- vor 2 Tagen
**Hallo zusammen!**
Wie ihr vielleicht schon gemerkt habt – mein vorheriger Account wurde gelöscht.
Das hier ist mein neuer Kanal, und leider muss ich ganz von vorne anfangen…
Alle Videos, meine gesamte Arbeit von über 9 Monaten – verloren!
Aber ich gebe nicht auf, und ich hoffe, ihr auch nicht ;-)
Gerade jetzt ist eure Unterstützung wichtiger denn je!
Bitte abonniert meinen Kanal – das hilft mir enorm weiter.
Und wer mich finanziell unterstützen kann: das wäre jetzt besonders wertvoll!
Weil mein alter Account gelöscht wurde, sind viele Videos verschwunden.
Ich habe nicht genug Speicherplatz auf meiner Festplatte, um alles dauerhaft zu sichern.
Eure finanzielle Hilfe würde direkt dem Kanal zugutekommen – ich würde neue große HDDs kaufen, um künftig alle Filme lokal zu speichern.
So könnten wir gemeinsam viele alte und nicht ganz so alte Filme bewahren!
**Vielen Dank im Voraus für eure Unterstützung!**
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P.S. Viele Filme kann ich nicht auf Dailymotion hochladen!
Deshalb wenden Sie sich bitte privat per E-Mail an mich!
Wie ihr vielleicht schon gemerkt habt – mein vorheriger Account wurde gelöscht.
Das hier ist mein neuer Kanal, und leider muss ich ganz von vorne anfangen…
Alle Videos, meine gesamte Arbeit von über 9 Monaten – verloren!
Aber ich gebe nicht auf, und ich hoffe, ihr auch nicht ;-)
Gerade jetzt ist eure Unterstützung wichtiger denn je!
Bitte abonniert meinen Kanal – das hilft mir enorm weiter.
Und wer mich finanziell unterstützen kann: das wäre jetzt besonders wertvoll!
Weil mein alter Account gelöscht wurde, sind viele Videos verschwunden.
Ich habe nicht genug Speicherplatz auf meiner Festplatte, um alles dauerhaft zu sichern.
Eure finanzielle Hilfe würde direkt dem Kanal zugutekommen – ich würde neue große HDDs kaufen, um künftig alle Filme lokal zu speichern.
So könnten wir gemeinsam viele alte und nicht ganz so alte Filme bewahren!
**Vielen Dank im Voraus für eure Unterstützung!**
Alle Daten zur Unterstützung findet ihr unten:
💳 **Unterstützungsmöglichkeiten:**
IBAN: UA90 3348 5100 0002 6202 1225 7195 3
PayPal: sahof@i.ua
USDT (TRC20): TCGsvZUkEJNu2QSAWs95GaaATtrf5xBQAT
BTC: 19Umk6NDJqbSK3e1b4yZYVPRYdWf5SvHdf
ETH (ERC20): 0xc0ac6877ef2d9a5ab53a0a5e3cffdbc49ca7a7f7
📧 **Wünsche oder Fragen:** sahof8619.1@gmail.com
P.S. Viele Filme kann ich nicht auf Dailymotion hochladen!
Deshalb wenden Sie sich bitte privat per E-Mail an mich!
Kategorie
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KurzfilmeTranskript
00:00:29The program was subtitled live by NDR.
00:00:30The program was subtitled live by NDR.
00:01:28The program was subtitled live by NDR.
00:01:58The program was subtitled live by NDR.
00:02:28The program was subtitled live by NDR.
00:02:59The program was subtitled live by NDR.
00:03:26The program was subtitled live by NDR.
00:03:41The program was subtitled live by NDR.
00:03:58The program was subtitled live by NDR.
00:04:13The program was subtitled live by NDR.
00:04:57The program was subtitled live by NDR.
00:05:27The program was subtitled live by NDR.
00:05:56The program was subtitled live by NDR.
00:06:01The program was subtitled live by NDR.
00:06:01The program was subtitled live by NDR.
00:06:35The program was subtitled live by NDR.
00:06:37The program was subtitled live by NDR.
00:06:39The program was subtitled live by NDR.
00:06:41The program was subtitled live by NDR.
00:07:01I have to go now. They're waiting for me. I'll see you tomorrow evening at Frieda's at eight.
00:07:06So I'll be alone again tonight?
00:07:08We'll celebrate your birthday tomorrow. I have something to help pass the time.
00:07:22I hope you like it. It's beautiful. I can't accept this.
00:07:27It's much more than just a collar.
00:07:39It brings you luck. Happy birthday. Thank you for the collar.
00:08:11This is a collar.
00:08:36This is a collar.
00:08:52This is a collar.
00:08:57This is a collar.
00:09:14This is a collar.
00:09:25This is a collar.
00:09:30This is a collar.
00:09:36This is a collar.
00:09:50This is a collar.
00:09:53This is a collar.
00:10:05This is a collar.
00:10:14This is a collar.
00:10:16This is a collar.
00:10:48This is a collar.
00:10:53This is a collar.
00:10:55Uh!
00:10:56Uh!
00:11:32Taxi, beautiful woman?
00:11:34Don't be silly.
00:11:36Do you want to walk the whole way?
00:11:38I'm not going to walk. I'm taking the bus.
00:11:40Which bus?
00:11:41I have nothing more to say.
00:11:42Are you angry about last night?
00:11:44How could I be angry? I think it's great to be harassed by strange men in dark pubs.
00:11:49Oh come on, I was just trying to kiss you. What's so bad about that?
00:11:52It was dark, the music was playing a slow song.
00:11:55I was just as guilty as you. You wanted to be kissed, after all.
00:11:58I was just doing you a favor.
00:12:00Perhaps that's how it is at your house.
00:12:02The problem with you Spaniards is that you all think you're Don Juan.
00:12:06Wait, that's not quite right. We Spaniards don't think we're Don Juans.
00:12:10We are Don Juan.
00:12:11Then you wouldn't be surprised if you asked the next police officer who came by to arrest you.
00:12:15We live in a civilized country.
00:12:17Okay, get in, Melissa.
00:12:19No!
00:12:27Stop!
00:12:28Wait!
00:12:29Please wait!
00:12:41Well, it seems to me that a taxi is still needed here.
00:12:44Yes, and I also don't want you to have to drive me over 100 kilometers.
00:12:49Agreed, if you forgive me then?
00:12:51Why won't you tell me who you're going to visit?
00:12:53I want to visit my uncle.
00:12:55And? Does the uncle have a name too?
00:12:57You don't know him.
00:12:59How do you know that? What's his name?
00:13:01Do you know a Professor Jekyll?
00:13:03No!
00:13:03Well, this is my uncle.
00:13:04What a name. And do you want to live with him?
00:13:08No no.
00:13:09Why? What the hell do you want to go to him then?
00:13:13Just drive and shut up.
00:13:15Should I drive faster?
00:13:17Stop asking questions.
00:13:25And, do you like jazz?
00:13:26Do you like jazz?
00:13:27Oh yes!
00:13:28I personally find jazz disgusting.
00:13:31Of course, how could I have forgotten?
00:13:34Your taste in music is limited to military marches and good old, unadulterated Wagner.
00:13:39For your information, I come from Austria, the land of the waltz.
00:13:42Ah yes, that's right. The land of the waltz, grace, and elegance.
00:13:45Da da da da da.
00:13:47The country where bus drivers don't even stop for a pretty girl.
00:13:50They shouldn't.
00:13:51Of course, that's forbidden.
00:13:53If it had been a Spanish bus and not an Austrian tour bus,
00:13:56The bus driver would have waited for hours. Hours!
00:13:59That's why they're always late.
00:14:15Oh my God, and you want to spend a week in there?
00:14:18Yes.
00:14:19Well, I could imagine something prettier.
00:14:22It's romantic.
00:14:23Romantic? You seem to be here quite often, don't you?
00:14:25What do you think?
00:14:26That would at least explain why you turn everything into a horror movie.
00:14:29What?
00:14:30For your information, I've never been here before.
00:14:32Ha ha ha.
00:14:36Well, anyway, I wish you lots of fun.
00:14:38I'm not here to have fun.
00:14:40No? I would only ever see this setting in a horror movie.
00:14:44Ha ha ha.
00:14:45I imagine fun to be different.
00:14:47Ha ha ha.
00:14:50Thanks for the ride. Merry Christmas.
00:14:52Uh, Melissa, wait a minute please.
00:14:56I would like to apologize to you.
00:14:58I behaved like a fool.
00:15:00Everything I said to you was nonsense.
00:15:04Especially that stupid story with Don Juan.
00:15:06That was really stupid of me.
00:15:10Merry Christmas.
00:15:11Wait, I have something to tell you too.
00:15:13I know that I was very dismissive towards you.
00:15:15But I never thought you were a fool.
00:15:18Adieu.
00:15:20Don Juan.
00:15:37Melissa, hey, come back.
00:15:43Say that again.
00:15:44What?
00:15:45That I'm not a fool.
00:15:46Well, to me you're not a fool.
00:15:48If that's the case and you don't mind, I'd like to see you again.
00:15:51Oh, why not?
00:15:53Is there a good hotel in the area?
00:15:55Perhaps the heap hotel.
00:15:57Oh, with a name like that, it must be good.
00:16:00Never mind, I'll survive.
00:16:01It's only a week.
00:16:02Then I'll pick you up again.
00:16:03In order?
00:16:04Mhm.
00:16:04Is there a telephone in the ruins?
00:16:06I think so.
00:16:07Okay, then I'll call you.
00:16:09See you later.
00:16:09Mhm.
00:16:10Mhm.
00:16:17Mhm.
00:16:42I hope I haven't frightened you.
00:16:44Who are you?
00:16:44I am Cicero and you must be little Melissa.
00:16:47It's a pleasure to make your acquaintance.
00:16:49All my regards.
00:16:49Come in.
00:16:54Quite a pretty house, isn't it?
00:16:56Yes that's it.
00:16:57But it's like this...
00:16:59Dirty, you say.
00:17:00Yes, I probably should clean again.
00:17:02Don't you ever stop talking?
00:17:03Why do you always have to insult me?
00:17:05Instead, you should greet your niece.
00:17:09You must be Aunt Ingrid, right?
00:17:11Yes, who else?
00:17:13And?
00:17:13Won't you hug me?
00:17:16Are you afraid of me?
00:17:17No, Aunt Ingrid.
00:17:19My condition disgusts you?
00:17:22Hm.
00:17:23You probably expected something different.
00:17:26Not a woman who drowns her frustrations.
00:17:28Where is Uncle Conrad?
00:17:30He lives with his formulas and crazy experiments.
00:17:35Melissa, since the day of our wedding I have been rotting in this horrible house.
00:17:39But of course you can't imagine what that's like.
00:17:43Aunt Ingrid, I didn't live in a gilded cage.
00:17:46My mother worked hard day and night to provide for my education.
00:17:51Hm, I know that.
00:17:52I knew your mother when I was much younger.
00:17:55She was nothing like me.
00:17:57She was a real woman.
00:17:59Oh, you must be tired.
00:18:01I will show you your room.
00:18:09Cicero, bring Melissa's things upstairs.
00:18:15Oh.
00:18:20Oh.
00:18:21Oh.
00:18:22Oh.
00:18:22I'm sorry, love.
00:18:23I...
00:18:24I need to rest.
00:18:25I am a sick woman.
00:18:27Cicero, show Melissa her room.
00:18:44A nice room.
00:18:45Glad you like it.
00:18:47It's the brightest spot in the whole house.
00:18:48Andros.
00:18:50Answer.
00:18:53Reply to Andros.
00:19:03Yes, one more time.
00:19:07Just as.
00:19:11Who 's there?
00:19:12Who dares to destroy me?
00:19:14Uncle Conrad.
00:19:15Excuse me please.
00:19:19I'm sorry, but nobody but me is allowed to enter this laboratory.
00:19:23You're Melissa, right?
00:19:25Yes.
00:19:26You're wondering why I didn't greet you.
00:19:28I didn't know you were already there.
00:19:30When I'm working, I forget everything around me.
00:19:32But isn't Aunt Ingrid with you?
00:19:34No.
00:19:34I work alone.
00:19:35There is nobody here but me.
00:19:37But who did you speak to?
00:19:39With no one.
00:19:41And now, please go.
00:19:43See you at dinner then, okay?
00:19:50What is that?
00:19:51Secret recipe.
00:19:52Chuck.
00:19:55Stop.
00:20:08Nancy Funk.
00:20:091944.
00:20:11Emilia.
00:20:11Dar country года.
00:20:16Do it.
00:20:17crack.
00:20:18Scriptures.
00:20:19Do it.
00:20:20Do it.
00:20:20Thank you.
00:20:51Tomorrow we're going to my lawyer. I want to settle this once and for all. I want you to know about the
00:20:55You decide how your father's inheritance will be distributed.
00:20:57But why don't you want to wait until I turn 18? That's only another year.
00:21:01I no longer want to take on the responsibility.
00:21:07Something could happen to me quickly at my age.
00:21:10Don't say things like that. You're still young.
00:21:13So what? Youth doesn't make you immune to death.
00:21:19I know my days on Earth are numbered. But I still have so much work to do. Far too much.
00:21:25Work.
00:21:25Hmm. He's playing the tragic hero today. The role suits him.
00:21:32You want to be afraid? Death has never bothered you before.
00:21:36Shut your mouth!
00:21:37I won't, damn it. I'm tired of talking to myself.
00:21:42I've lived alone for too long. For so many years I've kept my mouth shut in this gilded cage.
00:21:48Please calm down. I know you're not feeling well.
00:21:51Forgive me.
00:22:38I will also use the emergency dual cage on Worth.
00:22:39I feel that I am being healed.
00:22:43Dr.
00:22:44What someone is, I am close to me.
00:22:50That's your thing.
00:22:50You're really hot.
00:22:50I'm babbling.
00:22:50Don't let something like that sink in during the quiet.
00:22:59Ingrid, I want you to meet my only brother.
00:23:01He looks better than me.
00:23:03You can still decide.
00:23:05Not for anything in the world.
00:23:07You are the only man for me.
00:23:11Tell me, you were with him.
00:23:13Stop lying.
00:23:14Let me go, you're hurting me.
00:23:16It wasn't his fault.
00:23:17It's all my fault.
00:23:19Mine, do you hear?
00:23:21Diría que te de su luz.
00:23:25Roba las flowers su color, color.
00:23:32Sería feliz, sería feliz
00:23:38si hicieras realidad mis illusiones.
00:23:46Pide a la noche que te de su Azul.
00:23:51Pide a la luna su perfil, perfil y dame tu amor, y dame tu amor, haciendo realidad mis ilusiones.
00:24:27Pide a la noche que te de su luz.
00:24:38It's like the bruma is in the sun, it's like the night is convierta en luz,
00:24:52Sonríe por fin y live por fin, haciendo realidad mis ilusiones, haciendo renacer mi heart.
00:25:30Haven't you gone to your admirer? He's waiting for you.
00:25:33Yes, I know. Somehow I feel about him...
00:25:37Disgusted?
00:25:39He's threatening. As if he were hiding something. He has too good manners to be a womanizer.
00:25:47Oh, you're just imagining it. Take care of him, I'll wait here.
00:25:57Shall we go to my dressing room?
00:25:59No, I'm afraid I don't have time today. I came because I wanted to see you. And to show you that
00:26:06to give you a gift.
00:26:07I don't believe it. It's beautiful. I've always wanted one like that. How did you know?
00:26:17Murderers. Murderers.
00:26:24You killed him.
00:26:27You killed him.
00:26:31Murderer.
00:26:43Why did you kill him? Why?
00:26:51I loved him. I loved him.
00:26:55You murderer.
00:26:57You killed him.
00:27:02You killed him.
00:27:04You loved him.
00:27:06You loved him.
00:27:14Murderer.
00:27:21You loved him.
00:27:25Murderer.
00:27:29You killed him.
00:27:38It's you.
00:27:40What do you want here?
00:27:42You spoke to me about going to sleep, Aunt Ingrid.
00:27:45I just wanted to see if everything was okay.
00:27:48Oh, really?
00:27:50Did I speak too loudly?
00:27:52What did I say?
00:27:56Melissa, were you able to understand anything?
00:27:59All I could understand was that someone you love had been murdered.
00:28:04Tell me everything. What did you hear?
00:28:06You wanted to say who it was.
00:28:08And?
00:28:09I have no idea. Then you woke up.
00:28:11And that was really all?
00:28:13Yes, but why is that so important to you?
00:28:20It's always the same.
00:28:22I've been having these strange nightmares for years.
00:28:25Aunt Ingrid?
00:28:28Who is the man in this picture?
00:28:31He looks familiar.
00:28:34No wonder, Melissa.
00:28:37Did your mother never show you a photograph of your father?
00:28:41Is that him in the picture?
00:28:43I've never seen him.
00:28:45I took this photo of him shortly before his death.
00:28:49Ingrid, this will forever be our spring.
00:28:53Ingrid, this will forever be our spring.
00:28:58The blooming roses in the garden are meant to remind you of that.
00:29:02Forever and ever.
00:29:06My mother never told me what he was like.
00:29:08I begged her, but she never wanted to tell me.
00:29:13Poor Melissa.
00:29:15She no longer wanted to have a conversation with him.
00:29:17But why not?
00:29:20Tell me,
00:29:21What happened to my father?
00:29:26It happened so suddenly.
00:29:29He simply died in his room.
00:29:31Which room?
00:29:34The room next to the stairs leading to the tower.
00:29:39No one has entered this room since.
00:29:41But what happened to him that night?
00:29:44Please stop.
00:29:45Please.
00:29:47Don't ask me any more questions.
00:29:50Please leave, Simon.
00:29:52I can not anymore.
00:30:16I can not anymore.
00:30:47I can not anymore.
00:31:13Ah, good morning, Miss Melissa.
00:31:15Did you sleep well?
00:31:17Yes, thank you very much.
00:31:18I'm happy for you. I didn't sleep a wink.
00:31:21Why? Were you not feeling well?
00:31:23What about me? No, I simply forgot to go to bed.
00:31:26Do you know Karl? He's my nephew.
00:31:28He lives with his mother in the winter, but in the summer he helps me out here.
00:31:32I talked to him all night.
00:31:34He is a clever boy, a little stubborn perhaps, but he wouldn't hurt a fly.
00:31:38Tell me, Zizro, how do I get into my father's room?
00:31:42By opening the door.
00:31:43But the door is locked.
00:31:44You have to unlock them first.
00:31:46And where do I get the key?
00:31:48Ask the person who has it.
00:31:51And what if I just take him?
00:31:53Absolutely not, young lady.
00:31:54Why not?
00:31:55Because I have the key. And I'm not going to let them take it away from me. That would be ridiculous. Where do they come from?
00:32:00Should we go there?
00:32:01And may I borrow the key?
00:32:03If you want, you can have it right now.
00:32:05Oh, that's Juan.
00:32:10Wait, Miss Melissa. You can't just bring your fiancé into the house like that.
00:32:14He is not my fiancé.
00:32:16And so much worse.
00:32:17Where is the problem?
00:32:18The professor forbade strangers from entering.
00:32:21Should he find any unauthorized person here, even just in the garden, he would kill them himself.
00:32:28And? How is the prettiest girl under the sun doing?
00:32:30Ready for a trip.
00:32:31I'll drive you to the ends of the earth. Get in!
00:32:38Something's not right here.
00:32:40Stop playing detective.
00:32:41No, honestly. You're like a scared cat with a brush on its back.
00:32:46If someone accidentally scares you, you scratch their face.
00:32:51That's nonsense.
00:32:52See? Your outing last night didn't do you any good.
00:32:56My trip?
00:32:58Yes. Stop denying it. You were out with someone else. Just admit it.
00:33:02I don't understand.
00:33:04You said I could call you. So I did.
00:33:06I was told that you went out and wouldn't be back until late.
00:33:09Is this a joke?
00:33:10Absolutely not. Not now.
00:33:12Who was on the phone?
00:33:13I don't know. It was a man. Why? Is that important?
00:33:19No, not at all. That's right. I was out with my uncle and we didn't get back until very late.
00:33:24Why didn't you say so right away?
00:33:27I already told you, you have a dark secret. Something you wanted to hide from me.
00:33:31Honestly, I feel the same way. I'm starving.
00:33:34Okay, let's go. Quickly, before it starts to rain. Now that you mention it, I'm starving too.
00:33:39Quickly, before it starts to rain.
00:33:52Quickly, before it starts to rain.
00:34:08Schnellítulo 116.ikalien.
00:34:39Subtitles by ZDF, 2020
00:34:47ZDF, 2020
00:35:39ZDF, 2020
00:36:11ZDF, 2020
00:36:22Andros?
00:36:37Andros?
00:36:38Andros?
00:36:40Stop!
00:36:42Stop!
00:36:45Andros!
00:36:59Andros!
00:37:07Andros!
00:37:08Undros?
00:37:12Undros?
00:37:19Undros?
00:37:20Oh!
00:37:22Cicero, get the car, we're going out!
00:37:47I'm going to take a bath!
00:37:48Undros?
00:37:50Undros?
00:37:51Undros?
00:38:01Undros?
00:38:04Undros?
00:38:05Undros?
00:38:12Undros?
00:38:17Undros?
00:38:20Undros?
00:38:25Undros?
00:38:27Undros?
00:38:36Undros?
00:38:39Undros?
00:38:43Undros?
00:38:44Undros?
00:38:46Undros?
00:38:48Undros?
00:38:56Undros?
00:38:58Undros?
00:39:01Undros?
00:39:02Undros?
00:39:09Undros?
00:39:11Undros?
00:39:21That's it.
00:39:49That's it.
00:40:13That's it.
00:40:43That's it.
00:40:43That's it.
00:40:44That's it.
00:40:44That's it.
00:40:44That's it.
00:40:45That's it.
00:40:46That's it.
00:40:47That's it.
00:40:47That's it.
00:40:48That's it.
00:40:48That's it.
00:40:49That's it.
00:40:49That's it.
00:40:49That's it.
00:40:59That's it.
00:40:59That's it.
00:41:02That's it.
00:41:03That's it.
00:41:10That's it.
00:41:16That's it.
00:41:20That's it.
00:41:29That's it.
00:41:34That's it.
00:41:37That's it.
00:41:39That's it.
00:41:47That's it.
00:41:48That's it.
00:41:52That's it.
00:42:03That's it.
00:42:05That's it.
00:42:17That's it.
00:42:19That's it.
00:42:30That's it.
00:42:46That's it.
00:42:49That's it.
00:42:57That's it.
00:42:59That's it.
00:43:01That's it.
00:43:04That's it.
00:43:07That's it.
00:43:07That's it.
00:43:10That's it.
00:43:17That's it.
00:43:21That's it.
00:43:44That was so beautiful.
00:43:52Saldad a su sau, wau, wau
00:44:05Y te murió Pepita, a nena no
00:44:08Lo suyo la enterraron con todo sué
00:44:13Y today the family is happy with pain
00:44:16Pepita, Pepita, Pepita, goodbye
00:44:19Saldad a su sau, wau
00:45:05Who 's there?
00:45:09What are you staring at?
00:45:12Leave me in peace
00:45:25Leave me in peace
00:45:30Oikt
00:45:32Uh!
00:46:11Hey, hey, you there! Stop!
00:46:24So you believe that at least one of your bullets hit the killer? Isn't it possible that you missed him?
00:46:29have?
00:46:29I don't think so, Mr. Dias, I know it.
00:46:32And how come the bullets had no effect?
00:46:36In my opinion, they had an effect. He paused briefly. Then he ran towards the door. That's when I shot again.
00:46:41Maybe I didn't see him after all. He simply ran too fast towards the door and was gone.
00:46:47Can you tell me precisely when the girl was killed?
00:46:49Yes, I think so.
00:46:51And when do you think that was?
00:46:54Around two o'clock.
00:46:55Huh? What kind of powers of observation? Now that's what I call precise.
00:47:00How long have you been here?
00:47:01Three hours, I think.
00:47:04Your faith would make a representative of the Church blush. Why didn't you just become a priest?
00:47:10I assume your drink contained alcohol.
00:47:12Well, I did drink a few whiskies, if that's what you're getting at.
00:47:16Two whiskies with water.
00:47:19Have you ever considered that alcohol might have impaired your perception?
00:47:23No, I'm used to drinking.
00:47:26That surprises me. A law enforcement officer admits to his alcoholism.
00:47:31What's the point? I'm not an alcoholic. A few drinks never hurt anyone in this kind of weather.
00:47:37Hmm, I don't know what you're getting at. Besides, there are about 200 witnesses here who can confirm what I'm saying.
00:47:45Hmm, roughly. I'm just curious whether these 200 witnesses, like yourself, merely believe or actually know what they saw.
00:47:51You can trust him, Inspector.
00:47:52I'm sorry, what?
00:47:54I trust him too. Or do you perhaps think I would let just anyone write to me? He's paid everything back so far.
00:48:01I don't care whether he pays or not.
00:48:02Well, I can't imagine a better reference.
00:48:05Well, I'm thinking about it.
00:48:06Inspector, I will wait for you at the bar.
00:48:09Yes, yes.
00:48:12This weather is killing me...
00:48:15Health!
00:48:16Thank you. But it looks like you need it more.
00:48:20Who are you?
00:48:21Carlos Serrano.
00:48:22Your age?
00:48:2337.
00:48:24Profession?
00:48:24Boxer.
00:48:25Are you still active?
00:48:26Yes and no.
00:48:27I don't quite understand. Are you no longer fighting in the ring?
00:48:30I'm not getting any more fights.
00:48:32How come?
00:48:32Since I was knocked down in the title fight, I have no future in Spain.
00:48:36How do you make a living?
00:48:37This and that.
00:48:39What exactly?
00:48:40Well, I sell cars, I do advertising for a whisky company.
00:48:44Let's say you are a businessman.
00:48:47You knew the victim, right?
00:48:49She was my girlfriend.
00:48:49I can tell you, he's a real heartbreaker. But he behaves himself.
00:48:54How interesting. What's the point?
00:48:57Yes, I just meant, Inspector. I simply wanted to help.
00:49:02How did you react to the murderer?
00:49:04He was in your dressing room. When he ran away, I wanted to grab him more, but he turned away and I
00:49:07I wanted to give him one.
00:49:09That surprised me. He might not look it, but he has the toughest right hand I've ever seen.
00:49:13had to take it.
00:49:14He's like a jackhammer. No human can hit that hard.
00:49:20Aside from his athletic abilities, how would you describe the man?
00:49:23Tall. I think he had grey eyes. He was pale. Black suit and black gloves.
00:49:27Excuse me.
00:49:32Inspector, we've discovered that the victim's collar matches exactly the one we found a few days ago on the
00:49:38They found a woman's body in the other club.
00:49:41Furthermore, the modus operandi is exactly the same for both women.
00:49:48Well, my dear friend, I think we'll have to ask a jeweler about that.
00:49:53I already know how.
00:49:56Ah, there he is already.
00:49:59They wanted to tell me a few things. Go ahead.
00:50:02Should I tell you something? I have nothing to tell. Absolutely nothing.
00:50:12What can I do for you?
00:50:13Good afternoon, sir. Is Melissa here?
00:50:16Are you the young man who called Melissa last week?
00:50:19Yes, that's the one.
00:50:20I'm glad we're finally getting to know each other.
00:50:22However, I regret to inform you that my niece no longer wishes to be bothered by you.
00:50:27Please do not come again. And please refrain from calling you.
00:50:30But, but sir, I should drive you to the university.
00:50:33She is currently no longer studying at the university.
00:50:36Please leave now.
00:50:38But.
00:50:47See what I told you.
00:50:49He hasn't even invited your friend in.
00:50:51Her uncle is impossible.
00:50:56What you need is simply more color in your face.
00:50:58Not that it's any of my business, Miss Melissa.
00:51:00But in my experience, pale girls also have an advantage.
00:51:03They are not so difficult and they don't cause so much trouble.
00:51:07Please leave us alone, Cicero.
00:51:20Much better.
00:51:22Uncle, who was that just now?
00:51:23No one.
00:51:24What do you think?
00:51:26Maybe I was just dreaming, but wasn't there a car?
00:51:29Really?
00:51:30I was upstairs in the lab.
00:51:31I haven't heard anything.
00:51:35What's wrong with me, Uncle?
00:51:37Am I sick?
00:51:38You are not sick, Melissa.
00:51:40Get some rest.
00:51:44Ingrid shouldn't have spoken about your father.
00:51:47It's perfectly natural that you wanted to see the room where your father died.
00:51:52But when you saw it, you simply fainted.
00:51:56Perhaps you were expecting to see your father.
00:51:58But Uncle Conrad, I know that my father is dead.
00:52:02Hallucinations are not that unusual.
00:52:05But don't worry about it.
00:52:07Tonight is Christmas.
00:52:09For people, it is the holy night of peace.
00:52:16Holy night, all sleeps lonely, only the dear, most holy couple.
00:52:27Stop!
00:52:41Where do you want to go now?
00:52:43I need fresh air.
00:52:44Don't wait for me.
00:52:54It's late going to bed.
00:52:56We've fired enough and you're still weak, love.
00:53:49We've fired enough, and we've fired enough.
00:53:55We've fired enough, and we've fired enough.
00:54:44We've fired enough, and we've fired enough.
00:54:45We've fired enough, and we've fired enough.
00:54:45We've fired enough, and we've fired enough.
00:54:45We've fired enough, and we've fired enough.
00:54:46We've fired enough, and we've fired enough.
00:54:47We've fired enough, and we've fired enough.
00:54:49We've fired enough.
00:54:50We've fired enough, and we've fired enough.
00:55:17We've got a mess...
00:55:25To that stupid man who lets himself be driven away so easily.
00:55:34And on the unattainability of women.
00:55:56Perhaps the Holfen Hotel?
00:55:59Uh!
00:56:19You're completely wet.
00:56:22What a wonderful Christmas.
00:56:37Merry Christmas! Hey, wait a minute!
00:56:49Melissa!
00:56:59Goodbye, Melissa.
00:57:01How come?
00:57:04Why Juan?
00:57:07You should know that best. But that's okay.
00:57:12What are you saying?
00:57:15What did my uncle say to you when you came to pick me up today?
00:57:18That you don't want to see me anymore and I don't need to call you anymore either.
00:57:21And then you just leave?
00:57:23– Mhm. – You think I didn't want to see you anymore?
00:57:49Wouldn't you rather leave the castle? It's dangerous.
00:57:53– No, I can't do that.
00:57:55I don't have to worry about my safety.
00:57:59My father is looking after me.
00:58:02I think he's still alive.
00:58:06One night a man came into my room.
00:58:08He looks just like my father.
00:58:13But he's acting kind of strange.
00:58:16He cannot speak.
00:58:19If the poor man is mute, only I can ensure his safety.
00:58:22I have to protect him.
00:58:23– But who will protect you then?
00:58:25- I have an idea.
00:58:27After you took me to the castle,
00:58:29You stay in the car and watch my window.
00:58:31Only until tomorrow morning.
00:58:33This is my last chance to find out if my father is alive or not.
00:58:37My uncle's lawyer will be here soon.
00:58:39I am supposed to sign some papers.
00:58:41They want me to take over my father's inheritance.
00:58:44– But how am I supposed to know when you need me?
00:58:47– The light in my room.
00:58:49If I'm feeling well, I just leave it on.
00:58:52And when I need you, I'll turn the light on and off.
00:58:55– I think it would be smarter to just disappear.
00:58:58- Oh yes?
00:58:59Do you think I could just disappear without knowing the truth about my father?
00:59:05- No.
00:59:07No, I don't think so.
00:59:09– And I was lucky.
00:59:10Not a single jeweler in the area has ever seen anything like it.
00:59:13One of them said that the work was, to put it mildly, modest.
00:59:17Clearly the work of an amateur.
00:59:22What do the two Colliers have to do with our murders?
00:59:28- Oh well.
00:59:29Still no word from Rumble Ring?
00:59:32He and his men are still combing through all the sports halls.
00:59:35The promoters, the boxers, the managers, everyone.
00:59:38But I don't think anything will come of it.
00:59:40Good evening, sir.
00:59:41We tracked down this ex-boxer.
00:59:43He was out with a lady, if you can call her that.
00:59:45- Thank you.
00:59:47Very well done.
00:59:47– Come on, to the machine.
00:59:56This way.
00:59:57– Oh, it's lovely to see you again.
01:00:01They look good.
01:00:02Where have you hidden?
01:00:04– I didn't hide.
01:00:05I was visiting a friend, an inspector.
01:00:07– Who comforted her over the death of her others.
01:00:11– Yes, something like that.
01:00:12– Well, well.
01:00:14Is our heartbreaker back on the prowl?
01:00:16What can I say?
01:00:18Women just like me.
01:00:20– Look, you rascal.
01:00:23Do you have no qualms about reselling the gifts your friends gave you?
01:00:27Or are these just cars to you?
01:00:31So.
01:00:35Carlos Serrano, alias Peacock, presenter and Burghausen.
01:00:41I should warn you, Mr. Presenter or Mr. Burghausen.
01:00:45Her small side business could land her in prison in eight years...
01:00:48– Look, it's not easy for a man like me.
01:00:50– Oh, I'm sure your apology is first-rate.
01:00:52I'm just afraid that she doesn't interest me.
01:00:55Besides, I don't have time for that anymore.
01:00:57How long has your friend Wiesner been...
01:01:00– Pink!
01:01:00– Ah, your memory works excellently.
01:01:04Tell me, how long did your girlfriend own this necklace?
01:01:07– Two days.
01:01:08- Are you sure?
01:01:09– I am sure.
01:01:11I was in the bar when that guy gave it to her.
01:01:14He was crazy about her.
01:01:16She was incredibly happy about it.
01:01:18He always gave gifts.
01:01:20– So, no more often to see you?
01:01:22Five or six times.
01:01:23– And he never wanted anything in return for the gifts?
01:01:26– No, not even once.
01:01:27It's good to know that there are still generous people out there.
01:01:31That's exactly my opinion, but the guy was still strange.
01:01:34– Do you know him?
01:01:34– I've seen him from time to time, but I don't know his name.
01:01:38– Can you describe him?
01:01:40– Well, that's hard to say.
01:01:41I reckon he's around 40.
01:01:43He has a black beard and a bad suit.
01:01:46One of those types that are easy to fleece.
01:01:49But of course I would never do that.
01:01:52- Naturally.
01:01:54Do you think you recognize the man?
01:01:57- Yes, of couse.
01:01:57You don't forget someone like that.
01:01:59He seems like someone who discovered penicillin or something.
01:02:01– A scientist?
01:02:03– Yes, that could be.
01:02:04– Yes, Inspector, but one of the wealthy ones.
01:02:09– I, Stacy, to connect the X-Jerchen with the Schwriter.
01:02:11– Yes, during the cute time.
01:02:12– The greatness of silence.
01:02:18– She now intends to,
01:02:19– Yes.
01:02:20– Yes, in the suitcase.
01:02:21– Yes.
01:02:22– Yes, in the suitcase.
01:02:22– Yes.
01:02:23– Yes.
01:02:23– Yes.
01:02:25– Yes.
01:02:25– Yes.
01:02:26– Yes.
01:02:26– Yes.
01:02:27– Yes.
01:02:28– Yes.
01:02:28– Yes.
01:02:32– Yes.
01:02:35– Yes.
01:02:37Ah, it's you. Early bird, eh?
01:02:43Aunt Ingrid, I need to talk to you.
01:02:49Since I've been here, I've felt that something strange is going on.
01:02:55The life you lead with Uncle Konrad is no life at all.
01:03:01You're still young. Why are you hiding in your room and drinking?
01:03:10Why do you live like this? Tell me.
01:03:12Oh, Melissa, stop it. Nobody but you cares.
01:03:17Don't ask me to lay bare my feelings. I'd rather drown them.
01:03:23I don't want to remember. Why the bottle?
01:03:27Does it work?
01:03:32No.
01:03:35Alcohol cannot destroy the memory of your father.
01:03:41And that's the problem.
01:03:44I can still see him in front of me.
01:03:47We cheated your Uncle Konrad.
01:03:50Aunt Ingrid?
01:03:51Your father visited us once a year.
01:03:54And your mother.
01:03:56Every year from April to May.
01:04:00But your mother couldn't come with you for that one year.
01:04:03That was the year you were born.
01:04:07I was blinded by love, Melissa.
01:04:13Back then I was a beautiful woman.
01:04:16Yes, it meant nothing to him, but for me it meant being lucky for once in my life.
01:04:28The only happiness I've ever had.
01:04:33Konrad sensed that something was going on.
01:04:36He watched us like a cat watches a mouse.
01:04:42One day he caught us.
01:04:45He killed your father.
01:04:48Right before my eyes.
01:04:51He thrust a scalpel into his neck.
01:04:56He spared my life.
01:05:00He has something special planned for me.
01:05:03His punishment for me was to stay alive.
01:05:09I was supposed to help him fulfill his dream.
01:05:15Officially, your father died during an operation.
01:05:22And since that day, your uncle and I have never spoken about it again.
01:05:33I'm a man.
01:06:29Music
01:06:55Music
01:07:05What a beautiful necklace, where did you get it?
01:07:08Do you like it?
01:07:09Yes, it is absolutely divine.
01:07:11It's nothing, I'll give it to you if you want.
01:07:14Music
01:07:17Music
01:07:18Music
01:07:32Music
01:07:33Music
01:08:02Music
01:08:28Music
01:08:57Music
01:09:28Music
01:09:58In the case of the serial killer, the investigating authorities have more questions than answers, Inspector Diaz told our newspaper.
01:10:05How does the murderer choose his victims?
01:10:07What makes him invulnerable?
01:10:09What is the significance of the necklaces that each of the murdered girls wore?
01:10:14What is special about them?
01:10:15Because experts have confirmed their worthlessness.
01:10:18One prominent jeweler went so far as to say that even the cheapest children's jewelry looks better.
01:10:24This probably sounds unbelievable to you, but I also know what I saw.
01:10:28I'm sure that wasn't a human being.
01:10:30What was it then?
01:10:31I think, based on his movements and the fact that he doesn't react to his surroundings,
01:10:35He reacted neither to sounds nor to other people; his entire appearance was that of a robot.
01:10:40He was a robot.
01:10:41Can I leave now?
01:10:44Yes.
01:10:44Thank you, sir. I wish you the best of luck with your search.
01:10:46Yes, thank you very much.
01:10:48Emilio, next please.
01:10:50Thank you.
01:10:50You're welcome.
01:11:06Uh, oh yes, I wanted to ask you a few more questions.
01:11:10So they gave the necklace to the victim.
01:11:12That's correct.
01:11:13And who gave them to you?
01:11:15A customer, darling.
01:11:16Who was this customer?
01:11:18No idea.
01:11:20He said his name was Martin.
01:11:25Inspector Diaz?
01:11:26Are you on the phone?
01:11:27You should take a closer look at the necklaces.
01:11:29They are ultrasound receivers.
01:11:31Ask Professor Jekyll.
01:11:33What?
01:11:34Hello?
01:11:35Hello?
01:11:36Who are you?
01:11:37Hello?
01:11:42Bring me everything we have about Professor Jekyll.
01:11:55Yes.
01:11:56Yes Yes Yes.
01:12:27Yes Yes Yes.
01:13:09No, that can't be.
01:13:14Yes, yes.
01:13:14Yes, yes.
01:13:15Yes, yes.
01:13:18Yes, yes.
01:13:20Yes, yes.
01:13:21Yes, yes.
01:13:23Yes, yes.
01:13:24Yes, yes.
01:14:04Yes, yes.
01:14:22Yes, yes.
01:14:46Yes, yes.
01:14:47Yes, yes.
01:14:52Yes, yes.
01:15:19Yes, yes.
01:15:37Yes Yes Yes.
01:16:01Yes, yes.
01:16:08Yes Yes Yes.
01:16:34Yes, yes.
01:17:06Yes Yes Yes.
01:17:34Yes Yes Yes.
01:17:51Yes Yes Yes.
01:18:22Yes Yes Yes.
01:18:49Yes Yes Yes.
01:19:19Yes, yes.
01:19:51Yes Yes Yes.
01:20:29Yes Yes Yes.
01:20:59Yes Yes Yes.
01:21:22Yes, yes, yes, yes.
01:22:16Yes Yes Yes.
01:22:19Yes, yes, yes, yes.
01:23:02Yes Yes Yes.
01:23:19Yes, yes, yes, yes, yes, yes, yes.
01:23:58Thanks.
01:24:20Thanks.
01:24:50Thanks.
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