- 7 hours ago
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00:00Scenes.
00:10The weapons from the drones we recovered are untraceable.
00:14But someone put it into play.
00:16Mr. Dempsey is indisposed right now.
00:19That's why I'm here.
00:20I will find the Mole.
00:21He'll suspended pending a formal investigation.
00:24You're gonna have to find T-Ball Stone and Amber Todd.
00:29Pegasus, use family against you.
00:32I had a son.
00:33Find the prison officer's family.
00:35You think these people are gonna come after us?
00:38Someone's there.
00:39It's too late.
00:41Go to the destination, say Tibor sent you, and you wanna see Sebastian.
00:45We're gonna need cash to make it to London.
00:47You killed him.
00:48We killed him.
00:50You know what it takes to survive.
00:52You will have to decide how much blood in your hands you can live with.
01:16It's okay.
01:17We'll have tos do that.
01:20We're gonna need plata in the back of our heads.
01:25We're gonna need to
01:26Oh, my God.
02:06Our turn.
02:18Can I help?
02:20I hope so.
02:21I'm looking for a man.
02:22Five foot nine, brown eyes, dark cropped hair.
02:25You may have come in here with a young woman.
02:28Look, love.
02:30Well, sorry for you.
02:32I've been there myself.
02:34Trust me.
02:35But what people do in that room,
02:37well, that's their business.
02:38All right.
02:40So he's here.
02:44Let me guess.
02:46Paneer, tikka, bangan, bata, and a masala chai.
02:51Yeah.
02:52How did you know that?
02:52I don't know.
02:53Okay.
03:21Oh!
03:34Food's here.
03:38He said he'd call us when it arrived.
03:59Police.
04:01Shots have just been fired at the Sandwick Hotel.
04:03If we can't trust the NCU, then we can't trust the police.
04:05Get the money.
04:42You can't trust the PLC to help you.
04:47So, you're a leader.
04:47I'm a leader.
04:54Oh, my God.
05:17Go!
05:47Go!
05:48Go!
05:49Go!
05:50Go!
05:54Go!
05:55Go!
05:56Go!
05:56Go!
05:57Go!
05:58Go!
06:00You're heading right for them.
06:02What are you doing?
06:07I love your fucking mind!
06:14Hello, emergency service operator.
06:17Which service do you apply?
06:19I'm police!
06:20Put a weapon on the ground!
06:22A weapon on the ground!
06:25This is the police service.
06:26Are you able to give me more information?
06:28Put your hands behind your head!
06:29Sir, can you hear me?
06:32We are sending a response team to your location now.
06:34W-O!
06:36One, two!
06:59To be continued...
07:14Step 6
07:15Looking should not release the funds on the ground.
07:17This is a war of sacrifice.
07:17I'll keep my arms like you'd trust me
07:22I'll keep my bloodstained hands of your body
07:33I'll be right, yeah
07:38I'll be right, yeah
07:42I'll be right, yeah
08:09I'll be right, yeah
08:14Oh, my God
08:16Oh, my God
08:27Oh, my God
08:50I don't know.
09:19I don't know.
09:40Hello?
09:47Hello?
09:51Whoa, whoa.
09:55Tibor sent us.
09:58Just, just...
10:02Sebastian!
10:03We're here to see Sebastian.
10:06Yes?
10:08Sebastian.
10:12Can't be too careful, living alone.
10:18I'm Carla.
10:21I'm Molly.
10:26Let's get the baby settled.
10:43Michael wants to handle the merchandise with his bare hands.
10:46Make sure it's real.
10:49Okay.
10:51Your old man always used to handle the face-to-face.
10:54People I used to deal with him.
10:56I can handle it.
10:58Set it up.
10:59Already have.
11:01I'll be doing the talking.
11:03This is the big one after all.
11:05Just letting you know out of courtesy.
11:10Well, I need you just a picture of efficiency.
11:13Passing messages along like a champ.
11:23Just a man.
11:27How's it all going?
11:30Everything's fine.
11:31But there's been a change.
11:34Tebbitt's gone.
11:36Campbell's put me in charge of the investigation.
11:39Well, congratulations, Will.
11:42No excuse for not finding them now, eh?
12:07No excuse for not finding them now, eh?
12:17There's some things I can do.
12:18I love you.
12:20What's it all?
12:23Why?
12:24What's it all?
12:26Okay.
12:26Hey.
12:27Hey.
12:28Hey.
12:29Hey.
12:29Hey.
12:30Hey.
12:30Hey.
12:31Hey.
12:31Hey.
12:32Hey, hey.
12:32Hey.
12:33Hey.
12:35Hey.
13:06Nassie, it's me.
13:08Boss?
13:09I need a favour.
13:12You're suspended?
13:13This case has taken everything, my marriage and now my career.
13:16If you think I'm a Pegasus mole, you should hang up right now.
13:20Oh, I see Campbell's crew are still camped outside.
13:24Nancy, seriously, how long have we known each other?
13:30What can I do?
13:33Pavel Ivanov, the renewable energy engineer that Stone got out of Belarus.
13:38He was developing high heat resistant polymers for wind turbines.
13:42I'm not sure I follow you.
13:44That's the kind of material designed to withstand exposure to extreme temperatures without warping.
13:49Do me a favour.
13:50See if it matches what the weapons on that drone were made of.
13:53I'm on it.
13:53Good girl.
13:55How's the team?
13:56All over the place.
13:58I'm preparing a briefing on Amber Todd.
14:00Full background check.
14:01It works.
14:02Feels like a wild goose chase.
14:04Who ordered that?
14:06O'Neill.
14:26No, you're not doing that.
14:27Going what?
14:28You're not killing whoever's in that lorry so you can steal it.
14:30Well, you have a very low opinion of me.
14:33Actually, I was going to pay them to take us to London.
14:35I was just going to make him ask questions.
14:37Well, I need more insulin soon, so we'd better come up with something.
14:40Okay, so we just talked to him.
14:41We appeal to his better nature.
14:44I'll do it.
14:47Give me your hand.
14:49Don't say a word.
14:50It's all yours.
14:51Hi.
14:52Hello?
14:54Hi.
14:55Sorry.
14:55We've just gotten into an accident a few miles back.
14:58Just wondering if you can help us.
15:00I'm not the AILA.
15:01Our phones are fucked.
15:03We need to get back to London as soon as possible.
15:06No taxing either.
15:08Maybe you're a good Samaritan.
15:20You all right, love?
15:23Not really.
15:24No.
15:25I need to get back to London.
15:26I need to get to my daughter.
15:30This is her.
15:32She's six months old.
15:37It's a different fellow in the picture.
15:39That's good.
15:44Yeah.
15:46Yeah.
15:48You're right.
15:51Okay, I'm a prison transport officer.
15:53I need to get this man back to London.
15:54And the only reason I'm doing any of this is to get back to my daughter.
15:58My name is Amber.
15:59What's her name?
16:00Uh...
16:00What's your name?
16:01Paul.
16:02Paul, okay.
16:02Okay, enough.
16:04Five grand.
16:04I said I'd handle this.
16:05We're out of time.
16:07Half now, half when we get there.
16:09But we need to leave immediately.
16:14Charlotte.
16:23No stops.
16:24No questions.
16:35It's nothing to sit on.
16:37I've just come back from my job.
16:41Uh...
16:41Tech thieves.
16:43My granddaughter gave them to me.
16:45It's better than sitting in dark, yeah?
16:50Right.
16:51Okay, then.
17:08Better nature up my ass.
17:10He was about to take us.
17:12Rice.
17:12He was.
17:14Seems kind.
17:16Well, your...
17:18sub-story didn't work.
17:20You may seem kind, but great is what moves it.
17:25You must ride in.
18:08Come on.
18:11Hope you sleep well.
18:12Yeah, thanks.
18:14If something smells good.
18:15Won't be ready till lunch.
18:19There is a fresh pot of coffee.
18:21Yeah, I'll, uh...
18:22I'll take some coffee.
18:24Do you mind if I make a bottle up for the baby?
18:26She'll be awake in, like, ten minutes, so...
18:29Like clockwork, aren't they?
18:31Yep.
18:36Little clockwork terrorists.
18:44So you got caught up with Tiborough?
18:46Yeah, I mean, we've never actually met, but...
18:51I'm sorry, how do you know him?
18:54We go way back.
18:56But I haven't seen him...
18:58In years.
19:01Milk.
19:02Sugar.
19:04Just milk.
19:05Please.
19:07So, um...
19:13Uh, who's Sebastian?
19:22Just a name Tibor and I used to use...
19:25Silly Sebastian.
19:28Whenever one of us would do...
19:33Something silly.
19:58I don't know about you, but the question I'm asking myself is...
20:01Who is Amber Todd?
20:07Eleven officers died...
20:08When that convoy was hit, yet she got stoned out that tunnel like she was...
20:12Dancing through raindrops.
20:15So is she one of us...
20:18Or another one of them?
20:21Now, now she's put together a brief...
20:23That you all should have received by now.
20:25Use it.
20:27Now, we have two days to put Tibor Stone on the stand.
20:32We need to move fast.
20:34Let's get to work.
20:54Do you really believe that about Todd?
20:59Do you want it fresh thinking?
21:01Do you want it fresh thinking?
21:17Al Niel?
21:18He wants to see you.
21:40Two minutes.
21:49He was taking a big risk...
21:51...asking me to come here.
21:52One of my people is in police custody.
21:54She was caught with a firearm.
21:56Nina, drag us. I need you to get her out.
22:00That's impossible.
22:03You asked me to pull strings on that, I could expose myself.
22:06I'm in charge now. You've got me exactly where you want me.
22:10Don't risk it.
22:10You told me what to do.
22:13I need her released.
22:17Why? Who the hell is she?
22:19An acid.
22:22She paralysed one of my men when she was just a kid.
22:25He put his hands on her. Well, he tried to.
22:29She was with a group of workers we were bringing into the country.
22:32I think the word is trafficked.
22:38I've always had a knack for spotting raw potential.
22:41So I had Teebo Stone take her under his wing, show her the ropes.
22:45She knows him better than anyone.
22:47There's no one else who can get close to him.
22:50Set her free.
22:52But Kate Stone.
22:55She'll finish the job.
22:58I can't.
23:07How's your wife?
23:10Is she getting the treatment she needs?
23:12Because I know how expensive that can be.
23:15You don't bring her into this.
23:16I didn't.
23:20You did.
23:22That's exactly my point on potential.
23:25When we discovered your wife's diagnosis, I knew right away.
23:30That you'd do anything to save her.
23:34Hmm?
23:37Here we are.
23:39Family is everything, isn't it?
23:43Anita and Saffron.
23:47I've done everything you've asked.
23:51I can deliver you, Stan.
23:52That's all.
23:54Enough.
23:55No more.
23:56Thought you'd say that.
24:01Check your phone, Will.
24:13Pretty young girl, your daughter.
24:15Fuck.
24:16Get Nina out.
24:17Use the MCU to locate Stone.
24:21And she'll handle the rest.
24:28I sell you when it's enough.
24:41Breaker, Breaker.
24:43Anyone got their ears on?
24:45Bit of company never hurts.
24:49This is Longshot.
24:50How you doing, ma'am?
24:51A fellow rogue ghost.
24:53Longshot.
24:53This is his midnight rambler.
24:55Yeah.
24:56Good to meet you, Rambler.
24:58Heading anywhere exciting?
25:00No.
25:00No.
25:00Nothing exciting about a Northbound run with a trailer full of pallets.
25:03Who?
25:05I dare you believe me, even if I told you, ma'am.
25:08Driving.
25:25So, where does this strong moral compass of yours come from?
25:29No.
25:29You mean the one that makes me uncomfortable killing people with my bare hands?
25:37Freud had a theory.
25:40Psychodynamics.
25:42Individuals may develop strong moral principles as defense mechanisms against their parents' behavior.
25:50Was a father a criminal, Amber?
25:52Is that what made you this way?
25:55I prefer Albert Bandura's social learning theory.
25:59If a child frequently witnesses law-breaking being rewarded or going unpunished, they may come to view such behavior as
26:06desirable.
26:07Was mommy a serial killer?
26:15This is fun.
26:19This is fun.
26:29Oh, my God.
27:06No. No, no, no, no, no. I'm not with the team who attacked you.
27:10If I was, I'd have turned up with more than stolen case files and me dick in me hand.
27:15I know you.
27:16Yeah, my name is Alex Tebbett. We spoke on the phone two days ago.
27:19You're N.C.U.?
27:21Yeah, well, I was.
27:24They think I'm the mole responsible for the attack and you and Todd's family in a prison
27:28van. Look, I need you and your team to help me. Can I come in?
27:32They kicked you out and you think I'm going to trust you?
27:37I swear to God, I'm offering you a chance to help save their lives.
27:49Tell them what you told me.
27:52Will O'Neil, the man that took my job, is setting up your friend.
28:00What makes you think he's bent?
28:02One, the intel that made us move stone early came from O'Neil's department.
28:06Two, O'Neil was one of the few people who knew where Ollie and Mia were.
28:10And three, my sources told me he's feeding the N.C.U. a lie that Amber's working for Pegasus.
28:16By making her the suspect, he can focus resources on investigating her, on hunting her down.
28:22He keeps their attention elsewhere while these ships intel to Pegasus.
28:25If O'Neil is the mole, then breaking him might be the only way to get Amber back.
28:32Okay. How do we break him, then?
28:34He'll want to interview you about Amber, and when he does, bosh.
28:38Reprove his connection to Pegasus by getting into his phone.
28:41Whoa, whoa, whoa. Just wait a second, yeah?
28:44That's a criminal defense film.
28:45I know. Look, I've heard what he says, and I'm convinced I'm in.
28:50But I'm not expecting any of you to put yourselves at risk.
28:53If you're in, I'm in. What do we do?
28:55One of the interviews, yeah? You're distracting.
28:59We can talk bollocks for five minutes while you nick his phone.
29:07It's called storytelling, and it's an art form.
29:11Are we really doing this?
29:13For Amber, yeah, we are.
29:16And Joe.
29:18We need to make these bastards pay.
29:22Breaker, Breaker, this is Midnight Rambler.
29:25So, listen, I just called a mate.
29:27Someone's been putting the word out.
29:29They're looking for a man and a woman, same as the pair you picked up.
29:36It'll give you a hell of a lot more than five grand if you hand them over.
29:41How much more?
29:42Well, I love it.
29:44Well, what's going on in here, we'll see you on the third one.
30:12Nina's still in custody.
30:14Well, we need to fix this.
30:15No, the adults are handling it.
30:18Her value is declining.
30:20How many times is she going to let stone slip through her fingers?
30:23Huh?
30:25She's becoming a liability.
30:29It's a little muck.
30:30What?
30:31Keep your mouth shut.
30:45Mikhail.
30:53Rough your days, huh?
30:55Some of us have to get our hands dirty every once in a while.
30:59Nice place.
31:01Are these originals?
31:03Are we into art?
31:05I'm into money.
31:06This is Harrison's son.
31:08Declan.
31:10How's your father?
31:11Yeah.
31:12Yeah, fighting me good fight.
31:17This is the future of absolute power.
31:21It's a next-gen plastic pollen.
31:23Stronger than metal, so it doesn't warp under heat.
31:27And?
31:28It fires repeat rounds.
31:33Try it.
31:36It's completely untraceable.
31:39Dismantled, they'll easily pass through any metal detector.
31:42Perfect for international shipping.
31:44If you catch my drift.
31:46Thank you for that, Declan.
31:50How many have you manufactured?
31:52And will they be ready for the day of action?
31:54We have 2,000 ready to go for the UK market.
31:56Another 10,000 ready by Friday for your European clients.
32:00Don't jump ahead of yourself.
32:02You assure me of more certainty about Harrison's release.
32:07My clients don't need to be connected to this highly publicized criminal investigation.
32:12Mr. Dempsey will walk.
32:15And if he doesn't, you can always close the deal with me.
32:19With respect, you're not your father.
32:22Harrison Dempsey is Pegasus.
32:25That's why I deal with him and only with him.
32:29Well, it seems a little old-fashioned.
32:32With respect.
32:35Please.
32:37Please ignore the boy.
32:38We are here to show you why you shouldn't be shopping anywhere else.
32:42The deal will not go through until Mr. Dempsey is released.
32:47Which he will be.
32:56Excuse me, Jackson.
32:58Of course.
33:04You're embarrassing us.
33:05Me?
33:06You're the fucking weak link.
33:08Begging for a deal that's already been done.
33:09We should be naming our fucking prize.
33:11I'm not going to show you the ropes because that's what your old man wants.
33:13If you spook Mikai out and this deal falls through, we lose millions.
33:17Right, sir?
33:17Please.
33:18Please.
33:18Do me a favor, you silver-spearing prick.
33:20Just shut the fuck up.
33:30It's my queen there.
33:31Told you they were powerful.
33:33I told you they were powerful.
33:43Keep the gun, and I'll pay for the couch.
33:51I'll tell to my clients to have a little bit more patience.
33:55And I'll reach out to my European contacts.
34:02And I'll be wondering.
34:12I'll take it on myennes, sir.
34:15I just don't have to.
34:16I don't want to.
34:17I don't.
34:18I don't want to.
34:20I don't want to.
34:20I don't want to.
34:20I don't want to.
34:21I'd have to.
34:23I don't want to.
34:27Here we go.
34:29Hello, everyone.
34:30Thanks for coming.
34:32Ah, I don't need to look so worried.
34:35I just need to ask you all some questions,
34:36and as long as you're straight with me,
34:39there shouldn't be any issue.
34:43Miss Buckley, I'll start with you.
34:47That's all.
34:47Phone's in here, please.
34:54Amber's in a lot of trouble, and I need to bring her in.
34:57I know the two of you qualified together.
35:00You care about her.
35:02Ollie and me are two.
35:04I need to locate her before something happens
35:06that can't be undone.
35:10Besides Ollie, all the people that she trusts are out there.
35:13I have no idea where she is.
35:23Freud also wrote an essay about grief of loss.
35:27Mourning him melancholia.
35:30And?
35:33How did your son die?
35:35My what?
35:37Your son.
35:39I...
35:41I was lying about that.
35:42I never had a son.
35:46But you told me about him.
35:47I told you what you wanted to hear, Amber.
35:50I needed you to trust me.
35:52See?
35:53The moment I said dead, child,
35:56you create a backstory for my behavior.
35:58You let your guard down.
36:00So I tell you about Mia.
36:02So you'd have something to use against me.
36:04You needed something to cling to.
36:06That's what makes you so profoundly, predictably human.
36:13There is nothing redeemable about you.
36:21Tell me where Ollie and me are.
36:25The point of a safe house is not giving out the address.
36:28Tell me where they are.
36:29Calm.
36:29Tell me where they are, you fucking saint.
36:31Goodbye.
36:33Listen to me.
36:34We agreed.
36:36You'll see your family after you get me to the old Bailey.
36:40So you're keeping them hostage?
36:43I'm the only thing keeping them alive.
36:46Me and the person I sent them to.
36:52You should be a little more grateful.
37:23Yeah.
37:24Shut up.
37:26Yeah.
37:30Mate, um, it's a long shot.
37:32But yeah, I was thinking of a connu challenge.
37:34I just wondered how would you land this gig?
37:37Good CV.
37:38Good CV.
37:41Mr Azubo.
37:44Let's go.
37:48Yeah, I suppose you've got, like, qualifications coming out of your ears.
37:52Start you off with the police?
37:53Yeah.
37:54Have a CID play.
37:55Oh, wow, CID.
37:57Yeah.
37:58Cool, that makes it.
37:59It's a change.
38:00Oh, God, that's it.
38:02They're obviously looking for a real skill.
38:04That's it.
38:04That's it.
38:06Yeah.
38:06That's fresh.
38:07Really?
38:08Is that what it was?
38:09Wow.
38:10I've got too much pain, quite a year.
38:12Things change.
38:14I mean, some of them might be.
38:16Yeah, between studying, the baby, or what.
38:21I don't know how she does it.
38:23You see me?
38:23I can barely keep a pot plant alive.
38:25You know what I'm saying?
38:38It's mad, isn't it?
38:40What about her mother?
38:42What about her?
38:44Oh, I'm sure as, uh, you being the tight-knit unit you are, that she would have told you
38:50that her mother's incarcerated in Westhorn Prison for armed robbery.
39:07Uh...
39:09Um...
39:10Yeah, yeah, yeah, no, of course.
39:13You're lying, Jamal.
39:14She kept it from you, didn't she?
39:24Are you sure that's the only thing she's hiding?
39:41I mean...
39:42Honestly?
39:46You think you know a person, right?
39:48Look, you share the same scrap of carpet at work.
39:51You know, Secret Santa, which was me, by the way.
39:56I've got her this really nice handmade paper dove.
40:00Where is she, Jamal?
40:01It's gone live over there, folks.
40:02It's actually, where is she?
40:13I don't know.
40:14I don't know.
40:22Mr. Hawkins?
40:25You know, well, I, you know, I just, I can't fucking talk you through all this.
40:31Colin, do you know what? I think I might just throw this.
40:33Throw my hat in the ring. I'll give the application.
40:35Go for it.
40:35Do you not think?
40:36We won't go down. What's the worst thing?
40:38Go for it.
40:51Uh, uh, excuse me.
40:54You okay, sweetheart?
40:57Sorry for all the missed calls. I just wanted to hear your voice.
41:02Yeah.
41:25Have we arrived?
41:28This isn't London.
41:37Yeah, it's me. I'm here. What's going on?
41:48What are you doing? What's wrong?
41:51I need my shot.
41:55Paul! Paul, are you there? Come on, talk to me, Paul.
41:58Please, it's not too late. Just let us go.
42:02I can't. They're coming.
42:03They will kill you.
42:05Listen, we can help you, Paul.
42:07Okay, we can help you, but you have to let us go right now before they get here.
42:17I've been told to give this to you.
42:20Hello?
42:21You okay?
42:23Fine.
42:24I'm sorry I let you down.
42:26You're getting another shot. I have a location for you.
42:30We got you, Paul?
42:32We got him.
42:33You're being released. No charge.
42:35Let's not have this conversation again.
42:37No loose ends.
42:39Understood.
42:41You're my most valuable asset, Nina.
42:44No one can count on you.
42:45The things we're gonna do together.
42:51Now give back the phone.
43:01Listen to me. Listen to me.
43:02You made a mistake, but you can fix this, okay?
43:05If you don't, we're all dead.
43:06Unlock the door!
43:08They're paying me 50 grand to hand you over.
43:12You are never going to see that money, Paul.
43:14Okay? It's not how these people work.
43:16I've seen what they're capable of.
43:20You are better than this.
43:24You are better than them.
43:26You don't know me. You don't know me!
43:28My job is dealing with criminals every fucking day.
43:31I normally should pass them when I see one.
43:34Fuck the money!
43:34Don't you want to see your granddaughter grow up?
43:45Paul.
44:01Wait! Wait! Wait! Wait! Wait! Wait!
44:03Please! Please don't!
44:04Please!
44:05The fuck is this?
44:10Stand him up.
44:11Do it!
44:13Fuck's sake.
44:15Please don't! I have nothing to-
44:17Shut the fuck up.
44:17Please! Just let me go! Please!
44:22Jesus!
44:23Shall I make us all a cup of tea while we wait?
44:39Come on!
44:48Come on!
44:53Come on!
45:07Come on!
45:11What's this then?
45:17Okay.
45:18That's not for us.
45:25Sebastian.
45:28You found him then.
45:33Yeah.
45:34Sorry. I'm, uh-
45:36It's fine.
45:39Was he, uh, a relation?
45:44My husband.
45:47Tibor's father.
45:51I'm so sorry.
45:53Don't be.
46:04He was a virus.
46:06He had to go.
46:09Tibor and I keep them together.
46:14Hmm.
46:19Food's ready.
46:22No!
46:35No!
46:41No!
46:46No!
46:48No!
46:49No!
46:56Why didn't you wait for me?
46:57I thought you were locked up.
47:00This wasn't the moment to prove yourself.
47:02How did the meet with Michael go?
47:05Did you show him the product?
47:08Yeah, it was a successful test.
47:12Where's Miles?
47:18Are you fucking serious?
47:19Look, it worked, okay?
47:21Michael says his clients will wait for us,
47:23so as long as the old man walks, then we're all set.
47:27Then what?
47:29What do you mean?
47:31You're smarter than people think,
47:33but you can't do what I do.
47:35That's why you'd make good partners.
47:38In what?
47:45Yeah, Harrison will never let me run anything, so...
47:48Your father doesn't see you, but I do.
47:51We kill Tibor.
47:52We take our share of the Michael deal.
47:54We set up our own.
47:56Fuck Pegasus.
47:57Fuck Harrison.
47:59You and me.
48:10All right.
48:12All right.
48:29The fridge.
48:35Insulin.
48:36There.
48:41Give me the address.
48:44Do you have any of the insulin?
48:45Give me the...
48:46Give me the address of the safe house first.
48:50I want my family back.
48:53I want my family back.
48:58T-L-3-A-X-Y.
49:04T-L-3-A-X-Y.
49:07Yes?
49:09You see?
49:11You're learning.
49:16Fuck.
49:17Fuck.
49:18No, no, no, no, no, no, no, no, no, no, no, no.
49:20T-Bar.
49:21T-Bar.
49:22T-Bar.
49:24T-Bar.
49:29Okay.
49:30Here we go.
49:32You're gonna be fine.
49:33You're gonna be fine.
49:35You're gonna be fine.
49:38Okay?
49:41Fuck!
49:42Oh, fuck.
49:43T-Bar, please.
49:44Please.
49:44Please.
49:48T-Bar.
50:14Go.
50:19Cally.
50:21.
50:38Transcription by CastingWords
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