my bag on the train.
29:59What?
29:59I finally slipped him at the station, rode around in a taxi.
30:02I think I've lost him.
30:11May I change your linen?
30:13Oh, all right.
30:22You know, Charlie, I think...
30:23Can I change my mattress?
30:48No, David!
31:01308, here we are, sir.
31:11Just a moment, sir.
31:12I have a little gadget.
31:34Well, if it isn't little Miss Operator No. 13, boy, isn't that a pretty sight?
31:39Looks like the hot seat.
31:44Well, come on, honey, tell Papa what happened.
31:49That dialect is terrible.
31:51Oh, that's the trouble with them foreigners.
31:57I'm sorry, we can't understand a word you're saying.
32:01Oh, oh, pardon me.
32:02I'm sorry.
32:07If you think this is funny.
32:09Oh, my dear, it looks like we miss connections.
32:11Come on, let's go.
32:11No, you're not going to leave me here like this.
32:13Why not? That's the way we found you.
32:15If you don't untie me, I'll scream.
32:16I'll take care of that.
32:18No, wait, wait.
32:19I have valuable information.
32:20If you'll untie me, I'll let you in on it.
32:22Now, please, Miss, Miss, whatever your name is, don't start that again.
32:25Oh, but I have information.
32:26Honestly, I have.
32:27Cut me loose and I'll tell you.
32:29White House?
32:31Shall we take a chance?
32:32You always have.
32:35All right, let's have it.
32:39Well, after they tied me up, the man made a phone call.
32:42Did you get the number?
32:44Main 8451.
32:45Or was it 8514?
32:49Higher up again, Whitey.
32:50No, wait, I remember, it was 8541.
32:53You're sure of that?
32:53Yes.
32:54And he said he'd be right over.
32:56Get that address.
33:02Information.
33:03This is official 23.
33:05I'd like the street address at Main 8541.
33:11201 West 3rd Street?
33:13Thanks.
33:14201 West 3rd Street?
33:15Why, that's Mondoom's place.
33:18Come on.
33:19Oh, what about her?
33:25White House, draw a bath.
33:28What?
33:29For the lady.
33:32What?
33:50Where are we going?
33:51You're not going anywhere.
33:52Huh?
33:53You're a cute kid, but you're a very phony reporter, and frankly, I, I don't want you around.
33:59Mr. Drake, the bath is drawn, sir.
34:03Barry!
34:04Barry, what are you doing?
34:06Saying goodbye.
34:07What's that?
34:08I'd rather have it end like this and treasure you as a beautiful memory.
34:12But, you big brute, let me down!
34:15It's a pleasure!
34:16Ah!
34:27I'll get even with you if it's the last thing I do!
34:38Cooper, that necklace is too hot for me.
34:40I can't handle it.
34:40I won't handle it.
34:41Listen, you.
34:42Charlie, don't.
34:43You'll only get yourself in a jam.
34:45And what do you think we're in now?
34:46Well, can't we send the necklace back, or lose it, or...
34:50Oh!
34:51Don't you know any place we can get rid of it?
34:52Not in this town.
34:55About your only chance is Louis-Andre in New Orleans.
34:58If I were you, I wouldn't lose any time getting there.
35:01Louis-Andre, what?
35:02He doesn't know me.
35:03I've never done business with him.
35:04I'll give you a card of introduction to him.
35:08You'll get your passports, and you can land them to Atlanta.
35:21Uh-oh.
35:23Uh-oh.
35:24Speak of the devil!
35:25What's in there?
35:25The storeroom.
35:27Slip in there, both of you.
35:27It's gone.
35:34Here, you better take this.
35:35I'll hide it on you somewhere.
35:41Good day, sir.
35:43Mr. Mondoom, isn't it?
35:44Yes.
35:44What can I do for you?
35:45You can tell me where Charlie Cooper is.
35:47Charlie Cooper?
35:49I...
35:49I don't believe I know the gentleman.
35:51He's the fellow who telephoned you a little while ago.
35:53Remember?
35:54I think you've made a mistake, Mr.
35:56Mr.
35:57You've made the mistake.
35:58Drake's the name.
35:59Barry Drake.
35:59Now, listen, I'm getting just a little...
36:01I tell you, Drake, I haven't got that necklace.
36:02I wouldn't touch it with asbestos gloves.
36:04That's the truth.
36:04Now, look, Mondoom.
36:05I've got enough on you to hang you,
36:07but I'm only interested in what directly concerns me.
36:10I'm giving you a chance to cooperate.
36:15Louis-Andre, New Orleans.
36:19This will introduce two friends of mine who...
36:21Two friends, eh?
36:24That wouldn't be Charlie and Lily heading south for their health, would it?
36:27Let's get out of here.
36:31How are they, or do I have to look for them?
36:32I've been telling you I...
36:33Quit stalling, Mondoom.
36:35I don't know.
36:38I tell you, I haven't seen Charlie.
36:45Just a minute, Drake.
36:52Remember me?
37:01Hold on, kiddies.
37:02Now, this ain't no pop gun.
37:04Come on, get out.
37:07Come on, now, Drake.
37:08I want that necklace.
37:09It so happens, the man who has it just went through the alley door.
37:12You don't mean to tell me.
37:13I believe you, Barry.
37:14Of course you do, Miss Houston.
37:20Barry, what are you trying to do?
37:21You always wanted to be close to me.
37:23Now's your chance.
37:29You'll get life for this.
37:49Boss, they went that way.
37:51But this is their car.
37:52Let's go.
38:10That was a close one.
38:12Yeah.
38:12Yeah.
38:13Better let me take charge of that necklace now.
38:15But I haven't got it.
38:16What?
38:17It's in the suitcase.
38:18The suitcase?
38:19In the car.
38:20Oh.
38:21Now, we've got to chase them.
38:23Well, let's go.
39:07Ha, ha, dinner is served.
39:11I thought you filled a tank.
39:13So busy trying to get rid of me at a gas station that you forgot to get gas.
39:18Ha, ha, ha, serves you right.
39:19Hey, Mr. Drake, if there ever was the time, this is the place and the girl.
39:25Shut up before I say yes.
39:27At this rate, we'll get to New Orleans in about two years, maybe.
39:31Ah, New Orleans.
39:35Before you develop into a soapbox, Orator,
39:37suppose you get on your horse and see if you can find us some gas.
39:42And a hamburger.
39:50Look, there must be a house over there where that smoke is.
39:52Maybe they got gas.
39:54Let's go and see.
39:56And leave me alone here in this jungle.
39:58Oh, no.
40:03Hello.
40:12Hello.
40:23White House, did you ever see anything like that?
40:27Yeah, an Esquire.
40:33Is there anyone here who can talk?
40:47We, uh, we saw your house from across the stream
40:50and thought you might be able to help us.
40:52Lucy, go tell your pap, we got foreigners on to the property.
41:06Hey, Pappy, we got foreigners.
41:18Who are you, stranger?
41:20Why, uh, my name's Dalton.
41:22We ain't trapping to know Dalton's get.
41:24Uh, he means we belong to the wrong mob.
41:27No, you see, that's the first name.
41:29The name's really Dean.
41:30Dalton Dean.
41:31Yeah.
41:33Kinda wet, ain't ya?
41:35Yes, a little.
41:37Suppose I could come in and dry off?
41:38Oh, I reckon you might as well.
41:40Ma'll take care of me.
41:42Oh, thank you.
41:45Oh, dear.
41:47What's the matter?
41:47It's my purse.
41:48I've lost it.
41:49Well, never mind.
41:49You've just carried it for an ornament anyway.
41:55What's your trouble, stranger?
41:57Well, um, you see, we ran out of gas.
41:59Do you know where we can get some?
42:01The natural we honored.
42:02How far is it?
42:03About two hoops and a holler.
42:06Hmm.
42:06White House, start whooping.
42:09Whoop!
42:10Get!
42:13May I intrude?
42:20Well, I never realized that Lily had such good taste.
42:24Think we'll be here long?
42:26Oh, about as long as Whitey can take.
42:30Why?
42:31Don't tell me you're anxious to get back to work.
42:33No.
42:35You like the glamorous life of a reporter?
42:39Oh, it's the usual run-of-the-mill stuff.
42:41Fires, murders, riots, airplane accidents.
42:45Day after day, week after week.
42:47Sounds horribly dull.
42:49Oh, it is.
42:52Sometimes you're lucky enough to run into a tall dog.
42:56And, uh...
42:58Then?
42:59Oh, then it's very exciting.
43:01And dangerous?
43:02Mr. Drake, I got the gas!
43:07Would you come here a minute?
43:09Excuse me.
43:13Well?
43:14Boss, I've been against it all along.
43:18Mr. Drake, I've stated repeatedly that a man has certain instincts.
43:22I've tried to imply that...
43:23Whitey, what in blazes are you talking about?
43:25Mr. Drake.
43:27Boss, get a load of that.
43:41Where'd you get this?
43:42In a place.
43:43When I found it.
43:43And I don't like it, either.
43:44What's it mean?
43:46What's it sound like?
43:47Boss, I begged you to let me push her off the train.
43:51What for?
43:52Now we know who she is and what she's doing.
43:54Mr. Drake, I hope you're finally convinced.
43:57I hope you realize how far you've been sticking your neck out.
44:01Why that dirty, double-crossing, two-faced, baby-faced little...
44:05Don't put that gas in the car.
44:06Yes, sir.
44:10What is it, Barry?
44:11Anything wrong?
44:12No, nothing's wrong.
44:14Whitey just found your purse.
44:16And also this telegram from headquarters.
44:21Barry, I can explain.
44:22Save it.
44:23Now we understand each other.
44:25Barry!
44:52Come on.
44:542.
44:562.
45:213.
45:23Barry!
45:37Barry!
45:38Barry!
45:43Mr. Drake!
45:45Mr. Drake! Mr. Drake!
45:50Mr. Drake!
45:52Is that man again?
45:55Stand where you are!
45:58I said stand!
46:01Sorry, Eckert. We can't hear you.
46:10Rabbit noise!
46:16Hey! Not us! Him!
46:23Hey, hey!
46:25Come here!
46:54Wait a minute! Wait a minute! Come back!
47:04Barry! Barry! Come back! I've got it!
47:09Gee, ain't it nice to be alone?
47:12Yeah.
47:12Yeah!
47:16She's liable to get hurt back there.
47:18We ought to go back.
47:19Oh, I say you're crazy. You've been trying to shake her.
47:22We're going back.
47:23Please, for my sake, don't go back to that shooting gallery!
47:38Hurry!
47:38Get out, both of you!
47:41Well, Charlie! How lucky!
47:43I've been looking for you.
47:45Yes, I know. I was afraid you wouldn't find me.
47:47Charlie, it's gone!
47:50What'd you do with that suitcase?
47:52Suitcase?
47:52I haven't got any time to waste, Barry.
47:54You know the necklace was in that suitcase.
47:58What?
48:17Barry!
48:17Barry!
48:22Now, now, men!
48:24Gentlemen!
48:26I've been trying to explain that I am an officer of the law.
48:29You're traficing on private property.
48:32I know, but I was only after them city folks.
48:34You know, that man in the tuxedo?
48:37Tuxedo! You know, a tuxedo!
48:39Oh, them fellows in the circus clothes?
48:41Yeah, yeah, that's...
48:43Oh!
49:11Oh!
49:14Oh!
49:21Hey, you!
49:23Where's that jar of face cream?
49:25You know, the jar, the thing that...
49:29You can't have it!
49:30The lady gave it to me!
49:31What?
49:32May I look at that for just a minute?
49:34I'll give it right back to you.
49:40I'll give it to you.
49:41I'll give it to you.
49:42I'll give it to you.
49:45I'll give it to you.
49:46Give it to you.
49:46Give it to you.
49:46They're gone.
49:48If you're looking for them glass beads, the lady took them.
49:56You're all under arrest.
49:58And I want those jewels.
50:01So do we.
50:05I'll give it to you.
50:32Good morning, Miss Harrison.
50:33Good morning, Lieutenant.
50:34Well, I got them back.
50:36And that was a great job you did.
50:37Yes, Mr. Ridgeway's going to be very proud of you when he...
50:40I'll do the talking here.
50:41My apologies.
50:42Now, if I may have the necklace, Mr...
50:44Oh, yes, yes, the necklace.
50:47That was nice work.
50:49And you thought you could get away with returning this phony.
50:53I repeat, Miss Harrison, that was nice work.
50:56Nice.
50:57And as for you, Drake, what have you to say for yourself?
51:00Nice work.
51:01He just said that.
51:03Wise guys, huh?
51:04When you're up there doing a stretch with Lily Lamont and Cooper, you'll have time to think up a lot
51:08of wisecracks.
51:09Ah, Mr. Phelps.
51:10Well, Lieutenant, I received your message.
51:12Have you got the necklace?
51:14Have I got it?
51:16Have I got it?
51:17What do you call this?
51:21I call that a beautiful collection of glass.
51:25What do you mean?
51:26But that's an imitation.
51:27Where's the genuine necklace?
51:29What do you mean an imitation?
51:30Why, why...
51:31Now, now, now, wait.
51:32Look, Eckhart.
51:33You sent for me to deliver the necklace.
51:35Now, where is it?
51:36Now, look here, Phelps.
51:38I've gone to a lot of trouble to recover this necklace.
51:41Gentlemen, gentlemen, I think you're making a great deal of fuss over nothing.
51:44That necklace is an imitation.
51:46How do you know?
51:47Because I returned the genuine necklace originally.
51:51You returned the genuine necklace.
51:55Here's what you returned.
51:57A phony.
51:59What?
51:59Why, this is it.
52:00This is the genuine necklace.
52:03What?
52:03Why, you dumb flatfoot.
52:06Who's a flatfoot?
52:07You.
52:08I take people...
52:09Gentlemen, gentlemen, please.
52:10I work here.
52:11Oh, certainly.
52:12I get these people.
52:12They gotta run all over the country.
52:14Lieutenant.
52:15Place this amongst your souvenirs.
52:17Bah, bah.
52:19You're okay, sister.
52:21I'll be at the apartment, master.
52:26And now, Mr. Dalton.
52:28I have work to do.
52:30I get it.
52:33Oh, by the way, Mrs. Dalton.
52:35What time do you go to lunch?
52:37One o'clock.
52:37Then we have an appointment at the city hall at 1.15.
52:47Good morning, Miss Harrison.
52:49Good morning, Mr. Ridgeway.
52:50Anything happen while I was away?
52:52Not a thing, Mr. Ridgeway.
52:54Not a thing.
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