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Bridgerton S03 - Episode 4
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00:26Gracias por ver el video.
00:30Move more slowly.
00:31I must not rush as I am with a child.
00:33We did not know that for certain.
00:35I threw up all night.
00:36Is pregnancy sickness not associated with the morning?
00:39What is it?
00:40My housekeeper said that Varley said it was urgent.
00:42I was sleeping.
00:43Shh.
00:43Look.
00:44This has a corner.
00:47I have bought you a plant
00:50so that you might continue to enjoy nature
00:52from your windowsill.
00:54Thank you.
00:56What is it?
00:58Um.
00:59Why her?
01:01She must have blackmailed him.
01:02Or trapped him in a closet.
01:04She thinks she used a potion like the one Varley gave us.
01:07You know what she did?
01:08She used Colin Bridgerton's help.
01:10Many people do much worse to be connected to the Bridgertons.
01:13I shall have to pick up Mr. Bridgerton's mantle of assistance.
01:20Lord Dabling, my other daughters just happened to drop by and they wish to say good day.
01:27Good day.
01:30Good day.
01:33We're so pleased to have you.
01:35So often my Penelope is sat at that window reading and now here she is in the room and we
01:41have you to thank for that.
01:43Is that so?
01:44Is there a reason you like that window so much?
01:47Is the settee particularly comfortable?
01:49Not particularly.
01:51I suppose I mostly just enjoy the view.
01:55But I have grown rather tired of it.
01:58And I'm very glad to be here with you.
02:17Oh, I thought I might find you in here.
02:19I am found.
02:22We are expecting the Marquis Samadani to call on Francesca this morning.
02:26Can I count on your presence?
02:27I think it may be best if I absent myself from this round.
02:32Well, if I am there, I will surely eat all of the biscuits and leave none for the Marquis.
02:40Dear, at last night's ball, when you were asking about friendship and whether it can blossom into love,
02:47is there something you wished to discuss with me?
02:52That is kind of you, Mother.
02:54But it was purely a speculative question.
02:57I simply want the best for Francesca.
03:02I shall calm down later.
03:07Very well.
03:22Dearest gentle reader, a question.
03:26What is the primary force that guides us along our paths?
03:32You are my solicitor.
03:33Although whether you remain so depends on what you say next.
03:36I shall return when things in order.
03:44Are you here to overcharge me as well?
03:47I am not.
03:48I have come to call on you.
03:51Mr. Bridgerton, I do not wish to be called on.
03:56Is it our minds?
04:00Or our hearts?
04:03Your cousin says.
04:05Well, I ought not dispute it, for I have heard you claim so these past ten years.
04:16But before you consume all the merch in the room, you must tell us.
04:21¿De qué le doy el placer de tu vuelo a Londres?
04:25Debería forgiveme por presentar por la sala.
04:29Estoy acostumbrado a la compañía de mi compañía, siendo mi compañía.
04:33Es esa gran falta de sociedad que me ha llevado,
04:37no menciona la falta de mujeres.
04:39Bueno, entonces todo se va a funcionar perfectamente.
04:42Yo he ocupado un buen tiempo,
04:44y así, tú eres libre
04:45para encontrar con muchas mujeres
04:48como lo que quieras.
04:51Cuando el corazón y la cabeza están en conflicto,
04:55cada decisión puede sentir como agonía.
04:59Una persona en la cual la sensación y la sensación son unidos
05:02es Sua Májestya, Charlotte.
05:05Después de la reunión de la Hawkins Ball,
05:08parece que la espalda de la princesa,
05:10Miss Francesca Bridgerton,
05:12puede, de hecho, ser el nuevo Marcos Samadani.
05:16Ella lavishes you with praise,
05:19Sua Májestya.
05:21Puedes leer de todo el camino hacia allá.
05:22Con mucha práctica, cualquier cosa es posible.
05:25Estoy muy contento.
05:26Estamos tan bien práctiados en hosting
05:28las más exquisitas reuniones.
05:30Vamos a organizar uno pronto.
05:33Una celebración de nuestro buen estado.
05:35Y una oportunidad, tal vez,
05:37para asegurarnos nuestra matcha
05:38para Miss Francesca.
05:45¿Qué?
06:01¿Qué?
06:02¿Qué?
06:03I believe it is called Mil Foy.
06:05Oh, yeah.
06:05Our cook has spoken with Lord Samadani's kitchen.
06:08This should be exactly to his standard.
06:11I hope we have not put our cook
06:12to too much trouble for nothing.
06:14Lord Samadani may not choose to call upon me.
06:16Oh, shh.
06:18There is a caller here.
06:19Yes, bring him in.
06:35Lord Samadani, welcome.
06:37Our cook has prepared some Mil Foy
06:39in anticipation of your arrival.
06:41Harrison, this is not Lord Samadani.
06:43Please forgive us for the error.
06:45The error is mine, I am certain.
06:47I am here to call upon one of your daughters,
06:50if I may.
06:55My daughter Francesca?
06:58Miss Francesca.
07:00John Sterling.
07:01Earl of Kilmartin.
07:03It is a pleasure to meet you.
07:05Pleasure is mine.
07:08Lord Kilmartin and I met briefly
07:10at the Hawkins Ball,
07:12but have not had the opportunity
07:13for a formal introduction.
07:16I see.
07:17May I join you a moment?
07:19I should like that.
07:52She does not speak to him.
07:54I am in awe.
07:56I thought one had to use wit or banter
07:58to dissuade a suitor,
07:59but simple silence is radically more effective.
08:01Perhaps they are enjoying themselves.
08:03But how will they know each other
08:05if they do not speak?
08:06And he comes to call
08:07without having had a formal introduction first.
08:11There is another caller here, my lady.
08:15Lord Samadani for Miss Francesca.
08:17Lady Bridgerton.
08:18Good day.
08:19Good day, Lord Samadani.
08:20I shall fetch you a pastry.
08:23Mr. Bridgerton.
08:24Miss Bridgerton.
08:25And you must be Miss Hyacinth, I presume?
08:28How touching.
08:30Miss Francesca.
08:32It is a pleasure to see you.
08:35Good day, Lord Samadani.
08:39I do not believe we are known to each other,
08:40Lord Kilmartin.
08:42But I was just leaving.
08:44I do not wish to interfere.
08:46Good day.
08:50Oh!
09:03And who is the third Lord to suggest
09:05that you must give up the club?
09:06It seems that every member of the town
09:08has had something to say on the matter,
09:10all out of alleged concern.
09:13Their concern is insincere at best,
09:15but once it is done,
09:17they will surely find something else
09:18on which to fixate.
09:21You believe I should do as they would wish.
09:24Give up all that we have built.
09:27Was it not you who proclaimed
09:28that we should embrace all that we have now?
09:30Why burden yourself with a business
09:32that will only cause further confusion?
09:35I am not the one who is confused.
09:39I am keeping my club.
09:56I have been building my collection since 1790,
10:00and thought it only fitting to share it
10:02after all these years.
10:04I am not the one who is.
10:04But I'm betting on the one who is in Ukraine.
10:33It's a good idea.
10:35¡Mamá, estamos en una biblioteca. Por una vez, ¿por qué me permite mirar un libro?
10:39No puedo tener que crezca. Tienes que pensar solo de Lord Debling hoy.
10:45Este libro es en viajes de la Norte, donde Lord Debling intends a viajar.
10:49Bueno, déjame decirte de ti. Los hombres prefieren explicar el mundo a nosotros.
10:53Si nos hemos explicado ya a nosotros por leer, entonces se sienten superfluos y unman.
11:00Buenas tardes, ladies.
11:05Ms. Petherington, ¿estás leer sobre la fable North West Passage?
11:09I was. I find it so...
11:10Terribly confusing.
11:12We cannot make head nor tail of it.
11:15Would you be so kind as to explain?
11:28I find books so captivating.
11:30I have a collection of over a thousand myself.
11:33Nothing a book loves more than to be collected.
11:36Yes, quite.
11:45I do not know that anyone in this entire library has in fact read a book through to the end.
11:50Perhaps mine will be in the collection soon.
11:52The tragedy of a spinster whose father is now promising to marry her to one of his aged friends.
11:57Sounds like German literature.
12:03I aided you with that balloon, and yet all the fan fluttering seems to be markedly in your direction.
12:10Perhaps you might grace us tomorrow night with your presence if you are not busy fending off admirers.
12:14Perhaps we are in pursuit of some revelry.
12:22I think I shall accompany you.
12:23I could use a little revelry myself.
12:32Are you looking for someone, Miss Featherington?
12:35No.
12:36Only...
12:38taking in all the books.
12:40What is it you prefer to read?
12:42I do not mind a starring tale or a book of fact, but in truth, I find myself drawn back
12:48time and time again to stories of love.
12:52And what is it about those stories that interests you?
12:57They are histories of connection.
13:00For hope for a better life.
13:03Does that make me sound terribly vapid?
13:05Miss Featherington, I am happy to learn that you have a passion.
13:08One that brings you such joy as my research brings me.
13:12We are alike in that way.
13:16Are there any novels in which the man goes travelling for a very long time,
13:20and his wife is happy to stay behind tending the estate?
13:24I suppose that would not be a book with much sentiment, would it?
13:28Not necessarily.
13:31But if the wife did have her own interests in life, then perhaps they could both be very happy.
13:38A practical match.
13:40But a happy one?
13:42I like the sound of that.
13:46And how dare I ask Mike, this fictional gentleman,
13:50ask for the young lady's hand?
13:53Especially if she had no male relative.
13:56If you were writing the book, that is.
13:59Well, I suppose he would have to ask her mother.
14:02I see.
14:03And if her mother gave her blessing,
14:06do you think she would say yes?
14:14I think you would have to read the book.
14:16I think you would have to read the book.
14:18Yeah.
14:18And I guess she would have to read it.
14:48Gracias.
14:54¿Estás bien?
14:56Estoy seguro que mi entusiasmo se va a pasar por esta noche.
15:00Así que preferis ir a lo que?
15:03Ya has already paid.
15:07Bien.
15:18Abre.
15:36Abre.
15:41Si, se buscan a tocar a second vez por la bola de la riqueza,
15:44se es una declaración de prensa.
15:46Vamos a ver si me va a preguntar por la primera vez esta vez.
15:50Si algo me dice que me va.
15:52Pero si ese interés no está compartido...
15:57Ahí es Lord Kilmartin.
15:59¿Como su familia?
16:00No, no.
16:01Están más reservas y funciones que mantienen a ellos mismos.
16:04¿Vocas interés en él?
16:07Buenas tardes, Lord Kilmartin.
16:09Francesca.
16:10Lady Bridgerton.
16:12Usted quedó muy abrupto el otro día.
16:15¿Qué?
16:16Bueno, you had another caller.
16:20I hoped I might see you at the opening of Lord Fuller's collection yesterday.
16:24No, I do not often attend society events unless I'm required to by the rules of good manners.
16:29I see.
16:32And so, are you stopping to speak with us just to be polite?
16:38Well, I believe you stopped me.
16:51Enjoyable music.
16:53Yes?
16:54If I am being honest, no.
16:57The pace is too fickle.
17:00Just as you think you are starting to comprehend the melody, the song is over.
17:03A song like this would be far sweeter if it were played in three-fourths so one could, in fact,
17:07feel the music.
17:12That is helpful.
17:16If you'll excuse me.
17:25To answer your question, no.
17:27I'm not interested in him.
17:29I'll give him something.
17:32I'll give him something.
17:41Please.
17:48A visitor for Miss Cowper, milady.
17:55No, no, no, no.
18:21Is everything all right?
18:23I came to see that you are well.
18:26You did not see myself yesterday.
18:27Oh.
18:29I do not believe I have ever had a friend call to the house before.
18:33Truly?
18:33I cannot blame anyone.
18:36It is more like a mausoleum in here, isn't it?
18:44You all right?
18:46I think naked Claire was calling her.
18:48Certainly you are not clear enough.
18:51Miss Bridgerton, if I may speak to my daughter.
18:56Alone?
18:57Of course.
19:03You are not to be seen with that Bridgerton girl any longer.
19:09Do we have an understanding?
19:22Are you certain you cannot come with us to dinner tonight?
19:25Two-thirds of the lords have closed their accounts.
19:28I cannot afford to bring an outside bartender in until I solve this problem.
19:33Perhaps a new decorator or a cook.
19:39I am sure the answers will come to you.
19:41And then we'll count it back to the big place.
19:44Yeah.
19:45Perhaps I might take a moment.
19:49Ha ha ha!
19:50Ha ha ha!
19:52Ha ha ha!
19:52On my grand tour, I encountered this Greek girl in the Balkans.
19:56Ha ha ha!
19:56My bear leader looked the other way while we became acquainted.
20:00por seis meses straight
20:02all over the peninsula.
20:05She sounds like the young woman
20:06who made my time in the French Quarter
20:08worth the length of the voyage.
20:10Much to offer upstairs.
20:12And I do not meet her mind.
20:17What about you, Bridgerton?
20:19You were gone for quite a while.
20:21I'm sure the girls of summer
20:23made your trip quite fulfilling.
20:26I did tell you my story of the Contessa,
20:28did I not?
20:28Yes, but you did not give details.
20:31Well, a gentleman must keep
20:33some things to himself.
20:34Oh, come now.
20:35I do not see a gentleman amongst us.
20:37Now I concur with you there.
20:43Now forgive me.
20:45But it is tiring,
20:47is it not?
20:49A necessity imposed on us
20:51to remain cavalier about the one
20:53thing in life that holds genuine meaning.
20:55Do you not find it lonely?
21:00What you-
21:01What you-
21:16It's that,
21:18You are a good buddy.
21:18To me,
21:19there will be a bathroom.
21:19Bye for you.
21:19That's h Key 101 programme.
21:19Oh!
21:19I can't see you.
21:19Bye for you.
21:19Bye for you's back.
21:19Bye for you.
21:20Bye for you.
21:22Bye.
21:23Bye for you.
21:28¿Qué pasa?
21:40¿Es Featherington?
21:53¿Mamá?
21:58Lord Debling has requested my permission to propose.
22:03¿Did you give it?
22:04¡Of course I did!
22:07¡You have done very well!
22:10¿Dónde you know, I've heard that Lord Debling
22:12has one of the largest homes in Mayfair,
22:1424 staff, a fleet of curricles,
22:17and he tells me he travels often,
22:19which means it will be up to you to manage his estate.
22:23¿Can you imagine the kind of influence that will give you?
22:26The kind of influence it will give?
22:28All of us.
22:32Mama, I have not said yes yet.
22:34But of course you will.
22:37His travelling does have its advantages.
22:39I do enjoy my privacy, but...
22:42But what?
22:45Penelope,
22:47you've spent your pin money changing your clothes,
22:50your hair, and it has had the desired effect.
22:53Lord Debling is a bird in the hand,
22:55and a very fine bird at that.
22:57I do not become greedy in your success.
23:00What more could you want?
23:09Oh, do not tell me you're holding out for love.
23:13Oh, this is the very reason why I discourage you from reading.
23:17Love is make-believe.
23:19It's only in your storybooks.
23:21Do you know what is?
23:22Romantic.
23:24Security.
23:26Be smart, Penelope.
23:28And if you will not be,
23:30then I will be for you.
23:56And if you will not be,
23:59you're ready for me, miss.
24:00Yes.
24:13Your gloves, Mum.
24:14Thank you, Mrs. Wilson.
24:15Oh, Colin, everyone is in the carriage.
24:16Are you not dressed?
24:18No.
24:18I wanted to tell you I should like to stay home tonight.
24:28Oh, you do not look well.
24:30Was it you I heard lumbering in the hallway late last night?
24:33I am well.
24:39You know, you have always been one of my most sensitive children,
24:45always aware of what others need,
24:47always trying to be helpful
24:50or offering a joke to lighten the mood.
24:52You so rarely put yourself first.
24:55I am proud of your sensitivity.
24:59But living to please others?
25:04I imagine it can be wearying at times.
25:07Painful, perhaps.
25:08So I do not blame you for putting on armor lately.
25:12But you must be careful
25:15that the armor does not rust
25:17and set so that you might never be able to take it off.
25:23My head is bottle-weary.
25:27Forgive me for lashing out.
25:31I should simply like to rest this evening.
25:34Hmm.
25:41It is only a shame
25:44that you might miss the fruits of your labors.
25:46I hear Penelope may be getting a proposal tonight.
25:50Lady Featherington will not stop telling anyone who will listen.
25:53Tonight?
25:57That was rather quick.
25:58Likely because of your help.
26:02I do hope you feel better.
26:28I do hope you feel better.
26:33I do hope you feel better.
26:47I do hope you feel better.
26:49I do hope you feel better.
26:50I do hope you feel better.
26:50I do hope you feel better.
26:50I do hope you feel better.
26:50I do hope you feel better.
26:58I do hope you feel better.
27:12Perhaps this little love play will inspire my lovers tonight.
27:59I'll see you next time.
28:19I'll see you next time.
28:29Miss Featherington, Lady Featherington.
28:32Good evening.
28:34Have you come to steal away my daughter for a dance, Lord Devling?
28:37I do believe she has at least one spot left on her dance card.
28:40Many, in fact.
28:41In that case, may I have the honour of taking one of your spots?
28:59I do believe she has at least one spot left on her dance card.
29:07Lady Bridgerton.
29:08Lord Edson.
29:10Thank you, but I have no appetite.
29:13Are you enjoying your evening?
29:15Oh, very much.
29:16I have not spent much time in Mayfair since the early days of my marriage.
29:21In the countryside, one can walk and look at trees and lounge about one's house.
29:27Enlighten me, however does one pass the time here in the city?
29:30I'm afraid most of us spend our time meddling in the lives of our young people.
29:33At least that is my and your sister's favourite pastime.
29:35My sister likes to meddle.
29:38Well, in truth, that word does not do her justice.
29:40She moulds society to her will, and she is rather good at it.
29:44You do not know that about her?
29:47We are becoming reacquainted.
29:52And who is the target of her moulding at the moment?
29:56My daughter, Francesca.
29:59Ah.
30:00I am not certain she has yet found that spark.
30:04Yes.
30:06Well, for what it is worth, sometimes a fire is slow to burn.
30:11My own marriage was not a love match, and admittedly not very passionate in the beginning.
30:17But I became very fond of her.
30:20We were happy until the day she died.
30:24I am so sorry for your loss.
30:29Maybe there is hope, then.
30:31Mm-hmm.
30:32I myself had a love match, so...
30:35That is all I know.
30:41You have my deepest sympathies.
30:47But I am envious.
30:49You had the chance to experience a love match.
30:52That is something I myself have not given up on finding in my second act.
31:03It looks as if your sparkler is shining brightly for you.
31:08Indeed she is.
31:09Even Lady Whistledown could not disagree with the brilliance of my match.
31:15Perhaps this has opened the door to a friendlier alliance between the gossiper and the crown.
31:21Well...
31:22I dare say it very much has.
31:27I am grateful to you for keeping me company.
31:31I did not want to miss another ball, but I also was not looking forward to coming here alone.
31:36Your husband should be here with you.
31:41Mr. Mondrich seems to be having a difficult time relinquishing our old life, no matter how hard I tug at
31:47him.
31:47He's quite attached to his bar.
31:50The Queen will not smile favorably on a man of rank working in a club.
31:57You must show Mr. Mondrich that this new life is worth his sacrifice.
32:04Past lives are dangerous places to revisit.
32:14Did you enjoy the ballet, Mr. Bridgerton?
32:17Very much.
32:18So much so, I wonder if I've missed my calling.
32:21As a dancer.
32:28Lady Arnold, you must join us.
32:32Lord Fuller, Lady Fuller.
32:34Pleasure seeing you both.
32:35Have you met Mr. Bridgerton?
32:37Indeed.
32:38Briefly.
32:39Quite so.
32:40It is a pleasure, though.
32:42We were just sharing our thoughts on the ballet.
32:45I must say, I do not know that the male dancer needed to be in such a state of undress.
32:50He certainly could have put on a shirt.
32:53Could not agree more.
32:54Nothing worse than a state of undress.
33:03Heloise, here you are.
33:06I've been searching for you all evening.
33:07Should you not be careful talking to me?
33:10I am that Bridgerton girl, after all.
33:12You heard that.
33:15I apologize for my father.
33:18And I apologize that he is a bloody fool.
33:21Louise.
33:26If you need to keep your distance from me a while, I understand.
33:33No.
33:33My father will have to endure it.
33:37Besides, he is a fool.
33:41You are unlike many people, Heloise.
33:44How is it you have the courage to be so different?
33:46It is not courage.
33:47I simply cannot understand why others do not see things the way I do.
33:50How do you see things exactly?
33:54Well...
33:56Since you have asked.
34:14John!
34:16John!
34:16John!
34:16Let me.
34:18John!
34:32Let me.
34:35Where are you off to?
34:38I am retiring early.
34:40The ballet has been danced.
34:41The queen is satisfied by her sparkler.
34:43And I should like to take a little time for myself.
34:46If you've finished your meddling elsewhere, perhaps I can offer myself as your new target.
34:52I hear you're something of a molder of society, and I keep meeting the most intriguing woman.
34:57I do not know what you have heard, but I ask that you leave me out of your raking about
35:02town.
35:03I am not interested.
35:06I understand how my activities may appear rather rakish, but I assure you, they are pure of heart.
35:12And is your heart located in your britches?
35:16To come see...
35:30Miss Francesca?
35:34Bloodkill Martin.
35:36I am afraid I am rather parched from dancing the ball to Samudani...
35:39So much so that I do not feel much like talking.
35:42Ah, is that not in fact our preferred form of communication?
35:50No, no, no, no, no.
36:17Mama, I am keen to return home early, if that is all right.
36:21Well, I...
36:24Let us find your brother and your sister first.
36:27Of course.
36:29Lord Samadani.
36:32Lord Kilmartin.
36:38What is happening?
36:39I believe Lord Samadani was fetching Miss Francesca lemonade.
36:43And now she is...
36:45No drinking the lemonade.
36:47Precisely, Your Majesty.
36:49She is not drinking the lemonade.
36:57Perhaps it is for the best.
37:00Children do take up so much time
37:02and drain one's beauty.
37:05Of course we both have much to spare.
37:08Are you suggesting we give up?
37:09Ow, you're giving me a pain in my chest.
37:12Oh, no.
37:14Forgive me?
37:15In fact, I have been tender all week.
37:18Are you mocking me?
37:20My chest has been sore non-stop,
37:22and that is not dropsy of the pancreas.
37:25Mama said it is a clear pregnancy sign.
37:29Is it?
37:43Give me Bridgerton.
37:48Bridgerton, fashionably late.
37:49In truth, it is not worth it.
37:51Come out with us.
37:53Though this time we are going drinking at White's
37:55instead of that dreadful Mondrich bar.
37:57Excuse me.
38:06Is everything all right, Miss Featherington?
38:08Everything is wonderful.
38:10I'm glad to hear it.
38:12May I ask you a question, my lord?
38:14Anything.
38:16Considering how often you travel,
38:18it makes a great deal of sense to me
38:19that you seek a practical match, but...
38:22Do you imagine that, with time,
38:27love may one day grow?
38:30I do not know.
38:32To be honest, my work has such a large portion of my heart,
38:34it may be difficult to make more space.
38:39But, I am very glad
38:40that you are someone who seems to have such a full life.
38:48You look especially beautiful tonight, Miss Featherington.
38:53And can you imagine all the spare time there would be
38:55if we did not always have to think about marriage?
38:57The time we would have to read,
38:59or exchange ideas, or do anything
39:01that isn't entirely for the purpose of ensuring a husband.
39:03That is interesting, isn't it?
39:06No, I meant, your brother is walking right up
39:08to Penelope and Lord Debling.
39:09Do you mind if I enter Rod?
39:11Oh, I...
39:11We should only take a moment.
39:16It appears you two have something to resolve.
39:19She'll leave you to it.
39:24We shall return to this conversation another time.
39:26Yes?
39:32Lord Debling.
39:34You are much too handsome for social ruin.
39:36I would be more than happy to finish your dance with you,
39:39if we need a partner.
39:48Colin, you are going to ruin things between me and Debling.
39:50Well, perhaps that is for the best.
39:51What do you mean?
39:53Pen...
39:54You cannot marry him. You hardly know him.
39:56I know him well enough.
39:56And I think he is leaving.
39:59For three years.
40:00I know that already, Colin.
40:01It takes a year alone to get where he is going.
40:08They do seem upset, do they not?
40:10Eros and Psyche battling it out.
40:13What are you trying to say, Miss Cowper?
40:15Are they not all friends?
40:18The oldest of friends, really.
40:21Ever since the Featheringtons moved in across the street.
40:26Across the street from the Bridgerton house?
40:28Directly.
40:30I see.
40:31I have made my peace with what Lord Debling has to offer.
40:35I am going to accept his proposal.
40:42Thank you for the dance, Miss Cowper.
40:49I said I would help you find a husband, but I cannot stand by.
40:51And would you make a mistake?
40:53The only mistake was me ever asking for your help in the first place.
41:00Lord Debling!
41:02I'm so sorry we interrupted.
41:04I know the ball is ending, but...
41:05Shall we return to our conversation?
41:07Miss Featherington, why is it you sit at your drawing room window so often?
41:10I...
41:11All week I've watched you search for someone.
41:13I thought you might have had a falling out with Mr. Bridgerton.
41:17But now I suspect you may have been searching for him for a very different reason.
41:21For the same reason you prefer your drawing room window and the view it affords out towards the house across
41:26the square.
41:26I do not know of what you speak, I...
41:28I'm speaking of Mr. Bridgerton.
41:31And the feelings between the two of you.
41:35I can assure you.
41:37Colin Bridgerton would never, ever have feelings for me.
41:41It is laughable to think as much. We are friends. Nothing more.
41:44But would you like it to be more?
41:47I do not...
41:49That is not even...
41:52That is not a possibility.
41:53I did not ask if it was a possibility. I asked if you would like it to be.
42:02Miss Featherington, with the amount of time I will be gone, it is essential I make a match with someone
42:08whose affections are not already engaged elsewhere.
42:12Whatever it is you are searching for, I do hope you find it.
42:17Good evening.
42:23Where is he going? What have you done?
42:26That is your question. Not, am I well? Do I only matter to you if I have a Lord's engagement
42:34ring on my finger?
42:36Mama, I am pregnant. I think.
42:44Hello. Are you not excited?
42:56It is said that the heart is forever making the head its fool.
43:13Get up!
43:16Get up!
43:18Get up!
43:25Let it go!
43:34Francesca.
43:36Lord Kilmartin.
43:38He had the music we heard earlier this week
43:40rearranged exactly
43:42as I imagined it.
43:51And when
43:52one chooses the heart
43:54over the head
43:55often all reason
43:57goes out of the window
44:00but the body
44:02has a way indeed
44:03of knowing most
44:05what it needs
44:07and this author
44:08is not one to deny
44:10the age-old wisdom
44:12of a beating heart.
44:18Wait!
44:22Penelope!
44:25I do not wish to speak with you.
44:27Please!
44:31Let me in.
44:44We will stop at Bridgeton House first.
44:47Yes, ma'am.
44:50What do you want?
44:52Did Lord Debling propose?
44:55What business is that of yours?
44:56I need to know
44:57did he propose?
44:59It is odd.
45:02When I asked for your help
45:03in finding a husband
45:04I did not realise
45:05that also meant
45:06you might try to deny me one as well.
45:07It is my business
45:08because I care about you.
45:10You cannot marry that man.
45:12He will leave you
45:13and he is too particular
45:16and he is just not right
45:19for you, Ben.
45:20He did not propose.
45:23In fact, he rejected me
45:24because of you.
45:26Because the scene you caused
45:27led him to believe
45:28you had feelings for me.
45:30An idea so preposterous
45:31I do not know what to do
45:32besides laugh.
45:33Now will you please
45:34let us ride home in silence
45:35and leave me alone.
45:36I cannot.
45:37Please.
45:38I cannot.
45:40Because
45:47what if I did have feelings for you?
45:50What?
45:55I have spent so long
45:58trying to feel less
46:00trying to be
46:01the kind of man society
46:02expects me to be
46:03and for a moment
46:04I thought I had succeeded
46:06but these past few weeks
46:07have been full of
46:10confounding feelings.
46:12Feelings like a total inability
46:13to stop thinking about you.
46:16About that kiss.
46:19Feelings like dreaming of you
46:20when I am asleep
46:21and in fact preferring sleep
46:23because that is where
46:23I might find you.
46:24A feeling that is like torture.
46:28But one which I cannot
46:31will not
46:32do not want to
46:33give up.
46:36Please
46:36please
46:38do not say things
46:39you do not mean.
46:40But I do mean it.
46:43It is everything
46:45I have wanted to say
46:46to you
46:46for weeks.
46:49Call me a friend.
46:53Yes, maybe.
46:58Forgive me.
47:00I do not know
47:01what I was thinking.
47:05But I very much
47:06like to be more
47:06than friends.
47:10So much more.
47:11no.
47:13No.
47:14No.
47:17No.
47:18No.
47:19I do not know
47:21No.
47:50¡Gracias!
47:59¡Gracias!
48:50¡Gracias!
49:20¡Gracias!
49:265000
49:38¡Gracias!
49:39¡Gracias!
49:40¡ lähes!
49:42¡Gracias!
49:44¡ medical!
49:44¡Gracias!
49:45¿Puedo llevar a carriage driver y no keep on driving?
49:54¿Puedo decir que alguien saw us?
49:57No estoy paying mucho attention to anything.
50:22¿Qué es lo que está haciendo?
50:36¿Colin?
50:44¿Qué es lo que pasa conmigo?
50:46¿Qué?
50:48¿Your familia verá me?
50:49Por Dios, Penelope Featherington, ¿verdad?
50:52¿Vas a margarme o no?
51:36¿Qué es lo que pasa conmigo?
52:05¿Qué es lo que pasa conmigo?
52:35¿Qué es lo que pasa conmigo?
53:05¡Gracias!
53:14¡Gracias!
53:22¡Gracias!
54:03¡Gracias!
54:30¡Gracias!
54:55¡Gracias!
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