#comedy #romance
Category
🎥
Short filmTranscript
00:00:01THE END
00:01:42Oh, good morning, Dr. Jackson.
00:01:44How's Barbara?
00:01:45Oh, he's fine.
00:01:46Still hard at work on his book.
00:01:48Oh, there has been a slight change of title again.
00:01:51No.
00:01:51Uh-huh.
00:01:52From landscape gardening as an art to landscape gardening can be revolting.
00:01:56Oh, you tell him, if nobody else buys a copy, I will.
00:01:58Well, he might fool us.
00:02:00I've read it.
00:02:00It's very amusing.
00:02:01Fine.
00:02:02Dr. Jackson, there was a message from Mr. Raymond.
00:02:04He says he's coming to the meeting, but he'll be a few minutes late.
00:02:07Oh, thank you.
00:02:08Lucky you.
00:02:10After three years, Mr. Raymond finally condescends to come to a board meeting.
00:02:14Nora, since when do you keep track of Raymond?
00:02:15We'll probably read all about it in the afternoon papers, how civic-minded he is, you know.
00:02:19Oh, come now, Nora.
00:02:20Raymond's been very generous to the hospital.
00:02:22I know.
00:02:22He just increased his donation.
00:02:23I know.
00:02:24And he gave that plenty of publicity, too.
00:02:26Nora, what did Raymond ever do to you?
00:02:28To me?
00:02:29Oh, why, nothing.
00:02:30Why, I don't even know the man.
00:02:36Good morning, gentlemen.
00:02:37Good morning, Dr. Michael.
00:02:37Come in.
00:02:38I guess you are as soon as Raymond arrives.
00:02:39Hi, Paul.
00:02:40Glad to see you.
00:02:46Hi, Nora.
00:02:47Oh, hi, Katie.
00:02:48Quiet night?
00:02:50Never guess it for my aching feet.
00:02:52Oh, mama mia.
00:02:54What the night shift can do to what was once irresistible beauty.
00:02:57Oh.
00:02:59I'm too tired to even go home.
00:03:01Oh?
00:03:01Give me a cigarette, will you, darling?
00:03:05Yeah, kingside.
00:03:06Oh, I forgot.
00:03:08You don't smoke.
00:03:10Nora, did I ever tell you what lured me into nursing?
00:03:13Oh, I think so, a few thousand times.
00:03:15Where is he?
00:03:17Where is that rich patient, the one with all the moolah?
00:03:20You mean the one who's so grateful for your tender care he leaves your fortune?
00:03:23Yeah.
00:03:24Or the one whose resistance gets so low he asks me to marry him.
00:03:27Oh, and the resistance gets that low.
00:03:31Yeah, I know.
00:03:31They're dead.
00:03:38There.
00:03:40There's exactly what I mean.
00:03:42Somebody like John Raymond.
00:03:44He's got money, he's got good looks, but unfortunately, he's got his health, too.
00:03:49Go on home, Kate.
00:03:50I've got work to do.
00:03:51Oh, if he'd only break his leg or something.
00:03:54And I could have him for just about two weeks.
00:03:57If you're that desperate, why don't you go on out and wait for him?
00:04:00Pretty slippery out there in the hall.
00:04:01He might fall and break a leg.
00:04:03Not with my luck.
00:04:03Still, miracles do happen.
00:04:07Yeah.
00:04:15Hey, Nora.
00:04:17Hey.
00:04:19He's coming.
00:04:20Johnny Raymond's coming.
00:04:22What are you going to do about him?
00:04:25Maybe he'll remember you, Nora.
00:04:29Still won't listen to me.
00:04:31Still shutting me out.
00:04:34Ah.
00:04:35You pinhead.
00:04:45Here he is.
00:04:59Oh, oh, I left my briefcase in the car downstairs.
00:05:03Will you have my driver fetched, please?
00:05:04I'll go.
00:05:12Oh, it's pitiful.
00:05:14Really pitiful.
00:05:16What happened to those plans you had when you were a kid?
00:05:19Ah, what a fascinating devil you were going to be.
00:05:22You were going to have John Raymond worshipping as your kid.
00:05:25Well, if Johnny Raymond is still unfinished business,
00:05:31what are we going to do about it?
00:05:33Hmm?
00:05:49I want to announce the engagement of my daughter, Nora,
00:05:53and Timothy McCary.
00:06:02Oh, Mrs. McCary.
00:06:05Oh, Mrs. McCary.
00:06:05Hey, Nora.
00:06:06When's the wedding?
00:06:08A week from Saturday.
00:06:14That's that.
00:06:15It was enough of your time all the way.
00:06:17I've got work to do.
00:06:18A toast.
00:06:19A toast for Tim and Nora.
00:06:21Tim and Nora.
00:06:27Thank you very much. Thank you. Thank you all right leaving for Philadelphia in the morning
00:06:33publisher wants these plates everything you've already there's something to be
00:06:38curious about the job I did almost 15 years ago for the Willoughby estate
00:06:44this is our judge Raymond's place to talk to you about your daughter let's talk
00:06:49about my daughter how come after five years holding him off suddenly relax
00:06:53suddenly agrees to marry this McCarrie job fine man Tim
00:06:58a giant road to the end papa come on you owe me a dance
00:07:04Harry said I don't think she's happy about it
00:07:09I wouldn't know about that
00:07:13I know when the flowers aren't happy but it'll confuse me especially doctors
00:07:23thank you
00:07:29good night good night
00:07:34what a mess papa
00:07:37well I'm too tired to take care of it tonight I'll clean it up in the morning
00:07:40hey
00:07:45you approve don't you papa
00:07:48are you happy
00:07:49uh-huh
00:07:51then I approve
00:07:54it's good to make a decision doesn't it
00:07:58well good night darling
00:08:00and thanks for the party
00:08:01good night
00:08:02yeah
00:08:07yeah
00:08:09yeah
00:08:09yeah
00:08:10yeah
00:08:13yeah
00:08:14yeah
00:08:14yeah
00:08:29them
00:08:31yeah
00:11:26Hi, Dan.
00:11:28Where are you going this time of night?
00:11:31Mr. Kelly, did anyone ever tell you that you look like that's in a new house?
00:11:35I've heard that kind of talk before.
00:11:38Do you?
00:11:39You're not going to go home.
00:11:40Oh, Dan.
00:11:42If you don't go home, I'll tell you your father.
00:11:44Oh, no, you mustn't do that.
00:11:47Dan, if you promise not to tell my father, I'll tell you my secret.
00:11:51I'll tell you my secret.
00:12:00I'll tell you my secret.
00:12:20Good night.
00:12:27All the stupid places to leave a lawnmower.
00:12:45Where'd you come from?
00:12:47I heard you fall.
00:12:55Come on.
00:12:56Perhaps I can help.
00:12:56No, it's nothing.
00:12:58Good child, you're hurt and at least you...
00:12:59Stop that, sir.
00:13:00All right.
00:13:08Nice.
00:13:13What are you doing?
00:13:15Removing the lawnmower.
00:13:16Leave it there.
00:13:17So someone else might...
00:13:19Just leave it there.
00:13:20I want the guard to Steve backwards.
00:13:21Excuse me.
00:13:22Exactly where he left it.
00:13:26Good night.
00:13:28Poor frog.
00:13:30Still has warts all over his face.
00:13:33What's that?
00:13:36What made you say there?
00:13:40You're very rude.
00:13:42Yes, I know.
00:13:42But that phrase...
00:13:43That particular phrase would sound as good as me.
00:13:47What do you want?
00:13:49Just offer to help.
00:13:51I don't need any help.
00:13:55Good night.
00:14:02Why don't you leave me alone?
00:14:04No.
00:14:10I bet you don't even know where you are, whose house you're in.
00:14:14My name is John Raymond, Jr.
00:14:17Soon as I get you fixed up, I'll swoon.
00:14:20Oh, I didn't mean it that way.
00:14:23I didn't mean to create the impression that the...
00:14:33What's your name?
00:14:36Florence Nightingale.
00:14:39Good day.
00:14:41You put that stuff on with great authority.
00:14:43That's a good job.
00:14:46Where'd you learn to do this?
00:14:48Lesson six.
00:14:51First aid manual.
00:14:56First aid manual.
00:15:09Nightingale.
00:15:10What are you doing?
00:15:14I like the way your bedroom is done.
00:15:17Don't be frightened.
00:15:19I'll be going in a minute.
00:15:21I don't like harsh lights.
00:15:25Is that better?
00:15:27Yes.
00:15:30You might find it difficult to explain what you're doing here this time of night, but it lights out.
00:15:34Oh, Mr. John Raymond, Jr.
00:15:37Don't look now, but your warts are showing again.
00:15:42Oh, I see my warts show when my Stephanie shows, is that it?
00:15:45Yes.
00:15:47Oh, a big one just popped out on your forehead.
00:15:51There, it's gone.
00:15:54Would you like a fire?
00:15:56Well, I'd better go now.
00:16:02Oh, please don't.
00:16:04This is weird.
00:16:06Everything you say sounds familiar, and yet...
00:16:10Who are you?
00:16:13I'm Princess Felicity.
00:16:15The lady with the magic lips.
00:16:17Stop being so mysterious, Princess Felicity.
00:16:22Now, that sounds familiar.
00:16:24Is that from a child's fairy tale?
00:16:26Mm-hmm, sort of.
00:16:28Of course.
00:16:29I should have known.
00:16:30They've suddenly had me.
00:16:33Oh, quiet.
00:16:36Why?
00:16:37Sarah, right across the hall.
00:16:39Who?
00:16:41My aunt.
00:16:42She's been visiting me briefly for the past three years.
00:16:45Oh.
00:16:48In other words.
00:16:50Mm-hmm.
00:16:53If you'd really rather I didn't play, I won't.
00:16:55No, no, please play.
00:16:58Quietly.
00:17:10Think you'll win your case?
00:17:12Your case.
00:17:13I read about the newspapers.
00:17:15Think you'll win?
00:17:16Oh, I never know.
00:17:18Tell me about it.
00:17:20I'm afraid it's too complicated for you downstairs.
00:17:24All right.
00:17:26All right.
00:17:28You sure you wouldn't like a fire?
00:17:32Positive.
00:17:34We submit, therefore, that the position we have taken is founded upon a fundamental principle of constitutional law and humbly
00:17:39appealed to this court for review of the facts as set forth in brief.
00:17:43Brilliant.
00:17:44Just brilliant.
00:17:45I bet you didn't understand a word.
00:17:47It doesn't make any difference.
00:17:48It's still brilliant.
00:17:49Well, you listened to her to say that's a great talent.
00:17:54Will we see each other again before I leave for Washington?
00:17:58Well, I don't know.
00:17:59It's not easy for me to get away.
00:18:01Why?
00:18:03On account of the witch.
00:18:05The witch?
00:18:06Yes.
00:18:07The girl I live with.
00:18:09She's a monster.
00:18:11I have to wait till she's exhausted or asleep, and even then she tries to stop me.
00:18:15In her sleep?
00:18:16Mm-hmm.
00:18:17Extra night.
00:18:21Suddenly, you live in a special world of your own, don't you?
00:18:29Where are you going?
00:18:35In the sand?
00:18:36See my castle in the sand?
00:18:41At this water and at his land.
00:18:48When I open up the door, guess what I guess what I find upon the floor?
00:19:02This is very odd.
00:19:49I know that, where in the world can I have heard it?
00:19:53John.
00:19:54Uh-oh.
00:19:55And Sarah.
00:19:56Hmm.
00:19:57What's going on in there?
00:19:58Tell her it's the radio.
00:20:00Right.
00:20:02It's the radio, Aunt Sarah.
00:20:05Tell her to go away.
00:20:06It's almost dawn.
00:20:08Go away, Aunt Sarah.
00:20:10Tell her to go back to bed.
00:20:14Go back to bed, Aunt Sarah.
00:20:17What?
00:20:21Well, that's one more that's on its way out.
00:20:25Yeah.
00:20:28There's another one.
00:20:30A big one right here.
00:20:33I'm not sure that I see it.
00:20:35Oh, it's there.
00:20:35It's there.
00:20:36Have you taken over it for it?
00:20:37I'd better wait till the next time.
00:20:39Until I'm sure.
00:20:42I have to go now.
00:20:43Why?
00:20:45Well, I'm supposed to be back before the witch wakes up.
00:20:48I'll take you home.
00:20:52Oh.
00:21:02I'll just put on my shoes.
00:21:06This is the strangest thing.
00:21:09I don't know your name, who you are, what you do,
00:21:11or anything about you.
00:21:13You got to feel as if I know I...
00:21:38about nothing.
00:21:54I don't care, Aunt Sarah.
00:21:55Mind your own business, Aunt Sarah.
00:22:22Let's go.
00:23:17Nora.
00:23:18Nora.
00:23:20Nora.
00:23:21The alarm's been going full blast.
00:23:24I heard.
00:23:26How do you feel?
00:23:29Tired.
00:23:31Hello, Papa.
00:23:34Oh.
00:23:35I'm very tired.
00:23:38Well, I'm on my way.
00:23:40Oh.
00:23:42Yeah.
00:23:43Have a good time.
00:23:44I'll be back in plenty of time to make all arrangements for the wedding.
00:23:47Don't worry about a thing.
00:23:48Bye, darling.
00:23:50Bye.
00:23:51Bye.
00:23:55Bye.
00:23:56Bye.
00:24:04Bye.
00:24:27This friend of yours, Nora, has she any idea where she went or what she did?
00:24:30No, but from all the things she discovered, she's...
00:24:34Well, I mean that she's almost sure that she left the house.
00:24:38It just doesn't seem possible, Doctor, that a person could, well...
00:24:41It's rare, but it does happen.
00:24:43During the war, soldiers would get up in the middle of the night and fight battles all over again,
00:24:47and no recollection of it in the morning.
00:24:49Of course, fatigue cases.
00:24:51Usually caused by some deep frustration, a subconscious urge to make amends for something left undone.
00:24:57Did this happen at night?
00:24:59Yes.
00:25:00It usually does.
00:25:01That's when the conscious personality is tired, worn out, has no resistance.
00:25:05And if the subconscious is rebellious enough...
00:25:08Oh, but Doctor, we're talking about a normal, happy girl.
00:25:13Are we?
00:25:13Yes.
00:25:15Well, I know her very well.
00:25:18Mm-hmm.
00:25:23About this girl's childhood, Nora, any ugly experiences?
00:25:26No.
00:25:27No, I asked her about that, and she doesn't remember anything.
00:25:30No, she probably wouldn't.
00:25:32Probably formed a memory block.
00:25:33Well, I don't know what to say, Nora.
00:25:36There's nothing to get frantic about, but I do believe this girl should see a psychoanalyst.
00:25:39Now, if you want me to recommend a good one...
00:25:40A psychoanalyst?
00:25:41Yes, perhaps she could dig out what's troubling her.
00:25:43Oh, no, I don't think so.
00:25:44Some of my psyche disturbances.
00:25:45Oh, I don't think she'd want to see a psychoanalyst.
00:25:48But, uh, anyway, I'll speak to her about it, Doctor.
00:25:51I will, and it probably wouldn't happen again anyway.
00:25:54It's probably all just in her imagination.
00:25:57Oh, I slipped.
00:25:59I'll let you know, Doctor, and thank you very much.
00:26:04We made a thorough investigation, Mr. Raymond White, done it all week.
00:26:08We discovered that there were 1,264,000 yards of this identical lace sold last year.
00:26:15To run down the owner of that particular piece was a little too tough.
00:26:19I was afraid so gone.
00:26:20What else did you do?
00:26:21Well, I had my boys waking on a day and night.
00:26:23I says to them, boys, you've got to find me a girl, five foot five and one half, weight about
00:26:29112, limpid gray eyes, soft, silky brown hair that drooped over the right side of the face, somebody that walks
00:26:38like she was floating on air.
00:26:41Stop being funny, Thompson.
00:26:42I am not being funny, sir.
00:26:43The boys had to have a good description.
00:26:45I told them just what you said.
00:26:46Go on, go on, go on.
00:26:47Well, I had them planted all over town.
00:26:50I even told them to listen to voices.
00:26:52I says to them, you've got to listen for a voice that's low, sort of, and draggy.
00:26:57A voice that sounds like a muted cello.
00:27:01Skip what you told the boys.
00:27:03What happened?
00:27:04Well, when we run into limpid eyes, the hair is wrong.
00:27:07When the hair droops over the right side of the face, the walk is wrong.
00:27:10And when the voice is like a muted cello, everything is wrong.
00:27:13I'm sorry, sir, unless we get more information.
00:27:15Send the bill to me here.
00:27:17I'm sorry.
00:27:23Brother, when you go, you go.
00:27:26Just curious, that's all.
00:27:27A person can't just pop into your life and pop out again like that.
00:27:30Well, I'll admit I've been after you to cut loose, but I never expect you to drift out to sea.
00:27:34This only happens to school kids.
00:27:36Hang up your Bobby Sox concert.
00:27:37You've got to leave tonight to plead before the United States Supreme Court.
00:27:43I'm not sure I'm going.
00:27:56Mind if I join you?
00:27:59Don't worry.
00:28:00I wouldn't give up the Supreme Court for any female.
00:28:14Do you like a drink, Bob?
00:28:19Mike, it's a miracle.
00:28:22There she is, the Princess.
00:28:27Princess.
00:28:29Of course, we cut the measure to fit any size room.
00:28:32Now, I wonder, is there any particular weave or pattern?
00:28:35Well, I like to know that.
00:28:36How wonderful if I could.
00:28:37I beg your pardon.
00:28:38I've looked everywhere.
00:28:39Just a minute, you.
00:28:40Princess, this is me.
00:28:42Princess?
00:28:43You must be insane, Mr. Raymond.
00:28:45Will you get out of the way, please?
00:28:46No, but you will.
00:28:48Hey.
00:28:49Oh, boy.
00:28:50What's the matter with that guard?
00:28:51I don't know.
00:28:53Like I said before, Bob, you need a drink.
00:28:56I don't understand it.
00:28:58I could have sworn she was the...
00:28:59What are you talking about, Johnny?
00:29:01Her eyes weren't limp, but they flat.
00:29:03Her hair doesn't droop.
00:29:05It's slick.
00:29:05She doesn't walk on air.
00:29:07She hits a pavement like a clodhower.
00:29:08I know, but she...
00:29:11I'm sorry.
00:29:19Look, don't you realize what's happening to you, Johnny?
00:29:22You thought about her so much, you're having hallucinations.
00:29:24You'll be seeing her in every woman's face you look into.
00:29:28Yeah?
00:29:29You need to get back on the main line.
00:29:41Now, don't change your mind.
00:29:42You've got to be in Washington Monday.
00:29:44Now, get on that train and stay there.
00:29:45Don't worry about me.
00:29:46The sooner I get out of this town, the better.
00:29:48Good luck, John.
00:30:18I'll get my bag off.
00:30:23What do you think you're getting away with, pretending you didn't know me this afternoon?
00:30:26Hello, Mr. John Raymond, Jr.
00:30:28And showing off here.
00:30:29What's this all about?
00:30:30I couldn't pretend I didn't know you.
00:30:32Oh, you couldn't.
00:30:33I suppose that girl was for all the people.
00:30:35She was a fool.
00:30:37What?
00:30:37Any girl who pretended she didn't know you must be a fool.
00:30:42Are you trying to tell me you were not the girl in the furniture store with the man who had
00:30:45kicked her?
00:30:45It should have been me.
00:30:47Oh, Johnny, I missed you terribly.
00:30:49Just terribly.
00:30:51Oh.
00:30:53You're not the girl?
00:30:55Get around.
00:30:56Come on.
00:31:00Come on.
00:31:02Let me see a wall.
00:31:14Yes.
00:31:18You were going away.
00:31:22I went to your house and I saw your car driving when I was hard for you.
00:31:26Well, I looked everywhere, a four yard.
00:31:28I almost got in a lot of trouble now.
00:31:30I'm here now.
00:31:32Honestly, I never saw two girls.
00:31:33They look so much alike, and yet...
00:31:37I'll get my bag.
00:31:41I might just be here again.
00:31:46Porta, get that bag.
00:31:50Most extra than anything I've ever heard of.
00:31:54You know, the more I think about it, I certainly owe you an apology.
00:31:58This girl today, she had a...
00:32:00A hard mouth.
00:32:02A frozen face.
00:32:04Let's not talk about her, Johnny.
00:32:11Oh, isn't that beautiful.
00:32:14Just a second.
00:32:20What are you doing?
00:32:23Would you mind?
00:32:25You must do this here, or...
00:32:28Oh, there.
00:32:33Showing again.
00:32:42I think I've smoked one.
00:32:45What?
00:32:46The big one.
00:32:48The one you complained about.
00:33:04Who are you?
00:33:08Fill out the lights, Jim.
00:33:13Dingle.
00:33:14Put out the lights.
00:33:18That's right.
00:33:21I called him Mr. Davis.
00:33:24There was amusement park when I was a kid.
00:33:27Called Dingle's I haven't caught a few years.
00:33:30Tell me all about you.
00:33:32That was just surprising.
00:33:36I wonder how a word like that just suddenly pops in your mind.
00:33:41Maybe something special happened.
00:33:43Oh, special.
00:33:45If I remember one time,
00:33:48I had a wonderful roller coaster.
00:33:49Oh, giant.
00:33:51My father wouldn't let me go on it because it was too dangerous.
00:33:55I remember how miserable I was.
00:33:57I remember, too.
00:33:59There was a little girl with us that day.
00:34:00Her father was staying at our house doing some landscaping.
00:34:05What do you mean you remember, too?
00:34:09Hello, Johnny.
00:34:11Was your father...
00:34:14Certainly.
00:34:15In the garden at our house.
00:34:19Princess Felicity.
00:34:22Oh, Johnny.
00:34:23Nora, you...
00:34:24You and Nora killed me.
00:34:26Oh, Johnny.
00:34:29You're Jughead Nora.
00:34:31Oh, Johnny.
00:34:33I... I... I... I knew there was something about...
00:34:36Oh, Jughead.
00:34:41Suddenly turned out fine.
00:34:43Why didn't you tell me?
00:34:44Why did you get the guessing way?
00:34:51I never stopped loving you, Johnny.
00:34:53All these years, I never knew you were alive.
00:34:57Oh, I'm so glad you remembered Singles.
00:35:01Princess came back to remove the walls.
00:35:04What do you remember?
00:35:06My wonderful frog.
00:35:08Frog.
00:35:10I suppose you've made up for it with a vengeance.
00:35:12The roller coaster, I mean.
00:35:13Been on him a million times since, huh?
00:35:14Marry her once.
00:35:15He's much too busy.
00:35:16Johnny, that's terrible.
00:35:17That's the worst word of all.
00:35:18There's a roller coaster over there. A beauty.
00:35:22Ha.
00:35:24Come on.
00:35:35Come on.
00:35:37Round again.
00:35:39Can't you make it go any faster, please?
00:35:44Oh, some people are slowly or something.
00:35:46They've been at it for hours.
00:35:49In fact, for the amount of this chick,
00:35:50he can keep on riding all night if he wants.
00:35:54I thought I'd put the trigger on him, don't I?
00:35:57Hey, look at this.
00:35:59It'll be morning pretty soon.
00:36:01Yep.
00:36:01Well, lock up when they're through.
00:36:03I'm going home.
00:36:06Home.
00:36:06Come on.
00:36:29Come on.
00:36:33That's a great night, huh?
00:36:35We're just stopping for a cigarette.
00:36:39You're doing an outstanding job, sir.
00:36:41You certainly are.
00:36:42You must enjoy your work.
00:36:43Giving so much pleasure to people, huh?
00:36:45Pleasure?
00:36:46Oh, yeah, sure.
00:36:47They certainly get a boot out of it.
00:36:49I often wonder why.
00:36:51Don't you ever go up?
00:36:52Who, who, me?
00:36:53Oh, no, no.
00:36:55That's, it's tough.
00:36:56That's bad.
00:36:56That's a what?
00:36:57It certainly is.
00:36:58And you want to get rid of it, yes.
00:37:00I'll get in, then.
00:37:00We'll run the machine.
00:37:01You'll get your watch.
00:37:02Oh, no, no, I don't think so.
00:37:03You're welcome to it.
00:37:05I'll admit it looks hampton, but...
00:37:07Oh, come on.
00:37:07Let's help you get rid of that ward.
00:37:09You like carnations, don't you?
00:37:10Right about it.
00:37:11In you go.
00:37:12And watch your knees.
00:37:14Be very careful there.
00:37:15Are you comfortable?
00:37:16I hope I don't count, Colin.
00:37:18The one on the left is the brake.
00:37:20Oh, we'll find the brake.
00:37:22Just a minute.
00:37:23Your hat, sir.
00:37:24There you go.
00:37:26Enjoy yourself.
00:37:50Hello, Jocelyn.
00:37:53Hello.
00:37:54Hello.
00:37:58Hello.
00:37:59Hello.
00:38:01Hello.
00:38:09Let's go home, huh?
00:38:11Sure.
00:38:13I, uh...
00:38:14I'll race you.
00:38:24Oh, Johnny.
00:38:25The van.
00:38:25We left the van up there.
00:38:27Oh, officer.
00:38:29There's a van up there.
00:38:30Oh, officer.
00:38:30No one on the controls.
00:38:44Raymond seems to be recapturing his youth.
00:38:46I always thought he was rather conservative.
00:38:49Uh, doctor.
00:38:51Uh, doctor, I wonder...
00:38:52Oh, good morning, Nora.
00:38:52Good morning.
00:38:53Is it all right with you if I turn things over to care this morning?
00:38:56Why, of course, Nora.
00:38:57Oh, thanks.
00:38:57That's awfully nice.
00:38:58You see, Tim and I have a lot of things to do before the wedding.
00:39:01You know, shopping and things like that.
00:39:02That young lady.
00:39:02Back here.
00:39:03Yes?
00:39:04If I were you, I'd forget about that shopping for a while and get some rest.
00:39:07You look tired.
00:39:08I do?
00:39:09Mm-hmm.
00:39:11Now, you know, that's a very strange thing, doctor.
00:39:12Everyone's been telling me that.
00:39:13And I don't understand it.
00:39:15Well, I've been sleeping at least ten hours every night.
00:39:19You have?
00:39:19Yes.
00:39:21Well, I...
00:39:21I guess it must be the excitement, huh?
00:39:24Uh, I...
00:39:25I should get married more often, eh, doctor?
00:39:29Uh, Nora.
00:39:30Yes?
00:39:31How's your friend?
00:39:32What friend?
00:39:33You know, the one that, uh...
00:39:35Oh, she's fine.
00:39:37Uh, it never happened again.
00:39:38Must have been her imagination.
00:39:40I'll fix it with Kay right now.
00:39:44Ravaging.
00:39:45Come on, Kay.
00:39:52Hey.
00:39:57Out all night and fresh as a daisy.
00:39:59What a man.
00:40:01Hey, look who's here.
00:40:03Kay, stop drooling.
00:40:06Come on, we have work to do.
00:40:07Nora.
00:40:09Nora, darling.
00:40:10I had to see you again.
00:40:11I'm leaving on the noon plane for Washington.
00:40:13Oh, what an unforgettable night.
00:40:15Jughead.
00:40:15Well, wait a minute.
00:40:16What are you talking about?
00:40:17Oh, don't be embarrassed.
00:40:18We had a fine time.
00:40:19We don't care who knows it.
00:40:20You are an idiot.
00:40:20This is the second time you've done this to me.
00:40:22Nora, Nora.
00:40:22Now, let's not go through that again.
00:40:24Let me go, will you?
00:40:25Let me go.
00:40:27Will you let me go?
00:40:28Get me alone.
00:40:42She is Nora Gilpin.
00:40:45Isn't she?
00:40:45Yes, sir.
00:40:51Nora.
00:40:52Nora, open the door.
00:40:53Shh.
00:40:55Nora.
00:40:57Nora, I've got to find out what this is all about.
00:40:59Nora.
00:41:01Nora.
00:41:02Nora.
00:41:02You can't do that.
00:41:03Nora.
00:41:05Now, you know where you are.
00:41:07Of course I know where I am.
00:41:08Get away from this door.
00:41:11You're doing the smart thing.
00:41:13Plead guilty and pay the fine, I always say.
00:41:14What happened to Mr. Raymond?
00:41:16Too much fire water?
00:41:16Uh, the receipt, please.
00:41:19We just spoke to Miss Gilpin.
00:41:21Boy, you should have heard her take off.
00:41:22Any statement, sir?
00:41:23No, no, no.
00:41:25What did she say?
00:41:26She said you better not try to see her or even talk to her.
00:41:28The next time she was going to use her club instead of her hand.
00:41:31She wasn't kidding.
00:41:31Any statement?
00:41:41Hey, Johnny.
00:41:42The next case?
00:41:43Your Honor.
00:41:44Oh, yes.
00:41:45Your Honor.
00:41:46I'd like to change my plea to not guilty.
00:41:48You want a trial?
00:41:49Yes.
00:41:50Of course you're entitled to it, Mr. Raymond, but in view of the publicity...
00:41:53I'd like to have it as soon as possible.
00:41:54I'm due in Washington.
00:41:56I know.
00:41:56The Supreme Court.
00:41:58How's tomorrow morning?
00:41:599.30?
00:42:00That's very kind of you.
00:42:01Very well.
00:42:01Thank you, Your Honor.
00:42:02Next case.
00:42:03The People versus Henry Rose.
00:42:05What's the big idea?
00:42:06You heard what the reporter said.
00:42:07I'm left holding the bag.
00:42:08Everybody thinks I'm bats or something.
00:42:09Or something.
00:42:10Maybe it's the wrong girl.
00:42:12I held her in my arms.
00:42:13Well, you might have made a mistake.
00:42:15How can you make a mistake like that?
00:42:18You won't see me, huh?
00:42:20Well, she'll see me.
00:42:20She'll talk to me, too, from the witness stand.
00:42:22I've got a few questions I want to ask that girl.
00:42:24What are you going to do?
00:42:24Propose to her?
00:42:43The girl was described as alluring.
00:42:47Exactly.
00:42:57The public sobbing.
00:42:58The judge, Mr. John Raymond.
00:42:59Your Honor, might I suggest that we excuse all the witnesses who are here to testify
00:43:04that my conduct was disorderly?
00:43:06To save time, I'll admit that.
00:43:08I'm interested in defending only one phase of this affair.
00:43:11Miss Gilpin has charged that I accosted her on familiar terms,
00:43:16despite the fact that we were unacquainted.
00:43:21This has placed me in a most ridiculous light,
00:43:23and I want the opportunity to prove her statement's false.
00:43:26That seems reasonable.
00:43:28I'd like Miss Nora Gilpin on the stand, please.
00:43:31Nora Gilpin.
00:43:42You solemnly swear the testimony you're about to give to be the truth.
00:43:44The whole truth is nothing but the true self-regard.
00:43:46Your name?
00:43:48Nora Gilpin.
00:44:00Quite a parlay from the U.S. Supreme Court to this.
00:44:03Oh, sit down, Mike.
00:44:04Yes, Counselor.
00:44:07Miss Gilpin.
00:44:10What's this all about, Jughead?
00:44:12What's that?
00:44:12What's that?
00:44:13We can't hear you.
00:44:15I shall have to ask some questions,
00:44:17which make Lou very embarrassing to his boat.
00:44:19Now, do you want me to go on with it?
00:44:21I haven't the slightest idea what you're talking about.
00:44:24Oh, yes.
00:44:25That's all you wanted.
00:44:27Miss Gilpin, will you please tell the court where you were
00:44:30and what you were doing a week ago Wednesday
00:44:32between the hours of midnight and 7 a.m.?
00:44:36I asked you a question, Miss Gilpin.
00:44:39Uh, between, um, 12 and 7 a.m.?
00:44:45Well, at home, naturally.
00:44:48Perhaps I can refresh your memory.
00:44:51That was the night I fell over the lawnmower.
00:44:55That was the night you, uh, bandaged my leg.
00:44:59And between midnight and 7 a.m., you were in my bedroom.
00:45:02In your bedroom?
00:45:03I must warn Counsel to show some regard for the reputation of this lady.
00:45:06Oh, Your Honor, I wasn't suggesting that her conduct was anything but purest.
00:45:10Now, were you or were you not in my bedroom?
00:45:13Certainly not.
00:45:15Miss Gilpin, did you ever refer to yourself as the, uh, Princess Felicity?
00:45:19The girl with the magic lips?
00:45:22The girl with the magic lips?
00:45:23Wow.
00:45:24Well, did you?
00:45:25Well, no.
00:45:28I suppose you don't remember calling me frog
00:45:32and kissing imaginary warts off my face.
00:45:36Oh, really?
00:45:38Well, answer the question.
00:45:39No.
00:45:39You were never in my bedroom.
00:45:40No.
00:45:41You never went out with me.
00:45:42No, and I hate you.
00:45:43You hate me?
00:45:43Yes.
00:45:43Fine.
00:45:44Fine.
00:45:46Now, Miss Gilpin, I want you to examine this piece of place.
00:45:53Go on, examine it closely.
00:45:58You recognize it?
00:46:02Well, do you recognize it?
00:46:07Oh, uh, recognize it?
00:46:10I think you'll find, Miss Gilpin, it came from the bottom of your petticoat.
00:46:18From my petticoat?
00:46:19Mm-hmm.
00:46:25Order!
00:46:26Order!
00:46:27Order!
00:46:27If there's any further demonstration, I will clear this cord.
00:46:34Who is that man?
00:46:35The press informed me.
00:46:37He is the lady's future husband.
00:46:40I regret this unfortunate incident, Mr. Raymond.
00:46:43You may continue.
00:46:44Come on, Johnny boy.
00:46:45Give it up.
00:46:48Miss Gilpin, did you see this story about me?
00:46:51This midnight prank story?
00:46:53Yes, and I thought it shocking.
00:46:55Shocking.
00:46:55I say to you, Miss Gilpin, that you were my prank maid.
00:46:58Do you deny that?
00:46:59Well, of course I deny it.
00:47:00That's all, Miss Gilpin.
00:47:01Mr. McLeish to the stand.
00:47:03I said it's all, Miss Gilpin.
00:47:07Richard McLeish.
00:47:17You solemnly swear the testimony about you?
00:47:19Do you think Tim's all right?
00:47:20Oh, I'm sure he is.
00:47:22I'll take you home.
00:47:23Thanks.
00:47:23Richard McLeish.
00:47:25So, Mr. McLeish, you say I was with the lady.
00:47:28Sure.
00:47:28That's fine.
00:47:30Now, do you think if you saw this lady again you could identify her?
00:47:34Sure.
00:47:35Will Miss Nora Gilpin please rise?
00:47:40Would you tell the court Mr. McLeish here if that is the lady?
00:47:45She looks like her, right?
00:47:48She does, huh?
00:47:49She sure does.
00:47:51But I tell you, Mr. Raymond, the one that was with you had something.
00:47:54Something special.
00:47:55Well, a sort of, well, a sort of dazzle.
00:48:02Yeah.
00:48:03A certain sort of razzle dazzle.
00:48:09Now, you take Miss Gilpin.
00:48:11Yeah, over there.
00:48:13Well, there's certainly nothing razzle dazzle about her.
00:48:19You might even say that she's chintzy.
00:48:24Well, no, no, Mr. Raymond.
00:48:27I can see how you made the mistake, but I'm positive.
00:48:32She ain't the one.
00:48:36That's all.
00:48:39You'll leave disorderly conduct, $20.
00:48:42The court will recess 15 minutes.
00:48:45I'll meet you outside.
00:48:48Mr. Raymond?
00:48:49In my opinion, you're not as crazy as you've been made to appear.
00:48:52Thank you, Doc.
00:49:00Well, in my humble opinion, there's absolutely no doubt about it.
00:49:03There's something wrong with that man.
00:49:05I think he's crazy.
00:49:06Well, excuse me a minute.
00:49:08Will you, Doctor?
00:49:08I'll be right out.
00:49:11You know, it's really rather ironical.
00:49:14He's picking on me, I mean.
00:49:15Someone who dislikes him as intensely as I do.
00:49:19You know, he must be crazy.
00:49:21He's taking me for that razzle dazzle.
00:49:24I'll make you some coffee.
00:49:26You ever heard such dribble in your life?
00:49:27The princess with the magic lips.
00:49:30Kissing warts off his face.
00:49:33Oof.
00:49:34If I were a girl, Nora, and there was any doubt in my mind,
00:49:37I'd examine all my petticoats.
00:49:39There might be one.
00:49:41Don't go in that room!
00:49:44I wasn't going in your bedroom, Nora.
00:49:47Well, uh...
00:49:47You heard the man say I wasn't the girl.
00:49:51Mm-hmm.
00:49:52Oh, so you think I'm afraid to look, don't you?
00:49:54All right, all right.
00:49:55Just to show you.
00:49:56You and your theories.
00:49:58I only have one with lace on it.
00:49:59It's my very best one.
00:50:01And I'll show you.
00:50:03There.
00:50:04See any lace?
00:50:08I thought it better that you face the truth, Nora.
00:50:14I can't believe it.
00:50:16I can't believe I'm capable of that moronic talk.
00:50:20Ever since yesterday, when Raymond came to the hospital,
00:50:23I had a suspicion it was you, but I didn't quite know what to do about it.
00:50:26Now, if your father had been here, I'd have talked to him.
00:50:27I can't believe that I'd go to his bedroom.
00:50:30He said your conduct was most proper.
00:50:32That man I detest!
00:50:35To his bedroom!
00:50:37Perhaps you don't detest him as much as you think, Nora.
00:50:39Oh, I do! I do!
00:50:41Well, in any event, it's my opinion you should postpone your wedding.
00:50:44But why?
00:50:46Why should I postpone my wedding?
00:50:47I loved him!
00:50:48Why should I?
00:50:49Because you're suffering from a deep emotional disturbance.
00:50:51Oh.
00:50:51You should get that all cleared up before you even think of marriage.
00:50:54But I loved him.
00:50:55And I'm going to marry Tim.
00:50:56And I...
00:50:57Oh, this is so weird.
00:50:59I don't know what to do.
00:51:00I really don't.
00:51:01All the guests are invited and everything's been arranged for.
00:51:04I've just got to have time to take this thing out.
00:51:07I'm so tired!
00:51:09Yes, of course you're tired, Nora.
00:51:10Perhaps you'd better get some rest.
00:51:12Yes.
00:51:12If you like, I'll prescribe a sedative.
00:51:13You'll get a good night's sleep.
00:51:14A sedative? Oh, no.
00:51:15No, I mustn't.
00:51:16I dare not.
00:51:17I might go to sleep, but I dare not do that.
00:51:19Why, how do I know where I might go?
00:51:21Or...
00:51:21What I might do?
00:51:24Doctor, you go on back to the hospital.
00:51:26I'll be all right.
00:51:27And Papa will be home in a little while.
00:51:29And then we'll have a nice, long talk about it.
00:51:31And thanks.
00:51:32Thanks again, Doctor.
00:51:32Yes, if you need me, phone me.
00:51:34I certainly will.
00:51:35And goodbye.
00:52:11There you are, Mr. Raymond.
00:52:13I'll wait.
00:52:17I'll wait.
00:52:17Hey, John.
00:52:18You know the population of this country?
00:52:21150,520,389.
00:52:24You know the percentage of women?
00:52:2650.2.
00:52:28They're in the majority.
00:52:30What you ought to do is join the majority.
00:52:33Hey, Joe.
00:52:35Hey, any of the majority booths around here?
00:52:38You know them all, Mr. Raymond.
00:52:40Oh, Mr. Raven, I wonder if I could have your lord in there.
00:52:44It's for my wife. She's one of them hounds.
00:52:47Would you mind signing it the Frog?
00:52:49She'd get a big kick out of that.
00:52:56So, Johnny, wait for me, Uncle.
00:52:58See, be right with you.
00:53:03I think you need more of that coffee. It'll be coming out of your ears.
00:53:07Doctor, Papa.
00:53:08You're not actually going to sit up all night.
00:53:13Listen, darling.
00:53:15Would you like to call the wedding off?
00:53:17I don't know, Papa. I really don't know what to do.
00:53:19Are you sure you love Tim?
00:53:21Mm-hmm.
00:53:22I had a long talk with Dr. Jackson today.
00:53:24He said if you marry the man you love, it might never happen again.
00:53:27He even explained why.
00:53:28Why?
00:53:30Oh, I don't know.
00:53:31It's much too complicated for me.
00:53:33Oh.
00:53:34Jackson thinks you're in love with John Raymond.
00:53:37Are you?
00:53:38Of course not.
00:53:39I dislike him intensely.
00:53:41You've got nothing to worry about.
00:53:44Your mother used to walk in asleep.
00:53:46After we were married, it stopped.
00:53:50That's all that's happening to you.
00:53:51Come on, darling. Take my tip and go to bed.
00:53:53Tonight?
00:53:53On the eve of my wedding?
00:53:55That's all I need to go prowling around tonight.
00:53:57I really must get an answer.
00:53:58Well, I sit up and keep watch.
00:54:01You've got to get some rest.
00:54:03I sit right outside your door here, just in case.
00:54:06There is absolutely no encased about it.
00:54:08I'm going to stay awake tonight if it kills me.
00:54:18Good evening, ladies and gentlemen.
00:54:20Again, we bring you the magic music of Ray Bunnell
00:54:22in our nightly feature, Music Till Midnight.
00:54:24Two old favorites, I Have the Craziest Dream,
00:54:27followed by What Can I Say There After I Say I Am Suffered.
00:54:31Oh, I had the craziest dream last night.
00:54:37Yes, I did.
00:54:39I never dreamt it could be.
00:54:42Yes, there you were in love with me.
00:54:46I found your lips close to mine, so I kissed you,
00:54:50and you didn't mind it at all.
00:54:53When I'm awake, such a break never happens.
00:54:57How long can a guy go on dreaming?
00:55:00Oh, there's a chance that you can't see.
00:55:05Say you do, baby.
00:55:08Say and make my crazy dreams come true.
00:55:15Father!
00:55:17Father!
00:55:18Father!
00:55:19Oh, I'm so sorry.
00:55:21What's that?
00:55:21He's outside, under the lamppost.
00:55:24You can't go outside.
00:55:26All right.
00:55:30Oh, no, darling.
00:55:30You can't go outside.
00:55:31Oh, Papa, don't be silly.
00:55:32I'm not going anywhere.
00:55:33Look out there.
00:55:34Look out there under the light.
00:55:36It's John Raymond.
00:55:37What's he doing here?
00:55:38I don't know.
00:55:39No, don't, Papa.
00:55:40Don't drop him.
00:55:42They want to kill me for all I know.
00:55:44Well, just sit here and be very wise.
00:55:45He won't go away.
00:55:47Come on, Papa.
00:55:48You're going to dance.
00:55:50Say and make my happy dream come true.
00:55:52How's that?
00:55:54Hey, young fella.
00:55:55What's up?
00:55:56They certainly like loud music over there, don't they?
00:55:59Yeah.
00:56:00Aren't you John Raymond?
00:56:01I'm not sure, Officer.
00:56:02I'm not sure about anything tonight.
00:56:05Well, what are you doing here?
00:56:06Tell me the truth.
00:56:07I'm not sure about that either.
00:56:08I had some sort of idea when I came here tonight, but that's gone now.
00:56:12This is no place for you, sir.
00:56:15Hmm.
00:56:15Let you and I take a walk.
00:56:17Walk?
00:56:18Sure.
00:56:18Okay.
00:56:22Oh, no.
00:56:23Not that way.
00:56:23I know, sir.
00:56:25Papa, he's taking him away.
00:56:29Oh.
00:56:32I'm going to make me some more coffee.
00:56:37Wait a minute.
00:56:39You don't want to go back there.
00:56:40Okay.
00:56:42Oh, no, no.
00:56:43Not here, Mr. Evans.
00:56:44I wish you'd make up your mind.
00:56:46Come on, sir.
00:56:47You'd better go home.
00:56:48You don't want to get into trouble.
00:56:51Get into trouble?
00:56:54What's your name, Officer?
00:56:56Callahan.
00:56:57Do you have a cigarette, Mr. Callahan?
00:56:59Oh, thank you.
00:57:01Well, anyway.
00:57:03I'll tell you a secret.
00:57:07I used to know when she was a kid, a funny little Esther of a kid.
00:57:12That girl was playing the music so loudly.
00:57:16I used to call her...
00:57:20We had embarrassingly cute names for each other.
00:57:24Whenever she would call me...
00:57:28Or what she called me.
00:57:40What's the answer, Mr. Callahan?
00:57:42Two girls can't be made from the same mold.
00:57:46I wish you'd sit down, sir.
00:57:48We're having such an interesting conversation.
00:57:50There's no need of me getting a crick in my neck.
00:57:52Oh, thank you.
00:57:55Well, anyway.
00:57:59Now she's getting married in the morning.
00:58:03You know, I stopped her one night.
00:58:06She said she had a rendezvous with a frog.
00:58:12She said she had a rendezvous with a frog.
00:58:20I thought it was kind of funny, so I told her father about it, and he said she was probably
00:58:26walking in her sleep.
00:58:29Walking in her sleep?
00:58:31Well, say that again, Mr. Callahan. I want to be sure I'm hearing right.
00:58:35And he said that his wife, her mother, used to walk in her sleep, too.
00:58:40Then I'm not crazy.
00:58:43Maybe now I can convince her that...
00:58:46No.
00:58:48No, not that one.
00:58:51When she's awake, she hates me.
00:58:55Dr. Jackson.
00:58:57I know just the man to see about this.
00:58:59Who?
00:59:00Dr. Jackson.
00:59:02Oh, thank you, Mr. Callahan.
00:59:04You're much too good a man for this job.
00:59:06You ought to be head of the Department of Justice.
00:59:09Good night.
00:59:12So she's a split personality.
00:59:14Same thing.
00:59:15Question is, what are we going to do about it?
00:59:17She can't marry another man when she loves me?
00:59:19Who loves you, Mr. Raymond?
00:59:20Well, you told me a character named Jughead loves you.
00:59:23What about Nora, the one you faced in court today?
00:59:25Yeah.
00:59:26Oh, it's a shame, because in my opinion, Jughead is the real girl.
00:59:29The one that represents her true impulses.
00:59:31Well, you're a doctor.
00:59:32There must be a cure for this sort of thing.
00:59:33Oh, there is. There most certainly is.
00:59:35By removing the cause of the conflict between the two personalities.
00:59:38You see, the subconscious has been frustrated, craves something.
00:59:43That craving needs to be satisfied.
00:59:46You do that, she'll give up the struggle.
00:59:48The result, the two personalities will blend into one.
00:59:51Usually the problem is to find out what the subconscious craving is.
00:59:55In this case, we know.
00:59:58It's my theory that the blending of the two personalities could be achieved by marriage.
01:00:01That is, marriage of the right man.
01:00:03And the right man is the one Jughead wants.
01:00:06Well, that's me, isn't it?
01:00:07I'm ready and willing.
01:00:09I'm afraid there's only half the solution, Mr. Raymond.
01:00:11How do you get Nora, the other personality, to be ready and willing?
01:00:15I know what you mean.
01:00:17If we had time, I'm sure it could be done.
01:00:19Unfortunately, psychoanalysis is a long process and she's marrying Tim McCary in the morning.
01:00:23Well, we have to stop it. We simply have to stop the wedding.
01:00:26How? By force.
01:00:28I've tried everything else. I even talked with her father.
01:00:31He listened very patiently and finally decided there was nothing to worry about.
01:00:35Tim McCary is the man she really loved and everything will be just fine as soon as they got married.
01:00:40I'm afraid it's a hopeless situation, Mr. Raymond. I'm sorry both for you and for Nora.
01:00:43All my life I've avoided complications, winds up I fall in love with something called a subconscious.
01:00:49Think of poor Nora. In love with a man, she doesn't even know it.
01:00:52Actually finds him repulsive.
01:00:55Now, let's not exaggerate.
01:00:57Oh, sorry.
01:00:59Oh, uh, Doc.
01:01:02What if, uh, oh, what if after she's married Jughead pays me a visit some night?
01:01:10You know?
01:01:10I'm sure you wouldn't want to get her in trouble for that matter.
01:01:13Become involved yourself.
01:01:15Fine. Fine.
01:01:17On top of it all, I'll probably have to get out of town and stay out.
01:01:22Night, Doc.
01:01:26This is how your grandfather used to prevent your mother from walking around in her sleep.
01:01:31The moment you opened the door, the string pulled the bucket over and...
01:01:36You went back to bed wetter, but safer.
01:01:40Yeah, that's all I do.
01:01:44You won't need the radio now.
01:01:46Help!
01:01:48Leave it on, Papa.
01:01:49I don't think you stand the noise.
01:01:50I can stand it.
01:01:52Put this thing down, Nora. You'll wear yourself out.
01:01:55What?
01:01:55You'll wear yourself out.
01:01:58If I so much as feel anything soft under me, I'll hop off.
01:02:02I'm going to bed.
01:02:04Good night, Papa.
01:02:06Good night.
01:02:09Papa!
01:02:10Papa!
01:02:12It worked!
01:02:16Papa!
01:02:19Oh, Papa, you look so funny!
01:02:27And with the playing of this pretty nightcap, we'll ring down the curtain on the magic music of Raven.
01:02:33And so to bed, sleepyheads.
01:02:36It's been fun being with you.
01:02:37We hope you'll enjoy it.
01:02:40Be with us again tomorrow night, same time, same station, same music.
01:02:44And we'll walk the way that came to your door.
01:02:47Until then, this is Gene Darnold wishing you...
01:02:50Good night, sweetheart.
01:02:51Oh, tender, good night, sweetheart.
01:02:55Oh, love, unlike I've seen you.
01:03:00Good night, sweetheart.
01:03:03Still my love will guide you.
01:03:08Well, need your dreams to be far as predicates, sweet summer young Typicalまり and, and to score these discils off轉,
01:04:10Hello?
01:04:10Hello, Mike.
01:04:12Hello, what happened to you?
01:04:13I looked all over town for you.
01:04:16Never mind that now, I'm on the way.
01:04:18What time are you leaving?
01:04:19Right now.
01:04:20Now you're making sense.
01:04:21Mike, I'm thinking of taking a vacation when this is all over.
01:04:25Oh, you're a possibility.
01:04:27I'll discuss it with you when I get back tomorrow.
01:04:29Goodbye.
01:04:46Oh, no.
01:04:48Hello, Johnny.
01:04:51Thank you so much.
01:04:54Oh, my lovely, wonderful frog.
01:04:57You're, you are a...
01:04:59Okay, Adam.
01:05:03Of course you are.
01:05:05Oh, I...
01:05:10I had to come.
01:05:13Because I'm going to Mary.
01:05:15Yes.
01:05:16To you.
01:05:18Me?
01:05:19Yes.
01:05:20Johnny.
01:05:21Well, that's quite an idea, but...
01:05:23Hmm?
01:05:24We've got to do it tonight, right now, before you change your mind.
01:05:28Because...
01:05:28I, uh...
01:05:30That's a thing.
01:05:31Yes.
01:05:33Yes.
01:05:34Yes.
01:05:35This is going to be the flankiest wedding in the history of man and maid.
01:05:39It would be a beautiful wedding, Johnny.
01:05:41I know.
01:05:42You'll probably bash me over the head in the morning.
01:05:46Oh, Johnny.
01:05:47You didn't want me to marry Tim or what did they know, would you?
01:05:50Carrie?
01:05:50Oh, no, no, of course not.
01:05:51John.
01:05:52Just suppose...
01:05:53Oh, forget it.
01:06:00Hello?
01:06:01Hello.
01:06:03Dr. Jackson's theory is right.
01:06:05We'll be okay.
01:06:06Hello.
01:06:06Hello.
01:06:07Mike, hold the phone.
01:06:09You do crave me, don't you?
01:06:10Oh, Johnny.
01:06:12Oh, Johnny.
01:06:12Mike, get your clothes on.
01:06:14Come on with you right away.
01:06:15I need a witness.
01:06:16I'm gonna...
01:06:16I'm gonna get married.
01:06:18You're gonna be...
01:06:19John, I thought you were on your way to Washington.
01:06:21I'm gonna marry Nora Gilton.
01:06:23Nora Gilton.
01:06:25Hello.
01:06:26Mike.
01:06:27Oh, Mike, are you there?
01:06:28Yeah, yeah, yeah.
01:06:29I'm...
01:06:29I'm here.
01:06:30Say, have you gone crazy or something?
01:06:33I'd better bring your car.
01:06:34We have to sound a justice for peace.
01:06:36And Mike, Mike, please hurry.
01:06:38Step on it.
01:06:45To join together this man and this woman in holy matrimony,
01:06:49which is an honorable estate instituted of God in the time of man's innocency.
01:06:54Into this holy estate these two persons present come now to be joined.
01:06:59John Raymond, do you take this woman to be your lawful wedded wife?
01:07:04I do.
01:07:05Nora Gilton, do you take this man to be your lawful wedded husband?
01:07:10I do.
01:07:11I do.
01:07:12In accordance with the powers vested in me, I now pronounce you husband and wife.
01:07:22I hope you'll be happy.
01:07:24Mrs. Raymond.
01:07:26Thank you very much.
01:07:26Let me have your car keys.
01:07:27You take a cab.
01:07:28Take care of the man.
01:07:30Oh, Mr. Raymond.
01:07:31Your marriage certificate.
01:07:35Drive carefully.
01:07:37Horace.
01:07:41Guess you can't believe everything you read in the papers.
01:08:13Give me one quick.
01:08:14Bye.
01:08:15If you do.
01:08:15Bye.
01:08:17Bye.
01:08:26Bye.
01:10:13Oh, they were so happy together.
01:10:14You should see the bride.
01:10:16She's so sweet and lovely.
01:10:18And she has the cutest...
01:10:44You look so set?
01:10:45Yes, sir.
01:10:46Good.
01:10:47Looks very nice.
01:10:50Well, it won't be long now.
01:10:52Where's the orchestra?
01:10:53Here I am.
01:10:54Oh, good.
01:10:55Do you know when you're supposed to play?
01:10:57Yes, I know.
01:10:58Now, this table, it should come...
01:11:00Never mind.
01:11:01We'll move it later.
01:11:02Oh, no.
01:11:04I'll go and see if she's dead.
01:11:06Come right in.
01:11:06We'll just take time to see the...
01:11:09Nora!
01:11:11Where did you go?
01:11:14Oh, no.
01:11:16Oh, no!
01:11:17Oh, no!
01:11:18Oh, no!
01:11:19Oh!
01:11:20Oh, no!
01:11:22Oh, no!
01:11:23Just like your mother.
01:11:24Oh!
01:11:26Oh, no!
01:11:27Oh, no!
01:11:28Oh, no!
01:11:31No, no.
01:11:34Where did you go?
01:11:37I woke up.
01:11:39In the motel.
01:11:41And there he was, John Raymond.
01:11:43What happened?
01:11:45I don't know.
01:11:47Oh, I don't know, Papa.
01:11:49Oh, there you are, my darling.
01:11:51I'm sure there's nothing to cry about.
01:11:52If anything terrible happens, you'd know.
01:11:54But it did.
01:11:56What?
01:11:56Yes.
01:11:58Yes, the strangest thing happened.
01:12:00I don't quite understand it, Papa, but...
01:12:03I turned around.
01:12:05And there he was, asleep.
01:12:07And I was scared.
01:12:09Of course he was scared.
01:12:10Yes, but I...
01:12:12I didn't hate him anymore.
01:12:14All my life I've hated him, Papa,
01:12:16and suddenly I didn't.
01:12:19Oh, Papa.
01:12:20Well, darling, that's perfectly natural.
01:12:23On a girl's wedding day,
01:12:24when she's so happy herself.
01:12:26All her thoughts are kindly...
01:12:28Oh, Papa, how could I?
01:12:30How could I do such a thing?
01:12:32I mean, supposing after we're married,
01:12:35I go home in the middle of the night someplace.
01:12:37Oh, no, no, no.
01:12:38Darling, we went over all that last night,
01:12:41and the guests are beginning to arrive.
01:12:43Listen, darling, if you remain of spinster,
01:12:46it might go on for the rest of your life.
01:12:48On the other hand, if you...
01:12:50Are you listening to Minora?
01:12:52Oh, Papa.
01:12:55Papa, I'm so tired.
01:12:56I'm just too tired, and I'm just too confused.
01:12:59I just don't know what to do.
01:13:00I'll tell you what to do.
01:13:02First of all, darling, you've got to get out of this wet rag
01:13:04and into your wedding dress.
01:13:05Papa, I don't think I can stay awake.
01:13:08Lord, please, hurry.
01:13:09Papa.
01:13:11Hurry, please.
01:13:14Dad, I'm not sure that bucket would work.
01:13:47I don't know.
01:13:56I don't know what to do.
01:14:00I know what to do.
01:14:01Dearly beloved,
01:14:02we are gathered here in the sight of God
01:14:04and in the presence of these witnesses
01:14:07to join together this man and this woman in holy matrimony,
01:14:12which is an honorable estate instituted of God.
01:14:17Since it will affect the entire future of this man and this woman,
01:14:21binding them closely in both sickness and in health,
01:14:24it is therefore not by any to be entered into unadvisedly,
01:14:28but reverently, discreetly, and in the fear of God.
01:14:33For the Lord God said,
01:14:34it is not good that the man should be alone.
01:14:38I will make a helpmeet for him.
01:14:41Into this holy estate these two persons come now to be joined.
01:14:46I require and charge you both to remember
01:14:49that love and loyalty alone will avail
01:14:53as the foundation of a happy and enduring home.
01:14:57If any man can show just cause
01:14:59why they may not lawfully be joined together,
01:15:03let him now speak,
01:15:04or else hereafter forever hold his peace.
01:15:07Oh, I do.
01:15:10Stop the wedding!
01:15:12You've got to stop the wedding!
01:15:15I've had just about enough of you.
01:15:17You can't marry her.
01:15:18She happens to be my wife.
01:15:19What?
01:15:19You're crazy, Raymond.
01:15:20You've been crazy ever since I first saw him.
01:15:22He's telling the truth.
01:15:23I had the wedding certificate at Sinai of the Pan.
01:15:25I don't believe it.
01:15:26That's it?
01:15:27What's it?
01:15:29That's why you went to the motel.
01:15:35Don't.
01:15:40Nora.
01:15:41Nora.
01:15:42Hey, find some salt.
01:15:43Nora.
01:15:44First time I ever saw a painted person
01:15:46with a smile on her face.
01:15:48Oh, she's coming out of it.
01:15:51Where is he?
01:15:53There is that adorable husband of mine.
01:16:00John Raymond, Jr.
01:16:06Hello, handsome.
01:16:09Jughead?
01:16:10I'm Nora, you precious fraud.
01:16:13I love you.
01:16:18Hey, Doc, she's Nora and she loves me.
01:16:22Just like your mother.
01:16:27Hey, Doc, she's a great guy.
01:16:29Hey, Doc, she's a great guy.
01:16:32Hey, Doc, she's a great guy.
01:16:34Hey, Doc, she's a great guy.
01:16:34Hey, Doc, she's a great guy.
01:16:34Hey, Doc, she's a great guy.
01:16:34Hey, Doc, she's a great guy.
01:16:34Hey, Doc, she's a great guy.
01:16:34Hey, Doc, she's a great guy.
01:16:35You
Comments