#comedy #fantasy #musical #romance
Category
🎥
Short filmTranscript
00:00:21You
00:00:31Oh, look now what my heart is showing
00:00:37For Venus shines tonight
00:00:41The planet of love is bestowing
00:00:45Such a bright romantic light
00:00:48The wonder who's causing this glory
00:00:52It's Venus smiling above
00:00:56The darkness of God must be there
00:00:59That our hearts are such
00:01:02We're needing her touch
00:01:04Earth is calling for falling in high
00:01:24Oh, the trouble, the trouble with women
00:01:28It dates back to no one knows when
00:01:32But from Timbuktu to Kalamazoo
00:01:38All the trouble with women, his men
00:01:43All the trouble with women knew
00:02:23Oh, yes, sir, Mr. Crust.
00:02:25Mr. Savory wants to see you.
00:02:27Mr. Savory?
00:02:32Oh, I'm terribly sorry, Mr. Crust.
00:02:34You will be.
00:02:35Now, come on, get going.
00:02:36Yes, sir.
00:02:36Don't keep Mr. Savory waiting.
00:02:38No, sir, I'll...
00:02:39He wants you to do some special work in the art gallery.
00:02:41Yes, sir.
00:02:41Well, I'll just be a minute.
00:02:42Now, get this right, done right now.
00:02:44There we are.
00:02:49Excuse me.
00:02:52Oh.
00:02:54Hatch, get a move on.
00:02:56There we are.
00:02:58See, it's all finished now, Mr. Crust.
00:03:01Oh!
00:03:02Oh, I'm awfully sorry.
00:03:04Did I hurt you?
00:03:04Get going, Mr. Hatch.
00:03:06Yes, sir.
00:03:06Yes, sir.
00:03:10Eddie!
00:03:12Eddie!
00:03:12Eddie!
00:03:13Oh, hi, Gloria.
00:03:15I was just up to the model home exhibit.
00:03:17They have the Darlinger's kitchen, all electric.
00:03:20Push a button and you can cook without knowing how to cook.
00:03:22No.
00:03:23Well, I'll see you later, honey.
00:03:24Where are you going?
00:03:25I'm going up to the fine arts department.
00:03:26Mr. Savory wants me to do a special background on some new artwork.
00:03:29Mr. Savory?
00:03:30Oh, gee, Eddie, did he pick you to do it?
00:03:32Well, it's special work, Gloria.
00:03:34And not everybody can do it.
00:03:36Oh, Eddie, if you make a good impression on Mr. Savory,
00:03:38why, he might give you a raise or a better job.
00:03:40And then we could...
00:03:41Yeah, well, let's talk about it some other time, shall we?
00:03:44Oh, Eddie, you do want to get married, don't you?
00:03:47Oh, of course, Gloria, of course.
00:03:48But I'll see you later.
00:04:11Oh, Mr. Hatch.
00:04:12Yes, sir?
00:04:14Oh, hello, Joe.
00:04:16Hello, Eddie.
00:04:16Hey, say, Gloria was just up here.
00:04:18Did you meet her on the way down?
00:04:19Yeah, I saw her.
00:04:20Hey, come on in, take a look at the model home.
00:04:22Gloria was crazy about it.
00:04:24Oh, well, she would be.
00:04:25She's practically in her wedding veil every minute.
00:04:27One false move for me, and I'm going to be on my honeymoon.
00:04:29Oh, Gloria's a wonderful girl, Eddie.
00:04:31Oh, well, I know she is, but she's so terribly one-track-minded.
00:04:34Why, even when we have dinner together,
00:04:35the only thing she ever eats is rice.
00:04:39Holy mackerel, it's closing time.
00:04:40Look, Joe, I'm going to have to work late tonight,
00:04:43so will you pick up Gloria for me and take her to Tony's?
00:04:45Sure, I will.
00:04:45All right, now I'll get there as soon as I can.
00:04:47Come on, save me some spumoni.
00:04:48Sure.
00:04:54Closing time, ladies and gentlemen.
00:04:55I'm sorry.
00:04:56You've been after this Venus statue a long time,
00:04:58haven't you, Mr. Savory?
00:05:00Ever since I opened the art gallery here in this store,
00:05:02it's been my dream to add the Anatolian Venus to my collection.
00:05:06What did this dream send you back?
00:05:07Well, let's put it this way.
00:05:09The store will not declare a dividend this year.
00:05:11Please, must we talk dollars and cents about this priceless piece?
00:05:15The last priceless on it was $200,000.
00:05:18$200,000?
00:05:19Wow.
00:05:20Did you get someone to fix those drapes?
00:05:21Yes, Eddie Hatch.
00:05:22He'll be here any minute.
00:05:23He's a good boy.
00:05:24He's been with us for eight years.
00:05:26There he is.
00:05:27Is the statute for sale, Mr. Savory?
00:05:30Hello, Eddie.
00:05:31Hello, Miss Grant.
00:05:32Mr. Savory sent for me.
00:05:34It must be pretty important.
00:05:35Yes, he wants you to fix the drapes in front of the statue.
00:05:37It jams when you pull the cord.
00:05:39You fix, huh?
00:05:41Is that all?
00:05:42Well, that's all for now, Eddie.
00:05:43Hurry it up, will you?
00:05:44Yes, Miss Grant.
00:05:45Good boy.
00:05:45Oh, Miss Grant, may I have one, please?
00:05:47Oh, certainly.
00:05:48Oh, wait a minute.
00:05:49The good side.
00:06:25To Venus, the goddess of love.
00:06:27May she stay on the job and take care of all of us.
00:06:30To Venus.
00:06:30To Venus.
00:06:31Whitfield, darling.
00:06:34Hello, Barbara.
00:06:35What is all this about a certain most eligible bachelor falling in love with a statue?
00:06:41Perhaps, my dear, she reminds me of you.
00:06:45Yeah, they both have large pedestals.
00:06:49Whitfield, you remember my daughter Brenda?
00:06:52Not little Brenda.
00:06:54You've, uh, grown Brenda.
00:06:56Patch is waiting, Chief.
00:06:58He finished the drapes.
00:06:58Oh, uh, excuse me.
00:07:02Whitfield hasn't seen Brenda since she was a child.
00:07:04He used to bounce her on his knee.
00:07:06Well, bully for Brenda.
00:07:08I've been his secretary for ten years and I haven't made it yet.
00:07:10Oh, ho, ho, ho, ho, ho, ho, ho, ho, ho.
00:07:12Pardon me.
00:07:19Now, we'll see if it works easily.
00:07:27You see?
00:07:28It jams there.
00:07:30Yes, sir.
00:07:32I don't know what could have happened to it.
00:07:33I want that material to go up smoothly so that the statue will be revealed dramatically.
00:07:38Yes, sir.
00:07:38Now, use your head, Hatch.
00:07:40I don't want to have to fumble with that rope like a fool in front of all my friends.
00:07:43No, sir.
00:07:44I'll take care of it, sir.
00:07:45Hurry up.
00:07:46Yes, sir.
00:07:50Oh, uh, Mr. Savory, uh, you forgot your, uh...
00:07:55Oh, uh, listen.
00:08:05No, sir.
00:08:11Oh, uh, sir.
00:08:15Oh, uh, uh, uh, uh, uh, you, uh, uh, uh, and this is a word we're off of.
00:08:29Golly, you're beautiful.
00:08:56Please, how can I fix this if you don't stand still?
00:09:08Oh, I'm all right. I'm all right.
00:09:14It's a little overworked, maybe, but I'm all right.
00:09:21You're moving.
00:09:26Was it you who kissed me?
00:09:28You're talking. You're alive.
00:09:31Well, of course I'm alive. What did you think I was?
00:09:34Well, I'm not very bright. I thought you were a statue.
00:09:38Excuse me. Brandy. Smelling salts. Spirits of ammonia.
00:09:43Poor mortal. Are you frightened?
00:09:46Frightened?
00:09:48I don't know the meaning of the word.
00:09:50Why, you darling, you are frightened.
00:09:53Well, just from the toes up.
00:09:57Come here.
00:10:00Come here to me. Close to me.
00:10:11Oh, he's wonderful.
00:10:16Thank you, Jupiter.
00:10:24There, that's better.
00:10:27What? How did I get out here?
00:10:29I brought you out. Fresh air.
00:10:31Oh, well, thanks.
00:10:35I guess I fainted, didn't I?
00:10:37I was working on the draperies around the statue.
00:10:41And all of a sudden, I had the strangest feeling.
00:10:43Some kind of a delirium.
00:10:45I dreamed that the statue came to life.
00:10:48It spoke to me.
00:10:49Is that silly?
00:10:50How do you feel now?
00:10:51Oh, I feel much better, thank you.
00:10:54Just rest.
00:10:55There, isn't that nice?
00:10:57Oh, that's wonderful.
00:11:01Oh, I, uh...
00:11:02Excuse me, but I...
00:11:04Get back to my dra...
00:11:08It was you!
00:11:09The statue!
00:11:10Of course.
00:11:11You came to life!
00:11:12Now, don't ask a lot of questions.
00:11:14You'll only get confused.
00:11:16Get confused?
00:11:17I'm spinning like a merry-go-round.
00:11:20Look.
00:11:21Look, let's get this straight.
00:11:23Just a few minutes ago, you were cold marble.
00:11:26Yes, you were.
00:11:27I could feel you.
00:11:27Please.
00:11:29And now you're...
00:11:30And now?
00:11:31Don't come near me.
00:11:32I'll scream.
00:11:34Oh, aren't you ashamed?
00:11:35A big boy like you scared to death of a girl.
00:11:38Yeah, but you're not a girl.
00:11:39You're a statue.
00:11:40Are you a betting man?
00:11:42Well, you were a statue.
00:11:46Oh, look, I don't understand any of this.
00:11:48Who are you?
00:11:49I am Venus, daughter of Jupiter, goddess of love.
00:11:52Oh, I'm very glad to know you.
00:11:53My name is Hatch.
00:11:54Eddie Hatch, displayed...
00:11:56Goddess of what?
00:11:57Love.
00:11:58The word seems to displease you.
00:12:00Oh, no, your majesty.
00:12:02It's just that...
00:12:02Call me Venus.
00:12:05Venus?
00:12:06Could I go now?
00:12:08You don't want to stay here with me?
00:12:09In the moonlight?
00:12:11Alone?
00:12:12Well, if you won't think it's impertinent...
00:12:15Frankly, no.
00:12:16See, uh...
00:12:17Excuse me.
00:12:18It's just that some friends of mine are waiting for me for dinner.
00:12:20It's a little Italian place, Tony's.
00:12:22They might be worried about me.
00:12:24Sounds charming.
00:12:25I will go with you.
00:12:26Oh, no.
00:12:27No, you wouldn't like it.
00:12:28They don't cater very much to goddesses.
00:12:31Well, see you around.
00:12:33Venus who started the Trojan War with...
00:12:35I love you.
00:12:38Some of you may recall the myth that Jupiter once breathed life into the chiseled perfection of this masterpiece.
00:12:45But in the 20th century, that's not worthwhile discussing.
00:12:49In fact, the beauty of face and form, which I'm about to reveal, is such that the 20th century would
00:12:55seem a little unworthy.
00:12:57Oh, what a nice man.
00:12:59That's Mr. Savory.
00:13:00He's my boss.
00:13:02He owns the store.
00:13:06There isn't going to be any statue there.
00:13:09There's a statue.
00:13:10Yeah, but what about Mr. Savory?
00:13:11He left me in charge.
00:13:12He's going to think I'm responsible.
00:13:15But no words of mine can do justice to what I want you now to behold.
00:13:19My good friends, lovers of art, the matchless Anatolian Venus.
00:13:27Well, you're just full of surprises.
00:13:38It's gone.
00:13:39My statue, it's not here.
00:13:41This isn't a gag.
00:13:42Gag, it's been stolen.
00:13:44Hatch.
00:13:44Hatch.
00:13:45That's me.
00:13:46Hatch.
00:13:47Hatch.
00:13:48Hatch.
00:13:49Where's that idiot window trimmer?
00:13:51Hatch.
00:13:52Don't be afraid.
00:13:54You're above me, Immortals, like this department store owner.
00:13:56You're now under the protection of the Olympian gods.
00:13:59Yeah?
00:14:00Well, supposing he fires me.
00:14:02What are you going to do?
00:14:03Make me patron saint of the window trimmers?
00:14:05Shh, they'll hear you.
00:14:08Mr. Savory's timing is a little off today.
00:14:11The cart before the horse, so to speak.
00:14:13He kills me.
00:14:14I'll let you know when the horse gets back.
00:14:15We'll have another unveiling.
00:14:17Molly!
00:14:17Sorry, you made this trip for nothing, but you know...
00:14:19Molly!
00:14:20Coming, sire.
00:14:22Bye, Shirley.
00:14:23Bye.
00:14:23Thanks.
00:14:24Call the Kerrigan detective agency.
00:14:26Tell them I want their best men.
00:14:27All right.
00:14:27No, Mr. Kerrigan, personally.
00:14:29It shall be done.
00:14:30Years of work.
00:14:31Endless patient search.
00:14:32Fabulous expense, and then it's gone.
00:14:34Do you want me to advertise a reward for Eddie Hatch, too?
00:14:37Not for him.
00:14:38Just for his head on a pike staff.
00:14:40Oh, now, be reasonable, Chief.
00:14:41You don't think Eddie walked out of here with that statue under his arm, do you?
00:14:44When I left him there, there was a great work of art on that pedestal.
00:14:46I hold him responsible.
00:14:48Hallelujah.
00:14:53Well, that's that.
00:14:55Oh, you think so?
00:14:57Didn't you hear, Mr. Savory?
00:14:59He holds me responsible.
00:15:01What if he takes the price of the statue out of my pay?
00:15:04Hurry up.
00:15:05$200,000, and I make $43.75 a week?
00:15:09Why, that's, uh, uh, let's see, that's, uh, 43...
00:15:1187 years.
00:15:12The twinkling of an eye.
00:15:14And besides, I shall wait a hundred of thousand if necessary.
00:15:17Oh, no, you won't.
00:15:19You've gotten me into enough trouble.
00:15:20The only thing you can do for me is to get back up on your pedestal and leave me alone.
00:15:24You do not want me.
00:15:26You're turning me away?
00:15:28Very well, go.
00:15:29Go to your friends.
00:15:32Oh, I will.
00:15:34But, uh, what about you?
00:15:35You can't stay out here on the balcony.
00:15:37You'll freeze in that, uh, uh, in what you're wearing.
00:15:40I'll be all right.
00:15:42Why don't you go inside and get up on your nice, warm pedestal?
00:15:45I'll stay here.
00:15:48Well, all right.
00:15:50That's what you want.
00:15:51Good night.
00:15:54Good night.
00:16:20Say, Gloria, Eddie may be a long time.
00:16:21You better read something.
00:16:22Oh, I can't.
00:16:23I'm too nervous.
00:16:24I just can't wait to find out what's happened.
00:16:27You know, I've heard Mr. Savory put Eddie in charge of window dressing in the entire store.
00:16:31Eddie has wonderful ideas about dressing windows.
00:16:34He didn't get his diploma from correspondence school for nothing.
00:16:37He's a pretty smart fellow, all right.
00:16:38You know, Joe, you ought to be a success, too.
00:16:40You work hard.
00:16:42Someday Mr. Savory will notice you, and you'll get a promotion, too.
00:16:46But remember, stay in there pitching, and you'll get ahead.
00:16:50Oh, I don't know, Gloria.
00:16:51You do want to be a success, don't you?
00:16:54Yeah, but...
00:16:56Hey, Eddie.
00:16:57Eddie, how are you?
00:16:58What happened?
00:16:59We thought you'd gotten lost or something.
00:17:01How was the unveiling?
00:17:01Oh, it was awful.
00:17:03The statue disappeared.
00:17:04I mean, Mr. Savory thinks it disappeared.
00:17:06Oh, but you didn't have anything to do with it, did you?
00:17:08Who, me?
00:17:11What's wrong, Eddie?
00:17:13What's my name?
00:17:14Come on, tell me.
00:17:15What's my name?
00:17:15Eddie Hatch.
00:17:16Oh, that's right.
00:17:18Eddie Hatch.
00:17:19My name is Eddie Hatch.
00:17:20I work in the display department at Savory's department store.
00:17:24You see?
00:17:24I know my name, and I know where I work.
00:17:26I'm sane.
00:17:27I'm as sane as anybody.
00:17:29Well, of course you're sane, Eddie.
00:17:30Naturally, you're sane, isn't it, Gloria?
00:17:32I don't know.
00:17:33What's all this about a statue, and what happened to it?
00:17:35And how did you get mixed up?
00:17:37Oh, I don't know, Gloria.
00:17:38I mean, I'm not sure.
00:17:39Anyway, Mr. Savory holds me responsible.
00:17:42I heard him say so.
00:17:43But how did it disappear?
00:17:45Yeah, a statue doesn't just get up and walk away, Eddie.
00:17:48That's right.
00:17:49Well, it's ridiculous.
00:17:51I've got nothing to worry about.
00:17:53I'm in good shape.
00:17:55Eddie!
00:17:57You're in great shape.
00:18:03Your name Hatch?
00:18:04No, that's me.
00:18:05Why?
00:18:06I've got to ask you a lot of questions, Hatch.
00:18:07Come on.
00:18:08Say, what's all this?
00:18:10Police.
00:18:11Well, you're taking him.
00:18:12What's he done?
00:18:12Taking him back to the store.
00:18:13Mr. Savory wants to see him about a little $200,000 statue that climbed down and walked away.
00:18:19That's right.
00:18:20How did you know?
00:18:21Oh, come on.
00:18:23See you later, Gloria.
00:18:24See you later, Joe.
00:18:25So long, Eddie.
00:18:35Come here to me.
00:18:36Come close to me.
00:18:39Okay, okay.
00:18:40Go on.
00:18:42I've already done it a hundred times.
00:18:44Go on, go on.
00:18:45Show me from the start.
00:18:46Oh, for heaven's sakes.
00:18:51I was here.
00:18:52Show me again.
00:18:56Well, how can I fix this if you don't stand still?
00:19:00Then, all of a sudden, I was down here.
00:19:03You're talking.
00:19:04You're alive.
00:19:10Of course I'm alive.
00:19:15Then I was here.
00:19:17He's still sticking to that story.
00:19:19He'll crack.
00:19:20I've dealt with these clever shoplifters before.
00:19:22Pretty clever.
00:19:23He pretended a thousand-pound statue was an elk's tooth and just wore it out.
00:19:27You're talking.
00:19:28I know he had help.
00:19:29Probably a couple of elves.
00:19:30Oh, very funny.
00:19:31But I've got one of his accomplices lined up right now.
00:19:34But this guy had access to the store.
00:19:35He's the ringleader.
00:19:36Oh, lay off.
00:19:37Hatch couldn't be leader and ring around the rosies.
00:19:40I'm paying Kerrigan to be the detective of Molly.
00:19:42Well, buy him some badge polish and send him home.
00:19:45Anyone can tell this boy isn't a thief.
00:19:47Come on, Eddie.
00:19:49I'll catch you a couple of flies and you can pull their wings off.
00:19:52Now, you go on home and get some rest.
00:19:54Come here to me.
00:19:55Come close to me.
00:19:57Now, take it easy, Eddie.
00:19:58I might take you up on that later.
00:20:02He's plenty smart, but I'll keep my eye on him.
00:20:11Pulse is okay.
00:20:12Let's see now.
00:20:16Temperature's normal.
00:20:18See, Eddie?
00:20:18You're all right.
00:20:19Don't pay any attention to that crooked thermometer.
00:20:22I must have a fever.
00:20:23Oh, nonsense.
00:20:24You're just upset with that savory and that dopey detective.
00:20:27Oh, I'm so sick.
00:20:28Look.
00:20:29Look, Eddie.
00:20:29I'll run a bath for you.
00:20:31We'll go to Tony's and get Eddie some nourishing soup.
00:20:34Minestrone, your favorite.
00:20:36You didn't have any dinner.
00:20:37Oh, yeah.
00:20:38I must be a week from hunger.
00:20:40Come on, Gloria.
00:20:45Don't let the water run over.
00:20:57You're talking.
00:20:59You're alive.
00:21:00Come to me.
00:21:02Come close to me.
00:21:04Come close to me.
00:21:21Oh, no.
00:21:24What are you doing here?
00:21:26You can't come in, please.
00:21:27Why not?
00:21:28Well, because my girl's coming right back.
00:21:32She's very jealous, you know.
00:21:34Oh, she's like a wildcat when she gets angry.
00:21:36She's eight feet tall and she's got very sharp fingernails.
00:21:40Silly boy.
00:21:40What can she do to me?
00:21:41Oh, I don't know.
00:21:42But she can do plenty to me.
00:21:44Please go away.
00:21:45You sound head-packed.
00:21:47Poor boy.
00:21:47I'll bet she runs your life like an assembly line.
00:21:49And how?
00:21:50Why, even...
00:21:52Nothing of the sort.
00:21:53She's sweet.
00:21:54She's a very nice girl.
00:21:56Well, I'm a very nice girl.
00:21:57Oh, please, please be reasonable, Miss...
00:21:59Miss Venus.
00:22:01I'm not worth bothering about.
00:22:03I'm not famous.
00:22:04I'm not rich.
00:22:05I'm not even very bright.
00:22:06I'm not bright.
00:22:08In fact, there's insanity in my family, starting with me tonight.
00:22:11I'm crazy.
00:22:16Oh, you must have me mixed up with somebody else.
00:22:19I'm just a little old good-for-nothing window trimmer.
00:22:22You can be anything you want to be.
00:22:24Can I be alone?
00:22:25I'll leave, if you'll go with me.
00:22:27Oh, no.
00:22:28No, please go away.
00:22:29My landlady, you know, she wouldn't understand.
00:22:32She's got a rule.
00:22:33Against me?
00:22:34No.
00:22:35About girls being with boys.
00:22:37Why, there's even a law against it.
00:22:42Oh, is this your landlady?
00:22:44Oh, no, no, no.
00:22:45Hello?
00:22:46Oh, hello, Gory.
00:22:48I was just talking about you.
00:22:49Uh, that is, uh, uh, to myself.
00:22:53I had quite a little chat.
00:22:55Me and...
00:22:56and me.
00:22:57He's talking to himself.
00:22:59Oh, that's bad.
00:22:59Look, darling, keep calm.
00:23:01Listen, they're all out of minestrone.
00:23:03You could have either noodle or spinach.
00:23:06Uh, uh, noodle or spinach?
00:23:08Uh, noodle.
00:23:09Spinach.
00:23:10Noodle.
00:23:11Spinach.
00:23:12Noodle.
00:23:12Don't bother me.
00:23:14Who's bothering you?
00:23:15I'm only trying to help.
00:23:17Huh?
00:23:18What do you mean?
00:23:22I'd be glad to leave you alone.
00:23:25Gloria.
00:23:25I heard a woman.
00:23:26Not in our room.
00:23:27Well, it wasn't the zoo.
00:23:29Well, wait a minute.
00:23:29Wait till I get the package.
00:23:30Come on, I've had enough of this.
00:23:33Who, who is it?
00:23:35It's me.
00:23:36I want to come in.
00:23:36Oh, it's my landlady.
00:23:38It's my...
00:23:38Oh, over here.
00:23:43Oh, that's no good.
00:23:44Over here.
00:23:46Mr. Hatch.
00:23:48Mr. Hatch.
00:23:49Oh, one moment, Miss Gogarty.
00:23:50Mr. Hatch.
00:23:53Open up this very instant.
00:23:55Coming, Miss Gogarty.
00:23:56Coming.
00:23:59Miss Venus.
00:24:00Where are you?
00:24:01Here I am.
00:24:02She'll never find me here.
00:24:06Oh, I'm not in here.
00:24:08Quick.
00:24:08Get out, please.
00:24:09Hurry.
00:24:10Oh, I can't get behind the screen.
00:24:12I'm coming in, Mr. Hatch.
00:24:14Oh, of course, Miss Gogarty.
00:24:15Of course.
00:24:17You've got a woman in this room.
00:24:18Why, Mrs. Gogarty, what an idea.
00:24:20Whatever the idea, you know the rules.
00:24:22You've got to both get out.
00:24:23What's behind that screen?
00:24:24Uh, as dirty dishes.
00:24:26Kindly remove it.
00:24:27Oh, Mrs. Gogarty, I had to give her a square meal.
00:24:31I said to myself, well, Mrs. Gogarty, with her kind...
00:24:37There you see, there's nobody here.
00:24:40Oh, Miss Gogarty, there's nothing in there but a sink and a tub and things like that.
00:24:45Oh, so you take them, too.
00:24:49What?
00:24:49I adore bubble baths.
00:24:50I take them all the time, especially those ones with the lovely jasmine smell.
00:24:54Mmm.
00:24:56Order of pine tar.
00:24:57My husband uses that.
00:24:58He does.
00:24:59Sorry to disturb you, Mr. Hatch, but you know, one can't be too careful these days.
00:25:02Oh, well, good night, Miss Gogarty.
00:25:03Good night.
00:25:04Good night.
00:25:05Love that smell.
00:25:06Yes, good night.
00:25:14Miss Venus.
00:25:16Your Majesty.
00:25:17Miss Venus.
00:25:18Here I am.
00:25:19Is she gone?
00:25:20Oh, my gosh.
00:25:20Get out of there, quick.
00:25:22Oh, no, no.
00:25:23Wait a minute.
00:25:24And get dressed in a hurry.
00:25:33Open the door, Eddie Hatch.
00:25:35Oh, honest, Gloria, Eddie wouldn't do anything like that to you.
00:25:37And get away with it.
00:25:39Hurry, hurry.
00:25:42Come and get your soup.
00:25:44It's hot.
00:25:47Did I help?
00:25:48Yes, yes.
00:25:49You're wonderful.
00:25:49Come on.
00:25:52Oh, Eddie.
00:25:54Open the door.
00:26:01See, Gloria, there's no woman here.
00:26:03There's no Eddie either.
00:26:05That phony pretending he's sick just to get rid of me.
00:26:08Boy, wait till the next time I see him.
00:26:11He won't have to pretend.
00:26:23Gloria, there wouldn't be anybody in there.
00:26:25Oh, you.
00:26:36Moonlight madness.
00:26:38Forty dollars an ounce smell.
00:26:40It's worth it.
00:26:42Worth it?
00:26:43Oh.
00:26:43Oh, now, wait a minute.
00:26:46Oh, Gloria.
00:26:50Now, take it easy.
00:26:53I chase around worrying about his health and he just chases around.
00:26:58Oh, you don't understand.
00:26:59A lot of things could happen.
00:27:30Eddie, did you...
00:27:30Oh, come on.
00:27:42Excuse me.
00:27:54It's locked.
00:27:56Now, what am I going to do?
00:27:59Well, haven't you got any ideas?
00:28:03Look, it's late.
00:28:04You've got to have some place to stay.
00:28:07Don't you ever want to go to sleep?
00:28:09Mm-hmm.
00:28:20You see, I trust you, Eddie.
00:28:27You see, Eddie?
00:28:29Shh!
00:28:31Shh!
00:28:32Shh!
00:28:35Shh!
00:28:36Shh!
00:28:39Shh!
00:28:42Shh!
00:29:09What's wrong now, aren't you going to carry me over the threshold?
00:29:13Why do you keep acting as if we were on our honeymoon?
00:29:18Oh, all right.
00:29:20You stay here tonight. You'll be nice and comfortable.
00:29:23I'll get you out in the morning.
00:29:32Oh, it's lovely.
00:29:34Oh, well, this is the very latest thing.
00:29:36Now, everything is operated through this master control.
00:29:39Now, there's the radio and the bed and the air conditioning and the kitchen.
00:29:44Show me how it works.
00:29:45Well, I'll turn on the radio.
00:29:48Oh, we'll have to wait a little while, you know, for it to warm up.
00:29:54The beds.
00:30:00I must have pushed the wrong button.
00:30:07Well, I did. It was marked radio.
00:30:09No.
00:30:10Here, we'll try this one.
00:30:12Oh, it should work.
00:30:15Oh, I...
00:30:30There must be a short circuit someplace.
00:30:35You know, it's getting late and you better be getting some sleep.
00:30:38But I'm wide awake.
00:30:39Oh, no, you're not. You're sleepy.
00:30:41You're very sleepy.
00:30:44Close your eyes.
00:30:46You want to sleep.
00:30:48Sleep.
00:30:50Sleep.
00:30:51Sleep.
00:30:53Sleep.
00:30:55Sleep.
00:30:57Sleep.
00:30:59Oh, that's no good. I'm hypnotizing myself.
00:31:03Oh, Eddie, you're so cute.
00:31:04I'm not cute.
00:31:06Why, I'm a beast.
00:31:08I'm terrible when you get to know me.
00:31:10Ask Gloria.
00:31:11No, no, no. Don't ask Gloria.
00:31:14Oh, why are you messing up my life?
00:31:16I was a dependable, respectable citizen until tonight.
00:31:19Were you having any fun?
00:31:22That's all you think about is fun.
00:31:25That's all right for you flying around on Mount Olympus
00:31:28or wherever you come from without a care in the world.
00:31:30But down here, it's different.
00:31:32We're practical and efficient.
00:31:35Why, we've perfected a machine here.
00:31:39What have I done?
00:31:41You kissed me.
00:31:42You made me do that.
00:31:44That's not fair. You tricked me.
00:31:46You used some kind of a spell on me.
00:31:47No, Eddie. I wouldn't do that.
00:31:50You mean I wanted to?
00:31:52I hope so.
00:31:56Well, as I was saying, there's another button here that turns on the automatic stove.
00:32:05You can cook a whole meal by remote control just by pushing that button.
00:32:12How do you fall in love?
00:32:14In love?
00:32:16To the music of harps and flutes.
00:32:19Flutes?
00:32:31So that's how you fall in love.
00:32:34Speak low, when you speak love.
00:32:41Our summer day withers away.
00:32:45Too soon, too soon.
00:32:50Speak low, when you speak love.
00:32:55Our moment is swift, like ships adrift.
00:33:00We're swept apart too soon.
00:33:04Speak low, darling, speak low.
00:33:10Love is a spark lost in the dark.
00:33:15Too soon, too soon.
00:33:19I feel, wherever I go.
00:33:26That tomorrow is near, tomorrow is here, and always too soon.
00:33:34Time is so old, and love's so brief.
00:33:42Love is pure gold, and time will fear.
00:33:49We're late, darling, we're late.
00:33:55The curtain descends, everything ends.
00:34:01Too soon, too soon.
00:34:05I wait, darling, I wait.
00:34:13Will you speak low to me?
00:34:30Speak low, when you speak love.
00:34:37Our summer day withers away.
00:34:41Too soon, too soon.
00:34:45Speak low, when you speak love.
00:34:50Our moment is swift, like ships adrift.
00:34:56We're swept apart too soon.
00:35:00Speak low, darling, speak low.
00:35:07Love is a spark lost in the dark.
00:35:11Too soon, too soon.
00:35:32Time is so old, and love's so brief.
00:35:38Love is pure gold, and time will fear.
00:35:47We're late, darling, we're late.
00:35:54The curtain descends, everything ends.
00:35:59Too soon, too soon.
00:36:03Too soon, too soon.
00:36:05I wait.
00:36:09I wait.
00:36:10Darling, I wait.
00:36:16Will you speak low to me?
00:36:20Will you speak low to me?
00:36:34Sunday papers here.
00:36:36Get your Sunday morning papers.
00:36:40Get your Sunday papers here.
00:36:43Papers.
00:36:55Hello, Stammers.
00:36:56Where's the great white father?
00:36:57Oh, he's with the detective in the bedroom, miss.
00:37:00He'll find plenty of clues in there.
00:37:02Hi, Gumshoe.
00:37:03Your handcuffs are showing.
00:37:10Open up, sire.
00:37:11Come on in, Molly.
00:37:12Try every school and university in Europe.
00:37:15The guy I want is an old professor named Ludovici Fasoli.
00:37:18I met him once in Prague.
00:37:20Oh, he must be 90 if he's alive.
00:37:22He is the author of a famous volume called
00:37:24The Strange Legends and Myths Surrounding the Anatolian Venus.
00:37:28Why do I care what it costs?
00:37:30I want some action on this.
00:37:31Right.
00:37:32I'll keep in touch.
00:37:34Had a chat with Kerrigan.
00:37:36He's been looking into Hatch's background.
00:37:38How'd you sleep last night?
00:37:39Not a wink.
00:37:40I didn't think so.
00:37:41At least it took your mind off cold marble for a while.
00:37:45Just what is that supposed to mean?
00:37:47The little bundle tucked away in the model home.
00:37:50She should be a sensation during January clearance sales.
00:37:53What on earth are you talking about?
00:37:55I've got to hand her to you.
00:37:56She's an eyeful.
00:37:58You mean there's a girl downstairs?
00:38:00Look, this is Molly.
00:38:04Who is she?
00:38:04Somebody I know?
00:38:05Yeah, Goldilocks.
00:38:07She ate the porridge and now she snoozes under the model sheets on the model bed in the model home.
00:38:11We'll see about that.
00:38:14I'm not running a motel for homeless girls.
00:38:17Hey, boss, wait for me.
00:38:22It's no fire, boss.
00:38:23Just a simple old-fashioned eviction.
00:38:25She'll still be there.
00:38:27Only long enough for me to throw her out bodily.
00:38:28The idea of a woman breaking into savoury.
00:38:31So unnecessary.
00:38:34Yes.
00:39:21Don't want me to wake me.
00:39:33Molly, that girl, she, she reminds me of someone.
00:39:37Yeah, I wish she reminded me of me.
00:39:40She's the most beautiful creature I've ever seen.
00:39:45Molly, I've always been able to count on you.
00:39:47This time you must not fail me, on your honor.
00:39:50Don't wake her.
00:39:52When she does get up, her dreams must come true.
00:39:56Get flowers, clothes, jewelry, everything.
00:40:00Promise me.
00:40:02I'll be right back.
00:40:34I'll be right back.
00:40:57Good morning.
00:41:00Oh, hello, Joe.
00:41:02Where are you going so early?
00:41:03Out.
00:41:05Hey, Eddie, what happened last night when Gloria and I came back?
00:41:08You were gone.
00:41:08Where'd you go?
00:41:10Look, Joe, there's something I got to talk to you about.
00:41:13Uh, you're my best friend, aren't you?
00:41:18Well, I'm not so sure, Eddie.
00:41:19Well, I can trust you, can't I, Joe?
00:41:21Look, Eddie, there's something you've just got to know.
00:41:25It's Gloria.
00:41:27Yeah, it's Gloria.
00:41:29Yeah, it's Gloria.
00:41:29But it was the music or something, I...
00:41:31Yeah, the music.
00:41:32It did something to you.
00:41:34All of a sudden, for no reason, you found yourself kissing her.
00:41:38Yeah, that's right.
00:41:39But remember, it wasn't her fault.
00:41:41Oh, yes, it was, Joe.
00:41:43She...
00:41:43She does something to you.
00:41:45She sure does.
00:41:47Oh, thanks, Joe.
00:41:48You're a pal.
00:41:48You understand?
00:41:49You won't tell Gloria anything about it, will you?
00:41:52Me?
00:41:52Gloria?
00:41:53Understand what?
00:41:55About my kissing the statue.
00:41:56She wouldn't understand.
00:41:58Eddie, you kissed a statue?
00:41:59Yeah, well...
00:42:00Well, she wasn't a statue then.
00:42:02Who wasn't a statue?
00:42:03Venus, of course.
00:42:05She was here last night.
00:42:06She took a bubble bath.
00:42:07You gave a statue a bubble bath?
00:42:09Oh, no, Joe.
00:42:10She took it herself.
00:42:11I didn't give it to her.
00:42:11Look, look, look, Eddie.
00:42:12I think your fever's coming back or something.
00:42:14Don't you think you'd better go to bed?
00:42:14I've got to get back to the model home and get her out of bed.
00:42:16Oh, look, Eddie.
00:42:17Wait for me.
00:42:22Don't worry about having me come down today, Miss Grant.
00:42:24I don't mind.
00:42:25Oh, he'd get the Sultan out of bed.
00:42:28Well, I guess these rags are the gladdest.
00:42:31I hope he won't get into any trouble doing all these things for me.
00:42:34He told me to give you anything you need.
00:42:36From where I stand, you don't need a thing.
00:42:41You know, the funniest thing happened to me last night.
00:42:44Me, too.
00:42:45I was out with someone.
00:42:47Oh, your sweetheart.
00:42:48Oh, no.
00:42:50That's what's so funny.
00:42:51He was just a friend.
00:42:54But all of a sudden, he was the right one.
00:42:58I just meet the wrong ones.
00:43:00Oh, I just can't figure it out.
00:43:03One day, you're out with someone who isn't anybody special.
00:43:06And then, he makes you feel like everybody else is, well, nobody.
00:43:19You know the way you feel when there is autumn in the air.
00:43:24That's him.
00:43:27That's him.
00:43:30The way you feel when Antoine has finished with your hair.
00:43:35That's him.
00:43:37That's him.
00:43:39You know the way you feel when you smell fresh bread baking.
00:43:44The way you feel when, oh, you're aching back stops aching.
00:43:49Wonderful work, wonderful you.
00:43:54That's him.
00:43:56That's him.
00:43:58That's him.
00:43:59He's simple as a breeze that blows in summer.
00:44:03He's natural.
00:44:05Not actory.
00:44:08He's like a plumber when you need a plumber.
00:44:14He's satisfactory.
00:44:17You know the way you feel at movies when the lights grow dimmer.
00:44:23The way you feel when overnight your hips grow slimmer.
00:44:29Wonderful world, wonderful you.
00:44:33Say.
00:44:34Say Paris.
00:44:36Say New York.
00:44:37Say Marie.
00:44:38In the darkest caves and hallways, I would know him always.
00:44:44Cause I would see that he's the one for me.
00:44:47How could I pass by him when I'd identify him so easily.
00:44:56Because that's him.
00:44:58You know the way you feel about the rhapsody in blue.
00:45:02His eyes are blue.
00:45:04His eyes are brown.
00:45:05His are on the town.
00:45:08The way you feel about a hat created just for you.
00:45:13That's him.
00:45:16That's him.
00:45:17He's Christmas.
00:45:19He's caviar.
00:45:21He's a Coke with cherry.
00:45:23Let's face it, girls.
00:45:25He's a man.
00:45:26He's necessary.
00:45:29Wonderful world.
00:45:32Wonderful you.
00:45:35That's him.
00:45:36That's him.
00:45:38That's him.
00:45:43That's that.
00:45:44Oops.
00:45:45No shoes.
00:45:46Okay, my little quarterback.
00:45:47You're still carrying the ball.
00:45:48Shoe department.
00:45:49Size four and a half.
00:45:50Four and a half.
00:45:52Ridiculous.
00:45:53Well, stage is set.
00:45:54I'll go get Romeo.
00:46:18Hey, Eddie.
00:46:20Shh.
00:46:20Shh.
00:46:21Look, look, Eddie.
00:46:22I don't really think you're, well, crazy or anything.
00:46:25I just think you're a little overworked.
00:46:26Oh, I'm going to be all right just as soon as I can get her out of here.
00:46:29Oh, why did you bring a girl up here in the first place?
00:46:32Oh, Joe, don't ask me any questions.
00:46:33I don't know the answers myself.
00:46:35Look, look, Joe.
00:46:36You're my pal, aren't you?
00:46:37Yeah.
00:46:37Will you stay here and if anybody comes, you'll be my lookout.
00:46:39Give me a whistle or something.
00:46:40Give me a warning.
00:46:41Oh, look, Eddie.
00:46:49Venus, your majesty.
00:46:52Venus, where are you?
00:46:55This is no time for games.
00:46:57Of all the dresses you gave me, I like this one the best.
00:47:01Dresses I gave you?
00:47:03You don't like it?
00:47:06Of course not.
00:47:07I'll be fired.
00:47:08Take it off.
00:47:09I'm in enough trouble.
00:47:11Take it off.
00:47:14Hi, Gloria.
00:47:15Hi, Joe.
00:47:15Where are you going?
00:47:16Oh, I'm going to the model home.
00:47:19Come on, you've got to get...
00:47:22What are you doing?
00:47:24What are you doing?
00:47:26You didn't like it.
00:47:27Oh, I love it.
00:47:28Honest, I love it.
00:47:29Just put it back on and get out.
00:47:32No.
00:47:32Hurry, hurry.
00:47:33No, no, I want to please you.
00:47:35Oh, you can please me.
00:47:36Just get out.
00:47:37Here.
00:47:38Here, do you like this one?
00:47:39Oh, I love it.
00:47:39It's beautiful.
00:47:40It's gorgeous.
00:47:43Now, get in there and get dressed and don't come out until I call you.
00:47:46Oh, Eddie.
00:47:47Are you sure you're going to like this one?
00:47:49Oh, I'm crazy about it.
00:47:50I'm nuts about it.
00:47:53You look awfully nice, Gloria.
00:47:56Thanks, Joe.
00:47:57You look neat.
00:47:59Yep.
00:48:00Real neat.
00:48:04Look, Joe.
00:48:06Do you want to...
00:48:07Oh, do you want to talk to me?
00:48:08Make up your mind.
00:48:09Well, Gloria...
00:48:12Is that Eddie?
00:48:13Eddie?
00:48:14Oh, yeah, that's Eddie.
00:48:16Eddie Hatchemy.
00:48:17In there with that girl?
00:48:19Girl?
00:48:20Oh, oh, there's no girl in there.
00:48:22Eddie's in there alone.
00:48:23Eddie's working.
00:48:24Yep.
00:48:24Just working away.
00:48:28I'll bet.
00:48:49Where did she go?
00:48:51Oh, hello, Gloria.
00:48:52Where did who go?
00:48:53Never mind her.
00:48:55Where did you go?
00:48:56Oh, you look wonderful today, honey.
00:48:58I like your hair that way.
00:48:59It's too late for compliments.
00:49:00You're going to wear your hair short
00:49:01if you don't explain
00:49:02what happened to you last night.
00:49:04Last night?
00:49:05Oh, last night.
00:49:06Oh, you mean, uh, uh,
00:49:08when I left the house
00:49:09while you were out getting the soup?
00:49:11What kind of soup did you get, honey?
00:49:13Noodle and spinach.
00:49:15I didn't want your guest to be disappointed.
00:49:17Oh, now, Gloria...
00:49:18Oh, if I ever run into her,
00:49:19she wish she hadn't eaten plenty of spinach.
00:49:22Eddie Hatch, if you think for one minute
00:49:24you're going to make a fool of me.
00:49:25Gloria, Gloria, now, now, now,
00:49:26don't get upset.
00:49:27It's not good for you.
00:49:29Good for me?
00:49:30I suppose you think it's good
00:49:31to be stood up
00:49:32by a two-timing, double-crossing chiseler.
00:49:34Why, for two cents,
00:49:35I'd hit you more.
00:49:35Oh, no, no, no, Gloria,
00:49:36Gloria, that's breakable.
00:49:37Oh, so is your head.
00:49:38Gloria, Gloria, please.
00:49:40Everything in here is charged to me.
00:49:42Let go, let go.
00:49:45I never want to see you again,
00:49:47Eddie Hatch.
00:49:48Would you?
00:49:48You can go, will you please?
00:49:50Oh, oh, Gloria,
00:49:51wait a minute.
00:49:52I, I didn't mean anything by it.
00:49:53I want whatever you want.
00:49:55I want to hate you.
00:49:57Hey, Eddie.
00:49:59Eddie, give me the face.
00:50:01I think she's mad.
00:50:25Hey, you're just a guy I'm looking for.
00:50:27Oh, good morning, Mr. Kerrigan.
00:50:29The strangest thing just...
00:50:30There's a warrant for your arrest.
00:50:31Huh?
00:50:42Mr. Big.
00:50:44Oh, I'm through with him.
00:50:47Oh, cheer up, Gloria.
00:50:50You and Eddie will be making up again.
00:50:52What do you want to bet?
00:50:54No more dates with him.
00:50:56There are plenty of other fish in the sea.
00:51:05Gloria, you're, Gloria, your shoe.
00:51:12You know, Gloria,
00:51:15if you ever need anything,
00:51:19you can always count on me.
00:51:22Thanks, Joe.
00:51:24Well, I'll be seeing you.
00:51:26When?
00:51:28We'll see.
00:51:32See ya.
00:51:35See ya.
00:51:43Say, maybe he's in the basement.
00:51:45We'll give this floor the once-over.
00:51:46Come on.
00:51:59He ain't in here.
00:52:00Come on.
00:52:00All right.
00:52:17Oh, my God.
00:52:53Peek-a-boo, Hatch.
00:53:07How about the employees, actress?
00:53:15Pardon me.
00:53:17Uh, we haven't met.
00:53:18That is, you haven't met me, but my name is Whitfield Savory II.
00:53:22Oh, the same name as this establishment.
00:53:25I am this establishment.
00:53:27Did you sleep well?
00:53:28Yes, beautifully, thank you.
00:53:30Yes, beautifully.
00:53:32And the clothes?
00:53:33Oh, divine.
00:53:35A mere trifle.
00:53:36Take the whole store.
00:53:37You can even set fire to it if it amuses you.
00:53:39Oh, you are generous, Mr. Savory.
00:53:41Call me Whitfield.
00:53:42Uh, my car's waiting.
00:53:44Shall we go?
00:53:45Oui.
00:53:46I've arranged everything.
00:53:48Lunch at the Mum and Quiet Club.
00:53:50Then to Montauk Point for a candlelight dinner at the Sand and Surf Yacht Club.
00:53:54Then a moonlit ride to the Adirondacks.
00:53:57And breakfast at the Crop and Spur Club.
00:53:59I'm sorry, but I don't think Eddie would approve.
00:54:02Eddie?
00:54:02What Eddie?
00:54:03Eddie Hatch, of course.
00:54:05Hatch.
00:54:07Yes, last night he brought me here.
00:54:09And then this morning he surprised me with all these beautiful clothes.
00:54:12Hatch.
00:54:13That clerk.
00:54:14That $40 a week window dresser.
00:54:18Eddie.
00:54:20Eddie, where are you there?
00:54:21You're trying to duck me.
00:54:22I got some questions to ask you.
00:54:23Look, Mr. Savory, please don't blame her.
00:54:25It's all my fault.
00:54:25Have you got the warrant?
00:54:26Right here, Mr. Savory.
00:54:27Add these charges, breaking into Savory's, turning this floor into YWCA, and stealing clothes.
00:54:33Well, look, if you'll just let her go, I'll pay for everything.
00:54:36Out of your $40 a week?
00:54:38$43.75.
00:54:40Come on.
00:54:41Oh, one moment.
00:54:42Whitfield, does this document give you the right to put Eddie in jail?
00:54:45It does indeed, my dear.
00:54:47May I see it, please?
00:54:48Don't worry about me.
00:54:50Oh, it's very interesting.
00:54:56What the?
00:54:58I thought you were a big boy now.
00:55:01Darling, come on.
00:55:05Wait, wait.
00:55:05I'll turn him into an owl.
00:55:06But I didn't do this.
00:55:07I don't even understand it.
00:55:08I don't know who.
00:55:09Who?
00:55:10Who?
00:55:11Who?
00:55:11Who?
00:55:12What are you doing?
00:55:12Who?
00:55:13Who?
00:55:13Who?
00:55:13Arrest that man.
00:55:14Come on, get going.
00:55:15Who?
00:55:16Who?
00:55:16No, no.
00:55:16Don't, don't, don't.
00:55:17Stop it.
00:55:17Please, stop it.
00:55:18Go on.
00:55:19Don't stand there like a dummy.
00:55:21Who?
00:55:21Who?
00:55:22Who?
00:55:23Who?
00:55:23Who?
00:55:24Who?
00:55:25What's the matter with you?
00:55:26I don't know.
00:55:27I just had a funny feeling, boss, like I was going to lay an egg.
00:55:31We've got to get out of here, fast.
00:55:33Come on.
00:55:36Wait a minute.
00:55:38What am I running away for?
00:55:39I haven't done anything.
00:55:40I'm not a criminal.
00:55:41Of course you're not.
00:55:42But that, that detective thinks I stole the statue and Mr. Savory accuses me of stealing
00:55:48your clothes.
00:55:49Gloria is mad at me and Joe thinks I'm out of my head.
00:55:52I'm going to go to jail and lose my job all just because I...
00:55:55You kissed the statue.
00:55:56Oh, well, it was that champagne.
00:55:59That's what made me do it.
00:56:00Well, I'm going to go back to them now and tell them the whole truth.
00:56:03You did and they didn't believe you.
00:56:05Oh, well.
00:56:08Well, you could be my witness.
00:56:10That's it.
00:56:11You could be my witness and explain it all to them.
00:56:13The paper dolls and everything.
00:56:15Then Mr. Savory will believe me and he won't think I'm a criminal.
00:56:18Oh.
00:56:19Perhaps I could persuade Mr. Savory.
00:56:23Oh, no.
00:56:23One of the girls in the store told me all about him.
00:56:27Did he ask you for a date?
00:56:29Uh-huh.
00:56:35Now, look, your majesty.
00:56:36You are the goddess of love.
00:56:38You belong up on a pedestal where people can see you and admire you.
00:56:42Oh, lots of people.
00:56:43Thousands of people.
00:56:44You really want me to go back?
00:56:46Will you?
00:56:48I didn't think it was time.
00:56:50Oh, there couldn't be a better time.
00:56:54Oh, gee.
00:56:55Sure has swelled up in this, Venus.
00:56:57I really appreciate it, too.
00:56:59Now, my life will be just like it was before.
00:57:02Sensible, orderly, and practical.
00:57:04And I'll make up with Gloria.
00:57:06Yeah, just like it was before.
00:57:34Well, will you be happy that is where you're going?
00:57:38Oh, we worry a lot about you mortals.
00:57:42Well, what's it like?
00:57:45Have you got big cities like this?
00:57:47Places to go?
00:57:48Movies and parks and things?
00:57:51Oh, gee.
00:57:52It's a shame you didn't get to see everything.
00:57:55I could at least have taken you to the park.
00:57:57I've caused you enough trouble already.
00:58:00Trouble?
00:58:01What do you mean, trouble?
00:58:02I guess we could go to the park if we wanted to.
00:58:05You don't really want to take me.
00:58:06Of course I do.
00:58:08I know my own mind.
00:58:11Right now, I want to take you to the park.
00:58:15But I ask you, Molly, even giving myself the worst of it,
00:58:19what has this confounded window trimmer got that I haven't got?
00:58:22Well, to mention just one thing, the girl you want.
00:58:25What can he do for her?
00:58:26I can offer her anything she wants, anything that money can buy.
00:58:29You did.
00:58:30It wasn't enough.
00:58:30It just doesn't make sense.
00:58:32Try to reason about love and you will lose your reason.
00:58:35Old French proverb.
00:58:37Well, I'm not through yet.
00:58:38This is a challenge, Molly.
00:58:40When I want something, I get it, no matter what it costs.
00:58:43Not this time I've got a feeling.
00:58:46You know, for everybody, there's bound to be one thing,
00:58:48one person that's unattainable.
00:58:51Well, not for me.
00:58:53Okay, Lord and Master.
00:59:00Woo-hoo-hoo!
00:59:08Woo-hoo!
00:59:08Woo-hoo-hoo!
00:59:23I love you, Park, Eddie.
00:59:26It seems more beautiful tonight than it ever has.
00:59:51Don't look now, but my heart is showing.
00:59:54No matter what I say or do, can't hide it.
01:00:00My heart's Romeo-ing.
01:00:02I can't stay away from you.
01:00:06You smile and my dreams start hallowing.
01:00:09They spin when you come into view.
01:00:13In circles I may not be going, but I feel I reel with you.
01:00:19When Mr. Kisses Miss, no need for words to embroider.
01:00:28When Mr. Kisses Miss, changing her name is in order.
01:00:35You smile and the stardust is blowing.
01:00:39We're whirling in a world that's new.
01:00:42Don't look now, but your heart is showing.
01:00:45And it flips and halts and turns somersaults.
01:00:50Darling, it wants to waltz with you.
01:01:02Don't ask me, but here is my answer.
01:01:05I think that you are magically he.
01:01:09Who could be a love necromancer?
01:01:13Necromancing is for me.
01:01:16Don't stop me, but I am replying.
01:01:20I know that you are magically sheen.
01:01:23The preacher would like to be tied.
01:01:27As you coo.
01:01:28I do.
01:01:29With me.
01:01:31Around, round and round.
01:01:34I'm just like a record that's playing.
01:01:38Repeating the same sound.
01:01:41The needle must like what I'm saying.
01:01:45These wings that I feel I am growing
01:01:47Belong to someone I never knew.
01:01:51Don't look now, but heaven is showing.
01:01:55And tonight, the sky is my sky to fly, darling.
01:02:02Falling in love, falling in love with you.
01:02:11Falling in love with you.
01:02:13My starry.
01:02:22Falling in love.
01:02:25That is a victory.
01:02:32The summer detку пров실.
01:02:33Falling in love with you.
01:03:01I feel as if I'd swallowed a symphony orchestra
01:03:03playing the most beautiful music in the world.
01:03:07In two worlds, darling.
01:03:15Troubled angel?
01:03:18Nothing.
01:03:20Tell me.
01:03:21Well, what about this fellow,
01:03:24the one you turned into an owl?
01:03:28Hip, hip, hip, hip...
01:03:29Hippolytus?
01:03:31Didn't you love him once?
01:03:33Never.
01:03:34He bothered me.
01:03:36Oh.
01:03:38Do I bother you?
01:03:40No, dear.
01:03:42Not like that.
01:03:46Ooh, feathers.
01:03:50And what about...
01:03:51What about this other one, this, uh, polyphen...
01:03:54Polyphenese?
01:03:55Mm-hmm.
01:03:56Very annoying.
01:03:58Was he?
01:03:58Mm-hmm.
01:03:59So annoying that I finally had to turn him into a...
01:04:04rock.
01:04:06You mean a boulder?
01:04:07Mm, a large one.
01:04:08It's perched on the side of Mount Olympus.
01:04:11But none of them really had my love the way you do, darling.
01:04:14Oh, I'm glad if I'm different.
01:04:16You are.
01:04:17You're the only one.
01:04:19Well, well, then I don't care what happens.
01:04:22You could turn me into a fire hydrant or a mountain goat if you want to.
01:04:26It's worth it.
01:04:31This is the place, boss.
01:05:00You're sure he's...
01:05:02Sure, we tailed him and the dame, and then phoned you.
01:05:06Save every double the ante if we nab hats tonight.
01:05:08Come on.
01:05:10Gee, I just can't believe that this is happening to me.
01:05:14You know, I...
01:05:17I don't know what to do.
01:05:20I don't know what to say, and I don't know what to do.
01:05:26I'd like to do things for you.
01:05:27I'd like to take you places.
01:05:29You know, like the men in the ads.
01:05:31Men of distinction.
01:05:32You know, like Mr. Savory.
01:05:34He could buy you everything.
01:05:36Everything?
01:05:37Let me see.
01:05:39Could he buy me a bag of popcorn?
01:05:42Oh, don't be silly.
01:05:43Of course not.
01:05:45What would you want with a bag?
01:05:49Popcorn?
01:05:51Do you mean it?
01:05:53Great big bag.
01:05:57I'll be right back.
01:06:07You'll still be here when I get back, won't you?
01:06:09You won't go away.
01:06:10I'll be here, Eddie.
01:06:33I want the best bag of popcorn you got.
01:06:35It's all the same, Bob.
01:06:36Well, it's got to be extra special.
01:06:37Yeah, this is for a walkie-talkie statue.
01:06:40Come to me.
01:06:41Come close to me.
01:06:45Hey, I can't come with you now.
01:06:50I'll come with you later.
01:06:51I'm coming now.
01:06:51Take her, boys.
01:06:52I can't.
01:06:53I can't.
01:06:53I can't leave her here alone.
01:06:55She's a god.
01:06:56He's still crazy.
01:06:57Go on.
01:06:58She doesn't know about mortals.
01:07:00Take her out.
01:07:01Venus.
01:07:02Venus.
01:07:04Venus.
01:07:06Venus.
01:07:17What happened?
01:07:18I don't know.
01:07:19Some detectives just grabbed the kid.
01:07:21Yeah, took him away in the car.
01:07:22Well, what did he do?
01:07:22Search me.
01:07:23He was up there buying popcorn.
01:07:25What did you say?
01:07:25I don't know.
01:07:31I don't know.
01:07:32Debussy.
01:07:33You know, Debussy does something to women.
01:07:35Personally, I go for Buzzy Ballou and his musical crew.
01:07:40Save your needles, chum.
01:07:41I suspect that this little gal is going to be your Waterloo.
01:07:45What else can she do?
01:07:47When they toss Hatch into the Bastille, she must turn to me.
01:07:50I'm the only one who can get him out.
01:07:52Fine strategy, General, but it won't work.
01:07:54Not with this baby.
01:07:59Hello, baby.
01:08:00My dear, what a very unexpected pleasure.
01:08:04Am I too late for that candlelight suffer?
01:08:08Gracious, no.
01:08:09I'll put a couple of candles on to broil right away.
01:08:12Uh, I'll manage, Molly.
01:08:13Oh, I'm a whiz at tallow, sauté de la savoury.
01:08:16Good night, Molly.
01:08:18I'll chill a bottle of wine for you.
01:08:20Any preference?
01:08:21Your pleasure.
01:08:33Don't worry.
01:08:34Not me.
01:08:35You can take care of yourself.
01:08:36I mean about him.
01:08:38You really care for him, don't you?
01:08:41It reminds me of a dog I had.
01:08:43No.
01:08:45No, you really love him.
01:08:46Well, why not?
01:08:47Working here, I get a 20% discount.
01:08:50That's what's wrong with you, Molly.
01:08:51You keep everything inside.
01:08:52You shouldn't.
01:08:53You must let him know.
01:08:54You talk like an expert.
01:08:57What do you think?
01:09:00Mm-hmm.
01:09:03Good night, Molly.
01:09:05So long.
01:09:06Watch out for Debussy.
01:09:20This is lovely.
01:09:22Yes.
01:09:46She walks in beauty like the night.
01:09:50of cloudless climes and starry skies.
01:09:54Poetic approach, huh?
01:09:56Do you bother to learn the whole poem
01:09:58or just those parts you can whisper to women?
01:10:01Oh, they can whisper to me.
01:10:05Another good one is,
01:10:07oh, thou art fairer than the evening air,
01:10:10clad in the beauty of a thousand stars.
01:10:17I'll make a note of that.
01:10:20Some more wine?
01:10:22Please.
01:10:23Come.
01:10:25Come.
01:10:29Come.
01:10:31Come.
01:10:39Yes.
01:11:05You know, you are rather nice.
01:11:08I'm sorry about the way I've acted.
01:11:14Beauty likened to a song.
01:11:16Such beauty can do no wrong.
01:11:19Please.
01:11:20You're maddening.
01:11:23No, Whitfield.
01:11:24I keep thinking.
01:11:25Me too.
01:11:25Avedi, he's been arrested.
01:11:27Wonderful.
01:11:27But it was all my fault.
01:11:30Oh, forget him.
01:11:31Poor boy.
01:11:31In jail in a cold cell.
01:11:33I'll send him an overcoat and some blankets.
01:11:35Maybe, maybe you could get him out.
01:11:38Why, yes, yes, of course.
01:11:39Anything, anything.
01:11:40It's the least I can do for you.
01:11:58Yes?
01:11:59The city jail.
01:12:01Oh, it's you.
01:12:03Well, what now?
01:12:04Hello, Kerrigan.
01:12:05I want a word with you.
01:12:07Now, I'm Kerrigan, huh?
01:12:09Well, Begora, I've got the feet for it.
01:12:12Aha, Kerrigan, you are a card.
01:12:14Tell him about Eddie.
01:12:15Yes, my dear.
01:12:16I want you to do something for me, old boy.
01:12:18Oh, why don't you spin your platters?
01:12:20You know, Debussy does something to women.
01:12:23Kerrigan, or better yet, flip out your bank books.
01:12:25You can give her anything money can buy.
01:12:28Now, listen here, Kerrigan.
01:12:29I want action on this.
01:12:30Do you understand?
01:12:31I feel you're so wonderful.
01:12:32Thank you, my dear.
01:12:33Hold on there, Kerrigan.
01:12:34What's that?
01:12:35Hatch.
01:12:36Eddie Hatch.
01:12:36Tell him about Hatch.
01:12:37Yes, my dear.
01:12:37I'll have him out in a minute.
01:12:39Now, look here, Molly.
01:12:40Uh, Molly.
01:12:41Kerrigan.
01:12:43I'll put an ad in the morning paper for a secretary.
01:12:47Help wanted female.
01:12:49Must be able to take shorthand and body blows.
01:12:52No, no, don't do anything rash.
01:12:54We'll talk it over.
01:12:55Here, let me talk to him.
01:12:56I'll take care of this, my dear.
01:12:57You've pulled a lot of chintzy deals,
01:12:59but framing a kid to get his girl is too rich for me.
01:13:03Even I'm finally ashamed of you.
01:13:05No, no, don't go.
01:13:06I've got to talk to you.
01:13:07You know how I need you.
01:13:08I depend on you.
01:13:09You didn't seem to need me before.
01:13:12Well, you did everything but bounce me out of your apartment.
01:13:15I'll do anything.
01:13:16Tell him you'll give him a bonus.
01:13:17I'll give you a bonus.
01:13:19Please, my dear, please.
01:13:20I'll take care of this.
01:13:21I'll come right over.
01:13:22I'll go with you.
01:13:23No, no, no, no.
01:13:24You wait here.
01:13:24I'll be back.
01:13:25You wait there.
01:13:26I'll be over.
01:13:27Save yourself the trip.
01:13:28And tell baby thanks for the advice.
01:13:30I haven't felt so good in years.
01:13:32So long, Whitfield.
01:13:34I walk out in beauty like the night.
01:13:36No, no, no.
01:13:38Some wine, please, my dear.
01:13:40You don't.
01:13:41You've got to listen.
01:13:42Don't hang up.
01:13:44You can't leave me flat.
01:13:52My dear, are you all right?
01:13:54I'm fine.
01:13:55Molly.
01:13:55Molly.
01:13:56Molly.
01:13:57Molly.
01:14:01Molly.
01:14:02Molly.
01:14:04She's hung up.
01:14:05She wouldn't listen.
01:14:06She's leaving me.
01:14:06Well, what are you doing here?
01:14:08You're right.
01:14:08I can be there in a minute.
01:14:09Two minutes.
01:14:11First, you call Kerrigan.
01:14:12Kerrigan?
01:14:13Oh, why, of course, yes.
01:14:14Of course, yes.
01:14:21Hello, Molly.
01:14:21Molly.
01:14:22Molly?
01:14:23Who is this?
01:14:25Who are you kidding?
01:14:27Oh, yes.
01:14:28Yes, Mr. Savory.
01:14:29I'm dropping all charges.
01:14:31Release Hatch at once.
01:14:32Tell Eddie I'll be waiting.
01:14:33Send Hatch up to my place right away.
01:14:36The place is yours.
01:14:37Use anything you want.
01:14:38Stay as long as you like.
01:14:39With you.
01:14:40Oh, this orchid, I think it would look nice on Molly.
01:14:49Excuse me.
01:14:53Oh, uh, tell Hatch he can have tomorrow off.
01:15:14No, no, not now.
01:15:27Please, please, just a few moments more.
01:15:43THE END
01:16:09Wait here
01:16:11Hey Eddie
01:16:12Joe
01:16:12Hey I got your bail
01:16:13Don't worry I'll get you out
01:16:15You are out
01:16:16Savory dropped the charges
01:16:17Well gee that's great
01:16:18Then they found the statue
01:16:19Who stole it
01:16:20It wasn't stolen
01:16:21Venus is waiting for me right now
01:16:23Savory's department store
01:16:24Venus oh no Eddie
01:16:26Not that again
01:16:31Did you say Savory's department store
01:16:33Yeah Savory's department store
01:16:34To the nearest hospital
01:16:35Savory's
01:16:35To the hospital
01:16:36Make up your mind
01:16:37He wants to go to the hospital
01:16:39Savory's I ain't paying for this trip
01:16:41Now look Eddie listen to me
01:16:42You're sick you don't feel well
01:16:43I'll show you
01:16:43I'll introduce you to her Joe
01:16:45You'll like her she's wonderful
01:16:47Oh Eddie
01:16:48Faster
01:16:49Oh I've got to get there Joe
01:16:51She may leave
01:16:52I want her to stay
01:16:53I want to marry her
01:16:55We'll get a little place
01:16:56Out in Ozone Heights
01:16:57Oh yeah
01:16:58I can just see you bouncing
01:17:00Little statues on your knee
01:17:02Eddie you've just got to
01:17:03Stop talking like that
01:17:04She's not a statue Joe
01:17:05She's Venus
01:17:07Goddess of love
01:17:08You win
01:17:09To the hospital
01:17:11Savory's department store
01:17:13Look look Eddie
01:17:13Just relax
01:17:14You know you've got to
01:17:16Quit thinking that crazy
01:17:28Listen
01:17:29But listen
01:17:34I can hear her
01:17:40Don't be silly
01:17:41That's just the radio
01:17:42That's Venus
01:17:43Faster
01:17:44Turn off your radio will ya
01:17:46It ain't on
01:17:47It must be on
01:17:48Play him up bub
01:17:49Let's listen
01:17:49We're all crazy
01:17:52Lost in the dark
01:17:53Too soon
01:17:55Too soon
01:17:57I feel
01:18:00Wherever I go
01:18:04That tomorrow is near
01:18:06Tomorrow is here
01:18:08And always too soon
01:18:12Time is so old
01:18:16And love so brief
01:18:19Love is pure gold
01:18:23And time of fear
01:18:26We're late
01:18:30We're late
01:18:32We're late
01:18:32We're late
01:18:34The curtain descends
01:18:37Everything ends
01:18:39Too soon
01:18:41Too soon
01:18:42I wait
01:18:46Darling
01:18:52Will you speak loud
01:19:03Venus
01:19:05Venus
01:19:05Venus
01:19:05You see Eddie
01:19:06I told you
01:19:06There's nobody here
01:19:07Oh she's gotta be here
01:19:08She must be here
01:19:11Venus
01:19:11Venus
01:19:12Hey Eddie
01:19:12Come on
01:19:13If Mr. Savory catches us here
01:19:14We'll both be fired
01:19:15She's in a model hole
01:19:16And that's where she is
01:19:17Oh Eddie
01:19:27Good shot Ed
01:19:29Come on Mr. Savory
01:19:30Where did you have it hidden
01:19:31Yes give us the real dope
01:19:32Well the statue simply
01:19:34Reappeared as mysteriously
01:19:36As it disappeared
01:19:36Before you write this off
01:19:38As another publicity gimmick
01:19:39I suggest you look at
01:19:40Ludovici Fasoli's volume
01:19:42On the strange legends
01:19:43And myths
01:19:44Surrounding the Anatolian Venus
01:19:45In our book department
01:19:47Morocco bound
01:19:48It's probably just coincidence
01:19:50But while our goddess
01:19:51Of love was missing
01:19:52The city hall
01:19:53Was snowed under
01:19:54They ran out
01:19:55Of marriage licenses
01:19:56Love sure reared
01:19:57Its beautiful head
01:19:58Thanks girl
01:20:00Did you tell Hatch
01:20:01About his three dollar raise
01:20:02Three seventy five
01:20:03Oh yes
01:20:05Well if you'll excuse us
01:20:06I believe there's a place
01:20:07Called
01:20:07Niagara Falls
01:20:09We're going over
01:20:10In the barrel
01:20:10See you when we get back
01:20:36He never even said goodbye
01:20:43Pardon me
01:20:45Could you direct me
01:20:46To the model home
01:20:47Oh yes
01:20:47It's right through there
01:20:48Second floor
01:20:49Thank you very much
01:20:54Now miss
01:21:04Did you say you were looking
01:21:05For the model home
01:21:06Yes
01:21:06You see I just started
01:21:07To work here today
01:21:09Oh that's fine
01:21:11My name is Hatch
01:21:12Eddie Hatch
01:21:13Oh mine's Jones
01:21:14Venus Jones
01:21:16That's beautiful
01:21:16Well it's unusual anyway
01:21:19Nobody's ever likely
01:21:20To meet two girls
01:21:20Named Venus
01:21:21No I guess not
01:21:24No I guess not
01:21:24I guess not
01:21:49I guess not
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