Inedito identikit di Diabolik, mitico ladro creato dalle sorelle Giussani, attraverso la storia dell'intuizione geniale delle due imprenditrici milanesi. Attraverso l'analisi di rari materiali d'archivio della casa editrice si cerca, inoltre, anche una possibile spiegazione del mistero legato alla misteriosa scomparsa di Angelo Zarcone, disegnatore del Numero Uno dell'albo, inspiegabilmente svanito nel nulla dopo aver completato le tavole. Regia: Giancarlo Soldi
#Diabolik #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
#Diabolik #Crime #TrueCrime #Delitti #Misteri #Killer #SerialKiller #ColdCase #Cronaca #CronacaNera #Mistero #Delitto #Documentari #Documentario #Docu #Doc #DivinumCrime
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TVTrascrizione
00:00Thank you all.
00:39Thank you all.
01:12Thank you all.
01:56Thank you all.
02:02Thank you all.
02:40Thank you all.
03:23Thank you all.
03:26Two injured, one seriously but not in danger of life.
03:31A third man the ambulance was carrying is missing.
03:35He was admitted to a neurological clinic due to dissociative amnesia,
03:39a disease that arises from a disease that arises from a strong stress beyond the limits and that causes a
03:44a sort of short circuit in the mind.
03:48The amnesiac whose identikit we see is completely without documents and apparently incapable of reporting
03:55his personal details.
03:58My reflection in the glass was exactly the same.
04:01That was me.
04:45It's true what they say about you.
04:59It's true what they say about you.
05:01he is indisputably a myth, in the sense that we all know, everyone knows who he is.
05:06They know many details about him, that he is a thief, that he is a murderer, that he dresses in black.
05:13completely with a tracksuit and some very tight tights,
05:18who has a blonde girlfriend with a bun named Eva Kant.
05:21some people call her Kant, mistakenly and not knowing that her surname derives from, or rather, is in honor of the great
05:28German philosopher.
05:30almost everyone who knows Diabolic and even those who only have sense to talk about it know,
05:36who drives around in a black coupe.
05:38Some people think it's a Porsche, but it's actually a '63 Jaguar E-Type.
05:43But all these details make it alive, it's true, it's credible, it's potentially next to
05:51us.
05:53I was fascinated by all that information, even though some of it seemed obscure to me.
05:59Diabolic, we call ourselves Diabolic.
06:02Let's talk a little about wolves, yes.
06:04But how old is he?
06:05It has no age.
06:07Well, an approximate age.
06:08So roughly it will be around 30 years old, the most beautiful age.
06:13But everyone, no, I think everyone gives a little of their own, a little of the ideal man.
06:18Do you have any education?
06:21Very short.
06:22Very short.
06:22She speaks all languages, do you think?
06:25Whatever country you are in, you know the languages.
06:41Certainly a man on the run, a diabolical fugitive, no one even knows his identity, right?
06:46So he's a guy that everyone's looking for, he's a guy that can't walk around with his face, he's
06:50clear.
06:51It's not possible to say that we really know everything about Diabolic.
06:54Not even Diabolic knows everything about Diabolic, and he doesn't even want to know.
07:03I couldn't shake that flood of images and words.
07:07It's like I was born at that moment.
07:11I was very confused.
07:13I had to hide.
07:15I don't know why, but I knew what to do.
07:45Diabolic is defined by what he does.
07:48He is defined by his actions, by his limitations, by how he shapes the world around him.
07:53This would be the best definition we should all have.
07:55What we leave behind, what we build around us,
07:57the spaces we leave, the spaces we fill.
08:01This is the role of Diabolic.
08:02It's like a piece on a chessboard.
08:04It is defined by the moves it makes, the moves it can make, and the moves it will never make.
08:08There are things he always does.
08:10There are things that surprise us and that he has never done before.
08:13For example, every makeup is different from the other.
08:14There are things he will never do.
08:15that we know are absolutely not in the diabolical way of moving.
08:21Just like a knight on the chessboard
08:23it would never move diagonally, like a bishop.
08:42The silence didn't scare me.
09:04There were homeless people in that place.
09:07Without a past.
09:08Without a future.
09:09Without an identity.
09:13Like me.
09:15I was tired.
09:17And I could finally sleep.
09:19Clear up that awful mess.
09:48Who do you think he looks like?
09:51The shape of the forehead, mouth and nose are by Robert Taylor.
09:55The eyes are a little larger, but grey.
09:57Like Robert Taylor.
09:58But are you a little in love with him?
10:00No, no, not in love.
10:20I was surrounded by evil eyes that looked at me with hatred.
10:30I made them.
10:32I drew them.
10:55How could you be sure?
10:57Because I felt they were mine.
10:59They were part of me.
11:04These.
11:07These.
11:08I made them.
11:24And her?
11:26She was there.
11:30He was there with them.
11:33And there she was.
11:41And there she was.
11:42And there she was.
11:49And there she was.
11:49And there she was.
11:49And there she was.
11:49And there she was.
11:49And there she was.
12:01She had run away from home
12:03She lived with them but she was different, smart
12:06He was fiddling with a gadget I had never seen before.
12:09From which came out so many images and so many sounds
12:12She could have helped me understand who I was
12:15Thank you
12:16And tell me about Diabolic
12:28But this man is also killed by the people
12:31So many people are murderers
12:34You kill bad guys
12:42Diabolic killed anyone without any problem
12:44Old ladies, poor ladies, stabbing them in the back
12:48He shot poisoned darts at policemen
12:51That I imagine family men
12:52All these things here that had nothing to do with it
12:56There is an island where Diabolic grows isolated from the rest of the world.
13:02King's Island
13:03A sort of maternal or paternal womb
13:07Which allows Diabolic to meet people who can do a lot of things
13:12But they give him an education that is rather atypical.
13:18A pragmatic education, however, aimed exclusively at carrying out criminal actions in the most effective way possible
13:29Let's say that the dualism between evil and good
13:34And you always let evil win
13:37But he doesn't win, he escapes
13:40It escapes
13:41As?
13:41He escapes, he doesn't win
13:43What did you do when you were a boy playing guard and nadri?
13:46She is the thief
13:47They will surely have accused you of increasing crime
13:51Yes, that's clear.
13:53If we were to talk about the trials and accusations that were leveled at Diabolic
13:59Especially in the early years of his career, let's call it that.
14:03We would be spoiled for choice
14:05The Italian courts charged him with corruption of a minor and incitement to crime.
14:11Even obscenities for situations that would be absolutely laughable today
14:18Like approaching a woman he is not married to towards a marital bed
14:32We believe that there is nothing in Diaboli that could offend a boy's modesty.
14:37There is only the violence due to the yellow
14:44Of course he was acquitted of all these charges.
14:47In fact, there have never been any real trials.
14:50Because the act did not constitute a crime
14:53But the consequences on the fame, on the distribution of the character
14:59The fame of the character was seriously affected
15:01Because even if justice acquitted
15:04Then the right-thinking people didn't do it
15:07And so reading Diaboli was considered improper.
15:10Knowledge of his crimes is absolutely sinful.
15:14And therefore it should be prohibited
15:15Parliamentary questions were not lacking and were transversal
15:19Let's remember, that is, they were not only from a conservative political party
15:35Of course, things went much worse for him at the Clerville courts.
15:38Because there the sentence was much more serious
15:41The sentence was even death.
15:43Through the guillotine, a bloody and uncivilized instrument
15:49Which however was still in force at the time in several countries.
16:05I had discovered that Diabolik was a criminal
16:07I don't know why, but it didn't surprise me.
16:10Nor did it scandalize me
16:18Diabolik was put on trial
16:21And then sentenced to death
16:23But was it a fair sentence?
16:26Nobody has seen that man called Diabolik
16:29And commit any crime
16:31Some witnesses, of course.
16:33They also stated that the man who had committed the crime
16:37He was a man dressed completely in black
16:41Only with a slit where the eyes could be seen
16:45And the sentence was put on record
16:48Because many witnesses repeated it
16:51So what?
16:53What does it feel like?
16:55Anyone could wear black
16:57And take a knife and stab someone else
17:02Only the prosecution's preconceptions
17:05They continue to condemn the accused
17:12I therefore
17:14I believe
17:16And I assert
17:17That the sentence
17:19It must be cancelled
17:21The process needs to be redone
17:24Admitted
17:26Let's find Diabolik
17:28Which as everyone knows
17:30It is untraceable
17:32That lawyer among the many things he had said
17:35One had struck me
17:37Diabolik wears black
17:39All black
17:40And it seemed logical to me
18:08Thank you all
18:10The lawyer among the many things he had said
18:11Mm
18:15Thank you all.
19:00Diabolic wore black.
19:02It seemed right to me, black is the color of madmen and criminals.
19:06Black hides.
19:24I am alone, I am nothing, but I would like to be everyone.
19:49A small theft, a great satisfaction.
19:52I knew the alarm would go off.
19:54I knew it would take the cops a few minutes to arrive.
19:57I also knew that if I walked away calmly,
20:00no one would have taken me into consideration.
20:03I knew all these things, but not when I learned them.
20:08Of diabolical escapes that are with one of his many instruments,
20:13or simply on foot, perhaps in a daring way,
20:17using all his agility, his ability,
20:20even to camouflage themselves or contest.
20:23We forget that one of the great features,
20:26diabolical ability, is that of blending in with the world around him,
20:30to put on makeup, to take on the appearance of anyone
20:32and thus deceive the pursuers by pretending to be someone else.
20:56They took me for an intruder, a stranger,
21:01and one of them came towards me.
21:07What the fuck did you come to do?
21:08Did you come to do charity work, something for us?
21:12Well, if that's the case, you have to give it everything you've got.
21:15That knife gave me a good feeling.
21:19I felt it was part of me.
21:28For me, the knife is life.
21:30And for the others, if I wanted,
21:33it's just death.
21:50Death didn't scare me,
21:52just as the idea of ​​giving death didn't scare me.
21:56And a dagger was the only tool.
21:59This was the only deadly weapon I had the right to use,
22:02based on rules I hadn't given myself,
22:04but that someone had imposed on me.
22:07because the mere idea of ​​striking from afar disgusted me,
22:09cowardly, with an anonymous bullet.
22:21This is a unique way to hit from afar,
22:23but which he had imposed.
22:29This is a unique way to hit from afar,
22:35too many one to hit from afar,
22:38but which he had imposed.
22:43But who were you running away from?
22:51Listen, that unlucky policeman who always loses, Ginko is my name, who did you take inspiration from?
22:59To no one.
23:00In particular?
23:01Yes.
23:02Why did I always let her lose?
23:05But he loses relatively, because he manages to discover him and then there is the final escape and he fails to stop him, let's say.
23:12But he often manages to foil the attacks, but he always manages to track him down, in short, he is always on the hunt for Diabolik.
23:23He doesn't do anything wrong to get Diabolik, at least that's what it seems to me.
23:29I don't remember reading anything where Ginko is capable of torturing an informant to get him to tell where
23:35Diabolik is hidden.
23:37Indeed, if at a certain point it is a question of arresting Diabolik or causing, what the hell, a fatal accident,
23:42chasing him, Ginko stops.
23:44The breastfeeder Ginko discovered that Mr. Maier, who lives in a luxurious villa and who until now was a man
23:51unsuspected, it's Diabolik.
23:55He warns, rushes, alerts all the police cars and says let's surround the villa immediately because there is something inside.
24:03Diabolik.
24:04Diabolik always has a plan, he always has a project, he always has a scheme to follow, a strong impulse that must
24:16find a solution.
24:17And he can find it with a flash, but often and willingly with logic, with construction, with planning, with
24:26technology even.
24:28Every project, every machine, every chemical preparation, every narcotic, every special gas is the work of Diabolik's ingenuity.
24:39That is, he is the creator, he is the one who invented the formula, he is the one who made the project, but
24:44even when he has to do a robbery in a villa, in a museum there with some floor plans, we see it, that it is
24:51on a table around, this very concept of laboratory.
24:54In each of his shelters there is a kind of laboratory that is chemical, mechanical and there is a garage with
25:01all this equipment.
25:02And he does this by using Clairville as if it were a city built with Lego, which he moves and
25:10he reconstructs as he pleases.
25:11Clairville is actually his, maybe he invented it.
25:14Creating entirely erroneous passages, creating mountains that open up.
25:18And he turns a corner, the police say, damn she's very good, we'll catch up with her already, he turns around and then there's no
25:22'it's more him, because we saw that a piece of asphalt had lifted,
25:25his car entered that cave, so we find out that all that theft, with all those unexpected events that
25:31had happened up to there,
25:32It was actually all planned by him to get there and then hide in that hole.
25:55Giussami, Ginko, Clairville, the Jaguar, Eva, what did those words mean to you?
26:02Those names, somehow I recognized them, more or less all of them, but not her.
26:09Yet I feel it must have been important, Eva.
26:29He's a faithful man, isn't he?
26:30Yes, yes.
26:32Too much, I would say.
26:33He's found his ideal woman, he doesn't need to change.
26:36They understand each other, they discuss each other, they discuss each other.
26:44Of people so consistent, so all in all loyal, when they believe they can be loyal to someone,
26:53It is not easy to find people so faithful even in their private lives.
27:02The fact that he is so ruthless with men, with enemies, with males,
27:08and that he be moved in this way, that he have this respectful veneration,
27:15in short, besides the love for this girl who is the opposite of him,
27:20he is all black, she is very white, very blonde.
27:22Very blonde.
27:40Be careful, it's bad to say the woman from Diabolic, because that's not all.
27:44And the side, so to speak, more than feminine, feminist of Eva, the protagonist,
27:49it came out as we went along, as time went by.
27:58Eva is inspired a little by Grace Kelly.
28:03It is an angelic figure that comes directly, I would say, from the Dolce Stil Novo.
28:10I believe that Dante would have dedicated a sonnet to her.
28:15There have been a whole series of monographic works on Eve, as Eve.
28:19I remember a self-defense manual by Eva Kant,
28:22who explained to women how to defend themselves from men, I mean.
28:25So it's not that, it's not just the woman from Diabolic.
28:28It's, so to speak, another Diabolic.
28:30I think I can say that Eve is the first woman in history, in literature,
28:34to save her man and not the other way around.
28:45You have to see what I recovered.
28:55A thousand thanks.
29:18Yes, yes, yes, yes.
29:48Yes, yes, yes.
30:36Yes, yes, yes.
30:39Do you feel something?
30:44What wonderful women.
30:53Where did you get these videos?
30:55I went to that address on Via Boccaccio.
30:58I said I had to write a piece about Diabolic and they gave me all this stuff.
31:02But I have to report everything.
31:07I'm coming with you.
31:12Where did this machine come from?
31:15Calm.
31:15I just borrowed it.
31:20So you want to go to the editorial office at Giussani's?
31:22And how do you plan to do it?
31:23I do not know.
31:25But I know I can do it.
31:28And you will help me.
31:56There are four of us in the editorial team.
31:59We all invent together, then one of us writes down the detailed plot and she's the one who will then have to write the screenplay.
32:06Then he reads it again to the other three, they all ask questions if there is any inconsistency or something, it comes
32:14highlighted by others.
32:15It's put back in place, then we're off to the next step.
32:17The subjects, however, are personal.
32:20No, no, all the work is done in-house.
32:24For example, I like to do all the escape tricks, tricks to introduce gas, I try to vary.
32:34But I've also had romantic stories, I've had them, you know.
32:51The office was all women.
32:54Except for the two designers, but we were all women.
32:58It's strange but true, we were an entirely female editorial team and naturally there was a great deal of respect for each other, too.
33:36When you put the nets on Diabolic, that you have to cut the nets, you were even afraid of hurting him, you know?
33:50Diabolic is an important thing to tell a piece of our society.
33:54It is Italy that is told by Giorgio Scerbanenco and therefore by the Italian noir that comes to tell for the
33:59for the first time all the contradictions of a society that is full of contradictions, so much so that it becomes violent.
34:05Of a violence that seems new, maybe it was there before, before there was the war, but at that moment
34:09there it surprises, it seems new.
34:11Here comes Diabolic and tells you this.
34:13So it does the same thing that noir does.
34:14If we consider noir as social literature, denunciation literature, a new political novel, etc., etc., this also applies to
34:23biographies of Diabolic, which tells you about a part of Italy that is changing.
34:26And that has changed, because Diabolic has not remained the same, his stories have not always remained the same,
34:32but they have adapted to tell other moments too, to tell the mafia too, to tell other types of
34:37crimes, other types of fears, of anxieties in our society, has evolved.
34:41Well, in short, it's an example of Italian noir, Diabolic.
34:43The Giussanis played this game of mirrors between a completely invented, possible reality, and instead a pressing, very true reality.
35:18At halfway height, a large bottom has been sighted several times in the last two weeks.
35:24Among the volunteers, a veterinarian and the biopark expert.
35:27They brought a rifle loaded with sleeping pills.
35:31As a precaution, police advised people living in the area to avoid leaving their homes.
35:37In March, forest rangers were mobilized following reports from people who said...
35:43You know the way, right?
35:46The witnesses' versions coincide.
35:48Long voice, fast bass, small ears, very shiny fur.
35:54Diabolik is the name of a panther, the name that Diabolik stole, perhaps the first thing he stole,
36:03to someone,
36:05that is, the panther which was already dead, so it couldn't complain, it was embalmed,
36:11so it was one of King's properties, who is this father figure that Diabolik had at the time.
36:23It's also important because it's the name Diabolik chose for himself.
36:28He never had a name before.
36:30When you choose a name, you also decide who you want to be.
36:34And from that moment on he will only be Diabolik, he will take on a thousand identities, he will take on a thousand physiognomies,
36:43but his only true identity is Diabolik, the one he built for himself.
36:54I hadn't understood almost anything of what that writer had said,
36:58but I understood that there was a relationship between me, Diabolik, and that animal.
37:06Perhaps we are the same cruel entity, the same freedom born from fear.
37:12Maybe we are the same,
37:43a sign of destiny, of my destiny.
38:01The appearance of that panther had shocked me.
38:05But what shocked me most was discovering so many things about Diabolik,
38:09things that I thought I knew in part, but there were many others that I had absolutely no memory of.
38:15Diabolik is fearless, he truly seems to have no perception of death.
38:22It's strange, because he's surrounded by death, he's a murderer, he kills...
38:27But he lacks this empathy, not feeling it towards others it is easy for him not to feel it towards others
38:33not even of himself.
38:35I fainted, maybe from stress or smoking.
38:40So in the morning you went to Via Boccaccio.
38:42And how did you feel?
38:45Strange.
38:47But I was used to feeling this way.
38:50Some things felt familiar and some things felt downright strange.
39:01I came to return the things they lent me.
39:04Oh, very good, thank you.
39:05Were they helpful?
39:06Yes, a lot.
39:06Interesting, right?
39:07Yes.
39:07The projector, don't tell me it worked.
39:09Yes, it worked.
39:11They're doing an interview and we have to speak quietly.
39:14There is a theory that Diabolik is related to Phantom Mass.
39:19Phantom Mass was a so-called black character from the beginning of the last century
39:24who already had all the characteristics of Diabolik.
39:28He was relentless, evil, extremely intelligent, a lord of the night and of crime.
39:46Some faces were familiar to me, others were missing.
39:50At certain moments I felt like I too was a drawing.
39:54books, paintings, all dedicated to him, to him.
39:59I was surrounded by that name, by that face, my face.
40:12The story of Phantom Mass actually ends at a certain point
40:16in which a certain ship called Gigantic, like the Titanic,
40:20just so the name of the Titanic resonates, it sinks in the middle of the Atlantic
40:24and there Phantom Mass and his archenemy Juv die.
40:29After quite some time since the release of the first issues of Diaboli,
40:33Giussani revealed its origin,
40:37and that is that he had been found on a lifeboat at sea
40:40after a mysterious shipwreck of which no particular details are known.
40:45and so these things suggest a certain affinity between the two characters.
41:15So, how did it go?
41:16Ah, I'd say enough there.
41:18So, you are bad.
41:20Here, mind you, but what is this?
41:24I can?
41:26Ah, well, interesting, it's a bit naive, but they remind me of something.
41:34Do you mind if I make some photocopies?
41:35Well, it seems to me, but if a professional does them...
41:39No.
41:40When did you make these drawings?
41:41I wish I could have stayed with those Diabolic experts.
41:44They could still tell me many things about me,
41:46but she was afraid that they would recognize me from the police identikit
41:49and have me arrested.
41:51So he took me home.
41:53I called her that by now.
41:58That night I drew for hours and hours.
42:01The visit to that palace had opened rooms in my memory.
42:04The rooms were still dark, but I had to keep looking.
42:09I felt the need to draw as if the pencil was running on the paper
42:12it was part of my life, of a previous life of mine.
42:15One more element that connected me to that name, Diabolic.
42:20And then that girl occupied my thoughts,
42:23It was distracting me and I couldn't let it.
42:25Now there was no more room for her.
42:45I had made a jewel.
42:47With some pieces of polished glass I found three pieces of waste.
42:50Nothing special.
43:02He knew we would never see each other again.
43:05Now I have to fend for myself.
43:07I have to go my way.
43:11I don't even know your name.
43:13HI.
43:32Diabolic is the name of a panther.
43:36Diabolic always has a plan.
43:40Diabolic is forced to always come in hiding.
43:43It rises, it does not conquer, it rises.
44:31I was alone again.
44:35I wanted to start a new life.
44:39I saw a Jaguar parked and it had to be mine.
44:47I realized I wanted to move forward by turning that steering wheel,
44:50listening to that rumble.
44:52I felt it was mine.
45:11I realized that I wanted to move forward by shooting.
45:24Look, I've already looked into it and our doctor said that nerve gas
45:29It has a depressive effect and can lead to mistakes afterward.
45:35It could last even 15 days, I think.
45:42a new memory hole and now I'm in front of you.
45:49Now I understand.
45:50you will be able to confuse me and I'm sure.
45:58I am Diabolic.
46:03Diabolic is your creation.
46:05It was you who gave him a face, an identity.
46:09But Diabolic doesn't exist.
46:11Resign yourself.
46:18You gave it a face.
46:34HI.
46:51Thank you all.
47:18Thank you all.
47:47Thank you all.
48:08Thank you all.
48:37One day, however, I don't know how, I'm in the editorial office, I talk to Brenno and I say to him but excuse me, but you Zarcone
48:43did you meet him?
48:44Of course I knew him, we worked together, could you draw him for me? Of course I'll draw him for you.
48:51He stands there and draws Zarcone, a gentleman of a certain age, certainly more towards 50 than not.
49:05around 40.
49:08And I ask him, but why do you draw him like that? Because he was already old or almost old when he came to the editorial office, at least he was.
49:18quite mature.
49:21Now I'll leave you this drawing. I'll go to the office. Afterwards Brenno will call me and say look, I'll give you this.
49:30I did better, I'm sending it to you.
49:35I arrive. I reach the delivery man, open the envelope, and find Diabolik.
49:41Zarcone is Diabolik. Or is Zarcone back in the newsroom to redo his self-portrait? Who knows?
49:53Diabolik. Diabolik.
49:57Don't tell me who you are and what you will do with me.
50:03I'm afraid of you, but I'm waiting for you.
50:08And with us the night that torments me and tempts me as you do.
50:18Why, why, why, I think of you and I see you appear.
50:26Because, because, I desire and want to escape.
50:33Why, why, if you kiss me I can look at myself.
50:40And in your eyes lit up in the dark I see myself dying.
50:50Diabolik, diabolik, something tells me I don't love you anymore.
51:01But your icy gaze is a blade in the heart.
51:09That I cannot tear away and throw away from me.
51:17Diabolik.
51:20Diabolik.
51:46Diabolik.
51:47Diabolik.
51:50Diabolik.
51:52Something tells me I don't love you anymore.
52:00But your icy gaze is a blade in the heart.
52:07That I cannot tear away and throw away from me.
52:15Diabolik.
52:19Diabolik.
52:23Diabolik.
52:25Diabolik.
52:28Diabolik.
52:29Diabolik.
52:32Diabolik.
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